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This series is The Hitchhiker's Guide to the Galaxy meets The Bad Guys in a funny, visually daring adventure series for reluctant readers, teachers, and librarians alike. This hilarious, visually groundbreaking read is the conclusion to a major series by children's literature legend Jon Scieszka. The book follows a final mission, where AstroWolf, LaserShark, SmartHawk, and StinkBug must find a planet fit for human life after we've finally made Earth unlivable. Time is up for our friends the AstroNuts. In fact, time is up for you, too. If they don't succeed on this mission, Earth is doomed! So when the team finds out they're being sent to a place called "the perfect planet," their mission sounds way too easy. Unfortunately, the second they land, they realize they'll be dealing with the most dangerous species of all time . . . humans. Huh? Where in the universe is this supposedly perfect place? And how will the Nuts manage to convince the humans to risk death . . . for the sake of their lives?! Featuring full-color illustrations throughout, Planet Earth as the narrator, an out-of-this-world gatefold, and how-to-draw pages in the back, eager and reluctant readers alike will be over the moon about this new mission. Full of laugh-out-loud humor with a thoughtful commentary on the reality of climate change at the core of the story, this creatively illustrated, full-color, action-packed space saga is a can't-put-it-down page-turner for readers of all levels and fans ready to blast past Dogman. EXCITING BIG-NAME TALENT: Jon Scieszka is one of the biggest names in children's books. The first National Ambassador of Young People's literature, he and Steven Weinberg toured extensively for this series. They'll continue making their way around the world for Book 3! You might have met them at ALA, the National Book Festival, the Rabbit HOle, the Brooklyn Book Festival, the Illinois Reading Council, the Tween Reads Book Festival, the Texas Book Festival, the NYC Department of Education Fall Conference, the 826 Story Soirée in New York, or NCTE in Baltimore! POPULAR SERIES: MISSIONS 1 and 2 received starred reviews, amazing blurbs, and tons of industry love. MISSION 1 was an Amazon Best Book of the Year! Dav Pilkey, Jennifer Holm, LeUyen Pham, and Gene Luen Yang are all big fans—check out those blurbs! FUN AND SCIENTIFIC: The book incorporates STEM elements in a way that readers will find fun and entertaining, while teachers and librarians will find it clever and original. PERFECT FOR BUDDING GRETA THUNBERGS: This book successfully talks about the effect of climate change and impels its readers to take action, without feeling didactic or message-y at all. TIES TO REAL-WORLD ISSUES: Readers will recognize quite a few dilemmas the AstroNuts face from current events on Earth. Making connections between fiction and non-fiction is a big developmental milestone for young readers, and this book works as an effective allegory for our most dire contemporary concerns. RELUCTANT READER–FRIENDLY: The book is a great vehicle for reluctant readers, featuring cool topics and bright art, and relying on visual literacy and very few words. A CONSTELLATION OF TOPICS: Space, STEM, and talking animals: There's something here for every reader! LOLs FOR DAYS: The book is funny and will delight kids who love books like Wimpy Kid, The 39-Story Treehouse, Dog Man, and Captain Underpants. While it contains serious ideas, it's a quick, easy, and fun visual read. GROUNDBREAKING DESIGN: The hundreds of pages of full-color art are dynamic and engaging—and it doesn't look like anything else out there. Steven Weinberg bases his art on public domain pieces from the Smithsonian museum! Teachers turn to the books for this element of the art and use it in classrooms to talk about collage, idea sourcing, history, and art medium. PERFECT ART PROJECT: On the website, kids can download pages of the "original" art and use it to make their own hybrid animal collages. Perfect for: • Perfect for fans of Dog Man, Big Nate, Wimpy Kid, and Captain Underpants • Families who care about the environment • Grandparents • Teachers and educators who are looking to introduce STEM and environmental topics to children • Librarians

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Dieses Buch bietet eine umfassende Studie zum Jungneolithikum (JN, auch Einzelgrabkultur, ca. 2850 – 2250 v. Chr.) in Schleswig-Holstein. Neben einer detaillierten Darstellung aller Funde und Befunde dieser Epoche, liegt ein besonderer Fokus auf Analysen zu den charakteristischen Streitäxten.Diese eignen sich in hervorragender Weise dazu, einen gesellschaftlichen Wandel zu erkennen, da die morphologische Variationsbreite im Laufe des JN zunimmt. So existieren im späten JN neben sehr elaboriert gestalteten Stücken auch plump wirkende Exemplare. Dies spiegelt vermutlich ein komplexer werdendes Gesellschaftssystem wider und deutet einen Bedeutungswandel der Äxte an. Die Streitäxte werden im Spätneolithikum(SN) durch die Silexdolche abgelöst, die durch ähnliche Variationsunterschiede gekennzeichnet sind. Dies deutet eine Kontinuität in der sozialen Organisation an der Wende zum SN an.Viele Streitäxte liegen im fragmentierten Zustand vor, wobei Schneiden- weitaus häufiger als Nackenhälften belegt sind. Da viele dieser Fragmente weiterhin im Besitz von Applikationen (Schälchen, pars pro toto Schaftlöcher) sind, ist anzunehmen, dass die Fragmente – und darauf aufbauend vermutlich ein Großteil aller Streitäxte aus Einzelfundkontexten – intentionale Deponierungen darstellen.Ein weiterer Fokus wurde auf die Transformation zum JN gelegt, die sich besonders im profanen Bereich als Phase kontinuierlicher Entwicklungen zeigt. Weiterhin wurde ein Unterschied zwischen dem Westen und Osten des Arbeitsgebietes aufgedeckt, der entgegen langläufiger Meinung keine chronologischen Ursachen besitzt. Vielmehr zeigt sich darin eine strukturell unterschiedliche soziale Orientierung der beteiligten Gruppen. Sowohl im JN als auch im SN ist es im Westen gängige Praxis, dem Verstorbenen Statusobjekte (Streitäxte, Silexdolche und früheBronzeartefakte) als Grabbeigabe mitzugeben, während diese Objekte im Osten des Landes äußerst selten Eingang in Bestattungen fanden, jedoch als Einzel- und im Falle der Bronzeobjekte auch als Depotfunde regelmäßig anzutreffen sind.English abstractThis book offers a comprehensive study of the Younger Neolithic period ([YN], c. 2850 – 2250 BC) of Schleswig-Holstein (SH). Apart from presenting all currently known artefacts and contexts of that period in detail, a particular focus was placed on the examination of YN battle axes. They appear to be the most common artefact that is preserved from the YN, and they are very well suited for investigating social phenomena. These artefacts furthermore changed diachronically.While battle axes of the early stage are shaped more or less equally elaborately, late specimens exhibit significant morphological variation and difference, as some specimens were shaped very elaborately whereas others were quite simple. The same difference has been observed for the subsequently used flint daggers. It is suggested that this difference reflects the emergence of a more stratified society.Many battle axes appear to have been deposited as broken pieces. As the ratio of cutting edges to butt ends is unequal (2:1) both in SH and in a wider region and as many pieces have “decorations” (Applikationen, pars pro toto shaft holes), battle axes are regarded as intentionally deposited. Accordingly, a large proportion of single finds are regarded as intentional depositions.Another focus was set on examining the transition to the YN. It is argued that many aspects that are said to characterize the YN are rooted in the preceding Middle Neolithic. A novelty is that social role becomes marked in funerary contexts. Thus, the transformation to the YN marks a certain point where already initiated societal changes become visible for first time. The examination of certain attributes revealed furthermore that there are differences between western and eastern SH which are not determined by chronological changes only. Rather, general differences appear between western and eastern regions, an in a wider geographical as well as temporal frame, which might be linked to different social orientations – either collectively or individually acting groups.Scales of Transformation SeriesThis is the publication series of the Kiel University research project “CRC 1266” which takes a long-term perspective, from 15,000 BCE to 1 BCE, to investigate processes of transformation in a crucial period of human history, from late Pleistocene hunter-gatherers to early state societies.Funded by the German Research Foundation, the CRC combines research of around 60 scientists from eight institutions and the Johanna-Mestorf-Academy of the Christian-Albrechts-University Kiel as well as the Centre for Baltic and Scandinavian Archaeology (ZBSA) and the Archaeological State Museum Schloss Gottdorf.

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'Finally, eight decades on, there comes a convincing reason as to how an entire nation was able to swallow and then endorse the warped ideology of Hitler and the Nazis. Not only a brilliantly argued book, Mobilising Hate is also a grimly compelling and utterly absorbing examination of one of the most terrible events in world history. Martin Davidson's meticulous and scholarly research and exquisite writing has provided us with one of the most important books ever written on the subject.' JAMES HOLLAND'A highly readable thesis of how ordinary people were turned into monsters by the malevolent propaganda of Hitler and his henchmen ... A very good book.' SAUL DAVID, TelegraphBy 1942, it was an article of faith that what the Nazis called 'The Jewish Question' had only one answer: the mass extermination of an entire people. Six million European Jews were savagely murdered as a result of this perverted but profoundly held conviction. In this radical new perspective on Hitler's so-called 'Final Solution', Martin Davidson shows that the terrible fate of Europe's Jews was not one Nazi policy amongst many, but the central preoccupation of the regime, one which they were determined to achieve and of which they were most chillingly proud. How were so many people convinced that the Jews deserved such treatment - or were at least persuaded to shrug their shoulders and turn a blind eye? Why did they think Germany could only be reborn with their eradication? That Jewish suffering was not only necessary, but deserved? How were the moral standards of an entire nation so warped and perverted, that the Final Solution came to be regarded as a rational, thrilling, even sacred, element of Nazi state policy? Mobilising Hate examines in detail how Nazi ideologues worked to frame and amplify anti-Jewish feeling in Germany. Davidson explores the origins of radical anti-Jewish polemic in the volcanic upheavals that swept over Germany in the months after the First World War. How it seeded a theory that claimed to explain the truth of the entirety of human history. How that theory would go on to pervert science; corrupt the law; rewrite history; taint art, music and literature; and turn the media into the servant of a brutal and pitiless regime with a single message to communicate: destroying Jews lives was the indispensable first step to making Germany - and indeed, Europe - great again. Davidson goes on to track the way in which Nazi leaders moved from theory to practice, by accident and by design, skilfully dramatising the many twists and turns that would lead to Auschwitz and beyond, many of which are not generally included in conventional accounts. Mobilising Hate is driven by the first-hand accounts of many of those defined by the Nazi genocide; both its architects and perpetrators, as well as its targeted victims. Poignantly too, the book turns the spotlight on the whistle-blowers who saw, recorded and shared accounts of the horrors unfolding across the continent - only to be greeted time and time again, with guarded and non-committal hedging from Allied governments. Many people inside Germany, and across the world, knew, but, it seemed, very few felt they needed to care. As our world once again grapples with the challenges of global mass resentment, economic insecurity and the growing desire to find people - entire populations - at whom to point the finger of blame, the issue of Hitler's Final Solution and the thinking that gave birth to it have worrying new resonance. Rarely has the 'warning from history' been so acute, nor the refrain 'never again', been so heartfelt. Above all, Mobilising Hate is the story of how the Nazis spawned a vision of 'us' and 'them', that taken to its logical conclusion, spelled a death sentence for millions. Hitler may have lacked an early masterplan for the mass extermination of Europe's Jews, but it would be his zealously constructed policies and unflinching determination to see them through to the bitter end that would make it impossible for his Nazi Holocaust not to happen. That the Jews should face total extermination was Hitler's biggest, proudest prophecy, and the one he moved mountains to make come true, no matter the cost.

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SPACE PIRATES! Words that conjure up rousing tales of adventure, derring-do, and brave heroes battling the scurvy vermin of the galaxy. Those vermin have taken to pillaging cargo ships and, even worse, space liners, relieving the helpless passengers of their valuables, and worse with the comely women passengers, then spacing the lot—unless one or more of the aforementioned brave heroes arrive in the nick of time and turn the tables, making the spaceways safe again for the innocent and helpless. On the other hand, perhaps the pirate captain is a woman, and it’s the comely male passengers who need rescuing. And on the third hand (we’re talking space pirates here, possibly aliens with four or more arms), perhaps those ships traversing the interstellar void are not so innocent, and the pirates, fighting an evil despotic star empire and defending the freedom of the space lanes, are the good guys and gals. The possibilities are many, and the daring exploits set the blood racing in the veins of any reader with even a trace of buccaneering spirit in their hidden self. So board a battered but spaceworthy fighting starship with such star-spanning and award-winning crewmates as Robert Silverberg, Elizabeth Bear and Sarah Monette, Larry Niven, Fritz Leiber, and Sarah A. Hoyt, plus James H. Schmitz, Leigh Brackett, Stanley G. Weinbaum, and more, and set sail—er, thrusters—for a universe of freebooting adventure! About Cosmic Corsairs: “Who doesn’t like space pirates? (Well, their victims I guess, but that’s beside the point.) . . . Hank Davis has a fine sense for choosing a wide mix of stories, and this book is no exception. No story is like another, yet they manage to form a whole greater than the parts. From sapient ships to piratical sibling rivalry, pirate detectives to ingenious captives seeking freedom, from alien biology to orbital mechanics, the stories share some of the same elements—pragmatic thinking, moral complexity, loyalty, and betrayal. Definitely a fun one.”—Analog Praise for previous anthologies edited by Hank Davis: In Space No One Can Hear You Scream: “[T]he 13 tales in this collection blend sf with horror to demonstrate the resiliency of both genres . . . offers strong tales by the genre’s best storytellers.” —Library Journal “[F]irst-rate science fiction, demonstrating how short stories can still entertain.” —The Galveston County Daily News A Cosmic Christmas 2 You: “This creative and sprightly Christmas science fiction anthology spins in some surprising directions. . . . A satisfying read for cold winter evenings . . . a great stocking stuffer for SF fans.” —Publishers Weekly As Time Goes By: “As Time Goes By . . . does an excellent job of exploring not only romance through time travel—relationships enabled or imperiled by voyaging through time—but the intrinsic romance of time travel itself. . . . The range of styles and approaches is as wide as the authors' sensibilities and periods might suggest . . . full of entertaining and poignant stories . . . ” —Alvaro Zinos-Amaro, IntergalacticMedicineShow.com About Star Destroyers, coedited by Christopher Ruocchio: “[S]pectacular space battles and alien contacts . . . themes of military ethics, the uses of artificial intelligence, and the limits of the capacity of the human mind. . . . It is the human interactions and decisions that ultimately drive the stories. . . . Will appeal to fans of military and hard science fiction and any readers fascinated by the possibilities of space travel.”—Booklist “[S]tories of giant spaceships at war, at peace, and in the often-gray areas between. . . . A worthy addition to a long tradition of ship-based fiction, and its authors portray captains, arcane astrogators, and civilian child passengers with equal depth. It’s recommended for fans of military SF and space adventure.”—Publishers Weekly “[Y]ou’d probably expect some tight, action-filled space opera stories of giant space battles . . . and there’s some of that. But there are also espionage stories, rescue missions, political conflicts, alternate histories, even a few humorous tales. . . . Each author took the premise in a different direction . . . if I had to identify one common feature to all the stories, it would be that they’re all fun. . . . Like it says, big ships blowing things up. What’s not to like?”—Analog

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Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. ‘While all of these portraits may not be recognisably activist images’, asserts Watts, ‘they’re rooted in the belief of a micro-politics of everyday lives and relationships.’ Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative.Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later.Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print.The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

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James Ivory in Conversation is an exclusive series of interviews with a director known for the international scope of his filmmaking on several continents. Three-time Academy Award nominee for best director, responsible for such film classics as A Room with a View and The Remains of the Day, Ivory speaks with remarkable candor and wit about his more than forty years as an independent filmmaker. In this deeply engaging book, he comments on the many aspects of his world-traveling career: his growing up in Oregon (he is not an Englishman, as most Europeans and many Americans think), his early involvement with documentary films that first brought attention to him, his discovery of India, his friendships with celebrated figures here and abroad, his skirmishes with the Picasso family and Thomas Jefferson scholars, his usually candid yet at times explosive relations with actors. Supported by seventy illuminating photographs selected by Ivory himself, the book offers a wealth of previously unavailable information about the director's life and the art of making movies. James Ivory on: On the Merchant Ivory Jhabvala partnership: "I've always said that Merchant Ivory is a bit like the U. S. Govenment; I'm the President, Ismail is the Congress, and Ruth is the Supreme Court. Though Ismail and I disagree sometimes, Ruth acts as a referee, or she and I may gang up on him, or vice versa. The main thing is, no one ever truly interferes in the area of work of the other." On Shooting Mr. and Mrs. Bridge: "Who told you we had long 18 hour days? We had a regular schedule, not at all rushed, worked regular hours and had regular two-day weekends, during which the crew shopped in the excellent malls of Kansas City, Paul Newman raced cars somewhere, unknown to us and the insurance company, and I lay on a couch reading The Remains of the Day." On Jessica Tandy as Miss Birdseye in The Bostonians: "Jessica Tandy was seventy-two or something, and she felt she had to 'play' being an old woman, to 'act' an old woman. Unfortunately, I'couldn't say to her, 'You don't have to 'act' this, just 'be,' that will be sufficient.' You can't tell the former Blanche Du Bois that she's an old woman now." On Adapting E. M. Forster's novels "His was a very pleasing voice, and it was easy to follow. Why turn his books into films unless you want to do that? But I suppose my voice was there, too; it was a kind of duet, you could say, and he provided the melody." On India: "If you see my Indian movies then you get some idea of what it was that attracted me about India and Indians...any explanation would sound lamer than the thing warrants. The mood was so great and overwhelming that any explanation of it would seem physically thin...I put all my feeling about India into several Indian films, and if you know those films and like them, you see from these films what it was that attracted me to India." On whether he was influenced by Renoir in filming A Room with a View "I was certainly not influenced by Renoir in that film. But if you put some good looking women in long white dresses in a field dotted with red poppies, andthey're holding parasols, then people will say, 'Renoir.'" On the Critics: "I came to believe that to have a powerful enemy like Pauline Kael only made me stronger. You know, like a kind of voodoo. I wonder if it worked that way in those days for any of her other victims--Woody Allen, for instance, or Stanley Kubrick." On Andy Warhol as a dinner guest: "I met him many times over the last twenty years of his life, but I can't say I knew him, which is what most people say, even those who were his intimates. Once he came to dinner with a group of his Factory friends at my apartment. I remember that he or someone else left a dirty plate, with chicken bones and knife and fork, in my bathroom wash basin. It seemed to be a symbolic gesture, to be a matter of style, and not just bad manners."

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From the Introduction, by Caroline Walker Bynum: The opportunity to rethink and republish several of my early articles in combination with a new essay on the thirteenth century has led me to consider the continuity - both of argument and of approach - that underlies them. In one sense, their interrelationship is obvious. The first two address a question that was more in the forefront of scholarship a dozen years ago than it is today: the question of differences among religious orders. These two essays set out a method of reading texts for imagery and borrowings as well as for spiritual teaching in order to determine whether individuals who live in different institutional settings hold differing assumptions about the significance of their lives. The essays apply the method to the broader question of differences between regular canons and monks and the narrower question of differences between one kind of monk - the Cistercians - and other religious groups, monastic and nonmonastic, of the twelfth century. The third essay draws on some of the themes of the first two, particularly the discussion of canonical and Cistercian conceptions of the individual brother as example, to suggest an interpretation of twelfth-century religious life as concerned with the nature of groups as well as with affective expression. The fourth essay, again on Cistercian monks, elaborates themes of the first three. Its subsidiary goals are to provide further evidence on distinctively Cistercian attitudes and to elaborate the Cistercian ambivalence about vocation that I delineate in the essay on conceptions of community. It also raises questions that have now become popular in nonacademic as well as academic circles: what significance should we give to the increase of feminine imagery in twelfth-century religious writing by males? Can we learn anything about distinctively male or female spiritualities from this feminization of language? The fifth essay differs from the others in turning to the thirteenth century rather than the twelfth, to women rather than men, to detailed analysis of many themes in a few thinkers rather than one theme in many writers; it is nonetheless based on the conclusions of the earlier studies. The sense of monastic vocation and of the priesthood, of the authority of God and self, and of the significance of gender that I find in the three great mystics of late thirteenth-century Helfta can be understood only against the background of the growing twelfth - and thirteenth-century concern for evangelism and for an approachable God, which are the basic themes of the first four essays. Such connections between the essays will be clear to anyone who reads them. There are, however, deeper methodological and interpretive continuities among them that I wish to underline here. For these studies constitute a plea for an approach to medieval spirituality that is not now - and perhaps has never been - dominant in medieval scholarship. They also provide an interpretation of the religious life of the high Middle Ages that runs against the grain of recent emphases on the emergence of "lay spirituality." I therefore propose to give, as introduction, both a discussion of recent approaches to medieval piety and a short sketch of the religious history of the twelfth and thirteenth centuries, emphasizing those themes that are the context for my specific investigations. I do not want to be misunderstood. In providing here a discussion of approaches to and trends in medieval religion I am not claiming that the studies that follow constitute a general history nor that my method should replace that of social, institutional, and intellectual historians. A handful of Cistercians does not typify the twelfth century, nor three nuns the thirteenth. Religious imagery, on which I concentrate, does not tell us how people lived. But because these essays approach texts in a way others have not done, focus on imagery others have not found important, and insist, as others have not insisted, on comparing groups to other groups (e.g., comparing what is peculiarly male to what is female as well as vice versa), I want to call attention to my approach to and my interpretation of the high Middle Ages in the hope of encouraging others to ask similar questions.

