Search results for ""manchester university press""

This is the first book-length study of the Scottish Legendary of the late fourteenth century. The only extant collection of saints' lives in the vernacular from medieval Scotland, the work scrutinises the dynamics of hagiographic narration, its implicit assumptions about literariness, and the functions of telling the lives of the saints. The fifty saints' legends are remarkable for their narrative art: the enjoyment of reading the legends is heightened, while didactic and edifying content is toned down. Focusing on the role of the narrator, the depiction of the saintly characters, their interiority, as well as temporal and spatial parameters, it is demonstrated that the Scottish poet has adapted the traditional material to the needs of an audience versed in reading romance and other secular genres. This study scrutinises the implications of the Scottish poet's narrative strategies with respect to the Scottishness of the Legendary and its overall place in the hagiographic landscape of late medieval Britain.

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Flesh Cinema: The corporeal turn in American avant-garde cinema explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.

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What do we imagine when we imagine Europe and the European Union? To what extent is our understanding of the EU – of its development, its policies and its working processes – shaped by unacknowledged assumptions about what Europe really is?The book constructs a case for re-imagining Europe – not as an entity in Brussels or a series of fixed relations - but as a simultaneously real and imagined space of action which exists to the extent that Europeans and others act in and on it. This Europe is constantly being made in particular spaces, through specific actor struggles, whose interconnections are often ill-defined. We ask how do those concerned with building Europe, with extending and elaborating the EU, think of where they are and what they are doing?The book captures Europeans in the process of making Europe: of performing, interpreting, modelling, referencing, consulting, measuring and de-politicising Europe.

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This collection examines the Irish economic phenomenon of the Celtic Tiger and the financial disaster that came in its wake, from a socio-cultural perspective. It focuses on how these financial developments have been reflected in writing, film and culture in order to offer a more rounded analysis of the effects of this momentous period on people’s lives.Employing a wide range of cultural lenses, the book critiques the cultural, political and aesthetic implications of the progression from prosperity to austerity and the impact this has had on the psyche of Irish culture. An eclectic mix of theoretical approaches enables treatment of religion, literature, popular culture, photography, gastronomy, music, gender, immigration and film, as contributors assess how the Celtic Tiger was represented, or misrepresented, in these particular spheres of experience.In addition, the chapters also probe the effects on all of the aforementioned cultural forms, and interrogate how the lives of people have been transformed in ways that go beyond the already well-documented areas of economics and finance.The book will be a valuable resource for academics and students interested in contemporary Ireland and recent Irish history, as well as the general reader anxious to understand the effects of this particular period on the real lives of people as expressed through culture. It features contributions by internationally acknowledged experts in their fields and offers a comprehensive overview of the cultural consequences of the Celtic Tiger and its aftermath.

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This collection examines the Irish economic phenomenon of the Celtic Tiger and the financial disaster that came in its wake, from a socio-cultural perspective. It focuses on how these financial developments have been reflected in writing, film and culture in order to offer a more rounded analysis of the effects of this momentous period on people’s lives.Employing a wide range of cultural lenses, the book critiques the cultural, political and aesthetic implications of the progression from prosperity to austerity and the impact this has had on the psyche of Irish culture. An eclectic mix of theoretical approaches enables treatment of religion, literature, popular culture, photography, gastronomy, music, gender, immigration and film, as contributors assess how the Celtic Tiger was represented, or misrepresented, in these particular spheres of experience.In addition, the chapters also probe the effects on all of the aforementioned cultural forms, and interrogate how the lives of people have been transformed in ways that go beyond the already well-documented areas of economics and finance.The book will be a valuable resource for academics and students interested in contemporary Ireland and recent Irish history, as well as the general reader anxious to understand the effects of this particular period on the real lives of people as expressed through culture. It features contributions by internationally acknowledged experts in their fields and offers a comprehensive overview of the cultural consequences of the Celtic Tiger and its aftermath.

