Search results for ""Alma""
Hoaki Atlas of Modern Clothing: From the Trench Coat to the Sweatshirt
This beautifully illustrated and inspiring atlas for fashion designers and fashionistas reveals the structure, characteristics and materials of contemporary garments for women and men. A handbook for clothing designers, stylists and fashionistas, this dashing publication uses beautiful illustrations and drawings to highlight the design and key details of various forms of contemporary clothing, such as coats, jackets, shirts, tops, blouses, dresses, trousers, shorts and skirts. Traditional and contemporary materials, colours and textures for different styles are also listed. This atlas will help designers in their work, no matter which creative method of costume design they choose: inversion, analogy, empathy, fantasy, creating new combinations and problem-solving. It is meant to be a source of inspiration and a useful tool for artists and designers working with clothing, and will be of interest to anyone who is passionate about fashion and style. AUTHOR: Marina Madzhugina graduated from the Institute of Design and Technology at Omsk State Technical University (Russia) with a degree in costume design. She has worked at her alma mater since 2013, teaching students who want to become stylists and image-makers. She is the winner of the Fashion Formula Competition (Omsk), the Local Style Competition for Young Fashion Designers (Voronezh) and the Russian Silhouette Contest (Sochi, Moscow). Over her career, she has developed a unique method to compile a basic assortment of clothing, which became the basis for this atlas. SELLING POINTS: . A captivatingly-illustrated handbook which playfully reveals the structure and characteristics of contemporary clothing . A useful tool for fashion illustrators, fashion lovers, and designers working with clothing . An essential guide to the most distinguishable features of each piece of contemporary clothing 300 colour illustrations
£24.75
Inner Traditions Bear and Company Chakras en la práctica chamánica: Ocho etapas de sanación y transformación
Cómo trabajar con los centros de los chakras para sanar heridas psíquicas no resueltas• Revela cómo las heridas psíquicas se alojan en el cuerpo energético• Relaciona las etapas clave de desarrollo con un chakra principal• Proporciona una guía detallada para sanar y limpiar las tensiones que se alojan en cada chakraEl sistema de chakras identifica ocho centros en la psicoanatomía de los seres humanos, cada uno asociado con una parte diferente del cuerpo físico o energético. Susan J. Wright, una chamana activa y psicoterapeuta Gestalt, utiliza su propio viaje por la vida para mostrar que cada chakra también está ligado a una etapa diferente del desarrollo emocional y espiritual. En Chakras en la práctica chamánica, ella identifica ocho etapas claves de desarrollo de la vida, del nacimiento hasta la vejez/muerte. Cada una de estas etapas de la vida tiene varios retos de desarrollo y potenciales eventos traumáticos que pueden ocurrir dentro de nuestra cultura y afectar la salud y bienestar del individuo. Wright explica que los traumas de la vida experimentados en etapas particulares de desarrollo llegan a estar clavados dentro del cuerpo energético cuando se aferran a su chakra correspondiente. Al identificar y trabajar con el chakra involucrado, se puede abrir un portal a un mundo de imágenes transformadoras, permitiendo que técnicas chamánicas poderosas curen estas heridas psíquicas. Además de ejercicios físicos y meditaciones guiadas que utilizan las técnicas de la recuperación del alma, trabajo con animales de poder y formas de trascender el trauma, Wright ofrece a los practicantes una manera de recoger y nutrir las partes fragmentadas de su cuerpo energético y de guiarse hacia el bienestar físico, emocional y espiritual.
