Search results for ""author fredericks"

Elizabeth Foster, 'Bess' is one of the larger than life characters that occasionally flits across the pages of history. Born in 1757 as Elizabeth Christiana Hervey, the daughter of the eccentric Frederick Hervey, Earl of Bristol and Bishop of Derry, she led a privileged life and married John Thomas Foster in 1777. Following their separation, Foster took her infant sons from her and the distressed Bess led a bitter life, made more tolerable by the kindness and affection shown to her by her best friend, Georgiana, Duchess of Devonshire. The friendship developed into a further intimate friendship with 'Canis' the nickname given to the Duke by Bess and Georgiana. Soon they were living in a menage a trois resulting in two illegitimate children, which Bess bore in exile in France, terrified of discovery and social ostracism. The births were successfully kept secret, and the children themselves grew up without knowing who their true mother was. The children were Caroline St. Jules, and a son, Augustus (later Augustus Clifford, 1st Baronet), who were later raised at Devonshire House with the Duke's legitimate children by Georgiana. Two years after Georgiana's death in 1806, Bess married 'Canis' and the couple lived together in happiness at Devonshire House and at Chatsworth, but the happiness was short-lived, for after only 21 months 'Canis' died. Bess spent much of the remainder of her life in Italy. Fluent in French and Italian, and living abroad for many years, Bess maintained a voluminous correspondence, and as a consequence an amazing picture has been built of this amazing woman, the friend of Marie Antoinette, the Prince Regent and many in the top circles of society in England, France and Italy. Following John Foster's death, she was re-united with her beloved Frederick and Augustus, and much of the correspondence in later years is between her and her influential sons.

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Seeking to revitalize leadership in America's armed forces, Christopher Kolenda, a US Army Lieutenant Colonel, has assembled a tremendous array of the military's very brightest practitioners and minds in a book destined to shape how the armed forces thinks about and practices leadership in the 21st century. Composed of world-class historians and active and retired officers from the ranks of Major through full General, Kolenda and his colleagues analyze leadership in theory, history, and contemporary insight. The result is a remarkable synthesis, guiding the reader from Plato and Alexander, through Frederick and Clausewitz, to World War Two, Vietnam, Bosnia and the future.

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This is the first annotated edition of a work Eric J. Sundquist has called "a classic text of the American Renaissance." As Henry Louis Gates, Jr., has pointed out, My Bondage and My Freedom has been largely ignored by critics, in part because it is longer and less accessible than Narrative of the Life of Frederick Douglass but also because it has not up to now been "read" by a sensitive critic. "The latter reason is paramount and urgently needed to be addressed, and William Andrews is just the person to introduce Douglass's second autobiography to our generation of readers. He has few peers in nineteenth-century black criticism."

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When Georgia O'Keeffe first visited New Mexico in 1917, she was instantly drawn to the stark beauty of its unusual architectural and landscape forms. In 1929, she began spending part of almost every year painting there, first in Taos, and subsequently in and around Alcalde, Abiquiu, and Ghost Ranch, with occasional excursions to remote sites she found particularly compelling. Georgia O'Keeffe and New Mexico is the first book to analyze the artist's famous depictions of these Southwestern landscapes. Beautifully illustrated and gracefully written, the book accompanies an exhibition of the same name at the Georgia O'Keeffe Museum in Santa Fe, New Mexico. It reproduces the exhibition's 50 paintings and includes striking photographs of the sites that inspired them as well as diagrams of the region's distinctive geology. The book examines the magnificence of O'Keeffe's work through essays by three noted authors. Barbara Buhler Lynes, Curator of the Georgia O'Keeffe Museum and organizer of the exhibition, discusses the relationship of the artist's paintings to the places that inspired her. Frederick Turner offers an illuminating essay contrasting O'Keeffe's fabled aloofness from the well-established art colony in Santa Fe with her intense closeness to the local landscape she so fiercely loved. Lesley Poling-Kempes furnishes a fascinating chronicle of O'Keeffe's years in the region as well as a useful explanation of the geological forces that produced the intense colors and dramatic shapes of the landscapes O'Keeffe painted. EXHIBIT SCHEDULE: Georgia O'Keeffe Museum Santa Fe, New Mexico June 11-September 12, 2004 Columbus Museum of Art Columbus, Ohio October 1, 2004-January 16, 2005 Albright-Knox Art Gallery Buffalo, New York January 28-May 08, 2005

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This new edition of ""Notable American Novelists"" presents biographical sketches and analytical overviews of 145 of the best-known American and Canadian writers of long fiction from the 19th and 20th centuries, arranged alphabetically by name. The set's three volumes survey the novelists, whose works are included in core curricula of high school and undergraduate literature studies. Essays on living authors and all the bibliographies in the articles are updated. About two-thirds of the essays are illustrated with portraits of the writers. ""Notable American Novelists"" features often-studied writers ranging from Nathaniel Hawthorne, Mark Twain, Ernest Hemingway, William Faulkner, and Jack London to Joan Didion and J. D. Salinger. Other important nineteenth century figures include Herman Melville, James Fenimore Cooper, Harriet Beecher Stowe, and George Washington Cable. Among the other major twentieth century writers featured are Sinclair Lewis, Norman Mailer, Joyce Carol Oates, John Irving, E. L. Doctorow, Joseph Heller, Toni Morrison, Vladimir Nabokov, Thomas Pynchon, John Steinbeck, Kurt Vonnegut, and John Updike. One can also find essays on such widely read and popular authors as Stephen King, James Michener, Louisa May Alcott, Larry McMurtry, and Anne Rice. A major addition to this new edition is the inclusion of Canadian novelists: Margaret Atwood, Robertson Davies, Frederick Philip Grove, Margaret Laurence, Mordecai Richler, and Sinclair Ross. Each essay begins with a presentation of reference information: the novelist's birth and death dates and a list of the writer's principal works of long fiction, with publication dates. ""Other literary forms"" then briefly describes genres other than long fiction in which the writer has worked, and an ""Achievements"" section encapsulates the author's central contribution and notes major honors and awards. The major sections of the text follow: ""Biography"" provides a sketch of the author's life, and ""Analysis"" looks at the novelist's work in detail; this section examines central and well-known works in the author's canon and illuminates the themes and techniques of primary interest to the novelist. The longest section in the article, ""Analysis"" is divided into subsections on the writer's major individual works. Following ""Analysis"" is a categorized list, ""Other major works,"" that provides titles and dates of works the author has written in genres other than long fiction, including plays, poetry, short fiction, and nonfiction. Each essay concludes with an updated, annotated bibliography. All articles are signed by the principal writer and, where applicable, by the updating contributor. Three helpful reference features are included at the end of volume 3: a glossary entitled ""Terms and Techniques,"" a time line of the writers' birthdates, and an index.

