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Suspicion is cast on two successful crime writers, when their seven-year-old son goes missing. Are they trying to show that they can commit the perfect crime? A mesmerisingly twisty, dark thriller from number-one bestselling New Zealand author Paul Cleave…‘You may think you know where it’s going, but you couldn’t be more wrong. A true page-turner filled with dread, rage, doubt and more twists than the Remutaka Pass’ Linwood Barclay‘Paul Cleave is an automatic must-read for me, and The Quiet People shows why – it grabbed me by the throat, shook me around, and left me breathing hard. Fantastic, and highly recommended’ Lee Child ‘A true page-turner, with an intriguing premise, a rollercoaster plot and a cast of believably flawed characters’ Guardian ‘An absolute BELTER of a book … I’d forgotten how good Paul Cleave is!’ Sarah Pinborough ________________________Can two crime writers get away with murder?Cameron and Lisa Murdoch are successful New Zealand crime writers, happily married and topping bestseller lists worldwide. They have been on the promotional circuit for years, joking that no one knows how to get away with crime like they do. After all, they write about it for a living.So when their challenging seven-year-old son Zach disappears, the police and the public naturally wonder if they have finally decided to prove what they have been saying all this time… Are they trying to show how they can commit the perfect crime?Electrifying, taut and immaculately plotted, The Quiet People is a chilling, tantalisingly twisted thriller that will keep you gripped and guessing to the last explosive page._________________________**Best Indie Novel: Crime Fiction Lover Awards**** 2021 INDIES Book of the Year Award Finalist** ‘The psychological depth of the leads bolsters the complex plot. This merits comparison with the work of Patricia Highsmith’ Publishers Weekly STARRED REVIEW ‘What is really compelling about The Quiet People is neither its neat twists nor the topical examination of mob rule, but Cleave’s portrait of Cameron as he goes rogue under pressure and tries to use his writer’s skills to save his son’ The Times‘Gripping from the first page and full of deliciously dark twists and turns. You can’t be a true fan of crime fiction if you’re not reading Cleave’s books’ Tom Wood‘The sense of dread builds unstoppably in this gripping page-turner … an intense, chilling read’ Gilly Macmillan‘I don't think I breathed from about halfway through to the end. A masterpiece from a crime genius’ Susi Holliday ‘His best book yet … by the end, readers will find themselves holding their breath’ Bolo Books‘Uses words as lethal weapons’ New York Times‘What starts out as a slow burn, quickly ratchets up the tension and the twists, sending you spiralling down a hill of depravity and desperation’ Kirsten McKenzie‘A cinematic, raging, rollercoaster of a plot … wildly entertaining, and will keep you guessing right to the end’ New Zealand Herald‘Cleave has become one of my go-to authors for a chilling slice of cleverly crafted crime’ LoveReading ‘Super-clever and properly gripping’ The Sun‘A superb novel from a champion storyteller’ Crime WatchPraise for Paul Cleave‘Cleave writes the kind of dark, intense thrillers that I never want to end. Do yourself a favour and check him out’ Simon Kernick‘Tense, thrilling, touching. Paul Cleave is very good indeed’ John Connolly‘Compelling, dark, and perfectly paced’ Booklist‘Relentlessly gripping, deliciously twisted’ Mark Billingham‘An intense adrenaline rush from start to finish’ S J Watson‘A riveting and all too realistic thriller’ Tess Gerritsen‘A gripping thriller …I couldn’t put it down’ Meg Gardiner‘This very clever novel did my head in time and again’ Michael Robotham ‘Cleave’s whirligig plot mesmerises’ People ‘This thriller is one to remember’ New York Journal of Book