£13.49
University of Minnesota Press Sister Arts: The Erotics of Lesbian Landscapes
In the great age of English garden design, eighteenth-century women working in the “sister arts” of painting, poetry, and landscape gardening adapted the Linnaean system of plant classification and the tradition of the erotic garden to create art with and for other women that celebrated everything from classical friendship to erotic love. In this book, filled with lush illustrations and intriguing stories, Lisa L. Moore reveals how these women artists used flowers, gardens, and landscapes to express their love for other women.Aristocratic diarist Mary Delany built a garden grotto for the exclusive use of herself and the naturalist and collector Margaret Bentinck, Duchess of Portland. Romantic poet Anna Seward, mourning the loss of Honora Sneyd to an unworthy marriage and then death, wrote her beloved’s face and body into her landscape poems. And in 1790s Connecticut, feminist intellectual Sarah Pierce transformed texts and images into a new poetic evocation of intimacy between women both egalitarian and erotic. These women, Moore shows, influenced later works by Emily Dickinson, Georgia O’Keeffe, Frida Kahlo, and Tee Corinne.Moore goes on to trace the legacy of the lesbian sister arts tradition in subsequent art and poetry, including contemporary multimedia work by Kara Walker, Michelene Thomas, Alma Lopez, and Allyson Mitchell. Her book redefines this unstudied sister arts tradition, which becomes visible only when we understand how the works of these women exemplify what she deems “lesbian genres.” It will captivate readers who want to know more about women’s contributions to garden history and landscape design—as well as those looking for a new perspective on queer history, literature, and culture.
£23.39
Distributed Art Publishers Afro-Atlantic Histories
A colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Named one of the best books of 2021 by Artforum Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories—their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures. The plural and polyphonic quality of “histórias” is also of note; unlike the English “histories,” the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives. The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism. Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.
£46.35
American Library Association Transforming Technical Services through Training and Development
Technical services departments are increasingly expected to do more with less, which means that finding a balance between meeting service demands and developing staff knowledge and skills is more challenging than ever. Today's next gen catalogs, changing cataloging rules, and diverse formats and delivery models demand that technical services professionals and paraprofessionals keep up with evolving best practices for the work they do. Fortunately, libraries can adopt methods such as Training Within Industry (TWI), lean management, and instructional design methodologies to develop a learning culture that continuously improves service delivery. Using case studies, this collection showcases a variety of creative and practical training development and organizational strategies that libraries and consortia have used to tackle issues related to skills gaps, remote work, student worker turnover, reorganizations, technology migrations, and more. You will learn about techniques for establishing a positive training and learning culture; project management tools and business methodologies such as a Deming approach and just-in-time training for continuous improvement and staff skill development; reactive and proactive approaches in the training program for the University of Nevada, Las Vegas Acquisitions Unit; how the University of Toronto Libraries (UTL) harnessed the power of remote work to undertake a library services platform migration during the pandemic; applying concepts from information literacy instruction to e-resources training; reinventing student worker training; collaborative initiatives such as cross-organizational learning through Community of Practice (CoP); assessing metadata competencies by transforming records for a multi-system migration in an academic library at a R1 research university; and how staff training and documentation eased a library system’s transition from Voyager to Alma.
£78.19
ACC Art Books Women Jewellery Designers
"...here’s eye candy on every page of the book." — Natural Diamonds This sumptuous book showcases the work of women jewellers in the 20th century. Beginning with Arts & Crafts jewellers in Britain, Europe and North America, the author then examines the key figures and movements of the pre-war period including Coco Chanel's legendary 'Bijoux de Diamants' exhibition of 1932, the designs of Suzanne Belperron and the roles of Jeanne Toussaint at Cartier and Renée Puissant at Van Cleef & Arpels. From the 1950s to the present day, a wide range of international designers are examined in detail with many examples of their work clearly illustrated. The author focuses on themes associated with jewellery, including colour, light, proportion, nature and legends. Among the many names included are Vivianna Torun Bülow-Hübe (designer for Georg Jensen), Margaret De Patta, Wendy Ramshaw, Angela Cummings, Paloma Picasso, Marina B, Lydia Courteille and Michelle Ong. Jewellery firms include: Boivin, Cartier, Van Cleef & Arpels, Bulgari, Jensen, Tiffany & Co. Designers featured: Alma Pihl, Coco Chanel, Suzanne Belperron, Juliette Moutard, Olga Tritt, Elisabeth Treskow, Margaret de Patta, Jeanne Toussaint, Line Vautrin, Margret Craver, Vivianna Torun Bülow-Hübe, Nanna Ditzel, Marianne Ostier, Barbara Anton, Gerda Flöckinger, Astrid Fog, Cornelia Roethel, Catherine Noll, Angela Cummings, Elsa Peretti, Wendy Ramshaw, Marina B, Marie-Caroline de Brosses, Marilyn Cooperman, Paloma Picasso, Victoire de Castellane, Alexandra Mor, Ornella Iannuzzi, Neha Dani, Paula Crevoshay, Nathalie Castro, Claire Choisne, Bina Goenka, Carla Amorim, Monique Péan, Michelle Ong - Carnet, Kara Ross, Lydia Courteille, Suzanne Syz, Sylvie Corbelin, Kaoru Kay Akihara - Gimel, Katey Brunini, Luz Camino, Cindy Chao, Aida Bergsen, Anna Hu, Barbara Heinrich, Jacqueline Cullen, Cynthia Bach.