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Tackling fraught but fascinating issues of cultural borrowing and appropriation, this groundbreaking book reveals that Victorian literature was put to use in African American literature and print culture in the nineteenth and early twentieth centuries in much more intricate, sustained, and imaginative ways than previously suspected. From reprinting and reframing "The Charge of the Light Brigade" in an antislavery newspaper to reimagining David Copperfield and Jane Eyre as mixed-race youths in the antebellum South, writers and editors transposed and transformed works by the leading British writers of the day to depict the lives of African Americans and advance their causes. Central figures in African American literary and intellectual history--including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pauline Hopkins, and W.E.B. Du Bois--leveraged Victorian literature and this history of engagement itself to claim a distinctive voice and construct their own literary tradition. In bringing these transatlantic transfigurations to light, this book also provides strikingly new perspectives on both canonical and little-read works by Charles Dickens, George Eliot, Tennyson, and other Victorian authors. The recovery of these works' African American afterlives illuminates their formal practices and ideological commitments, and forces a reassessment of their cultural impact and political potential. Bridging the gap between African American and Victorian literary studies, Reaping Something New changes our understanding of both fields and rewrites an important chapter of literary history.

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La Nijinska is the first biography of twentieth-century ballet's premier female choreographer. Overshadowed in life and legend by her brother Vaslav Nijinsky, Bronislava Nijinska had a far longer and more productive career. An architect of twentieth-century neoclassicism, she experienced the transformative power of the Russian Revolution and created her greatest work - Les Noces - under the influence of its avant-garde. Many of her ballets rested on the probing of gender boundaries, a mistrust of conventional gender roles, and the heightening of the ballerina's technical and artistic prowess. A prominent member of Russia Abroad, she worked with leading figures of twentieth-century art, music, and ballet, including Stravinsky, Diaghilev, Poulenc, Alexandra Exter, Natalia Goncharova, Frederick Ashton, Alicia Markova, and Maria Tallchief. She was also a remarkable dancer in her own right with a bravura technique and powerful stage presence that enabled her to perform an unusually broad repertory. Finally, she was the author of an acclaimed volume of memoirs in addition to a major treatise on movement. Nijinska's career sheds new light on the modern history of ballet and of modernism more generally, recuperating the memory of lost works and forgotten artists, many of them women. But it also reveals the sexism pervasive in the upper echelons of the early and mid-twentieth-century ballet world, barriers that women choreographers still confront.

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Winner of the 2017 Frederick Douglass Prize A groundbreaking history of abolition that recovers the largely forgotten role of African Americans in the long march toward emancipation from the American Revolution through the Civil War Received historical wisdom casts abolitionists as bourgeois, mostly white reformers burdened by racial paternalism and economic conservatism. Manisha Sinha overturns this image, broadening her scope beyond the antebellum period usually associated with abolitionism and recasting it as a radical social movement in which men and women, black and white, free and enslaved found common ground in causes ranging from feminism and utopian socialism to anti-imperialism and efforts to defend the rights of labor. Drawing on extensive archival research, including newly discovered letters and pamphlets, Sinha documents the influence of the Haitian Revolution and the centrality of slave resistance in shaping the ideology and tactics of abolition. This book is a comprehensive new history of the abolition movement in a transnational context. It illustrates how the abolitionist vision ultimately linked the slave’s cause to the struggle to redefine American democracy and human rights across the globe. Honors include: Longlist title for the 2016 National Book Awards Nonfiction category Winner of the 2017 Best Book Prize by the Society for Historians of the Early American Republic Winner of the 2016 Avery O. Craven Award given by the Organization of American Historians Honorable Mention in the U.S. History category for the 2017 American Publishers Awards for Professional & Scholarly Excellence (PROSE) Winner of the 2017 Frederick Douglass Book Prize, jointly sponsored by the Gilder Lehrman Institute of American History and the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition at the MacMillan Center at Yale University 2017 James A. Rawley Award for the Best Book on Secession and the Sectional Crisis published in the last two years, Southern Historical Association

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One cannot understand Latin America without understanding the history of the Catholic Church in the region. Catholicism has been predominant in Latin America and it has played a definitive role in its development. It helped to spur the conquest of the New World with its emphasis on missions to the indigenous peoples, controlled many aspects of the colonial economy, and played key roles in the struggles for Independence. The History of the Catholic Church in Latin America offers a concise yet far-reaching synthesis of this institution’s role from the earliest contact between the Spanish and native tribes until the modern day, the first such historical overview available in English. John Frederick Schwaller looks broadly at the forces which formed the Church in Latin America and which caused it to develop in the unique manner in which it did. While the Church is often characterized as monolithic, the author carefully showcases its constituent parts—often in tension with one another—as well as its economic function and its role in the political conflicts within the Latin America republics. Organized in a chronological manner, the volume traces the changing dynamics within the Church as it moved from the period of the Reformation up through twentieth century arguments over Liberation Theology, offering a solid framework to approaching the massive literature on the Catholic Church in Latin America. Through his accessible prose, Schwaller offers a set of guideposts to lead the reader through this complex and fascinating history.

