Search results for ""SCHIFFER""

Stella's class is having a Mother's Day celebration, but what's a girl with two daddies to do? It's not that she doesn't have someone who helps her with her homework, or tucks her in at night. Stella has her Papa and Daddy who take care of her and a whole gaggle of other loved ones who make her feel special and supported every day. She just doesn't have a mum to invite to the party. Fortunately, Stella finds a unique solution to her party problem in this sweet story about love, acceptance and the true meaning of family.

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Contains four essays on expository writing of books and papers at the research level and at the level of graduate texts.

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'Between a bottle of Epsom salts or one of twenty-year-old cognac, which would you choose? Would you rather spend your vacation with an eighty-year old leper or with Demi Moore? Do you prefer being sprinkled with ferocious red ants or sharing a sleeping compartment with Claudia Schiffer?'From the celebrated author of The Name of the Rose, here is a dazzling compendium of advice offering the correct answers to these and many other important questions. Tackling topics as diverse as the coffee pot from hell, eating on an aeroplane, how not to use a cellular phone and recognising porn movies, Umberto Eco guides us with all his customary wit and brilliance through the complexities of the modern world.

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This anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies.

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While there are many books about cybersecurity, data privacy and related issues, there are very few, if any, books about cyber insurance. A Practical Guide to Cyber Insurance for Businesses, fills that void and provides a practical look at cyber insurance for different types of businesses. This book is divided into two parts. The first eight chapters focus on the development of cyber insurance and various aspects and elements of cyber insurance that affect all industries, including how cyber insurance interacts with other commercial insurance coverage. Chapters nine through twenty-five take a closer look at the cyber risks and cyber insurance coverage needs for specific industries. In this way, the unique characteristics of each industry segment are highlighted and a review of cyber insurance for that industry segment is more focused. While not every possible industry segment is covered, the broadness of the industries covered should provide guidance to any business.

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When Karl Lagerfeld was named at the helm of the fashion house in 1983, he set out to radically shake up and update its image – not only through bold collections but also, from 1987 onwards, by choosing to shoot the house’s campaigns himself, a move that was unprecedented for a fashion designer. Conceived in collaboration with Karl Lagerfeld and the House of Chanel, this definitive publication opens with an essay by Patrick Mauriès before exploring the campaigns themselves, organized chronologically. A carefully curated selection of images showcases hundreds of spectacular clothes worn by the top fashion models – and personalities – of each era, from Inès de la Fressange, Claudia Schiffer, Kate Moss and Cara Delevingne, to Kirsten Stewart and Lily Rose Depp, captured in glamorous locations, from Coco Chanel’s Paris apartment to the French Riviera or LA. Presented in a high-end, slipcased package, Chanel: the Karl Lagerfeld Campaigns offers an unrivalled overview of the house of Chanel as seen through the eyes – and lens – of Karl Lagerfeld himself.

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As sites for economic, social, and political innovation, Johannesburg, Mumbai/Bombay, Sao Paulo, and Shanghai function as gateways to the global economy for their respective countries and the surrounding regions. City administrators face intense competition for foreign investment, and they must develop strategies to make their cities-which remain outside of the OECD-world class. The Making of Global City Regions traces the emergence of each city in the global economy and examines the link between the dynamics of globalization and changing urban governances. The contributors describe how metropolitan leaders deal with the twin phenomena of globalization and the devolution of the state as they adjust to their city's new emerging role in the global system. The contributors provide an overview of the individuals and organizations who make each city competitive in a global context and describe how they market and promote themselves to the world. In addition, senior administrators of these regions-Roland Hunter, Vidyadhar K. Phatak, Jorge Wilheim, and Zhu Linchu, respectively-offer valuable insight into the development of their city regions. The volume concludes with a summary of lessons learned. Contributors: Robert A. Beauregard, Csaba Deak, Ranjit Hoskote, Roland Hunter, Pedro Jacobi, Zhu Linchu, Alan Mabin, Jim Masselos, Susan Parnell, Sujata Patel, Vidyadhar K. Phatak, Sueli Schiffer Klaus Segbers, Zhongxin Sun, Richard Tomlinson, Krister Volkmann, Jorge Wilheim, Fulong Wu, and Weiping Wu.