£40.50
HarperCollins Publishers Inc Remembrance: A Mediator Novel
Fifteen years after the release of the first Mediator novel, #1 New York Times bestselling author Meg Cabot returns with a deliciously sexy new entry to a fan-favorite series. Suze Simon-all grown up and engaged to her once-ghostly soulmate-faces a vengeful spirit and an old enemy bent on ending Suze's wedded bliss before it begins. You can take the boy out of the darkness. But you can't take the darkness out of the boy. All Susannah Simon wants is to make a good impression at her first job since graduating from college (and since becoming engaged to Dr. Jesse de Silva). But when she's hired as a guidance counselor at her alma mater, she stumbles across a decade-old murder, and soon ancient history isn't all that's coming back to haunt her. Old ghosts as well as new ones are coming out of the woodwork, some to test her, some to vex her, and it isn't only because she's a mediator, gifted with second sight. From a sophomore haunted by the murderous specter of a child, to ghosts of a very different kind-including Paul Slater, Suze's ex, who shows up to make a bargain Suze is certain must have come from the Devil himself-Suze isn't sure she'll make it through the semester, let alone to her wedding night. Suze is used to striking first and asking questions later. But what happens when ghosts from her past-including one she found nearly impossible to resist-strike first? What happens when old ghosts come back to haunt you? If you're a mediator, you might have to kick a little ass.
£8.99
Penguin Books Ltd The History of Love
Shortlisted for the Orange Prize for Fiction 2006 and winner of the 2006 Prix du Meilleur Livre Étranger, The History of Love by bestselling author Nicole Krauss explores the lasting power of the written word and the lasting power of love. 'When I was born my mother named me after every girl in a book my father gave her called The History of Love. . . 'Fourteen-year-old Alma Singer is trying to find a cure for her mother's loneliness. Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author.Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the love lost that sixty years ago in Poland inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives. . . 'Wonderfully affecting...brilliant, touching and remarkably poised' Sunday Telegraph'A tender tribute to human valiance. Who could be unmoved by a cast of characters whose daily battles are etched on out mind in such diamond-cut prose?' Independent on Sunday'Devastating...one of the most passionate vindications of the written word in recent fiction. It takes one's breath away' Spectator Nicole Krauss is an American bestselling author who has received international critical acclaim for her first three novels: Great House (shortlisted for the Orange Prize for Fiction 2011), The History of Love and Man Walks into a Room (shortlisted for the LA Times Book Award), all of which are available in Penguin paperback.