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As seen in The Last Movie Stars documentary - the raw, candid, unvarnished memoir of an icon. The greatest movie star of the past 75 years covers everything: his traumatic childhood, his career, his drinking, his thoughts on Marlon Brando, James Dean, Elizabeth Taylor, his greatest roles, acting, his intimate life with Joanne Woodward, his innermost fears and passions and joys. With thoughts/comments throughout from Joanne Woodward, Tom Cruise and many others.In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman's family and friends and those who worked closely with him, talk about the actor's life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years.The result is an extraordinary memoir, culled from thousands of pages of transcripts. The book is insightful, revealing, surprising. Newman's voice is powerful, sometimes funny, sometimes painful, always meeting that high standard of searing honesty. The additional voices - from childhood friends and Navy buddies, from family members and film and theater collaborators such as Tom Cruise, George Roy Hill, Martin Ritt, and John Huston - that run throughout add richness and color and context to the story Newman is telling.Newman's often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Brando and Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward - their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually.THE EXTRAORDINARY LIFE OF AN ORDINARY MAN is revelatory and introspective, personal and analytical, loving and tender in some places, always complex and profound.Praise for Paul Newman'One of the greatest screen actors of all time and a beautiful man.' Daniel Craig'He set the bar too high for the rest of us. Not just actors, but all of us.' George Clooney''He was my hero.' Julia Roberts'Paul was an American Icon.' President Bill Clinton'The ultimate cool guy, who men wanted to be like and women adored. He was an American icon, a brilliant actor, a Renaissance man and a generous but modest philanthropist ... Newman entertained millions in some of Hollywood's most memorable roles ever, and brightened the lives of amny more, especially seriously ill children, through his charitable works.' Arnold Schwarzenegger'Sometimes God makes perfect people and Paul Newman was one of them.' Sally Field'One of the very finest screen actors of our time. Newman spanned the gap between the golden days of Hollywood, the 40s and 50s with actors like Cary Grant and James Stewart and Clark Gable, and the present lot represented by Brad Pitt, Tom Cruise' Sir Michael Parkinson'Newman was a fine driver, who was famous in Hollywood for doing his own stunt driving as often as not.' Ron Dennis, Formula 1's McLaren Chief'To say he was an extraordinary man would be an understatement. he saw himself as a working actor, not a movie star, and insisted that everyone else did the same. There was no ego, no entourage, no hangers on. Only Paul, his script and his incredible spirit. One can say this about very few people, but he was a truly great man. It seems to me to be one of the great 20th-century lives: he was famously generous, with his extraordinary and unstinting work for his charities, he was a shining example of how to use global fame for the greater good, and most of all he was one of the great movie actors of this or any other age. [Directing Newman] was the highlight of my professional life.' Sam Mendes

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Describes in detail how Mirroring Hands is conducted, and explores the framework of knowledge and understanding that surrounds and supports its therapeutic process. Richard Hill and Ernest L. Rossi's The Practitioner's Guide to Mirroring Hands: A Client-Responsive Therapy that Facilitates Natural Problem-Solving and Mind-Body Healing describes in detail how Mirroring Hands is conducted, and explores the framework of knowledge and understanding that surrounds and supports its therapeutic process. Foreword by Jeffrey K. Zeig, Ph.D. Mirroring Hands is a practical therapeutic technique that can be utilized by all practitioners for the benefit of their clients. With a tranquil state of focused attention as the starting point, the practitioner invites the client to explore an issue by projecting it into their hands; with one hand representing the difficulty or disturbance, the other becomes the natural container for the opposite reflections - resolution, ease and comfort. This enables the client to engage with their deeper therapeutic self - thereby facilitating the shift into a therapeutic consciousness - and connect to the natural flow, cycles and self-organizing emergence that shift the client toward beneficial change. In this instructive and illuminating manual, Hill and Rossi show you how Mirroring Hands enables clients to unlock their natural problem-solving and mind-body healing capacities to arrive at a resolution in a way that many other therapies might not. The authors offer expert guidance as to its client-responsive applications and differentiate seven variations of the technique in order to give the practitioner confidence and comfort in their ability to work within and around the possibilities presented while in session. Furthermore, Hill and Rossi punctuate their detailed description of how Mirroring Hands is conducted with a diverse range of illustrative casebook examples and stage-by-stage snapshots of the therapy in action: providing scripted language prompts and illustrative images of a client's hand movement that demonstrate the processes behind the technique as it takes the client from disruption into the therapeutic; and from there to integration, resolution, and a state of well-being. The Practitioner's Guide to Mirroring Hands begins by tracing the emergence of the Mirroring Hands approach from its origins in Rossi's studies and experiences with Milton H. Erickson and by presenting a transcription of an insightful discussion between Rossi and Hill as they challenge some of the established ways in which we approach psychotherapy, health, and well-being. Building upon this exchange of ideas, the authors define and demystify the nature of complex, non-linear systems and skillfully unpack the three key elements of induction to therapeutic consciousness - focused attention, curiosity, and nascent confidence - in a section dedicated to preparing the client for therapy. Hill and Rossi also supply preparatory guidance for the therapist through explanation of therapeutic dialogue's non-directive language principles, and through exploration of the four-stage cycle - information, incubation, breakthrough and illumination, and verification - that facilitates the client's capacity to access their natural problem-solving and mind-body healing. The authors also take care to advocate Mirroring Hands as not only a therapeutic technique, but also an approach to practice for all practitioners engaged in solution-focused therapy. Through its enquiry into the vital elements of client-cue observation, symptom-scaling, and rapport-building inherent in the therapist-client relationship, The Practitioner's Guide to Mirroring Hands shares a great store of wisdom and insight that will help the practitioner become more attuned to their clients' inner worlds and communication patterns. Hill and Rossi draw on a wealth of up-to-date neuroscientific research and academic theory to help bridge the gap between therapy's intended outcomes and its measured neurological effects, and, towards the book's close, also open the door to the study of quantum field theory to inspire the reader's curiosity in this fascinating topic. An ideal progression for those engaged in mindfulness and meditation, The Practitioner's Guide to Mirroring Hands is the first book on the subject specially written for all mental health practitioners and is suitable for students of counseling, psychotherapy, psychology, and hypnotherapy, as well as anyone in professional practice.

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"Death was, after all, the way Henry made his living." A bookhound, Henry Sullivan buys and sells books he finds at estate auctions and library sales around Boston and often from the relatives of the recently deceased. He's in his late thirties, single, and comfortably set in his ways. But when a woman from his past, Morgan Johnson, calls to ask him to look at her late husband's books, he is drawn into the dark machinations of a family whose mixed loyalties and secret history will have fatal results. Hound, the first novel featuring Henry Sullivan, is the debut work of a longtime Boston bookseller. It is a paean to books, bookselling, and the transformative power of the printed word. Even as it evolves into a gripping murder mystery, it is also a reminder that there are still quiet corners of the world where the rhythms of life are calmer, where there's still time for reading, time for getting out for a beer with friends, time to investigate the odd details of lives lived on the edges of the book world. As the true story unfolds, its mysteries are also of the everyday sort: love found and love lost, life given and life taken away. At the center is Henry himself, with his troubled relationships and his love of old books. There's his landlady Mrs. Prowder whose death unsettles Henry's life and begins the sequence of events that overturns it. There's the secret room his friend Albert discovers while doing "refuse removal," a room that reveals the story of a woman who lived and loved a century ago. And throughout the novel are those of us whose lives revolve around books: the readers, writers, bookstore people, and agents-as well as Henry, the bookhound, always searching for the great find, but usually just getting by, happy enough to be in the pursuit. "McCaffrey, the owner of Boston's legendary Avenue Victor Hugo Bookshop, succeeds in conveying his love of books in his intriguing debut." -Publishers Weekly "Hound is billed as a mystery, and it's a good one, but its fuse is long and its pace befitting an old bookshop. That's a good thing. There's something charismatic and timeless about the way the story builds and McCaffrey opens Henry's life to the reader. It wasn't until the action started to heat up about 100 or so pages in that we remembered we were reading a mystery at all. And while we're a little tired of books about books and the people who love them-which often come off more as marketing initiatives- McCaffrey is never cloying or playing to demographic. He's just telling a compelling, old-school yarn, the kind of story a man who knows his literature tells." -Time Out Chicago "Vincent McCaffrey's debut mystery is crammed with stories, with likable, eccentric characters, much like his marvelous Avenue Victor Hugo Bookshop-of all the bookstores in the world, the one I still miss most of all. Like all good mysteries, Hound concerns more than murder: it's rich in detail and knowledgeable asides about bookselling, the world of publishing, and life lived in the pubs, shabby apartments, penthouses, and strange corners of the city of Boston." -Kelly Link, author of Pretty Monsters "McCaffrey's bookseller, Henry Sullivan, is as endearing, frustrating, and compelling a character I've come across in some time. Hound is more than Henry's show, however. It's a slow burn murder mystery, a sharp character study, a detailed exploration of Boston, and a mediation on the secrets of history-both personal and universal. But I'm wasting our precious time trying to pigeonhole his wonderful first novel. Hound is, quite simply, a great book." -Paul Tremblay, author of The Little Sleep. Vincent McCaffrey has owned and operated the Avenue Victor Hugo Bookshop for more than thirty years, first in Boston, and now online from Abington, Massachusetts. He has been paid by others to do lawn work, shovel snow, paint houses, and to be an office-boy, warehouse grunt, dishwasher, waiter, and hotel night clerk. He has since chosen at various times to be a writer, editor, publisher, and bookseller. He can still remember the first time he sold books for money in 1963-and what most of those books were. Hound is his first novel.

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"We appreciate Roger Stone, he is one tough cookie." - President TrumpLearn the inside scoop on Watergate, the Ford Pardon, and the 18 ½ minute Gap.Roger Stone, The New York Times bestselling author of The Man Who Killed Kennedy—the Case Against LBJ, gives the inside scoop on Nixon’s rise and fall in Watergate in his new book Nixon’s Secrets. Stone charts Nixon’s rise from election to Congress in 1946 to the White House in 1968 after his razor-thin loss to John Kennedy in 1960, his disastrous campaign for Governor of California in 1962 and the greatest comeback in American Presidential history.“Just as the assassination of JFK prevents a balanced analysis of Kennedy and his times, the myth of Watergate prevents a reappraisal of our 37th President.” said Stone who’s book on LBJ was the second biggest selling book during the 50th anniversary of Kennedy’s murder.Stone reveals how the Kennedy’s wiretapped Nixon’s hotel room the night before the Nixon-Kennedy debate, and stole Nixon's medical records from his psychiatrist’s office. Stone lays out how Kennedy running mate Lyndon Johnson stole Texas from JFK through vote fraud while Mayor Richard Daley stole Illinois, and how JFK actually lost the popular vote. Stone looks at the Nixon Presidency: the desegregation of the public schools, the progressive social programs, Nixon's struggle to end the war in Vietnam, the historic SALT arms reduction agreement with Russia, the saving of Israel in the Six Days War, the opening to China, and the disastrous decision to take America off the Gold standard.“The mainstream media’s interpretation of the facts surrounding the Watergate episode are a fantastic and grotesque distortion of historical truth,” said Stone. “Cursory examination of the facts in Watergate will reveal that the actions which caused the fall of Nixon cannot be reduced to the simplistic account summarized by Bob Woodward and Carl Bernstein of the Washington Post.”The author outlines how White House Counsel John Dean, planned, pushed and covered-up the Watergate break-in , then sought to avoid responsibility for it. Stone examines the bungled Watergate break-in to determine what exactly Nixon’s agents were looking for and how the CIA infiltrated the burglar team and sabotaged the break-in to gain leverage over Nixon. Find out why Nixon demanded the CIA turn over the records of the Bay of Pigs and Kennedy Assassination.Learn how a cabal of military and intelligence hard-liners spied on andundermined Nixon to stop his pro-peace détente foreign policy, his withdrawal of troops from Vietnam, his arms limitation agreement with the Soviets, and his opening to Red China. Discover how Vice President Spiro Agnew was setup to move him out of the line of presidential succession. Stone makes the compelling case that General Alexander Haig orchestrated Nixon’s removal from office in a coup d’état and brokered the deal for his pardon. Finally the public will learn what is on the 18 ½ minute gap in the White House Tapes.Stone, a Washington Insider for forty years, outlines why FBI Man Mark Felt is not deep throat, why there is no deep throat, and why Bob Woodward and Carl Bernstein lie about it even today.Stone reveals how Nixon used the dark secrets he knew to avoid prosecution by blackmailing Gerald Ford for a full, free and unconditional pardon. Nixon’s secret would not only destroy his presidency—it would save him from prison and allow him to launch his final comeback—advising President Bill Clinton on Foreign Affairs despite Hillary’s attempts to block him and her being fired from the 1974 House Impeachment Committee for lying and violating Nixon’s rights.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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“Proofs and Fundamentals: A First Course in Abstract Mathematics” 2nd edition is designed as a "transition" course to introduce undergraduates to the writing of rigorous mathematical proofs, and to such fundamental mathematical ideas as sets, functions, relations, and cardinality. The text serves as a bridge between computational courses such as calculus, and more theoretical, proofs-oriented courses such as linear algebra, abstract algebra and real analysis. This 3-part work carefully balances Proofs, Fundamentals, and Extras. Part 1 presents logic and basic proof techniques; Part 2 thoroughly covers fundamental material such as sets, functions and relations; and Part 3 introduces a variety of extra topics such as groups, combinatorics and sequences. A gentle, friendly style is used, in which motivation and informal discussion play a key role, and yet high standards in rigor and in writing are never compromised. New to the second edition: 1) A new section about the foundations of set theory has been added at the end of the chapter about sets. This section includes a very informal discussion of the Zermelo– Fraenkel Axioms for set theory. We do not make use of these axioms subsequently in the text, but it is valuable for any mathematician to be aware that an axiomatic basis for set theory exists. Also included in this new section is a slightly expanded discussion of the Axiom of Choice, and new discussion of Zorn's Lemma, which is used later in the text. 2) The chapter about the cardinality of sets has been rearranged and expanded. There is a new section at the start of the chapter that summarizes various properties of the set of natural numbers; these properties play important roles subsequently in the chapter. The sections on induction and recursion have been slightly expanded, and have been relocated to an earlier place in the chapter (following the new section), both because they are more concrete than the material found in the other sections of the chapter, and because ideas from the sections on induction and recursion are used in the other sections. Next comes the section on the cardinality of sets (which was originally the first section of the chapter); this section gained proofs of the Schroeder–Bernstein theorem and the Trichotomy Law for Sets, and lost most of the material about finite and countable sets, which has now been moved to a new section devoted to those two types of sets. The chapter concludes with the section on the cardinality of the number systems. 3) The chapter on the construction of the natural numbers, integers and rational numbers from the Peano Postulates was removed entirely. That material was originally included to provide the needed background about the number systems, particularly for the discussion of the cardinality of sets, but it was always somewhat out of place given the level and scope of this text. The background material about the natural numbers needed for the cardinality of sets has now been summarized in a new section at the start of that chapter, making the chapter both self-contained and more accessible than it previously was. 4) The section on families of sets has been thoroughly revised, with the focus being on families of sets in general, not necessarily thought of as indexed. 5) A new section about the convergence of sequences has been added to the chapter on selected topics. This new section, which treats a topic from real analysis, adds some diversity to the chapter, which had hitherto contained selected topics of only an algebraic or combinatorial nature. 6) A new section called ``You Are the Professor'' has been added to the end of the last chapter. This new section, which includes a number of attempted proofs taken from actual homework exercises submitted by students, offers the reader the opportunity to solidify her facility for writing proofs by critiquing these submissions as if she were the instructor for the course. 7) All known errors have been corrected. 8) Many minor adjustments of wording have been made throughout the text, with the hope of improving the exposition.

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"Show me any civilization that believes that reality exists only because man can perceive it, that the cosmos was erected to support man on its pinnacle, that man is exclusively divine, and then I will predict the nature of his cities and its landscapes, the hot dog stands, the neon shill, the ticky-tacky houses, the sterile core, the mined and ravaged countryside. This is the image of anthropocentric man. He seeks not unity with nature but conquest, yet unity he finds, when his arrogance and ignorance are stilled and he lies dead under the greensward." Ian L. McHarg Multiply and Subdue the Earth, 1969 "No living American has done more to usher the gentle science of ecology out of oblivion and into mainstream thought than Ian McHarg—a teacher, philosopher, designer, and activist who changed the way we view and shape our environment." From the foreword by Stewart L. Udall Published in cooperation with the Center for American Places, Harrisonburg, Virginia A Quest for Life is the autobiography of a man who stands alongside Rachel Carson, Lewis Mumford, and Aldo Leopold as one of the giants of the environmental movement. In a robust and singular voice, Ian McHarg recounts the story of a life that has foreshadowed and eventually shaped environmental consciousness in the twentieth century. Along the way we meet prominent figures in the environmental movement, the design fields, and the government, from Walter Gropius to Lady Bird Johnson, all presented in rich and telling anecdotes. Early in A Quest for Life McHarg presents us with an arresting image. Describing the view from his boyhood home on the outskirts of Glasgow, he tells us that in one direction he could see the industrial miasma of smokestacks, tenements, and treeless streets, and, in another, the glories of the Scottish countryside. "I was born and bred," he writes, "on a fulcrum with two poles, city and countryside." Confronted with such a stark contrast, the man who was to become "the founder of ecological planning" began at an early age to turn literally from inhumane urban development and toward the beauty and power of Nature. Each chapter of this book illuminates key stages in McHarg's life and in the evolution of his environmental awareness. We see him as a youth standing on a hillside beside the impressive Donald Wintersgill who, with the wave of his cane, lays out an entire village complete with lakes and forests, and thus introduces the astonished McHarg to the profession of landscape architecture. In some of the bloodiest battles of the Second World War he witnesses the magnitude of human destructive capability. Later, when he faces a crisis of conscience over his religious training and its exhortation to gain dominion over life and subdue the earth, he begins to develop a deep spiritual appreciation for the sanctity of Nature itself. His training as a designer and planner in the Modernist Bauhaus tradition, with its neglect of the environment; his bouts with tuberculosis that showed him the link between public health and city planning; his famous "Man—The Planetary Disease" speech before powerful industrialists—all stand as emblematic of battles that are still being fought today. A Quest for Life also chronicles the many triumphs in McHarg's career. It offers fresh insight into the revolutionary design method behind his groundbreaking book, Design with Nature, and explores the development of geographical information systems. We learn firsthand about his work on the celebrated regional plans for Denver and the Twin Cities, as well as the Woodlands new town project. His most enduring contribution, however, may prove to be his four decades of teaching at the University of Pennsylvania. Through the generations of landscape architects, designers, and planners he taught there, his influence has spread around the world and into the future. As the compelling, first-person story of a remarkable individual who not only manned the barricades against environmental destruction, but helped lay the foundation for the barricades themselves, A Quest for Life is must reading for landscape architects, designers, conservationists, planners, and others concerned with the preservation of our communities and the natural environment.

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Dieses Buch bietet eine umfassende Studie zum Jungneolithikum (JN, auch Einzelgrabkultur, ca. 2850 – 2250 v. Chr.) in Schleswig-Holstein. Neben einer detaillierten Darstellung aller Funde und Befunde dieser Epoche, liegt ein besonderer Fokus auf Analysen zu den charakteristischen Streitäxten.Diese eignen sich in hervorragender Weise dazu, einen gesellschaftlichen Wandel zu erkennen, da die morphologische Variationsbreite im Laufe des JN zunimmt. So existieren im späten JN neben sehr elaboriert gestalteten Stücken auch plump wirkende Exemplare. Dies spiegelt vermutlich ein komplexer werdendes Gesellschaftssystem wider und deutet einen Bedeutungswandel der Äxte an. Die Streitäxte werden im Spätneolithikum(SN) durch die Silexdolche abgelöst, die durch ähnliche Variationsunterschiede gekennzeichnet sind. Dies deutet eine Kontinuität in der sozialen Organisation an der Wende zum SN an.Viele Streitäxte liegen im fragmentierten Zustand vor, wobei Schneiden- weitaus häufiger als Nackenhälften belegt sind. Da viele dieser Fragmente weiterhin im Besitz von Applikationen (Schälchen, pars pro toto Schaftlöcher) sind, ist anzunehmen, dass die Fragmente – und darauf aufbauend vermutlich ein Großteil aller Streitäxte aus Einzelfundkontexten – intentionale Deponierungen darstellen.Ein weiterer Fokus wurde auf die Transformation zum JN gelegt, die sich besonders im profanen Bereich als Phase kontinuierlicher Entwicklungen zeigt. Weiterhin wurde ein Unterschied zwischen dem Westen und Osten des Arbeitsgebietes aufgedeckt, der entgegen langläufiger Meinung keine chronologischen Ursachen besitzt. Vielmehr zeigt sich darin eine strukturell unterschiedliche soziale Orientierung der beteiligten Gruppen. Sowohl im JN als auch im SN ist es im Westen gängige Praxis, dem Verstorbenen Statusobjekte (Streitäxte, Silexdolche und früheBronzeartefakte) als Grabbeigabe mitzugeben, während diese Objekte im Osten des Landes äußerst selten Eingang in Bestattungen fanden, jedoch als Einzel- und im Falle der Bronzeobjekte auch als Depotfunde regelmäßig anzutreffen sind.English abstractThis book offers a comprehensive study of the Younger Neolithic period ([YN], c. 2850 – 2250 BC) of Schleswig-Holstein (SH). Apart from presenting all currently known artefacts and contexts of that period in detail, a particular focus was placed on the examination of YN battle axes. They appear to be the most common artefact that is preserved from the YN, and they are very well suited for investigating social phenomena. These artefacts furthermore changed diachronically.While battle axes of the early stage are shaped more or less equally elaborately, late specimens exhibit significant morphological variation and difference, as some specimens were shaped very elaborately whereas others were quite simple. The same difference has been observed for the subsequently used flint daggers. It is suggested that this difference reflects the emergence of a more stratified society.Many battle axes appear to have been deposited as broken pieces. As the ratio of cutting edges to butt ends is unequal (2:1) both in SH and in a wider region and as many pieces have “decorations” (Applikationen, pars pro toto shaft holes), battle axes are regarded as intentionally deposited. Accordingly, a large proportion of single finds are regarded as intentional depositions.Another focus was set on examining the transition to the YN. It is argued that many aspects that are said to characterize the YN are rooted in the preceding Middle Neolithic. A novelty is that social role becomes marked in funerary contexts. Thus, the transformation to the YN marks a certain point where already initiated societal changes become visible for first time. The examination of certain attributes revealed furthermore that there are differences between western and eastern SH which are not determined by chronological changes only. Rather, general differences appear between western and eastern regions, an in a wider geographical as well as temporal frame, which might be linked to different social orientations – either collectively or individually acting groups.Scales of Transformation SeriesThis is the publication series of the Kiel University research project “CRC 1266” which takes a long-term perspective, from 15,000 BCE to 1 BCE, to investigate processes of transformation in a crucial period of human history, from late Pleistocene hunter-gatherers to early state societies.Funded by the German Research Foundation, the CRC combines research of around 60 scientists from eight institutions and the Johanna-Mestorf-Academy of the Christian-Albrechts-University Kiel as well as the Centre for Baltic and Scandinavian Archaeology (ZBSA) and the Archaeological State Museum Schloss Gottdorf.

