Search results for ""University of Chicago Press""

On a typical weekday, men of the Beverly-La Brea Orthodox community wake up early, beginning their day with Talmud reading and prayer at 5:45am, before joining Los Angeles’ traffic. Those who work “Jewish jobs”—teachers, kosher supervisors, or rabbis—will stay enmeshed in the Orthodox world throughout the workday. But even for the majority of men who spend their days in the world of gentiles, religious life constantly reasserts itself. Neighborhood fixtures like Jewish schools and synagogues are always after more involvement; evening classes and prayers pull them in; the streets themselves seem to remind them of who they are. And so the week goes, culminating as the sabbatical observances on Friday afternoon stretch into Saturday evening. Life in this community, as Iddo Tavory describes it, is palpably thick with the twin pulls of observance and sociality. In Summoned, Tavory takes readers to the heart of the exhilarating—at times exhausting—life of the Beverly-La Brea Orthodox community. Just blocks from West Hollywood’s nightlife, the Orthodox community thrives next to the impure sights, sounds, and smells they encounter every day. But to sustain this life, as Tavory shows, is not simply a moral decision they make. To be Orthodox is to be constantly called into being. People are reminded of who they are as they are called upon by organizations, prayer quorums, the nods of strangers, whiffs of unkosher food floating through the street, or the rarer Anti-Semitic remarks. Again and again, they find themselves summoned both into social life and into their identity as Orthodox Jews. At the close of Tavory’s fascinating ethnography, we come away with a better understanding of the dynamics of social worlds, identity, interaction and self—not only in Beverly-La Brea, but in society at large.

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On a typical weekday, men of the Beverly-La Brea Orthodox community wake up early, beginning their day with Talmud reading and prayer at 5:45am, before joining Los Angeles’ traffic. Those who work “Jewish jobs”—teachers, kosher supervisors, or rabbis—will stay enmeshed in the Orthodox world throughout the workday. But even for the majority of men who spend their days in the world of gentiles, religious life constantly reasserts itself. Neighborhood fixtures like Jewish schools and synagogues are always after more involvement; evening classes and prayers pull them in; the streets themselves seem to remind them of who they are. And so the week goes, culminating as the sabbatical observances on Friday afternoon stretch into Saturday evening. Life in this community, as Iddo Tavory describes it, is palpably thick with the twin pulls of observance and sociality. In Summoned, Tavory takes readers to the heart of the exhilarating—at times exhausting—life of the Beverly-La Brea Orthodox community. Just blocks from West Hollywood’s nightlife, the Orthodox community thrives next to the impure sights, sounds, and smells they encounter every day. But to sustain this life, as Tavory shows, is not simply a moral decision they make. To be Orthodox is to be constantly called into being. People are reminded of who they are as they are called upon by organizations, prayer quorums, the nods of strangers, whiffs of unkosher food floating through the street, or the rarer Anti-Semitic remarks. Again and again, they find themselves summoned both into social life and into their identity as Orthodox Jews. At the close of Tavory’s fascinating ethnography, we come away with a better understanding of the dynamics of social worlds, identity, interaction and self—not only in Beverly-La Brea, but in society at large.

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Race and Photography studies the changing function of photography from the 1870s to the 1940s within the field of the "science of race," what many today consider the paradigm of pseudo-science. Amos Morris-Reich looks at the ways photography enabled not just new forms of documentation but new forms of perception. Foregoing the political lens through which we usually look back at race science, he holds it up instead within the light of the history of science, using it to explore how science is defined; how evidence is produced, used, and interpreted; and how science shapes the imagination and vice versa. Exploring the development of racial photography wherever it took place, including countries like France and England, Morris-Reich pays special attention to the German and Jewish contexts of scientific racism. Through careful reconstruction of individual cases, conceptual genealogies, and patterns of practice, he compares the intended roles of photography with its actual use in scientific argumentation. He examines the diverse ways it was used to establish racial ideologies-as illustrations of types, statistical data, or as self-evident record of racial signs. Altogether, Morris-Reich visits this troubling history to outline important truths about the roles of visual argumentation, imagination, perception, aesthetics, epistemology, and ideology within scientific study.

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From the 1890s to the 1930s, a growing number of Germans began to scrutinize and discipline their bodies in a utopian search for perfect health and beauty. Some became vegetarians, nudists or bodybuilders, while others turned to alternative medicine or eugenics. In "The Cult of Health and Beauty in Germany", Michael Hau demonstrates why so many men and women were drawn to these life reform movements and examines their tremendous impact on German society and medicine. Hau argues that the obsessions with personal health and fitness was often rooted in anxieties over professional and economic success, as well as fears that modern industrialized civilization was causing Germany and its people to degenerate. He also examines how different social groups gave different meanings to the same hygienic practices and aesthetic ideals. What results is a penetrating look at class formation in pre-Nazi Germany that should interest historians of Europe and medicine and scholars of culture and gender.

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This is a richly detailed account of Muslim life throughout the kingdoms of Spain, from the fall of Seville, which signaled the beginning of the retreat of Islam, to the Christian reconquest. "Harvey not only examines the politics of the Nasrids, but also the Islamic communities in the Christian kingdoms of the peninsula. This innovative approach breaks new ground, enables the reader to appreciate the situation of all Spanish Muslims and is fully vindicated...An absorbing and thoroughly informed narrative."--Richard Hitchcock, Times Higher Education Supplement "L. P. Harvey has produced a beautifully written account of an enthralling subject."--Peter Linehan, The Observer

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In the aftermath of the recent financial crisis, the federal government has pursued regulatory reforms, including proposals to monitor systemic risk. However, there is much debate about how this might be accomplished and whether it is even possible. A key issue is determining the appropriate trade-offs from a policy and social welfare perspective. One of the first books to address the challenges of measuring risk, "Quantifying Systemic Risk" looks at the means of measuring systemic risk and explores alternative approaches. Among the topics discussed are the challenges of tying regulations to specific quantitative measures and the distinction between the shocks that start a crisis and the mechanisms that enable it to grow.

