Search results for ""author james""

Slavery in Small Things: Slavery and Modern Cultural Habits isthe first book to explore the long-range cultural legacy of slavery through commonplace daily objects. Offers a new and original approach to the history of slavery by an acknowledged expert on the topic Traces the relationship between slavery and modern cultural habits through an analysis of commonplace objects that include sugar, tobacco, tea, maps, portraiture, print, and more Represents the only study that utilizes common objects to illustrate the cultural impact and legacy of the Atlantic slave trade Makes the topic of slavery accessible to a wider public audience

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Slavery in Small Things: Slavery and Modern Cultural Habits isthe first book to explore the long-range cultural legacy of slavery through commonplace daily objects. Offers a new and original approach to the history of slavery by an acknowledged expert on the topic Traces the relationship between slavery and modern cultural habits through an analysis of commonplace objects that include sugar, tobacco, tea, maps, portraiture, print, and more Represents the only study that utilizes common objects to illustrate the cultural impact and legacy of the Atlantic slave trade Makes the topic of slavery accessible to a wider public audience

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An authoritative guide to the action-packed film genre With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody. A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: Offers a definitive guide to the action film Contains insightful contributions from a wide range of international film experts and scholars Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.

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What are the Runes, and are they actually good for magic? Combining a lifetime of learning and experiences with the Runes with a unique, quirky set of illustrations, James Flowerdew brings you this beginner’s guide. Full of direct references to genuine ancient texts - as well as ripping yarns, poignant anecdotes and a good dose of humour - this book attempts to demonstrate not just the surface of Rune magic, but the underlying principles and culture that inform them alongside some general magical practice. The Runes are much more than a historical alphabet. They are a key to the wisdom of the ancient peoples who used them in language, life and magic, with these surviving writings not only clarifying these uses, but providing at least the bones of what you need to use them yourself today. A mixture of elegant and coarse, gentle and gritty, sombre and witty, the Runes are not to everyone’s taste - but they echo a very real and relatable cosmology. A world view that doesn’t hide the warts, but that finds plenty worth loving at the same time. Step into the world of the Runes on steady feet, and start a spiritual journey from which you may never wish to turn back.

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For thousands of years, spiritual questions have haunted the hearts and minds of humankind. Do higher powers exist, and if so, what is our relationship to them? And how else might we interpret seemingly miraculous events such as faith healing, out-of-body experiences, and extrasensory perceptions? Wondrous Healing traces the human capacity for religious belief to the success of ancient healing rituals, such as chanting to calm women in childbirth or rhythmic dancing to reduce trauma from wounds. Those who accepted these hypnotic suggestions were far more likely to receive positive benefits from the "healing." The apparent success of such rituals, McClenon argues, led to the development of shamanism, humankind's first religion. Controversial and daring, McClenon's theory is based on his extensive research and firsthand observation of modern shamanistic performances across Asia and North America. His evidence supports the argument that evolutionary processes developed a biological basis for religion. McClenon's historical and anthropological analyses of these issues explore the relationship between science, society, and spirituality.

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Durham diocesan registry documents until 1580. Some Latin, mainly English, transcribed in full with occasional explanatory notes. Concludes with an account and Annual Report of the Surtees Society. See volumes 38, 112, 142.

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This second in the six volume series covers the years of the General Strike, and includes a detailed examination of the policies, successes and failings of Communists and the militant left generally.

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This first in the six volume series covers the early 20s - the wave of post-war militancy, the negotiations between Marxist groups which led to the formation of the Communist Party, the Party's early organisation and political policies, and the coming into office and the fall of the First Labour Government.

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Can poetry articulate something about love that philosophy cannot? The Form of Love argues that it can. In close readings of seven “metaphysical” poems, the book shows how poets of the early modern period and beyond use poetic form to turn philosophy to other ends, in order not to represent the truth about love but to create a virtual experience of love, in all its guises. The Form of Love shows how verse creates love that can’t exist without poetry’s specific affordances, and how poems can, in their impossibility, prompt love’s radical re-imagining. Like the philosophies on which they draw, metaphysical poems imagine love as an intense form of non-sovereignty, of giving up control. They even imagine love as a liberating bondage—to a friend, a beloved, a saint, a God, or a garden. Yet these poems create strange, striking versions of such love, made in, rather than through, the devices, structures, and forces where love appears. Tracing how poems think, Kuzner argues, requires an intimate form of reading: close—even too close—attention to and thinking with the text. Showing how poetry thinks of love otherwise than other fields, the book reveals how poetry and philosophy can nevertheless enter into a relation that is itself like love.