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For the serious collector and connoisseur of the field of American art of the nineteenth and twentieth centuries, this series of essays will be invaluable. Twenty-eight writers, each of them highly experienced and an acknowledged expert in their field, examine every aspect of the subject and contribute illuminating and often thought-provoking examinations of a wide variety of topics. The book is divided into three sections. Part I, The Historical Overview, contains fourteen essays. Their subjects range from the Hudson River School to the art of the American West, American artists in Europe, American Impressionism, Modernism, examinations of the major artists Marguerite Zorach, John Sloan, Everett Shinn, Marsden Hartley, Stuart Davis, Arshile Gorky, John Graham, Willem de Kooning, Guy Pene du Bois and his relationship with the collector Gertrude Vanderbilt Whitney, African American Art, figurative sculpture, and period frame connoisseurship. Part II deals with Connoisseurship and the Collector, and covers such topics as developing an instinct for quality; dealing in fine art; conservation; choosing wisely in making a collection; the pleasures and perils of collecting art works on paper; researching paintings you may be considering acquiring; the role of qualified art advisors; the anatomy of an auction; knowing the law when buying art; and legal issues for the collector selling art. There are glimpses of the prominent collectors who have contributed so greatly to the American art scene over many years. Part III covers Current Themes in the Art Market, and what to look out for, examining how to make historical American art relevant to the modern age and avoiding misinterpretation of what could be seen as sensitive subjects such as race; pointers to ways of connecting historical American art and the modern world; a look at why galleries matter; and discussing shifting tastes in American art. The authors include owners of established galleries, directors of museums, art historians, and teachers at prestigious universities and other major institutions. Virtually all the essays are illustrated with outstanding examples of works of art: 174 in all. Among them are works by Thomas Cole, Asher B. Durand, Albert Bierstadt, Frederic Remington, Benjamin West, Childe Hassam, Sloan, Shinn, Hartley, Marguerite Zorach, Davis, De Kooning, Pene du Bois, John Singleton Copley, John Singer Sargent, Mary Cassatt, Georgia O'Keeffe, Frederic Edwin Church, and many others. Elizabeth Broun, PhD, Director Emerita of the Smithsonian American Art Museum and currently on the Board of Directors of the Henry Luce Foundation and The Olana Partnership, is Visual Art Advisor to the Kennedy Center for its expansion project, called The Reach. She contributes a Foreword that expands on the role of the Atlanta Art Forum over the last twelve years and explains why it has played such a leading part in the appreciation of historical American art, exploring the nuances and purposes of art collecting generally, and of American art specifically. The speakers invited to the Forum were at the top of their fields, and the city of Atlanta quickly found itself "on the map" as a major site for American art. The general editor, and the progenitor of this book, Stephen M. Sessler, has with his wife Linda been an active collector of historical American art for many years. Joining the Fine Art Collectors group in Atlanta, Georgia, in the 1990s, they increased their knowledge hugely over time. Eventually, as that group's activities were scaled back, he saw an opportunity and founded the Atlanta Art Forum in 2006, becoming its visionary "dean," with the aim of meeting other enthusiasts and experts and discussing his chosen subject with them. He felt that so much information and knowledge acquired over twelve years should be available to a much wider audience, and this book was the result. The market and interest in historical American art has undergone a dramatic shift in the past ten to fifteen years as contemporary art has become the standard-bearer for the art market in general. By revisiting this art from many different angles and perspectives, this collection of essays will remind collectors, curators, and the art market as a whole of the value and intrinsic worth that still exist in this field, which has stood the test of time so well.

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Hiram and his son Michael are dowsing a well in Eastern Utah when they hear a cry of help from the ghost of a small boy, torn to pieces by wild animals. Before they can even begin to look into that tragedy, however, a prosperous local rancher is murdered right before their eyes. In an attempt to both help the ghost and find the killer, Hiram and Michael must navigate an eccentric cast of characters that includes failed bank robbers, a seductive fortune-teller, an inept sheriff, a crazy prospector, and a preacher with an apocalyptic grudge against the Roosevelt administration. The mystery, however, isn’t just in the hearts of men. There’s an astrological puzzle that Michael, now his father’s apprentice, must solve. Meanwhile, the murderer is moving slowly against Hiram and Michael, forcing them into a trap from which there is no escape. About prequel The Cunning Man: “An attempt at charity during the Great Depression turns into a protracted fight against supernatural forces in this admirable paranormal mystery. . . . the richly imagined magic system and glimpses of Mormon culture create a fully realized world. Historical fantasy fans will delight in the zigzagging plot of this mystery.”—Publishers Weekly "An amazing tale that grabs you by the throat and won’t let go! Butler & Ritchey are a literary force to be reckoned with! Hit that download button and grab your copy now! The Cunning Man will never let you go!"—Sherrilyn Kenyon, #1 New York Times Best-selling author ". . . a brisk and engaging narrative . . . folk and religious based magic . . . for fans of urban or historical fantasy . . . a satisfying read."—Booklist Praise for D.J. Butler: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—Booklist “. . . you can’t stop yourself from taking another bite . . . and another . . . and another. . . . I didn’t want to stop reading. . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.”—Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon ". . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.”—Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"—David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influenced by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist Praise for Aaron Michael Ritchey: ". . . richly drawn, beautifully complex characters . . ."—Kirkus on Long Live the Suicide King

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Sarah Calhoun has taken her father’s throne and ascended into her goddess’s presence in Unfallen Eden as her father never did. And Sarah Calhoun is dying. Her uncle Thomas Penn isn’t done with her. Armed with new powers conferred upon him by the Necromancer and with new allies won via his impending marriage, Penn aims to remove Sarah from her throne—and from the world of the living. In the meantime, Sarah has fallen out with one of her best allies. Against Sarah’s advice, her brother Nathaniel heads into Imperial Philadelphia with the reckless and likely impossible aim of healing the Emperor Thomas. On the shores of the northern seas, agents of Franklin’s Conventicle with an unlikely connection to the Emperor struggle to win allies among the pole-dwelling giants, who are torn between seizing land covertly from the Firstborn of the Ohio and entering the war openly on the side of Simon Sword. In the west, the Heron King rides an explosive storm into war, crushing the mortal kingdoms in his path and bearing down on Sarah’s Cahokia.To survive—and to gain the strength she needs to fight this impossible war—Sarah must unite the Moundbuilder kings to enact an ancient rite that will propel her beyond mortality. To do so, she must not only win over doubters among the Firstborn kings, but she must also beat back a rebellion among the Handmaids of her goddess—for there are some of the goddess’s priestesses who long for the dark days of human sacrifice, and who are willing to throw Sarah herself upon the altar.Praise for Witchy Winter:“Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly"For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—BooklistPraise for Witchy Eye and D.J. Butler:“ . . . you can’t stop yourself from taking another bite . . . and another . . . and another . . . I didn’t want to stop reading . . . Kudos!”—R.A. Salvatore“Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly"David's a pro storyteller, and you're in for a great ride."—Larry Dixon" . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo"This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon"Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"—David Farland“A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo"Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg"[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist

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Profound meditations on life, death, freedom, family, and faith, written by radical Black journalist, Mumia Abu-Jamal, while he was awaiting his execution."Uncompromising, disturbing . . . Abu-Jamal's voice has the clarity and candor of a man whose impending death emboldens him to say what is on his mind without fear of consequence."—The Boston Globe"A brilliant, lucid meditation on the moral obligation of political commitment by a deeply ethical—and deeply wronged—human being. Mumia should be freed, now."—Henry Louis Gates, Jr., Alphonse Fletcher, Jr. University Professor & Director of the Hutchins Center for African & African American Research at Harvard University"A brilliant, powerful book by a prophetic writer . . . his language glows with an affirming flame."—Jonathan Kozol, author of Death at an Early Age and Rachel and Her ChildrenJournalist and activist Mumia Abu-Jamal has been imprisoned since 1982 for the killing of a police officer, a crime he steadfastly maintained he did not commit. In 1996, after serving more than a decade on death row, and with the likelihood of execution looming, he began receiving regular visits from members of the Bruderhof spiritual community, a group of refugees from Hitler's Germany. Inspired by these encounters, Mumia began to write a series of personal essays reflecting on his search for spiritual meaning within a society plagued by materialism, hypocrisy, and violence. "Many people say it is insane to resist the system," writes Mumia, "but actually it is insane not to."This expanded edition of Death Blossoms brings a classic, influential work back into print with a new introduction by Mumia, and includes the entire text of a groundbreaking report by Amnesty International detailing the legal improprieties and chronic injustices that marred his trial.Praise for Death Blossoms, Expanded Edition:"For years in my classrooms I have watched Death Blossoms do its luminous work. It has awakened the conscience of so many of my student readers. Once awakened, they begin to shoulder the disciplines of its revolutionary knowing, moral passion, historical precision and clarity of reason. No wonder repressive powers seek death for this prisoner of conscience. Alas for them, Mumia still lives. From streets to classrooms and back, Death Blossoms keeps opening up consciences, hearts, and minds for our revolutionary work."—Mark Lewis Taylor, Professor of Theology and Culture at Princeton Theological Seminary, and author of The Theological and the Political: On the Weight of the World"Targeted by the FBI's COINTELPRO for his revolutionary politics, imprisoned, and sentenced to death, Mumia found freedom in resistance. His reflections here—on race, spirituality, on struggle, and life—illuminate this path to freedom for us all."—Joshua Bloom, co-author with Waldo E. Martin Jr. of Black Against Empire: The History and Politics of the Black Panther Party"In this revised edition of his groundbreaking work, Death Blossoms, convicted death row prisoner Mumia Abu-Jamal tackles hard and existential questions, searching for God and a greater meaning in a caged life that may be cut short if the state has its way and takes his life. As readers follow Mumia's journey through his poems, short essays, and longer musings, they will learn not only about this singular individual who has retained his humanity despite the ever present threat of execution, but also about themselves and our society: what we are willing to tolerate and who we are willing to cast aside. If there is any justice, Mumia will prevail in his battle for his life and for his freedom."—Lara Bazelon, author of Rectify: The Power of Restorative Justice After Wrongful Conviction"Mumia Abu-Jamal has challenged us to see the prison at the center of a long history of US oppression, and he has inspired us to keep faith with ordinary struggles against injustice under the most terrible odds and circumstances. Written more than two decades ago, Death Blossoms helps us to see beyond prison walls; it is as timely and as necessary as the day it was published."—Nikhil Pal Singh, founding faculty director of the NYU Prison Education Program, author of Race and America's Long War"For over three decades, the words of Mumia Abu-Jamal have been tools many young activists have used to connect the dots of empire, racism, and resistance. The welcome reissue of Death Blossoms is a chance to reconnect with Abu-Jamal's prophetic voice, one that needs to be heard now more than ever."—Hilary Moore and James Tracy, co-authors of No Fascist USA!, The John Brown Anti-Klan Committee and Lessons for Today's Movements

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Praise for MANAGING THE NEW CUSTOMER RELATIONSHIP “Gordon delivers an impressive synthesis of the newest methods for engaging customers in relationships that last. No organization today can succeed without the mastery of customer relationship management strategy fundamentals. But to win in the decades ahead, you must also understand and capitalize on the rapidly evolving social computing, mobility and customer analytics technologies described in this book. Checklists, self-assessments and graphical frameworks deliver pragmatic value for the practicing manager.” — William Band, Vice-President, Principal Analyst, Forrester Research Inc., Cambridge, MA “A very comprehensive and practical book on managing relationships with existing customers in the age of social media! I particularly enjoyed reading chapters on teaching customers new behaviors, which were illustrated by excellent case studies.” — Jagdish N. Sheth, Ph.D. , Charles H. Kellstadt Professor of Marketing, Emory University, Atlanta, GA “The strategic breadth and depth of this book is impressive as Gordon explores the new customer and how to plan and manage the new customer relationship. I found his review of strategies, techniques and technologies for social, mobile, mass customization and customer analytics to be particularly insightful. Gordon urges marketers to live and breathe one-through-one marketing and to master social engagement techniques. The checklists, cases and examples make the content grounded and actionable. This is an important, current and detailed book to which every organization should pay close attention to improve customer relationships and create shareholder value.” — Marcus Ruebsam, Vice-President, Line-of-Business Marketing Solutions, SAP AG, Walldorf, Germany “There are many books on CRM, but I recommend this one because Gordon’s book does what others do not. He considers CRM strategy and evolves it to recognize a new customer, one who is always connected, socially available and influential. The book doesn’t just discuss many point solutions for specific marketing challenges; it integrates technology with strategy, people, process and customer analytics to develop relationships continuously. This book is a broad and deep exploration of CRM, providing practical, fact-based perspectives that every company can use to validate and rethink their customer and stakeholder relationships.” — Helmuth Cepeda, Small, Medium and Distribution Director, Microsoft Mexico, Mexico City, Mexico Marketing has changed fundamentally in the last few years and has become an entirely new discipline, one that focuses on a new customer and a new relationship, framed by new principles, strategies, processes, roles and tactics. Individual customers are economically targeted and served, and treated as segments of one rather than members of a target market. Word of mouth and recommendations are vital as customers influence one another more than a company can do within its own advertising or customer dialogs. Today’s customer is always online, accessible and connected. Now marketing is not only direct and customer-specific but a continuous process by which companies seek to engage customers and be progressively more relevant, attractive and valuable. This is the era of a new customer relationship—an individual relationship that is social, mobile and local, influenced by peers and shaped by cognitive, behavioural and social psychological principles. New techniques, processes and technologies transform what it means to implement marketing strategy and achieve improved business results. The new customer relationship requires that even those companies that have embraced customer relationship management ought to reassess their customer management. Now every marketing decision, whether online or in the physical world, whether of a technological nature, whether it affects customer experience, communications, dialogs, teaching or organizational memory, every decision should be seen through a single lens focused on the individual customers who matter most. Managing the New Customer Relationship provides a strategic and practical guide to help companies attract, develop, sustain and build more valuable relationships by: Expanding upon existing customer relationship management theories, concepts and methods to make these considerations more useful, strategic and contemporary Recognizing the profound importance of social media and how to plan customer engagement in the social context of each customer Exploring new technologies that offer new opportunities for engaging customers, including mobile, local, the cloud and customer analytics Demonstrating how to develop customer-specific understanding, predict what customers will want next, and how to manage each individual customer, and Offering perspectives to help the organization endure by focusing a chain of relationships on the end customer and creating meaning for stakeholders that can make relationships more intense and robust. Managing the New Customer Relationship is for organizations of all sizes in all industries, for private- and public-sector organizations and not-for-profits. In short, every organization can apply the new principles, strategies, techniques and technologies discussed here to recognize important marketplace changes, plan to improve relationship and financial results and capture new shareholder value from new customer relationships.

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‘A page-turning literary gem’ THE TIMES, BEST BOOKS OF 2020 From the highly acclaimed author of The Photographer of the Lost, a BBC Radio 2 Book Club Pick, comes a beautiful and compelling story based on true events, perfect for fans of Maggie O'Farrell and Helen Dunmore.One Great War soldier with no memory. Three women who claim him as their own. 1918. A soldier is arrested in Durham Cathedral in the last week of the First World War, but he has no memory of who he is or how he came to be there. He is given the name Adam and transferred to a rehabilitation institution in the Lake District where Doctor James Haworth is determined to uncover his identity. But, unwilling to relive the trauma of war, Adam has locked his memory away, seemingly for good. Then a newspaper publishes a feature about Adam, and three women come forward, each claiming that he is someone she lost in the war. But without memory, how do you know who to believe?Based on true events, When I Come Home Again is a beautiful and compelling story about love, loss and longing in the aftermath of war, perfect for fans of Maggie O'Farrell and Helen Dunmore.Praise for When I Come Home Again: ‘A superb and quietly devastating novel about grief, hope and the horrific aftershocks of war’ The Times, Book of the Month 'Scott unravels her haunting tale in unpretentious but persuasive prose' Sunday Times ‘When I Come Home Again is a heartbreaking read which reveals the far-reaching tragedies of war. My heart ached for the three women and for Adam… I highly recommend it – and I very much look forward to Caroline Scott’s next novel’ Anita Frank, author of The Lost Ones ‘Atmospheric descriptions of the Lake District contrast with the horrors of war in this poignant and breathtaking exploration of loss, love and precious memories’ My Weekly, Pick of the Month ‘A powerful story that’s achingly moving and most beautifully written. Readers of Maggie O’Farrell and Helen Dunmore are likely to enjoy’ Rachel Hore, author of The Love Child ‘This beautiful book packs a huge emotional punch’ Fabulous ‘Captivating, heartbreaking and uplifting. This beautiful and moving book drew me in from the first line and held me enthralled until the very end' Fiona Valpy, author of The Dressmaker's Gift ‘Caroline Scott’s quietly devastating second novel insightfully explores the impact of the Great War on returning soldiers and the families that waited… Scott skillfully unspools their heartbreaking stories while uncovering the source of Adam's fear’ Daily Mail ‘A compulsive, heart-wrenching read, beautifully and painfully evoking the toxic mix of grief and guilt suffered by survivors and the bereaved following WWI’ Liz Trenow, author of Under a Wartime Sky ‘In this powerful psychological novel, Scott explores the mental health of everyone involved in the soldier’s life. A carefully, nuanced, complex story’ Woman & Home ‘I absolutely loved it. It was page turning, mysterious, engrossing and compelling. I thought so many times I had it all figured out and I was wrong every time. I couldn’t get to the end fast enough and finished it at 1 am feeling bereft' Lorna Cook, author of The Forbidden Promise ‘A carefully nuanced, complex story’ Woman’s Weekly ‘A haunting novel with loss at its heart - the loss of self, loved ones and the lives that should have been. Caroline Scott evokes the damage and desolation of the Great War with aching authenticity, and her writing is exquisite' Iona Grey, author of The Glittering Hour 'A poignant story about love and loss’ Best 'Wonderful and evocative . . . it is so much more subtle and complex than being just the journey to discover who Adam really is. It is not only about memory and identity, it's about the repercussions and tragedy of war, reaching out across vast swathes of society' Suzanne Goldring, author of Burning Island ‘Based on true events, this is a powerful story’ Bella ‘A beautifully written novel – immersive, poignant, intricately woven’ Judith Kinghorn, author of The Echo of Twilight ‘An evocative read’ heat ‘Outstanding… The story left me breathless. Powerful, heartrending, and oh so tender. A whirlwind of emotions that will not allow us to forget’ Kate Furnivall, author of The Guardian of Lies ‘Scott’s tense and compelling mystery – with so many broken lives at its centre – ­is a timely reminder that the repercussions of war are lasting, painful and tragic’ Lancashire Post ‘Scott litters her tale with clues and red herrings in the best mystery-writer way so we are kept guessing as to where the truth really lies’ The BookBag

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Sebastian Vickery has learned something about UFOs that he shouldn’t have—and Naval Intelligence, desperate to silence him, orders his old partner, Agent Ingrid Castine, to trap him. But Castine risks career, liberty, and maybe even life, to warn Vickery—and now they’re both fugitives, on the run from both the U.S. government and agents of the Russian GRU Directorate, which has its own uses for the UFO intelligence. With the unlikely aid of a renegade Russian agent, a homeless Hispanic boy, and an eccentric old Flat-Earther, Vickery and Castine must find an ancient relic that spells banishment to the alien species, and then summon the things and use it against them—in a Samson-like confrontation that looks likely to kill them as well. Sweeping from the Giant Rock monolith in the Mojave Desert to a cultist temple in the Hollywood Hills, from a monstrous apparition in the Los Angeles River to a harrowing midnight visitation on a boat off Long Beach Harbor, Stolen Skies is an alien-encounter novel like no other. About Forced Perspectives: “One book I’ve been hugely excited about is Tim Powers’s latest, Forced Perspectives, set in the magical underbelly of modern-day Los Angeles. Powers may be the master of the secret history novel (and one of the originators of steampunk), but his recent work has really explored the history and magic of Tinseltown in a way no one else can.” —Lavie Tindhar, The Washington Post “. . . frenetic urban fantasy that playfully blends Egyptian mythology, alternate Los Angeles history, and modern technology. . . . A cast of unusual side characters . . . add color and complexity. This labyrinthine tale of the bizarre and fantastic will grip urban fantasy enthusiasts until the end.”—Publishers Weekly ". . . moves at jet speed, along unpredictable paths, and resolves in a fully gratifying melee involving almost every major character, living or dead.”—Locus Magazine Alternate Routes: “Powers continues his run of smashing expectations and then playing with the pieces in this entertaining urban fantasy. . . . This calculated, frenetic novel ends with hope for redemption born from chaos. Powers’ work is recommended for urban fantasy fans who enjoy more than a dash of the bizarre.”—Publishers Weekly “Alternate Routes is both a thrilling mash-up of science fiction, fantasy, and horror and a work of startling moral sophistication. The horror packs a wallop, and there’s as much in the way of suspense and tension as the reader can bear. Powers takes us on one hell of a ride.”—The Federalist "Tim Powers is always at the top of the list when folks ask about my favorite authors. His weaving mythology and legend into modern stories that revolve around secret histories of our most mundane landmarks never ever disappoints."—BoingBoing About Tim Powers: “Powers writes in a clean, elegant style that illuminates without slowing down the tale. . . . [He] promises marvels and horrors, and delivers them all.”—Orson Scott Card “Other writers tell tales of magic in the twentieth century, but no one does it like Powers.”—The Orlando Sentinel “. . . immensely clever stuff. . . . Powers' prose is often vivid and arresting . . . All in all, Powers' unique voice in science fiction continues to grow stronger.”—Washington Post Book World “Powers is at heart a storyteller, and ruthlessly shapes his material into narrative form.”—The Encyclopedia of Science Fiction “On Stranger Tides . . . immediately hooks you and drags you along in sympathy with one central character’s appalling misfortunes on the Spanish Main, [and] escalates from there to closing mega-thrills so determinedly spiced that your palate is left almost jaded.”—David Langford “On Stranger Tides . . . was the inspiration for Monkey Island. If you read this book you can really see where Guybrush and LeChuck were -plagiarized- derived from, plus the heavy influence of voodoo in the game. . . . [The book] had a lot of what made fantasy interesting . . .”—Legendary game designer Ron Gilbert “Powers's strengths [are] his originality, his action-crammed plots, and his ventures into the mysterious, dark, and supernatural.”—Los Angeles Times Book Review “[Powers’ work delivers] an intense and intimate sense of period or realization of milieu; taut plotting, with human development and destiny . . . and, looming above all, an awareness of history itself as a merciless turning of supernatural wheels. . . . Powers’ descriptions . . . are breathtaking, sublimely precise . . . his status as one of fantasy's major stylists can no longer be in doubt.”—SF Site “Powers creates a mystical, magical otherworld superimposed on our own and takes us on a marvelous, guided tour of his vision.”—Science Fiction Chronicle “The fantasy novels of Tim Powers are nothing if not ambitious. . . . Meticulously researched and intellectually adventurous, his novels rarely fail to be strange and wholly original.”—San Francisco Chronicle