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Spanish contemporary poetry: An anthology presents a selection of Spanish peninsular poetry from the 1970s to the present day, with an introductory study of the most relevant poetic trends and poetic groups of the period, followed by guided and close readings of each poem. The anthology includes poems by twenty-two authors selected according to their literary rigour and with attention to the relevance of their work, a comprehensive introductory study, notes, thorough individual commentaries to the poems, and lists of selected vocabulary and rhetorical terms that provide accessibility to the anthology. The poetic selection is divided into sections and subsections in order to aid its pedagogical intent, covering: the poetry written during the transition to democracy; the emergence of poetry written by women in the 1980s; the Spanish poetic field of the 1990s; the poetry written at the turn of the new millennium; and some of the youngest voices in Spanish poetry today. English-speaking students working in the field of Hispanic literature, but also a more general reader keen on literature written in Spanish language, should thoroughly enjoy this work.

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This book examines the work that nurses of many differing nations undertook during the Crimean War, the Boer War, the Spanish Civil War, both World Wars and the Korean War. It makes an excellent and timely contribution to the growing discipline of nursing wartime work. In its exploration of multiple nursing roles during the wars, it considers the responsiveness of nursing work, as crisis scenarios gave rise to improvisation and the – sometimes quite dramatic – breaking of practice boundaries. The originality of the text lies not only in the breadth of wartime practices considered, but also the international scope of both the contributors and the nurses they consider. It will therefore appeal to academics and students in the history of nursing and war, nursing work and the history of medicine and war from across the globe.

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Rocks of nation reveals how the imagination of nations and races is grounded in the landscape. In doing so, it makes a striking contribution to theories of nation, offering new insights into how national identity is bound up with materiality. The book provides an in-depth case study of Cornwall and its economy in the wider context of Britain and the rise of nationalist politics, especially in England (UKIP) and Scotland (SNP). Spanning from the early nineteenth to the twenty-first century, it traces the gradual formation of a cultural consciousness of Cornwall as a distinctively rocky nation through a wide range of literatures, including nineteenth-century geological journals and folklore, Gothic and detective fiction, modernist and romance novels, travel narratives, 'New Age' eco-spiritualism and Cornish nationalist writings. Rocks of nation will be of interest to students and academics across the disciplines, from English literature and cultural geography to Celtic studies, history and politics.

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This is a highly anticipated examination of the popular film and fiction consumed by Britons in the 1920s and 1930s. Departing from a prevailing emphasis on popular culture as escapist, Christine Grandy offers a fresh perspective by noting the enduring importance of class and gender divisions in the narratives read and watched by the working and middle classes between the wars. This compelling study ties contemporary concerns about ex-soldiers, profiteers, and working and voting women to the heroes, villains and love-interests that dominated a range of films and novels. Heroes and happy endings further considers the state’s role in shaping the content of popular narratives through censorship. An important and highly readable work for scholars and students interested in cultural and social history, as well as media and film studies, this book is sure to shift our understanding of the role of mass culture in the 1920s and 1930s.

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Worker protests in post-communist Romania and Ukraine is a book about strategies of trade unions confronting employers in difficult conditions. The book’s main idea is to study why and how successful forms of workers’ interest representation could emerge in a hostile context. The post-communist context makes it difficult for workers and trade unions to mobilise, pose threats to employers, and break out of their political isolation, but even under such harsh conditions strategy matters for defending workers’ rights and living standards. The cases studied in this book are 18 conflict episodes at 10 privatised plants in the Romanian steel industry and Ukraine's civil machine-building sector in the 2000s.This book should be relevant for anyone taking interest in how and to what extent workers can reassert their influence over the conditions of production in regions and economic sectors characterised by disinvestment (of which outsourcing and ‘lean’ methods of production are instances).

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This highly original book is the first in-depth study of a footsoldier of the seventeenth-century German Republic of Letters. Its subject, the polymath and schoolteacher Christian Daum, is today completely forgotten, yet left behind one of the largest private archives of any early modern European scholar. On the basis of this unique source, this book portrays schools as focal points of a whole world of Lutheran learning outside of universities and courts, as places not just of education but of intense scholarship, and examines their significance for German culture.Multi-confessional Germany was different from Catholic France and Protestant England in that its network of small cities fostered educational and cultural competition and made possible a much larger and socially open Republic. This book allows us for the first time to understand how the Republic of Letters was constructed from below and how it was possible for individuals from relatively humble backgrounds and occupations to be at the centre of European intellectual life.This book is aimed at other specialists as well as postgraduate students in the fields of cultural and social history, and can also serve as an introduction to recent European literature on early modern scholarship for undergraduate students.