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Secrets. Suspicion. Survival. No one writes relationships better than B.A. PARIS'A rollercoaster ride, with plenty of twists' OBSERVER'The explosive start of this book sets up a compelling plot [...] written in well-executed super-edgy, short, sharp chapters and the description of her confinement is full of claustrophobic detail and menace' DAILY MAIL'Paris skilfully stitches together domestic noir with a kidnap thriller and the result is a gripping read' DAILY EXPRESS'Dark, immersive, and mysterious ... locks you quickly into its claustrophobic grip and doesn't let up till the last page' LOUISE CANDLISH THENAmelie has always been a survivor, from losing her parents as a child in Paris to making it on her own in London. As she builds a career for herself in the magazine industry, she meets, and agrees to marry, Ned Hawthorne.NOWAmelie wakes up in a pitch-black room, not knowing where she is. Why has she been taken? Who are her mysterious captors? And why does she soon feel safer here, imprisoned, than she had begun to feel with her husband Ned?In true B.A. Paris style, The Prisoner is a gripping survival story, a twisted tale of love and at its dark heart a thriller to keep you up all night.'Claustrophobic, menacing and relentlessly tense, this is a fiendishly plotted thriller with a great central twist' SARAH VAUGHAN'Gripping' DAILY MIRROR'Elegant, taut, ingeniously plotted and extremely addictive. Superb!' WILL DEAN'Book of the Month: chilling, intense and frightening in places, you'll be left wondering what is real and what isn't' WOMAN & HOME''Dark and compulsive ... B.A. Paris again conjures up the tense claustrophobia of BEHIND CLOSED DOORS and delivers yet another brilliant, unputdownable read' GILLY MACMILLAN'I loved the short chapters in part one, which really added to the rising tension. You will be rooting for Amelie!' PRIMA'Dark, daring and irresistible. B.A. Paris takes a clever, sinister survival story and further elevates it with her trademark style and heart. Truly impossible to put down' CHRIS WHITAKER'Wow! What a ride! A tantalising, taut, tense thriller' JANE CORRY'Pacy, gripping from the get-go, and with so many twists! I felt so strongly for Amelie and was rooting for her the entire book. The Prisoner is a brilliant addition to BA Paris's stella stable of thrillers' L.V. MATTHEWS'Intense and gripping, The Prisoner is suffused with intrigue and menace' EMMA HAUGHTON'Clever, twisty and unusual' LOUISE BEECH'Taut, suspenseful, loaded with twists and surprises, and the true definition of a just-one-more-chapter page-turner. It's another B.A. Paris triumph -- complex, compelling and absolutely impossible to resist. C.M. EWAN 'So utterly gripping I finished it in one heart-racing afternoon. Clobbered me from the first page and kept me hostage until I'd turned the last' EMMA BAMFORD'[T]his web of fear and lies is much more complex, satisfyingly so, than Room, involving many more characters, intricate plotting, and layers of subterfuge. Paris's fans won't be disappointed and readers new to the author will be hooked' FIRST CLUE'What if being kidnapped and kept in a dark room is preferable to your marriage? A tense and clever thriller - I loved it' CATHERINE COOPER

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This Handbook is an important contribution to knowledge about employee voice which combines a variety of approaches to the subject by drawing on different disciplines, forms and philosophies. It provides new research from a wide range of national and international experience and covers both collective and individual means of expressing the views of employees in the workplace. A feature of the Handbook is that it covers not only employment relations perspectives on the subject but also draws upon human resource management as well as organizational studies. The editors are leading authors in the subject area and have brought together both established authors and emerging scholars who have fresh approaches to the role of employee voice in organizations and society. I am sure that the Handbook will become a standard reference in the future.'- Russell Lansbury, University of Sydney, Australia'Given that employee voice has become more important recently across a range of disciplines, this book is very timely indeed. It brings together contributions from 50 well-known academics from different countries who provide a comprehensive account of employee voice from a variety of historical and contemporary angles. Crucially it also raises key questions for current and future research and practice. In my view this book should be compulsory reading for academics, policy-makers, practitioners and students in the subject area.'