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A comprehensive and captivating overview of all of Karl Lagerfeld's Chanel collections, showcasing his creations through original catwalk photography "Chanel fans rejoice. . . . As glamorous and chic as you'd expect."--The Observer (on the first edition) This fully revised edition of the first overview of Karl Lagerfeld's (1933-2019) Chanel creations maintains every exceptional detail of the first edition. Images of key looks and short informative texts bring to life each season--now with 22 new collections, including Lagerfeld's final show for the house and the work of his successor, Virginie Viard. Beautifully produced, this book will stand as the ultimate reference on Lagerfeld's iconic Chanel looks and serve as a lasting tribute to one of the most talented and influential fashion designers in history. Opening with an introductory essay about Lagerfeld and his vision for Chanel, the book explores the collections chronologically, revealing the designer's inspired reinvention of classic Chanel style elements from season to season. Each collection is illustrated with a curated selection of catwalk images (filled with photos of top fashion models, including Cara Delevingne, Linda Evangelista, Kate Moss, and Claudia Schiffer), showcasing hundreds of spectacular clothes, from luxurious haute couture to trendsetting ready-to-wear, accessories, beauty looks, and set designs.

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‘There comes a moment in one’s life or career when in order to evolve, you need to draw a line and acknowledge where you come from. This book is exactly this for me. In this book, you find the soul of Versace. I could not be any more proud to share it with the world’ Donatella Versace Founded by Gianni Versace in 1978, the family-run fashion house soon grew into a symbol of high glamour and luxury known the world over, dressing the biggest personalities of the 1980s and 1990s, from Madonna to Princess Diana. After Gianni Versace’s tragic death in 1997, his sister Donatella became artistic director of the brand, steering it into the 21st century and cementing its legendary status for new generations of fans. This definitive publication opens with a concise history of the house, followed by brief biographical profiles of Gianni Versace and Donatella Versace, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images that showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Claudia Schiffer to Jennifer Lopez and Kaia Gerber. A rich reference section, including an extensive index, concludes the book.With 1200 illustrations in colour

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'Luke is someone I trust implicitly with my hair.' Victoria Beckham'From the moment Luke Hersheson cut off my long locks ... I finally began to undersand my own hair ... My friend Lauren Laverne began to call Hershesons "The Happy Place".' Sali Hughes'Full of his amazing advice. Only person who could convince me to take the plunge and cut it all off.' Alice LevineWe all know the secret to happiness is a good hair day. It’s OK to take your hair seriously, because it’s more than just hair ­– it’s about confidence, it’s about self-expression, it’s all about feeling good in your own skin. This book will show you how.Practical, inspirational, products tested, myths-busted, all occasions covered. This book offers all the expert styling advice and hair dos and don’ts you will ever need from acclaimed fashion and A-list hairstylist Luke Hersheson, the man behind the iconic cuts and styles seen on runways for Missoni and Armani, in the pages of Vogue and i-D and worn by Keira Knightley, Sienna Miller, Emma Watson and Claudia Schiffer, among others.Foreword by beauty journalist Sali Hughes, bestselling author of Pretty Honest and Pretty Iconic. Chapters include:What’s Your Hair Type?It All Starts with a Good HaircutWhat You Need, What You Don’tYour Hair RoutineRules are There to Be BrokenHair at All AgesHair Goals Five Looks That Always WorkHair WoesGreat Hair From The Inside OutHair and Clothes, Hair Icons, Special Occasion Hair AND MORE!

