Search results for ""author roberto"

Robert O. Keohane’s After Hegemony is both a classic of international relations scholarship and an example of how creative thinking can help shed new light on the world. Since the end of World War II, the global political landscape had been dominated by two superpowers, the USA and the USSR, and the tense stand-off of the Cold War. But, as the Cold War began to thaw, it became clear that a new global model might emerge. The commonly held belief amongst those studying international relations was that it was impossible for nations to work together without the influence of a hegemon (a dominant international power) to act as both referee and ultimate decision-maker. This paradigm – neorealism – worked on the basis that every nation will do all it can to maximize its power, with such processes only checked by a balance of competing powers. Keohane, however, examined the evidence afresh and came up with novel explanations for what was likely to come next. He went outside the dominant paradigm, and argued for what came to be known as the neoliberal conception of international politics. States, Keohane said, can and will cooperate without the influence of a hegemonic power, so long as doing so brings them absolute gains in the shape of economic and cultural benefits. In Keohane’s highly-creative view, the pursuit of national self-interest leads naturally to international cooperation – and to the formation of global regimes (such as the United Nations) that can reinforce and foster it.

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Since 1992, the Dia Center for the Arts has presented the Robert Lehman Lectures on Contemporary Art—an example of Dia's ongoing commitment to cross-disciplinary critical discourse. This fourth volume of collected theoretical and critical essays focuses on Dia's exhibitions from 2001 through 2002, with contributions by Alexander Alberro, Jan Avgikos, Colin Gardner, Dave Hickey, Rosalind Krauss, Miwon Kwon, Ulrich Loock, Richard Shiff and Dirk Snauwaert. These writers analyze the work of internationally recognized artists such as Roni Horn, Alfred Jensen, Bruce Nauman, Max Neuhaus, Panamarenko, Jorge Pardo, Gerhard Richter, Bridget Riley, Diana Thater and Gilberto Zorio.

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An expatriate professor, Vega, returns from exile in Canada to El Salvador for his mother’s funeral. A sensitive idealist and an aggrieved motor mouth, he sits at a bar with the author, Castellanos Moya, from five to seven in the evening, telling his tale and ranting against everything his country has to offer. Written in a single paragraph and alive with a fury as astringent as the wrath of Thomas Bernhard, Revulsion was first published in 1997 and earned its author death threats. Roberto Bolano called Revulsion Castellanos Moya’s darkest book and perhaps his best: “A parody of certain works by Bernhard and the kind of book that makes you laugh out loud.”

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This definitive collection showcases thirty years of work by one of the most significant American poets of the twentieth century, bringing together verse that originally appeared in eight acclaimed books of poetry ranging from "Hello: A Journal" (1978) to "Life & Death" (1998) and "If I were writing this" (2003). Robert Creeley, who was involved with the publication of this volume before his death in 2005, helped define an emerging counter-tradition to the prevailing literary establishment - the new postwar poetry originating with Ezra Pound, William Carlos Williams, and Louis Zukofsky and expanding through the lives and works of Charles Olson, Robert Duncan, Allen Ginsberg, Denise Levertov, and others. "The Collected Poems of Robert Creeley", 1975-2005 will stand together with "The Collected Poems of Robert Creeley", 1975-2000 as essential reading for anyone interested in twentieth-century American poetry.

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From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914–2008) and the Trappist monk and writer Thomas Merton (1915–1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy. These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