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Shakespeare as a Way of Life shows how reading Shakespeare helps us to live with epistemological weakness and even to practice this weakness, to make it a way of life. In a series of close readings, Kuzner shows how Hamlet, Lucrece, Othello, The Winter’s Tale, The Tempest, and Timon of Athens, impel us to grapple with basic uncertainties: how we can be free, whether the world is abundant, whether we have met the demands of love and social life. To Kuzner, Shakespeare’s skepticism doesn’t have the enabling potential of Keats’s heroic “negativity capability,” but neither is that skepticism the corrosive disease that necessarily issues in tragedy. While sensitive to both possibilities, Kuzner offers a way to keep negative capability negative while making skepticism livable. Rather than light the way to empowered, liberal subjectivity, Shakespeare’s works demand lasting disorientation, demand that we practice the impractical so as to reshape the frames by which we view and negotiate the world. The act of reading Shakespeare cannot yield the practical value that cognitive scientists and literary critics attribute to it. His work neither clarifies our sense of ourselves, of others, or of the world; nor heartens us about the human capacity for insight and invention; nor sharpens our ability to appreciate and adjudicate complex problems of ethics and politics. Shakespeare’s plays, rather, yield cognitive discomforts, and it is just these discomforts that make them worthwhile.

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Cities and Citizenship is a prize-winning collection of essays that considers the importance of cities in the making of modern citizens. For most of the modern era the nation and not the city has been the principal domain of citizenship. This volume demonstrates, however, that cities are especially salient sites for examining the current renegotiations of citizenship, democracy, and national belonging. Just as relations between nations are changing in the current phase of global capitalism, so too are relations between nations and cities. Written by internationally prominent scholars, the essays in Cities and Citizenship propose that “place” remains fundamental to these changes and that cities are crucial places for the development of new alignments of local and global identity. Through case studies from Africa, Europe, Latin America, and North America, the volume shows how cities make manifest national and transnational realignments of citizenship and how they generate new possibilities for democratic politics that transform people as citizens. Previously published as a special issue of Public Culture that won the 1996 Best Single Issue of a Journal Award from the Professional/Scholarly Publishing Division of the Association of American Publishers, the collection showcases a photo essay by Cristiano Mascaro, as well as two new essays by James Holston and Thomas Bender. Cities and Citizenship will interest students and scholars of anthropology, geography, sociology, planning, and urban studies, as well as globalization and political science.Contributors. Arjun Appadurai, Etienne Balibar, Thomas Bender, Teresa P. R. Caldeira, Mamadou Diouf, Dilip Parameshwar Gaonkar, James Holston, Marco Jacquemet, Christopher Kamrath, Cristiano Mascaro, Saskia Sassen, Michael Watts, Michel Wieviorka

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Business Without Boundary was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.The firm of General Mills is probably best known to millions of people as the maker of Gold Medal Flour and as the progenitor of that first lady of the kitchen and the airwaves, Betty Crocker. But, although its greatest fame is as a flour miller, the company engages in a host of other activities that attest to the foresight and creative thinking of its executives. In fact, the sky seems to be the only limit as the company extends its sights upward in Operation Skyhook, a United States navy research project for which General Mills makes and launches into the stratosphere giant plastic balloons.James Gray relates not only the history of General Mills since its founding in 1928 but also the background of the major companies that merged to form the larger corporation: the Washburn Crosby Company of Minneapolis, the Sperry Company of San Francisco, the Kell group of Texas and Oklahoma mills, and the Larrowe Milling Company of Detroit.Anyone interested in advertising and promotion will find fascinating the accounts of the early successes in radio advertising, including the first use of singing commercials and the phenomenal rise of Betty Crocker (voted the second best-known woman in America!) The scientific and technical research that is a cornerstone of the modern corporation is described in detail, as is the development of the products control method, a General Mills innovation now widely adopted in industry.For those curious to understand how business expands, for those interested in a close-up of industrial leaders, for anyone who wants to sharpen his view of America at work, this is an important book.