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Sebastian Vickery has learned something about UFOs that he shouldn’t have—and Naval Intelligence, desperate to silence him, orders his old partner, Agent Ingrid Castine, to trap him. But Castine risks career, liberty, and maybe even life, to warn Vickery—and now they’re fugitives on the run from both the U.S. government and agents of the Russian GRU Directorate, which has its own uses for the UFO intelligence. With the unlikely aid of a renegade Russian agent, a homeless Hispanic boy, and an eccentric old Flat-Earther, Vickery and Castine must find an ancient relic that spells banishment to the alien species, and then summon the thing and use it against them—in a Samson-like confrontation that looks likely to kill them as well. Sweeping from the Giant Rock monolith in the Mojave Desert to a cultist temple in the Hollywood Hills, from a monstrous apparition in the Los Angeles River to a harrowing midnight visitation on a boat off Long Beach Harbor, Stolen Skies is an alien-encounter novel like no other. About Forced Perspectives: “One book I’ve been hugely excited about is Tim Powers’ latest, Forced Perspectives, set in the magical underbelly of modern-day Los Angeles. Powers may be the master of the secret history novel (and one of the originators of steampunk), but his recent work has really explored the history and magic of Tinseltown in a way no one else can.” —Lavie Tindhar, The Washington Post “. . . frenetic urban fantasy that playfully blends Egyptian mythology, alternate Los Angeles history, and modern technology. . . . A cast of unusual side characters . . . add color and complexity. This labyrinthine tale of the bizarre and fantastic will grip urban fantasy enthusiasts until the end.”—Publishers Weekly “. . . moves at jet speed, along unpredictable paths, and resolves in a fully gratifying melee involving almost every major character, living or dead.”—Locus Magazine About Alternate Routes: “Powers continues his run of smashing expectations and then playing with the pieces in this entertaining urban fantasy. . . . This calculated, frenetic novel ends with hope for redemption born from chaos. Powers’ work is recommended for urban fantasy fans who enjoy more than a dash of the bizarre.”—Publishers Weekly “Alternate Routes is both a thrilling mash-up of science fiction, fantasy, and horror and a work of startling moral sophistication. The horror packs a wallop, and there’s as much in the way of suspense and tension as the reader can bear. Powers takes us on one hell of a ride.”—The Federalist “Tim Powers is always at the top of the list when folks ask about my favorite authors. His weaving mythology and legend into modern stories that revolve around secret histories of our most mundane landmarks never ever disappoints.”—BoingBoing Praise for Tim Powers: “Powers writes in a clean, elegant style that illuminates without slowing down the tale. . . . [He] promises marvels and horrors, and delivers them all.”—Orson Scott Card “Other writers tell tales of magic in the twentieth century, but no one does it like Powers.”—The Orlando Sentinel “. . . immensely clever stuff. . . . Powers' prose is often vivid and arresting . . . All in all, Powers' unique voice in science fiction continues to grow stronger.”—Washington Post Book World “Powers is at heart a storyteller, and ruthlessly shapes his material into narrative form.”—The Encyclopedia of Science Fiction “On Stranger Tides . . . immediately hooks you and drags you along in sympathy with one central character’s appalling misfortunes on the Spanish Main, [and] escalates from there to closing mega-thrills so determinedly spiced that your palate is left almost jaded.”—David Langford “On Stranger Tides . . . was the inspiration for Monkey Island. If you read this book you can really see where Guybrush and LeChuck were -plagiarized- derived from, plus the heavy influence of voodoo in the game. . . . [The book] had a lot of what made fantasy interesting . . .”—Legendary game designer Ron Gilbert “Powers' strengths [are] his originality, his action-crammed plots, and his ventures into the mysterious, dark, and supernatural.”—Los Angeles Times Book Review “[Powers’ work delivers] an intense and intimate sense of period or realization of milieu; taut plotting, with human development and destiny . . . and, looming above all, an awareness of history itself as a merciless turning of supernatural wheels. . . . Powers’ descriptions . . . are breathtaking, sublimely precise . . . his status as one of fantasy's major stylists can no longer be in doubt.”—SF Site “Powers creates a mystical, magical otherworld superimposed on our own and takes us on a marvelous, guided tour of his vision.”—Science Fiction Chronicle “The fantasy novels of Tim Powers are nothing if not ambitious. . . . Meticulously researched and intellectually adventurous, his novels rarely fail to be strange and wholly original.”—San Francisco Chronicle

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MCKINSEY TOP 5 RECOMMENDED READ 'An underground hit' – Best Politics Books, Financial Times 'Jon has one of the few big ideas that's easily applied' – Sam Conniff, Be More Pirate 'A wonderful guide to how to be human in the 21st Century' – Ece Temelkuran, How to Lose a Country: the Seven Steps from Democracy to Dictatorship Description Citizens opens up a new way of understanding ourselves and shows us what we must do to survive and thrive as individuals, organisations, and nations. Over the past decade, Jon Alexander’s consultancy, the New Citizenship Project, has helped revitalise some of Britain’s biggest organisations including the Co-op, the Guardian and the National Trust. Here, with the New York Times bestselling writer Ariane Conrad, he shows how history is about to enter age of the Citizen. Because when our institutions treat people as creative, empowered creatures rather than consumers, everything changes. Unleashing the power of everyone equips us to face the challenges of economic insecurity, climate crisis, public health threats, and polarisation. Citizens is an upbeat handbook, full of insights, clear examples to follow, and inspiring case studies, from the slums of Kenya to the backstreets of Birmingham – and a foreword by Brian Eno. It is the perfect pick-me-up for leaders, founders, elected officials – and citizens everywhere. Organise and seize the future! Reviews 'Society is like an out of control house party – eating, drinking and consuming everything. Jon is the organiser of the campfire gathering behind the party. It’s calm and welcoming and you won’t want to leave. In Citizens, Jon and Ariane show how to leave the burning house of the Consumer Story and join the campfire that is the Citizen Story.' – Stephen Greene, CEO of RockCorps and founding Chair of National Citizen Service UK 'The belief that every single one of us has both the potential and the desire to make the world better drives me every day, in everything I do. In Citizens, Jon shows how taking that belief as a starting point really could transform our world. This is a truly powerful book, in every sense of the word.' - Josh Babarinde, Forbes 30 Under 30 Social Entrepreneur 'Every great transformation requires a new story. A story that reveals new possibilities and points toward an optimistic alternative to the current situation. Citizens presents just such a story and if we respond to its challenge we may just manage to navigate our way out of the mess we have created for ourselves.' – Tim Brown, Chair of IDEO and author of Change By Design 'Jon is working with a set of ideas and tools that have the potential to change politics forever. In fact, they could change everything forever.' – Ian Kearns, Founder and Trustee, European Leadership Network 'Citizens is a powerful and intriguing contribution to the search for a genuinely sustainable future. I am particularly interested in how the Citizen Story might help businesses to engage more fully with their employees and customers to accelerate sustainability and might also help businesses to become more transparent and accountable.' – David Grayson, Emeritus Professor of Corporate Responsibility at Cranfield University School of Management and co-author of The Sustainable Business Handbook 'The shift from consumer to citizen is a truly big idea. If you’re in a position of strategic influence, I strongly recommend you engage with this and consciously explore what it might mean for your organisation.' – Dame Fiona Reynolds DBE, Former Director General, National Trust, and Trustee, BBC 'There is such a thing as an idea whose time has come. This is that idea.' – James Perry, Board Member, B Lab Global, and Founding Partner, Snowball Investment Management About the Authors JON ALEXANDER began his career with success in advertising, winning the prestigious Big Creative Idea of the Year before making a dramatic change. Driven by a deep need to understand the impact on society of 3,000 commercial messages a day, he gathered three Masters degrees, exploring consumerism and its alternatives from every angle. In 2014, he co-founded the New Citizenship Project to bring the resulting ideas into contact with reality. In Citizens, he is ready to share them with the world. ARIANE CONRAD has built a career turning big ideas into books that change the world. Known as the Book Doula, she has co-written several New York Times bestsellers. BRIAN ENO is an artist, philosopher and Citizen who has played a critical part in British culture since the early 1970s. He is a deep believer in the power of ideas and the possibility of a better world, beliefs which manifest both in his audio and visual art, and in his deep engagement with social, political and environmental issues.

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THE SUNDAY TIMES BESTSELLER 'Many people wonder if they can still have fun without alcohol... Gray tackles this misconception.' - The New York Times 'Gray's tale of going sober is uplifting and inspiring' - The Evening Standard 'An icon of the Quit Lit movement' - Condé Nast Traveller 'Fascinating' - Bryony Gordon 'Not remotely preachy' - The Times 'Jaunty, shrewd and convincing' - Sunday Telegraph 'Admirably honest, light, bubbly and remarkably rarely annoying' - Alice O'Keeffe, Guardian 'Truthful, modern and real' - Stylist 'Brave, witty and brilliantly written' - Marie Claire 'The Unexpected Joy of Being Sober came to me at a time when I much needed it... The book became my best friend, and got me through, and took me on a journey.' - Sadie Frost 'Particularly lovely, because it's not a deep and dark dive into someone's terrible addiction. It's a celebration of everything that she has gained from not drinking' - Laura Donnelly Ever sworn off alcohol for a month and found yourself drinking by the 7th? Think there's 'no point' in just one drink? Welcome! There are millions of us. 64% of Brits want to drink less.Catherine Gray was stuck in a hellish whirligig of Drink, Make horrible decisions, Hangover, Repeat. She had her fair share of 'drunk tank' jail cells and topless-in-a-hot-tub misadventures.But this book goes beyond the binges and blackouts to deep-dive into uncharted territory: What happens after you quit drinking? This gripping, heart-breaking and witty book takes us down the rabbit-hole of an alternative reality. A life with zero hangovers, through sober weddings, sex, Christmases and breakups. In The Unexpected Joy of Being Sober, Catherine Gray shines a light on society's drink-pushing and talks to top neuroscientists and psychologists about why we drink, delving into the science behind what it does to our brains and bodies.Much more than a tale from the netherworld of addicted drinking, this book is about the escape, and why a sober life can be more intoxicating than you ever imagined. Whether you're a hopelessly devoted drinker, merely sober-curious, or you've already ditched the drink, you will love this book. 'Haunting, admirable and enlightening' - The Pool 'A riveting, raw, yet humorous memoir with actionable advice. A truly unique blend of storytelling and science that holds a universe of hope.' - Annie Grace, author of This Naked Mind 'Like listening to your best friend teach you to be sober. Lighthearted but serious, it's packed with ideas, tools, tips and, most importantly, reasons for living a sober life. This book is excellent.'- Eric Zimmer, host of podcast The One You Feed 'Gray's fizzy writing succeeds in making this potentially boring-as-hell subject both engaging and highly seductive' - The Bookseller 'Catherine Gray is an exceptional writer. Her exquisitely crafted thoughts on the joys of being sober are not only deeply honest and pragmatic, but she manages to infuse tons of humor. This is a delightful, informative, and compelling read for all those who are sober or seeking sobriety.' - Sasha Tozzi, Huffington Post columnist 'Catherine's writing style and voice captivate me. She has a way of translating her story into an experience I don't want to end. I want to drink every drop she produces.' - Holly Whitaker, founder of Hip Sobriety School and co-presenter of Home podcast 'This book is great. A balanced, informative and entertaining mélange of memoir, sociology and psychology. I identified very strongly with huge sections of it.' - Jon Stewart, guitarist of Sleeper and Leaving AA, Staying Sober blogger > 'Sober is too often equated with "sombre" in our culture. Gray's book turns that idea on its head. Her experience of sobriety is joyful and life-affirming. A must-read for anyone who has a nagging suspicion that alcohol may be taking away more than it's giving.' - Hilda Burke, psychotherapist and couples counsellor 'Catherine Gray really captures the FUN we can have in sobriety. This book challenges the status quo; sobriet sounds as liberating as taking a trip to the jungle. Fun and inspirational. What an important book for our time! A joy to read.' - Samantha Moyo, founder of Morning Gloryville 'No other author writes about sober living with as much warmth or emotional range as Catherine Gray. Her deep insight into the subtle psychologies of drinking, and of life, means that everything she writes is both utterly relatable and stretches our minds. Hers is a rare wisdom.' - Dr Richard Piper, CEO, Alcohol Change UK

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There are few women in English history more famous or controversial than Queen Anne Boleyn. She was the second wife of Henry VIII, mother of Elizabeth I and the first English queen to be publicly executed. Much of what we think we know about her is coloured by myth and legend, and does not stand up to close scrutiny. Reinvented by each new generation, Anne is buried beneath centuries of labels: homewrecker, seductress, opportunist, witch, romantic victim, Protestant martyr, feminist. In this vivid and engaging account of the triumphant and harrowing final year of Queen Anne Boleyn's life, the author reveals a very human portrait of a brilliant, passionate and complex woman. The last twelve months of Anne's life contained both joy and heartbreak. This telling period bore witness to one of the longest and most politically significant progresses of Henry VIII's reign, improved relations between the royal couple, and Anne's longed-for pregnancy. With the dawning of the new year, the pendulum swung. In late January 1536, Anne received news that her husband had been thrown from his horse in his tiltyard at Greenwich. Just days later, tragedy struck. As the body of Anne's predecessor, Katherine of Aragon, was being prepared for burial, Anne miscarried her son. The promise of a new beginning dashed, the months that followed were a rollercoaster of anguish and hope, marked by betrayal, brutality and rumour. What began with so much promise, ended in silent dignity, amid a whirlwind of scandal, on a scaffold at the Tower of London. Through close examination of these intriguing events considered in their social and historical context, readers will gain a fresh perspective into the life and death of the woman behind the tantalising tale. "Natalie Grueninger skilfully unravels the myths surrounding Anne Boleyn's downfall, and presents the most compelling account of her final months to date. A Triumph." - Dr Owen Emmerson, Historian and Assistant Curator, Hever Castle "A heart-stirring account of Anne Boleyn's last living year. Researched flawlessly, the events are revealed in a compelling read; little-known facts adding to the tension which builds toward an emotional end. A must-read for fans and students of Tudor history." - Sandra Vasoli, author of Anne Boleyn's Letter From the Tower: A New Assessment "Genuinely ground-breaking, provocative yet sensitive, exquisitely well-researched and fair - both to Anne's friends and enemies - Natalie Grueninger's book shows us the complexities, and the secrets, that wove together during Anne Boleyn's final twelve months as queen. This is an exciting and important book of Tudor history." - Gareth Russell, Historian and author of The Ship of Dreams and Young and Damned and Fair "Astonishingly well-researched, The Final Year of Anne Boleyn triumphantly re-writes the fall of one of England's most famous queen consorts, shedding new light on a well-known story. A riveting and emotional read." - Kate McCaffrey, Assistant Curator, Hever Castle "The Final Year of Anne Boleyn is proof that a thoughtful, serious, and sensitive work of scholarship can also be entertainingly and delightfully written. Grueninger grasps the nitty-gritty and gives us a deeply considered, elegantly restrained, and often freshly compelling interpretation of this thrilling, contested, and fatal year." - Professor Suzannah Lipscomb, Historian, Author and Broadcaster. "Meticulously researched: check, well-referenced: check, a fascinating read: check, an engaging style: check. That's what I look for in a history book! Thank you, Natalie, for meddling in Anne's cause so delightfully well." - Claire Ridgway, Author and Historian "From the scaffold, she asked that we 'judge the best', but history has not been fair to Anne Boleyn. Finally, in this engrossing and meticulously researched exploration of the final year of the controversial queen's life, the real Anne leaps to life in all her tangible humanity. Brilliant, loving, compassionate, acerbic, resilient and breathtakingly bold, this is the Anne we've never fully met. From her dedication to the most vulnerable in her community, to her courage in fronting up to injustice, here was a woman who was speaking truth to power centuries before the term entered the lexicon. The prevailing patriarchy thought they'd silenced her but her enduring popularity has proven them wrong. Weaving primary sources and exhaustive contemporary research, Natalie Grueninger masterfully places the reader front and centre of one of the most portentous years in English history, untangling the complex web of intrigue that ended in the sanctioned murder of an English queen."- Karina Machado, Author and Podcaster

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Hiram and his son, Michael, are dowsing a well in Eastern Utah when they hear a cry of help from the ghost of a small boy, torn to pieces by wild animals. Before they can even begin to look into that tragedy, however, a prosperous local rancher is murdered right before their eyes. In an attempt to both help the ghost and find the killer, Hiram and Michael must navigate an eccentric cast of characters that includes failed bank robbers, a seductive fortune-teller, an inept sheriff, a crazy prospector, and a preacher with an apocalyptic grudge against the Roosevelt administration. The mystery, however, isn’t just in the hearts of men. There’s an astrological puzzle that Michael, now his father’s apprentice, must solve. Meanwhile, the murderer is moving slowly against Hiram and Michael, forcing them into a trap from which there is no escape. About The Jupiter Knife: “It’s like Jim Butcher crossed with Grapes of Wrath!”—Larry Correia “Butler and Ritchey return to Depression-era Utah for a second thrilling tale of murder and folk magic (after The Cunning Man). . . . The play between Hiram’s earnest Mormonism and the more secular Michael’s growing unease with folk magic adds depth to the father-son dynamic, and the false leads and eccentric side characters make for a delightful mystery. This well-crafted historical fantasy is sure to please.”—Publishers Weekly About prequel The Cunning Man: “An attempt at charity during the Great Depression turns into a protracted fight against supernatural forces in this admirable paranormal mystery. . . . the richly imagined magic system and glimpses of Mormon culture create a fully realized world. Historical fantasy fans will delight in the zigzagging plot of this mystery.”—Publishers Weekly “An amazing tale that grabs you by the throat and won’t let go! Butler & Ritchey are a literary force to be reckoned with! Hit that download button and grab your copy now! The Cunning Man will never let you go!”—Sherrilyn Kenyon, #1 New York Times best-selling author “. . . a brisk and engaging narrative . . . folk and religious based magic . . . for fans of urban or historical fantasy . . . a satisfying read.”—Booklist Praise for D.J. Butler: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly “For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist.”—Booklist “. . . you can’t stop yourself from taking another bite . . . and another . . . and another. . . . I didn’t want to stop reading. . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.”—Kevin J. Anderson “Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes.”—Publishers Weekly “David's a pro storyteller, and you're in for a great ride.”—Larry Dixon “. . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave.”—Cat Rambo “This is enchanting! I'd love to see more.”—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.”—Charles E. Gannon “Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!”—David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo “Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!”—Christopher Husberg “[A] unique alternative-history that is heavily influenced by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time.”—Booklist Praise for Aaron Michael Ritchey: “. . . richly drawn, beautifully complex characters . . .”—Kirkus on Long Live the Suicide King

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This workbook, developed after 23 years of work with children, is designed to help children change their 'stinking thinking.' 'Stinking Thinking' are ways children think that cause them to be anxious, depressed, angry, guilty, frustrated, embarrassed, insecure, or jealous. The exercises help children ages 6 to 12 years develop cognitive skills, positive thought patterns, and resilience to cope with daily hardships. The wizard theme is attractive to children and encourages them to interact with parents or therapists as they practice the concepts. Therapists and parents will find this workbook user-friendly, attractive, and fun. It is a valuable adjunct to cognitive behavioral approaches. Children are fascinated with wizards and enjoy the exercises.'- Virginia Child Protection Newsletter'This ingenious workbook, designed for use by psychologists, teachers or parents, is highly visual and interactive and could beneficially be used with individuals and groups of children. Based on the CBT approach, it encourages children to explore their negative thinking patterns which in turn enhances their ability to cope with daily challenges. The author has cleverly used the world of magic as a backdrop to each session, and children are enticed to become "super thinking wizards" as they learn to outsmart negative thinking.'- The Psychologist'Joann Altiero's No More Stinking Thinking is a workbook for parents, teachers and therapists to teach children how to develop the cognitive skills and resilience that will help them to cope with daily adversity, including criticism, disappointment and bullying.Each lesson explains a different type of "stinking thinking" - from ignoring the big picture or jumping to conclusions, to making a big (or little) deal out of something - and teaches children how to spot and combat it. The book aims to teach children about the power of positive, healthy and confident thinking and assertive behaviours. A final "exam" and a graduation certificate are included.No More Stinking Thinking is accessible and fully interactive and an ideal tool for helping children develop positive thinking in an imaginative and exciting way.'- Afasic News'This workbook aims to help those working with children teach positive thinking. Simple exercises encourage children to think about any negative views they may have about themselves and address them. Each chapter looks at a particular problem, for example jumping to conclusions. There are fun activities as well as exercises to summarise what has been learnt and children can work towards becoming a Super Wizard Thinker.'- ChildrenNow'This book is written to help children combat negative thinking. The children work through the book with you and become a wizard of positive thinking!The idea of the book is very good and is written in a very light hearted manner. I would recommend this book to anyone who feels their child needs some help feeling good about themselves.'- www.ncma.org.uk'This book is a workbook for parents/carers and children to encourage positive thinking. It is written in a friendly style, which makes it easy for children to follow. I particularly liked the lay out, it is in 6 chapters for steps to positive thinking and the pages are clearly laid out with lots of pictures and activities and spaces to draw your own pictures. The pictures complement the text well and make the chapters more fun. The activities are easy for the children to follow as well as making them think about what they have just read. I shall be using it in my setting and would recommend it to other childminders.'- National Child-Minding Association'I think this workbook would be a useful resource for professionals, in particular teachers, who could use the exercises as discussions points when working with a group of children.'- Adoption-net.co.ukHow can children learn to combat negative thinking in a fun and constructive way? By applying to be a wizard of positive thinking, of course!Joann Altiero's No More Stinking Thinking is an easy-to-use workbook for use by parents, teachers, and therapists to teach children how to develop the cognitive skills and resilience that will help them to cope with daily adversity, including criticism, disappointment and bullying. Each lesson in this mental health "wizard class" explains a different type of "Stinking Thinking" - from ignoring the big picture or jumping to conclusions to making a big (or little) deal out of something - and teaches children how to spot and combat it. They are drawn into a magical world where they learn about the power of positive, healthy and confident thinking and assertive behaviors as they defeat the evil Lord Stinker and become "Super Thinking Wizards." Exercises, a final "exam," and a graduation certificate are included.Accessible and fully interactive, No More Stinking Thinking is an ideal tool for helping children develop positive thinking skills in an imaginative and exciting way.

