Search results for ""university of chicago press""

Christian Bagge, an Iraq War veteran, lost both his legs in a roadside bomb attack on his Humvee in 2006. Months after the accident, outfitted with sleek new prosthetic legs, he jogged alongside President Bush for a photo op at the White House. The photograph served many functions, one of them being to revive faith in an American martial ideal - that war could be fought without permanent casualties and that innovative technology could easily repair war's damage. When Bagge was awarded his Purple Heart, however, military officials asked him to wear pants to the ceremony, saying that photos of the event should be "soft on the eyes." Defiant, Bagge wore shorts. America has grappled with the questions posed by injured veterans since its founding, and with particular force since the early twentieth century: What are the nation's obligations to those who fight in its name? And when does war's legacy of disability outweigh the nation's interests at home and abroad? In Paying with Their Bodies, John M. Kinder traces the complicated, interwined histories of war and disability in modern America. Focusing in particular on the decades surrounding World War I, he argues that disabled veterans have long been at the center of two competing visions of American war: one that highlights the relative safety of US military intervention overseas; the other indelibly associating American war with injury, mutilation, and suffering. Kinder brings disabled veterans to the center of the American war story and shows that when we do so, the history of American war over the last century begins to look very different. War can no longer be seen as a discrete experience, easily left behind; rather, its human legacies are felt for decades. The first book to examine the history of American warfare through the lens of its troubled legacy of injury and disability, Paying with Their Bodies will force us to think a new about war and its painful costs.

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Among the great figures of Progressive Era reform, Edith and Grace Abbott are perhaps the least sung. Peers, companions, and coworkers of legendary figures such as Jane Addams and Sophonisba Breckinridge, the Abbott sisters were nearly omnipresent in turn-of-the-century struggles to improve the lives of the poor and the working-class people who fed the industrial engines and crowded into diverse city neighborhoods. Grace's innovative role as a leading champion for the rights of children, immigrants, and women earned her a key place in the history of the social justice movement. As her friend and colleague Eleanor Roosevelt wrote, Grace was "one of the great women of our day ...a definite strength which we could count on for use in battle." A Sister's Memories is the inspiring story of Grace Abbott (1878-1939), as told by her sister and social justice comrade, Edith Abbott (1876-1957). Edith recalls in vivid detail the Nebraska childhood, impressive achievements, and struggles of her sister who, as head of the Immigrants' Protective League and the U.S. Children's Bureau, championed children's rights from the slums of Chicago to the villages of Appalachia. Grace's crusade can perhaps be best summed up in her well-known credo: "Justice for all children is the high ideal in a democracy." Her efforts saved the lives of thousands of children and immigrants and improved those of millions more. These trailblazing social service works led the way to the creation of the Social Security Act and UNICEF and caused the press to nickname her "The Mother of America's 43 Million Children." She was the first woman in American history to be nominated to the presidential cabinet and the first person to represent the United States at a committee of the League of Nations. Edited by Abbott scholar John Sorensen, A Sister's Memories is destined to become a classic. It shapes the diverse writings of Edith Abbott into a cohesive narrative for the first time and fills in the gaps of our understanding of Progressive Era reforms. Readers of all backgrounds will find themselves engrossed by this history of the unstoppable, pioneer feminist Abbott sisters.

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Joseph Dalton Hooker (1817-1911) was an internationally renowned botanist, a close friend and early supporter of Charles Darwin, and one of the first - and most successful - British men of science to become a full-time professional. He was also, Jim Endersby argues, the perfect embodiment of Victorian science. A vivid picture of the complex interrelationships of scientific work and scientific ideas, "Imperial Nature" gracefully uses one individual's career to illustrate the changing world of science in the Victorian era. By focusing on science's material practices and one of its foremost practitioners, Endersby ably links concerns about empire, professionalism, and philosophical practices to the forging of a nineteenth-century scientific identity.

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Yellow Livestrong wristbands were taken off across America early last year when Lance Armstrong confessed to Oprah Winfrey that he had doped during the seven Tour de France races he won. But the foreign cycling world, which always viewed Armstrong with suspicion, had already moved on. The bellwether events of the year were Chris Froome's victory in the Tour and the ousting of Pat McQuaid as director of the Union Cycliste Internationale. Even without Armstrong, the Tour will roll on-its gigantic entourage includes more than 200 racers, 450 journalists, 260 cameramen, 2,400 support vehicles carrying 4,500 people, and a sevenmile-long publicity caravan. It remains one of the most-watched annual sporting events on television and a global commercial juggernaut. In Selling the Yellow Jersey, Eric Reed examines the Tour's development in France as well as the event's global athletic, cultural, and commercial influences. The race is the crown jewel of French cycling, and at first the newspapers that owned the Tour were loath to open up their monopoly on coverage to state-owned television. However, the opportunity for huge payoffs prevailed, and France tapped into global networks of spectatorship, media, business, athletes, and exchanges of expertise and personnel. In the process, the Tour helped endow world cycling with a particularly French character, culture, and structure, while providing proof that globalization was not merely a form of Americanization, imposed on a victimized world. Selling the Yellow Jersey explores the behind-the-scenes growth of the Tour, while simultaneously chronicling France's role as a dynamic force in the global arena.