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The right and the recession considers the ways in which conservative activists, groupings, parties and interests in the US and Britain responded to the financial crisis and the 'Great Recession' that followed in its wake. The book looks at the tensions and stresses between different ideas, interests and institutions and the ways in which they shaped the character of political outcomes. In Britain, these processes opened the way for leading Conservatives to redefine their commitment to fiscal retrenchment and austerity. Whereas public expenditure reductions had been portrayed as a necessary response to earlier overspending they were increasingly represented as a way of securing a permanently 'leaner' state. The book assesses the character of this shift in thinking as well as the viability of these efforts to shrink the state and the parallel attempts in the US to cut federal government spending through mechanisms such as the budget sequester.

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This book compares the histories of psychiatric and voluntary hospital nurses’ health from the rise of the professional nurse in 1880 to the advent of the National Health Service in 1948. In the process it reveals the ways national ideas about the organisation of nursing impacted on the lives of ordinary nurses. It explains why the management of nurses’ health changed over time and between places, and sets these changes within a wider context of social, political and economic history. Today, high rates of sickness absence in the nursing profession attract increasing criticism. Nurses took more days off sick in 2011 than private sector employees and most other groups of public sector workers. This book argues that the roots of today’s problems are embedded in the ways nurses were managed in the late nineteenth and early twentieth centuries. It offers insights not only into the history of women’s work but also the history of disease and the ways changing scientific knowledge shaped the management of nurses’ health.

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The cinema of Lucrecia Martel provides a comprehensive analysis of the work of the acclaimed Argentine director, whose elusive and elliptical feature films have garnered worldwide recognition since her 2001 debut La ciénaga. This volume considers existing critical work on Martel's oeuvre, and proposes new ways of understanding it, in particular through desire, the use of the child's perspective, and through the senses and perception. Martin also offers an analysis of the politics of Martel's films, showing how they can be understood as sites of transformation and possibility, develops queer approaches to Martel's films, and shows how they offer new forms of cinematic pleasure. The cinema of Lucrecia Martel combines traditional plot and gaze analysis with an understanding of film as a material object, to explore the films' sensory experiments and their challenges to dominant cinematic forms.

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This wide-ranging and accessible book examines the effects of British imperial involvements on history writing in Britain since 1750. It provides a chronological account of the development of history writing in its social, political, and cultural contexts, and an analysis of the structural links between those involvements and the dominant concerns of that writing. The author looks at the impact of imperial and global expansion on the treatment of government, of social structures and changes and of national and ethnic identity in scholarly and popular works, in school histories, and in ‘famous’ history books. In a clear and student-friendly way, the book argues that involvement in empire played a transformative and central role within history writing as whole, reframing its basic assumptions and language, and sustaining a significant ‘imperial’ influence across generations of writers and diverse types of historical text.

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The Civil Service and the London County Council employed tens of thousands of women in Britain in the early twentieth century. As public employers these institutions influenced both each other and private organisations, thereby serving as a barometer or benchmark for the conditions of women’s white-collar employment. Drawing on a wide range of archival sources – including policy documents, trade union records, women’s movement campaign literature and employees’ personal testimony – this is the first book-length study of women’s public service employment in this period. It examines three aspects of their working lives – inequality of pay, the marriage bar and inequality of opportunity – and demonstrates how far wider cultural assumptions about womanhood shaped policies towards women’s employment and experiences. Scholars and students with interests in gender, British social and cultural history and labour history will find this an invaluable text.This book is relevant to United Nations Sustainable Development Goal 5, Gender equality.

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The intellectual culture of the English country house is a ground-breaking collection of essays by leading and emerging scholars, which uncovers the vibrant intellectual life of early modern provincial England. The essays in the volume explore architectural planning; libraries and book collecting; landscape gardening; interior design; the history of science and scientific experimentation; and the collection of portraits and paintings. The essays demonstrate the significance of the English country house (e.g. Knole House, Castle Howard, Penshurst Place) and its place within larger local cultures that it helped to create and shape. They provide a substantial overview of the country house culture of early modern England and the complicated relationship between the provinces and the national, the country and the city, in a period of rapid social, intellectual and economic transformation. It will appeal to anyone interested in the culture of the country house and its place in early modern England.