- Michael Marchington, University of Strathclyde and University of Manchester, UKThe term 'employee voice' refers to the ways and means through which employees can attempt to have a say and influence organizational issues that affect their work and the interests of managers and owners. The concept is distinct, but related to and often overlapping with issues such as participation, involvement and, more recently, engagement. This Handbook provides an up-to-date survey of the current research into employee voice, sets this research into context and sets a marker for future research in the area.The contributors are all expert in their field. The book examines the theory and history of employee voice and what voice means to various actors, including employers, middle managers, employees, unions and policy-makers. The authors observe how these actors engage in various voice processes, such as collective bargaining, grievance procedures, task-based voice, partnership and mutual gains. The efforts that have been made to date to evaluate voice across and between firms are then assessed, before the contributors go on to open up the debate on potential new areas for voice research, with a focus on voice and its relationship to organizational inclusion and exclusion.Contributors: B. Abbott, M.M.C. Allen, A.C. Avgar, N. Balnave, A. Barnes, C. Benassi, J. Benders, C.T. Brinsfield, A. Bryson, J.W. Budd, S. Chillas, N. Cullinane, T. Dobbins, V. Doellgast, J. Donaghey, T. Dundon, J. Foley, R.B. Freeman, P.J. Gollan, R. Gomez, M.G. Menéndez, J.A. Gruman, B. Harley, E. Heery, P. Holland, S. Johnstone, S. Kaine, B.E. Kaufman, T. Kretschmer, D. Lewin, A.A. Luchak, M.M. Lucio, C. MacMillan, A. Marks, W. Nienhüser, S. Owens, M.F. Ozbilgin , G. Patmore, D.M. Pohler, S. Procter, A. Pyman, A.M. Saks, M. Sameer, J. Syed, L. Thornthwaite, K. Townsend, A. Wilkinson, S. Williams, P. Willman, Y. Xu

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This Handbook is an important contribution to knowledge about employee voice which combines a variety of approaches to the subject by drawing on different disciplines, forms and philosophies. It provides new research from a wide range of national and international experience and covers both collective and individual means of expressing the views of employees in the workplace. A feature of the Handbook is that it covers not only employment relations perspectives on the subject but also draws upon human resource management as well as organizational studies. The editors are leading authors in the subject area and have brought together both established authors and emerging scholars who have fresh approaches to the role of employee voice in organizations and society. I am sure that the Handbook will become a standard reference in the future.'- Russell Lansbury, University of Sydney, Australia'Given that employee voice has become more important recently across a range of disciplines, this book is very timely indeed. It brings together contributions from 50 well-known academics from different countries who provide a comprehensive account of employee voice from a variety of historical and contemporary angles. Crucially it also raises key questions for current and future research and practice. In my view this book should be compulsory reading for academics, policy-makers, practitioners and students in the subject area.'- Michael Marchington, University of Strathclyde and University of Manchester, UKThe term 'employee voice' refers to the ways and means through which employees can attempt to have a say and influence organizational issues that affect their work and the interests of managers and owners. The concept is distinct, but related to and often overlapping with issues such as participation, involvement and, more recently, engagement. This Handbook provides an up-to-date survey of the current research into employee voice, sets this research into context and sets a marker for future research in the area.The contributors are all expert in their field. The book examines the theory and history of employee voice and what voice means to various actors, including employers, middle managers, employees, unions and policy-makers. The authors observe how these actors engage in various voice processes, such as collective bargaining, grievance procedures, task-based voice, partnership and mutual gains. The efforts that have been made to date to evaluate voice across and between firms are then assessed, before the contributors go on to open up the debate on potential new areas for voice research, with a focus on voice and its relationship to organizational inclusion and exclusion.Contributors: B. Abbott, M.M.C. Allen, A.C. Avgar, N. Balnave, A. Barnes, C. Benassi, J. Benders, C.T. Brinsfield, A. Bryson, J.W. Budd, S. Chillas, N. Cullinane, T. Dobbins, V. Doellgast, J. Donaghey, T. Dundon, J. Foley, R.B. Freeman, P.J. Gollan, R. Gomez, M.G. Menéndez, J.A. Gruman, B. Harley, E. Heery, P. Holland, S. Johnstone, S. Kaine, B.E. Kaufman, T. Kretschmer, D. Lewin, A.A. Luchak, M.M. Lucio, C. MacMillan, A. Marks, W. Nienhüser, S. Owens, M.F. Ozbilgin , G. Patmore, D.M. Pohler, S. Procter, A. Pyman, A.M. Saks, M. Sameer, J. Syed, L. Thornthwaite, K. Townsend, A. Wilkinson, S. Williams, P. Willman, Y. Xu