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Religious traditions provide the stories and rituals that define the core values of church members. Yet, modern life in America can make those customs seem undesirable, even impractical. As a result, many congregations refashion church traditions so they remain powerful and salient. How do these transformations occur? How do clergy and worshippers negotiate which aspects should be preserved or discarded? Focusing on the innovations of several mainline Protestant churches in the San Francisco Bay Area, Stephen Ellingson's "The Megachurch and the Mainline" provides new understandings of the transformation of spiritual traditions. For Ellingson, these particular congregations typify a new kind of Lutheranism - one which combines the evangelical approaches that are embodied in the growing legion of megachurches with American society's emphasis on pragmatism and consumerism. Here, Ellingson provides vivid descriptions of congregations as they sacrifice hymns in favor of rock music and scrap traditional white robes and stoles for Hawaiian shirts, while also making readers aware of the long history of similar attempts to Americanize the Lutheran tradition. This is an important examination of a religion in flux - one that speaks to the growing popularity of evangelicalism in America.

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This volume completes the immensely learned three-volume A History of Religious Ideas. Eliade examines the movement of Jewish thought out of ancient Eurasia, the Christian transformation of the Mediterranean area and Europe, and the rise and diffusion of Islam from approximately the sixth through the seventeenth centuries. Eliade's vast knowledge of past and present scholarship provides a synthesis that is unparalleled. In addition to reviewing recent interpretations of the individual traditions, he explores the interactions of the three religions and shows their continuing mutual influence to be subtle but unmistakable. As in his previous work, Eliade pays particular attention to heresies, folk beliefs, and cults of secret wisdom, such as alchemy and sorcery, and continues the discussion, begun in earlier volumes, of pre-Christian shamanistic practices in northern Europe and the syncretistic tradition of Tibetan Buddhism. These subcultures, he maintains, are as important as the better-known orthodoxies to a full understanding of Judaism, Christianity, and Islam.

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On a hot summer day in 1876, George Armstrong Custer led the Seventh Cavalry to the most famous defeat in U.S. military history. Outnumbered and exhausted, the Seventh Cavalry lost more than half of its four hundred men, and every soldier under Custer's direct command was killed.It's easy to understand why this tremendous defeat shocked the American public at the time. But with "Custerology", Michael A. Elliott tackles the far more complicated question of why the battle still haunts the American imagination today. Weaving vivid historical accounts of Custer at Little Bighorn with contemporary commemorations that range from battle reenactments to the unfinished Crazy Horse memorial, Elliott reveals a Custer and a West whose legacies are still vigorously contested. He takes readers to each of the important places of Custer's life, from his Civil War home in Michigan to the site of his famous demise, and introduces us to Native American activists, Park Service rangers, and devoted history buffs along the way. Throughout, Elliott shows how Custer and the Indian Wars continue to be both a powerful symbol of America's bloody past and a crucial key to understanding the nation's multicultural present.

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England's Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth's translations from and into Latin, French, and Italian.Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth's writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace's Ars poetica, as well as Elizabeth's Latin Sententiae on the responsibilities of sovereign rule and her own perspectives on the monarchy. Editors Janel Mueller and Joshua Scodel offer introductions to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it. Their annotations identify obscure meanings, biblical and classical references, and Elizabeth's actual or apparent deviations from her sources.The translations collected here trace Elizabeth's steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule. "Elizabeth I: Translations" is the queen's personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.

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What is the opposite of freedom? In Freedom as Marronage, Neil Roberts answers this question with definitive force: slavery. From there he unveils powerful new insights on the human condition as it has been understood between these poles. Crucial to his investigation is the concept of marronage - a form of slave escape that was an important aspect of Caribbean and Latin American slave systems. Examining this overlooked phenomenon - one of action from slavery and toward freedom-he deepens our understanding of freedom itself and the origin of our political ideals. Roberts examines the liminal and transitional space of slave escape in order to develop a theory of freedom as marronage, which contends that freedom is fundamentally located within this space - that it is a form of perpetual flight. He engages a stunning variety of writers, including Hannah Arendt, W. E. B. Du Bois, Angela Davis, Frederick Douglass, Samuel Taylor Coleridge, and the Rastafari, among others, to develop a compelling lens through which to interpret the quandaries of slavery, freedom, and politics that still confront us today. The result is a sophisticated, interdisciplinary work that unsettles the ways we think about freedom by always casting it in the light of its critical opposite.

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The vast savannas and great migrations of the Serengeti conjure impressions of a harmonious and balanced ecosystem. But in reality, the history of the Serengeti is rife with battles between human and non-human nature. Serengeti IV, the latest installment in a long-standing series on the region's ecology and biodiversity, explores our species' role as a source of both discord and balance in Serengeti ecosystem dynamics. Through chapters charting the complexities of infectious disease transmission across populations, agricultural expansion, and the many challenges of managing this ecosystem today, this book shows how the people and landscapes surrounding crucial protected areas like Serengeti National Park can and must contribute to Serengeti conservation. In order to succeed, conservation efforts must also focus on the welfare of indigenous peoples, allowing them both to sustain their agricultural practices and benefit from the natural resources provided by protected areas - an undertaking that will require the strengthening of government and education systems and, as such, will present one of the greatest conservation challenges of the next century.