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Photography and documentary film in the making of modern Brazil provides a major contribution to the field of visual culture through a study of still and moving images of Brazil in the first four decades of the twentieth century, when the camera played a key role in making Brazilian peoples and places visible to a variety of audiences. The book explores what is distinctive about the visual representation of Brazil in an era of modernisation, also attending to the significance of the different technical properties of film and photography for the writing of new histories of visual technologies. It offers new insights into the work of key writers, photographers, anthropologists and filmmakers, including Claude Lévi-Strauss, Mário de Andrade, Silvino Santos and Aloha Baker. Unearthing a wealth of materials from archives in the USA, Britain, and Brazil, the book seeks to contribute to the postcolonial theoretical project of pinpointing locally distinctive histories of visual technologies and practices.

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This is the first book to provide comprehensive coverage of the far right political party phenomenon in the Balkans. The author focuses on parties generally described as lying on the far right in academic literature and examines their development from 2000 until 2010. The book provides a detailed analysis of the historical legacy essential in understanding the overall context of nationalism in the region as well as an overview of the far right political parties in each country. It discusses parties individually, detailing their ideological features, strategy, internal organisation and leadership, and compares their political, social, economic, ethno-cultural and international characteristics. It reveals the main factors that were influential in the successes and failures of the far right, and offers a comparison between the typical far right voter living in the Balkans and his counterpart in Western Europe. The implementation and enforcement of legislature such as hate speech laws is also examined, along with other legal issues affecting the extremist parties in the region.

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Monstrous media/spectral subjects explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present. It argues that emerging media technologies from the phantasmagoria and magic lantern to the hand-held video camera and the personal computer both shape Gothic subjects and in turn become Gothicised. In a collection of essays that ranges from the Victorian fiction of Wilkie Collins, Bram Stoker and Richard Marsh to the music of Tom Waits, world horror cinema and the TV series Doctor Who, this book finds fresh and innovative contexts for the study of Gothic. Combining essays by well-established and emerging scholars, it should appeal to academics and students researching both Gothic literature and culture and the cultural impact of new technologies.

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This collection explores some of the many ways in which sanctity was closely intertwined with the development of literary strategies across a range of writings in late medieval Britain. Rather than looking for clues in religious practices in order to explain such changes, or reading literature for information about sanctity, these essays consider the ways in which sanctity - as concept and as theme - allowed writers to articulate and to develop further their 'craft' in specific ways. While scholars in recent years have turned once more to questions of literary form and technique, the kinds of writings considered in this collection - writings that were immensely popular in their own time - have not attracted the same amount of attention as more secular forms. The collection as a whole offers new insights for scholars interested in form, style, poetics, literary history and aesthetics, by considering sanctity first and foremost as literature

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Pauper policies examines how policies under the old and New Poor Laws were conceived, adopted, implemented, developed or abandoned. This fresh perspective reveals significant aspects of poor law history which have been overlooked by scholars. Important new research is presented on the adoption and implementation of ‘enabling acts’ at the end of the old poor laws; the exchange of knowledge about how best to provide poor relief in the final decades of the old poor law and formative decades of the New; and the impact of national scandals on policy-making in the new Victorian system. Pointing towards a new direction in the study of poor law administration, it examines how people, both those in positions of power and the poor, could shape pauper policies. It is essential reading for anyone with an interest in welfare and poverty in eighteenth and nineteenth-century England.This book is relevant to United Nations Sustainable Development Goal 1, No poverty.

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Focusing on the US, British and Australian contexts, Object matters addresses the impact of the discourse of safer sex on our lives and in particular the lives of adolescents. Addressing AIDS public health campaigns, sex education policies, sex research on adolescence and debates on the eroticization of safer sex, the author looks at how the condom has affected our awareness of ourselves, of one another and our futures. In her examination of the condom in the late twentieth century, Vitellone critically engages with a range of literatures including those concerned with sexuality, adolescence, methods, gender and the body. This book will be of interest to sex educators, academics as well as undergraduate and postgraduate students working in the areas of Sociology, History, Cultural Studies and Gender Studies.