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Why did Gerald Ford speak in public once every six hours during 1976? Why did no president spreak in Massachusetts during one ten-year period? Why did Jimmy Carter conduct public ceremonies four times more often than Harry Truman? Why are television viewers two-and-a-half times more likely to see a president speak on the nightly news than to hear him speak? The Sound of Leadership answers these questions and many more. Based on analysis of nearly 10,000 presidential speeches delivered between 1945 and 1985, this book is the first comprehensive examination of the ways in which presidents Truman through Reagan have used the powers of communication to advance their political goals. This communication revolution has produced, Roderick P. Hart argues, a new form of governance, one in which public speech has come to be taken as political action. Using a rhetorical appraoch, Hart details the features of this new American presidency by carefully examining when and where presidents spoke in public during the last four decades and what they said. Even though presidents have been speaking more and more, Hart reveals, they have been saying less and less. Rather than leading the nation, the modern president usually offers only the hollow "sound" of leadership. Written with great flair and acuteness, The Sound of Leadership will become a standard guide to the voices of modern presidential politics.

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Humans have long turned to gardens - both real and imaginary - for sanctuary from the frenzy and tumult that surrounds them. With "Gardens", Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. Alive with the echoes and arguments of Western thought, "Gardens" is a fitting continuation of the intellectual journeys of Harrison's earlier classics, "Forests" and "The Dominion of the Dead". Voltaire famously urged us to cultivate our gardens; with this compelling volume, Harrison reminds us of the nature of that responsibility - and its enduring importance to humanity.

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In this poineering application of island biogeography theory, Harris presents an alternative to current practices of timber harvesting. "Harris pulls together many threads of biological thinking about islands and their effect on plant and animal survival and evolution. He weaves these threads into a model for managing forest lands in a manner that might serve both our short-term economic and social needs as well as what some people feel is our ancient charge to be steward of all parts of creation."--American Forests Winner of the 1986 Wildlife Society Publication Award

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What was the place of the artist in a new society? How would he thrive where monarchy, aristocracy, and an established church—those traditional patrons of painting, sculpture, and architecture—were repudiated so vigorously? Neil Harris examines the relationships between American cultural values and American society during the formative years of American art and explores how conceptions of the artist's social role changed during those years.

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In this remarkable work by seasoned scholar Lawrence Rosen, we follow the fascinating intellectual developments of four ordinary Moroccans over the span of forty years. Walking and talking with Haj Hamed Britel, Yaghnik Driss, Hussein Qadir, and Shimon Benizri-in a country that, in a little over a century, has gone from an underdeveloped colonial outpost to a modern Arab country in the throes of economic growth and religious fervor-Rosen details a fascinating plurality of viewpoints on culture, history, and the ways both can be dramatically transformed. Through the intellectual lives of these four men, this book explores a number of interpretative and theoretical issues that have made Arab culture distinct, especially in relationship to the West: how nothing is ever hard and fast, how everything is relational and always a product of negotiation. It showcases the vitality of the local in a global era, and it contrasts Arab notions of time, equality, and self with those in the West. Likewise, Rosen unveils his own entanglement in their world and the drive to keep the analysis of culture first and foremost, even as his own life enmeshes itself in those of his study. An exploration of faith, politics, history, and memory, this book highlights the world of everyday life in Arab society in ways that challenge common notions and stereotypes.

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This long-awaited work explores the place of kokugaku (rendered here as "nativism") during Japan's Tokugawa period. Kokugaku, the sense of a distinct and sacred Japanese identity, appeared in the eighteenth century in reaction to the pervasive influence of Chinese culture on Japan. Against this influence, nativists sought a Japanese sense of difference grounded in folk tradition, agricultural values, and ancient Japanese religion. H. D. Harootunian treats nativism as a discourse and shows how it functioned ideologically in Tokugawa Japan.

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For the middle class and the affluent, local ties seem to matter less and less these days, but in the inner city, your life can be irrevocably shaped by what block you live on. "Living the Drama" takes a close look at three neighborhoods in Boston to analyze the many complex ways that the context of community shapes the daily lives and long-term prospects of inner-city boys. David J. Harding studied sixty adolescent boys growing up in two very poor areas and one working-class area. In the first two, violence and neighborhood identification are inextricably linked, as rivalries divide the city into spaces safe, neutral, or dangerous. Consequently, Harding discovers, social relationships are determined by residential space. Older boys who can navigate the dangers of the streets serve as role models, and friendships between peers grow out of mutual protection. The impact of community goes beyond the realm of same-sex bonding, Harding reveals, affecting the boys' experiences in school and with the opposite sex. A unique glimpse into the world of urban adolescent boys, "Living the Drama" paints a detailed, insightful portrait of life in the inner city.