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Managing the natural environment is fundamental to many businesses, yet management scholars have understudied how natural resources are acquired and deployed, how they constrain and challenge strategy and innovation, and how they differ from more conventionally studied resources in management. This book captures leading and thought-provoking conceptual and empirical contributions on how organizations (ought to) interact with such natural resources. Utilizing a distinctly managerial approach, the chapter authors explore topics such as inter-organizational relationships, strategic responses, and risk and resilience at the interface of the natural environment. By applying and extending management theories such as resource dependence, transaction costs, the resource-based view, dynamic capabilities and imprinting in a natural resource context, the authors open up multiple avenues for future research. At the same time, they seek to actively build a global community of management scholars interested in natural resources. Multidisciplinary in approach and clear in execution, this book will be of interest to students and researchers studying natural resource management and policy, policymakers from regional, national, and trans-national bodies, as well as leaders of environment focused NGOs.Contributors include: B. Bastian, H. Burgers, M. Bystrowska, B. Crawford, C. Dean, G. George, J. Good, B. Grøgaard, S. Gurtner, Y. Hu, F. Keller, R.P. Lee, T.L. Liak, S. Mehra, V.V. Miller, F. Paetzold, A.C. Presse, M.J. Pisani, R. Reinhardt, U.H. Richter, L. Schiffer, S.J.D. Schillebeeckx, C.L. Tucci, C. Van der Byl, K.A. Wigger, M. Workman. F. Zarea Fazlelahi

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The subjects of the essays in Latin American Shakespeares range from the nineteenth century through the present; from high- to middle- to low-brow stories, plays, films, and poems; from Mexico to Argentina, Chile, Cuba, the U.S. barrio, and diverse sections of Brazil; from artists deservedly famous to artists undeservedly obscure. Shakespeare in Latin America is often implicated in struggles for power - tangentially or directly - and therefore swells the story of world wide political Shakespeare. For Latin American artists, the Shakespearean legacy is available for co-optation not only through parody, adaptation, and both reverent and irreverent (re)creation but also through absorption into unique indigenous genres. Rick J. Santos in his introduction writes of mestizo Shakespeare - mixed as are the native, colonial, and immigrant populations throughout Latin America. In part 1, Jose Roberto O'Shea queries whether the father of Brazilian theatre can be an impresario who performed Shakespeare rather than encouraging native writers. Roberto Ferreira da Rocha explores how a planned political statement against a military dictatorship failed to make its point. Jesus Tronch-Perez discusses the independence of two adaptors of Hamlet who push the view of the inactive prince to its limits. Gregary J. Racz explains how Pablo Neruda acted upon his understanding of Romeo and Juliet as an exemplar of his views about society. Juan J. Zaro explores political exile Leon Felipe's spiritual rather than political approach. Catherine Boyle examines the translation of Lear by Nicanor Parra during the transitional period after the fall of the Pinochet dictatorship. Margarida Gandara Rauen offers a close-up view of Guilherme Schiffer Duraes's transgressive use of Caliban. In part 2, Grace Tiffany explores Borges's oeuvre widely and deeply, confirming the fiction writer's fascination with the poet-playwright. Jose Luiz Passos clarifies the debt of Brazilian realist novelist Joaquim Maria Machado de

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These wacky and witty visual puzzles by legendary and award-winning graphic designer Seymour Chwast will have everyone speechless with delight!Chwast, the artist and co-founder of the infamous Pushpin Studios, had an enormous influence on design and illustration everywhere. Now, he brings his unique perspective and spontaneity to the letters of the alphabet. With vibrant color and amusing scenarios, this creative book will capture the interests of children and adults of all ages as readers find the letter hidden in each scene. From the dance floor to deep under the sea, the ski slope, and the swimming pool, children will delight in the colorful images in Chwast's distinctive style and the puzzle of discovering each letter. The simple yet striking artwork will foster their creativity and imagination. As they search for the A disguised as a party hat and the trumpet shaped like a Z, this book is the perfect way for early readers to practice the alphabet while having lots of fun too.About the Author / Illustrator: A creative genius of illustrative arts, Seymour Chwast is a founding partner of the celebrated Push Pin Studios (now Pushpin Group). His work has been featured in the New York Times, The New Yorker, The Wall Street Journal, Vanity Fair, and The Atlantic among many others. Chwast illustrated the highly regarded book Harry's Bath (2005) and series of graphic novel adaptations of major classic works with Bloomsbury Press including Dante's Inferno (2010), Canterbury Tales (2011), and the Odyssey (2012). Chwast has recently published a book of posters from Schiffer Publishing and has an upcoming accompanying exhibition at the Poster House Museum (Fall 2021). He maintains an active presence in the graphic arts and illustrators community, and he continues to have his work displayed in museums such as the MoMA, the Brooklyn Museum, San Francisco MoMA, Galerie Pompidou (Paris), Musée des Arts Décoratifs (Louvre), among others.