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This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of ‘music worlds’.Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

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Although the preoccupation of Gothic storytelling with the family has often been observed, it invites a more systematic exploration. Gothic kinship brings together case studies of Gothic kinship ties in film and literature and offers a synthesis and theorisation of the different appearances of the Gothic family.Writers discussed include early British Gothic writers such as Eleanor Sleath and Louisa Sidney Stanhope as well as a range of later authors writing in English, including Elizabeth Gaskell, William March, Stephen King, Poppy Z. Brite, Patricia Duncker, J. K. Rowling and Audrey Niffenegger. There are also essays on Dutch authors (Louis Couperus and Renate Dorrestein) and on the film directors Wes Craven and Steven Sheil.Arranged chronologically, the various contributions show that both early and contemporary Gothic display very diverse kinship ties, ranging from metaphorical to triangular, from queer to nuclear-patriarchal. Gothic proves to be a rich source of expressing both subversive and conservative notions of the family.Gothic kinship will be of interest to academics and students of European and American Gothic in literature and film, gender studies and cultural studies.

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From virtue to venality examines the problem of corruption in British urban society and politics between 1930 and 1995. It is not a conventional study of the politics of local government since it seeks to place corruption in urban societies in a wider cultural context. The accounts of corruption in Glasgow – a British Chicago – as well as the major corruption scandals of John Poulson and T. Dan Smith show how Labour-controlled towns and cities were especially vulnerable to corrupt dealings. By contrast the case of Dame Shirley Porter in the City of Westminster in the late 1980s reveals that Conservative-controlled councils were also vulnerable since in London the stakes of the political struggle were especially intense. This book will be of special interest to students of history and politics and those who are concerned about the growth of corruption in British political culture.

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This book investigates the crucial question of ‘restitution’ in the work of W. G. Sebald. Written by leading scholars from a range of disciplines, with a foreword by his English translator Anthea Bell, the essays collected in this volume place Sebald’s oeuvre within the broader context of European culture in order to better understand his engagement with the ethics of aesthetics. Whilst opening up his work to a range of under-explored areas including dissident surrealism, Anglo-Irish relations, contemporary performance practices and the writings of H. G. Adler, the volume notably returns to the original German texts. The recurring themes identified in the essays – from Sebald’s carefully calibrated syntax to his self-consciousness about ‘genre’, from his interest in liminal spaces to his literal and metaphorical preoccupation with blindness and vision – all suggest that the ‘attempt at restitution’ constitutes the very essence of Sebald’s understanding of literature.

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This book is a study of five remarkable sixteenth-century women. Part of the select group of Tudor women allowed access to a formal education, the Cooke sisters were also well-connected through their marriages to influential Elizabethan politicians. Drawing particularly on the sisters’ own writings, this book demonstrates that the sisters’ education extended far beyond that normally allowed for sixteenth-century women, challenging the view that women in this period were excluded from using their formal education to practical effect. It reveals that the sisters’ learning provided them with opportunities to communicate effectively their own priorities through their translations, verse and letters. By reconstructing the sisters’ networks, it demonstrates how they worked alongside – and sometimes against – family members over matters of politics and religion, empowered by their exceptional education. Providing new perspectives on these key issues, it will be essential reading for early modern historians and literary scholars.

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The changes and divisions on the left over the Israel-Palestine conflict forms the central theme of this archive based study. While the Labour Party supported establishing a Jewish state in Palestine, as a modernising force, the communist movement opposed it, on the grounds that it facilitated imperial influence in the Middle East. In 1947, however, the British Communist Party rallied to the Zionist cause, leaving the Palestinian cause with no effective protagonists in Britain. The left’s sympathy, at the time, was overwhelmingly with the Israeli state, considering its establishment a recompense to the Jewish people for the Holocaust. It was only after the 1967 Arab-Israeli War and Israel’s occupation of the West Bank and Gaza, that the new left in Britain began to articulate a critical attitude to Israel and support for Palestinian nationalism. It is a perspective which has gradually gained ground in the political mainstream.

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Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.

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The Independent Group is now the subject of global scholarly interest, and this book, a sequel to The Independent Group: Modernism and mass culture in Britain, 1945–59, explores the Anglo-American phenomenon from a new perspective. The Group included fine artists Magda Cordell, Richard Hamilton, Nigel Henderson, Eduardo Paolozzi and William Turnbull; architects Alison and Peter Smithson, James Stirling and Colin St John Wilson; graphic designer Edward Wright; music producer Frank Cordell; and writers Lawrence Alloway, Reyner Banham, John McHale and Toni del Renzio. This radical collective met at the ICA in London during the early 1950s, and worked with and within the new world of both the avant-garde and popular culture. This sequel includes an in-depth discussion of the recent historiography of the Independent Group, and examines its history from an alternative perspective – that of popular culture. The themes of domestic space, Hollywood film, fashion, mass-circulation magazines, science-fiction and popular music are explored, broadening our general understanding.