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If you’re not paranoid, you’re not paying attention…Cary Mackin is a TV journalist who has covered crime for nearly twenty years. After losing her job she moves to a small town in Connecticut—only to get caught up in the web of a deranged serial killer. Cary has a dark secret that drives everything she does: a deep-seated, lifelong fear that one day she will be murdered. As the madman Cary stumbled upon continues to terrorize the beautiful countryside where she now resides, will her premonition come true? “Premonition…a psycho-thriller roller coaster ride that probes the dark corners of one woman’s seemingly overwhelming paranoia…or is it? From a crime and justice expert, Premonition nails every detail of the criminal mind, the hunter and the hunted. Premonition is full of twists and surprises…I love it! Bravo!” —Nancy Grace, Founder, CrimeOnline.com, Host of CrimeStories on Fox Nation, Sirius XM, and NYT Bestselling Author “My friend and colleague at Court TV, Wendy Whitman, has created a compelling psychological thriller filled with shocking twists that captivate the reader to the very end—and wanting more. Whitman takes daring literary risks with a complex character, Cary Mackin, and her haunting premonition that she will one day be murdered. Driven by her foreboding fear, Mackin deploys extraordinary investigative and forensic skills to track down the man she sees as the killer…before he strikes again—at her! Whitman weaves plot, personality, and prose in a high-octane suspense that will give you paper cuts as you quickly turn the pages. Premonition offers a gripping storyline…and a chilling chase to an ending that you never expected.” —Gregg Jarrett, Network Legal Analyst and Bestselling Author “Whitman’s debut novel is sure to be a great read for true crime fans. If there is anyone best suited to write a book about the reality of evil in this crazy world we live in, it’s Whitman. Her book is unique because although fiction, it so mirrors reality that each page hits home more and more. Having been in the criminal law arena for fifty-five years and having dealt with two notorious serial killer cases, Whitman’s novel captures all aspects of the utter insanity of the criminal mind. In this world of Covid, we all need some respite and a great book is just what the doctor ordered.” —Gerald P. Boyle, Attorney, Represented Serial Killer Jeffrey Dahmer “Chilling and original, Premonition is a brilliant debut thriller from Wendy Whitman, an insider whose deep knowledge of crime and the law has created a platform for suspenseful storytelling. Taut and fast-paced, Whitman’s tale, and her unique central character, combine to create a riveting plot that drives the story to its stunning conclusion.” —Jack Ford, Emmy and Peabody Award–Winning Journalist and Bestselling Author of Chariot on the Mountain “All of those cases on Court TV certainly permeated the mind of producer Wendy Whitman. Her book is a truly breathless thriller through every twist and turn. A stellar debut novel with a terrific female heroine!” —Rikki Klieman, Attorney and CBS News Legal Analyst “A unique psychological thriller that weaves true crime into a plot that keeps the reader captivated from the very first page. A bold, heartfelt debut novel from an author who has created one of the most complex and provocative heroines in recent memory. A perfect read sure to keep you up at night.” —Rita Cosby, Emmy-Winning TV Host and Bestselling Author of Quiet Hero “The decades of Wendy Whitman’s focus and dedication to the crime and justice genre shine through each page, as she spins the yarn in this gripping crime tale. Speaking from experience that has imbued her with personal knowledge of the inner workings of hundreds of criminal minds, she is an authoritative voice in telling crime stories…because she has lived through reporting some of the most disturbing ones in American history. Brava, Wendy!” —Ashleigh Banfield, Court TV Special Contributor and Host of Judgment with Ashleigh Banfield “Wendy Whitman’s debut novel is more than a crime story. Readers will identify with some of her protagonist’s obsessions including food choices (‘borderline vegan’) and her love for animals. Peppered throughout the book are safety tips drawn from actual cases Whitman learned from years covering criminal trials at Court TV where she rose from a producer to a programming executive. There’s something for everyone in Premonition.” —Beth Karas, Former Prosecutor and Host of Oxygen’s Snapped: Notorious “Gripping, suspenseful, and thoughtful, Premonition gives a behind the scenes look at the dangers that surround us as we go about our daily lives. If you’re looking for a crime thriller to get lost in, this is it.” —Dr. Robi Ludwig, Psychotherapist, TV Personality, and Author

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Issues a bold challenge to business managers to commit their companies to sustained measurable growth and enduring success. Noted business author and management consultant Robert M. Tomasko details five distinct paths that can take any company, large or small, to higher levels of productivity and prosperity. Important points are fully illustrated with examples drawn from a wide variety of companies in a broad range of markets. Using a dynamic "people-centered" approach, he shows how to match these paths or game plans with the specific characteristics of your business and its key employees. These five paths include: Breaking the Rules: Destabilizing an industry to create new markets describes how to expand your business by violating rules or standards that are obsolete or so entrenched that no one questions them anymore, leaving the market wide open to astute individuals who can spot the telltale signs. Go for Growth tells how to identify these markets and how to seize the initiative, along the lines of Silicon Graphics and Southwest Airlines. Playing the Game: Excel by satisfying existing needs in growing markets explains the inherent strengths and weaknesses of market-driven companies that succeed by knowing and serving an existing market better than anyone else. Go for Growth tells you when and how to apply this game plan so effectively used by Marriott, PepsiCo, and Procter & Gamble. Making the Rules: Dominate the market by controlling its standards describes the strategies of the handful of companies that have managed to control, through research, market share, and product positioning, the markets in which they compete. This is the path of Disney, Intel, and Microsoft. Specializing: Thrive in niche markets details the ways companies such as Nordic Track, Rolex, and Union Carbide can seal off a portion of a market from other competitors by focusing on meeting very specific needs. Go for Growth shows the ways specialization can restore growth to companies undergoing wrenching change. Improvising: Profit from change by rolling with the punches describes the role of improvising as a growth path when no other good choices are available, and explains the numerous ways improvisers like IBM, Kodak, and many regional phone companies can capitalize on their flexibility to achieve profitability. Go for Growth drives home the point that there is no single best approach to growth for everyone by including lively, first-person accounts from managers thriving, and stumbling, in businesses following each path. Go for Growth fully demonstrates the opportunities awaiting businesses that can successfully follow the right path for their markets and capabilities. In addition, this invaluable book explores ways managers can help focus their entire organizations on sustaining growth and increasing profitability well into the future. With its combination of stimulating ideas and specific action plans, Go for Growth offers forward-looking managers five unique paths toward business and personal growth. The author of the best-selling Rethinking the Corporation shows how companies of any size can achieve new growth and greater success Five Paths to Profit and Success—Choose the Right One for You and Your Company Go for Growth challenges business leaders to move their organizations toward sustainable growth and enduring prosperity. Written by noted author and business consultant Robert M. Tomasko, this timely book offers a detailed rationale for steady, responsible growth and outlines five energizing, "people-centered" ways to introduce a new, growth-oriented dynamic into an organization. Supported by numerous examples of how successful companies have managed growth, Go for Growth shows how to match specific options with the resources and needs of specific companies, and how to focus the entire organization on the business of success. "Go for Growth is an important book because of the powerful, insightful way Bob Tomasko integrates personal growth, organizational change, and positive business strategy. It's a thoughtful, practical book—hard to put down, easy to apply. I think his best line is: 'Growth only happens when people grow'; that's a line I'd put on the wall of every executive's office!" —Robert J. Lee, Ph.D. President, Center for Creative Leadership "At a time when so many pundits advocate their pet silver bullet to growth, Tomasko refreshingly shuns the 'one size fits all' panacea by setting forth five sensible paths to profitable growth. He stresses that it is up to each management to sort out which path really makes sense given each company's unique situation." —Samuel M. Felton Strategic Leadership Forum "Go for Growth will help managers to determine what they need to do and what they need to avoid." —Michael Maccoby Author of Why Work? Motivating the New Workforce

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The Teacher's Moderation Toolkit can be used to standardise and benchmark children's writing at three termly intervals, as a CPD resource to support teachers working together to make judgements and also as a classroom resource to share the expected standards of writing with children. Currently, writing is teacher assessed at both Key Stage 1 and Key Stage 2. Teachers are expected to assess a collection of children's writing that illustrate writing for different purposes and in different forms; for example, a child may write a persuasive letter, an informative leaflet, a story with a flashback, a narrative poem and a survival guide linked to their creative curriculum.Assessing a collection of writing requires teachers to be able to identify features in the child's writing, answering the questions:What can this writer do?What features have they included?Do they meet the expected standard for their year group?Are they on track to be the expected standard by the end of the year?What features are missing from their writing?What are their next steps?Many schools have worked together to create writing portfolios of what is the expected standard for each year group. As a teaching school alliance, we recognised that teachers would benefit from a moderated, standardised toolkit that could both assist and guide teachers when making termly judgements about children's writing.Initially, we worked with English subject leaders spanning a range of local authorities in the north-west of England. Schools were given a set of writing tasks to complete with years 1-6 so that it would be easier to make comparisons when moderating the writing.The first task was a picture prompt of a girl called Lizzie in a silver birch tree (See Appendix A)and children were asked to write a description. The following term, schools were given a choice of writing prompts related to other pictures of Lizzie - a newspaper report, a narrative and a diary.As schools collated evidence of children writing at different points in the year, we decided to offer specific year group moderating sessions where teachers brought samples of children's writing and annotated them in groups (some of these samples feature as part of the resource). At this point teachers did not use any criteria to moderate with. Instead they focused on the question'What can this writer do?' and annotated the writing with appropriate labels; for example, noun phrases, multi-clause sentences, range of tenses, use of direct speech, commas in a list etc.After teachers from each year group had analysed and annotated a range of writing, English subject leaders and moderators began the selection process. Using the writing objectives for each year group, we began to make decisions about what the evidence files should look like.We were very keen for the collections to be realistic, include writing examples that teachers see every day and show obvious progression. We recognised that teachers would want to see examples of writing that spanned across a range of genres. Whilst reading through the annotated examples, we realised that it was not important what age the child who wrote the writing was; for example, a more able year 1 child's writing may have been used in the autumn of year 2 collection and equally a less able year 5 writer may be used as a good example in the spring collection of year 4. Once the collections of writing had been established, a group of SLEs and moderators worked with the resource. Our priority was that there was progression within the toolkit and the summer collection from one year group would directly lead into the autumn collection of the next.Once again, national curriculum objectives and the original work samples in Appendix B were regularly referred to and referenced to ensure consistency.Final decisions were made, the toolkit was agreed upon and resulted in 3 termly collections of writing for each year group from year 1 to 6. All of the writing examples have been typed up verbatim for ease and are annotated with some of the main features expected for specific year groups; for example, writing in the year 1collection is annotated with features teachers would expect to see in year 1 writing as prescribed in the national curriculum. In the older children's writing, we have again focused on features we would expect to see evidence of in that specific year group and not commented on every single feature included by the child.eBook supplied with the book free of charge.

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Longlisted for the William Hill Sports Book of the Year Award 2021 Running away from your problems doesn’t solve anything – but sometimes it’s more fun than dealing with them Elise was spending a lot of time crying on buses. She had just graduated from university; she had a shiny new flat, her first proper job and a budding relationship – and they were all making her utterly miserable. Sitting at work one day, she hit upon the obvious solution: Run 5,000 miles around the coast of Britain, carrying her kit on her back. Six months later Elise set off, with absolutely no ultra-running experience, unable to read a map and having never pitched a tent alone before. Over the 301 days that followed she developed a debilitating fear of farmyard animals, cried on a lot of beaches and saw Britain at its most wild and wonderful. Coasting is about putting one foot in front of the other, even when it feels impossible, and trying to enjoy it too. With heart and humour, Elise explores the thrill of taking risks and putting your trust in total strangers, and learns some home truths along the way. 'A true Great British Adventure, with humour and heart.' Sir Ranulph Fiennes 'Elise Downing has achieved the impossible – leaving you in awe at her superhuman achievements, but also convincing you that you could probably do the same.' Emily Chappell 'A hugely enjoyable jaunt around Britain, that proves that you can find adventure right on your doorstep.' Alastair Humphreys 'Elise Downing has reminded us all of the most crucial aspects of adventure: 1) You don't have to be an expert. 2) It's all about the people. 3) However hard, tough, excruciating and doubt-driven a challenge might be, at heart it's a funny, funny story.' Dave Cornthwaite 'Reading Coasting is like listening to a friend tell a tale down the pub that you can’t quite believe. Elise’s storytelling is hilarious, warm-hearted and wonderfully down-to-earth. It’s the kind of book that makes you want to lace up your trainers and start running towards that mad idea you once had. There’s no doubt that Elise’s gung-ho attitude is her superpower. Her kryptonite? Cows.' Anna McNuff, author and adventurer 'Elise's irresistibly readable adventures are both ordinary and extraordinary at the same time. She's an inspiration.' Damian Hall, author and ultrarunner 'Funny and engaging and inspiring... an absolute gem.' Vassos Alexander, presenter, author and runner 'A beautifully observed and blisteringly truthful account of what happens when you decide to combine adventure and endurance. Absolutely brilliant.' Jake Tyler, author of A Walk from the Wild Edge 'An honest and exciting tale of how a dream became an awesome reality. Definitely worth a read!' Ben Smith, founder of The 401 Challenge 'I was already laughing at the Dedication and this continued all the way to the very last page. Elise Downing is a comedy genius and has a heart of gold!' Danny Bent, author, runner and founder of Project Awesome 'Elise tells her story with such good-humoured light-heartedness that you could be forgiven for forgetting that what she is describing is a feat of real endurance. Running 5,000 miles is a truly remarkable achievement, and the fact that Elise emerged from it with a smile on her face and a total lack of ego speaks wonders to her character. This is an incredible tale told with total humility. Running around the coast of Great Britain was a mad thing to do, but not buying this book would be madder still.' Tim Moss, author, adventurer and founder of The Next Challenge 'Like any epic journey worth sharing, Elise encountered the same doubts, setbacks and fears that leave many dreams stuck on the drawing board. One foot after the other, Elise set out to achieve the extraordinary many miles over. Coasting shares the literal highs and lows as she finds her rite of passage to the world of ultra-running, with an endearing vulnerability and hilarious flair that brings places to life. In the same way that countless strangers felt compelled to join her around the UK, Coasting carries the reader along and inspires us all to ask 'why not?' in pursuit of our own home-grown adventures.' Alex Staniforth, adventurer and author 'A wonderfully honest tale of courage, perseverance and self-discovery.' Dr Juliet McGrattan, author and runner 'Elise brings so much fun and energy, as well as raw honesty, to the world of adventure books, and her incredible journey is an inspiration to young (and old!) adventurers.' Jenny Tough, author, adventurer and editor of Tough Women Adventure Stories 'Thoughtful, funny and beautifully written. Just goes to show that there’s a ram-spinning, swashbuckling adventure right there on your doorstep.' Huw Jack Brassington, writer, presenter and adventurer

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How women can "lean in" to entrepreneurship to create the life they want! Claudia Reuter left a promising corporate career to raise her two young children but realized, when re-entering the workforce, that the gap in her resume looked like a gap in ambition—not a purposeful plan. Instead of leaning into a corporate career and fighting the structures and systems designed by and for men decades ago, or leaning out and giving up income, Claudia took a different path. That decision ultimately led to success in the corporate world and at home. In Yes, You Can Do This!, Claudia shares her own reasons for starting a business and makes a call to action for women to consider entrepreneurship so that they can create businesses with the rules they want and change the playing field for others, making a significant impact in the world. More than a "how-to book" on building a business, Yes, You Can Do This! provides clear examples and practical resources to help others create the life they want through entrepreneurship. In Yes, You Can Do This!, you'll learn: How to develop and share your vision How to deal with stereotypes and unconscious bias How to leverage perceived weaknesses and turn them into strengths How to balance life at high speeds and avoid burnout How to cultivate the confidence to move from idea to creating a company with the culture and rules you want Claudia provides women with an electrifying third career option: it’s not just "lean in" or "lean out," but startup and change the playing field for others in the process. Praise for Yes, You Can Do This! "It's rare to find a book on entrepreneurship that fuels your heart with inspiration and encouragement and your mind with practical, tangible things you can put into action immediately — but this is one of them. As a woman who has started three companies and been a senior team member of five startups, this is the guide I wish I'd read when I was starting out." —Nataly Kogan, Author of Happier Now and founder of Happier, Inc. "Combining compelling storytelling with practical, tactical advice, Reuter has created a manifesto for the next generation of female founders. Rooted in the research around gender and work, this is a must read for women looking to launch the next new thing." —Jennifer McFadden, Associate Director of Entrepreneurial Programs, Yale School of Management "A must-read for any woman considering taking the leap into entrepreneurship, You Can Do This brings together today's best thinking about women in the workplace with practical advice for creating your dream career and life - by starting a company. Whether you are just curious or ready to take the leap, this book is a great read and a valuable resource." —Anna Barber, Managing Director, Techstars "Claudia helps not just the female entrepreneur, but all entrepreneurs, find their footing in what can be an overwhelming whirlwind of starting a business. This book is not only inspiring and uplifting, but positively necessary for any woman looking to find success in the startup space!" —Shira Atkins, Co-founder & CMO Wonder Media Network "Stories of entrepreneurial success exist in abundance for men who receive 97.8% of venture funding and hold 95% of CEO roles. What is most inspiring about Claudia's book, making me want to shout from the rooftop, is that it is told from the perspective of an everyday woman who pushed hard through barriers, doubts, and setbacks that any entrepreneur would face. On top of all that, she overcame obstacles that are uniquely ours as women today. Claudia is now a standout among women, but with her book in hand, women who want to build a business to scale have a blueprint and path to do so. Here's to making dreams come true!" —Coco Brown, CEO and Founder, The Athena Alliance. "As I read through the book, there were multiple points where I thought, 'Every man in any startup or fast-growing business should read this.' As a man in technology, I took away lots of new ideas, along with examples that were explained in a way that I wouldn’t have been able to do prior to reading Claudia’s book" —Brad Feld, Managing Director, at Foundry Group, author of Venture Deals and Do More Faster "Reuter breaks the stigma about mothers that chose to leave the workforce. She provides practical tools to start a business, by showing the path to success for every woman that wants to write her own rules" —Sharon Kan, CEO of Pepperlane & Co-Founder of the WIN Lab "Reuter manages to put into words what women have been facing and feeling for decades. She leaves the readers with stories, steps and inspiration to create the career path they are worthy of no matter if it's starting from scratch or breaking glass ceilings. This book will fuel the next generation of women in leadership and entrepreneurship giving them guides and confidence as it has fueled me to start the business I have always wanted." —Elizabeth Presta, CD(DONA), CLD

