Search results for ""Author communia"

How our obsession with 'stuff' is trashing the planetAnnie Leonard, creator of the internet film sensation 'The Story of Stuff', viewed over 6 million times, offers an astonishing, galvanizing book that tells the story of all the 'stuff' we use every day - where our bottled water, mobile phones and jeans come from, how they're made and distributed, and where they really go when we throw them away.Our out-of-control consumption habits are killing the planet and threatening our health, but Annie provides hope that change is within reach. Like An Inconvenient Truth and Silent Spring, The Story of Stuff will be an instant classic.

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Radionuclide distribution and transport in terrestrial and aquatic ecosystems is Volume 5 of a critical review of data (Prepared for the Commission of the European Communities) in 1984.

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The #ActuallyAutistic Guide to Advocacy takes an in-depth look at the key elements of effective, respectful, inclusive advocacy and allyship. Every topic was chosen, shaped, and informed by #ActuallyAutistic perspectives. The step-by-step guide discusses various aspects of how autism is perceived, explores how best to speak up for individual needs, and introduces advocacy for the wider autistic community. Each step outlines one vital aspect of advocacy and allyship, such as emphasizing acceptance, avoiding assumptions and assuming competence. The advice and strategies laid out in this guide center the wisdom and experiences of Autistic people and enable the reader to confidently speak up with insight and understanding.

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Americans are living through a social crisis. Our politics are polarized and bitterly divided. Culture wars rage on campuses, social media, and sometimes in the streets and public squares. And for too many Americans, alienation can descend into despair, weakening families and communities.Left and right alike have responded with anger at our institutions, and use only metaphors of destruction to describe the path forward: cancelling, defunding, draining the swamp. But, as Yuval Levin argues, this is a misguided prescription, rooted in a defective diagnosis. The social crisis we confront is defined not by an oppressive presence but by a debilitating absence of the forces that unite us and militate against alienation.In A Time to Build, now updated with a new epilogue, Levin argues that today is not a time to tear down, but rather to build and rebuild by committing ourselves to the institutions around us. From the military to churches, from families to schools, these institutions provide the forms and structures we need to be free. By taking concrete steps to help them be more trustworthy, we can renew the ties that bind Americans to one another.

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This study challenges current modelling of Bronze Age tell communities in the Carpathian Basin in terms of the evolution of functionally-differentiated, hierarchical or ‘proto-urban’ society under the influence of Mediterranean palatial centres. It is argued that the narrative strategies employed in mainstream theorising of the ‘Bronze Age’ in terms of inevitable social ‘progress’ sets up an artificial dichotomy with earlier Neolithic groups. The result is a reductionist vision of the Bronze Age past which denies continuity evident in many aspects of life and reduces our understanding of European Bronze Age communities to some weak reflection of foreign-derived social types – be they notorious Hawaiian chiefdoms or Mycenaean palatial rule. In order to justify this view, this study looks broadly in two directions: temporal and spatial. First, it is asked how Late Neolithic tell sites of the Carpathian Basin compare to Bronze Age ones, and if we are entitled to assume structural difference or rather ‘progress’ between both epochs. Second, it is examined if a Mediterranean ‘centre’ in any way can contribute to our understanding of Bronze Age tell communities on the ‘periphery’. It is argued that current Neo-Diffusionism has us essentialise from much richer and diverse evidence of past social and cultural realities. Instead, archaeology is called on to contribute to an understanding of the historically specific expressions of the human condition and human agency, not to reduce past lives to abstract stages on the teleological ladder of social evolution.

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Wie verarbeitete Israel beziehungsweise das antike Judentum die Herausforderung theologisch, daß der Tempel als kultisches Zentrum nicht mehr zur Verfügung stand, weil er zerstört war, als religiös disqualifiziert galt, oder - wie im Falle des Diasporajudentums - für eine konkrete Beteiligung am Kult zu weit entfernt lag? In diesem Sammelband gehen internationale Wissenschaftler dieser Frage nach. Dabei liegt der Schwerpunkt ihrer Forschungen in der Epoche des Zweiten Tempels. Analoge Problemstellungen und Entwicklungen in rabbinischer Zeit, im Neuen Testament und der frühen Kirche, im Alten Orient und in der griechisch-römischen Welt werden ebenfalls berücksichtigt.