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The changes and divisions on the left over the Israel-Palestine conflict forms the central theme of this archive based study. While the Labour Party’s supported establishing a Jewish state in Palestine, as a modernising force, the communist movement opposed it, on the grounds that it facilitated imperial influence in the Middle East. In 1947, however, the British Communist Party rallied to the Zionist cause, leaving the Palestinian cause with no effective protagonists in Britain. The left’s sympathy, at the time, was overwhelmingly with the Israeli state, considering its establishment a recompense to the Jewish people for the Holocaust. It was only after the 1967 Arab-Israeli War and Israel’s occupation of the West Bank and Gaza, that the new left in Britain began to articulate a critical attitude to Israel and support for Palestinian nationalism. It is a perspective which has gradually gained ground in the political mainstream.

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Lifelong learning, the arts, and community cultural engagement in the contemporary university maps the work of adult educators, teachers, researchers and graduate students from North America, Europe and Africa who use the arts in their university classroom teaching, their research and in service. It is written specifically for graduate students, and educators working in higher education, communities, schools, and practitioners who want to learn how to better integrate the arts in their practice to critically and creativity communicate, teach, make meaning, uncover, and involve. The book contextualises the place and role of the arts in society, adult education, higher education and knowledge creation, outlines current arts-based theories and methodologies and provides examples of visual and performing arts practices to critically and creatively see, explore, represent, learn and discover the potential of the human aesthetic dimension in higher education teaching and research.

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William Trevor: Revaluations offers a comprehensive examination of the oeuvre of one of the most accomplished and celebrated practitioners writing in the English language: the author of fifteen novels, three novellas and eleven volumes of short stories, as well as plays, radio and TV adaptations and film screenplays.Drawing on the talents of a team of distinguished international scholars, this volume shines a critical light on Trevor’s core concerns with individuality and the family, and cultural and national identity, extending significantly the scope of current scholarship. Essays scrutinise the author’s prolonged concern with domestic, communal and national violence, his interrogation of patterns of inheritance and ideological heritage, and the impact of the past on choices his characters make. William Trevor: Revaluations is a groundbreaking collection of essays, and will also be seen as a definitive introduction to the work of a major contemporary novelist and short-story writer.

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This genealogy of the 'odd woman' compares representations of spinsters, lesbians and widows in British women’s fiction and auto/biography from the 1850s to the 1930s.Women outside heterosexual marriage in this period were seen as abnormal, superfluous, incomplete and threatening, yet were also hailed as ‘women of the future’. Before 1850 odd women were marginalised, minor characters in British women’s fiction, yet by the 1930s spinsters, lesbians and widows had become heroines. This book examines how women writers, including Charlotte Brontë, Elisabeth Gaskell, Ella Hepworth Dixon, May Sinclair, E. H. Young, Radclyffe Hall, Winifred Holtby and Virginia Woolf, challenged dominant perceptions of singleness and lesbianism in their novels, stories and autobiographies. Drawing on advice literature, medical texts and feminist polemic, it demonstrates how these narratives responded to contemporary political controversies around the vote, women’s work, sexual inversion and birth control, as well as examining the impact of the First World War.

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This book examines Irish Poor Law reform during the years of the Irish revolution and Irish Free State. This work is a significant addition to the growing historiography of the twentieth century which moves beyond political history, and demonstrates that concepts of respectability, social class and gender are central dynamics in Irish society. This book provides the first major study of local welfare practices and exploration of policies, attitudes and the poor.This monograph examines local public assistance regimes, institutional and child welfare, and hospital care. It charts the transformation of workhouses into a network of local authority welfare and healthcare institutions including county homes, county hospitals, and mother and baby homes.The book’s exploration of welfare and healthcare during revolutionary and independent Ireland provides fresh and original insights into this critical juncture in Irish history. The book will appeal to Irish historians and those with interests in welfare, the Poor Law and the social history of medicine and institutions.