£9.99
Gregory R Miller & Company Four Generations: The Joyner / Giuffrida Collection of Abstract Art
The acclaimed overview of Black abstract art, now in an expanded edition with nearly 100 additional color plates The Joyner/Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by artists of the African diaspora and from the continent of Africa itself. Four Generations: The Joyner/Giuffrida Collection of Abstract Art draws upon the collection's unparalleled holdings to explore the critical contributions made by Black artists to the evolution of visual art in the 20th and 21st centuries. This revised and expanded edition updates Four Generations with several new texts and nearly 100 images of works that have been added to the collection since the initial publication of this influential and widely praised book. Lavishly illustrated and featuring important contributions by leading art historians, critics, and curators, Four Generations gives an essential overview of some of the most notable Black artists and movements of the past century, and their approaches to abstraction in its various forms. Filled with countless insights and visual treasures, Four Generations is a journey through the momentous legacy of postwar art of the African diaspora. Artists include: Firelei Báez, Romare Bearden, Kevin Beasley, Zander Blom, Mark Bradford, Leonardo Drew, Sam Gilliam, David Hammons, Isaac Julien, Jacob Lawrence, Norman Lewis, Glenn Ligon, Julie Mehretu, Oscar Murillo, Christina Quarles, Robin Rhode, Lorna Simpson, Shinique Smith, Alma Thomas, Kara Walker, Jack Whitten, Lynette Yiadom-Boakye and many others. Rarely is a monograph on a private collection as revelatory as this—what an extraordinary, rich body of work is packed into these pages. The achievements of the artists, as well as their conceptual and formal daring, leave no doubt that a new page on American art is about to be opened." –Okwui Enwezor
£45.00
Trinity University Press,U.S. From the Sidelines to the Headlines: The Legacy of Women's Sports at Trinity University
In spring 2014 Peggy Kokernot Kaplan, a former Trinity University athlete and cofounder of the women’s track team, emailed her alma mater’s athletic department asking the school to post statistics from the team’s 1975 season. It’s no surprise that they couldn’t fulfill her request, for Trinity had sparse records from the 1970s—not just for track and field but for most performances by female athletes before 1991, when the school joined a NCAA Division III conference. What started as a humble email request nearly a decade ago has culminated in From the Sidelines to the Headlines: The Legacy of Women's Sports at Trinity University, an expansive book aimed at filling in the gaps in coverage of half a century of women’s intercollegiate sports. Former Trinity athlete Betsy Gerhardt Pasley and historian Doug Brackenridge, along with other members of the Trinity community, have collected hundreds of long-forgotten documents and conducted dozens of interviews with former students, coaches, and administrators to tell the fascinating, multifaceted story of women’s sports at this liberal arts school in San Antonio, Texas.While the book focuses primarily on the post–Title IX years between 1972 and 1999, its scope extends to Trinity’s founding in 1869, illuminating the century-long evolution of women in competitive sports, at Trinity and elsewhere, before Title IX. The story, told alongside the cultural shifts that formed the social and athletic context for female athletes of the day, also documents the decision Trinity and other institutions of higher learning faced after Title IX: Should they adhere to a commercial model, in which a focus on athletics often overshadowed academics, or strive for a more balanced student-athlete, nonscholarship model? Trinity chose the latter and has decades of national championships and academic accolades to show for it.
£17.99
Bucknell University Press Mother & Myth in Spanish Novels: Rewriting the Matriarchal Archetype
What if the goddess Athena, who sprang fully-grown from Zeus's head and denied she had a mother, became aware of the compelling existence of her other parent? What if she discovered that her mother, Metis-first wife of Zeus and "wiser than all gods and mortal men," according to Hesiod-was swallowed by her father and continued to impart her wisdom to him from inside his belly? Recent Spanish novels by women parallel this hypothetical situation based on Greek myth by featuring female protagonists who obsessively re-examine the lives of their mothers, seeking to know and understand them. In Mother and Myth in Spanish Novels, Sandra J. Schumm examines six narratives by Spanish authors published since 2000 that focus on a daughter's search to know more about her matriarchal heritage: Carme Riera's La mitad del alma, Lucía Etxebarria's Un milagro en equilibrio, Rosa Montero's El corazón del tártaro, Cristina Cerezales's De oca a oca, María de la Pau Janer's Las mujeres que hay en mí, and Soledad Purtolas's Historia de un abrigo. In each of these novels, the protagonist realizes that failure to integrate the loss of her mother into her life results in the inability to define her self. Without valorization of the maternal subject, the legacy of the daughter is at risk-she is also objectified and swallowed-and the whole society suffers. The daughters' attention to their mothers in these novels is as if Athena had finally recognized that her mother, Metis, had been ingested by Zeus. The myth of Metis and Athena becomes a metaphor of the daughter's quest toward wholeness and individuation in these works; she begins to understand that her maternal legacy is a source of wisdom that has been obscured. These novels by Spanish women strengthen the mother's voice, rescue her from anonymity, and rewrite the matriarchal archetype.