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An expansive and revelatory study of Robert Smithson’s life and the hidden influences on his iconic creations This first biography of the major American artist Robert Smithson, famous as the creator of the Spiral Jetty, deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Integrating extensive investigation and acuity, Suzaan Boettger uncovers Smithson’s story and, with it, symbolic meanings across the span of his painted and drawn images, sculptures, essays, and earthworks up to the Spiral Jetty and beyond, to the circumstances leading to what became his final work, Amarillo Ramp.While Smithson is widely known for his monumental earthwork at the edge of the Great Salt Lake, Inside the Spiral delves into the arc of his artistic production, recognizing it as a response to his family’s history of loss, which prompted his birth and shaped his strange intelligence. Smithson configured his personal conflicts within painterly depictions of Christ’s passion, the rhetoric of science fiction, imagery from occult systems, and the impersonal posture of conceptual sculpture. Aiming to achieve renown, he veiled his personal passions and transmuted his professional persona, becoming an acclaimed innovator and fierce voice in the New York art scene.Featuring copious illustrations never before published of early work that eluded Smithson’s destruction, as well as photographs of Smithson and his wife, the noted sculptor Nancy Holt, and recollections from nearly all those who knew him throughout his life, Inside the Spiral offers unprecedented insight into the hidden impulses of one of modern art’s most enigmatic figures. With great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language, this biographical analysis provides an expanded view of Smithson’s iconic art pilgrimage site and the experiences and works that brought him to its peculiar blood red water.

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Robert Barnes has been called the "most famous unknown painter in America." Picking up where his 1985 mid-career retrospective left off, this gorgeous catalog surveys Barnes's work from the past 30 years. Often identified as a Chicago School artist because of his training at the School of the Art Institute of Chicago and his representation by several major Chicago area galleries, Barnes's style defies simple categorization. In addition to 18 largescale paintings from his major series—including The Sources of Power, Silkies, Blood and Perfume, The Ogham, Jettatura, and Paradise—this stunning collection includes 20 of Barnes's works on paper.

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The iconic figure of Robert the Bruce has gone down through the centuries as one of the most remarkable leaders of all time. With equal parts tenacity and ruthlessness, he had himself crowned King of Scotland after murdering one of his most powerful rivals, and so began the rule of an indomitable military genius unafraid of breaking convention, and more than a few English heads. Indeed, it was under the leadership of King Robert that the Battle of Bannockburn took place – a famous victory snatched by a tiny Scots force against a larger, supposedly more sophisticated English foe. In King and Outlaw medieval expert Chris Brown explores the life of Robert the Bruce, whose remarkable history has merged with legend, and reveals the true story of the outlaw king.

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The first extensive examination of Robert Barnes, his career, misconstrued theology and wide-ranging influence beyond England. By the time of his death at the stake in 1540, Robert Barnes was recognized as one of the most influential evangelical reformers in Henrician England. Friend and foe alike judged him the most popular and persuasive preacher of the'new learning'. He enjoyed the patronage of King, Archbishop, and Vicegerent at home, and the praise of evangelical princes and theologians abroad. He wrote what would be the closest the Henrician reformers came to a systematic theology, as well as the first Protestant history of the papacy. Then his dramatic, and not entirely explicable, execution quickly ensured his lasting place in the century's popular propaganda. In this first extensive examination of Robert Barnes and his reformation significance the author provides a comprehensive survey of the reformer's stormy career, a clear and convincing analysis of his often misconstrued theology, and a persuasive argument that the influence of Barnes and his novel polemical programme extended not only into the century following his death, but was as prominent on the continent as it was in his native England. KOREY MAAS is Associate Professor of Church History, Concordia University, Irvine, California

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New essays providing fresh insights into the great 20th-century American poet Lowell, his writings, and his struggles. Robert Lowell (1917-1977) holds a place of unchallenged prominence in the poetic pantheon of the twentieth-century United States. He is an essential focal point for understanding the connection between poetry and American history,social justice, and personal identity. A recent spate of publications both by and about him, as well as allusions to him in the work of major American poets such as Wanda Coleman and Claudia Rankine, attest to his continued relevance. In March 2017, leading Lowell scholars from Europe and America gathered at the University of Fribourg, Switzerland in commemoration of his 100th birthday. The essays deriving from the conference and presented here aftercareful revision reveal new aspects of Lowell: for instance, the poet's influence on his peers, discussed by Thomas Travisano, the biographer of Elizabeth Bishop; or echoes of Milton in Lowell's work, discussed by Saskia Hamilton, editor of the forthcoming Dolphin Letters between Lowell and Elizabeth Hardwick. Other essays examine Lowell's struggles with bipolar illness, with marriage, and with money; his economic views and his early personality issues with respect to his poetic production; his extended sojourn in Amsterdam; and his special relationship with Ireland. Several essays focus on his 1961 volume Imitations, his major poetic engagement with the European tradition, unjustly neglected in the US. The essays will appeal to the wide audience that Lowell scholarship continues to command. Contributors: Steven Gould Axelrod, Massimo Bacigalupo, Philip Coleman, Ian D. Copestake, Astrid Franke, Jo Gill, Saskia Hamilton, Frank J. Kearful, Grzegorz Kosc, Diederik Oostdijk, Francesco Rognoni, Thomas Travisano, Boris Vejdovsky. Thomas Austenfeld is Professor of American Literature at the University of Fribourg.

