Search results for ""author judith"

A book of revelations. A seamless tapestry of erotic passion, thwarted ambition and mythic horror. Clive Barker takes us on a voyage to worlds beyond our knowledge, but within our grasp. John Furie Zacharias, known as Gentle, a master forger whose life is a series of lies. Judith Odell, a beautiful woman desired by three powerful men, but belonging to none of them. Pie’oh’pah, a mysterious assassin who deals in love as well as death. These three are united in a desperate search for the heart of a universal mystery, and will find the truth that lies in a place as mysterious as the face of God, and as secret as the human soul. They discover the Imajica. Imajica is many things: an epic novel of vast panoramas and intimate, obsessive passions, embracing ghosts and reflections as well as the human and the divine.

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The second edition of Ethical Theory: An Anthology features a comprehensive collection of more than 80 essays from classic and contemporary philosophers that address questions at the heart of moral philosophy. Brings together 82 classic and contemporary pieces by renowned philosophers, from seminal works by Hume and Kant to contemporary views by Derek Parfit, Susan Wolf, Judith Jarvis Thomson, and many more Features updates and the inclusion of a new section on feminist ethics, along with a general introduction and section introductions by Russ Shafer-Landau Guides readers through key areas in ethical theory including consequentialism, deontology, contractarianism, and virtue ethics Includes underrepresented topics such as moral knowledge, moral standing, moralresponsibility, and ethical particularism

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Written in concise and clear language, this book offers an historical overview of literary criticism and theory throughout the twentieth century along with a close analysis of some of the most important and commonly taught texts from the period. Provides an accessible introduction to modern literary theory and criticism Places various modes of criticism within their historical and intellectual contexts Offers close readings of some of the major critical texts of the period Explores the works of a diverse group of 20th-century writers, including Babbitt, Woolf, Bakhtin, Heidegger, Lacan, Derrida, Judith Butler, Zizek, Nussbaum, Negri and Hardt Covers formalism, psychoanalysis, structuralism, deconstruction, Marxism, feminism, reader-response criticism, historicism, gender studies, cultural studies, and film theory

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In a fascinating study of what, during the last decade, rekindled an avid readership, Judith Wilt proposes a new theory of Gothic fiction that challenges its reputation as merely a formula to be outgrown or a stock of images for the creation of terror. Emphasizing instead its status as an enduring component of the imagination, she establishes the Gothic as the mothering" form for three other popular genres--detective, historical, and science fiction. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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You are a miracle waiting to happen.When everyday life seems tiring, unfulfilling or just plain hard, it can be almost impossible to believe that anything will change. Life is so full of tasks to be ticked off that finding a moment of peace, let alone living a spiritual life, may never figure on your list. But it's when life is like this that it's even more important to awaken the miracle of you.In this inspiring book, Judith Collins has created a 52-week course of affirmations to help you develop long-term self-awareness and growth. You do not need to have practised affirmations or meditation before to benefit from the wisdom inside.AWAKENING THE MIRACLE OF YOU also contains affirmations to help you deal positively with specific challenges that can occur in life, including career change, pain management, stress relief, childlessness, fear and mourning.Uplift, heal and affirm yourself, day by day.

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Part manifesto, part exploration of what justice truly means for survivors of trauma and abuse, Judith Herman forces us to reconsider our perspective on victims, revealing uncomfortable truths about our justice systems and proposing new ways to implement justice. A follow-up to the bestselling Trauma and Recovery the book is divided into three parts, Part One :Power, examines the structure and nature of tyranny, patriarchy and white supremacy; Part Two: Visions of Justice, reveals how our current system is woefully ill-equipped for victims and corrects our misguided assumptions about what survivors need in the aftermath of violence, and finally in Part Three: Centring Survivor Justice, Herman proposes alternative methods of justice, offering hopeful new ways to think about its meanings and possibilities.Truth and Repair is a profound and timely commentary that lies at the intersection of several cultural moments including the #MeToo movemen

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Renowned contributors use the late work of this crucial figure to open new speculations on "materiality." A "material event," in one of Paul de Man’s definitions, is a piece of writing that enters history to make something happen. This interpretation hovers over the publication of this volume, a timely reconsideration of de Man’s late work in its complex literary, critical, cultural, philosophical, political, and historical dimensions.A distinguished group of scholars responds to the problematic of "materialism" as posed in Paul de Man’s posthumous final book, Aesthetic Ideology. These contributors, at the forefront of critical theory, productive thinking, and writing in the humanities, explore the question of "material events" to illuminate not just de Man’s work but their own. Prominent among the authors here is Jacques Derrida, whose extended essay “Typewriter Ribbon: Limited Inc (2)” returns to a celebrated episode in Rousseau’s Confessions that was discussed by de Man in Allegories of Reading. The importance of de Man’s late work is related to a broad range of subjects and categories and-in Derrida’s provocative reading of de Man’s concept of "materiality"-the politico-autobiographical texts of de Man himself. This collection is essential reading for all those interested in the present state of literary and cultural theory. Contributors: Judith Butler, UC Berkeley; T. J. Clark, UC Berkeley; Jacques Derrida, École des Hautes Études en Sciences Sociales and UC Irvine; Barbara Johnson, Harvard U; Ernesto Laclau, U of Essex; Arkady Plotnitsky, Purdue U; Laurence A. Rickels, UC Santa Barbara; and Michael Sprinker.