£42.00
Headline Publishing Group The Maharajah's General: East India Company in India, 1855
JACK LARK: SOLDIER, LEADER, IMPOSTER.The second book in the enthralling military adventure series for fans of Bernard Cornwell, Anthony Riches and Matthew Harffy. 'Brilliant' Bernard Cornwell 'Jack Lark is an unforgettable new hero' Anthony Riches 'Page-turning adventure, a hero with issues yet who's likable, and antagonists you will love to hate... It was hard to put down and a real pleasure to read' Historical Novel SocietyJack Lark barely survived the Battle of the Alma. As the brutal fight raged, he discovered the true duty that came with the officer's commission he'd taken. In hospital, wounded, and with his stolen life left lying on the battlefield, he grasps a chance to prove himself a leader once more. Poor Captain Danbury is dead, but Jack will travel to his new regiment in India, under his name. Jack soon finds more enemies, but this time they're on his own side. Exposed as a fraud, he's rescued by the chaplain's beautiful daughter, who has her own reasons to escape. They seek desperate refuge with the Maharajah of Sawadh, the charismatic leader whom the British Army must subdue. He sees Jack as a curiosity, but recognises a fellow military mind. In return for his safety, Jack must train the very army the British may soon have to fight...THE MAHARAJAH'S GENERAL: JACK LARK BOOK 2 ⭐⭐⭐⭐⭐ READERS CAN'T GET ENOUGH OF JACK LARK: 'Quite simply do yourself a favour and read these books' 'Everything you need in an historical military novel. Intrigue, deception, the horror of combat, revenge...' 'Jack Lark is a hero I'll happily follow' 'Filled with twists and memorable, larger than life characters' 'A delicately balanced formula that is mixed to perfection'
£9.99
Bloomsbury Publishing PLC Black Wolf
A dazzling new spy thriller about a female CIA agent whose extraordinary powers lead her into the dangerous heart of the collapsing Soviet Union – and the path of a killer that shouldn't exist. Minsk, 1990. The Soviet Union is crumbling. The scavengers and predators are gathering, eager to pick the meat off the bones of a dying empire. THE SPY: Melvina Donleavy is part of a US trade delegation... and on her first undercover mission with the CIA. Mel has a secret skill: she is a 'super recognizer', someone who never forgets a face. She is the CIA's early warning system, on watch for hostile agents trying to extract fissionable materials from the moribund USSR. THE SERIAL KILLER: On the streets of Minsk, women are being strangled. Many more have disappeared. The Soviet Union is not a gentle place for women and too many men are capable of such violence, but the truth is worse: just one man is responsible. Worse still, the authorities will never admit to his existence – serial killers, after all, are a symptom of capitalist decadence. And now he has a new target... THE SPY HUNTER: Chairman of the BSSR's KGB, recipient of the Hero of the Soviet Union medal, the Order of Lenin, the Medal for Valour, the Order of the Patriotic War and the Order of the Red Star. They say you never hear his footsteps until he's carrying your coffin. And now he has a new target... The Cold War may be coming to a close, but Mel is in danger of being obliterated by its fallout. Whichever way she turns, the wolves are gathering. Reviews for Black Wolf: 'Kathleen Kent slays it with Black Wolf, a propulsive page-turner chock full