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The scientific article has been a hallmark of the career of every important Western scientist since the seventeenth century. Yet its role in the history of science has not been fully explored. Joseph E. Harmon and Alan G. Gross remedy this oversight with "The Scientific Literature", a collection of writings - excerpts from scientific articles, letters, memoirs, proceedings, transactions, and magazines - that illustrates the origin of the scientific article in 1665 and its evolution over the next three and a half centuries. Featuring articles - as well as sixty tables and illustrations, tools vital to scientific communication - that represent the broad sweep of modern science, "The Scientific Literature" is a historical tour through both the rhetorical strategies that scientists employ to share their discoveries and the methods that scientists use to argue claims of new knowledge. Commentaries that explain each excerpt's scientific and historical context and analyze its communication strategy accompany each entry. A unique anthology, "The Scientific Literature" will allow both the scholar and the general reader to experience firsthand the development of modern science.

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This text demonstrates how matters of style - diction, manners, sensibility, decor and charisma - influence politics. In critical studies of classic texts, the author identifies four dominant political styles. The realist style, as found in Machiavelli's "The Prince", creates a world of sheer power, constant calculation and emotional control; this style is the common sense of modern political science. The courtly style, depicted in Kapuscinski's "The Emperor", is characterized by high decorousness, hierarchies and fixation on the body of the sovereign; this style infuses mass media coverage of the American presidency. The republican style, reflected in Cicero's letters to Atticus, promotes the art of oratory, consensus and civility; it informs our ideal of democratic conversation. The bureaucratic style, as captured in Kafka's "The Castle", emphasizes institutional procedures, official character and the priority of writing; this style structures everday life. Hariman looks at effective political artistry in figures from antiquity to modern politicians such as Vaclav Havel, Ronald Reagan and Bill Clinton. He discusses the crises to which each style is susceptible, as well as the social and moral consequences of each style's success.

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This text demonstrates how matters of style - diction, manners, sensibility, decor and charisma - influence politics. In critical studies of classic texts, the author identifies four dominant political styles. The realist style, as found in Machiavelli's "The Prince", creates a world of sheer power, constant calculation and emotional control; this style is the common sense of modern political science. The courtly style, depicted in Kapuscinski's "The Emperor", is characterized by high decorousness, hierarchies and fixation on the body of the sovereign; this style infuses mass media coverage of the American presidency. The republican style, reflected in Cicero's letters to Atticus, promotes the art of oratory, consensus and civility; it informs our ideal of democratic conversation. The bureaucratic style, as captured in Kafka's "The Castle", emphasizes institutional procedures, official character and the priority of writing; this style structures everday life. Hariman looks at effective political artistry in figures from antiquity to modern politicians such as Vaclav Havel, Ronald Reagan and Bill Clinton. He discusses the crises to which each style is susceptible, as well as the social and moral consequences of each style's success.

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Contrary to twentieth-century criticism that cast them as misguided dabblers, English virtuosi in the seventeenth and early eighteenth centuries were erudite individuals with solid grounding in the classics, deep appreciation for the arts, and sincere curiosity about the natural world. Reestablishing their broad historical significance, "The English Virtuoso" situates this polymathic group at the rich intersection of the period's art, medicine, and antiquarianism.At the heart of this profoundly interdisciplinary study lies the Royal Society of London for the Improvement of Natural Knowledge, which from its founding in 1660 served as the major professional organization for London's leading physicians, many of them prominent virtuosi. Craig Ashley Hanson reveals that a vital art audience emerged from the Royal Society - whose members assembled many of the period's most important nonaristocratic collections - a century before most accounts date the establishment of an institutional base for the arts in England. Unearthing the fascinating stories of an impressive cast of characters, Hanson establishes a new foundation for understanding both the relationship between British art and science and the artistic accomplishments of the late eighteenth and nineteenth centuries.

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Referential Practice is an anthropological study of language use in a contemporary Maya community. It examines the routine conversational practices in which Maya speakers make reference to themselves and to each other, to their immediate contexts, and to their world. Drawing on extensive fieldwork in Oxkutzcab, Yucatán, William F. Hanks develops a sociocultural approach to reference in natural languages. The core of this approach lies in treating speech as a social engagement and reference as a practice through which actors orient themselves in the world. The conceptual framework derives from cultural anthropology, linguistic pragmatics, interpretive sociology, and cognitive semantics. As his central case, Hanks undertakes a comprehensive analysis of deixis—linguistic forms that fix reference in context, such as English I, you, this, that, here, and there. He shows that Maya deixis is a basic cultural construct linking language with body space, domestic space, agricultural and ritual practices, and other fields of social activity. Using this as a guide to ethnographic description, he discovers striking regularities in person reference and modes of participation, the role of perception in reference, and varieties of spatial orientation, including locative deixis. Traditionally considered a marginal area in linguistics and virtually untouched in the ethnographic literature, the study of referential deixis becomes in Hanks's treatment an innovative and revealing methodology. Referential Practice is the first full-length study of actual deictic use in a non-Western language, the first in-depth study of speech practice in Yucatec Maya culture, and the first detailed account of the relation between routine conversation, embodiment, and ritual discourse.

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In the postcolonial era, Arab societies have been ruled by a variety of authoritarian regimes. Focusing on his native Morocco and building on the work of Foucault, the author of this text explores the ideological and cultural foundations of this persistent authoritarianism. Hammoudi argues that at the heart of Moroccan culture lies a paradigm of authority which juxtaposes absolute authority against absolute submission. Rooted in Islamic mysticism, this paradigm can be observed in the drama of mystic initiation, with its fundamental dialectic between "master" and "disciple"; in conflict with other cultural forms, and re-elaborated in colonial and and postcolonial circumstances, it informs all major aspects of Moroccan personal, political and gender relations. According to Hammoudi, its influence is so pervasive and so firmly embedded that it ultimately legitimizes the authoritarian structure of power. Hammoudi contends that, as long as the "master-disciple" dialectic remains the dominant paradigm of power relations, male authoritarianism will prevail as the dominant political form.