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The classic picture book story of Sophie and her extraordinary teatime guest has been loved by millions of children since it was first published more than fifty years ago. Now an award-winning animation! The doorbell rings just as Sophie and her mummy are sitting down to tea. Who could it possibly be? What they certainly don't expect to see at the door is a big furry, stripy tiger! This warm and funny picture book story from is perfect for reading aloud, or for small children to read to themselves time and again. First published in 1968 and never out of print, it has become a timeless classic enjoyed and beloved by generations of children, and this beautiful cased board book is perfect for little hands. The magic begins at teatime! ‘A modern classic.’ The Independent “It’s no surprise Judith’s work is still popular. It owes nothing to the vagaries of style or fashion. Her warmth and humanity are timeless.” Michael Foreman

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Say goodbye to MOG in this incredibly moving and stunningly illustrated story from Judith Kerr, creator of The Tiger Who Came to Tea and the MOG series. Mog was tired. She was dead tired… Mog thought, ‘I want to sleep for ever.’ And so she did. But a little bit of her stayed awake to see what would happen next. Join the Thomas family as they say goodbye to their dear pet Mog, and get a new kitten. It could all be a disaster, but Mog is still there to help… A touching tribute to a character beloved for generations of children, Goodbye Mog is the perfect story for a gentle introduction to the subjects of grief and bereavement, with the one and only MOG herself. Mog the Forgetful Cat was first published over fifty years ago, and Mog has been delighting children all over the world with her adventures ever since. These books are the perfect gifts for boys, girls and families everywhere.

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The Romantic Performative develops a new context and methodology for reading Romantic literature by exploring philosophies of language from the period 1785-1835. It reveals that the concept of the performative, debated by twentieth-century theorists from J. L. Austin to Judith Butler, has a much greater relevance for Romantic literature than has been realized, since Romantic philosophy of language was dominated by the idea that something happens when words are spoken. By presenting Romantic philosophy as a theory of the performative, and Romantic literature in terms of that theory, this book uncovers the historical roots of twentieth-century ideas about speech acts and performativity. Romantic linguistic philosophy already focused on the relationship between speaker and hearer, describing speech as an act that establishes both subjectivity and intersubjective relations and theorizing reality as a verbal construct. But Romantic theorists considered utterance, the context of utterance, and the positions and identities of speaker and hearer to be much more fluid and less stable than modern analytic philosophers tend to make them. Romantic theories of language therefore yield a definition of the "Romantic performative" as an utterance that creates an object in the world, instantiates the relationship between speaker and hearer, and even founds the subjectivity of the speaker in the moment when the utterance occurs. The author traces the Romantic performative through its diverse development in the moral, political, and legal philosophy of Reid, Bentham, Kant and the German Idealists, Humboldt, and Coleridge, then explores its significance in literary texts by Coleridge, Godwin, Hölderlin, and Kleist. These readings demonstrate that Romantic writers mounted a deeper investigation than previously realized into the way the act of speaking generates subjective identity, intersubjective relations, and even objective reality. The project of the book is to read the language of Romanticism as performative and to recognize among its achievements the historical founding of the discourse of performativity itself.

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Pentecostalism is currently the fastest-growing Christian movement, with hundreds of millions of followers. This growth overwhelmingly takes place outside of the West, and women make up 75 percent of the membership. The contributors to Spirit on the Move examine Pentecostalism's appeal to black women worldwide and the ways it provides them with a source of community and access to power. Exploring a range of topics, from Neo-Pentecostal churches in Ghana that help women challenge gender norms to evangelical gospel musicians in Brazil, the contributors show how Pentecostalism helps black women draw attention to and seek remediation from the violence and injustices brought on by civil war, capitalist exploitation, racism, and the failures of the state. In fleshing out the experiences, theologies, and innovations of black women Pentecostals, the contributors show how Pentecostal belief and its various practices reflect the movement's complexity, reach, and adaptability to specific cultural and political formations. Contributors. Paula Aymer, John Burdick, Judith Casselberry, Deidre Helen Crumbley, Elizabeth McAlister, Laura Premack, Elizabeth A. Pritchard, Jane Soothill, Linda van de Kamp

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Nadine Ehlers examines the constructions of blackness and whiteness cultivated in the U.S. imaginary and asks, how do individuals become racial subjects? She analyzes anti-miscegenation law, statutory definitions of race, and the rhetoric surrounding the phenomenon of racial passing to provide critical accounts of racial categorization and norms, the policing of racial behavior, and the regulation of racial bodies as they are underpinned by demarcations of sexuality, gender, and class. Ehlers places the work of Michel Foucault, Judith Butler's account of performativity, and theories of race into conversation to show how race is a form of discipline, that race is performative, and that all racial identity can be seen as performative racial passing. She tests these claims through an excavation of the 1925 "racial fraud" case of Rhinelander v. Rhinelander and concludes by considering the possibilities for racial agency, extending Foucault's later work on ethics and "technologies of the self" to explore the potential for racial transformation.

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Who will speak for the children? is the question posed by Judith S. Palfrey, a pediatrician and child advocate who confronts unconscionable disparities in U.S. health care-a system that persistently fails sick and disabled children despite annual expenditures of 1.8 trillion. In Child Health in America, Palfrey explores the meaning of advocacy to children's health and describes how health providers, community agencies, teachers, parents, and others can work together to bring about needed change. Palfrey presents a conceptual framework for child health advocacy consisting of four interconnected components: clinical, group, professional, and legislative. Describing each of these concepts in useful and compelling detail, she is also careful to provide examples of best practices. This original and progressive work affirms the urgent need for child advocacy and provides valuable guidance to those seeking to participate in efforts to help all children live healthier, happier lives.