of juicy spy game goodies. Simply masterful.' Lisa Barr 'Black Wolf is a superlative read, rich in atmospherics and authenticity. Kathleen Kent knows the territory firsthand, and deftly guides us across the harrowing terrain.' Dan Fesperman 'A razor-sharp, whip-smart, beautifully written thriller. Combines the plotting of Frederick Forsyth with the chills of Thomas Harris. Highly recommended.' Christopher Reich 'A gritty depiction of the spy game during the dissolution of the Soviet Union. Perfect for fans of The Americans.' Alma Katsu
£9.99
Behrman House Inc.,U.S. Salt and Honey: Jewish Teens on Feminism, Creativity, and Tradition
NATIONAL JEWISH BOOK AWARD FINALIST"Raw, vibrant, and full of love" --Kirkus Reviews"A moving work that encourages solidarity . . . reflect(s)on race, gender, family, religious practice, and culture" --The Jewish Book CouncilIn 78 vibrant works by 62 gifted contributors, Jewish girls, young women, and nonbinary teens voice their celebrations and challenges, their anger and their eagerness in essays, poetry, and visual art. And their themes are universal, touching on childhood, spirituality, sexuality, race, family, friends, and the world around us.We are writers, editors, photographers, and artists. We are multiethnic, multiracial, and multifaceted. We are nourished by the sweet honey and harsh salt of our lives. Although we are often misunderstood, we find strength within ourselves and our communities. This book elevates our stories as we honor the past, explore the present, and look toward the future. Through poetry, fiction, essays, and art, we make our voices heard. "Within these pages is a representation of the Jewish community at its best: a diversity of voices and experiences; a rigorous commitment to challenging the status quo; creativity; humor and heartbreak; suffering and joy. That such an invigorating and affirming work was produced by the teens of jGirls Magazine is proof that they've learned a very important lesson early in life: nobody can tell your story but you." --Molly Tolsky, from the Foreword to Salt & Honey.The award-winning Salt & Honey and was created by a team of writers and artists brought together as part of jGirls Magazine, including editors Elizabeth Mandel, Emanuelle Sippy, Maya Savin Miller, and Michele Lent Hirsch. Includes works by: Aliza Abusch-Magder; Lauren Alexander; Gertie Angel; Yael Beer; Alex Berman; Alyx Bernstein; Leah Bogatie; Isabella Brown; Aydia Caplan; Whitney Cohen; Emilia Cooper; Tesaneyah Dan; Denae; Alexa Druyanoff; Emily Duckworth; Elena Eisenstadt; Tali Feen; Abigail Fisher; Leah Fleischer; Lily Gardner; Abigael Good; Sequoia Hack; Madison Hahamy; Samara Haynes; Ahava Helfenbaum; Dalia Heller; Sascha Hochman; Audrey Honig; Alexa Hulse; Liel Huppert; Noa Kalfus; Alma Kastan; Rachel Kaufman; Maya Keren; Naomi Kitchen; Gavi Klein; Jamie Klinger; Emily Knopf; Aidyn Levin; Sonja Lippmann; Shoshana Maniscalco; Liora Meyer; Maya Savin Miller; Becca Norman; Juliet Norman; Dina Ocken; Zoe Oppenheimer; Lily Pazner; Annie Poole; Ofek Preis; Maya Rabinowitz; Emma Rosman; Artie Ross; Sydney Schulman; Eliana Shapere; Emanuelle Sippy; Michal Spanjer; Frankie Vega; Molly Voit; Abigail Winograd; Sarah Young; Makeda Zabot-Hall.The included Reader's Guide by teen educator and award-winning author Michelle Shapiro Abraham, RJE makes this an outstanding resource for book groups and for teen programming in a variety of contexts.