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Over six decades of brilliant prints and paintings from the most prominent Northwest Coast artist of his generation.Finalist for the Roderick Haig-Brown Regional Prize, a BC & Yukon Book Prize Since leaving Haida Gwaii to study art in Vancouver—where he carved argillite with Bill Reid in a department store and hand-sold prints on the UBC campus—Guud sans glans, Robert Davidson has moved between two worlds. As a host of Potlatches, carver of masks and totem poles, and performer and teacher of traditional Haida songs and dances, he has been one of the driving forces in the resurgence of Haida culture in the aftermath of colonization. As an artist working in serigraphs, acrylic, wood, silver, and aluminum to preserve and breathe new life into Haida formline, he has become among the most respected, celebrated, and thrilling artists in the country, if not the world.Echoes of the Supernatural is the first publication in over forty years to offer a comprehensive visual retrospective of his astonishing career. It includes new photography of over 150 prints, as well as images of over fifty paintings; numerous painted woven hats, painted and carved sculptures, jewellery, aluminum sculpture; and dozens of archival photos. His long-time gallerist Gary Wyatt, who worked closely with Davidson in shaping the book and received full access to his archives, details the artist’s life and career, and offers insights on the work based on extensive new interviews. A foreword by Karen Duffek situates the contours of Davidson’s practice within the broader Northwest Coast art world.

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A complete volume of the writer's poetry and songs includes previously unpublished pieces, draws on extensive scholarship and Burn's own letters, and offers supplemental information about his life, early hardships, political beliefs, and literary contexts.

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Robert Pinker has written extensively on social policy matters since the early 1960s. His distinct approach to understanding concepts such as welfare pluralism is of particular relevance today as welfare pluralism remains an essential component of the policy mix, giving people access to a greater range and diversity of statutory, voluntary, and private sector services than unitary models of welfare provide. Social Policy and Welfare Pluralism presents the first collection of Robert Pinker’s essays in one edited volume. It includes essays on the ways in which welfare theories and ideologies and public expectations have influenced and shaped the political processes of policy making. Other essays focus on clarifying some of the key concepts that underpin the study of social policy. Pinker also reviews the extent to which the United Kingdom has succeeded in creating a ‘policy mix’ in which normative compromises are negotiated between the claims of market individualism and public sector collectivism. The concluding chapter by Robert Pinker reviews the prospects for social policy in the UK over the next five years.

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Robert L. Benson (1925–1996), professor of history at the University of California, Los Angeles, was one of the most learned and original medievalists of his generation. At his untimely death he left behind a considerable body of unpublished writings, many of which he had revised and refined and in some cases presented in lectures and at conferences over many years. The best and most significant of these previously unpublished writings are collected in this volume. The essays in Law, Rulership, and Rhetoric span Benson’s entire career from 1955 to 1994. They comprise a rich collection covering a vast range of topics in political, intellectual, legal, and ecclesiastical history, rhetoric, and historiography. Art historians will find the three essays on medieval images of rulership and medieval art valuable, and literary scholars will be interested in the essays on, among others, Boncompagno da Signa. The volume concludes with several occasional, historiographical essays, including a spirited defense of Ernst Kantorowicz against Norman Cantor and an entertaining talk on “the medievalist as literary hero.” The volume begins with a brief biographical sketch and appreciation of Benson by Horst Fuhrmann.