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Common conceptions permeating U.S. ethnic queer theory tend to confuse aesthetics with real-world acts and politics. Often Chicano/a representations of gay and lesbian experiences in literature and film are analyzed simply as propaganda. The cognitive, emotional, and narrational ingredients (that is, the subject matter and the formal traits) of those representations are frequently reduced to a priori agendas that emphasize a politics of difference. In this book, Frederick Luis Aldama follows an entirely different approach. He investigates the ways in which race and gay/lesbian sexuality intersect and operate in Chicano/a literature and film while taking into full account their imaginative nature and therefore the specific kind of work invested in them. Also, Aldama frames his analyses within today's larger (globalized) context of postcolonial literary and filmic canons that seek to normalize heterosexual identity and experience. Throughout the book, Aldama applies his innovative approach to throw new light on the work of authors Arturo Islas, Richard Rodriguez, John Rechy, Ana Castillo, and Sheila Ortiz Taylor, as well as that of film director Edward James Olmos. In doing so, Aldama aims to integrate and deepen Chicano literary and filmic studies within a comparative perspective. Aldama's unusual juxtapositions of narrative materials and cultural personae, and his premise that literature and film produce fictional examples of a social and historical reality concerned with ethnic and sexual issues largely unresolved, make this book relevant to a wide range of readers.

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'Why do I keep this voluminous journal?' - Francis Kilvert asked himself. 'Partly because life appears to me such a curious and wonderful thing that it almost seems a pity that even such a humble and uneventful life as mine should pass all together away without some such record as this...' Kilvert's Diary was an effort to tell the story of his life as well as to picture rural society, which Victorians were prone to idealise. Kilvert's loving portraits of landscapes and country characters were often juxtaposed with the grimmest scenes of squalor and suffering. John Toman presents here the first thorough examination of Kilvert's writing and offers a complete revaluation of the man and his work, tracing the literary and religious influences that brought him to write in the way that he did. This study takes account of Kilvert's education at his uncle's school, his reading of travel guides, and his devotion to such figures as Wordsworth, William Barnes, and the Revd. Frederick Robertson, his visits to key locations, his parochial work, the role played by Romanticism and Evangelicalism in his outlook, and the significance of walking as the driving force of his writing. For those unfamiliar with the Diary, Kilvert's Diary and Landscape is an ideal introduction; it will also take those who already know and love Kilvert back to his diary with renewed interest and deepened insight. This new study has much to offer readers interested in cultural and landscape history, literature, religion and the Victorian period. 'It is hoped that this study of Kilvert and landscape, which may be regarded as the second part of a revaluation of the diarist that began with my Kilvert: The Homeless Heart (2001), contributes to our appreciation of his complexity.' From the author's introduction.

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'A close analysis of five gritty leaders whose extraordinary passion and perseverance changed history . . . a gripping read on a timeless and timely topic!'Angela Duckworth, bestselling author of GritTen years in the writing, Forged in Crisis, by renowned Harvard Business School historian and Davos and Aspen Institute speaker Nancy Koehn, presents five remarkable life journeys-those of polar explorer Ernest Shackleton; President Abraham Lincoln; legendary abolitionist Frederick Douglass; Nazi-resisting clergyman Dietrich Bonhoeffer; and environmental crusader Rachel Carson. What do such disparate figures have in common? Why do their stories speak to us so powerfully today?Koehn begins each of the book's five sections by showing her protagonist on the precipice of a great crisis: Shackleton marooned on an Antarctic ice floe with no hope of rescue; Lincoln on the verge of the collapse of the Union; Douglass threatened with a return to enslavement; Bonhoeffer agonizing on what a man of faith should do when faced with absolute evil; Carson racing against the clock-and the cancer ravaging her-in a bid to save the planet. Koehn then reaches back to each person's early years to show the individual blooming into the force he or she would ultimately become. Through their confronting of obstacles, we begin to glean an essential truth: leaders are not born but made, and the power to lead resides in each of us.In a time when the highest offices in the land are occupied by the inexperienced and untested, the great question pressing on all of us is: What set of skills is required to lead in crisis, and can history give us answers? Whether it's read as a repository of great insight or as exceptionally rendered human drama, the riveting Forged in Crisis stands out as a towering achievement.

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Before the discovery of insulin, a diagnosis of Type 1 diabetes was a death sentence. One hundred years after a milestone medical discovery, 'Insulin - The Crooked Timber' tells the story of how insulin was transformed from what one clinician called 'thick brown muck' into the very first drug to be produced using genetic engineering, one which would earn the founders of the US biotech company Genentech a small fortune. Yet when Canadian doctor Frederick Banting was told in 1923 that he had won the Nobel Prize for this life-saving discovery, he was furious. For the prize had not been awarded to him alone - but jointly with a man whom he felt had no right to this honour. The human story behind this discovery is one of ongoing political and scientific controversy. Taking the reader on a fascinating journey, starting with the discovery of insulin in the 1920s through to the present day, 'Insulin - The Crooked Timber' reveals a story of monstrous egos, toxic career rivalries, and a few unsung heroes such as two little known scientists whose work on wool fibres, carried out in a fume-filled former stable, not only proved to be crucial in unravelling the puzzle of insulin but ushered in a revolution in biology. It was the author's own shocking diagnosis with Type 1 diabetes that prompted him to sit down and write this book, but this story has lessons for us all about what technology can - and more importantly cannot - do for us. As the world pins its hopes on effective and lasting vaccines against Covid-19, these lessons from the story of insulin have never been more relevant.