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The movement of people from the fen edge and river valleys into the clay lands of eastern England has become a growing area of research. The opportunity of studying such an environment and investigating the human activities that took place there became available 9 km to the north-west of Cambridge at the village of Longstanton. The archaeological excavations that took place over a sixteen year period have made a significant contribution to charting the emergence of a Cambridgeshire clayland settlement and its community over six millennia. Evolution of a Community chronologically documents the colonisation of this clay inland location and outlines how it was not an area on the periphery of activity, but part of a fully occupied landscape extending back into the Mesolithic period. Subsequent visits during the Late Neolithic became more focused when the locality appears to have been part of a religious landscape that included a possible barrow site and ritual pit deposits. The excavations indicate that the earliest permanent settlement at the site dates to the Late Bronze Age, with the subsequent Iron Age phases characterised as a small, modest and inward-looking community that endured into the Roman period with very little evidence for disjuncture during the transition. The significant discovery of a group of seventh-century Anglo-Saxon burials which produced rare evidence for infectious deceases is discussed within the context of ‘final phase’ cemeteries and the influence of visible prehistoric features within the local landscape. The excavation of the Late Anglo-Saxon and medieval rural settlement defined its origins and layout which, alongside the artefactual and archaeobotanical assemblages recovered creates a profile over time of the life and livelihood of this community that is firmly placed within its historical context.

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From the “godfather of content marketing”—this completely revised and expanded edition brings marketers fully up to date on the newest content marketing methods and tools, including Web3When Epic Content Marketing was first published eight years ago, content marketing was just starting to pick up speed in the marketing world. Now, this approach—which includes everything from blogging to YouTube videos to social media—is the core of most organizations’ marketing plans.Fully revised and updated, this new edition walks you through the process of developing stories that inform and entertain and compel customers to act, without actually telling them to. In addition to covering all the important social media platforms that have arisen over the past eight years and introducing the “creator economy,” it shows how to update existing content and make new content that performs in strategic ways. Updates include: New content models, structures, and opportunities Content entrepreneurship, content mergers and acquisitions Subscriptions and audience building Team structure, importance of community, DAOs, and creator networks Content options, NFTs, and discord servers Making data-driven decisions to optimize content performance Distributed the right way at the right time, epic content is the best way to truly capture the hearts and minds of customers. It's how to position your business as a trusted expert in its industry. It's what customers share and talk about. This updated edition of the trusted guide provides everything you need to succeed in the new world of content marketing.

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Following the success of For The Love of the Land, this second cook book compiled by Jenny Jefferies and produced by Meze Publishing showcases the incredible fish and seafood found in the UK. For The Love of the Sea highlights the hard work and dedication of the men and women who work in the British fishing industry, as well as those who support them such as the Royal National Lifeboat Institution. The book features professional sailors, fishmongers, fishermen and women, marine conservationists, chefs and suppliers, as well as a foreword by Marcus Coleman, the Chief Executive of Seafish which works with businesses and the government to support the UK seafood sector. With over 40 delicious recipes and fascinating stories from the contributors, For The Love of the Sea aims to encourage everyone to fall in love with British fish and seafood again, championing sustainability and celebrating great produce.

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The Rouen edition of 1505 published by Inghelbert Haghe (BB 2275; STC 15793; copies in Worcester, Cathedral Library, I.k.14; Oxford, Bodleian Library, Gough Missals, 69, pars aestivalis only) with use of MSS London, British Library, Harley MS 2983; Hereford, Cathedral Chapter Library, P.9.VII; Oxford, Balliol College, MS 321; Oxford, University College, MS 7; Worcester, Cathedral Chapter Library, MS Q.86. See also volumes 40 and 46 in the present series.

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Leonard Maltin is America’s best-known film historian, film reviewer, and author of books that have sold more than 7 million copies. He remains a thought leader on past and present Hollywood through his website www.leonardmaltin.com, and a social media presence that includes an active Facebook page and a Twitter feed with more than 66,000 followers. In Hooked on Hollywood, Maltin opens up his personal archive to take readers on a fascinating journey through film history. He first interviewed greats of Hollywood as a precocious teenager in 1960s New York City. He used what he learned from these luminaries to embark on a 50-year (and counting) career that has included New York Times bestselling books, 30 years of regular appearances coast-to-coast on Entertainment Tonight, movie introductions on Turner Classic Movies, and countless other television and radio performances. Early Maltin interviews had literally been stored in his garage for more than 40 years until GoodKnight Books brought them to light for the first time in this volume to entertain readers and inform future film scholars. Teenaged Leonard Maltin landed one-on-ones with Warner Bros. sexy pre-Code siren Joan Blondell; Emmy-winning and Oscar-nominated actor Burgess Meredith; Cecil B. DeMille’s right-hand-man Henry Wilcoxon; Oscar-winning actor Ralph Bellamy; playwright, novelist, and MGM screenwriter Anita Loos; early screen heartthrob George O’Brien; classic Paramount director Mitchell Leisen; and others. Later in his career, Maltin sat down with men and women who worked inside the top studios during the heyday of movies and early television. This second set of in-depth interviews reveals what life was like under Louis B. Mayer, Jack Warner, Harry Cohn, and the other titans of Hollywood. What emerges is a fascinating and at times uproarious homage to Golden Era Hollywood. In addition, key feature articles from Maltin’s newsletter Movie Crazy are published here for the first time, providing new perspectives on the Warner Bros. classics Casablanca and Gold Diggers of 1933 as well as many other masterpieces—and bombs—from Hollywood history. Finally, Maltin looks back at what he considers Hollywood’s “overlooked” studio, RKO Radio Pictures, which gave us such classics as King Kong and the many dance musicals of Astaire and Rogers. In Leonard’s unique and witty style, he looks at dozens of obscure RKO features from the 1930s, including saucy pre-Codes, musicals, comedies, and mysteries. Leonard Maltin’s love of movies and vast knowledge about their history shines through from the first page to the last in this unique volume, which includes 150 rare photos and a comprehensive index.