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This stunningly photographed guide is the ideal handbook for young horse lovers, whether they are budding riders with their own pony or those who dream of owning a horse.The easy-to-read text written by horse expert Judith Draper, combined with detailed photographs, covers everything about first horse and pony facts, care and riding. From explaining the different types of pony, to the importance of mucking out your horse's stables, My First Horse and Pony Book is the ideal introduction to horse and pony care.Learn the difference between the withers and the flanks of a horse, and the names of different coat colours, from chestnut to dark bay. This book also contains practical advice such as what to wear when you go riding, what to feed your horse, and the best grooming methods to keep your horse healthy and happy. Young horse and pony enthusiasts will love this exciting introduction to the world of riding.

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The first book to publish the entirety of Franz Kafka’s graphic output, including more than 100 newly discovered drawings “The figures he drew stand alone as stories in themselves.”—Lauren Christensen, New York Times Book Review “A sensational new book [that] reveals these hitherto hidden artworks for the first time. . . . This valuable volume allows us to see how, for Kafka, word and image walk arm in arm.”—Benjamin Balint, Jewish Review of Books The year 2019 brought a sensational discovery: hundreds of drawings by the writer Franz Kafka (1883–1924) were found in a private collection that for decades had been kept under lock and key. Until now, only a few of Kafka’s drawings were widely known. Although Kafka is renowned for his written work, his drawings are evidence of what his literary executor Max Brod termed his “double talent.” Irresistible and full of fascinating figures, shifting from the realistic to the fantastic, the grotesque, the uncanny, and the carnivalesque, they illuminate a previously unknown side of the quintessential modernist author. Kafka’s drawings span his full career, but he drew most intensively in his university years, between 1901 and 1907. An entire booklet of drawings from this period is among the many new discoveries, along with dozens of loose sheets. Published for the first time in English, these newly available materials are collected with his known works in a complete catalogue raisonné of more than 240 illustrations, reproduced in full color. Essays by Andreas Kilcher and Judith Butler provide essential background for this lavish volume, interpreting the drawings in their own right while also reconciling their place in Kafka’s larger oeuvre.

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In 1963, President Kennedy proposed making permanent a small pilot project called the Food Stamp Program (FSP). By 2013, the program's fiftieth year, more than one in seven Americans received benefits at a cost of nearly $80 billion. Renamed the Supplemental Nutrition Assistance Program (SNAP) in 2008, it currently faces sharp political pressure, but the social science research necessary to guide policy is still nascent. In SNAP Matters, Judith Bartfeld, Craig Gundersen, Timothy M. Smeeding, and James P. Ziliak bring together top scholars to begin asking and answering the questions that matter. For example, what are the antipoverty effects of SNAP? Does SNAP cause obesity? Or does it improve nutrition and health more broadly? To what extent does SNAP work in tandem with other programs, such as school breakfast and lunch? Overall, the volume concludes that SNAP is highly responsive to macroeconomic pressures and is one of the most effective antipoverty programs in the safety net, but the volume also encourages policymakers, students, and researchers to continue examining this major pillar of social assistance in America.

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Passing refers to the process whereby a person of one race, gender, nationality, or sexual orientation adopts the guise of another. Historically, this has often involved black slaves passing as white in order to gain their freedom. More generally, it has served as a way for women and people of color to access male or white privilege. In their examination of this practice of crossing boundaries, the contributors to this volume offer a unique perspective for studying the construction and meaning of personal and cultural identities.These essays consider a wide range of texts and moments from colonial times to the present that raise significant questions about the political motivations inherent in the origins and maintenance of identity categories and boundaries. Through discussions of such literary works as Running a Thousand Miles for Freedom, The Autobiography of an Ex–Coloured Man, Uncle Tom’s Cabin, The Hidden Hand, Black Like Me, and Giovanni’s Room, the authors examine issues of power and privilege and ways in which passing might challenge the often rigid structures of identity politics. Their interrogation of the semiotics of behavior, dress, language, and the body itself contributes significantly to an understanding of national, racial, gender, and sexual identity in American literature and culture. Contextualizing and building on the theoretical work of such scholars as Judith Butler, Diana Fuss, Marjorie Garber, and Henry Louis Gates Jr., Passing and the Fictions of Identity will be of value to students and scholars working in the areas of race, gender, and identity theory, as well as U.S. history and literature. Contributors. Martha Cutter, Katharine Nicholson Ings, Samira Kawash, Adrian Piper, Valerie Rohy, Marion Rust, Julia Stern, Gayle Wald, Ellen M. Weinauer, Elizabeth Young

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How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.