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Robert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance. In categorising the various ways in which De Niro works with a screenplay, this book will re-examine the relationship between actor and text. This book considers the screenplay as above all a working document and a material object, present at every stage of the filmmaking process. The working screenplay goes through various iterations in development and exists in many versions on set, each adapted and personalised for the specific use of the individual and their role. As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro.

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This groundbreaking series brings together a critical selection of key papers by the Nobel Memorial Laureates in Economics that have helped shape the development and present state of economics. The editors have organised this comprehensive series by theme and each volume focuses on those Laureates working in the same broad area of study. The careful selection of papers within each volume is set in context by an insightful introduction to the Laureates' careers and main published works. This landmark series will be an essential reference for scholars throughout the world.

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Paradise, Massachusetts, is gearing up for the busy summer season when a spate of car thefts places its quiet, tourist-friendly reputation in jeopardy. Jesse Stone fears an automobile theft gang has set up shop in town, and the silver-tongued, heavy-handed police chief vows to put a stop to their activity. Almost as soon as he starts tackling this threat, another materializes: one of a more personal nature. An old enemy, hell-bent on revenge, is fresh out of prison. Thus begins a tale of proactive policing and personal paranoia, in which Stone finds himself defending himself, his patch and - before long - his latest squeeze. In Killing the Blues, Michael Brandman combines all of Parker's tried and tested ingredients to create a highly enjoyable and authentic Jesse Stone thriller.

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Speed, acceleration and rapid change characterize our world, and as we design and construct buildings that are to last at least a few decades and sometimes even centuries, how can architecture continue to act as an important cultural signifier? Focusing on how an important nineteenth-century architect addressed the already shifting relation between architecture, time and history, this book offers insights on issues still relevant today-the struggle between imitation and innovation, the definition (or rejection) of aesthetic experience, the grounds of architectural judgment (who decides and how), or fundamentally, how to act (i.e. build) when there is no longer a single grand narrative but a plurality of possible histories. Six drawings provide the foundation of an itinerary through Charles Robert Cockerell’s conception of architecture, and into the depths of drawings and buildings. Born in England in 1788, Cockerell sketched as a Grand Tourist, he charted architectural history as Royal Academy Professor, he drew to build, to exhibit, to understand the past and to learn from it, publishing his last work in 1860, three years before his death. Under our scrutiny, his drawings become thresholds into the nineteenth century, windows into the architect’s conception of architecture and time, complex documents of past and projected constructions, great examples that reveal a kinetic approach to ornamentation, and the depth of architectural representation.

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Robert McNamara is best known for his key role in the escalation of the Vietnam War as U.S. secretary of defense under Presidents John F. Kennedy and Lyndon Johnson. The familiar story begins with the brilliant young executive transforming Ford Motor Company, followed by his rise to political power under Kennedy, and culminating in his downfall after eight years of failed military policies. Many believe McNamara's fall from grace after Vietnam marked the end of his career. They were wrong. In Robert McNamara's Other War, Patrick Allan Sharma reveals the previously untold story of what happened next. As president of the World Bank from 1968 to 1981, McNamara changed the way many people thought about international development by shifting the World Bank's focus to poverty alleviation. Though his efforts to redeem himself after his failures in Vietnam were well-intentioned, Sharma argues, his expansion of the World Bank's agenda contributed to a decline in the quality of its activities. McNamara's policies at the Bank also helped lay the groundwork for the economic crises that have plagued the developing world during the past three decades. Not only has Sharma crafted an engaging chronicle of one of the most enigmatic figures in modern American history; he has also produced one of the first detailed histories of the World Bank. He mines previously unstudied Bank documents that have only recently become available to researchers as well as material from archives on three continents. Sharma's extensive research shows that McNamara's influence extended well beyond Vietnam and that his World Bank years may be his most enduring legacy.