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When a war ends provisionally, the agreement is called a ceasefire. But when peace ends, there is only war. War and peace are co-dependent. Perhaps it is now time for a “Peacefire.” In Maintenant 17: A Journal of Contemporary Dada Writing and Art, nearly 250 artists from more than 40 countries explore the concept of the end of both war and peace, exploring provocative outsider ideas as dada has done since its inception. With searing cover art by Uta Kaxniashvili, this issue of the renowned journal elaborates on dada’s original premise as an antiwar movement. The Maintenant series, established in 2008, explores themes of politics, humanity, philosophy, and current concerns from an antiwar, anarchic (and often eye-opening) perspective. Past issues include work by artists Mark Kostabi, Raymond Pettibon, Joel Hubaut, Heide Hatry, Avelino de Araujo, Pawel Kuczynski, Inas Al-Soqi, Giovanni Fontana, Nicole Eisenmann, Syporca Whandal, and Kazunori Murakami; past writers have included Gerard Malanga, Charles Plymell, Andrei Codrescu, Harry E. Northup, Malik Crumpler, Maw Shein Win, and more, with a strong contingent of artist-writers from the world of punk rock, including Thurston Moore, Mike Watt, Bibbe Hanson and more. Critics have praised the series since its inception. Seattle Book Review calls Maintenant, “A smorgasbord for those who are sick and tired of it.” Tribe LA dubs the journal, "A compilation of leading Dada-influenced artists from around the world that is timely and relevant.” Serbia's Madjan Magazine proclaims that the Maintenant series proves "Dada is not dead." The Maintenant series is archived in leading institutions worldwide, including Museum of Modern Art New York. Contributors to Maintenant 17 include: Derek Adams • Mariam Ahmed • Jamika Ajalon • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Daina Almario-Kopp • Hala Alyan • Jim Andrews • Wayne Atherton • Liz Axelrod • Mahnaz Badihian • David Barnes • Amy Barone • Vittore Baroni • Tchello d’ Barros • Gaby Bedetti • Regina Lafay Bellamy • C. Mehrl Bennett • Volodymyr Bilyk • Mark Blickley • Clemente Botelho • Gedley Belchior Braga • Michael Georg Bregel • Kathy A. Bruce • Imanol Buisan • Fork Burke • Billy Cancel • Peter Carlaftes • Wendy Cascade • Nick Cash • Mutes César • Sarah M. Chen • Nguyễn Bá Chung • Hal Citron • Lynette Clennell • Andrei Codrescu • William Cody • Chuck Connelley • Roger Conover • Anothony Cox • Malik Ameer Crumpler • Raf Cruz • Tchello d’Barros • Wer Da • Steve Dalachinsky • Allison A. Davis • Holly Day • Avelino De Araujo • Francesca Dharmakan-Bremner • Natalie DiFusco • Dario Roberto Dioli • Rachel Dixon • Sam Dodson • Carol Dorf • Eric Drooker • Robert Duncan • Salvatore Esposito • Fong Fai • Agenta Falk • Massimo Fantuzzi • Jeff Farr • Becky Fawcett • Rich Ferguson • Maria Filek • Cheryl J. Fish • Kathleen Florence • Robert C. Ford • Dorothy Friedman • Thomas Fucaloro • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Gibbons • Gordon Gilbert • James J. Gleeson • Mark Glista • Ed Go • Gemma Goette • John Goodby • Odeon Grace • S.A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gülan • Ana Maria Guta • Bibbe Hansen • Jesper Hasseltoft • Heide Hatry • Jeffrey Hecker • László 2 Hegedűs • Aimee Herman • Robert Hieger • Karen Hildebrand • Mark Hoefer • Juleigh Howard-Hobson • Matthew Hupert • Frie J. Jacobs • Annaliese Jakimides • Marta Janik • Mathias Jansson • Lisa Marie Jarlborn • Debra Jenks • Dale Jensen • Jerry Johnson • Boni Joi • Milana Juventa • Jerry Kamstra • Suzi Kaplan Olmsted • Christine Karapetian • Adeena Karasick • Uta Kaxniashvili • Marina Kazakova • Oladipo Kehinde • Trần Đăng Khoa • Doug Knott • Kollasch • Daniel Kolm • Gregory Kolm • Ron Kolm • Daina Kopp • Mark Kostabi • Paul Kostabi • Inna Krasnoper • Paweł Kuczyński • Béné Kusendila • Wang Lan • Gary Lawless • Mercedes Lawry • David Lawton • Jane LeCroy • Sarah Legow • Patricia Leonard • Linda Lerner • Martin H. Levinson • Alexander Limarev • Frédéric Lipczynski • Richard Loranger • Mina Loy • Ruggero Maggi • Sara Maino • Gerald Malanga • Jaan Malin • Jessica Manack • Fred Marchant • Marronage • Bronwyn Mauldin • Jesse McCloskey • Pierre Merejkowsky • Ashley Miller • Lois Kagan Mingus • Charles Mingus III • Richard Modiano • Mike M. Mollett • Thurston Moore • Luiz Morgadinho • Karen Neuberg • James B. Nicola • Gerald Nicosia • Lance Nizami • Harry E. Northup • Anna O’Meara • Ruth Oisteanu • Valery Oisteanu • Marc Olmsted • John Olson • Jane Ormerod • Yuko Otomo • Bibiana Padilla Maltos • Csaba Pál • Erzsébet Palásti • Lisa Panepinto • Gay Pasley • John S. Paul • Giorgia Pavlidou • James Penha • Puma Perl • Robert Petrick • Raymond Pettibon • Charles Plymell • Kai Pohl • Leslie Prosterman • Renaat Ramon • Nicca Ray • Mado Reznik • D.M. Rice • Travis Richardson • Wes Rickert • Benjamin Robinson • Bruce Robinson • Edel Rodriguez • Mykyta Ryzhykh • Martina Salisbury • Paulo Sanches • Kellie Scott-Reed • Beatriz Seelaender • Jack Seiei • Silvio Severino • Sheree Shatsky • Susan Shup • Jeff Shutt • Bertholdus Sibum • Denise Silk-Martelli • Zoltán Simon • Angela Sloan • Katherine R. Sloan • Phil Demise Smith • Valerie Sofranko • Paul Sohar • J. R. Solonche • Pere Sousa • Orchid Spangiafora • Dd. Spungin • Marilyn Stablein • Alex Starr • Laurie Steelink • Eva Helene Stern*** • Christine Stoddard • Thomas Stolmar • Rich Stone • W.K. Stratton • Belinda Subraman • Neal Skooter Taylor • Robin Tomens • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik Max Valentonis • Anoek Van Praag • Nico Vassilakis • Maggs Vibo • Lynnea Villanova • Voxx Voltair • Barbara Vos • Silvia Wagensberg • George Wallace • Scott Wannberg • Mike Watt • Poul R. Weile • Ingrid Wendt • Benjamin B. White • Brenda Whiteway • A. D. Winans • Francine Witte • Yaryan • Gerald Yelle • Andrena Zawinski • Larry Zdeb • Nina Zivancevic • Lorene Zarou-Zouzounis • Joanie HF Zosike

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The book is divided into four sections. Section One includes two chapters on history. The opening chapter of the book introduces the subject of continuing engineering education (CEE). There are general sections on continuing education and engineering education and then the subject of CEE is presented. The chapter concludes with some sources for further information including relevant organizations, journals, and workshops. The second chapter in the section is on the 50-year history of engineering distance education at Iowa State University. A timeline with notable events is presented along with the key people involved in the program. Section Two concerns instructional design and contains five chapters. The first is on the learning preferences of working engineers. It presents the results of a study on the learning strategy and verbal-visual preference of engineers working in the oil and gas industry. The results show that the engineers surveyed have statistically significantly different preferences compared to the general population. They prefer problem solving and are highly visually oriented. The second chapter shows how learning styles have been incorporated into a course on process heaters. The learning styles include print, aural, interactive, and visual. The use of multiple learning styles helps training content to match the preferences of most participants. The third chapter in the section provides guidelines for selecting multimedia for CEE. The primary takeaway is that engineers are highly visual so training content should be designed accordingly. Examples include drawings, photos, videos, animations, and virtual reality simulation. The fourth chapter provides recommendations for effective instructional practices for CEE. It discusses hybrid, converged, and hyflex delivery modes. The 60-year curriculum and the growing impacts of alternative credentials and virtual/augmented/extended reality are presented. It concludes with some work and learning models in effective instructional practices. The fifth chapter in the section presents the use of virtual reality (VR) and augmented reality (AR) in CEE. Brief histories of VR and AR are given. The human factors of information overload, verbal and non-verbal communications, sight, sound/auditory, gated response, and touch are discussed. Cognitive psychology subjects of sensory memory, iconic memory, echoic memory, split attention effect, automated behaviors, kinesthetics, chunking, and serial position effects are briefly described. VR/AR integration and extensibility show the power of contextualizing information for users. Section Three focuses on CEE delivery and administration. The first chapter in the section discusses the results of a survey of working engineers to determine their CEE practices and preferences. It includes results such as how many courses engineers take each year, what types of courses they take (technical; management; environment, health, and safety; legal; and other), what fraction of the course is mandatory including what fraction is required by the participant's organization and by outside organizations, the fraction of courses taken that are taken for credit, and how many courses are taken after normal working hours. It also presents data on what those same working engineers preferred regarding their CEE. The second chapter provides detailed information on how to conduct effective virtual (distance) training courses including the instructional design and delivery platforms. The third chapter in the section describes combustion CEE training designed for the oil and gas industry. While it is for a specific industry, the general principles apply universally. It also includes some case studies of classes conducted at clients' sites. The fourth chapter discusses the many types of potential CEE providers categorized by internal, external, and hybrid providers. Providers include the engineer's own organization, universities/community colleges, training organizations, vendors, professional societies, trade organizations, government, and consultants. It is recommended that organizations choose the combination of providers that makes the most sense for their particular situation which usually will include a combination of providers. The fifth and last chapter in the section describes how to build a sustainable administrative organization for delivering CEE. It provides cultural implications, organizational design models, the four-phase natural evolution of an organization delivering online CEE, a matrix organizational design model, the new professional working adult learner, and changing demographics. The fourth and last section concerns the future of CEE and includes three chapters. The first chapter describes a sustainable future through the 60-year curriculum model. It discusses the changing postsecondary landscape, the relevance of the model, adapting to the curriculum, the role of CEE in pioneering the 60-year curriculum, and mapping higher education's future in the context of the 60-year curriculum. The second chapter in the section discusses sustainability education and research in action (SERINA), developed by the International Association on Continuing Engineering Education (IACEE). The executive committee used the United Nations 17 Sustainable Development Goals (SDGs) as a benchmark tool to evaluate SERINA. The purpose of SERINA is to provide practical tools for engineers to help meet the SDGs. The final chapter of the section and of the book suggest some future research areas for CEE. They are broadly categorized under learning preferences, curriculum, VR and AR, and multimedia.

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Carmen Boullosa’s Cleopatra Dismounts tells three versions of the life of Cleopatra. In the first sequence, Marc Antony had just disemboweled himself, knowing they had lost the war against Octavian and believing that Cleopatra was dead. Hugging his corpse, Cleopatra castigates Octavian and history for its betrayal of her, recalling variously how she had herself delivered to Caesar in a roll of carpet, and bore his child (Caesarion); the twins and third child she bore to Marc Antony; the bitterness of the recent military defeat. At this point Diomedes, variously described as an informer and her official chronicler, intercedes, admitting that this version of the story is not true to the brilliant, accomplished woman who was the true Cleopatra really was. Telling of how he betrayed Cleopatra, by altering the histories of her reign and allowing Caesar and others to destroy or change her scrolls, he begins again with the story of Cleopatra’s flight from Pompey (the Roman leader who was placed in charge of Cleopatra and her brothers and sisters after Ptolemy Auletes, her father and ruler of Egypt, died). The girl queen (Cleopatra inherited the throne as a teenager) sneaks with several faithful servants out of the palace into a wagon, accompanied by a group of brightly costumed gladiators, on her way to Ascalon. She and her supporters carve the words “Queen of Kings” (Cleopatra’s motto in real history) into the boards of the wagon in which she is traveling, and leave it behind when they reach Rome. When they are beset by pirates, Cleopatra stages an elaborate show using some costumes the young gladiator Apollodorus, who has become part of her retinue, helped her buy. She convinces the pirates that she is Isis (a myth which was in reality part of her statecraft). She makes an alliance with them and is taken in peace to Cilicia. The third and longest version of the Cleopatra story is a delightful interlude in which Cleopatra goes live with the Amazons. Cleopatra is at war with the Ruling Council of her husband and brother Ptolemy (she was, historically, forced to marry her brother because she could not rule alone as a woman). The Ruling Council has sent an envoy to summon her to Alexandria to make peace, but when she realizes it is a trap, she flees with her retinue. She arrives in Pelusium, a trade center on the Mediterranean, where many merchants have been stranded by bad weather, and where, as if by magic, she sees a replica of the cart, carved with the words “Queen of Kings,” she left behind in Rome. Chased by the “reception committee” of the Ruling Council, she escapes on the back of a magical bull. He carries her across the Mediterranean to the land of the Amazons, who take her in. The Amazons welcome her into their society of women, eschewing marriage and traditional female roles to live as warriors and hunters. They sing her the stories of their joining the Amazons and of the many myths that surround them. She meets a group of aged poets, kidnapped by the Amazons to write verses for them, because they love poetry and music. She learns that one Amazon, Orthea, is in love with a god who has the power of extreme heat and cold, and who caused an earthquake that day. The Amazons go to bed, falling into each other’s arms and making love. Though initially disgusted, eventually Cleopatra falls asleep in the protective (and erotic) embrace of Hippolyta, the Amazons’ queen. The next day, the Amazons go to battle a group of rebellious male warriors who charge the Amazons and seek, ultimately, to follow the Sirens. Charging them on their horses, driving cattle at them, the Amazons battle the men. One of their prized poets, however, in an act of suicide, surrenders himself to the Sirens, who devour him before everyone. This breaks the spell and the men cease their clamoring to get to the Sirens. Cleopatra sees Orthea consummating her passion for the god, which kills her. The Cyrene male warriors, who withstood the Sirens’ onslaught in their fort by plugging the windows with rocks and mud, invite Cleopatra and the Amazons to their court to celebrate their successful protection of so many men. Hippolyta declines but sends Cleopatra with her blessing. Once there, she is joyfully reunited with the gladiator Apollodorus and her faithful maidservant and right hand Charmian. The Cyrenes offer to ally with her against her enemies in Ptolemy’s Ruling Council. The alliance between Cleopatra and Caesar (wherein she was smuggled to him rolled up in a carpet, and he assisted her in defeating her enemies in Egypt, part of history) is presaged. At the close of the piece, Cleopatra returns to bid goodbye to the Amazons. She finds them naked, covered in blood, having just sacrificed a horse. Hippolyta is holding the horse’s castrated penis. She repudiates her earlier alliance with the Amazons and returns to Cyrene alone, to her military campaign to become the queen history knows.

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A lavish account of pioneering polar photography and modern portraiture, "Face to Face: Polar Portraits" brings together in a single volume both rare, unpublished treasures from the historic collections of the Scott Polar Research Institute (SPRI), University of Cambridge, 'face to face' with cutting-edge modern imagery from expedition photographer Martin Hartley.This unique book by Huw Lewis-Jones is the first to examine the history and role of polar exploration photography, and showcases the very first polar photographs of 1845 through to images from the present day. It features the first portraits of explorers, some of the earliest photographs of the Inuit, the first polar photographs to appear in a book, and rare images never before published from many of the Heroic-Age Antarctic expeditions. Almost all the historic imagery - daguerreotypes, magic lantern slides, glass plate negatives and images from private albums - that have been rediscovered during research for this book have never been before the public eye.Set within a 'gallery' of 100 double page-spreads are 50 of the world's finest historic polar portraits from the SPRI collection alternated with 50 modern-day images by Martin Hartley, who has captured men and women of many nations, exploring, working, and living in the Polar Regions today. Each gallery spread, dedicated to a single individual, gives a sense of the isolation and intense personal experience each 'face' has had in living or travelling through the polar wilderness, whether they be one of the world's greatest explorers, or a humble cook.In addition to this remarkable collection is a foreword written by Sir Ranulph Fiennes; a fascinating exploration into 'photography then' - the history of photography and its role in shaping our vision of the polar hero by historian and curator of art at SPRI, Dr Huw Lewis-Jones; a discussion between Dr Lewis-Jones and Martin Hartley about 'photography now', focusing on the essential role that photography plays in modern polar adventuring; and an afterword entitled 'The Boundaries of Light' by the best-selling author Hugh Brody.Does an explorer need to appear frostbitten and adventurous to be seen as heroic, and do we need faces like these to imagine their achievement?Sir John Franklin is the first. The sun is high. He adjusts his cocked hat, bound with black silk, and gathers up his telescope. He shifts uncomfortably in his chair, positioned on the deck of the stout ship Erebus, as she wallows at her moorings in the London docks. It is 1845. The photographer, Richard Beard, urges the explorer to stay still for just a moment longer. He removes the lens cap, he waits, another minute, and then swiftly slots it back in place. The first polar photographic portrait is secured.Other senior officers of the exploration ships Erebus and Terror had their photographs taken that day, optimistic and ever hopeful. They appear to us now as if frozen in time. So too they followed Sir John Franklin as he led them in search of a navigable northwest passage, into the maze of islands and straits which forms the Canadian Arctic.'Mr Beard, at Franklin's request, supplied the expedition with a complete photographic apparatus, which was safely stowed aboard the well-stocked ship alongside other technological marvels: portable barrel-organs, tinned meat and soups, scientific equipment, the twenty-horse-power engines loaned from the Greenwich railway, and a library of over twelve hundred volumes. The camera now formed part of the kit thought essential to travel to the limits of the known world. Weighed down with stores, yet buoyant with Victorian confidence, the expedition sailed from the Thames on 19 May. The ships were last seen in late July, making their way northward in Baffin Bay, before vanishing without a trace - Huw Lewis-Jones,from the essay 'Photography Then' in "Face to Face".This title is available in both hardback and soft-cover. It features placement: photography, exploration, travel. It contains 288 pages in full-colour, including images that have never before been published. The South Pole was an awful place to be on 18 January 1912. Captain Scott and his four companions - Wilson, Bowers, Oates, and Evans - had just found that the Norwegian explorer Amundsen had beaten them to the prize one month earlier. The photograph that the men took that day speaks volumes for their achievement, of course, but there could be no truer record of their total disappointment. The men look absolutely broken; a photograph on top of everything else seems like a punishment. They are utterly devastated. A life's ambition has been snatched from their grasp. Now 800 miles from their base, they dragged themselves northward into the mouth of a raging blizzard. Their photographs and letters home, recovered with their bodies some time later, tell the sad tale of their sacrifice - Sir Ranulph Fiennes.

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Featuring the collection of the National Gallery of Art in Washington, DC, Belle is an enthralling adventure through three hundred years of art! Belle, a painted butterfly, has been quietly hovering over a beautiful white poppy in a seventeenth-century Dutch painting that has been her home for three hundred years. Suddenly and unexpectedly there is a sudden whoosh of air and she finds herself flying out of her picture into the void So begins the adventures of Belle, the red admiral butterfly in Jan Davidsz de Heem's Vase of Flowers. Accidentally dislodged, when her painting was being taken by museum staff to be examined by the Conservation Department, Belle and her sidekick Brimstone, a fellow butterfly who was ejected from the painting at the same time, must find their way back home. When their painting rolls into an elevator without them, their journey through the art museum begins. Because they are made of paint, they discover that they can blend into any of the other paintings in the museum, no matter what the subject or period. The characters travel through the museum galleries, morphing into and out of paintings by multiple artists and in many styles, while searching for their home painting. At the same time they must avoid becoming lunch for a painted bird in hot pursuit after being inadvertently released from another painting by an awkward bump from Brimstone! Belle and Brimstone tell their story as it happens with all the scary encounters and comic incidents that have them hiding out in unlikely places in the paintings they encounter. They dash and dart as the predatory bird flies after them, chasing them from room to room. Successful and safe in the end Brimstone is up for more adventures. Belle is not so sure! Maybe it will be safer if they stay put in their painting from now on. Can you find them? While the story is an adventure story written for young readers it will also enchant younger listeners. Featuring the collection of the National Gallery of Art, this tale is a fanciful romp through three hundred years of art history, inviting young people to delve into the world of art through the paintings of de Heem, Vermeer, Chardin, Goya, Rembrandt, Elisabeth Vigée-LeBrun, Mary Cassatt, Renoir, Monet, Tissot, Picasso, Derain, Marc, Matisse, Georgia O'keeffe, Rothko, Pollock, Lichtenstein and many others. As an added bonus Belle has taken the trouble to create Belle's Amazing, Astonishingly Magical Journal and illustrated it with her comments on each painting and ideas on where to hide when being chased! Let Belle and Brimstone be your guides and docents and mind out for that Bird! Mary Lee Corlett, an art historian and research associate at the National Gallery of Art in Washington, D.C., owes her love of art to her father, whose mechanical drawings and plans always seemed magical to her as a child, and to an inspired teacher who introduced her to the wonderful ideas and concepts that underlie all great art. As a child she drew and painted but later when, thinking she would like to teach art, she enrolled in college and attended studio art classes and studied education, she discovered that the art history classes were more exciting than her own studio work. Her first job after collecting her BA was as a teaching assistant in the Education department at the Cleveland Museum of Art, doing art projects in Mini-Masters classes of 4-5 year olds. She then moved to Washington and worked at the National Portrait Gallery before assuming her current position. She still draws and paints but her daughter has forsaken paint brush and easel for flute and music stand. They still visit the galleries together and walk through all the amazing, astonishing and magical rooms full of wonderful paintings and sculptures just to check that Belle and Brimstone are safe and sound! Phyllis Saroff is a professional artist who can't remember when she didn't draw pictures. Inspired in First Grade by an older girl drawing pictures for a story she had written Phyllis started to illustrate her own stories. Her father would bring home large stacks of used accordion-fold computer paper from his lab. It was printed on one side with his equations, and the other side was blank. The blank side was Phyllis' side. He let her leave her drawings all over the house, on the coffee table, the dining room table and the kitchen table. His daughter only had to get them out of the way to set the table for dinner. He thought each drawing was a masterpiece; each one greater than the last. He bought art supplies for every birthday and when she was eleven he bought her a small drafting table which she still uses in her studio. She now sells her paintings in galleries and illustrates books for a living and her 97 year-old father still thinks every one of her drawings is a masterpiece.