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In his best-selling travel memoir, The Innocents Abroad, Mark Twain punningly refers to the black man who introduces him to Venetian Renaissance painting as a “contraband guide,” a term coined to describe fugitive slaves who assisted Union armies during the Civil War. By means of this and similar case studies, Paul H. D. Kaplan documents the ways in which American cultural encounters with Europe and its venerable artistic traditions influenced nineteenth-century concepts of race in the United States.Americans of the Civil War era were struck by the presence of people of color in European art and society, and American artists and authors, both black and white, adapted and transformed European visual material to respond to the particular struggles over the identity of African Americans. Taking up the work of both well- and lesser-known artists and writers—such as the travel writings of Mark Twain and William Dean Howells, the paintings of German American Emanuel Leutze, the epistolary exchange between John Ruskin and Charles Eliot Norton, newspaper essays written by Frederick Douglass and William J. Wilson, and the sculpture of freed slave Eugène Warburg—Kaplan lays bare how racial attitudes expressed in mid-nineteenth-century American art were deeply inflected by European traditions.By highlighting the contributions people of black African descent made to the fine arts in the United States during this period, along with the ways in which they were represented, Contraband Guides provides a fresh perspective on the theme of race in Civil War–era American art. It will appeal to art historians, to specialists in African American studies and American studies, and to general readers interested in American art and African American history.

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‘A compelling saga that will hold you fast from the first page to the last. Loved it’ VAL WOOD, author of The Lonely WifePerfect for fans of Dilly Court and Maggie Hope, The Dressmaker’s Secret is a moving and heartfelt family saga from the talented author of The Shop Girl’s Soldier. Dorset, 1876. When young Beatrice Cullen shows up in the local church with her illegitimate child in her arms, Reverend Michael Redfern takes it upon himself to help her. He finds her daughter, Lily, a home with a kindly couple. But when, at the age of 9, Lily loses her adopted parents, she is forced to live with her awful Aunt Doris and cousin Jez, who treat her no better than a slave. Lily can only seek solace in her dream of one day escaping her aunt and becoming a seamstress. Five years later, now aged fourteen, Lily makes a startling discovery: that her birth father is none other than local aristocrat Sir Frederick Copperfield. Lily is stunned. And when she gets the chance to work for the Copperfields, she can't pass up the opportunity to get to know her half-sister Eleanor. But will Eleanor ever really get to know her, or will Lily’s true identity forever remain a secret? 'This rollercoaster of a novel draws you in from the first page. Expertly researched and a fabulous storyline with real heart at the centre... I devoured this in one sitting and look forward to more from this author. In short a gem of a read' FIONA FORD, author of Wartime at Liberty's 'A delight to read... Lily Hayter is a wonderful heroine whose resilience and integrity shine through as she struggles to claim a life of her choosing and find a family. At the heart of the story is a warmth and humanity that makes it a truly uplifting read. I thoroughly enjoyed it and was sorry when I reached the end because I wanted to linger in Dickson’s world. I eagerly await more from Karen Dickson' VICKI BEEBY, author of The Ops Room Girls'The characters in this novel are so believable that I cared deeply about them from the first chapter. A heartfelt, hopeful account of one young woman’s fight to keep her child safe when all the odds are against her. Atmospheric and beautifully written' JAN CASEY, author of The Women of Waterloo Bridge ‘An exciting, fresh and talented new voice – a five-star read!’ CAROL RIVERS on The Shop Girl’s Soldier

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On a sharp winter's morning, a man turns his back on prison. Joseph Scott has served his term. He's lost almost everything: his career as a teacher, his wife, the future he'd envisaged. All he has left are his three children but he is not allowed anywhere near them.This is the story of Joseph, who killed his wife, Zoe. Of their three children who witnessed the event. Of Zoe's parents, Hannah and Frederick, who are bringing up the children and can't forgive or understand Joseph. They slowly adjust to life without Zoe, until the day Joseph is released from prison...

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Former RAF pilot and investigative journalist Frederick Forsyth defined the modern thriller when he wrote The Day of the Jackal, described by Lee Child as the book that broke the mould', with its lightning-paced storytelling, effortlessly cool reality and unique insider information. Since then, he has written thirteen novels which have been bestsellers around the world: The Odessa File, The Dogs of War, The Devil's Alternative, The Fourth Protocol, The Negotiator, The Deceiver, The Fist of God, Icon, Avenger, The Afghan, The Cobra, The Kill List and The Fox. He has also published an autobiography, The Outsider. He lives in Buckinghamshire, England.

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Dublin, 1939. As the Second World War looms ever closer, blind war veteran Frederick Rowlands travels to the neutral territory of Ireland at the behest of Celia Swift, whose husband, Lord Castleford, has been receiving mysterious death threats.When a body is discovered, Castleford finds himself being accused of a murder he did not commit. As Castleford''s trial begins, Rowlands must fight to save his friend''s reputation - and his neck from the gallows. As a country teeters on the knife-edge of war and a man''s life hangs in the balance, will the Blind Detective identify the true killer in time?

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The Landing Ship Tank (LST) is one of the most famous of the many World War II amphibious warfare ships. Capable of discharging its cargo directly on to shore and extracting itself, the LST provided the backbone of all Allied landings between 1943 and 1945, notably during the D-Day invasion. Through its history, the LST saw service from late 1942 until late 2002, when the US Navy decommissioned the USS Frederick (LST-1184), the last ship of its type. This book reveals the development and use of the LST, including its excellence beyond its initial design expectations.