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Kopenhaga is the first comprehensive collection of prose poetry by Grzegorz Wróblewski, one of Poland’s leading contemporary writers. The book offers a series of vignettes from the crossroads of politics and culture, technology and ethics, consumerism and spirituality. It combines two tropes: the emigrant’s double identity and the ethnographer’s search for patterns. While ostensibly focused on Denmark, it functions as an investigation of alterity in the post-cold war era of ethnic strife and global capitalism. Whether he writes about refugees in Copenhagen (one of Europe’s major transnational cities), or the homeless, or the mentally ill, or any other marginalized group, Wróblewski points to the moral contradictions of a world supposedly without borders. There is something strange and indecent about people who suddenly dispose of their libraries. Recently, the well-off R. appeared at my door with a carton of books; he is moving and there is no space for them in his new apartment (which is probably bigger than the previous one). This is how Formy by Tadeusz Rózewicz (Czytelnik, Warsaw, 1958, 1st edition) ended up in Christianshavn. Last sentence of the volume: Amid all this din we walk toward silence, toward explanation. Grzegorz Wróblewski, born in 1962 in Gdansk and raised in Warsaw, has been living in Copenhagen since 1985. He has published ten volumes of poetry and three collections of short prose pieces in Poland; three books of poetry, a book of poetic prose and an experimental novel in Denmark; a book of selected poems in Bosnia-Herzegovina; and a selection of plays. His work has been translated into fifteen languages. His poems in English translation appear in many journals, anthologies, and chapbooks, as well as in two collections Our Flying Objects (Equipage Press, 2007) and A Marzipan Factory (Otoliths, 2010). Translator Piotr Gwiazda has published two books of poetry, Messages (Pond Road Press, 2012) and Gagarin Street (Washington Writers’ Publishing House, 2005). He is also the author of James Merrill and W.H. Auden: Homosexuality and Poetic Influence (Palgrave Macmillan, 2007). He is an Associate Professor of English at the University of Maryland Baltimore County (UMBC). "Alien to Joycean effulgence, Kopenhaga is nonetheless a book of silence, exile, and cunning: silence instead of moralizing in the face of modernity’s indignities; exile from native land and language; cunning in cajoling these conditions to sing a new song, one lacking in all jubilation, still somehow victorious in the absolute character of defeat. Grim, glancingly beautiful, always necessary." —Joshua Clover " Wróblewski is the true poetic chronicler of our 21st century diaspora in all its absurdities and anxieties. Kopenhaga, his book of aphoristic prose poems, pulls out all the rhetorical stops to present us with a relentless, sardonic, and hilarious picture of a culture (at once highly particular and yet anyculture) as insane as it is public-spirited and kindly. Kopenhaga is a journey to the end of the night that always makes a U-turn in the middle, to take in the latest folly—and also self-rescue mission—of the transplant. Read it and weep—and then laugh!" —Marjorie Perloff "Wróblewski has written one of the most important books of our time: these are at once unsettling and comforting, timely and wryly moving poems about the laughable annoyances, limited joys, and the never fully present sorrows of cosmopolitanism, the life of the citizens of the world. Gwiazda has rendered this study in a language full of 'water and shouting and whalers.' I can think at the moment of no better book for you to read in this our immense and always new Copenhagen." —Gabriel Gudding

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