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All museums are sex museums. In Sex Museums, Jennifer Tyburczy takes a hard look at the formation of Western sexuality-particularly how categories of sexual normalcy and perversity are formed-and asks what role museums have played in using display as a technique for disciplining sexuality. Most museum exhibits, she argues, assume that white, patriarchal heterosexuality and traditional structures of intimacy, gender, and race represent national sexual culture for their visitors. Sex Museums illuminates the history of such heteronormativity at most museums and proposes alternative approaches for the future of public display projects, while also offering the reader curatorial tactics-what she calls queer curatorship-for exhibiting diverse sexualities in the twenty-first century. Tyburczy shows museums to be sites of culture-war theatrics, where dramatic civic struggles over how sex relates to public space, genealogies of taste and beauty, and performances of sexual identity are staged. Delving into the history of erotic artifacts, she analyzes how museums have historically approached the collection and display of the material culture of sex, which poses complex moral, political, and logistical dilemmas for the Western museum. Sex Museums unpacks the history of the museum and its intersections with the history of sexuality to argue that the Western museum context-from its inception to the present-marks a pivotal site in the construction of modern sexual subjectivity.

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There is no female religious figure so widely known and revered as the Virgin Mary. Throughout history, Mary has inspired in a multitude of cultures around the world a deep affection, a desire to emulate her virtue, and a strong belief in the power of her apparitions and miracles. Perhaps no population has been so deeply affected by this maternal figure as Filipino Catholics, whose apparitions of Mary have increasingly emerged and responded to recent events, drawing from a broad repertoire of the Catholic supernatural as they draw media attention to the global south. In Mother Figured, historical anthropologist Deirdre de la Cruz offers a detailed examination of several appearances and miracles of the Virgin Mary in the Philippines from materials and sites ranging from the mid-nineteenth century to the present. By analyzing the effects of the mass media on the perception and proliferation of apparition phenomena, de la Cruz charts the intriguing emergence of new voices in the Philippines that are broadcasting Marian discourse globally. Based on two years of ethnographic fieldwork and hitherto unexplored archives in the Philippines, the United States, and Spain, Mother Figured documents the conditions of Marian devotion's modern development and tracks how it has transformed Filipinos' social and political role within the greater Catholic world.

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In recent years, stories of reckless lawyers and greedy citizens have given the legal system, and victims in general, a bad name. Many Americans have come to believe that we live in the land of the litigious, where frivolous lawsuits and absurdly high settlements reign.Scholars have argued for years that this common view of the depraved ruin of our civil legal system is a myth, but their research and statistics rarely make the news. William Haltom and Michael McCann here persuasively show how popularized distorted understandings of tort litigation (or tort tales) have been perpetuated by the mass media and reform proponents. Distorting the Law lays bare how media coverage has sensationalized lawsuits and sympathetically portrayed corporate interests, supporting big business and reinforcing negative stereotypes of law practices.Based on extensive interviews, nearly two decades of newspaper coverage, and in-depth studies of the McDonald's coffee case and tobacco litigation, Distorting the Law offers a compelling analysis of the presumed litigation crisis, the campaign for tort law reform, and the crucial role the media play in this process.

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This volume takes the reader on a tour of 160 homes in and around New York City, from affluent townhouses on Manhattan's Upper East Side and rowhouses in blue-collar Brooklyn to the middle- and upper-class suburbs of Long Island. The result text gives a portrait of the use of cultural artifacts - fine art, photographs, religious art, in private lives.

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Since Roe v. Wade, abortion has been a continually divisive political issue in the United States. In contrast, it has remained primarily a medical issue in Britain and Canada despite the countries' shared heritage. "Doctors and Demonstrators" looks beyond simplistic cultural or religious explanations to find out why abortion politics and policies differ so dramatically in these otherwise similar countries. Drew Halfmann argues that political institutions are the key. In the United States, federalism, judicial review, and a private health care system contributed to the public definition of abortion as an individual right rather than a medical necessity. Meanwhile, Halfmann explains, the porous structure of American political parties gave pro-choice and pro-life groups the opportunity to move the issue onto the political agenda. A groundbreaking study of the complex legal and political factors behind the evolution of abortion policy, "Doctors and Demonstrators" will be vital for anyone trying to understand this contentious issue.

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Jonathan M. Hall explores questions of ethnic and national identity in the context of ancient Greece in Hellenicity, drawing on an exceptionally wide range of evidence to determine when, how, why, and to what extent the Greeks conceived themselves as a single people. Hall argues that a subjective sense of Hellenic identity emerged in Greece much later than is normally assumed. For instance, he shows that the four main ethnic subcategories of the ancient Greeks - Akhaians, Ionians, Aiolians, and Dorians - were not primordial survivals from a premigratory period but emerged in precise historical circumstances during the eighth and seventh centuries BC. Furthermore, Hall demonstrates that the terms of defining Hellenic identity shifted from ethnic to broader cultural criteria during the course of the fifth century BC, chiefly due to the influence of Athens, whose citizens formulated a new Athenocentric conception of "Greekness."