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FROM THE AUTHOR OF THE SUNDAY TIMES NUMBER ONE BESTSELLER THE CALLER When an unidentified female body is discovered laid out on a slab in an abandoned butcher's shop, the cause of death is unclear. Her body bears no marks; except for the fact that her lips have been carefully stitched shut. It is only when the full autopsy gets underway at the Los Angeles County morgue that the pathologist will reveal the true horror of the situation - a discovery so devastating that Detective Robert Hunter of the Los Angeles Homicide Special Section has to be pulled off a different case to take over the investigation But when his inquiry collides with a missing persons' case being investigated by the razor-sharp Whitney Meyers, Hunter suspects the killer might be keeping several women hostage. Soon Robert finds himself on the hunt for a murderer with a warped obsession, a stalker for whom love has become hate.PRAISE FOR CHRIS CARTER 'A touch of Patricia Cornwell about Chris Carter's plotting' Mail on Sunday 'Gripping . . . not for the squeamish' Heat 'A page-turner' Express

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A compulsive true crime thriller about modern-day international drugs trafficking, terrorism and the mafia following an investigation driven by one DEA agent, Jack Kelly. LONGLISTED FOR THE CRIME WRITERS'' ASSOCIATION 2024 ALCS GOLD DAGGER FOR NON-FICTIONHIGHLY COMMENDED FOR BEST NEW AUTHOR AT THE 2024 TRUE CRIME AWARDSJUDGES'' CITATION: ''A cleverly constructed account of three different characters representing different aspects of the ruthless and fierce drugs trade. Never a dull moment. A real page turner... This book is gripping and immerses you in the very real world of the characters.''''Read this powerful book by Miles Johnson right now.'' - Roberto Saviano, author of Gomorrah''McMafia for the new age'' Catherine Belton, author of Putin''s People: How the KGB Took Back Russia and then took on the West''Compelling, visceral and highly readable'' Oliver Bullough, bestselling author of Money

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This study looks at French literature from Stevenson's perspective and at Stevenson from a French perspective. Shedding light on how Stevenson's use of French contributes to his distinct style, and how and why the earliest French critics translated, disseminated and interpreted his books, it does so in the context of the debates surrounding the development of the novel at the fin de siecle. Readers learn how the artistic debates taking place in France contributed to the evolution of Stevenson's art, but also how Stevenson became a model of literary innovation for French authors and critics who were seeking to renew the French novel.

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The compelling story of Britain’s best-ever cyclist – one of the most enigmatic, complex and contradictory athletes in any sport – and the unravelling of the puzzle surrounding his sudden and dramatic disappearance. Fully updated with new material on the enigmatic Millar. Cyclist Robert Millar came from one of Europe’s most industrialised cities, Glasgow, to excel in the most unlikely terrain – over the high mountain passes of the Pyrenees and the Alps. He was crowned King of the Mountains during the 1984 Tour de France and remains the only ever Briton to finish on the podium of the world’s toughest race. In attitude and appearance he was unconventional – the malnourished-looking young Scot with the tiny stud in his ear who could be prickly, irascible and unapproachable – but to many followers he was the epitome of cool. Flying the flag for British cycling, this one-off original became a cult hero. In Search of Robert Millar will follow the career of this other-worldly character, from his tough childhood on the streets of Glasgow in the 1960s to his move to France and success in the world’s most brutal and unforgiving races, including the controversy surrounding his positive drugs test and his enforced retirement from the sport at the age of 36. It examines what set Millar apart from all other British cyclists who tried, and failed, to make an impact in this most European of sports, describing his single-mindedness, his eccentricity and the humour and intelligence that emerged only towards the end of his career. It also proffers explanations for his subsequent disappearance, which repeated a familiar pattern: he vanished from Glasgow and never returned; he left his wife and son and his adopted country, France. Now, it appears, he has turned his back on cycling (amid rumours that he had undergone a sex-change operation). Through interviews with Millar’s friends, acquaintances, cycling colleagues and ex-classmates, author Richard Moore helps to unravel the mystery of this maverick Scotsman, arguably one of the greatest enigmas in a sport full of remarkable characters.