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One of the BBC's '100 Novels that Shaped the World'A Hay Festival and The Poole VOTE 100 BOOKS for Women SelectionA hilarious and merciless parody of rural melodramas and one of the best-loved comic novels of all time, Cold Comfort Farm by Stella Gibbons is beautifully repackaged as part of the Penguin Essentials range.'We are not like other folk, maybe, but there have always been Starkadders at Cold Comfort Farm...'Sensible, sophisticated Flora Poste has been expensively educated to do everything but earn a living. When she is orphaned at twenty, she decides her only option is to descend on relatives - the doomed Starkadders at the aptly named Cold Comfort Farm.There is Judith in a scarlet shawl, heaving with remorse for an unspoken wickedness; raving old Ada Doom, who once saw something nasty in the woodshed; lustful Seth and despairing Reuben, Judith's two sons; and there is Amos, preaching fire and damnation to one and all. As the sukebind flowers, Flora takes each of the family in hand and brings order to their chaos.Cold Comfort Farm is a sharp and clever parody of the melodramatic and rural novel.'Very probably the funniest book ever written' Sunday Times 'Screamingly funny and wildly subversive' Marian Keyes, Guardian'Delicious ... Cold Comfort Farm has the sunniness of a P. G. Wodehouse and the comic aplomb of Evelyn Waugh's Scoop' Independent 'One of the finest parodies written in English...a wickedly brilliant skit' Robert Macfarlane, Guardian Stella Gibbons was born in London in 1902. She went to North London Collegiate School and studied journalism at University College, London. She then worked for ten years on various papers, including the Evening Standard. Her first publication was a book of poems, The Mountain Beast (1930), and her first novel, Cold Comfort Farm (1932), won the Femina Vie Heureuse Prize. Amongst her other novels are Miss Linsey and Pa (1936), Nightingale Wood (1938), Westwood (1946), Conference at Cold Comfort Farm (1949) and Beside the Pearly Water (1954). Stella Gibbons died in 1989.

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Important and wide-ranging studies of the ideological exploitations performed by and upon the medieval romance. As one of the most important, influential and capacious genres of the middle ages, the romance was exploited for a variety of social and cultural reasons: to celebrate and justify war and conflict, chivalric ideologies, and national, local and regional identities; to rationalize contemporary power structures, and identify the present with the legendary past; to align individual desires and aspirations with social virtues. But the romance in turn exploitedavailable figures of value, appropriating the tropes and strategies of religious and historical writing, and cannibalizing and recreating its own materials for heightened ideological effect. The essays in this volume consider individual romances, groups of writings and the genre more widely, elucidating a variety of exploitative manoeuvres in terms of text, context, and intertext. Contributors: Neil Cartlidge, Ivana Djordjevic, Judith Weiss, Melissa Furrow, Rosalind Field, Diane Vincent, Corinne Saunders, Arlyn Diamond, Anna Caughey, Laura Ashe

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In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar's influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar's psychoanalytic analysis around the material dimensions of voices--their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.

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Do you love your natural hair? Some of the world's most inspiring black women tell us about their attitudes to, and struggles with, their crowning glory. Kinky, wavy, straight or curly, this book will help you celebrate your natural beauty, however you choose to style your hair. With an overview of the politics and history of black hair, the book explores how black hairstyles have played a part in the fight for social justice and the promotion of black culture while inspiring us to challenge outdated notions of beauty, gender and sexuality for young women and girls everywhere. The power is in our hair. And we've come to tell the world what ours can do! Interviewees include: Annika Allen, co-founder Black Magic Awards and podcaster, UK; Samantha Allen, arts activist, Singapore/UK; Doreene Blackstock, actor, UK; Sienna Brown, writer and filmmaker, Australia; Dawn Butler, Member of Parliament, UK; Sokari Douglas Camp, artist, Nigeria/UK; Deitra Farr, blues, soul and gospel singer-songwriter, from Chicago, USA; Ruthie Foster, is an American blues singer-songwriter from Texas, USA; Jamelia, singer-songwriter, broadcaster and author, UK; Judith Jacob, actor, radio presenter and fitness instructor, UK; Angie LeMar, comedian, presenter, producer, UK; Lynette Linton, artistic director theatre, UK; Nnenna Okore, artist, Australia; Anita Okunde, climate activist, Ireland; Chi Onwurah, Member of Parliament, UK; Olusola Oyeleye, writer, director and producer, UK; Djamila Ribeiro, feminist philosopher, Brazil; Vivienne Rochester, actor, UK; Kadija George Sesay, writer and curator, UK; Cleo Sylvestre, actor, singer, writer, UK; Carryl Thomas, actor, UK; Nellie Travis, blues singer, USA; Rianna Raymond-Williams, sexual health advisor and social entrepreneur, UK. Photos and illustrations throughout

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Uranus is the coldest planet in the solar system, a frozen giant named after a Greek deity. It is also the inspiration for Uranism, a concept coined by the writer Karl Heinrich Ulrichs in 1864 to define the 'third sex' and the rights of those who 'love differently'. Following in Ulrichs's footsteps, Paul B. Preciado dreams of an apartment on Uranus where he can live, free of the modern power taxonomies of race, gender, class or disability. In this bold and transgressive book, Preciado recounts his transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition, reflecting on socio-political issues including the rise of neo-fascism in Europe, the criminalization of migrants, the harassment of trans children, the technological appropriation of the uterus, and the role artists and museums might play in the writing of a new social contract. A stepchild of Michel Foucault and Judith Butler, Preciado argues, with courage and conviction, for a planetary revolution of all living beings against the norm.

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Focusing on the new theories of human motivation that emerged during the transition from feudalism to the modern period, this is the first book of new essays on the relationship between politics and the passions from Machiavelli to Bentham. Contributors address the crisis of moral and philosophical discourse in the early modern period; the necessity of inventing a new way of describing the relation between reflection and action, and private and public selves; the disciplinary regulation of the body; and the ideological constitution of identity. The collection as a whole asks whether a discourse of the passions might provide a critical perspective on the politics of subjectivity. Whatever their specific approach to the question of ideology, all the essays reconsider the legacy of the passions in modern political theory and the importance of the history of politics and the passions for modern political debates. Contributors, in addition to the editors, are Nancy Armstrong, Judith Butler, Riccardo Caporali, Howard Caygill, Patrick Coleman, Frances Ferguson, John Guillory, Timothy Hampton, John P. McCormick, and Leonard Tennenhouse.