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Presents a powerful argument for the limitations of judicial action to support significant social reform—now updated with new data and analysis. Since its first publication in 1991, The Hollow Hope has spurred debate and challenged assumptions on both the left and the right about the ability of courts to bring about durable political and social change. What Gerald N. Rosenberg argued then, and what he confirms today through new evidence in this edition, is that it is nearly impossible to generate significant reforms through litigation: American courts are ineffective and relatively weak, far from the uniquely powerful sources for change they are often portrayed to be. This third edition includes new data and a substantially updated analysis of civil rights, abortion rights and access, women’s rights, and marriage equality. Addressing changes in the political and social environment, Rosenberg draws lessons from the re-segregation of public schools, victories in marriage equality, and new obstacles to abortion access. Through these and other cases, the third edition confirms the power of the book’s original explanatory framework and deepens our understanding of the limits of judicial action in support of social reform, as well as the conditions under which courts do produce change. Up-to-date, thorough, and thought-provoking, The Hollow Hope remains vital reading.

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Is there a special relation between religious beliefs and moral behavior? In particular, is there a distinctive Christian moral character and how is this manifested in moral actions? The influential theologian James M. Gustafson probes these questions and offers an analysis of the distinctively religious reasons of the "heart and mind" which constitute the basis for a Christian ethics. Professor Gustafson grounds his discussion in a concrete example of moral conduct which deeply impressed him. The incident—narrated in detail at the start and referred to throughout—concerns a nonreligious colleague who came to the aid of an intoxicated soldier. Although seemingly trivial, this incident, in the author's view, approximates the normal sorts of experiences in which individuals have to make moral decisions every day; it becomes a touchstone to investigate the logical, social, and religious elements in moral decision making.

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In America, almost all the money in circulation passes through financial institutions every day. But in Nigeria's "cash and carry" system, 90 percent of the currency never comes back to a bank after it's issued. What happens when two such radically different economies meet and mingle, as they have for centuries in Atlantic Africa?The answer is a rich diversity of economic practices responsive to both local and global circumstances. In Marginal Gains, Jane I. Guyer explores and explains these often bewildering practices, including trade with coastal capitalism and across indigenous currency zones, and within the modern popular economy. Drawing on a wide range of evidence, Guyer demonstrates that the region shares a coherent, if loosely knit, commercial culture. She shows how that culture actually works in daily practice, addressing both its differing scales of value and the many settings in which it operates, from crisis conditions to ordinary household budgets. The result is a landmark study that reveals not just how popular economic systems work in Africa, but possibly elsewhere in the Third World.

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With its irresistible dance beat, strong bass line, and straightforward harmonies and lyrics, zouk has become wildly popular in the Caribbean, Africa, and Europe. This book—complete with a compact disc and numerous illustrations and musical examples—provides a thorough introduction to the sound, lyrics, choreography, and social milieu of this vibrant and infectious new music."This invigorating reference work and companion CD of the Antilles' sexy zouk dance sound will lift readers out of their easy chairs and their complacency about the nonreggae aspects of Caribbean pop. . . . [Zouk] is a landmark achievement."—Timothy White, Billboard

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While much attention has been paid in recent years to heterosexual prostitution and sex tourism in Brazil, gay sex tourism has been almost completely overlooked. In Tourist Attractions, Gregory C. Mitchell presents a pioneering ethnography that focuses on the personal lives and identities of male sex workers who occupy a variety of roles in Brazil's sexual economy. Mitchell takes us into the bath houses of Rio de Janeiro, where rent boys cruise for clients, and to the beaches of Salvador da Bahia, where African American gay men seek out hustlers while exploring cultural heritage tourist sites. His ethnography stretches into the Amazon, where indigenous fantasies are tinged with the erotic at eco-resorts, and into the homes of "kept men," who forge long-term, long-distance, transnational relationships that blur the boundaries of what counts as commercial sex. Mitchell asks how tourists perceive sex workers' performances of Brazilianness, race, and masculinity, and, in turn, how these two groups of men make sense of differing models of racial and sexual identity across cultural boundaries. He proposes that in order to better understand how people experience difference sexually, we reframe prostitution-which Marxist feminists have long conceptualized as sexual labor-as also being a form of performative labor. Tourist Attractions is an exceptional ethnography poised to make an indelible impact in the fields of anthropology, gender, and sexuality, and research on prostitution and tourism.

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William Grimshaw offers an insider's chronicle of the tangled relationship between the black community and the Chicago Democratic machine from its Great Depression origins to 1991. What emerges is a myth-busting account not of a monolithic organization but of several distinct party regimes, each with a unique relationship to black voters and leaders.

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This study argues that much research of the emotions has been misguided. It attempts to show that "emotion" encompasses psychological states of very different, and thus not comparable, kinds. Some emotions, such as a brief flaring up of anger in response to some experience, are evolutionary ancient, reflex-like responses which appear insensitive to culture. Others, like moral guilt, differ importantly across cultures, despite their long history in humans, and affinity to behaviour seen in other species. Yet other emotions appear to be the acting-out of today's psychological myths, as ghost possession acted out the metaphysical myths of past centuries. These three kinds of responses have different evolutionary origins, different adaptive functions, different biological bases, and different roles in human psychology. The concept that binds them together, emotion, plays no useful role, since there is no object of scientific knowledge that corresponds to it. A detailed overview of the relevant theoretical approaches is provided in this text, assessing the relative merits of three main theoretical approaches: affect programme theory, evolutionary psychology, and social constructionism.