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***100% of Author Royalties are being donated to charity in keeping with the belief that WEconomy can indeed change the world by empowering families in developing communicates to lift themselves out of poverty with the small business training these book sales are providing. Track your individual impact on a global scale with the specific code on your book’s back cover at WE.org. Your guide to 'Business with Benefits'... for All! Purpose and profit are powerful human motivators. Combined, this power can change the world. WEconomy is your guidebook to the greatest evolution in business since the assembly line. Discover the secret to achieving purpose with profit in your career and company, all while driving positive impact. Do you crave more meaning in your job? This book is your roadmap. Are you seeking to inspire employees? CEOs are discovering that purpose is the key to increasing productivity and retaining top performers. If you’re in sales, unleash the power of purpose to inspire customers to be passionate brand ambassadors. If you are an aspiring social entrepreneur, learn how to massively scale your mission. Get paid to change the world — who wouldn't want to be the person doing that? Uncover the methods of megastars like Oprah Winfrey, Earvin "Magic" Johnson, and Sir Richard Branson, who make the world a better place through purposeful — and highly successful — business strategies. The stellar authorial team share in candid detail, the setbacks and achievements they experienced building successful enterprises and charities — with purpose. With the tips inside this book, you, your business, or your charity can: Find a cause that drives you and your career goals to new heights Create a job that you love and be celebrated by your peers, boss, and industry Inspire brand fanatics to stay loyal to you, your company, and your cause Add a halo to your product, grow your geographic reach, innovate for "the next big thing," engage Boomers to Gen Z, and much more! This is your blueprint for living by your personal values, achieving career success, and changing the world. Additional Praise for WEconomy: "WEconomy shows us, in surprising and engaging stories, how a yearning to succeed in career can also be a calling to contribute to the betterment of society. This is a playbook for those of us who are obsessed with a purposeful life at home and at work."—Satya Nadella, CEO of Microsoft "Full of inspiring examples and practical ideas, WEconomy is a must read for any in business – large or small – looking to harness among their colleagues the power of that most natural and potent of human instincts – a sense of purpose."—Paul Polman, CEO of Unilever "The WEconomy, is a blueprint for businesses wanting to achieve success while making the world a better place. Businesses that see the human, not just the customer - and see the whole person, not just a payroll number. Through engaging stories and personal experiences the authors show us that the WEconomy is happening now, and importantly, WE are all responsible for its success."— Sara Blakely, founder/owner of Spanx brand "The biggest growth market for companies today is to join in the cause of solving society's ills. WEconomy is a fresh and innovative guide for galvanizing all of us to action."—Tom Wilson, Chair of the U.S. Chamber of Commerce and CEO of Allstate "Is it possible to merge purpose with work? Yes! WEconomy inspires us to channel our diverse backgrounds, experiences, and talents into serving causes that really matter to us and our communities."—Lynne Doughtie, U.S. Chair and CEO of KPMG "WEconomy is an indispensable handbook for anyone who sees the need to improve the world, who wants to retain and engage employees — or simply has a mandate to drive profitability."— Jane Francisco, editor in chief, Good Housekeeping "As global citizens, it is important that we all decide how we can help build a better future for everyone who inhabits this planet. A planet we must come to realize we all share. In the WEconomy, Holly, Marc and Craig share, not only entertaining and insightful stories, but top tips on how, both personally and professionally, we can work together to achieve just that."—Scooter Braun, Entrepreneur and Founder of SB Projects "As people continue to look for meaningful ways they can uniquely contribute personally and professionally to this world, WEconomy illustrates ways we can all do good and do well."—Pete Carroll, Head Coach of the Seattle Seahawks, NFL Champions "Through fun, inspiring and revealing stories the authors, not only bring the WEconomy to life, but bring the reader along for the ride. As the most connected generation in history, never before has there been such an incredible opportunity to make the 'WE' a powerful movement for positive change."—Ed Sheeran, Grammy Award-winning singer / songwriter

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An Advanced Course in Fly Fishing The mission of The Little Red Book of Fly Fishing was to demystify and un-complicate the tricks and tips that make a great trout fisher. There are no complicated physics lessons in that book. Rather, The Little Red Book of Fly Fishing offered a simple, digestible primer on the basic elements of fly fishing: the cast, presentation, reading water, and selecting flies. In this, The Little Black Book of Fly Fishing, authors Kirk Deeter and Chris Hunt take you to the next level, building upon what Deeter and Charlie Meyers did in The Little Red Book. The Little Black Book will helps fly fishers build upon what they learned in the Little Red Book. Read this valuable, thought-provoking guidebook, and you'll be at the point where you'll be catching fish when no one else is, and you'll know exactly why you are. Advanced casting, presentation, reading the water, fly selection, and much more, including proper gear selection, are all covered. The table of contents, below, explains it all. The Little Black Book of Fly Fishing Acknowledgments Foreword Introduction Part 1: CASTING A double-haul is really important, and not just in the salt Teaching someone new? Start with Tenkara Everybody needs a casting lesson. Everybody. Casting longer leaders ‘Casting’ nymphs under indicators Get a practice rod How to cast a 15-foot leader (and why you should) Casting at taillights The cast killer Your casting stroke follow joints by size Challenge your cast Great casts are the ones that get bit Score your casts like golf strokes; fewer is better The sand-save cast A reach cast is worth a thousand mends Five feet short on purpose (the linear false cast) Be Lefty in the salt, and Rajeff in the fresh Give yourself a “D” Beating wind Don’t out-kick your coverage Part 2: PRESENTATION Fast strip for saltwater predators A swirl, not a rise Casting streamers upstream Carp: Not just for city kids Step out of your comfort zone What are the birds after? The potato chip fakeout Why natives matter But I still love brown trout best Micro-drag: where you stand matters You’ll never beat a fish into submission Take it to the lake Float tubes and garbage cans Food never attacks fish A case for the dry-fly snob Go Deep in the name of fish research Roll fish for fun They’re in skinny water for a reason The cafeteria line The escape hatch Part 3: READING WATER (AND FISH) The stripset Covering water Skate and twitch big flies in low light Rod tip down for streamers Weight an unweighted fly with fly-tying beads instead of split-shot Urban angling Get in shape. Stay in shape. Dry your fly first, apply floatant second Most fish (and some bugs) face upstream—present accordingly Head up, game over Step when you streamer Babysit your flies ID the “player” and get after it Gin clear water Flat calm water Developing “TSP” (trout sensory perception) A fish doesn’t see like humans do Walk on The 10 second rule Like a dog on a leash Tip up or tip down? The keys to spotting fish The full-court press usually fails Use the whole spice cabinet River personalities and handshakes What the cloud layers tell you Knowing what they are not doing is equally important as knowing what they are Upwelling v. the straight seam The speed of the strike is proportionate to the depth of the water (in rivers) See this, do that Part 4: FLIES UV resin in home-tied flies Nymphs on the swing Multi-purpose flies Sparse for saltwater UV parachute posts Tip the fly for tying parachute posts Caddis: the most dishonest fly ever Wire or tinsel for dry flies The “pellet fly” you can feel good about Practice, practice, practice Peacock herl … and why it works The mystery of the Purple Prince Nymph Profile is everything The Adams family Lethal mice The Mole Fly miracle Bob Behnke on colors Terrestrials are opportunity bugs The end of the duck Colors change with depth Un-matching the hatch The monkey poo fly Part 5: MISC. (Everything from gear, to fighting fish and angler ethics) Fly reels for trout are just line holders Fly reels matter for saltwater fish Faster rods aren’t always better You get what you pay for Pride cometh before the fall Sheet-metal screws Wire for predators Quick-dry attire for the flats ABC. Anything But Cotton Snip your tippet at an angle Rod weight depends on fly types The best loop knot… perfection 7X tippet is BS Colors and camo above the surface Guitars and fly rods Bucket list places Tiger snakes and long hemostats It’s a long way to the top if you wanna rock ‘n roll Score fishing like cricket It’s okay to fail I cheer for the fish

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When the University of Notre Dame announced that President Barack Obama would speak at its 2009 Commencement and would receive an honorary doctor of laws degree, the reaction was more than anyone expected. Students, faculty, alumni, and friends of Notre Dame denounced the honoring of Obama, who is the most relentlessly pro-abortion public official in the world. Beyond abortion, Obama has taken steps to withdraw from health-care professionals the right of conscientious objection. Among them are thousands of Notre Dame alumni who will be forced to choose between continuing their profession and participating in activities they view as immoral, including the execution of the unborn. And they will be forced to that choice by the politician upon whom their alma mater confers its highest honors. (Mary Ann Glendon, distinguished Harvard law professor and former ambassador to the Vatican, felt obliged to turn down the prestigious Laetare Medal because of this.) Notre Dame’s honoring of Obama is not merely a “Catholic” thing. Many thousands of citizens with no Catholic or Notre Dame connections have protested it. They see it as a capitulation of faith to expedience and the pursuit of vain prestige. Obama’s record and stated purposes are hostile to the most basic truths of faith and the natural law affirmed by the Catholic Church and by many others. Four decades ago, in 1967, the major “Catholic” universities declared their “autonomy” from the Catholic Church in the Land O’Lakes Declaration. The honoring of Obama reflects the replacement by those universities of the benign authority of the Church with the politically correct standards of the secular academic establishment and, especially, of the government. There is a lesson here for all Americans. Notre Dame fell into relativism and expediency because it rejected the Church as the authentic interpreter of the moral law. In this post-Christian era, American culture is following a similar path by reducing morality to the unguided consensus of individual choices. If no code of right and wrong has moral authority – not even the Ten Commandments – then society is ruled by the conflict of interests, and might makes right. The jurisprudence of such relativism is legal positivism in which no law can be criticized as unjust because no one can know what is “just.” What Happened to Notre Dame? by Charles E. Rice, with an Introduction by Alfred Freddoso – two of Notre Dame’s most distinguished scholars, who together have served the University for over 70 years – first recounts the details of Notre Dame’s honoring of President Obama. It then examines the succession of fall-back excuses offered by the Notre Dame President Rev. John I. Jenkins, c.s.c., and University publicists to justify Notre Dame’s defiance of the nation’s bishops and of Catholic teaching. But Rice is not content with mere reportage. What Happened to Notre Dame?diagnoses the problem’s roots by first providing an overview of the Land O’Lakes Declaration, its inception and its aftermath, including the ways in which its false autonomy from the Church has led to an erosion of the Catholic identity of Notre Dame and other Catholic universities. Then, it offers a cure. Christ, who is God, is the author of the divine law and the natural law. The book presents reasons why an acknowledged interpreter of these laws is necessary, and why that interpreter has to be the Pope exercising the Magisterium, or teaching authority of the Church. And it shows why it is so important that we have such a moral interpreter for all citizens and not just for Catholics. The alternative is what Pope Benedict XVI calls the “dictatorship of relativism,” which the book analyzes. Even for those who do not share the Catholic faith, our reason leads us to conclude that the natural law is the only moral code that makes entire sense and points to the conclusion that the Vicar of Christ is uniquely suited to give authoritative interpretation to that law. In the final chapter Rice shows why great good can come out of Notre Dame’s blunder in rendering its highest honors to such an implacable foe. Notre Dame got itself into such a mess because it attempted to be Catholic without the Church and ended up defying the Church and disgracing itself. But good can result from the lesson here that roll-your-own morality is no more tenable than roll-your-own Catholicism. * * * * * Rice shows why what happened to Notre Dame is symptomatic of what’s happening in other Catholic colleges, indeed colleges with non-Catholic religious affiliations. He shows how the abandonment of principle at the college level spills over to the general culture, with devastating effect, as religious standards get pushed out of the public square. And, finally, he shows why people who have never seen the Golden Dome, never rooted for the Fighting Irish, and never graced a Catholic Church, also have a stake in what happened to Notre Dame.

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"A must-read for anyone interested in social justice and inequalities, social movements, the criminal justice system, and African American history. An excellent companion to Michelle Alexander's The New Jim Crow and Ava DuVernay's documentary 13th."—Library Journal, Starred review "I was fortunate to grow up in a community in which it was apparent that our lives mattered. This memory is the antidote to the despair that seizes one of my generation when we hear the words 'Black Lives Matter.' We want to shout: Of course they do! To you, especially. In this brilliant, painful, factual and useful book, we see to whom our lives have not mattered: the profit driven Euro-Americans who enslaved and worked our ancestors to death within a few years, then murdered them and bought replacements. Many of these ancestors are buried beneath Wall Street. Mumia Abu-Jamal's painstaking courage, truth-telling, and disinterest in avoiding the reality of American racial life is, as always, honorable."—Alice Walker "Prophet, critic, historian, witness . . . Mumia Abu-Jamal is one of the most insightful and consequential intellectuals of our era. These razor sharp reflections on racialized state violence in America are the fire and the memory our movements need right now."—Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination "Mumia Abu Jamal's clarion call for justice and defiance of state oppression has never dimmed, despite his decades of being shackled and caged. He is one of our nation's most valiant revolutionaries and courageous intellectuals."—Chris Hedges, Pulitzer-prize winning journalist and author of Wages of Rebellion: The Moral Imperative of Revolt "This collection of short meditations, written from a prison cell, captures the past two decades of police violence that gave rise to Black Lives Matter while digging deeply into the history of the United States. This is the book we need right now to find our bearings in the chaos." —Roxanne Dunbar-Ortiz, author of An Indigenous Peoples' History of the United States In December 1981, Mumia Abu-Jamal was shot and beaten into unconsciousness by Philadelphia police. He awoke to find himself shackled to a hospital bed, accused of killing a cop. He was convicted and sentenced to death in a trial that Amnesty International has denounced as failing to meet the minimum standards of judicial fairness. In Have Black Lives Ever Mattered?, Mumia gives voice to the many people of color who have fallen to police bullets or racist abuse, and offers the post-Ferguson generation advice on how to address police abuse in the United States. This collection of his radio commentaries on the topic features an in-depth essay written especially for this book to examine the history of policing in America, with its origins in the white slave patrols of the antebellum South and an explicit mission to terrorize the country's black population. Applying a personal, historical, and political lens, Mumia provides a righteously angry and calmly principled radical black perspective on how racist violence is tearing our country apart and what must be done to turn things around. Mumia Abu-Jamal is author of many books, including Death Blossoms, Live from Death Row, All Things Censored, Writing on the Wall, and Jailhouse Lawyers. "[Mumia's] writings are a wake-up call. He is a voice from our prophetic tradition, speaking to us here, now, lovingly, urgently."—Cornel West "He allows us to reflect upon the fact that transformational possibilities often emerge where we least expect them."—Angela Y. Davis "These writings date from the late 1990s and often show prescience on the part of the author, who was writing well before the Black Lives Matter movement that 'when the system kills Blacks, there is no outrage, for it has been normalized by centuries of white enslavement, terrorism, and injustice. Such violence is simply the accepted way of how things are.' Also included is a series of articles on the killing of Trayvon Martin, accurately anticipating the acquittal of the white man who shot him, and another series on Ferguson and its aftermath—how 'Ferguson may prove a wake-up call that Black lives matter. A call for youth to build social, radical, revolutionary movements for change.' The last piece is the longest, a pamphlet on how to build such a movement with a historical perspective on why this is necessary."—Kirkus Reviews "While the author does reflect on the widely reported cases of police violence against African Americans, as well as on the role of the media in determining what gets attention, the strength of the book rests in the essays that draw attention to lesser-known victims of police violence, particularly women of color whose stories never reached the mainstream media. Over the course of nearly four decades in prison, Abu-Jamal . . . has become an astute student of the justice system as well as a particularly cogent opponent of the death penalty.”—Publishers Weekly

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We all daydream. We've all experienced that moment when we suddenly realise that instead of paying attention in a meeting or reading a book, our mind has wandered. In that moment, our conscious mind has detached from the current task at hand and has drifted elsewhere. But what if we could harness that power to increase creativity and focus our thoughts?Our attention is a powerful lens which allows us to pick out and filter relevant details from the vast amounts of information our brains receive - so how does our brain decide where to go when it wanders, and why does it focus on one thing over another? How important is daydreaming and why do we do it?Traditionally daydreaming was considered to be a single state of mind. However, recent research has shown that not only are there different states of daydreaming, but these states are actually governed by different neurological pathways, meaning not all mind-wandering is the same!Here, Arnaud Delorme PhD examines the science and theory behind why we daydream, examining its potential purpose. He shows you how to tame your 'monkey mind' and offers easy techniques that will enable you to develop the skill of mind wandering to improve your mood and foster greater creativity."Dr. Arnaud Delorme delves deep into the mysteries of daydreaming in his latest book. Unveiling the diverse neurological pathways of mind wandering, he offers a compelling exploration of how our thoughts are formed and how they shape our perception of the world, integrating scientific rigor with the wisdom of ancient meditation practices."- Deepak Chopra, founder of the Chopra Foundation and Chopra Global, clinical professor at the University of California, Honorary Fellow in Medicine at the Royal College of Physicians and Surgeons, and author of over 90 books, including numerous New York Times bestsellers. "We all daydream. You are likely doing it right now as you read this endorsement, but Delorme is on a mission to show the world that far from being a waste of time, mind-wandering can become the very best use of your time. If you have ever been curious about how your mind works, and how to make your thoughts work for you rather than against you, this book is seminal - destined to become a science meets spirit classic read."- Theresa Cheung, Sunday Times Top-10 bestselling dreams and spiritual author, host of White Shores podcast."Dr. Arnaud Delorme's book deconstructs the ubiquitous phenomenon of mind wandering and even explores the fundamental nature of thoughts themselves. It is essential to us all - for the management of everyday living and overall well-being. The book's synthesis of science and practical exercises is nothing short of profound."­- Mark Gober, award-winning author of An End to Upside Down Thinking and board member at the Institute of Noetic Sciences"Delorme skilfully merges what is known about mind-wandering from cognitive psychology and the neurosciences, but this book is not just a dry scientific treatise . . . Highly recommended for those seeking to tame, or at least to understand, the ever-wandering mind."- Dean Radin PhD, Chief Scientist at the Institute of Noetic Sciences and author of Real Magic and other books"Join Dr. Arnaud Delorme on a fascinating journey into the human mind. His book not only uncovers the complex science behind daydreaming but also harmonizes it with timeless meditation teachings. This rare blend provides profound insights into taming and harnessing our thoughts to reshape our reality."- Thomas Brothy, Ph.D., president of California Institute for Human Science and author"With the perspective and tools that this book provides, readers will be equipped to both effectively manage their mind wandering and to discover for themselves the potential unique ways in which they flow down the stream of consciousness."- Jonathan Schooler, PhD, Distinguished Professor UC Santa Barbara"A groundbreaking work! Dr. Delorme skilfully guides us through the labyrinth of our own minds. His practical techniques for harnessing your mind are invaluable for anyone looking to enhance focus, mood, and creativity. This book is a rare blend of scientific depth and accessible wisdom."- Prof. Steven Laureys, neurologist, keynote speaker and author of The No-Nonsense Meditation Book"In this engaging and highly accessible book, Delorme offers a refreshingly balanced approach to competing theories about why our minds wander, even when we try valiantly to focus our attention. While the book is a feast for our intellect, the dessert comes when Delorme offers simple practices to help us think clearly and effectively. At a time when we are living with weapons of mass distraction that can easily throw us off course, Delorme gives us effective tools to find clarity and focus."- Marilyn Schlitz, Ph.D., author of Living Deeply: The Art and Science of Transformation in Everyday Life

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This book describes a system of meaning management, the first-ever systematic approach to successful brand meaning. 'This book illuminates the most ancient grooves in our mental architecture, which Carol Jung described as "archetypes", and shows how they can be employed to bring meaning and profit to a brand. There is a nascent power here, which, if understood correctly, can bring a rare vitality to a brand or a corporation' - From the Foreward by Alex Kroll former Creative Director, CEO and Chairman of Young & Rubicam. Some brands are so extraordinary that they become larger-than-life, symbolic of entire cultures, and used and admired by consumers the world over. But in spite of all the books and banter about branding, few companies come even close to developing iconic identities for their brands. New Internet brands are being born every minute, with lots of flash and fanfare, but often with no real human connection to make them truly relevant.At the same time, mature brands are diluting their identities in an attempt to respond to shifting trends, while other others attempt to graft meaning onto products in artificial and ineffectual ways. As a result, millions of advertising and promotional dollars are being squandered. Understanding and leveraging archetypal meanings - that is, finding the soul of your brand and then expressing it in ways that tap into universal feelings and instincts - are key prerequisites to effective marketing in today's intensely competitive and complex environment. Archetypes - which can be found in reoccurring patterns in art, literature, myth and fables - show us the way. Carol Pearson and Margaret reveal that when these deep psychic imprints are understood and employed, brands not only gain meaning, but companies can also gain market share and increase shareholder value. Yet, until now, no system has been available to help guide the management of archetypal meaning.Best-selling author Carol Pearson has spent 30 years developing systematic psychological frameworks and applying and field-testing them in business and educational settings. Margaret Mark is the strategist behind many of today's most enduring and successful brands, from AT&T and Kraft Foods to General Motors and Madison Square Garden. Together, Mark and Pearson have created the first systematic methodology for leveraging archetypal meanings to build successful brands. In an easily accessible way, "The Hero and the Outlaw" offers a clearly structured system that all business and marketing professionals can follow and replicate.After presenting the compelling concept of archetypal meaning, the authors demonstrate specific methods for implementing this concept into real-world setting, including: how to understand the deep meaning of your product category and "claim" it for your brand, how to assess the competitive landscape from an archetypal perspective, how to connect with customers more deeply, and how to tell your brand's story in a way that echoes the most enduring and beloved story patterns, the world over. Readers will learn how to strip away surface information to discover the deeper core meanings that can make a product, service, or organization a winning brand.Illuminating the untapped potential underlying every stage of the marketing mix, the authors also show how the brand story begins with the product itself, and can be communicated not only in the advertising, but also in event marketing, public relations, organizational culture/policies, and philanthropic efforts. Such efforts flow naturally when a company knows its core values and lives the great story of the archetype that embodies them. The books' fascinating culmination puts it all together with an illumination of how the deep meaning of a product category, itself can inspire a unique and compelling brand identity. This final chapter also shows how products can be effectively marketed in ways that reinforce positive potentials within customers and the society as a whole - and generally, do no harm.A first in business literature, "The Hero and The Outlaw" offers both a fascinating examination of those few extraordinary brands that have already achieved archetypal status, as well as a sound and proven methodology readers can use to achieve their own iconic brand identity - an identity that will withstand the test of time, cross lifestyle and cultural boundaries, and translate into exceptional success. 'For those wise enough to use this system, the outcome will be consistently more powerful brands and higher ROI. I have seen it applied, and it works every time' - Peter Georgescu, Chairman Emeritus, Young & Rubicam.'Mark and Pearson are true humanists. They apply their understanding of common psychic experiences in the unlikely arena of advertising, and then expertly guide marketers to manage their brands' meaning to maximize their commercial effectiveness without causing negative social effects' - Ruth Wooden, President of the National Parenting Association and former ten year President of the Advertising Council.'This provocative and insightful book could and should revolutionize the world of marketing' - Margaret Wheatley, best-selling author, "Leadership and the New Science" and co-author, "A Simpler Way". 'What a great concept! Anyone with a genuine interest in marketing and branding will find this provocative and enlightening book extremely valuable' - Bob Wehling, Global Marketing Officer, Proctor & Gamble. '"The Hero and the Outlaw" will soon become the guiding light, the port in the storm, that will make our meandering and lengthy creative journey light years faster. I only wish it had been written years earlier' - Linda Kaplan Thaler, President and CEO, The Kaplan Thaler Group. 'It reads with the fascination of fiction, and it provides a last remaining hope for managing any meaningful brand differentiation in the marketplace today' - Arlene Brickner, Vice President Creative Services and Public Relations, Coach.