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The Civil War is a much plumbed area of scholarship, so much so that at times it seems there is no further work to be done in the field. However, the experience of children and youth during that tumultuous time remains a relatively unexplored facet of the conflict. Children and Youth during the Civil War Era seeks a deeper investigation into the historical record by and giving voice and context to their struggles and victories during this critical period in American history. Prominent historians and rising scholars explore issues important to both the Civil War era and to the history of children and youth, including the experience of orphans, drummer boys, and young soldiers on the front lines, and even the impact of the war on the games children played in this collection. Each essay places the history of children and youth in the context of the sectional conflict, while in turn shedding new light on the sectional conflict by viewing it through the lens of children and youth. A much needed, multi-faceted historical account, Children and Youth during the Civil War Era touches on some of the most important historiographical issues with which historians of children and youth and of the Civil War home front have grappled over the last few years.

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Language is integral to our social being. But what is the status of those who stand outside of language? The mentally disabled, “wild” children, people with autism and other neurological disorders, as well as animals, infants, angels, and artificial intelligences, have all engaged with language from a position at its borders. In the intricate verbal constructions of modern literature, the ‘disarticulate’—those at the edges of language—have, paradoxically, played essential, defining roles. Drawing on the disarticulate figures in modern fictional works such as Billy Budd, The Sound and the Fury, Nightwood, White Noise, and The Echo Maker, among others, James Berger shows in this intellectually bracing study how these characters mark sites at which aesthetic, philosophical, ethical, political, medical, and scientific discourses converge. It is also the place of the greatest ethical tension, as society confronts the needs and desires of “the least of its brothers.” Berger argues that the disarticulate is that which is unaccountable in the discourses of modernity and thus stands as an alternative to the prevailing social order. Using literary history and theory, as well as disability and trauma theory, he examines how these disarticulate figures reveal modernity’s anxieties in terms of how it constructs its others.

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In The Back of Beyond , James Charles Roy, a noted authority on Irish history and travel, escorts a disparate group of Americans through the lonely backwaters of ancient Ireland. Visions of a glorious enterprise evaporate as he sees a dejected and weary handful of aged tourists disembark at Shannon Airport. Fortified by Guinness, Roy hurls himself into sharing with them the joys and wonders of Ireland's twisted byways.Determined to avoid cliché, Roy leads his group to obscure Celtic coronation sites, monasteries, and remote abbeys as he spins a narrative that pulls Ireland's chaotic story into coherence. His unsuspecting charges begin to shed their hesitancies, relishing in their guide's idiosyncratic approach to Ireland. Black comedy aside, Roy touches an emotional chord: how the economic phenomenon known as the Celtic Tiger has transformed Old Ireland into a high-tech power. At the tour's end, Roy embarks alone for the inaccessible Ardoilean, a seventh-century Celtic hermitage in County Galway. His vision is one of an Ireland lost forever.

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Marigold presents the first rigorously documented, in-depth story of one of the Vietnam War's last great mysteries: the secret peace initiative, codenamed "Marigold," that sought to end the war in 1966. The initiative failed, the war dragged on for another seven years, and this episode sank into history as an unresolved controversy. Antiwar critics claimed President Johnson had bungled (or, worse, deliberately sabotaged) a breakthrough by bombing Hanoi on the eve of a planned secret U.S.-North Vietnamese encounter in Poland. Yet, LBJ and top aides angrily insisted that Poland never had authority to arrange direct talks and Hanoi was not ready to negotiate. This book uses new evidence from long hidden communist sources to show that, in fact, Poland was authorized by Hanoi to open direct contacts and that Hanoi had committed to entering talks with Washington. It reveals LBJ's personal role in bombing Hanoi as he utterly disregarded the pleas of both the Polish and his own senior advisors. The historical implications of missing this opportunity are immense: Marigold might have ended the war years earlier, saving thousands of lives, and dramatically changed U.S. political history.

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The 1930s marked a turning point for the world. Scientific and technological revolutions, economic and social upheavals, and the outbreak of war changed the course of history. The 1930s also marked a turning point for Robinson Jeffers, both in his career as a poet and in his private life. The letters collected in this second volume of annotated correspondence document Jeffers' rising fame as a poet, his controversial response to the turmoil of his time, his struggles as a writer, the growth and maturation of his twin sons, and the network of friends and acquaintances that surrounded him. The letters also provide an intimate portrait of Jeffers' relationship to his wife Una—including a full account of the 1938 crisis at Mabel Dodge Luhan's home in Taos, New Mexico that nearly destroyed their marriage.