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This is a synthesis of Japanese history, religion, culture and social organization. The book explores the Japanese historical legacy and its impact on the Japanese experience of modernity, eschewing the polemicism of structuralist or culturalist approaches in favour of a systematic, broadly comparative analysis. What emerges is a focus on the non-ideological character of Japanese civilization as well as its infinite capacity to recreate community through an ongoing past.

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Arnold Eisen here calls for a fundamental rethinking of the story of modern Judaism. More than simply a study of Jewish thought on customs and rituals, Rethinking Modern Judaism explores the central role that practice plays in Judaism's encounter with modernity."Fascinating . . . an insightful entrance point to understanding the evolution of the theologies of America's largest Jewish denominations."—Tikkun"I know of no other treatment of these issues that matches Eisen's talents for synthesizing a wide variety of historical, philosophical, and social scientific sources, and bringing them to bear in a balanced and open-minded way on the delicate questions of why modern Jews relate as they do to the practices of Judaism."—Joseph Reimer, Boston Book Review"At once an incisive survey of modern Jewish thought and an inquiry into how Jews actually live their religious lives, Mr. Eisen's book is an invaluable addition to the study of American Judaism."—Elliott Abrams, Washington Times

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Perhaps the most contested patch of earth in the world, Jerusalem's Old City experiences consistent violent unrest between Israeli and Palestinian residents, with seemingly no end in sight. Today, Jerusalem's endless cycle of riots and arrests appears intractable even unavoidable and it looks unlikely that harmony will ever be achieved in the city. But with Jerusalem 1900, historian Vincent Lemire shows us that it wasn't always that way, undoing the familiar notion of Jerusalem as a lost cause and revealing a unique moment in history when a more peaceful future seemed possible. In this masterly history, Lemire uses newly opened archives to explore how Jerusalem's elite residents of differing faiths cooperated through an inter-community municipal council they created in the mid-1860s to administer the affairs of all inhabitants and improve their shared city. These residents embraced a spirit of modern urbanism and cultivated a civic identity that transcended religion and reflected the relatively secular and cosmopolitan way of life of Jerusalem at the time. These few years would turn out to be a tipping point in the city's history a pivotal moment when the horizon of possibility was still open, before the council broke up in 1934, under British rule, into separate Jewish and Arab factions. Uncovering this often overlooked diplomatic period, Lemire reveals that the struggle over Jerusalem was not historically inevitable and therefore is not necessarily eternal. Jerusalem 1900 sheds light on how the Holy City once functioned peacefully and illustrates how it might one day do so again.

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From the color of a politician's tie, to exorbitantly costly haircuts, to the size of an American flag pin adorning a lapel, it's no secret that style has political meaning. And there was no time in history when the politics of fashion was more fraught than during the French Revolution. In the 1790s almost any article of clothing could be scrutinized for evidence of one's political affiliation. A waistcoat with seventeen buttons, for example, could be a sign of counterrevolution - a reference to Louis XVII - and earn its wearer a trip to the guillotine. In Dandyism in the Age of Revolution, Elizabeth Amann shows that in France, England, and Spain, daring dress became a way of taking a stance toward the social and political upheaval of the period. France is the centerpiece of the story, not just because of the significance of the Revolution but also because of the speed with which its politics and fashions shifted. Dandyism in France represented an attempt to recover a political center after the extremism of the Terror, while in England and Spain it offered a way to reflect upon the turmoil across the Channel and Pyrenees. From the Hair Powder Act, which required users of the product to purchase a permit, to the political implications of the feather in Yankee Doodle's hat, Amann aims to revise our understanding of the origins of modern dandyism and to recover the political context from which it emerged.

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Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell's early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time. In Afternoon Men, the earliest and perhaps most acid of Powell's novels, we meet the museum clerk William Atwater, a young man stymied in both his professional and romantic endeavors. Immersed in Atwater's coterie of acquaintances-a similarly unsatisfied cast of rootless, cocktail-swilling London sophisticates-we learn of the conflict between his humdrum work life and louche social scene, of his unrequited love, and, during a trip to the country, of the absurd contrivances of proper manners. A satire that verges on nihilism and a story touched with sexism and equal doses self-loathing and self-medication, AfternoonMen has a grim edge to it. But its dialogue sparks and its scenes grip, and for aficionados of Powell, this first installment in his literary canon will be a welcome window onto the mind of a great artist learning his craft.

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The discipline of American studies was established in the early days of World War II and drew on the myth of American exceptionalism. But now that the so-called American Century has come to an end, what would a truly globalized version of American studies look like? Brian T. Edwards and Dilip Parameshwar Gaonkar offer a new standard for the field's transnational aspiration with "Globalizing American Studies". The essays here offer a comparative, multilingual, or multi-sited approach to ideas and representations of America. The contributors explore unexpected perspectives on the international circulation of American culture: the traffic of American movies within the British Empire, the reception of the film "Gone with the Wind" in the Arab world, the parallels between Japanese and American styles of nativism, and new incarnations of American studies itself in the Middle East, to name a few. Bringing together established scholars already associated with the global turn in American studies with contributors who specialize in African studies, East Asian studies, Latin American studies, media studies, anthropology, and other areas, "Globalizing American Studies" is a timely response to an important disciplinary shift in academia.