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Roman Stoics of the imperial period developed a distinctive model of social ethics, one which adapted the ideal philosophical life to existing communities and everyday societal values. Gretchen Reydams-Schils's innovative book shows how these Romans - including such philosophers as Marcus Aurelius, Seneca, Hierocles, and Epictetus - applied their distinct brand of social ethics to daily relations and responsibilities, creating an effective model of involvement and ethical behavior in the classical world. "The Roman Stoics" reexamines the philosophical basis that instructed social practice in friendship, marriage, parenting, and community life. From this analysis, Stoics emerge as neither cold nor detached, as the stereotype has it, but all too aware of their human weaknesses. In a valuable contribution to current discussions in the humanities on identity, autonomy, and altruism, Reydams-Schils ultimately conveys the wisdom of Stoics to the citizens of modern society.

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In the literary imagination, Chicago evokes images of industry and unbridled urban growth. But the tallgrass prairie and deep forests that once made up Chicago's landscape also inspired musings from residents and visitors alike. In "Of Prairie, Woods, and Water", naturalist Joel Greenberg gathers these unique voices from the land to present an unexpected portrait of Chicago in this often charming, sometimes heart-wrenching anthology of nature writing.These writings tell the tale of a land in transition - one with abundant, unique, and incredibly lush flora and fauna, a natural history quite elusive today. Drawing on archives he uncovered while writing his acclaimed "A Natural History of the Chicago Region", Greenberg hand-selected these first-person narratives, all written between 1721 and 1959. Not every author is familiar, but every contribution is distinctive. From a pioneer's hilarious notes on life in the Kankakee marsh to Theodore Dreiser's poignant plea for conservation of the Tippecanoe River to infamous murderer Nathan Leopold's charming description of a pet robin he kept in prison, the sources included are as diverse as the nature they describe.The excerpts conclude with insightful biographical essays and traverse a wide area of greater Chicagoland, from the Illinois River to southwest Michigan, from southern Wisconsin to the Limberlost swamp of northeastern Indiana. A fascinating record of Chicago's changing environmental history, "Of Prairie, Woods, and Water" captures the natural world in a way that will inspire its continued conservation.

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The University of Iowa is a leading light in the writing world. In addition to the Iowa Writers' Workshop for poets and fiction writers, it houses the prestigious Nonfiction Writing Program (NWP), which was the first full-time masters-granting program in this genre in the United States. Over the past three decades the NWP has produced some of the most influential nonfiction writers in the country. I'll Tell You Mine is an extraordinary anthology, a book rooted in Iowa's successful program that goes beyond mere celebration to present some of the best nonfiction writing of the past thirty years. Eighteen pieces produced by Iowa graduates exemplify the development of both the program and the field of nonfiction writing. Each is accompanied by commentary from the author on a challenging issue presented by the story and the writing process, including drafting, workshopping, revising, and listening to (or sometimes ignoring) advice. The essays are put into broader context by a prologue from Robert Atwan, founding editor of the Best American Essays series, who details the rise of nonfiction as a literary genre since the New Journalism of the 1960s. Creative nonfiction is the fastest-growing writing concentration in the country, with more than one hundred and fifty programs in the United States. I'll Tell You Mine shows why Iowa's leads the way. Its insider's view of the Iowa program experience and its wealth of groundbreaking nonfiction writing will entertain readers and inspire writers of all kinds.

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For several years now, the Roman Catholic Church and the institution of the priesthood itself have been at the center of a firestorm of controversy. While many of the criticisms lodged against the actions of the Church - and a small number of its priests - are justified, the conventional wisdom that has gained currency as an explanation for these actions is, according to Andrew M. Greeley in Priests, often flat-out wrong. Neither liberal nor conservative, Priests offers nothing less than a portrait of the priesthood today. No stranger to controversy himself, Greeley challenges those analysts and the media who parrot them in placing the blame for recent Church scandals on the mandate of celibacy or a clerical culture that supports homosexuality. Drawing upon reliable national survey samples of priests, Greeley demolishes current stereotypes about the percentage of homosexual priests, the level of personal and professional happiness among priests, the role of celibacy in their lives, and many other issues. With Greeley's statistical evidence and provocative recommendations for change, Priests offers a new vision for American Catholics.

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For many foreign observers, Brazil still conjures up a collage of exotic images, ranging from the camp antics of Carmen Miranda to the bronzed girl (or boy) from Ipanema moving sensually over the white sands of Rio's beaches. Among these tropical fantasies is that of the uninhibited and licentious Brazilian homosexual, who expresses uncontrolled sexuality during wild Carnival festivities and is welcomed by a society that accepts fluid sexual identity. However, in this cultural history of male homosexuality in Brazil, James Green shatters these exotic myths and replaces them with a complex picture of the social obstacles that confront Brazilian homosexuals. Ranging from the late-19th century to the rise of a politicized gay and lesbian rights movement in the 1970s, Green's study focuses on male homosexual subcultures in Rio de Janeiro and Sao Paulo. He uncovers the stories of men coping with arrests and street violence, dealing with family restrictions, and resisting both a hostile medical profession and moralizing influences of the Church. Green also describes how these men have created vibrant subcultures with alternative support networks for maintaining romantic and sexual relationships and for surviving in an intolerant social environment. He then goes on to trace how urban parks, plazas, cinemas and beaches are appropriated for same-sex erotic encounters, bringing us into the world of street cruising, male hustlers and cross-dressing prostitutes.

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Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of "The Collected Essays and Criticism". "Volume 3: Affirmations and Refusals" presents Greenberg's writings from the period between 1950 and 1956, while "Volume 4: Modernism with a Vengeance" gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing "Vogue" and "Harper's Bazaar" to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting.With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art.