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Created by Kate Moss herself, in collaboration with creative director Fabien Baron, Jess Hallett, and Jefferson Hack, this book is a highly personal retrospective of Kate Moss’s career, tracing her evolution from “new girl with potential” to one of the most iconic models of all time.KATE: The Kate Moss Book will be released with eight unique covers, shot by Mario Testino, Corinne Day, Inez & Vinoodh, Craig McDean, Mert & Marcus, David Sims, Mario Sorrenti, and Juergen Teller and will be shipped to customers at random. Kate Moss began modeling as a teenager and achieved recognition when photographs of her shot by Corinne Day appeared in British magazine The Face. She made her so-called “waif” mark as a counterpoint in the 90s to then-dominant, Amazonian supermodels like Cindy Crawford, Claudia Schiffer, and Linda Evangelista, and, with countless international magazine covers and fashion features, and campaigns for brands including Calvin Klein, Chanel, Bulgari, Dolce & Gabbana, Gucci, and Longchamp, has remained one of fashion’s most enduring and influential forces. Moss’s magic has been captured by the world’s leading photographers, and this volume spans the entirety of her unparalleled career, from model to fashion designer, and muse to icon. Told through images that Moss has personally selected, KATE shows the influence of her collaborations with top photographers and artists over the last two decades, and clearly demonstrates why her career has had, and continues to have, such incredible longevity.Photography by Arthur Elgort, Corinne Day, Craig McDean, David Sims, Hedi Slimane, Inez & Vinoodh, Juergen Teller, Mario Sorrenti, Mario Testino, Mert & Marcus, Nick Knight, Patrick Demarchelier, Peter Lindbergh, Roxanne Lowit, Steven Klein, Terry Richardson and others Including many ‘never-before-seen’ images from her own archives and those of the illustrious photographers with whom she has worked, KATE is a must-have for anyone interested in one of the most iconic models in the history of fashion media and modern culture.

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It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This book gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective. In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garçons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh’s respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaïa, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto. Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy. Lindbergh’s reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh. From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh’s lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.

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It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This edition gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective. In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garçons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh’s respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaïa, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto. Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy. Lindbergh’s reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh. From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh’s lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.

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Valentino Rossi is the greatest living motorcyclist. His legions of fans adore him (over 4,000 turned up to see him in Leicester Square last March). He has fought through the 125 and 250 class groups to win the World Championships five times and has been ranked in the top three places at the World Championships for the last nine years. He is currently the MotoGP World Champion, and has won on a Honda bike - considered the best - and most recently on a Yamaha - considered the worst. He is arguably the greatest racer ever - and certainly the most entertaining - his post race antics and cheeky personality have won him as many fans as his on-track prowess. He is the kind of star who only comes along once in a while - a Muhammad Ali or Pele - hugely talented, massively driven, yet also scorching charismatic, unnervingly rebellious and totally endearing - a twentieth-century version of the hell-raisers of old.All who know Rossi say he is a consummate professional, that he works harder than anyone could ever realise, but that most of all, he still loves what he does. He just seems to win more because he's still enjoying himself so much.He is infamous for his on the edge riding, pushing himself and his bike to the very limits of what they can do, and screaming around racecourses in record times. But he is also well known for his good looks, his techni-coloured hair and cheeky humour - and for his sheer youthful exuberance in victory - his post-match victory laps have become a thing of legend. Previously he has driven victory laps in full beach gear, including flip-flops, with a man sized chicken riding pillion (and also, in a jibe to Max Biaggi who had an unceremonious break-up with the model Naomi Campbell, with a life size doll of Claudia Schiffer strapped on behind him.)His warmth of character coupled with his amazing career statistics to date - his first GP win aged 17, his first world title at 18, his first 500 class win at 21 and his first MotoGP win at 22 - mean that this young man has the motorcycle racing world at his feet. His raw talent coupled with his firm belief in the 'entertainment' aspect of his sport and the importance of his fans, means that he really is the David Beckham of bikes - he has done the near impossible and transcended his own territory. His appeal - being at the top of his game without being a purist, still being seen to be young and excited by the game, and being a perfectionist on and off the track when it comes to his driving - means that he really is one of the superstars of the sporting world.

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