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The Rouen edition of 1505 published by Inghelbert Haghe (BB 2275; STC 15793; copies in Worcester, Cathedral Library, I.k.14; Oxford, Bodleian Library, Gough Missals, 69, pars aestivalis only) with use of MSS London, British Library, Harley MS 2983; Hereford, Cathedral Chapter Library, P.9.VII; Oxford, Balliol College, MS 321; Oxford, University College, MS 7; Worcester, Cathedral Chapter Library, MS Q.86. See also volumes 26 and 40 in the present series.

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"It is often said that great things take time and after a twelve year hiatus from publishing, renowned artist Swoon has returned with the must-have monograph, THE RED SKEIN." — Quiet Lunch In 224 pages, with more than 200 colour images, this book explores the work of Caledonia Curry, also known as Swoon, and her aim “to bring a human presence to the street in a delicate way”. Covering her works on the street and in the studio, animation projects, collaborations, museum installations and community-based projects, The Red Skein is the most interesting and valuable collection of the artist’s works. Of particular interest is “Persephone, Medea, Hecate: Constructing a crossroads for art and psychedelic-assisted therapy”, an intimate and moving text in which Caledonia explains her background and what art means for her. The in-depth book includes an introduction by bestselling author Dr Gabor Mate, a Hungarian physician with huge expertise on a range of topics including addiction, stress, and childhood development. There are also essays by RJ Rushmore (one of the youngest and most respected critics of street and graffiti art in the world), Melena Ryzik (New York Times reporter who was part of a team that won a Pulitzer Prize in 2018 for reporting on workplace sexual harassment), Jerry Saltz (American art critic, senior art critic for The Village Voice and columnist for New York magazine) and Pedro Alonzo (Boston-based independent curator and Adjunct Curator at Dallas Contemporary). Other contributors include Hans Ulrich Obrist (director of Serpentine Gallery, Art curator, critic and historian of art), Jeffrey Deitch (art dealer and curator, director of the Moca 2010-2013) and Judy Chicago (feminist artist, art educator and writer).

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Professor Sylva has written a major book in what Clifford Geertz terms "blurred genres." By that Geertz means a study that refuses to stay slotted in a specified scholarly discipline, but reaches across such distinctions, in order to face real and complex human issues. As biblical scholarship moves out of its more positivistic modes, it is able to make contact with human dimensions of the text that "objectivist" criticism had long precluded. In this book, Sylva with painstaking research and urbane articulation reflects upon how the Psalms touch fractured human conditions in healing ways. This is no surface interpreation of scripture for the sake of "an easy religious fix", and it is no "pop psychology", because the author has thought with great steadfastness and is informed on both sides of the interface. The power of his argument is in the detail of human stress and in the effective nuance of the poetry. For his interface he employs the intriguing term "theotherapy". I have no doubt that this book will become a major resource for bringing back together text and human reality that our recent interpretative past has rent asunder. Sylva invites us to a new conversation as we "blur" our safer points of reference. Walter Brueggemann Professor of Old Testament, Columbia Theological Seminary This book seeks to uncover the serious and deep ways in which the Psalms speak to the human situation. Few works that I know of have sought to bring the Psalms to bear on the stresses and strains, the functions and dysfunctions of the family as has been done here. Professor Sylva endeavors to show how the Psalms create a fundamental trust in God, a trust that moves out into all other relationships starting with the family. This is something that happened to me as a child and that I came to realize only much later. In this work, The Pslams are clearly not simply a springboard to say some things about family therapy. They are the heart of this book, and it is only as they are heard in detail that one then moves or is carried by them into a more secure family relationship. I hope very much that this work will enhance the reading and appropriation of the Psalms within the family as a source of family health and strength. Patrick D. Miller Professor of Old Testament Theology, Princeton Theological Seminary Dana Sylva is Associate Professor of Biblical Studies at Saint Francis Seminary in Milwaukee, Wisconsin. He is the editor of "Reimaging the Death of the Lukan Jesus" (1990), and he has published articles on Old testament and New Testament exegesis.