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This opera has been described as "the longest single smile in the German language". But Roland Matthews indicates that violence is not far beneath the surface of this portrait of medieval Nuremberg. Arnold Whittall's analysis gives a bird's-eye view of the complexity of the score. Timothy McFarland explores the significance of the choice of subject: that nostalgia for a pre-industrial community, which was a symptom of the German nationalist movement. The long text has many subtleties which opera audiences can hardly appreciate without reading it, and the musical themes are numbered to indicate where they occur. Contents: 'My most genial creation...', Roland Matthews; A Musical Commentary, Amold Whittall; Wagner's Nuremberg, Timothy McFarland; Die Meistersingers von Nurnberg: Poem by Richard Wagner; The Mastersingers of Nuremberg: English translation by Frederick Jameson, revised by Gordon Kember and Norman Feasey

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Poems that address the pain caused by gender stereotypes and racial oppression in the American South. Claire Millikin’s poetry collection, Dolls, stages a confrontation of gendered and racial oppression. Working through the motif of the doll, the poems interrogate femininity in the traditional culture of the South, where damaging structures of gender and race are upheld. Millikin centers the book on an elegy for Sage Smith, an African American trans woman who disappeared from Charlottesville in 2012. Through the recurring figure of the doll—an ultra-femme figure who is frozen, damaged, silenced—Millikin protests the conditions of sexism in the area she was born in, offering poised responses to the wound of injustice that still shapes the region. With a reflective introduction by poet and scholar Sean Frederick Forbes, Dolls presents a harsh look at the price of traditional femininity.

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Originally published in 1949, An Introduction to Legal Reasoning is widely acknowledged as a classic text. As its opening sentence states, "This is an attempt to describe generally the process of legal reasoning in the field of case law and in the interpretation of statutes and of the Constitution." In elegant and lucid prose, Edward H. Levi does just that in a concise manner, providing an intellectual foundation for generations of students as well as general readers. For this edition, the book includes a substantial new foreword by leading contemporary legal scholar Frederick Schauer that helpfully places this foundational book into its historical and legal contents, explaining its continuing value and relevance to understanding the role of analogical reasoning in the law. This volume will continue to be of great value to students of logic, ethics, and political philosophy, as well as to members of the legal profession and everyone concerned with problems of government and jurisprudence.

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Kids everywhere should know that America has had it’s own real-life Justice League! Here are the stories of George Washington and Abraham Lincoln to Susan B. Anthony and Sojourner Truth.Each of these heroes used their very own super powers of truth, justice, and tenacity in the fight for liberty. The Freedom League: Patrick Henry, Thomas Jefferson, John Hancock, Samuel Adams, Benjamin Franklin, John Adams Protectors of Liberty: John Dickinson, James Madison, Roger Sherman, George Washington, John Way Alliance for Justice: George Mason, Abraham Lincoln. John Bingham, Frederick Douglass, Mary Ann Shadd Cary And more! This fun, illustrated look at the fearless superheroes of U.S. history shows how true stories are often the most exciting.

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A compelling historical novel, The Insurrectionist follows the militant abolitionist John Brown from his involvement in Bleeding Kansas to the invasion of Harpers Ferry and the dramatic conclusion of his subsequent trial. Meticulous historical detail blends with dramatic personal descriptions to reveal critical episodes in Brown's life, illuminating his character and the motives that led up to the Harpers Ferry invasion, giving readers a complete picture of the man who has too often been dismissed as hopelessly fanatical. Brown's friendship with Frederick Douglass and their ongoing debate on how to end slavery, his devoted family, who stand by him despite the danger, and his struggles to secure funding and political favor for his cause against deeply entrenched politicians all make for a surprisingly contemporary story of family, passion, race, and politics.

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At 9.51 p.m. on Tuesday 13 February 1945, Dresden's air-raid sirens sounded as they had done many times during the Second World War. But this time was different. By the next morning, more than 4,500 tons of high explosives and incendiary devices had been dropped on the unprotected city. At least 25,000 inhabitants died in the terrifying firestorm and thirteen square miles of the city's historic centre, including incalculable quantities of treasure and works of art, lay in ruins. In this portrait of the city, its people, and its still-controversial destruction, Frederick Taylor has drawn on archives and sources only accessible since the fall of the East German regime, and talked to Allied aircrew and survivors, from members of the German armed services and refugees fleeing the Russian advance to ordinary citizens of Dresden.

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A historic overview of the parks the Olmsted companies created in New Jersey primarily for the county park commissions in Essex, Union, and Passaic counties. Son and stepson of the creator of New York’s Central Park, Frederick Law Olmsted, Jr. and John Charles Olmsted, continued with their father’s naturalistic style of landscape architecture, with 20th-century modifications, into the 1960s. Illustrated with more than 200 historic and contemporary photographs, vintage postcards, and Olmsted sketches and plans, this survey chronologically details the development of each park or reservation as it was transformed from former farmland, swamp, forest, or a previous park. Included are the gems of Branch Brook Park in Newark, Cadwalader Park in Trenton, Warinanco Park in Roselle, and Brookdale Park in Montclair and Bloomfield. Discover the Olmsted legacy in some of the most magnificent public parks in New Jersey

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An untimely death wipes the smile from Hamish''s face . . .In Scotland, where thrift and a ''nice set of dentures'' are generally admired, Dr Frederick Gilchrist''s cheap rates and penchant for pulling teeth have gained him quite a clientele. However, wiser Highlanders - like Hamish Macbeth - opt to steer clear of this reputed womanizer''s all-too-busy hands. Only jaw-throbbing agony drives Hamish to Gilchrist''s surgery, but what he finds there is the dentist''s dead body - putting several angry husbands in the frame for murder . . .Praise for M.C. Beaton:''The books are a delight: clever, intricate, sardonic and amazingly true to the real Highlands'' Kerry Greenwood''It''s always a special treat to return to Lochdubh'' New York Times