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This book critically examines the range of policies and programmes that attempt to manage economic activity that contributes to political violence. It offers a new framework for understanding both the problem of economic activity in conflict zones as well as programmes aimed at managing these and transforming them into more peaceful economic and political relationships. Through this examination, both the problems of liberal modes of peacebuilding, implemented by the development-security industry, and opportunities for policy innovation are explored. Useful charts and frameworks throughout the book provide the reader with a range of analytical tools that can be easily used to explore war economies and related policies in a range of contexts, making this book an essential read for students, policy makers and aid practitioners working in a range of disciplines and conflict-affected areas.

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This book looks at how that oft-maligned institution, the Anglican Church, coped with mass migration from Britain in the first half of the nineteenth century. The book details the great array of institutions, voluntary societies and inter-colonial networks that furnished the Church with the men and money that enabled it to sustain a common institutional structure and a common set of beliefs across a rapidly-expanding ‘British world’. It also sheds light on how this institutional context contributed to the formation of colonial Churches with distinctive features and identities. One of the book’s key aims is to show how the colonial Church should be of interest to more than just scholars and students of religious and Church history. The colonial Church was an institution that played a vital role in the formation of political publics and ethnic communities in a settler empire that was being remoulded by the advent of mass migration, democracy and the separation of Church and State.

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Everyday life after the Irish conflict is the first book to address the specific topic of the intersection of the processes of conflict transformation and devolution with daily life in Northern Ireland in a rigorous and systematic fashion. Bringing together new research from established academics, new voices and civil society actors, this book documents the changes that have occurred in people’s everyday lives as the region moves away from a violent past. Supported with a wealth of new empirical material, the book charts the impact of devolution and conflict transformation in four parts: an overview of the changes is followed by chapters that explore the areas of space, place and human relations. The third part looks at economic and social life while a concluding chapter takes a comparative approach by addressing the differences and similarities between the Northern Irish and Scottish experiences of devolution.

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Many people are shocked upon discovering that tens of thousands of innocent persons in the United States were involuntarily sterilized, forced into institutions, and otherwise maltreated within the course of the eugenic movement (1900–30). Such social control efforts are easier to understand when we consider the variety of dehumanizing and fear-inducing rhetoric propagandists invoke to frame their potential victims. This book details the major rhetorical themes employed within the context of eugenic propaganda, drawing largely on original sources of the period. Early in the twentieth century the term “moron” was developed to describe the primary targets of eugenic control. This book demonstrates how the image of moronity in the United States was shaped by eugenicists. This book will be of interest not only to disability and eugenic scholars and historians, but to anyone who wants to explore the means by which pejorative metaphors are used to support social control efforts against vulnerable community groups.

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Hillman explores English tragedy in relation to France with a frank concentration on Shakespeare. He sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism) with reference to specific French texts and contexts.Three manifestations of the 'Shakespearean tragic' are singled out: Hamlet, Antony and Cleopatra and All’s Well That Ends Well, a comedy with melancholic overtones whose French setting is shown to be richly significant. Hillman brings to bear on each of these central works a cluster of French intertextual echoes, sometimes literary in origin (whether dramatic or otherwise), sometimes involving historical texts, memoirs or contemporary political documents which have no obvious connection with the plays but prove capable of enriching interpretation of them It will be of interest not only to scholars specialising in early modern English theatre, but also to both specialists and students concerned with the circulation of information and the production of meaning within early modern European culture.

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This collection of essays on the alternative establishments which both Presbyterians and Catholics attempted to create in Britain and Ireland offers a dynamic new perspective on the evolution of post-reformation religious communities. Deriving from the Insular Christianity project in Dublin, the book combines essays by some of the leading scholars in the field with work by brilliant and upcoming researchers. The contributions, all of which were commissioned, range from synoptic essays which fill in gaps in the existing historiography to tightly coherent research essays that break new ground with regard to a series of central institutional and intellectual issues and problems.This is a book which will appeal to all those interested in the religious history of early modern Britain and Ireland.