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At long last community interpreters are coming into their own as professionals in various parts of the world. At the same time, the complexity of their practice has been thrown into sharp relief. In this thought-provoking volume of selected papers from the third Critical Link conference held in 2001 (Montreal), we see a profession that is carving out a place for itself amid political adversity, economic constraints and a host of historical and cultural conditions. Community interpreters are learning to work better with governments, courts, police, psychologists, doctors, patients, refugees, violent offenders, and human rights missions in war-torn countries. From First Peoples to minority language speakers to former refugees and members of the Deaf community, interpreters are seeking out the training, legal protection and credentials they need. They are standing up to be counted in surveys, reaping the fruits of specialization and contributing to salient academic discussions on language, communication and translation studies.

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The Rouen edition of 1505 published by Inghelbert Haghe (BB 2275; STC 15793; copies in Worcester, Cathedral Library, I.k.14; Oxford, Bodleian Library, Gough Missals, 69, pars aestivalis only) with use of MSS London, British Library, Harley MS 2983; Hereford, Cathedral Chapter Library, P.9.VII; Oxford, Balliol College, MS 321; Oxford, University College, MS 7; Worcester, Cathedral Chapter Library, MS Q.86. See also volumes 26 and 46 in the present series.

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In After Hiroshima, American artist elin o’Hara slavick attempts to address the aftermath of the 1945 bombing--historically, poetically and visually. This act of ethical seeing “brings to us with harrowing clarity … what may lie ahead if we cannot cure ourselves of the pathology that has brought us this far." --Noam Chomsky elin o’Hara slavick is a Professor of Visual Art, Theory and Practice at the University of North Carolina at Chapel Hill. She received her MFA in Photography from the School of the Art Institute of Chicago and her BA from Sarah Lawrence College. Slavick has exhibited her work internationally [and is the author of Bomb After Bomb: A Violent Cartography, with a foreword by Howard Zinn and essay by Carol Mayor in addition to After Hiroshima]. She is also a curator, critic and activist. James Elkins grew up in Ithaca, New York, separated from Cornell University by a quarter-mile of woods once owned by the naturalist Laurence Palmer. He stayed on in Ithaca long enough to get the BA degree (in English and Art History), with summer hitchhiking trips to Alaska, Mexico, Guatemala, the Caribbean, and Columbia. For the last twenty-five years he has lived in Chicago; he got a graduate degree in painting, and then switched to Art History, got another graduate degree, and went on to do the PhD in Art History, which he finished in 1989. (All from the University of Chicago.) Since then he has been teaching at the School of the Art Institute of Chicago. He is currently E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism. His writing focuses on the history and theory of images in art, science, and nature. Some of his books are exclusively on fine art (What Painting Is, Why Are Our Pictures Puzzles?). Others include scientific and non-art images, writing systems, and archaeology (The Domain of Images, On Pictures and the Words That Fail Them), and some are about natural history (How to Use Your Eyes).