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When most critics were using Freudian theories to study literature, Mark Edmundson read Freud's writings as literature - alongside the works of poets grappling with the heady issues of desire, narcissism, and grief. "Towards Reading Freud" weighs the psychoanalyst's therapeutic directives against his more visionary impulses in a magisterial comparative study of such writers as Shakespeare, Wordsworth, Emerson, and Keats. Cross-fertilizing psychological doctrine with the literary canon, this richly informed volume forges a new understanding of Freud's writings on the self.

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A beautifully illustrated argument that reveals notebooks as extraordinary paper machines that transformed knowledge on the page and in the mind. We often think of reason as a fixed entity, as a definitive body of facts that do not change over time. But during the Enlightenment, reason also was seen as a process, as a set of skills enacted on a daily basis. How, why, and where were these skills learned? Concentrating on Scottish students living during the long eighteenth century, this book argues that notebooks were paper machines and that notekeeping was a capability-building exercise that enabled young notekeepers to mobilize everyday handwritten and printed forms of material and visual media in a way that empowered them to judge and enact the enlightened principles they encountered in the classroom. Covering a rich selection of material ranging from simple scribbles to intricate watercolor diagrams, the book reinterprets John Locke’s comparison of the mind to a blank piece of paper, the tabula rasa. Although one of the most recognizable metaphors of the British Enlightenment, scholars seldom consider why it was so successful for those who used it. Each chapter uses one core notekeeping skill to reveal the fascinating world of material culture that enabled students in the arts, sciences, and humanities to transform the tabula rasa metaphor into a dynamic cognitive model. Starting in the home, moving to schools, and ending with universities, the book reconstructs the relationship between media and the mind from the bottom up. It reveals that the cognitive skills required to make and use notebooks were not simply aids to reason; rather, they were part of reason itself.

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Of the many charges laid against contemporary literary scholars, one of the most common - and perhaps the most wounding - is that they simply don't love books. And while the most obvious response is that, no, actually the profession of literary studies does acknowledge and address personal attachments to literature, that answer risks obscuring a more fundamental question: Why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have long played a role in the formation of private life - that the love of literature, in other words, is neither incidental to, nor inextricable from, the history of literature. Yet at the same time, there is nothing self-evident or a historical about our love of literature: our views of books as objects of affection have clear roots in late eighteenth-century and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings behind our warm relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase "the love of literature" as if its meaning were transparent, its essence happy and healthy. Lynch writes, "It is as if those on the side of love of literature had forgotten what literary texts themselves say about love's edginess and complexities." With this masterly volume, Lynch restores those edges, and allows us to revel in those complexities.

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Before publishing his pioneering book How the Other Half Lives - a photojournalistic investigation into the poverty of New York's tenement houses - Jacob Riis (1849-1914) spent his first years in the United States as an immigrant and itinerant laborer, barely surviving on his carpentry skills until he landed a job as a muckraking reporter. These early experiences provided Riis with an empathy for the lives of immigrants that would shine through in his iconic photos. With Rediscovering Jacob Riis, Bonnie Yochelson and Daniel Czitrom place Jacob Riis' images in historical context. In the first half of their book, Czitrom explores Riis' reporting and activism within the gritty specifics of Gilded Age New York: its new immigrants, its political machines, its fiercely competitive journalism, its evangelical reformers, and its labor movement. Czitrom shows that though Riis argued for charity, not sociopolitical justice, the empathy that drove his work continues to inspire urban reformers today. In the second half of the book, Yochelson describes Riis' photographic practice: his initial reliance on amateur photographers to take the photographs he needed, his own use of the camera, and then his collecting of photographs by professionals documenting social reform efforts for government agencies and charities. She argues that while Riis is rightly considered a revolutionary in the history of photography, he was not a photographic artist. Instead, Riis was a writer and lecturer who first harnessed the power of photography to affect social change. As staggering inequality continues to be a hot political topic, this book, illustrated with nearly seventy of Riis' photographs, will serve as a stunning reminder of what has changed, and what has not.

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Whether sharing a spectacular shot from a deep-space probe, announcing a development in genetic engineering, or crafting an easy-to-reference list of cancer risk factors, science public information officers, or PIOs, serve as scientific liaisons, connecting academic, nonprofit, government, and other research organizations with the public. And as traditional media outlets cut back on their science coverage, PIOs are becoming a vital source for science news. W. Matthew Shipman's Handbook for Science Public Information Officers covers all aspects of communication strategy and tactics for members of this growing specialty. It includes how to pitch a story, how to train researchers to navigate interviews, how to use social media effectively, and how to respond to a crisis. The handbook offers a wealth of practical advice while teaching science PIOs how to think critically about what they do and how they do it, so that they will be prepared to take advantage of any situation, rather than being overwhelmed by it. For all science communicators-whether they're starting their careers, crossing over from journalism or the research community, or professional communicators looking to hone their PIO skills-Shipman's Handbook for Science Public Information Officers will become their go-to reference.