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The Great Extermination has begun.In the Capitol, Grand Inquisitor Omand Vokkan hatches a plot to kill every member of the untouchable caste in all of Lok, down to the last man, woman, and child. As a member of the Order of Inquisition, Vokkan has no official say in the creation of Law, but he has powerful allies willing to do his bidding. Through them, he has convinced the Judges that the genocide will be swift, complete, and without complication. Nothing is farther from the truth.Lord Protector Devedas has sworn to uphold the Law. Once, he and the traitor Ashok Vadal had been like brothers. Now, he hunts Vadal and the Sons of the Black Sword, heretics and rebels who seek to live outside the rule of the Law. All Devedas must do is find and kill his best friend and order will be restored to Lok.The rebels seek the secret kingdom spoken of by the Prophet Thera, a paradise where water is pure and food plentiful, where there are no castes, where the people rule themselves, and are not slaves to the Capitol. Ashok Vadal is not sure he believes in such a Paradise, but he—along with his allies—do seek refuge in the rebellion’s hideout in Akershan. But Vadal, a former High Protector who has turned his back on the corrupt Law, will not merely wait meekly, hoping that fleeing to Akershan will spare the rebellion from the clutches of the Great Extermination. No, if it’s a war the Capitol wants, Vadal, who has faced down gods and demons, will be all too willing to give it to them.About House of Assassins:“Correia piles on the intrigue, action, and cliffhangers in the invigorating second Saga of the Forgotten Warrior epic fantasy. . . . Correia also weaves in elements that question the value of belief and the cost of giving authority to those who find more profit in preying on the weak. . . . Brisk fight scenes, lively characters, and plenty of black humor continue to make this series a real pleasure.”—Publishers WeeklyAbout prequel Son of the Black Sword:"This book has everything I like in fantasy: intense action scenes, evil in horrifying array, good struggling against the darkness, and most of all people—gorgeously flawed human beings faced with horrible moral choices that force them to question and change and grow."—Jim Butcher, creator of the New York Times best-selling Dresden Files"Best-selling fantasy author Correia casts a compelling spell with this India-influenced series opener. . . . Correia skillfully sets in motion this story of plots within plots, revealing complex, sympathetic characters and black-hearted villains with equal detail and insight. Full of action, intrigue, and wry humor, this exciting series launch promises many more thrills to come."—Publishers Weekly (starred review)"Fans who like Correia’s fast-moving style will be pleased with the plethora of action scenes, and epic fantasy readers interested in delving into a new universe should be equally satisfied. A solid choice for admirers of Brent Weeks and Brandon Sanderson’s Mistborn series."—Library Journal"Correia is, above all, a storyteller, and he weaves a unique and entertaining tale. Without question, his action sequences pop on the page, his magic system has a nice wrinkle, and he has the foundations laid out for some excellent character growth as the series continues. . . . [A] definite hit."—Bookreporter"The lore here is fascinating and well told. I enjoyed learning the history of the world and the legend of Ramrowan. The politics are just complicated enough to feel real without being too difficult to follow. Where the book truly shines, however, is in the characters. All are well drawn and distinctively voiced."—SFCrowsnest“I loved the book, it was great, fast paced, with wonderful characters, and also a lot of wonderful scenes that screamed to be painted.”—Larry Elmore, legendary, award-winning artist, and cover artist for Son of the Black Sword."Son of the Black Sword: Saga of the Forgotten Warrior tells of what happens after the war with the gods, when demons were cast out and fell to the world to nearly destroy these unstoppable beasts until the gods sent a hero to save them. Centuries have passed since this event and the people have regulated these events to legend. One Ashok has been chosen to be a protector with a powerful weapon in hand, uncovering those who still practice old ways and are potential dangers to the order - but when he discovers all his efforts have been based on a lie, everything's about to change. A powerful epic fantasy evolves into a solid, compelling read."—Midwest Book ReviewAbout the Urban Fantasy of Larry Correia:“[A] no-holds-barred all-out page turner that is part science fiction, part horror, and an absolute blast to read.”—Bookreporter.com“A gun person who likes science fiction—or, heck, anyone who likes science fiction—will enjoy [these books]. . . The plotting is excellent, and Correia makes you care about the characters...I read both books without putting them down except for work . . . so whaddaya waitin’ for? Go and buy some . . . for yourself and for stocking stuffers.”—Massad Ayoob“This lighthearted, testosterone-soaked sequel to 2009's Monster Hunter International will delight fans of action horror with elaborate weaponry, hand-to-hand combat, disgusting monsters, and an endless stream of blood and body parts.”—Publishers Weekly on Monster Hunter Vendetta

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THE #1 NEW YORK TIMES BESTSELLERA Times, Sunday Times and Telegraph Book of the Year______________________________________________'A triumph ... a masterclass in the bottling of its subject’s seductive essence. His presence in this book is so strong that it’s hard to believe he has really left the building'MOJO'Handsomely presented, visually sumptuous'THE TIMES______________________________________________From Prince himself comes the brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death. Prince was a musical genius, one of the most talented, beloved, accomplished, popular, and acclaimed musicians in pop history. But he wasn't only a musician—he was also a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of his early records to the mythical landscape of Purple Rain to the psychedelia of Paisley Park. But his greatest creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, the greatest pop star of his era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is composed of the memoir he was writing before his tragic death, pages that brings us into Prince's childhood world through his own lyrical prose. The second part takes us into Prince's early years as a musician, before his first album released, through a scrapbook of Prince's writing and photos. The third section shows us Prince's evolution through candid images that take us up to the cusp of his greatest achievement, which we see in the book's fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince's self-creation, as he retells the autobiography we've seen in the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his short but profound collaboration with Prince in his final days—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to each of the book’s images. This work is not just a tribute to Prince, but an original and energizing literary work, full of Prince’s ideas and vision, his voice and image, his undying gift to the world.______________________________________________‘Prince’s voice comes through loud and clear; his personality, joie de vivre and single-mindedness jumping off the page throughout.’CLASSIC POP MAGAZINE'The Beautiful Ones is for everyone. It's not a read, but an experience, an immersion inside the mind of a musical genius. You are steeped in Prince's images, his words, his essence… The book can be a starting point for a Prince fascination, or a continuation of long-standing admiration. Either way, it will deepen the connection of any reader with the musical icon.”USA TODAY ‘The Beautiful Ones remains a jewel-like fragment, Piepenbring’s sensitive introduction providing a snapshot of the Purple One’s last months at Paisley Park and during the Piano and Microphone tour’ Q MAGAZINE 'An affirmation of Prince’s Blackness and humanity… Prince writes about his childhood with clarity and poetic flair, effortlessly combining humorous anecdotes with deep self-reflection and musical analysis… Prince is one of us — he just worked to manifest dreams that took him from the North Side of Minneapolis to the Super Bowl.'HUFFPOST‘A compelling curiosity that finds its author orbiting around a few touchingly intimate encounters with his sphinx-like subject … with passages, lyric sheets and photographs from the Purple One himself’TELEGRAPH, Books of the Year 'A memoir that is written by Prince, literally. Handwritten pages he had shared with Piepenbring make up Part 1, taking us from his first memory — his mother's eyes — through the early days of his career... The Beautiful Ones doesn't paint a perfect picture. It's not definitive. It can't be, it shouldn't be and, thankfully, it doesn't try to be. We'll never know what it might have been if Prince had lived. But it's a good start. Now, it's up to us to take what's there and make something out of it for ourselves, creating, just as Prince wanted.'NPR 'Both a pleasure and a surprise ... Prince took the project very seriously, and it shows in the work he delivered. ... It shines an intimate and revealing light on the least-known period of his life'VARIETY‘The Beautiful Ones is a book in pieces, fragments of the ground-breaking autobiography Prince had planned. Pieced together after his death in 2016, it collects his handwritten childhood memoires, superb personal photographs and his chosen co-writer Dan Piepenbring’s vivid account of their brief collaboration. Yet remarkably despite the central absence, it still catches something of Prince between the gaps - a trace of perfume, a glance to camera, a first kiss’ SUNDAY TIMES, Book of the Year‘This is a beautiful book and a must-have for Prince completists’DAILY EXPRESS ‘A ghostly memoir of a pop legend’THE i

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'Unique and stunning. One of the most powerful novels you'll read this year'Stephen Booth on The FatherIn the second part of the highly acclaimed and internationally bestselling series Made in Sweden, one brother fictionalises the real crimes of his own family for a remarkable and epic novel.After six years in prison, Sweden's most notorious criminal Leo Dûvnjac is free, acquitted of all but two of the ten bank robberies he and his two younger brothers pulled off.While behind bars, he befriended Sam Larsen, who was convicted of murdering his own father - and also happens to be the brother of the cop who caught Leo, Detective John Broncks.With Sam at his side, Leo seeks out his now-law-abiding brothers for one last job and a chance at redemption - or revenge. But Bronks is on to him, and Leo's father has other plans for his sons . . .Now two sets of brothers will play out the tragic and thrilling destinies of childhoods built on heartbreaking betrayal.Praise for The Father and The Sons'A powerful real-life story'Guardian'The emotional centre of the story is truly compelling . . . the sweep and scope are epic'Herald'Superior. . . builds to a breathless climax'Sun'A deep, clean cut into the body of fathers, sons, loyalty and family'Sainsburys Magazine'Will delight fans of Nordic Noir'Crime Fiction Lover'Mind boggling and captivating'The Crime Warp'An incredible story'Crime Time'Incredibly efficient and easy to read . . . gripping and thrilling'Helsingborgs Dagblad, Sweden'An unbelievably exciting and authentic story. . . One of the year's best crime stories'Östran, Sweden'An insider story that beats any action film'Aftonbladet, Sweden'A remarkable blend of fact and fiction'Skånska Dagbladet, Sweden'Many of the scenes stick with you'Expressen, Sweden'A powerful and riveting reading experience'Deckarbloggen, Sweden'One of the summer's best thrillers'Café, Sweden'The action in The Father is captivating. It holds us in suspense from the first page to the last'LitteraturMagazinet, Sweden'I have a soft spot not only for suspense novels, but also for coming-of-age stories; here, I get both!'Bokbabbel, Sweden'The craftsmanship in this novel is first-class. It is both exciting and dramatic in an almost cinematic way'Gefle Dagblad, Sweden'It is hard to put The Father down for more than the briefest moment. It is an empathetic story that vividly portrays perpetrators, victims and police'Upsala Nya Tidning, Sweden'It is captivating to read about the inner workings of a gang of robbers'Borås Tidning, Sweden'A very clever suspense novel, a classic story of crime and punishment that is simultaneously a gripping family drama with a genuinely painful element'BTJ, Sweden'The Father is more than a traditional suspense novel. It is also a story of exclusion, a fractured family, an unfamiliar Sweden and a kind of honour culture. This is why it is so totally relevant to us'Mariestads-Tidningen, Sweden'The Father isn't just exciting - it also gives a sincere picture of a home that is a far cry from that of your average Joe'Ölandsbladet, Sweden'A thrilling novel that becomes something much more than a book you can't put down'Tara, Sweden'A flawlessly constructed thriller'Femina, Sweden'The Father is thoroughly exciting from the first line to the last. Seductively well-written'Kristianstadsbladet, Sweden'A gripping coming-of-age story, flush with exciting scenes and the psychological battle between father and son'Falu-Kuriren, Sweden'The Father is a novel where we know already from the beginning how it will all end, but the way there is worth our while'Aftonbladet, Sweden'A book that seems infallible: bring on the cartloads of stars, the stellar reviews and the millions of readers'de Volkskrant, Netherlands'The Father is a book that will elicit a lot of response, a must-read for every crime lover. Actually, a must for anyone who likes to read'Hebban, The Netherlands'An incredible crime novel'Brabants Dagblad, Netherlands'The meticulous preparation and execution of the robberies are depicted stunningly' NRC Handelsblad, Netherlands'It is amazing how much tension the authors create while merely describing the preparations for the robberies. Even more exciting are the robberies themselves'VN Thriller & Detective Guide, Netherlands'Never before have I read a book that so successfully explains how people can end up as criminals'Het Nieuwsblad, Netherlands'The Father provides an intriguing insight in the criminal life'De Telegraaf, Netherlands'The Father is a technically wonderful novel crafted with breathtaking cleverness' Corriere della Sera, Italy'Totally crazy, totally reckless and totally brilliant: a well-researched fictional reality of a book ... the best crime thriller of the year so far'Nordjyske Stiftstidende, Denmark'The structure is strictly cinematic: well-formed scenes with sharp dialogue and seamless progress, making reading a pleasure. Once you've started reading, it's hard to put the book down'Politiken, Denmark'It's extremely well written, thrilling, gripping, gruesome, cheerful, anguished, heartwarming, and ice cold - spectacular in all ways. The Father is a world-class piece of fiction'Fredericia Dagblad, Denmark'[An] action-packed page turner - not for the faint of heart'Elle, Germany

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The Great Extermination has begun. In the Capitol, Grand Inquisitor Omand Vokkan hatches a plot to kill every member of the untouchable caste in all of Lok, down to the last man, woman, and child. As a member of the Order of Inquisition, Vokkan has no official say in the creation of Law, but he has powerful allies willing to do his bidding. Through them, he has convinced the Judges that the genocide will be swift, complete, and without complication. Nothing is further from the truth. Lord Protector Devedas has sworn to uphold the Law. Once, he and the traitor Ashok Vadal had been like brothers. Now, he hunts Vadal and the Sons of the Black Sword, heretics and rebels who seek to live outside the rule of the Law. All Devedas must do is find and kill his best friend and order will be restored to Lok. The rebels seek the secret kingdom spoken of by the Prophet Thera, a paradise where water is pure and food plentiful, where there are no castes, where the people rule themselves, and are not slaves to the Capitol. Ashok Vadal is not sure he believes in such a paradise, but he—along with his allies—do seek refuge in the rebellion’s hideout in Akershan. But Vadal, a former High Protector who has turned his back on the corrupt Law, will not merely wait meekly, hoping that fleeing to Akershan will spare the rebellion from the clutches of the Great Extermination. No, if it’s a war the Capitol wants, Vadal, who has faced down gods and demons, will be all too willing to give it to them. About Destroyer of Worlds: “The inevitable fight scenes are just as epic as fans expect. Packed with action, grit, and Ashok’s own grim sarcasm, Correia’s latest is sure to satisfy.”—Publishers Weekly About House of Assassins: “Correia piles on the intrigue, action, and cliffhangers in the invigorating second Saga of the Forgotten Warrior epic fantasy. . . . Correia also weaves in elements that question the value of belief and the cost of giving authority to those who find more profit in preying on the weak. . . . Brisk fight scenes, lively characters, and plenty of black humor continue to make this series a real pleasure.”—Publishers Weekly About prequel Son of the Black Sword: “This book has everything I like in fantasy: intense action scenes, evil in horrifying array, good struggling against the darkness, and most of all people—gorgeously flawed human beings faced with horrible moral choices that force them to question and change and grow.”—Jim Butcher, creator of the New York Times best-selling Dresden Files “Best-selling fantasy author Correia casts a compelling spell with this India-influenced series opener. . . . Correia skillfully sets in motion this story of plots within plots, revealing complex, sympathetic characters and black-hearted villains with equal detail and insight. Full of action, intrigue, and wry humor, this exciting series launch promises many more thrills to come.”—Publishers Weekly (starred review) “Fans who like Correia’s fast-moving style will be pleased with the plethora of action scenes, and epic fantasy readers interested in delving into a new universe should be equally satisfied. A solid choice for admirers of Brent Weeks and Brandon Sanderson’s Mistborn series.”—Library Journal “Correia is, above all, a storyteller, and he weaves a unique and entertaining tale. Without question, his action sequences pop on the page, his magic system has a nice wrinkle, and he has the foundations laid out for some excellent character growth as the series continues. . . . [A] definite hit.”—Bookreporter “The lore here is fascinating and well told. I enjoyed learning the history of the world and the legend of Ramrowan. The politics are just complicated enough to feel real without being too difficult to follow. Where the book truly shines, however, is in the characters. All are well drawn and distinctively voiced.”—SFCrowsnest “I loved the book, it was great, fast paced, with wonderful characters, and also a lot of wonderful scenes that screamed to be painted.”—Larry Elmore, legendary, award-winning artist, and cover artist for Son of the Black Sword. “Son of the Black Sword: Saga of the Forgotten Warrior tells of what happens after the war with the gods, when demons were cast out and fell to the world to nearly destroy these unstoppable beasts until the gods sent a hero to save them. Centuries have passed since this event and the people have regulated these events to legend. One Ashok has been chosen to be a protector with a powerful weapon in hand, uncovering those who still practice old ways and are potential dangers to the order—but when he discovers all his efforts have been based on a lie, everything's about to change. A powerful epic fantasy evolves into a solid, compelling read.”—Midwest Book Review About the Urban Fantasy of Larry Correia: “[A] no-holds-barred all-out page turner that is part science fiction, part horror, and an absolute blast to read.”—Bookreporter.com “A gun person who likes science fiction—or, heck, anyone who likes science fiction—will enjoy [these books]. . . The plotting is excellent, and Correia makes you care about the characters…I read both books without putting them down except for work . . . so whaddaya waitin’ for? Go and buy some . . . for yourself and for stocking stuffers.”—Massad Ayoob “This lighthearted, testosterone-soaked sequel to 2009's Monster Hunter International will delight fans of action horror with elaborate weaponry, hand-to-hand combat, disgusting monsters, and an endless stream of blood and body parts.”—Publishers Weekly on Monster Hunter Vendetta

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'She lifted the flap of the envelope and pulled out the single white page. As she opened it up she stared, open mouthed. Four words were typed on the page. I am watching you.' When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and don't arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.The case is given to Detective Lottie Parker, when the girls' blood-soaked bodies are found, days later, in a derelict squat. Chillingly, both girls are clutching silver coins in their hands - what message is this killer leaving behind? All the signs point to Conor but his alibi is water tight.As Lottie examines Penny and Amy's final days alive in a desperate search for clues, two more girls are found stabbed to death in a luxury apartment complex. Caught up in what is fast becoming her toughest case yet, Lottie is unaware that somebody is watching her every move.Then Lottie's two daughters, Katie and Chloe suddenly disappear from the town centre. Terrified that the killer has her girls, the stakes have never been higher for Lottie. But as Lottie puts everything on the line to find her daughters and solve the case, she's about to find herself in terrible danger - someone has a personal axe to grind with her and they know the best way to get to her is to hurt the ones she loves the most.If you love Karin Slaughter, Robert Dugoni and Rachel Abbott, you'll be hooked by this heart-stopping thriller from Patricia Gibney. Final Betrayal will keep you guessing until the very last page. Readers are loving Final Betrayal:'Another absolutely riveting, gut gripping and unputdownable book from Patricia Gibney!! Had this read in record time!! From start to finish it was brilliant!! Literally can't wait for the next one and the outcome for Lottie and Boyd!!!!' Goodreads reviewer, 5 stars'YES . . . I just love this series! . . . With Leo Belfield back in Ragmullin . . . you know things are not going to end well!!! . . . I absolutely loved this book, I love this series, I can never say a bad word against them, they reel you in and grip you from the get-go, its like a rollercoaster which so much going on and twists and turns, your neck will be sore, is it too early to ask when the next one is ready????' Goodreads reviewer, 5 stars'The Lottie Parker series just gets better and better with each book released and Final Betrayal was just another amazing and gripping read. The town of Ragmullin is one of my favourite settings and I love how vividly Patricia Gibney brings it to life . . . What I love about Patricia Gibney is her talent at writing brilliantly twisted mysteries . . . It's an expertly and intricately-woven plot that completely had me consumed as I read, it was one of those books I was constantly thinking about when I wasn't reading it . . . It really was a fantastic read from start to finish. Roll on book seven.' Goodreads reviewer, 5 stars'I adore Lottie Parker . . . Go pick up the latest release by this fabulous author. Patricia Gibney is the best!!!!' Goodreads Reviewer, 5 stars'Well I am now a fan of Lottie Parker!! This is my first book in the series but I am off to buy the rest ! Final Betrayal is a page turning, twists and turns book. So many dead bodies. I can tell you that if I am missing or in trouble , it's Lottie Parker and her team of detectives I want on my side . . . Can't wait to read more of Lottie's exploits!' Goodreads Reviewer, 5 stars'A dark and gripping read...There are so many heart stopping moments that had me hold my breath. I was carried along by the authors writing, making assumptions along the way. Lets just say nil points to me as I totally got it wrong . . . Final Betrayal is a story that is guaranteed to set your pulse racing. I was totally hooked and enjoyed being part of this thrilling journey that I was taken on alongside Lottie whose character I really enjoyed. Without a doubt I will be going back and reading the rest of the books in the series as this just ticked all the boxes for what I look for in a crime series.' Bytheletterbookreviews, 5 stars'An epic, compelling story . . . I look forward to getting reacquainted with DI Lottie Parker every time a new book comes out, and I'm yet to be disappointed. In fact, every time one comes out, I make the same mistake of picking it up and starting, not realising I'm going to get very little done until I've finished it. Yes, it happened again, I read this book over two days, well I did have to stop to sleep.' Nigel Adams Bookworm, 5 stars'This series is one of the best in current crime fiction. Lottie Parker is a fascinating character . . . Always engrossing and I was gripped from the very start. Excellent.' Goodreads Reviewer, 5 stars 'Brilliant. I love this series and the characters and this, the sixth in the series, is as engaging a read as the rest. Lottie's fresh start is at risk as her past and old cases threaten those closest to her.' Goodreads Reviewer, 5 stars'I always enjoy these books and am really looking forward to the next one. Many thanks to Patricia Gibney for all her work on creating these for us! I'm a happy reader!' Books, Tea and Me

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