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Because of illness and age the Jesuit theologian and philosopher Bernard Lonergan never completed the systematic study on Christology, the doctrine concerning the person of Christ, that he had planned to write. Christ and History, written by his former student Frederick E. Crowe, is an attempt to rectify that loss by tracing the outline of Lonergan's possible work on the subject. Moving from the Jesuit philosopher's early student work, through the fertile and productive years in which he wrote Insight and Method in Theology, to his final lectures on the topic, Crowe presents the evolution of Lonergan's thinking on Christology in the context of the radical developments contained within his other theological writings. Written in the spirit of piety towards his revered teacher, Christ and History is an important analysis of these works and the Christology that they contain.

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'Arms and the man I sing of Troy...' So begins one of the greatest works of literature in any language. Written by the Roman poet Virgil more than two thousand years ago, the story of Aeneas' seven-year journey from the ruins of Troy to Italy, where he becomes the founding ancestor of Rome, is a narrative on an epic scale: Aeneas and his companions contend not only with human enemies but with the whim of the gods. His destiny preordained by Jupiter, Aeneas is nevertheless assailed by dangers invoked by the goddess Juno, and by the torments of love, loyalty, and despair. Virgil's supreme achievement is not only to reveal Rome's imperial future for his patron Augustus, but to invest it with both passion and suffering for all those caught up in the fates of others. Frederick Ahl's new translation echoes the Virgilian hexameter in a thrillingly accurate and engaging style. An Introduction by Elaine Fantham, and Ahl's comprehensive notes and invaluable indexed glossary complement the translation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Don Perkins led a life as one of the most honored athletes in the history of the University of New Mexico and the Dallas Cowboys. But Perkins's life was far more complex and, at times, controversial. He experienced the traumas of racial discrimination, death, divorce, football-related injuries, and a never-ending search for his own identity. In his search, Perkins ventured into sportscasting, public speaking, community relations, big-rig trucking, government work, and even amateur theater, where he portrayed Frederick Douglass and other famous Black leaders. Through it all, he remained a kind, unassuming, charismatic man, universally admired by family members, friends, and millions of fans. Don Perkins: A Champion's Life is the final tribute he so richly deserves.

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Happy fifty third birthday, Doctor. Welcome to the first day of your death. Dr. Frederick Starks, a New York psychoanalyst, has just received a mysterious, threatening letter. Now he finds himself in the middle of a horrific game designed by a man who calls himself Rumplestiltskin. The rules: in two weeks, Starks must guess his tormentor’s identity. If Starks succeeds, he goes free. If he fails, Rumplestiltskin will destroy, one by one, fifty-two of Dr. Starks’ loved ones—unless the good doctor agrees to kill himself. In a blistering race against time, Starks’ is at the mercy of a psychopath’s devious game of vengeance. He must find a way to stop the madman—before he himself is driven mad. . . .

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With over 800 stunning color photographs, this book displays ceramics once proclaimed to be the "fastest-selling decorative art pottery," Roseville's Artcraft, Cherub Cameo, Donatello, Pine Cone Modern, and Wincraft lines. The thorough text explores the history of the famous Roseville Pottery Company, from its beginnings in Roseville, Ohio, in 1890 through its closure in Zanesville, Ohio, in 1954. The roles played by key staff members, Frederic Grant, Frederick Hurten Rhead, Ben Seibel, and George Young are detailed, and previously unpublished manufacturer's marks are shown. Rare Della Robbia and Olympic items are featured along with experimental and trial glaze wares from Roseville's glaze chemist George Krause. This book has important new findings for all who are interested in twentieth century art pottery.

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Drinking to excess has been a striking problem for industrial and post-industrial societies – who is responsible when an individual opts for a slow suicide? The causes of such drinking have often been blamed on genes, moral weakness, ‘disease’ (addiction), hedonism, and Romantic illusion. Yet there is another reason: the drinker may act with sincere philosophical intent, exploring the edges of self, consciousness, will, ethics, authenticity and finitude. Beginning with Jack London’s John Barleycorn: alcoholic memoirs the book goes on to cover novels such as Jean Rhys’s Good morning, midnight, Malcolm Lowry’s Under the volcano, Charles Jackson’s The lost weekend and John O’Brien’s Leaving Las Vegas, and less familiar works such as Frederick Exley’s A fan’s notes, Venedikt Yerofeev’s Moscow-Petushki, and A. L. Kennedy’s Paradise.

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Robert Venturi's Rome is a guidebook to the city of Rome, seen through the eyes of Robert Venturi, reinterpreted by two subsequent Rome Prize fellows and architects, Frederick Fisher and Stephen Harby. Published in 1966, Venturi looks at architecture, landscape and art as different manifestations of common themes. For students, the book is fundamental to the development of any young architect's outlook on architecture. Venturi wrote the book following a two year Rome Prize fellowship at the American Academy in Rome, and there is no doubt that the city had a profound influence on his thinking. He used many buildings in Rome as examples to illustrate his theories. From the Pantheon, through works by his favourite artist, Michelangelo, and on to 20th century buildings by Armando Brasini and Luigi Moretti, Venturi reveals Rome as a complex and contradictory city.

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Simon Frederick Cynster is determined to find a wife. However, nothing could be more tiresome than having every blushing miss on the marriage mart thrust upon him. So he discreetly begins his search at a house party at Glossup Halland is astonished that the lady who immediately captures his interest is Portia Ashford. Simon has never considered Portia as a potential bride. He's known the raven-haired beauty since childhood; she's willfully independent and has always claimed to be uninterested in marriage. But an unexpectedly heated kiss abruptly alters the rules of their decade-long interaction. Soon they begin to long for the moments they can spend in each other's arms.But all is not as it seems at Glossup Hall. As Simon and Portia begin to explore the depths of their mutual passion, a shocking murder is committed.