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As state support and federal research funding dwindle, universities are increasingly viewing their intellectual property portfolios as lucrative sources of potential revenue. Nearly all research universities now have a technology transfer office to manage their intellectual property, but many are struggling to navigate this new world of university-industry partnerships. Given the substantial investment in academic research and millions of dollars potentially at stake, identifying best practices in university technology transfer and academic entrepreneurship is of paramount importance. The Chicago Handbook of University Technology Transfer and Academic Entrepreneurship is the first definitive source to synthesize state-of-the-art research in this arena. Edited by three of the foremost experts in the field, the handbook presents evidence from entrepreneurs, administrators, regulators, and professors in numerous disciplines. Together they address the key managerial and policy implications through chapters on how to sustain successful research ventures, stimulate academic entrepreneurship, maintain effective open innovation strategies, and improve the performance of university technology transfer offices.

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The chorus of the Christian hymn "Amazing Grace" reads, "I once was lost, but now am found, / Was blind but now I see." Composed by a priest who formerly worked as a slave trader, the song expresses his experience of divine intervention after a perilous trip at sea, one that ultimately caused him to see the error of his ways. This theme of personal awakening is a feature of countless stories throughout history, where "wretches" like the slave owner are saved from darkness and despair by suddenly seeing the light. In Seeing the Light, Thomas DeGloma explores such accounts of personal discovery, employing a variety of primary source materials, from newsletters to websites to video documentaries and foundational texts. In stories that range from the discovery of a religious truth to remembering a childhood trauma to coming out of the closet, DeGloma reveals a common social pattern: When people escape a place of darkness by discovering a life-changing truth, they typically ally with a new community. Individuals then use these autobiographical stories to shape their stances on highly controversial issues such as childhood abuse, war and patriotism, political ideology, and religious conversion. Thus, while such stories are seemingly very personal, they also have a distinctly social nature. Tracing a wide variety of narratives through a stunning three thousand years of history, Seeing the Light uncovers the common threads of such stories and reveals the crucial, little-recognized social logic of personal discovery.

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The digital humanities is a rapidly growing field that is transforming humanities research through digital tools and resources. Researchers can now quickly trace every one of Issac Newton's annotations, use social media to engage academic and public audiences in the interpretation of cultural texts, and visualize travel via ox cart in third-century Rome or camel caravan in ancient Egypt. Rhetorical scholars are leading the revolution by fully utilizing the digital toolbox, finding themselves at the nexus of digital innovation. Rhetoric and the Digital Humanities is a timely, multidisciplinary collection that is the first to bridge scholarship in rhetorical studies and the digital humanities. It offers much-needed guidance on how the theories and methodologies of rhetorical studies can enhance all work in digital humanities, and vice versa. Twenty-three essays over three sections delve into connections, research methodology, and future directions in this field. Jim Ridolfo and William Hart-Davidson have assembled a broad group of more than thirty accomplished scholars. Read together, these essays represent the cutting edge of research, offering guidance that will energize and inspire future collaborations.

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Jean Dutourd's A Dog's Head is a wonderful piece of magical realism, reminiscent of Voltaire, Borges and Kafka. With biting wit, Dutourd presents the story of Edmund Du Chaillu, a boy born, to his bourgeois parents's horror, with the head of a spaniel. Edmund must endure his school-mate's teasing as well as an urge to carry a newspaper in his mouth. This is the story of his life, trials, and joys as he searches for a normal life of worth and love. "Dutourd is a fine craftsman, whose work has the classic virtues of brevity, lucidity, and concentration. He has written a sardonic divertissement that concerns itself with fundamental problems of man's existence-a tale that is sad-eyed, witty, and often very funny."--Charles J. Rolo, New York Times Book Review "A tiny masterpiece in the French classical tradition...Stylish, elegant and witty, and told with an apparent lightheartedness that points to rather than obscures the hero's essential tragedy."--P. L. Travers, New York Herald Tribune "Wit, a good deal of shrewd classical allusion, and a Voltarian satire are the book's assets." --Edmund Fuller, Chicago Tribune "The work of an expert craftsman and of a careful writer of prose, ending with the rarest gift in modern letters: the comic spirit."--Henri Peyre, The Saturday Review "Dutourd might well have dropped his story at this point, had it been his intention simply to excoriate the human race for its treatment of those who are physically afflicted. Instead, he presses on in his terse, deadpan prose to teach a lesson to the afflicted of the world as well."--Time "A Dog's Head is one of the most curious, most beautifully conceived and written fantasies you've ever come across."--J. H. Jackson, San Francisco Chronicle "A Dog's Head is an excellent joke in the worst possible taste, and its author, M. Jean Dutourd, is a satirist of the first rank."--New Yorker