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An LA Times Best Book of the Year • A New York Times Editors' Pick • A Newsweek 25 Best Fall Books • A The Millions Most Anticipated Book of the Year"Gripping and beautiful. With the artistry of a poet and the intensity of a revolutionary, Lovato untangles the tightly knit skein of love and terror that connects El Salvador and the United States." —Barbara Ehrenreich, author of Natural Causes and Nickel and DimedAn urgent, no-holds-barred tale of gang life, guerrilla warfare, intergenerational trauma, and interconnected violence between the United States and El Salvador, Roberto Lovato’s memoir excavates family history and reveals the intimate stories beneath headlines about gang violence and mass Central American migration, one of the most important, yet least-understood humanitarian crises of our time—and one in which the perspectives of Central Americans in the United States have been silenced and forgotten. The child of Salvadoran immigrants, Roberto Lovato grew up in 1970s and 80s San Francisco as MS-13 and other notorious Salvadoran gangs were forming in California. In his teens, he lost friends to the escalating violence, and survived acts of brutality himself. He eventually traded the violence of the streets for human rights advocacy in wartime El Salvador where he joined the guerilla movement against the U.S.-backed, fascist military government responsible for some of the most barbaric massacres and crimes against humanity in recent history. Roberto returned from war-torn El Salvador to find the United States on the verge of unprecedented crises of its own. There, he channeled his own pain into activism and journalism, focusing his attention on how trauma affects individual lives and societies, and began the difficult journey of confronting the roots of his own trauma. As a child, Roberto endured a tumultuous relationship with his father Ramón. Raised in extreme poverty in the countryside of El Salvador during one of the most violent periods of its history, Ramón learned to survive by straddling intersecting underworlds of family secrets, traumatic silences, and dealing in black-market goods and guns. The repression of the violence in his life took its toll, however. Ramón was plagued with silences and fits of anger that had a profound impact on his youngest son, and which Roberto attributes as a source of constant reckoning with the violence and rebellion in his own life. In Unforgetting, Roberto interweaves his father’s complicated history and his own with first-hand reportage on gang life, state violence, and the heart of the immigration crisis in both El Salvador and the United States. In doing so he makes the political personal, revealing the cyclical ways violence operates in our homes and our societies, as well as the ways hope and tenderness can rise up out of the darkness if we are courageous enough to unforget.

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Amidst the seedy hotels and deserted campsites of the Costa Brava, someone has gone missing.A detective sets out to find them. They search among the hapless girls, failed poets, and shifty policemen that populate this dream world but every door opens onto a nightmare.An experimental novella, spliced together in vignettes, Antwerp is Roberto Bolaño's first work of fiction. A personal declaration of the power of literature, to read it is to be present at the big bang' of Bolaño's enterprise into prose, to see the beginning, to witness the moment when his talent explodes.TRANSLATED BY NATASHA WIMMER''A fascinating, even compulsory addition to the Bolaño fan's bookshelf'' Daily TelegraphBolaño set a new speed limit for literature. He simply wrote past other authors... His books are volcanic, perilous, charged with infectious erotic energy and demonic lucidity' Benjamín Labatut, author of The Maniac

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Born in Manchester, Tim Parks grew up in London and studied at Cambridge and Harvard. He lives in Milan. Parks is the acclaimed author of novels, non-fiction and essays, including Europa, A Season with Verona, Teach Us to Sit Still, Italian Ways and Italian Life. He has been shortlisted for the Booker Prize and has won many awards for both his work in English and his translations from the Italian, which include works by Alberto Moravia, Italo Calvino, Roberto Calasso, Antonio Tabucchi and Niccolò Machiavelli.