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FREDERICK FORSYTH HAS SEEN IT ALL. AND LIVED TO TELL THE TALE…At eighteen, Forsyth was the youngest pilot to qualify with the RAF.At twenty-five, he was stationed in East Berlin as a journalist during the Cold War.Before he turned thirty, he was in Africa controversially covering the bloodiest civil war in living memory.Three years later, broke and out of work, he wrote his game-changing first novel, The Day of the Jackal. He never looked back.Forsyth has seen some of the most exhilarating moments of the last century from the inside, travelling the world, once or twice on her majesty’s secret service. He’s been shot at, he’s been arrested, he’s even been seduced by an undercover agent. But all the while he felt he was an outsider. This is his story.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's journey into the Forest of Arden. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of As You Like It in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with important Shakespearean directors (Dominic Cooke and Michael Boyd) and a Shakespearean actor (Naomi Frederick) – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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Black Radical reclaims William Monroe Trotter (1872–1934) as a seminal figure whose prophetic yet ultimately tragic—and all too often forgotten—life offers a link from Frederick Douglass to Black Lives Matter. Kerri K. Greenidge renders the drama of turn-of-the-century America, showing how Trotter, a Harvard graduate, a newspaperman and an activist, galvanized black working-class citizens to wield their political power despite the virulent racism of post-Reconstruction America. Situating his story in the broader history of liberal New England to “satisfying” (Casey Cep, The New Yorker) effect, this magnificent biography will endure as the definitive account of Trotter’s life, without which we cannot begin to understand the trajectory of black radicalism in America.

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For centuries human beings have asked questions about what it is to be virtuous and how to teach goodness to the next generation. This volume contains 11 essays, written by highly regarded thinkers in the fields of theology, philosophy, and anthropology, which address the question: Can virtue be taught? Collectively these essays illuminate our current national dilemma over the problematic role of moral education in a pluralistic society; in addition they illustrate the positive role diversity plays in any discussion of virtues and education in our interdependent global community. Contibutors: Huston Smith, Amelie Oksenberg Rorty, Bhikhu Parekh, Elizabeth Kamarck Minnich, Frederick J. Streng, Katherine Platt, Ninian Smart, Leroy S. Rouner, Robert Cummings Neville Sharon Daloz Parks, and George Rupp.

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Telling Narratives analyzes key texts from nineteenth- and early twentieth-century African American literature to demonstrate how secrets and their many tellings have become slavery's legacy. By focusing on the ways secrets are told in texts by Jessie Fauset, Charles W. Chesnutt, Pauline Hopkins, Frederick Douglass, and others, Leslie W. Lewis suggests an alternative model to the feminist dichotomy of "breaking silence" in response to sexual violence. This fascinating study also suggests that masculine bias problematically ignores female experience in order to equate slavery with social death. In calling attention to the sexual behavior of slave masters in African American literature, Lewis highlights its importance to slavery’s legacy and offers a new understanding of the origins of self-consciousness within African American experience.

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Science and Government is a gripping account of one of the great scientific rivalries of the twentieth century. The antagonists are Sir Henry Tizard, a chemist from Imperial College, and Frederick Lindemann (Lord Cherwell), a physicist from the University of Oxford. The scientist-turned-novelist Charles Percy Snow tells a story of hatred and ambition at the top of British science, exposing how vital decisions were made in secret and sometimes with little regard to truth or the prevailing scientific consensus.Tizard, an adviser to a Labor government, believed the air war against Nazi Germany would be won by investing in the new science of radar. Lindemann favored bombing the homes of German citizens. Each man produced data to support his case, but in the end what mattered was politics. When Labor was in power, Tizard’s view prevailed. When the Conservatives returned, Lindemann, who was Winston Churchill’s personal adviser, became untouchable.Snow’s 1959 “Two Cultures” Rede Lecture propelled him to worldwide fame. Science and Government, originally the 1960 Godkin Lectures at Harvard, has been largely forgotten. Today the space occupied by scientists and politicians is much more contested than it was in Snow’s time, but there remains no better guide to it than Snow’s dramatic narrative.C. P. Snow (1905–1980) held several positions in the British Civil Service and was the author of many fiction and nonfiction books, most notably The Two Cultures and the Scientific Revolution.

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What did the Church ever do for us? Johnston McKay unearths a practical social theology of the church in Scotland in the century from 1820. It has been widely believed that the church was largely mute on the widespread poverty and deprivation which accompanied the rapid expanse of urban life. This study asserts that the church was not lacking in commitment to improving such conditions, through the example of theologians Robert Flint and the parish minister Frederick Lockhart Robertson. Flint's publication of Christ's Kingdom upon Earth led the Church of Scotland in Glasgow to investigate slum housing conditions and led to the idea that religion could not be complacent about the need for social action. Key Features * Shines new light on the history of the Church of Scotland * Shows how religion was a reforming movement in an age of deprivation * Highlights the importance of social reformist writers within the Church

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First published as Game of Chance under A. C. Koning. 1929. Blinded war veteran Frederick Rowlands has escaped the bustle of London to establish a secure life for himself and his family in the countryside. But everything is about to change when an old friend, Chief Inspector Douglas, asks for his assistance in tracking down the killer of a beautiful dancer. That there is a link between the murder and St Dunstan's, the institute for blind ex-servicemen of which Rowlands himself is a member, is only one of the puzzling features of the case. Transported back into the whirl of London in order to unravel the mystery surrounding the dead woman, the Blind Detective is caught up in a deadly game of chance. A series of breathtaking twists and turns force him to confront his past, and to risk everything - including own life - in the process.