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The history of baseball is rife with colorful characters. But for sheer cantankerousness, fighting moxie, and will to win, very few have come close to Leo 'the Lip' Durocher. Following a five-decade career as a player and manager for baseball's most storied franchises, Durocher teamed up with veteran sportswriter Ed Linn to tell the story of his life in the game. The resulting book, "Nice Guys Finish Last", is baseball at its best, brimming with personality and full of all the fights and feuds, triumphs and tricks that made Durocher such a success - and an outsized celebrity. Durocher began his career inauspiciously, riding the bench for the powerhouse 1928 Yankees and hitting so poorly that Babe Ruth nicknamed him 'the All-American Out'. But soon Durocher hit his stride: traded to St. Louis, he found his headlong play and never-say-die attitude a perfect fit with the rambunctious 'Gashouse Gang' Cardinals. In 1939 he was named player-manager of the Brooklyn Dodgers - and almost instantly transformed the underachieving Bums into perennial contenders. He went on to manage the New York Giants, sharing the glory of one of the most famous moments in baseball history, Bobby Thomson's 'shot heard round the world', which won the Giants the 1951 pennant. Durocher would later learn how it felt to be on the other side of such an unforgettable moment, as his 1969 Cubs, after holding first place for 105 days, blew a seemingly insurmountable 8-1/2 game lead to the Miracle Mets. All the while, Durocher made as much noise off the field as on it. His perpetual feuds with players, owners, and league officials - not to mention his public associations with gamblers, riffraff, and Hollywood stars like George Raft and Laraine Day - kept his name in the headlines and spread his fame far beyond the confines of the diamond. A no-holds-barred account of a singular figure, "Nice Guys Finish Last" brings the personalities and play-by-play of baseball's greatest era to vivid life, earning a place on every baseball fan's bookshelf.

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Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still stand in London. In this book, architectural historian Pierre de la Ruffiniere du Prey examines these designs as a coherent whole - a single masterpiece reflecting both Hawksmoor's design principles and his desire to reconnect, architecturally, with the "purest days of Christianity."

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How old are you? The more thought you bring to bear on the question, the harder it is to answer. For we age simultaneously in different ways: biologically, psychologically, socially. This book ranges across cultures and history, tracing the ways that the spirits of youth and age have inflected each other from antiquity to the present.

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George Herbert Mead is a foundational figure in sociology, best known for his book Mind, Self, and Society, which was put together after his death from course notes taken by stenographers and students and from unpublished manuscripts. Mead, however, never taught a course primarily housed in a sociology department, and he wrote about a wide variety of topics far outside of the concerns for which he is predominantly remembered-including experimental and comparative psychology, the history of science, and relativity theory. In short, he is known in a discipline in which he did not teach for a book he did not write. In Becoming Mead, Daniel R. Huebner traces the ways in which knowledge has been produced by and about the famed American philosopher. Instead of treating Mead's problematic reputation as a separate topic of study from his intellectual biography, Huebner considers both biography and reputation as social processes of knowledge production. He uses Mead as a case study and provides fresh new answers to critical questions in the social sciences, such as how authors come to be considered canonical in particular disciplines, how academics understand and use others' works in their research, and how claims to authority and knowledge are made in scholarship. Becoming Mead provides a novel take on the history of sociology, placing it in critical dialogue with cultural sociology and the sociology of knowledge and intellectuals.

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For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, Laszlo Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book-in recognition of the complexity of the story it tells-doesn't follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city's institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments-such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus-are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable rcognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as-or resist identifying as-a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor-and one that will surprise and enlighten even the most dedicated fan of the city's artistic heritage. Part of the Terra Foundation for American Art's year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan-regardless of their city-will want to miss it.

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When we think about young people dealing drugs, we tend to picture it happening on urban streets, in disadvantaged, crime-ridden neighborhoods. But drugs are used everywhere - even in upscale suburbs and top-tier high schools - and teenage users in the suburbs tend to buy drugs from their peers, dealers who have their own culture and code, distinct from their urban counterparts. In Code of the Suburb, Scott Jacques and Richard Wright offer a fascinating ethnography of the culture of suburban drug dealers. Drawing on fieldwork among teens in a wealthy suburb of Atlanta, they carefully parse the complicated code that governs relationships among buyers, sellers, police, and other suburbanites. That code differs from the one followed by urban drug dealers in one crucial respect: whereas urban drug dealers see violent vengeance as crucial to status and security, the opposite is true for their suburban counterparts. As Jacques and Wright show, suburban drug dealers accord status to deliberate avoidance of conflict, which helps keep their drug markets more peaceful - and, consequently, less likely to be noticed by law enforcement. Offering new insight into both the little-studied area of suburban drug dealing, and, by extension, the more familiar urban variety, Code of the Suburb will be of interest to scholars and policy makers alike.

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Fresh empirical evidence of pornography's negative effects and the resurgence of feminist and conservative critiques have caused local, state, and federal officials to reassess the pornography issue. In The New Politics of Pornography, Donald Alexander Downs explores the contemporary antipornography movement and addresses difficult questions about the limits of free speech. Drawing on official transcripts and extensive interviews, Downs recreates and analyzes landmark cases in Minneapolis and Indianapolis. He argues persuasively that both conservative and liberal camps are often characterized by extreme intolerance which hampers open policy debate and may ultimately threaten our modern doctrine of free speech. Downs concludes with a balanced and nuanced discussion of what First Amendment protections pornography should be afforded. This provocative and interdisciplinary work will interest students of political science, women's studies, civil liberties, and constitutional law.