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Born in Manchester, Tim Parks grew up in London and studied at Cambridge and Harvard. He lives in Milan.Parks is the acclaimed author of novels, non-fiction and essays, including Europa, A Season with Verona, Teach Us to Sit Still, Italian Ways and Italian Life. He has been shortlisted for the Booker Prize and has won many awards for both his work in English and his translations from the Italian, which include works by Alberto Moravia, Italo Calvino, Roberto Calasso, Antonio Tabucchi and Niccolò Machiavelli.

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Robert Emmet's life, death, and immediate elevation into the pantheon of Irish nationalist heroes are well known. These essays on Emmet's life and legacy, however, demonstrate a new interdisciplinary approach to studies of the Irish nationalist hero. "Reinventing Emmet" includes essays on commemoration, literature, legal history and aspects of the Emmet legacy not explored elsewhere, such as studies of his influence on American culture, and draws on research from young as well as established scholars. Robert Emmet is an Irish (and Irish-American) nationalist icon. Although Emmet's rebellion of 1803 was an embarrassing failure, his speech from the dock prior to his execution for high treason has captured national and international imagination. The trial, the speech, and the image of Emmet have in many ways superseded his actual achievements, and have been perpetually reproduced across the nineteenth and twentieth centuries, culminating in the bicentenary of Emmet's rebellion in 2003. But what is Emmet's legacy? Is there more to this iconic figure than a failed rebellion and a memorable speech?

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This is as the favoured artist of an enterprising Parisian elite, Robert is a prophetic case study of the intersection between aesthetics and modernity's dawning business culture. In this provocative study, Hubert Robert's paintings of urban ruins are interpreted as manifestations of a new consciousness of time, one shaped by the uncertainty of an economy characterized by the anxiety-inducing expansion of credit, frenzied speculation on the stock market, and foolhardy ventures in real estate. At the centre of this lively narrative lie Robert's depictions of the ruins of Paris - macabre and spectacular paintings of desolation - on the eve of the French Revolution. Drawing on a vast range of materials, Futures & Ruins interprets Robert's artworks as harbingers of a modern appetite for self-destruction: the paintings are examined as expressions of the pleasures and perils of a risk economy.

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"As a painter and as one interested in education in relation to painting and drawing, the writer has become personally interested in the problem of subject matter in art... Since there is controversy in regards to this tendency in painting, research directed toward the source of ideas involved in the work, it is felt, will help to make clear the intention of the artists. This research will deal with the attitudes of these artists toward their own work and their relation to tradition as they express it." —Robert Goodnough (1950). The absence of traditional subject matter was a primary issue for painters in mid-twentieth-century America whose imagery lacked representational references; it was also a problem for those struggling to understand modern art. Robert Goodnough (1917–2010), then a New York University graduate student and an artist deeply involved with these issues, responded to the situation in a 1950 research paper, "Subject Matter of the Artist: An Analysis of Contemporary Subject Matter in Painting as Derived from Interviews with Those Artists Referred to as the Intrasubjectivists." Goodnough's paper constitutes the first scholarly work on the artists who became known as the Abstract Expressionists and includes interviews with William Baziotes, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. This previously unpublished study is presented here for the first time alongside related writings by Goodnough.

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The cooperation of Trix and Robert Haussmann with the Röthlisberger carpenters, which started in 1979, yielded numerous successful experiments in artistic and handcrafted furniture. Not comparable to furniture from the retail store, these exclusive designs were sold as a limited edition of 15 pieces each. For the first time, a publication presents the full scope of furniture that was developed in Trix and Robert Haussmann’s “Allgemeine Entwurfsanstalt” for the Röthlisberger Kollektion. The design objects were highly sophisticated in the planning of each detail as well as their realization and required a high level of innovation, new techniques and technical expertise.

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Pairing a selection of recent watercolours from 2011 and 2012 by Thomas Schutte with a selection of previously unpublished poems by Robert Walser, written between 1924 and 1933, this book is a deeply personal exploration of our everyday selves, choreographed by one of the greatest living artists. This book is dedicated by the artist to the gallerist Donald Young, who invited the artist to participate in an exhibition dedicated to Walser in Chicago in 2012. Published in original German with new English translations of each poem and with an introduction by Dr. Reto Sorg, director of the Robert Walser Archives.