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Faith-based community organizers have spent decades working for greater equality in American society, and more recently have become significant players in shaping health care, finance, and immigration reform at the highest levels of government. In A Shared Future, Richard L. Wood and Brad R. Fulton draw on a new national study of community organizing coalitions and in-depth interviews of key leaders in this field to show how faith-based organizing is creatively navigating the competing aspirations of America's universalist and multiculturalist democratic ideals, even as it confronts three demons bedeviling American politics: economic inequality, federal policy paralysis, and racial inequity. With a broad view of the entire field and a distinct empirical focus on the PICO National Network, Wood and Fulton's analysis illuminates the tensions, struggles, and deep rewards that come with pursuing racial equity within a social change organization and in society. Ultimately, A Shared Future offers a vision for how we might build a future that embodies the ethical democracy of the best American dreams.

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For Count Carlo Gozzi (1720-1806), theater was a fabulous world apart, in which human beings, statues, and animals change places by magical transformations. Gozzi's stage becomes a multiscenic home for adventures, loves, enmities, and dazzling visual effects. This collection brings together for the first time modern English translations of five of Gozzi's most famous plays: The Raven, The King Stag, Turandot, The Serpent Woman, and The Green Bird, each annotated by the translators and preceded by the author's preface. Ted Emery's Introduction places Gozzi in his social and historical context, tracing his world view in both the content and the form of his tales. In the ten works he called fiable or fairy tales, Gozzi intermingled characters from the traditional and improvised commedia dell'arte with exotic figures of his own invention. During Gozzi's lifetime, Goethe and Schiller translated and produced some of his dramas at the Weimar Theatre. In our century, the dramas have reasserted themselves under the direction of Max Reinhardt, Vsevolod Meyerhold, George Devine, and Benno Besson, as well as in operatic adaptations by Puccini and Prokofiev. The powerful conflicts, the idyllic and fearsome settings, and the startling transformations in these plays offer exceptional opportunities to actors, directors, and designers. The lively translations are faithful to Gozzi's Italian, while being eminently playable for English-speaking audiences today. Two of the translations have already had highly successful stagings by Andrei Serban at the American Repertory Theatre and on tour.

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Faith-based community organizers have spent decades working for greater equality in American society, and more recently have become significant players in shaping health care, finance, and immigration reform at the highest levels of government. In A Shared Future, Richard L. Wood and Brad R. Fulton draw on a new national study of community organizing coalitions and in-depth interviews of key leaders in this field to show how faith-based organizing is creatively navigating the competing aspirations of America's universalist and multiculturalist democratic ideals, even as it confronts three demons bedeviling American politics: economic inequality, federal policy paralysis, and racial inequity. With a broad view of the entire field and a distinct empirical focus on the PICO National Network, Wood and Fulton's analysis illuminates the tensions, struggles, and deep rewards that come with pursuing racial equity within a social change organization and in society. Ultimately, A Shared Future offers a vision for how we might build a future that embodies the ethical democracy of the best American dreams.

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What does philosophy have to do with the human voice? Has contemporary philosophy banished the "voice" from the field of legitimate investigation? This text examines these questions through the philosopher most responsible for formulating them, Stanley Cavell. It systematically treats the relation between Cavell's pervasive authorial voice and his equally powerful, though less discernible, impulse to produce a set of usable philosophical methods. Timothy Gould argues that a tension between voice and method unites Cavell's broad and often perplexing range of interests. From Wittgenstein to Thoreau, from Shakespeare to the movies, and from opera to Freud, Gould reveals the connection between the voice "within" Cavell's writing and the voices Cavell appeals to through the methods of ordinary language philosophy. Within Cavell's extraordinary productivity lies a new sense of philosophical method based on elements of the act of reading.

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Minor debts, derisive remarks, a fight over a parking space, butting in line—these are the little things that nevertheless account for much of the violence in human society. But why? Roger V. Gould considers this intriguing question in Collision of Wills. He argues that human conflict is more likely to occur in symmetrical relationships—among friends or social equals—than in hierarchical ones, wherein the difference of social rank between the two individuals is already established. This, he maintains, is because violence most often occurs when someone wants to achieve superiority or dominance over someone else, even if there is no substantive reason for doing so. In making the case for this original idea, Gould explores a diverse range of examples, including murders, blood feuds, vendettas, revolutions, and the everyday disagreements that compel people to act violently. The result is an intelligent and provocative work that restores the study of conflict to the center of social inquiry.

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Why do Americans seem to sue at the slightest provocation? The answer may surprise you: we don't! For every "Whiplash Charlie" who sees a car accident as a chance to make millions, for every McDonald's customer to pursue a claim over a too-hot cup of coffee, many more Americans suffer injuries but make no claims against those responsible or their insurance companies. The question is not why Americans sue but why we don't sue more often, and the answer can be found in how we think about injury and personal responsibility. With this book, David M. Engel demolishes the myth that America is a litigious society. The sobering reality is that the vast majority of injury victims more than nine out of ten rely on their own resources, family and friends, and government programs to cover their losses. When real people experience serious injuries, they don't respond as rational actors. Trauma and pain disrupt their thoughts, and potential claims are discouraged by negative stereotypes that pervade American television and popular culture. (Think Saul Goodman in Breaking Bad, who keeps a box of neck braces in his office to help clients exaggerate their injuries.) Cultural norms make preventable injuries appear inevitable or the victim's fault. We're taught to accept setbacks stoically and not blame someone else. But this tendency to "lump it" doesn't just hurt the victims; it hurts us all. As politicians continue to push reforms that miss the real problem, we risk losing these claims as a way to quickly identify unsafe products and practices. Because injuries disproportionately fall on people with fewer resources, the existing framework creates a social underclass whose needs must be met by government programs all citizens shoulder while shielding those who cause the harm. It's time for America to have a more responsible, blame-free discussion about injuries and the law. With The Myth of the Litigious Society, Engel takes readers clearly and powerfully through what we really know about injury victims and concludes with recommendations for how we might improve the situation.