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The 18th-century comic novelist Tobias Smollett has often been criticized for the extreme physicality of his writing, which is full of scatological images and graphic depictions of bodily injury and disintegration. The author draws on feminist and other theoretical perspectives to reassess Smollett's body of fiction as well as his classic "Travels through France and Italy". Like many writers of his time, Douglas argues, Smollett was interested in the body and in how accurately it reflects internal disposition. But Smollett's special contribution to the 18th-century novel is his emphasis on sentience, or the sensations of the physical body. Looking at such works as "The Adventures of Roderick Random", "The Expedition of Humphry Clinker", "The Adventures of Peregrine Pickle", and "The History and Adventures of an Atom", Douglas explores the ways Smollett uses representations of sentience - especially torment and pain - in his critique of the social and political order. Trained in medicine, Smollett was especially alert to the ways in which the discourses of medicine, philosophy, and law construct the body as an object of knowledge, and yet his work always returns to the importance of the physical world of the body and its feelings.

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In the past few decades, thousands of new memorials - to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism - have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In "Memorial Mania", Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express - and claim - those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.

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All the selections in Richard M. Dorson's Folktales Told around the World were recorded by expert collectors, and the majority of them are published here for the first time. The tales presented are told in Africa, Asia, the Middle East, Europe, North and South America, and Oceania. Unlike other collections derived in large part from literary texts, this volume meets the criteria of professional folklorists in assembling only authentic examples of folktales as they were orally told. Background information, notes on the narrators, and scholarly commentaries are provided to establish the folkloric character of the tales.

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"This introduction to the study of folklore and folklife contains an inspiring and spirited mixture of essays, theoretical contributions, practical instructions, and pure encyclopedia articles. It is a very well put together book, written by eighteen researchers who have something to say. One can see here that it is competent educators who have come forward and are narrating. . . . All in all it is a very use-oriented handbook with attractive typography and layout."—Iorn Pio, Journal of American Folklore

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In essays that survey the burgeoning field of tropical herpetology, former students and associates pay tribute to Jay Savage's four decades of mentoring. The result is a book unlike any other available in tropical herpetology. Covering a wide array of subjects, this is the first book in more than two decades to broadly review research on tropical amphibians and reptiles. A tribute to Savage and an invaluable addition to herpetological literature, it will be cited for years to come.

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Providing an accessible introduction to the people who lived along the Nile for almost 35 centuries, this collection of essays presents studies of ancient Egyptians arranged by social type - slaves, craftsmen, priests, bureaucrats, pharaohs, peasants and women. From the text the reader learns, for example, that Egyptian peasants could not afford burial (their corpses were abandoned on the desert fringe), and that it wwas the bureaucrats who made the Egyptian system work (the pyramids could not have been built without them). The portraits of individuals merge to create a larger picture of Egyptian culture, state and society. The framework of the Egyptian state, in particular, is touched upon in each essay, describing the meticulous administration and well-organized hierarchical system which fostered centuries of stability and prosperity.

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A cruise along the streets of Chennai - or Silicon Valley - filled with professional young Indian men and women, reveals the new face of India. In the twenty-first century, Indians have acquired a new kind of global visibility, one of rapid economic advancement and, in the information technology industry, spectacular prowess. In this book, C. J. Fuller and Haripriya Narasimhan examine one particularly striking group who have taken part in this development: Tamil Brahmans - a formerly traditional, rural, high-caste elite who have transformed themselves into a new middle-class caste in India, the United States, and elsewhere. Fuller and Narasimhan offer one of the most comprehensive looks at Tamil Brahmans around the world to date. They examine Brahman migration from rural to urban areas, more recent transnational migration, and how the Brahman way of life has translated to both Indian cities and American suburbs. They look at modern education and the new employment opportunities afforded by engineering and IT. They examine how Sanskritic Hinduism and traditional music and dance have shaped Tamil Brahmans' particular middle-class sensibilities and how middle-class status is related to the changing position of women. Above all, they explore the complex relationship between class and caste systems and the ways in which hierarchy has persisted in modernized India.

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Mozambique has been hailed as a success story by the international community, which has watched it evolve through a series of violent political upheavals: from colonialism, through socialism, to its current democracy. As Juan Obarrio shows, however, this view neglects a crucial element in Mozambique's transition to the rule of law: the reestablishment of traditional chief-tanship and customs entangled within a history of colonial violence and civil war. Drawing on extensive historical records and ethnographic fieldwork, he examines the role of customary law in Mozambique to ask a larger question: what is the place of law in the neoliberal era, in which the juridical and the economic are deeply intertwined in an ongoing state of structural adjustment? Having made the transition from a people's republic to democratic rule in the 1990s, Mozambique offers a fascinating case of postwar reconstruction, economic opening, and transitional justice, one in which the customary has played a central role. Obarrio shows how its sovereignty has met countless ambiguities within the entanglements of local community, nation-state, and international structures. Ultimately, he looks toward local rituals and relations as producing an emergent kind of citizenship in Africa, which he dubs "customary citizenship," forming not a vestige of the past but a yet ill-defined political future.