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During its three and half decades, the Alvin Ailey Company has left lasting markers on the playing field of American Modern Dance. It has established a reputation for precise but spectacular dancing, for depicting an African American ethos with sensitivity and elegance, and set standards for performance excellence. Ailey's choreography caused shock waves in the dance world of 1958 and continues to move audiences deeply. The company has also provided a paradigm for a modern dance repertory company. Contributors include Jennifer Dunning, Ronni Favors, Allan Gray, Denise Jefferson, Cynthia Sithembile West, Muriel Topaz, James Truitte, and Sylvia Waters. Eulogies written by David Dinkins, Carmen de Lavallade, Judith Jamison and Maya Angelou.

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Important texts in the Church's history collected together in one volume. This first miscellany volume to be published by the Church of England Record Society contains eight edited texts covering aspects of the history of the Church from the Reformation to the early twentieth century. The longest contribution is a scholarly edition of W.J. Conybeare's famous and influential article on nineteenth-century "Church Parties"; other documents included are the protests against Archbishop Cranmer's metropolitical powers of visitation, the petitions to the Long Parliament in support of the Prayer Book, and Randall Davidson's memoir on the role of the archbishop of Canterbury in the early twentieth century. Stephen Taylor is Professor in the History ofEarly Modern England, University of Durham. Contributors: PAUL AYRIS, MELANIE BARBER, ARTHUR BURNS, JUDITH MALTBY, ANTHONY MILTON, ANDREW ROBINSON, STEPHEN TAYLOR, BRETT USHER, ALEXANDRA WALSHAM

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Explores the role that laughter plays in constructing, preserving and transforming contemporary social and political life Provides the first full-length study of the politics of laughter Rejects the traditional, normative question of whether laughter should play a role in politics in favour of a new, critical question of how laughter operates politically Advances a critical theory of laughter that challenges the conventional wisdom that laughter is a naturally emancipatory experience Critically re-reads the accounts of laughter offered by Thomas Hobbes, Theodor Adorno, Ralph Ellison and feminist and queer theorists such as H l ne Cixous and Judith Butler Demonstrates the contemporary relevance of these theoretical accounts through analyses of recent events of laughter including the 2010 Jon Stewart Rally to Restore Sanity and/or Fear"; Jordan Peele's 2017 film Get Out; and Hannah Gadsby's 2018 Netflix special Nanette Offers the theoretical resources to make sense of the political stakes and possibilities of the present Age of Hilarity

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The Saxons put the county of Bedfordshire on the map, and signs of the earliest churches from this period remain today. Church building continued after the Norman Conquest, not least the foundation of the Abbey at Elstow by William the Conqueror's niece, Judith of Lens, towards the end of the eleventh century. One of Bedfordshire's most famous sons, John Bunyan, was baptised in the church of St Mary and St Helena, at Elstow, over 500 years later, just one of approximately fifty places of worship featured in this selection of Bedfordshire churches following John and Jenny Jackson's extensive travels around their home county's places of worship.With around 100 supporting photos, their selection is not just about the best in the county. It is a cross-section that reflects different styles, periods and locations within one of the country's smallest counties. Many of these more remotely located churches are in little-known villages, but nevertheless offer a charm of their own alongside the

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Letters to Poets honors and commemorates the hundredth anniversary of Rilke's Letters to a Young Poet by partnering a selection of 14 of the country's leading contemporary poets with 14 emerging poets and documenting their correspondences. These poets challenge the hierarchies and pitfalls endemic to the mentoring process, and ask some of the day's toughest, most vital questions concerning race, class, and gender. Spanning a range of not only generations but cultural, aesthetic, and economic backgrounds, these diverse pairings both challenge and support each other artistically and politically. The result is in turns dramatic, enlightening, and entertaining.Contributors include: Anselm Berrigan& John Yau, Brenda Coultas & Victor Hernández Cruz, Truong Tran & Wanda Coleman, Patrick Pritchett & Kathleen Fraser, Hajera Ghori & Alfred Arteaga, Jennifer Firestone & Eileen Myles, Karen Weiser & Anne Waldman, Jill Magi & Cecilia Vicuña, Rosamond S. King & Jayne Cortez, Judith Goldman & Leslie

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Following François Laruelle's nonstandard philosophy and the work of Judith Butler, Drucilla Cornell, Luce Irigaray, and Rosi Braidotti, Katerina Kolozova reclaims the relevance of categories traditionally rendered "unthinkable" by postmodern feminist philosophies, such as "the real," "the one," "the limit," and "finality," thus critically repositioning poststructuralist feminist philosophy and gender/queer studies.Poststructuralist (feminist) theory sees the subject as a purely linguistic category, as always already multiple, as always already nonfixed and fluctuating, as limitless discursivity, and as constitutively detached from the instance of the real. This reconceptualization is based on the exclusion of and dichotomous opposition to notions of the real, the one (unity and continuity), and the stable. The non-philosophical reading of postructuralist philosophy engenders new forms of universalisms for global debate and action, expressed in a language the world can understand. It also liberates theory from ideological paralysis, recasting the real as an immediately experienced human condition determined by gender, race, and social and economic circumstance.