£12.99
Little, Brown Book Group Boys in the Valley: THE TERRIFYING AND CHILLING FOLK HORROR MASTERPIECE
'The terror's exquisite. Fracassi's got his hand on the chisel going into your chest' Stephen Graham Jones, author of The Only Good Indians'THE MOST FRIGHTENING NOVEL OF THE YEAR' EsquireThe Exorcist meets Lord of the Flies, by way of Midnight Mass, Boys in the Valley is a chilling folk horror set in a remote orphanage in turn of the century Pennsylvania.St. Vincent's Orphanage for Boys. Turn of the century, in a remote valley in Pennsylvania. Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future. . . a family. Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within. Soon, boys begin acting differently, forming groups. Taking sides. Others turn up dead. Now Peter and those dear to him must choose sides of their own, each of them knowing their lives - and perhaps their eternal souls - are at risk.Praise for Boys in the Valley:'Fracassi makes terror read so damn beautifully' Victor LaValle, author of The Changeling'An unrelenting and highly entertaining show of horrors' Thomas Olde Heuvelt, author of Hex'A smart and deftly-written tale instilled with the kind of creeping, claustrophobic horror I enjoy' Nick Cutter, author of The Troop'As poignant as it is chilling, with a fast-paced, unflinching ending' Alma Katsu, author of The Hunger'The most unsettling novel I have read all year. Cold dread clings to every page' Ronald Malfi, author of Black Mouth'Harrowing and claustrophobic' Christopher Golden, author of Road of Bones'Fracassi. . . builds his horrific tales slowly and carefully...he's especially skilful at creating, and sustaining, suspense' The New York Times'Gut-wrenching, heart breaking, and terrifying' Andy Davidson, author of The Boatman's Daughter'Horror readers will be hooked' Publishers Weekly'A riveting, and horrifying, tale of survival set against a punishing and vivid backdrop.' Victor LaValle'Fracassi. . . brings a depth of understanding to his monsters, human and otherwise' Guardian'Fracassi's storytelling is. . . horror with a big, broken heart' Esquire'His range, prolific output, and fast-paced prose are all set to put him on the shelf next to names such as King, Straub, and Thomas Harris' Signal Horizon
£9.99
Giles de la Mare Publishers Inherit the Truth 1939-1945: The Documented Experiences of a Survivor of Auschwitz and Belsen
This is the story of the destruction of a talented Jewish family, and of the survival against all the odds of two young sisters. It is one of the most moving stories to emerge from the Second World War. Anita and her elder sister Renate defied death at the hands of the Gestapo and the SS over a period of two and a half years when they were sucked into the whirlpool of Nazi mass extermination, being first imprisoned as 'criminals' and then being transferred, separately, to Auschwitz, and finally to Belsen when the Russians approached. They were saved by their exceptional courage, determination and ingenuity, and by several improbable strokes of luck. At Auschwitz, Anita escaped annihilation through her talents as a cellist when she was co-opted into the camp orchestra directed by Alma Rose, niece of Gustav Mahler. Her book is especially remarkable because of the many documents she has managed to preserve, most of them now lodged in the archives of the Imperial War Museum in London. In a sequence of family letters to her sister Marianne, who was marooned in England, from just before the war to 1942 when her parents were deported and liquidated, an atmosphere of happy normality gradually gives way to latent terror and foreboding. The appalling predicament of the Lasker family, and of Anita and Renate in particular when the rest of their relations had been deported and they were left totally alone in Breslau, could not be more poignantly conveyed. They were caught by the Gestapo trying to flee to Paris, and sent to prison: another piece of 'luck', as it turned out, since they were spared the worse horrors of Auschwitz for a crucial year. After the liberation of Belsen in April 1945, the correspondence with Marianne in England resumed. Anita was seconded to the British Army, and she quotes first-hand material about the early days of the occupation, including a transcript of part of the Luneburg trial in late 1945 when she gave evidence about Nazi atrocities at Auschwitz and Belsen, and was confronted in court by her tormentors. In 1946 she and Renate were both finally permitted to emigrate to England. Three years later, Anita became a founder member of the English Chamber Orchestra, in which she continued to play the cello until recently. Anita's book featured in BBC Radio 4's 'Desert Island Discs' programme on 25th August 1996. She had also told her story in a series of five BBC Radio 4 programmes in 1994; and a BBC 2 TV film about her experiences, Playing to Survive, was screened in October 1996.