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Samuel Steward (1909-93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared his considerable range of experiences with Alfred Kinsey, and a prolific writer of everything from scholarly articles to gay erotica (under the penname Phil Andros). Given this biography, he sounds like a most unlikely contributor to a trade magazine like the Illinois Dental Journal. Yet from 1944 to 1949, writing under the name Philip Sparrow, Steward produced monthly columns for the journal that were full of wit and flourish and that constituted a kind of disguised autobiography, with their reflections on his friendships and experiences and their endless allusions to his trove of multifarious knowledge. For Philip Sparrow Tells All, Jeremy Mulderig has gathered thirty of Steward's most playful and insightful columns, which together paint a vivid portrait of 1940s America. In these essays we spend time with Steward's friends like Gertrude Stein, Andre Gide, and Thornton Wilder (who was also Steward's occasional lover). We hear of his stint as a holiday sales clerk at Marshall Field's (where he met and seduced Rock Hudson), his roles as an opera and ballet extra in hilariously shoddy costumes, his hoarding tendencies, his disappointment with the drabness of men's fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig's entertaining annotations identify Steward's often obscure allusions and tie the essays to the people and events of the day. Many decades later, Steward's writing feels as stylistically fresh and charming as it did in his time. With richly detailed introductions to the essays that situate them in the context of Steward's fascinating life, Philip Sparrow Tells All will bring this unusual and engaging writer to a fresh readership beyond the dental chair.

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After years of preparation and anticipation, many students arrive at college without any real knowledge of the ins and outs of college life. They've been focused on finding the right school and have been carefully guided through the nuances of the admissions process, but too often they have little knowledge about how college will be different from high school or what will be expected of them during that crucial first year and beyond. Written by an award-winning teacher, "How to Succeed in College (While Really Trying)" provides much-needed help to students, offering practical tips and specific study strategies that will equip them to excel in their new environment. Drawing on years of experience teaching at a variety of campuses, from large research universities to small liberal arts colleges, Jon B. Gould gives readers the lay of the land and demystifies the college experience. In the course of the book, students will learn how to identify the best instructors, how to choose classes and settle on a major, how to develop effective strategies for reading and note taking, and how to write good papers and successfully complete exams. Because much of the college experience takes place outside of the classroom, Gould also advises students on how to effectively manage their co curricular activities, work obligations, and free time, as well as how to take advantage of the typically untapped resources on every campus. With candid advice and insights from a seasoned insider, this guide will leave students better prepared not only to succeed in college but to enjoy it as well.

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Properly analyzed, the collective mythological and religious writings of humanity reveal that around 1500 BC, a comet swept perilously close to Earth, triggering widespread natural disasters and threatening the destruction of all life before settling into solar orbit as Venus, our nearest planetary neighbor. Sound implausible? Well, from 1950 until the late 1970s, a huge number of people begged to differ, as they devoured Immanuel Velikovsky’s major best-seller, Worlds in Collision, insisting that perhaps this polymathic thinker held the key to a new science and a new history. Scientists, on the other hand, assaulted Velikovsky’s book, his followers, and his press mercilessly from the get-go. In The Pseudoscience Wars, Michael D. Gordin resurrects the largely forgotten figure of Velikovsky and uses his strange career and surprisingly influential writings to explore the changing definitions of the line that separates legitimate scientific inquiry from what is deemed bunk, and to show how vital this question remains to us today. Drawing on a wealth of previously unpublished material from Velikovsky’s personal archives, Gordin presents a behind-the-scenes history of the writer’s career, from his initial burst of success through his growing influence on the counterculture, heated public battles with such luminaries as Carl Sagan, and eventual eclipse. Along the way, he offers fascinating glimpses into the histories and effects of other fringe doctrines, including creationism, Lysenkoism, parapsychology, and more—all of which have surprising connections to Velikovsky’s theories. Science today is hardly universally secure, and scientists seem themselves beset by critics, denialists, and those they label “pseudoscientists”—as seen all too clearly in battles over evolution and climate change. The Pseudoscience Wars simultaneously reveals the surprising Cold War roots of our contemporary dilemma and points readers to a different approach to drawing the line between knowledge and nonsense.

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Bollywood movies have been long known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But when India entered the global marketplace in the early 1990s, its film industry transformed radically. Production and distribution of films became regulated, advertising and marketing created a largely middle-class audience, and films began to fit into genres like science fiction and horror. In this bold study of what she names "New Bollywood", Sangita Gopal contends that the key to understanding these changes is to analyze films' evolving treatment of romantic relationships. Gopal argues that the form of the conjugal duo in movies reflects other social forces in India's new consumerist and global society. She takes a daring look at recent Hindi films and movie trends - the decline of song-and-dance sequences, the upgraded status of the horror genre, and the rise of the multiplex and multi-plot - to demonstrate how these relationships exemplify different formulas of contemporary living. A provocative account of how cultural artifacts can embody globalization's effects on intimate life, "Conjugations" will shake up the study of Hindi film.

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