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Evangelism has a bad reputation. It''s been loaded with sales tactics, market analysis, and high-pressure psychology, an approach that often flattens other cultures and dishonors those we want to reach. Evangelizers are encouraged to believe that everything depends on their understanding of the gospel and their powers of persuasion. No wonder so few people want to get involved in sharing the faith.This book recovers the ancient tradition of the church''s evangelism, rooted in the conversion stories of the Bible, to offer a truly biblical understanding of evangelism. Drawing on twenty-five years of experience teaching evangelism to laypeople and ministry students, Judith Paulsen shows that God uses ordinary people of faith within their everyday spheres of influence to draw people to himself. She helps readers share the good news in a way that is authentic, respectful, and ideally suited to the cultural dynamics of today''s world. Above all, she places the real work of evangeli

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A provocative examination of how unequal access to reproductive technology replays the sins of the eugenics movement Eugenics, the effort to improve the human species by inhibiting reproduction of “inferior” genetic strains, ultimately came to be regarded as the great shame of the Progressive movement. Judith Daar, a prominent expert on the intersection of law and medicine, argues that current attitudes toward the potential users of modern assisted reproductive technologies threaten to replicate eugenics’ same discriminatory practices. In this book, Daar asserts how barriers that block certain people’s access to reproductive technologies are often founded on biases rooted in notions of class, race, and marital status. As a result, poor, minority, unmarried, disabled, and LGBT individuals are denied technologies available to well-off nonminority heterosexual applicants. An original argument on a highly emotional and important issue, this work offers a surprising departure from more familiar arguments on the issue as it warns physicians, government agencies, and the general public against repeating the mistakes of the past.

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Schools are places where various cultures and identities must be recognized, yet there has been little research into what it means to recognize another person, identity, or culture. Drawing on the writings of Charles Taylor, Martin Buber, Judith Butler, and Jessica Benjamin, Schools of Recognition provides a rich picture of how recognition is negotiated in education. Using political theory, existentialism, queer theory, and psychoanalysis, Bingham shows that recognition can be fostered not only through the books that students read, but also through the ways that they learn to engage with other human beings. Recognition depends not only on receiving acknowledgement, but also on giving acknowledgement. It depends not only on what we learn from others about ourselves, but also on what we are able to teach others about themselves.

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Philosophical reflection on death dates back to ancient times, but death remains a most profound and puzzling topic. Samantha Brennan and Robert Stainton have assembled a compelling selection of core readings from the philosophical literature on death. The views of ancient writers such as Plato, Epicurus, and Lucretius are set alongside the work of contemporary figures such as Thomas Nagel, John Perry, and Judith Jarvis Thomson.Brennan and Stainton divide the anthology into three parts. Part I considers questions about the nature of death and our knowledge of it. What does it mean to be dead? Is it possible to survive death? Is the end of life a mystery? Part II asks how we should view death. What (if anything) is so bad about dying? If death is nothingness, should it be feared or regretted? Part III examines ethical questions related to killing, particularly abortion, euthanasia and suicide. Is killing ever permissible? Under what conditions or circumstances?

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Time for bed? Time for poetry! Former Children's Poet Laureate Kenn Nesbitt presents a blockbuster collection of brief, original gems by the most beloved writers and poets of our time. Illuminated with dreamlike wit and whimsy by New York Times illustrator and award-winning artist Christoph Niemann, here is a new bedtime classic. Containing more than 140 original contributions, including all-new poems from Jack Prelutsky, Jon Scieszka, Dennis Lee, Sharon Creech, Nancy Willard, Mary Ann Hoberman, Nikki Grimes, Judith Viorst, Lemony Snicket, Lee Bennet Hopkins, Naomi Shihab Nye, X. J. Kennedy, Jane Yolen, and many more, bedtime just got easier. When it's time for tuck-in, and your little one wants just one more moment with you, fill it with something that will feed the imagination and fuel a love of reading. Share a one-minute poem!

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'Magisterial - an outstanding book that shines a bright light one of the most important, interesting and under-studied cities in European history. A masterpiece.' Peter Frankopan'A wonderful new history of the Mediterranean from the fifth to eighth centuries through a lens focussed on Ravenna, gracefully and clearly written, which reconceptualises what was 'East' and what was 'West'.' Caroline Goodson'A masterwork by one of our greatest historians of Byzantium and early Christianity. Judith Herrin tells a story that is at once gripping and authoritative and full of wonderful detail about every element in the life of Ravenna. Impossible to put down.' David FreedbergIn 402 AD, after invading tribes broke through the Alpine frontiers of Italy and threatened the imperial government in Milan, the young Emperor Honorius made the momentous decision to move his capital to a small, easy defendable city in the Po estuary - Ravenna. From then until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy.In this engrossing account Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the pivot between East and West; and the meeting place of Greek, Latin, Christian and barbarian cultures. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe.While Ravenna's palaces have crumbled, its churches have survived. In them, Catholic Romans and Arian Goths competed to produce an unrivalled concentration of spectacular mosaics, many of which still astonish visitors today. Beautifully illustrated with specially commissioned photographs, and drawing on the latest archaeological and documentary discoveries, Ravenna: Capital of Empire, Crucible of Europe brings the early Middle Ages to life through the history of this dazzling city.

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With engaged scholarship and an exciting contribution to the field of Israel/Palestine studies, queer scholar-activist Corinne Blackmer stages a pointed critique of scholars whose anti-Israel bias pervades their activism as well as their academic work. Blackmer demonstrates how the Boycott, Divestment, and Sanctions (BDS) movement that seeks to delegitimize and isolate Israel has become a central part of social justice advocacy on campus, particularly within gender and sexuality studies programs. The chapters focus on the intellectual work of Sarah Schulman, Jasbir Puar, Angela Davis, Dean Spade, and Judith Butler, demonstrating how they misapply critical theory in their discussions of the State of Israel. Blackmer shows how these LGBTQ intellectuals mobilize queer theory and intersectionality to support the BDS movement at the expense of academic freedom and open discourse.