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The first full-length study of one of the most controversial figures of later fourteenth century England.

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In Clouds of Glory: The Life and Legend of Robert E. Lee, Michael Korda, the New York Times bestselling biographer of Dwight D. Eisenhower, Ulysses S. Grant, and T. E. Lawrence, has written the first major biography of Lee in nearly twenty years, bringing to life one of America's greatest, most iconic heroes. Korda paints a vivid and admiring portrait of Lee as a general and a devoted family man who, though he disliked slavery and was not in favor of secession, turned down command of the Union army in 1861 because he could not "draw his sword" against his own children, his neighbors, and his beloved Virginia. He was surely America's preeminent military leader, as calm, dignified, and commanding a presence in defeat as he was in victory. Lee's reputation has only grown in the 150 years since the Civil War, and Korda covers in groundbreaking detail all of Lee's battles and traces the making of a great man's undeniable reputation on both sides of the Mason-Dixon Line, positioning him finally as the symbolic martyr-hero of the Southern Cause. Clouds of Glory features dozens of stunning illustrations, some never before seen, including eight pages of color, sixteen pages of black-and-white, and nearly fifty battle maps.

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Many people have written biographies of Charles Darwin, but the story of his family and roots in Shrewsbury is little known. This book, containing original research, fills that gap. The key player is Charles' father, Dr Robert Darwin, a larger-than-life character whose financial acumen enabled Charles to spend his whole life on research unencumbered by money worries. Through Susannah, Charles' mother, we are introduced to the Wedgwood family, whose history was so closely interwoven with the Darwins. The stories of Charles' five siblings are detailed, and there is a wealth of local material, such as information on Shrewsbury School and its illustrious headmaster, Samuel Butler. The book is fully illustrated with contemporary and modern pictures, and will be of interest to anyone wanting to discover more about the development of Shrewsbury's most famous son.

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2022 Atlantean Award, Robert E. Howard FoundationYou may not know the name Robert E. Howard, but you probably know his work. His most famous creation, Conan the Barbarian, is an icon of popular culture. In hundreds of tales detailing the exploits of Conan, King Kull, and others, Howard helped to invent the sword and sorcery genre.Todd B. Vick delves into newly available archives and probes Howard’s relationships, particularly with schoolteacher Novalyne Price, to bring a fresh, objective perspective to Howard's life. Like his many characters, Howard was an enigma and an outsider. He spent his formative years visiting the four corners of Texas, experiences that left a mark on his stories. He was intensely devoted to his mother, whom he nursed in her final days, and whose impending death contributed to his suicide in 1936 when he was just thirty years old.Renegades and Rogues is an unequivocal journalistic account that situates Howard within the broader context of pulp literature. More than a realistic fantasist, he wrote westerns and horror stories as well, and engaged in avid correspondence with H. P. Lovecraft and other pulp writers of his day. Vick investigates Howard’s twelve-year writing career, analyzes the influences that underlay his celebrated characters, and assesses the afterlife of Conan, the figure in whom Howard's fervent imagination achieved its most durable expression.

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In A Manual of the Writings in Middle English, Amis and Amiloun, Robert of Cisyle, and Sir Amadace are classified by Lillian Herlands Hornstein as Legendary Romances of Didactic Intent. Amis, produced in the East Midlands in the late thirteenth century was well known throughout Europe, but according to Edward Foster, the Middle English version is especially lively, entertaining, and perplexing. Robert of Cisyle was also a common and popular story; like the medieval tragedies recounted in Chaucer's The Monk's Tale, it recounts the story of the fall of a great man and his ultimate triumph once he has been thoroughly humiliated. The stress in Sir Amadace is on material things: Amadace's original plight is material, his succor of the unburied knight is material, the white knight's assistance to him is material, his redemption is material . . . , and his ultimate happiness is material. Second, revised edition

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