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Arising out of a devotional and enthusiastic religious movement that swept across most of northern and eastern India in the period from the fourteenth through the seventeenth centuries, the powerful and moving lyrics collected and elegantly translated here depict the love of Radha for the god Krishna—a love whose intensity and range of emotions trace the course of all true love between man and woman and between man and God. Intermingling physical and metaphysical imagery, the spiritual yearning for the divine is articulated in the passionate language of intense sensual desire for an irresistible but ultimately unpossessable lover, thus touching a resonant chord in our humanity.

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A city is more than a massing of citizens, a layout of buildings and streets, or an arrangement of political, economic, and social institutions. It is also an infrastructure of ideas that are a support for the beliefs, values, and aspirations of the people who created the city. In City Water, City Life, celebrated historian Carl Smith explores this concept through an insightful examination of the development of the first successful waterworks systems in Philadelphia, Boston, and Chicago between the 1790s and the 1860s. By examining the place of water in the nineteenth-century consciousness, Smith illuminates how city dwellers perceived themselves during the great age of American urbanization. But City Water, City Life is more than a history of urbanization. It is also a refreshing meditation on water as a necessity, as a resource for commerce and industry, and as an essential-and central-part of how we define our civilization.

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In this rugged account of a rugged profession, Matthew Desmond explores the heart and soul of the wildland firefighter. Having joined a firecrew in northern Arizona as a young man, Desmond relates his experiences with intimate knowledge and native ease, adroitly balancing emotion with analysis and action with insight. "On the Fireline" shows that these firefighters aren't adrenaline junkies or romantic heroes, as they're so often portrayed. An immersion into a dangerous world, "On the Fireline" is also a sophisticated analysis of a high-risk profession - and a captivating read.

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Ridiculed for her Saturday salon, her long romance novels, and her protofeminist ideas, Madeleine de Scudery (1607-1701) has not been treated kindly by the literary establishment. Yet her multivolume novels were popular best-sellers in her time, translated almost immediately into English, German, Italian, Spanish and even Arabic. "The Story of Sapho" makes available for the first time in modern English a self-contained section from Scudery's novel "Artamene ou le Grand Cyrus", best known today as the favoured reading material of the would-be "salonnieres" that Moliere satirized in "Les precieuses ridicules". The "Story" tells of Sapho, a woman writer modeled on the Greek Sappho, who deems marriage slavery. Interspersed in the love story of Sapho and Phaon are a series of conversations, like those that took place in Scudery's own salon, in which Sapho and her circle discuss the nature of love, the education of women, writing and right conduct. This edition also includes a translation of an oration, or "harangue" of Scudery's in which Sapho extols the talents and abilities of women in order to persuade them to write.

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This edition brings Dewey's educational theory into sharp focus, framing his two classic works by frank assessments, past and present, of the practical applications of Dewey's ideas. In addition to a substantial introduction in which Philip W. Jackson explains why more of Dewey's ideas haven't been put into practice, this edition restores a "lost" chapter, dropped from the book by Dewey in 1915.

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In this eye-opening work of American history, Todd DePastino tells the epic story of the veritable army of homeless men that swept across America after the Civil War and crafts a stunning new interpretation of the "American century" in the process. Drawing on sources ranging from diaries, letters, and police reports to movies and memoirs, Citizen Hobo breathes life into the largely forgotten world of the road, but it also, crucially, shows how the hobo army so haunted the American body politic that it prompted the creation of an entirely new social order and political economy. In its breadth and scope, the book offers nothing less than an essential new context for thinking about Americans' struggles against inequality and alienation.

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Ana de San Bartolome (1549-1626), a contemporary and close associate of St. Teresa of Avila, typifies the curious blend of religious activism and spiritual forcefulness that characterized the first generation of Discalced, or reformed Carmelites. Known for their austerity and ethics, their convents quickly spread throughout Spain and, under Ana's guidance, also to France and the Low Countries. Constantly embroiled in disputes with her male superiors, Ana quickly became the most vocal and visible of these mystical women and the most fearless of the guardians of the Carmelite Constitution, especially after Teresa's death.Her autobiography, clearly inseparable from her religious vocation, expresses the tensions and conflicts that often accompanied the lives of women whose relationship to the divine endowed them with an authority at odds with the temporary powers of church and state. Translated into English for the first time since 1916, Ana's writings give modern readers fascinating insights into the nature of monastic life during the highly charged religious and political climate of late-sixteenth- and early-seventeenth-century Spain.

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With US soldiers stationed around the world and engaged in multiple conflicts, Americans will be forced for the foreseeable future to come to terms with those permanently disabled in battle. At the moment, we accept rehabilitation as the proper social and cultural response to the wounded, swiftly returning injured combatants to their civilian lives. But this was not always the case, as Beth Linker reveals in War's Waste. Linker explains how, before entering World War I, the United States sought a way to avoid the enormous cost of providing injured soldiers with pensions, which it had done since the Revolutionary War. Emboldened by their faith in the new social and medical sciences, reformers pushed rehabilitation as a means to "rebuild" disabled soldiers, relieving the nation of a monetary burden and easing the decision to enter the Great War. Linker's narrative moves from the professional development of orthopedic surgeons and physical therapists to the curative workshops, or hospital spaces where disabled soldiers learned how to repair automobiles as well as their own artificial limbs. The story culminates in the postwar establishment of the Veterans Administration, one of the greatest legacies to come out of the First World War.

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