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This book addresses two questions that are crucial to the human condition in the twenty-first century: does globalization promote security or fuel insecurity? And what are the implications for world order? Coming to grips with these matters requires building a bridge between the geoeconomics and geopolitics of globalization, one that extends to the geostrategic realm. Yet few analysts have sought to span this gulf. Filling the void, Mittelman identifies systemic drivers of global security and insecurity and demonstrates how the intense interaction between them heightens insecurity at a world level. The emergent confluence he labels hyperconflict—a structure characterized by a reorganization of political violence, a growing climate of fear, and increasing instability at a world level. Ultimately, his assessment offers an "early warning" to enable prevention of a gathering storm of hyperconflict, and the establishment of enduring peace.

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Nahuatl was the primary native language of central Mexico both before and after the Spanish conquest. It is the Latin of the indigenous languages of the New World. Its tradition of alphabetic writing goes back to the middle years of the sixteenth century and embraces not only grammars, dictionaries, collections of preconquest lore, and works of religious instruction, but also, above all, a great mass of mundane writing by the Nahuas themselves for their own purposes. Though the past quarter century has seen a flourishing of ethnohistorical, philological, and grammatical studies based on this corpus, those interested in the world of Nahuatl texts still find access to it difficult. James Lockhart, an eminent historian of early Latin America, is also perhaps the leading interpreter of this large body of work. He has translated and edited a wide range of texts, analyzed their cultural and linguistic implications, and over the years trained a large number of students, several of whom have gone on to become well known scholars of Nahuatl and other indigenous languages. Lockhart's main tools of instruction were: (1) a gradually growing set of lessons consisting primarily of examples culled from many sources of the sixteenth through eighteenth centuries (or concocted in the spirit of that time), and (2) the grammar or Arte of Nahuatl published in Spanish by the Florentine Jesuit Horacio de Carochi in 1645. In small groups of students, with a maximum of personal instruction and discussion, these materials accomplished their purpose, but the lessons were only in skeletal form, and the Carochi grammar, too, in the Spanish editions available, needed extensive explanation. Now, Lockhart has organized and expanded these materials into volumes that can be understood by students working alone or used in organized Nahuatl classes. The two books together will allow any seriously interested person to master Nahuatl sufficiently to begin reading the texts, and they will provide essential reference works as one progresses. They are geared primarily to the older form of the language and its written texts, but they can also be extremely useful to those studying the spoken Nahuatl of later times. Nahuatl as Written presumes no previous knowledge of the language. Treating all essential features of Nahuatl, it is organized on purely pedagogical principles, using techniques developed over many years of practical teaching experience. The book is in large format, almost like a workbook, with a great abundance of examples that serve as exercises; the examples are also available separately for the student's convenience. The orthography and vocabulary are those found in texts of the time, and the last several of the twenty lessons give the student training in working with texts as they were actually written. Some of the lessons deal with syntax in a way not found elsewhere and develop notions of anticipation and crossreference that are basic to Nahuatl grammar. In line with Lockhart's wish to bring more people into the Nahuatl documentary world, an Epilogue surveys many of the published Nahuatl texts and an Appendix presents substantial selections from ten different texts. Carochi's 1645 Grammar is the most influential work ever published on Nahuatl grammar and remains an essential work of reference. The best recent grammars of Nahuatl are based on it, but they have not exhausted it. It includes an extensive discussion of adverbial expressions and particles that is found nowhere else, as well as an irreplaceable fund of authentic examples from the time, translated by a contemporary. Though a facsimile edition is available, the original is very difficult to read, and only a few experts can fully understand the seventeenth-century Spanish and Latinate grammatical terms. This new edition presents the original Spanish and an English translation on facing pages. Helpful footnotes provide explanatory commentary and more literal translations of some of Carochi's examples. The volume is at once an indispensable pedagogical tool and the first critical edition of the premier monument of the Nahuatl grammatical literature. The two books are published jointly with UCLA Latin American Center Publications.

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Critic, novelist, filmmaker, jazz musician, painter, and, above all, poet, Weldon Kees performed, practiced, and published with the best of his generation of artists—the so-called middle generation, which included Robert Lowell, Elizabeth Bishop, and John Berryman. His dramatic disappearance (a probable suicide) at the age of forty-one, his movie-star good looks, his role in various movements of the day, and his shifting relationships with key figures in the arts have made him one of the more intriguing—and elusive—artists of the time. In this long-awaited biography, James Reidel presents the first full account of Kees’s troubled yet remarkably accomplished life. Reidel traces Kees’s career from his birth in 1914 and boyhood in Beatrice, Nebraska, to his stint as an award-winning short-story writer and novelist, his rise as a poet and critic in New York, his branching off into abstract expressionism, jazz music, and theater, and his experimental and scientific filmmaking and photography. Going beyond the cult status that has grown up around Kees over the years, this work fairly and judiciously places him as a cultural adventurer at a particularly rich and significant moment in postwar twentieth-century America.