£14.99
Gregory R Miller & Company The Soul of a Nation Reader: Writings by and about Black American Artists, 1960–1980
A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition A New York Magazine 2021 holiday gift guide pick What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever. Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright.
£31.49
Oro Editions LA+ Community
Almost everything that landscape architects design is ultimately for a community. Community can be the boon or bane of a project, and oftentimes both. LA+ COMMUNITY aims to explore how, over time, each of us moves in and out of multiple communities, shaping them as they shape us, and in turn shaping our landscapes and cities. We ask how different disciplines construct different ideas of community and how those communities are anchored in space and time, whose interests they serve, and what traces they leave. And we examine how — in this pluralistic, fragmented, and fluid world — designers can meaningfully engage with communities. Contributions from: Anne Whiston Spirn reflects upon her personal and professional journey through her long-term engagement with the Mill Creek community in the West Philadelphia Landscape Project. Architect and cofounder of the DisOrdinary Architecture Project Jocelyn Boys discusses how designers and policy-makers make assumptions about the "ordinary user" of public space and explores ways of understanding and improving how people with disabilities engage with such spaces. Historical geographer Garrett Dash Nelson contemplates the conceptual and practical slippages between understanding community in both its geographical and sociological forms, and what this means for designers seeking to give spatial form to the concept of community. A multi-perspective Q+A with BIPOC designers, educators, and artists Kofi Boone, Julian Agyeman, Hanna Kim, Alma du Solier, Jeffrey Hou, Melissa Guerrero, and Kat Engleman confronts the enduring practices of spatial injustice and the need for new processes, engagement, and outcomes for a racially and culturally inclusive future. Philosopher and author Mark Kingwell considers the literal ins and outs of the question “What is community?” in the midst of a global pandemic. Landscape architect Kate Orff speaks about the ways in which she uses community activism and different practices of engagement to drive better design outcomes. Criminologists James Petty + Alison Young open our eyes to the rise of hostile architecture and criminalisation of homelessness in public space. Designer Chrili Car reflects on lessons learned from working with a self-organised community in a remote village in northern Ghana to masterplan long-term local sustainability and greenbelt projects. Ecologist Jodi Hilty, President and Chief Scientist of the Yellowstone to Yukon Initiative, speaks about the realisation of this visionary wildlife-corridor project spanning 3,200 km, two countries, and hundreds of different communities and interests. Historic preservationist and planner Francesca Russello Ammon teases out the contradictions in the canonical urban renewal success story of Philadelphia’s Society Hill. Landscape architect Jessica Henson gives us the inside story on the intractably complex socio-political and ecological task of master planning a 51-mile swath of the Los Angeles River with a diverse range of user communities. Michael Schwarze-Rodrian recounts the extraordinary achievements of the Emscher Landscape Park in Germany’s Ruhrgebiet, where over the last 30 years a working-class community facing the trauma of transition to a post-industrial economy has been sustained by the medium of landscape, without the forms of displacement or gentrification typically associated with high-end greening. Urban planner and author of Just Sustainabilities Julian Agyeman elucidates what the culturally inclusive design of public space entails. Architect Mario Matamoros delivers a stinging critique of the way in which developers and designers in the Honduran city of Tegucigalpa dupe the public with cynical community consultation so as to anesthetise the possibility of dissent, and Sara Padgett Kjaersgaard interviews the CEO of the Federation of Traditional Owner Corporations, Paul Paton and landscape architect Anne-Marie Pisani about working with Indigenous communities in Australia to help facilitate self-determination and connection to their lands.
£14.95