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The European Union and its member states are investing in ambitious programmes for ‘better regulation’ and targets of regulatory quality. This book, available in paperback for the first time, lifts the veil of excessively optimistic propositions covering the whole better regulation agenda. It provides an innovative conceptual framework to handle the political complexity of regulatory governance. It approaches better regulation as an emerging public policy, with its own political context, actors, problems, rules of interaction, instruments, activities and impacts. Focusing on the key tools of impact assessment, consultation, simplification, and access to legislation, the authors provide fresh empirical evidence on the progress made in the member states and in Brussels, drawing on an extensive research project and an original survey of directors of better regulation programmes in Europe. Radaelli and De Francesco show how indicators define, measure, and appraise better regulation policy, linking measures to policy processes in which the stakeholders learn by monitoring. Although better regulation is a top priority for competitiveness in Europe and the legitimacy of EU policy, the level of commitment and the development of tools vary considerably. The major challenge for better regulation is institutionalisation - this calls for clear choices in terms of what the EU wants from better regulation.Essential reading for academics (political scientists, lawyers, and public economists) and policy-makers in charge of regulatory reforms in governments and international organisations.

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This book aims to sketch the diversities of South Asian social History, focusing on Orissa. It highlights the problems of colonialism and its impact upon the lives of the colonised, even as it details the manner in which the internal order of exploitation worked. Based on archival and rare, hitherto untapped sources, including oral evidence, it brings to life diverse aspects of Orissa’s social history, including the environment; health and medicine; conversion (in Hinduism); popular movements; social history of some princely states; and the intricate connections between the marginal social groups and Indian nationalism. It also focuses on decolonisation, and explores the face of patriarchy and gender-related violence in post-colonial Orissa. This volume will be of interest to students of history, social anthropology, political sociology and cultural studies, as well as those associated with non-governmental organisations and planners of public policy.

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This is the first book to provide a clear overview and innovative analysis of the multiple ways the European Union affects industrial relations. It frames the EU as the provider of both a new institutional framework and policy context for industrial relations. It first examines the European level institutional framework for industrial relations, namely the European social dialogue at cross-sectoral, sectoral and company level, as well as interactions between these and transnational developments. It then focuses on the EU’s role as a driver for institutional change in industrial relations at the national level, and subsequently analyses how the EU’s policy framework, such as the common market freedoms, economic governance and Agenda 2020, influences industrial relations. The book will be of great interest particularly to all those involved in industrial relations and EU studies and more generally to anyone interested in the EU’s debated and contested role in socio-economic governance in the face of an economic crisis that puts into question existing national and transnational governance structures.

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Now in its second edition, Racism and Social Change in the Republic of Ireland provides an original and challenging account of racism in twenty-first century Irish society and locates this in its historical, political, sociological and policy contexts. It includes specific case studies of the experiences of racism in twenty-first century Ireland alongside a number of historical case studies that examine how modern Ireland came to marginalize ethnic minorities. Various chapters examine responses by the Irish state to Jewish refugees before, during and after the Holocaust, asylum seekers and Travellers. Other chapters examine policy responses to and academic debates on racism in Ireland. A key focus of the various case studies is upon the mechanics of exclusion experienced by black and ethnic minorities within institutional processes and of the linked challenge of taking racism seriously in twenty-first century Ireland.

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The period since 1939 saw more rapid and significant change than any other time in Welsh history. Wales developed a more assertive identity of its own and some of the apparatus of a nation state. Yet its economy floundered between boom and bust, its traditional communities were transformed and the Welsh language and other aspects of its distinctiveness were undermined by a globalizing world. Wales was also deeply divided by class, language, ethnicity, gender, religion and region. Its people grew wealthier, healthier and more educated but they were not always happier. This ground-breaking book examines the story of Wales since 1939, giving voice to ordinary people and the variety of experiences within the nation. This is a history of not just a nation, but of its residents’ hopes and fears, their struggles and pleasures and their views of where they lived and the wider world.

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In one of the first monographs of its kind to focus on the aesthetic and emotional impact of lighting in cinema, Lara Thompson looks at the way light informs the cinematic experience, from constructing star identities, sculpting natural light and creating imaginary worlds, to the seductive power of darkness, fading representations of the past and arresting twilight encounters.This groundbreaking and accessible introductory study offers a unique insight into the way illumination has transcended its diffuse functional boundaries and been elevated to a position of narrative and emotional importance, transforming it from an unobtrusive element of film style to an expressive and essential component. It includes analyses of over fifty renowned international films, discussed in inventive and illuminating combinations, from cinema's earliest moments to its most recent digital manifestations, and is essential reading for all those who want to understand what film light means and how it makes us feel.

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