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The Guitar in Jazz presents in rich, entertaining detail the history and development of the guitar as a jazz instrument. In a series of essays by some of jazz’s leading historians and critics, the volume traces the impressive evolution of jazz guitar playing, from the pioneering styles of Nick Lucas and Eddie Lang through the recent innovations of such contemporary masters as Jim Hall and Ralph Towner. Editor James Sallis has included essays that focus on individual guitarists, including Charlie Christian, Django Reinhardt, and JoePass. Other chapters vividly describe important jazz guitar styles, such as swing guitar and fingerstyle guitar. In all, The Guitar in Jazz provides a full and captivating portrait of the guitar’s place in jazz. The book also offers insights into the larger history of jazz—its development, the social contexts in which the music came into being, and its eventual recognition as "the American classical music." The essays will appeal to guitar players and enthusiasts, and to all jazz lovers.

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Seeks to help preserve the religion, culture, and history of the Cheyenne People for the generations ahead

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The citizen soldier is a central figure in Canada’s social memory of the First World War. But is the ideal of being a citizen first and a soldier only by necessity an unchanging feature of the Canadian identity?This compelling history traces the evolution of the Canadian amateur military tradition in the turbulent years from 1896 to 1921. Before the Great War, Canada’s military culture was in transition as Canada navigated an uncertain relationship with the United States and fought an imperial war in South Africa. Gradually, the untrained civilian replaced the long-serving volunteer militiaman as the archetypal amateur soldier, setting the country down a path leading directly to the battlefields of Flanders and northern France.Militia Myths reveals the history of a military culture that consistently employed the citizen soldier as its foremost symbol, but was otherwise in a state of profound change.

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Since the mid-1950s, successive Canadian governments have grappled with the issue of Canada’s role in US ballistic missile defence programs. Until Paul Martin’s government finally said no, policy-makers responded to US initiatives with fear and uncertainty as they endlessly debated the implications – at home and abroad – of participation. However, whether this is the end of the story remains to be seen.Drawing on previously classified government documents and interviews with senior officials, James Fergusson examines Canada’s policy deliberations during five major US initiatives. He reveals that a combination of factors such as weak leadership and a tendency to place uncertain and ill-defined notions of international peace and security before national defence resulted in indecision on what role Canada would play in ballistic missile defence. In effect, policy-makers have failed to transform debates about the issue into an opportunity to define Canada’s strategic interests at home and on the world stage. Canada and Ballistic Missile Defense is the first comprehensive account of Canada’s response and indecision regarding US ballistic missile defence initiatives, and the implications of this inaction.

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Pritchard's chief concern is to explain why Bourbon France, the richest and most poewerful state in Europe in the middle of the eighteenth century, failed to exercise its power at sea. Through a close examination of naval organization -- the secretaries of state for the navy, central bureaus, officers of the sword and pen, seamen, arsenals, workers, probems of shipbuilding, ordnance production and material acquisition, and finances -- he shows the navy as both an institution embedded in society and an instrument of government. The tensions arising from the contradiction between an institution composed of individuals who sought to advance their own and group interests and an instrument that existed to fulfil government ends were aggravated by an administation of men rather than norms. Pritchard traces many of the shortcomings of naval administratrion to the intensely personal bonds and idiosyncratic behaviour of the individuals who ran it. Many of Pritchards's conclusions run counter to the generallly accepted accounts of problems in the French navy during this period and to the usual view of Choiseul as the saviour of French maritime power. The first complete study of this period of French naval administration, Pritchard's work parallels Baugh's on the British navy.

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The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.

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This collection of essays on transnational crime and policing covers a broad range of themes: the relationship between global policing and the transnational-state-system; the impact of advanced technologies on policing practice; the changing morphology of occupational policing subculture; and the transnational practices of police agencies. The essays include case studies and are based on empirical fieldwork that began in the early 1990s and continued for over a decade well into the post 9-11 period. This collection also provides valuable accounts of the 'secret social world' of transnational police, demonstrates that the developmental trajectory of transnational practices was already established prior to the 'age of Homeland Security' and addresses the controversial issue of how transnational policing in all of its complex manifestations might be made politically accountable in the interests of the general global commonwealth.