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Who will speak for the children? is the question posed by Judith S. Palfrey, a pediatrician and child advocate who confronts unconscionable disparities in U.S. health care-a system that persistently fails sick and disabled children despite annual expenditures of 1.8 trillion. In Child Health in America, Palfrey explores the meaning of advocacy to children's health and describes how health providers, community agencies, teachers, parents, and others can work together to bring about needed change. Palfrey presents a conceptual framework for child health advocacy consisting of four interconnected components: clinical, group, professional, and legislative. Describing each of these concepts in useful and compelling detail, she is also careful to provide examples of best practices. This original and progressive work affirms the urgent need for child advocacy and provides valuable guidance to those seeking to participate in efforts to help all children live healthier, happier lives.

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Famous for her short fiction - most notably "The Yellow Wallpaper" - Charlotte Perkins Gilman also produced a vast body of nonfiction in tandem with her work as a Progressive-era feminist reformer. Rooted in groundbreaking research on Gilman's extensive correspondence, publications, and speeches, this keenly argued intellectual biography reconstructs her controversial output and the heady context in which she produced it. Judith Allen provides the first comprehensive assessment of Gilman's complicated feminism by exploring the renowned writer's theories of sexuality and evolutionary analyses of androcentric, or male-dominated, culture. These ideas, Allen shows, informed Gilman's many contributions to the suffrage movement, the fight to abolish regulated prostitution, and efforts to legalize birth control. Restoring a previously overlooked public intellectual to her preeminent place in Progressive-era politics and the history of feminism at home and abroad, Allen's landmark study provides the fullest account available of Gilman's consequential life and profoundly influential work.

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Focusing on the poems of Wordsworth's "Great Decade," feminist critics have tended to see Wordsworth as an exploiter of women and "feminine" perspectives. In this original and provocative book, Judith Page examines works from throughout Wordsworth's long career to offer a more nuanced feminist account of the poet's values. She asks questions about Wordsworth and women from the point of view of the women themselves and of eighteenth- and nineteenth-century culture. Making extensive use of family letters, journals, and other documents, as well as unpublished material by the poet's daughter Dora Wordsworth, Page presents Wordsworth as a poet not defined primarily by egotistical sublimity but by his complicated and conflicted endorsement of domesticity and familial life. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

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Hunting and its imagery continued to play a significant role in archaic and classical Greece long after hunting had ceased being a necessity for survival in everyday life. Drawing on vase paintings, sculpture, inscriptions, and other literary evidence, Judith Barringer reexamines the theme of the hunt and shows how the tradition it depicts helped maintain the dominance of the ruling social groups. Along with athletics and battle, hunting was a defining activity of the masculine aristocracy and was crucial to the efforts of the Athenian elite to control the social agenda, even as their political power declined. The Hunt in Ancient Greece examines descriptions of hunting in initiation rituals as well as the ideals of masculinity and adulthood such rites of passage promoted. Barringer argues that depictions of the hunt in literature and art also served as striking metaphors for the intricacies of courtship, shedding light on sexuality and gender roles. Through an exploration of various representations of the hunt, Barringer provides extraordinary insight into Athenian society.

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Literature on domestic interior decoration first emerged as a popular genre in Britain during the 1870s and 1880s, as middle-class readers sought decorating advice from books, household manuals, women’s magazines, and professional journals. This intriguing book examines that literature and shows how it was influenced by the widespread liberalism of the middle class. Judith Neiswander explains that during these years liberal values—individuality, cosmopolitanism, scientific rationalism, the progressive role of the elite, and the emancipation of women—informed advice about the desirable appearance of the home. In the period preceding the First World War, these values changed dramatically: advice on decoration became more nationalistic in tone and a new goal was set for the interior—“to raise the British child by the British hearth.” Neiswander traces this evolving discourse within the context of current writing on interior decoration, writing that is much more detached from social and political issues of the day. Published for the Paul Mellon Centre for Studies in British Art

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Real Talk 2, by Lida Baker and Judith Tanka, helps teachers transport high-intermediate to advanced students out of the language classroom and into the world of authentic English. Each of the book’s eight thematic chapters has four parts: In Person, On the Phone, On the Air, and In Class. With Real Talk 2, teachers can expose students to spontaneous face-to-face conversations, phone conversations and messages, radio broadcasts, and academic lectures. Features Instruction and practice in language skills for everyday use and for academic situations. Clear explanations and activities to teach natural use of intonation, stress, reductions, thought groups, and difficult-to-pronounce sounds Structured and graduated note-taking activities that prepare students for university and college-level lectures Recorded speakers with a variety of accents, both native and nonnative End-of-chapter synthesizing activities that help students prepare for TOEFL® speaking tasks and academic speaking situations All of these features guide students to communicate confidently and successfully in a wide variety of settings. For intermediate to high-intermediate students, see Real Talk 1.