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A unique history of Nebraska is presented in these pages, drawing on fifty-eight short topical chapters and a rich gallery of illustrations. Professor Frederick C. Luebke’s lifelong commitment to the study of his state informs the book in every detail, as does his concern for clear and readable narrative. The treasure trove of images, many never published before, cast new light on many aspects of Nebraska’s history. These include the culture of the state’s Native peoples and their lives today, the building of the transcontinental railroad, the hardship endured by European immigrants, and the contributions of women, African Americans, Hispanic Americans, and Asian Americans to the state. This is a book that every Nebraskan will want to own, read, and enjoy. This second edition includes updated chapters on the current social, economic, and political climate of Nebraska and some new illustrations.

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New essays on topics spanning the Age of Goethe, with a special section of fresh views of Goethe and Idealism. The Goethe Yearbook is a publication of the Goethe Society of North America, publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcomingcontributions from scholars around the world. Volume 18 features a special section on Goethe and Idealism, edited by Elizabeth Millán and John H. Smith and including essays on Goethe and Spinoza; Goethe's notions of intuition and intuitive judgment; Novalis, Goethe, and Romantic science; Goethe and Humboldt's presentation of nature; Hegel's Faust; Goethe contra Hegel on the end of art; Goethean morphology and Hegelian science; and Goethe andphilosophies of religion. There are also essays on fraternity in Goethe, Margarete-Ariadne as Faust's labyrinth, Schiller's Geisterseher, and Martin Walser's Goethe novel Ein liebender Mann, and a review essay on recent books on money and materiality in German culture heads the book review section. Contributors: Frederick Amrine, Brady Bowen, Jeffrey Champlin, Adrian Del Caro, Stefani Engelstein, Luke Fischer, Gail Hart, Gunnar Hindrichs, Jens Kruse, Horst Lange, Elizabeth Millán, Dalia Nassar, John H. Smith. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professorof German at the University of Pennsylvania.

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Figuring explores the complexities of love and the human search for truth and meaning through the interconnected lives of several historical figures across four centuries - beginning with the astronomer Johannes Kepler, who discovered the laws of planetary motion, and ending with the marine biologist and author Rachel Carson, who catalysed the environmental movement. Stretching between these figures is a cast of artists, writers, and scientists - mostly women, mostly queer - whose public contribution has risen out of their unclassifiable and often heartbreaking private relationships to change the way we understand, experience and appreciate the universe. Among them are the astronomer Maria Mitchell, who paved the way for women in science; the sculptor Harriet Hosmer, who did the same in art; the journalist and literary critic Margaret Fuller, who sparked the feminist movement; and the poet Emily Dickinson. Emanating from these lives are larger questions about the measure of a good life and what it means to leave a lasting mark of betterment on an imperfect world: Are achievement and acclaim enough for happiness? Is genius? Is love? Weaving through the narrative is a set of peripheral figures - Ralph Waldo Emerson, Charles Darwin, Elizabeth Barrett Browning, Herman Melville, Frederick Douglass, Nathaniel Hawthorne and Walt Whitman - and a tapestry of themes spanning music, feminism, the history of science, the rise and decline of religion, and how the intersection of astronomy, poetry and Transcendentalist philosophy fomented the environmental movement.

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Since the 1980s, a prolific "second wave" of Chicano/a writers and artists has tremendously expanded the range of genres and subject matter in Chicano/a literature and art. Building on the pioneering work of their predecessors, whose artistic creations were often tied to political activism and the civil rights struggle, today's Chicano/a writers and artists feel free to focus as much on the aesthetic quality of their work as on its social content. They use novels, short stories, poetry, drama, documentary films, and comic books to shape the raw materials of life into art objects that cause us to participate empathetically in an increasingly complex Chicano/a identity and experience.This book presents far-ranging interviews with twenty-one "second wave" Chicano/a poets, fiction writers, dramatists, documentary filmmakers, and playwrights. Some are mainstream, widely recognized creators, while others work from the margins because of their sexual orientations or their controversial positions. Frederick Luis Aldama draws out the artists and authors on both the aesthetic and the sociopolitical concerns that animate their work. Their conversations delve into such areas as how the artists' or writers' life experiences have molded their work, why they choose to work in certain genres and how they have transformed them, what it means to be Chicano/a in today's pluralistic society, and how Chicano/a identity influences and is influenced by contact with ethnic and racial identities from around the world.

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Information Theory and Evolution discusses the phenomenon of life, including its origin and evolution (and also human cultural evolution), against the background of thermodynamics, statistical mechanics, and information theory. Among the central themes is the seeming contradiction between the second law of thermodynamics and the high degree of order and complexity produced by living systems. This paradox has its resolution in the information content of the Gibbs free energy that enters the biosphere from outside sources, as the author will show. The role of information in human cultural evolution is another focus of the book.The first edition of Information Theory and Evolution made a strong impact on thought in the field by bringing together results from many disciplines. The new second edition offers updated results based on reports of important new research in several areas, including exciting new studies of the human mitochondrial and Y-chromosomal DNA. Another extensive discussion featured in the second edition is contained in a new appendix devoted to the relationship of entropy and Gibbs free energy to economics. This appendix includes a review of the ideas of Alfred Lotka, Frederick Soddy, Nicholas Georgiescu-Roegen and Herman E. Daly, and discusses the relevance of these ideas to the current economic crisis.The new edition discusses current research on the origin of life, the distinction between thermodynamic information and cybernetic information, new DNA research and human prehistory, developments in current information technology, and the relationship between entropy and economics.

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