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Haunted Lambeth is a collection of real-life stories of apparitions and poltergeists from all across the London Borough of Lambeth. Included are the ghost stories of Lambeth Palace, the terrifying tradition of the ‘Tomb of the Tradescants’, a ghost at The Old Vic Theatre, the dream house that haunted the entertainer Roy Hudd, supernatural echoes of Waterloo’s Necropolis Railway, the ghosts of Ruth Ellis and others at Streatham’s Caesar’s Nightclub. These stories have been collected and researched over many years, and come from a variety of sources including original newspaper articles, books and, as often as possible, personal communication with people directly involved.

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A trawlerman’s life was hard, often up against bad weather, rough seas and black frosts, although on calm days it was a pleasure to be at sea. In this eventful memoir, deep-sea trawlerman James Greene relates his life at sea, from his childhood when his father would take him out in some of the worst gales and hurricanes imaginable to his early career as a deckhand learner, obtaining his skipper’s ticket, and the many experiences – both disastrous and otherwise – to occur throughout his time at sea. During his career he was involved in ship collisions and fires, arrested for poaching, fired upon by Icelandic gunboats, in countless storms and even swept overboard in icy conditions off the Russian coast. The British trawling industry is largely a bygone age and people are beginning to forget the adventures, hardships and joys that characterised this most dangerous of professions. This book seeks to keep the memories of a once great industry alive.

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Although only children at the time, the Second World War had a permanent effect on the schoolboys who lived through the conflict. Watching a country preparing for war and then being immersed in the horrors of the Blitz brought encounters and events that some will never forget. Now in their seventies and eighties, many are revisiting their memories of this period of upheaval and strife for the first time. As he fully immersed himself in rural life in the little village of Pulborough, the author witnessed some extraordinary events, from finding an injured German airman in the woods, to watching Bailey bridges being erected in the fortified village and observing the Battle of Britain raging overhead. After four years of highs and lows, evacuation had a lasting effect, and although he could not wait to return to London, the author moved back to Sussex as soon as he was old enough. Due to it proximity to the south coast, West Sussex was a dangerous place in the wartime years, and this poignant book documents events indelibly inscribed on a generation’s minds.

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Everywhere you turn, there’s a motivational quote to greet you — on social media posts, clothing, billboards … you name it, one will be there. Sure, they can make us feel motivated, for an instant, but are they actually doing us more harm than good? In Stop Believing Bullsh*t, highly respected leadership educator James Adonis offers sense in place of the sparkling nonsense that permeates the inspiration industry. He exposes the unrealistic clichés and misleading mantras that frequently just end up making you feel bad, replacing them with evidence-based insights that are no less motivating, but are credible, reliable and, most importantly, scientifically tested. A reality check like no other, Stop Believing Bullsh*t is a refreshing, liberating and surprisingly comforting read that will empower you to see beyond the mantras and gimmicks, and instead offer you the tools you need to really change your life.

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What is the connection between the number 13 and Jack the Ripper? Why was the number 18 crucial in catching Acid Bath murderer John George Haigh? And what is so puzzling about the number 340 in the chilling case of the Zodiac killer? The answers to all these questions and many more are revealed in a unique, number-crunching history of the ultimate crime. James Moore’s Murder by Numbers tells the story of murder through the centuries in an entirely new way … through the key digits involved. Each entry starts with a number and leads into a different aspect of murder, be it a fascinating angle to a case or revealing insights into murder methods, punishments and, of course, the chilling figures behind the most notorious killers from our past. From the grizzly death toll of the world’s worst serial killer to your own odds of being murdered, this guide will appeal to the connoisseur of true crime and the casual reader alike.

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On 16 July 1936 a man in a brown suit stepped from the crowd on London’s Constitution Hill and pointed a loaded revolver at King Edward VIII as he rode past. The monarch was moments from death. But MI5 and the Metropolitan Police Special Branch had known for three months an attack was planned: the man in the brown suit himself had warned them. This mysterious man, lost to history, was George McMahon, a petty criminal with a record of involvement with the police. He was also an MI5 informant, providing intelligence on Italian and possibly German espionage in Britain. Dismissed by the rest of the world as a drunken loser and fantasist, he saw his life as an epic drama. Why did MI5 and the police fail to act? Was it a simple blunder on the part of the security services, or was something far more sinister involved? In this first full-length study of the threat to the life of Edward VIII, James Parris uses material from MI5 and police files at the National Archives to reach explosive conclusions about the British Establishment’s determination to remove Edward from the throne.