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Walking the fine line between fiction and non-fiction, Murray creates a hauntingly beautiful narrative book that navigates the psychology of men through an exploration of portraiture and place. Intimate portraits and enigmatic landscapes deliberately mix fact and fiction, past and present, myth and reality. Katie Murray is an American photographer and video artist. She received her BFA in 1997 from the School of Visual Arts and her MFA from Yale University School of Art in 2000. Murray’s work concerns itself with the primal and mythological. She has exhibited in solo and group shows to include: [The Barbara Walter’s Gallery at Sarah Lawrence College (2014), The Museum of Contemporary Photography, Chicago (2014) The Photographers’ Gallery, UK (2013) College of the Canyons Art Gallery (2012), HomeFront Gallery, NY (2011), World Class Boxing, Miami (2010), Kate Werble Gallery, NY (2009), International Center for Photography (2008) White Columns, NY (2004) Jen Bekman Gallery (2004), Queens Museum of Art, NY (2004), and The Yale Art Gallery, CT (2000)]. She received the New York State Residents Grant for Excellence in Photography in 1996, the Robin Forbes Memorial Award in Photography in 1997, the Barry Cohen Award for Excellence in Art in 2000, and a NYFA grant in 2012. Murray’s work has been published in various magazines, books and catalogues. Murray’s work is held in numerous private and public collections. Murray is a faculty member at Hunter College, Sarah Lawrence College, and School of Visual Arts. Maria Antonella Pelizzari teaches courses in the History of Photography at Hunter College, focusing on issues of cultural representation, historiography, and collecting, for both nineteenth- and twentieth-century works. Her expertise covers a wide range of subjects and time periods, such as Italian photography and culture from its beginnings to the present, nineteenth-century British colonialism, American modernism, and the interdisciplinary dialogue between photography and architecture. She is the author of Photography and Italy (London: Reaktion Books, 2011), a historical study that represents the first and only book on this subject in English literature, which will be also published by Contrasto, Milan. She has edited the volume Traces of India: Photography, Architecture and the Politics of Representation, CCA and Yale Center for British Art, 2003 (awarded the book prize “Historians of British Art” in 2004) and has contributed essays to several books (among them, Art for Venice, London: Ivorypress, 2011; Desire for Magic: Patrick Nagatani 1978-2008, University of New Mexico Art Museum, 2010; Picturing Place: Photography and the Geographical Imagination, London and New York: I. B.Tauris, 2002; America: The New World in 19th- Century Painting, Munich, London, New York: Prestel, 1999). Her essays have been published in History of Photography, Visual Resources, Afterimage, Performing Arts Journal, Casabella, Fotologia, Photography and Culture, Perspectives. Actualités de la recherche en histoire de l’art, and CV Magazine. She has co-edited (with Paolo Scrivano, Boston University) a new volume of Visual Resources. An International Journal of Documentation on “Intersection of Photography and Architecture” (Vol.XXVII, N.2, June 2011) and is working on a new book on photomontage in Italy in the 1930s. Pelizzari earned her PhD from the University of New Mexico and her MA from the Universita’ di Genova, in Italy. She has been Associate Curator of Photography at the Canadian Center for Architecture in Montreal, and has held teaching positions at Concordia University (Montreal) and Ryerson University (Toronto).

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In Lebanon, religious parties such as Hezbollah play a critical role in providing health care, food, poverty relief, and other social welfare services alongside or in the absence of government efforts. Some parties distribute goods and services broadly, even to members of other parties or other faiths, while others allocate services more narrowly to their own base. In Compassionate Communalism, Melani Cammett analyzes the political logics of sectarianism through the lens of social welfare. On the basis of years of research into the varying welfare distribution strategies of Christian, Shia Muslim, and Sunni Muslim political parties in Lebanon, Cammett shows how and why sectarian groups deploy welfare benefits for such varied goals as attracting marginal voters, solidifying intraconfessional support, mobilizing mass support, and supporting militia fighters. Cammett then extends her arguments with novel evidence from the Sadrist movement in post-Saddam Iraq and the Bharatiya Janata Party in contemporary India, other places where religious and ethnic organizations provide welfare as part of their efforts to build political support. Nonstate welfare performs a critical function in the absence of capable state institutions, Cammett finds, but it comes at a price: creating or deepening social divisions, sustaining rival visions of the polity, or introducing new levels of social inequality. Compassionate Communalism is informed by Cammett’s use of many methods of data collection and analysis, including Geographic Information Systems (GIS) analysis of the location of hospitals and of religious communities; a large national survey of Lebanese citizens regarding access to social welfare; standardized open-ended interviews with representatives from political parties, religious charities, NGOs, and government ministries, as well as local academics and journalists; large-scale proxy interviewing of welfare beneficiaries conducted by trained Lebanese graduate students matched with coreligionist respondents; archival research; and field visits to schools, hospitals, clinics, and other social assistance programs as well as political party offices throughout the country.

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Our cities are atrophying: What was once an open system inhabitable by all and that was about freedom and self-determination is becoming a zone in which architecture focuses only on comfort and security: a walk-in investment portfolio of luxury properties, offices and token patches of green. The masses, meanwhile, continue to live in the endless housing developments of the suburbs. Accommodation is characterised by a mania for barricades and comfort. The construction industry is booming – and builds the same houses over and over again. But do those buildings have anything to do with the way in which most people want to live today, considering dramatic demographic, technological and social change? Where does the dream of the detached house come from? Which ideal form of living are we taught by children’s books, lifestyle magazines and DIY shops? Who benefits from us living the way we live? Niklas Maak shows how the interests of the construction industry, overextended policies mired in regulations and the habits of planners prevent us from rethinking construction, living arrangements and the city. This humorous, controversial and very well researched book is a precise economic analysis of the architectural world, a brilliant cultural history of living arrangements and a political manifesto for a new kind of architecture.

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