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Discover A Life-Changing Detoxification and Rejuvenation TherapyThis book has all the science and all the soul you’ll need to restore a sustainable sense of self-care in your life.” —Joan Borysenko, PhD, NY Times bestselling author of Minding the Body, Mending the MindPsychiatrist Judith E. Pentz, MD, travels to Nagpur, India, to study 5000-year-old Ayurvedic Panchakarma detoxification and rejuvenation therapy in a quest to provide enhanced holistic wellness treatment for her patients.A change at the cellular level. Part travel memoir and part spiritual guide, Cleanse Your Body and Reveal Your Soul is one woman’s transformative quest with Ayurvedic Panchakarma (a fivefold detoxification treatment involving massage, herbal therapy, and other procedures) and the profound shifts that led to some sustainable, substantial life changes. Dissatisfied with a mainstream psychiatric practice, Dr. Pentz heads to India, where she undergoes an ancient, rejuvenating cleanse.The tools and practices of Panchakarma. Dr. Pentz’s narrative offers a compassionate and compelling path for Western audiences and the Ayurveda-curious. Complete with healing oils, Ayurvedic daily rituals, and yoga poses, she supplements her journey with tips about preventive lifestyle changes that promote sustainable well-being.Inside, find definitions, quizzes and wisdom, as well as chapters like: Cellular Shift: the science behind Panchakarma and cellular change Food As Medicine: tips about one of the central tenets of Ayurveda, food is healing, and maintaining an Ayurvedic diet The Dish on Doshas: facts that illuminate concepts around the three doshas—vata, pitta, kapha—your constitutional and functional intelligence If you have benefited from books like Ayurveda Beginner's Guide, The Ayurvedic Self-Care Handbook, Body Thrive, or Ayurveda and Panchakarma, then Cleanse Your Body and Reveal Your Soul should be your next read.

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The Sanctuary Movement of the 1980s was a movement led by white religious liberals that housed Central Americans fleeing dictatorships supported by the United States government, giving them a platform to speak about the situation in their countries of origin. This book focuses on the movement’s whiteness by centering the voices of recipients of sanctuary and taking their critiques seriously. The result is an account of the movement that takes seriously the agential limitations of sanctuary and the struggles for agency by recipients. Using interviews with participants in the movement as well auto-ethnographic research as the white pastor of a church in the New Sanctuary Movement, this book situates the sanctuary as site for theological reflection on some of the most pressing issues facing the Church today – the possibilities of testimony, the Holy Spirit, ecclesiology, and mercy. In doing so, it proposes a new theoretical framework for thinking about practice by introducing readers to Judith Butler’s theories of subjectivation and arguing for ethnographically engaged theology that is able to think beyond virtue and excellence towards an understanding of fugitivity.

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A poet and a book artist take a train across the United States, creating and conversing along the way. Late in the fall of 2017, poet C. S. Giscombe and book artist Judith Margolis boarded an Amtrak train in New York City and, four days later, stepped off another train at the edge of San Francisco Bay. Giscombe was returning home to California to address an all-white audience on the problem of white supremacy, and expatriate Margolis, accustomed to a somewhat solitary existence, was visiting the United States and making collages. Traveling together, they each turned their train quarters into writing and drawing “studios” where they engaged in conversations and arguments and shared experiences of the discomforts and failures of recent times. Their original intention had been to travel west and document, in journals and sketchpads, the complex, charged American landscape, but as the trip progressed—and in the months afterwards—the project took on a new shape. Train Music, the book that resulted, recollects and explores the century’s racial and gendered conflicts—sometimes sensually, sometimes in stark images, sometimes in a “mixed economy” of poetry and prose.

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Written in the early 1970s amidst widespread debate over the causes of gender inequality, Marilyn Strathern’s Before and After Gender was intended as a widely accessible analysis of gender as a powerful cultural code and sex as a defining mythology. But when the series for which it was written unexpectedly folded, the manuscript went into storage, where it remained for more than four decades. This book finally brings it to light, giving the long-lost feminist work—accompanied here by an afterword from Judith Butler—an overdue spot in feminist history. Strathern incisively engages some of the leading feminist thinkers of the time, including Shulamith Firestone, Simone de Beauvoir, Ann Oakley, and Kate Millett. Building with characteristic precision toward a bold conclusion in which she argues that we underestimate the materializing grammars of sex and gender at our own peril, she offers a powerful challenge to the intransigent mythologies of sex that still plague contemporary society. The result is a sweeping display of Strathern’s vivid critical thought and an important contribution to feminist studies that has gone unpublished for far too long.

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In a famous passage in A Room of One's Own, Virginia Woolf asked 'why women did not write poetry in the Elizabethan age'. She went on to speculate about an imaginary Judith Shakespeare who might have been destined for a career as illustrious as that of her brother William, except that she had none of his chances. The truth is that many women wrote during the sixteenth and seventeenth centuries and this collection will serve to introduce modern readers to the full variety of women's writing in this period from poems, prose and fiction to prophecies, letters, tracts and philosophy. The collection begins with the poetry of Isabella Whitney, who worked in a gentlewoman's household in London in the late 1560s, and ends with Aphra Behn who was employed as a spy in Amsterdam by Charles II. Here are examples of the work of twelve women writers, allowing the reader to sample the diverse and lively output of all classes and opinions, from artistcrats such as Mary Wroth, Anne Clifford and Margaret Cavendish to women of obscure background caught up in the religious ferment of the mid seventeenth century like Hester Biddle, Pricscilla Cotton and Mary Cole. The collection includes three plays, and a generous selection of poetry, letters, diary, prose fiction, religious polemic, prohecy and scienticficic speculation, offering the reader the possibilility of tracing patterns through the works collected and some sense of historical shifts and changes. All the extracts are edited afresh from original sources and the anthology includes comprehensive notes, both explanatory and textual. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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