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What is the connection between the number 13 and Jack the Ripper? Why was the number 18 crucial in catching Acid Bath murderer John George Haigh? And what is so puzzling about the number 340 in the chilling case of the Zodiac killer? The answers to all these questions and many more are revealed in a unique, number-crunching history of the ultimate crime. James Moore’s Murder by Numbers tells the story of murder through the centuries in an entirely new way … through the key digits involved. Each entry starts with a number and leads into a different aspect of murder, be it a fascinating angle to a case or revealing insights into murder methods, punishments and, of course, the chilling figures behind the most notorious killers from our past. From the grizzly death toll of the world’s worst serial killer to your own odds of being murdered, this guide will appeal to the connoisseur of true crime and the casual reader alike.

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In which pub was the notorious murder that led to the Kray twins becoming Britain’s most feared gangsters? Where is the hostelry in which Jack the Ripper’s victims drank? How did Burke and Hare befriend their victims in a Scottish watering hole before luring them to their deaths? What is the name of the pub where the Lord Lucan mystery first came to light? And how did a pub become the scene of the murder that led to Ruth Ellis going to the gallows? For centuries, the history of beer and pubs has gone hand in hand with some of the nation’s most despicable and fascinating crimes. Packed with grizzly murders – including fascinating little-known cases – as well as sinister stories of smuggling, robbery and sexual intrigue, Murder at the Inn is a treasure trove of dark tales linked to the best drinking haunts and historic hotels across the land.

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During the First World War, a rich crop of legends sprouted from the battlefields and grew with such ferocity that many still excite controversy today. This book is the first to examine the roots of those stories and reveal the truth. Some myths remain well-known. Did an entire battalion of the Norfolk Regiment vanish without trace at Gallipoli in 1915? Did thousands of Russian troops actually pass through England with snow on their boots? In 1914, an acute spy mania gripped the British public, who imagined that the country was brimming with German spies. Xenophobia, denunciations and attacks on dachshunds were rampant. Amazingly, there was even talk of enemy aircraft dropping poisoned sweets to kill British children. Myths such as the Angel of Mons and the Comrade in White were more innocent creations. With no radio or television, rumours of disaster were rife, and the apparition of mystical guardian spirits gave hope to the civilian population at home. Other stories, such as the so-called Crucified Canadian, and the existence of a gruesome German corpse rendering factory, were more sinister. Yet in an age of new and startling technologies such as poison gas, submarine warfare and the tank, such tales appeared believable. Using a wide range of contemporary sources, James Hayward traces the story of each myth and examines the likely explanation. Supported by a selection of rare photographs and illustrations, the result is a refreshingly different perspective on the common ‘mud and trenches’ view of the First World War, shedding fascinating new light on many curious and unexplained wartime tales.

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James Williams sets out a new process philosophy of signs where signs are processes, not fixed relations. He develops his argument through a formal model and a series of case studies in art, science, technology, politics and nature. He engages in dialogue with the philosophies of Deleuze and Whitehead, and in critical discussion with contemporary and historical theories of the sign.

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This title explores metaphor theory in the work of contemporary European scholars. This book encourages readers to reflect upon language and the role metaphor plays in patterning ideas and thought. It first offers a critical introduction to metaphor theory as it has emerged over the past thirty years in the States, then widens the scope of metaphor theory by investigating not only the worldview our language offers us, but also the worldviews which we adapt in our own ideological and personal interpretations of the world. James Underhill explores new avenues in metaphor theory in the work of contemporary French, German and Czech scholars. Detailed case studies marry metaphor theory with discourse analysis in order to investigate the ways the Czech language was reshaped by communist discourse, and the way fascism emerged in the German language. The third case study turns metaphor theory on its head: instead of looking for metaphors in language, it describes the way language systems (French & English) are understood in terms of metaphorically-framed concepts evolving over time. Including a multilingual glossary of key terms and concepts, this is an ideal volume for anyone new to the topic, as well as those already interested in metaphor theory and the analysis of worldviews.

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