Search results for ""Author John"

John Philip Sousa (1854-1932) is an American icon. Most famous for his military marches, the composer-bandmaster led a disciplined group of devoted musicians on numerous American tours and around the world, shaping a new cultural landscape. Paul E. Bierley documents every aspect of the "March King's" band: its history, its star performers, its appearances on recordings and radio, and the problems they faced on their 1911 trip around the world. Enhanced by more than 120 images and photographs, The Incredible Band of John Philip Sousa also contains six statistical appendixes detailing where the band played, a complete list of musicians, instrumentation of the band, program listings, and a discography

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Michael Mann is one of the most influential sociologists writing today. His three-volume work The Sources of Social Power, the third volume of which has just been completed, has transformed our way of thinking about power and has rewritten the history of human societies. No one interested in understanding how the modern world was shaped, how we got to where we are today, and where we're likely to be heading can afford to ignore this modern classic. Michael Mann is, as John Hall aptly describes him, "a Max Weber for our times." In this new book Michael Mann reflects on the meaning of his project as a whole, both as a contribution to social theory and as a guide to the options and constraints that face the contemporary world now and in the near future. He gives sustained attention to the situation of the United States, the nature of the challenge that may come from China, the unrestrained and perhaps unrestrainable power of finance, and the looming crisis of environmental degradation. This concise and accessible book is the ideal introduction to the work and thought of one of the most original social scientists in the world today. Students and scholars will find the book invaluable, and general readers will find in this book a clear and masterful guide to the key challenges we face in the years and decades ahead.

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Sir John Soane (1753-1837) has come to be regarded as one of the great architects of late 18th and early 19th century Europe, and contemporary architects and designers are becoming increasingly influenced by the subtleties of the unique 'Soane style'. Dorothy Stroud's classic book, which is appearing in paperback for the first time, in an updated second edition, is the culmination of a lifetime's research. It brings together all the threads in her previous writings on Soane, combining a concise biography of the architect with a comprehensive and fully illustrated survey of his works. After studying in Italy, Soane built up a considerable private practice and a reputation that secured his appointment in 1788 as architect to the Bank of England, where over a period of forty-five years he designed a vast complex of courts and offices. With his appointment to the Office of Works in 1815, he became responsible for public buildings in Whitehall and Westminster, which entailed the designing of a Royal entrance and gallery in the House of Lords, new Law Courts, Privy Council Offices and a State Paper Office. As professor of architecture at the Royal Academy from 1806, he was to play a leading role in the improvement of architectural education in Britain; and he was active in the founding of what is now the Royal Institute of British Architects. Although much of his work was thoughtlessly destroyed towards the end of the 19th century, a substantial number of buildings and parts of buildings survive, especially outside London, as a testimony to his genius

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2019 - It’s Hannah Greenshields’s first day at Memory Lane, a memory clinic in the centre of Edinburgh. She soon learns that Memory Lane possesses advanced technology which allows clients to relive their favourite memories for a substantial fee. 1975 - John Valentine, a Memory Lane client, is reliving his wedding day over and over again, hoping to change one key event he can’t forget. However, as proceedings become less and less familiar, John realises his memory isn’t such a safe place after all. When Hannah and John’s paths meet, they must work together to get John back to the real world before it’s too late. In a departure from Ross’s recent work - The Everliving Memory of John Valentine combines elements of speculative fiction in a novel that is all too believable...

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In this first major study of the work of the painter John Wonnacott (b.1940), Charles Saumarez Smith has surveyed a body of work produced at a tangent to the orthodoxies of modernism. Exploring the artist's formative experiences at the Slade, which connected him with artists such as Frank Auerbach and Michael Andrews and the School of London more broadly, Saumarez Smith roots Wonnacott's approach in his commitment to the discipline of drawing, his acute skills in observational analysis and the mechanics of graphic invention that makes his visual response to the world so memorable. Alongside commissioned portraits created in the grandest of architectural spaces, from naval bases to the Painted Hall at Greenwich and including John Major in 10 Downing Street and the Royal Family in Buckingham Palace, he has produced a revealing diary of self-portraits stretching back from his early teens and landscape paintings of light and sky which are celebrations of his native Essex coastline. In presenting the full range of Wonnacott's impressive oeuvre, the scope of the artist's remarkable achievement is revealed.

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John Ward (b.1938) has a longstanding reputation as one of Britain's foremost potters, and yet very little has been written about his manifold achievements. Authoritative and enlightening, this will be the first account of Ward’s life and work, tracing the evolution of his ideas and his practice as a potter and placing them critically within the history of British Studio Pottery. The qualities of Ward’s best pots are hard to define. As the late Emmanuel Cooper noted as long ago as 1996: “...the apparently contrasting qualities of drama and quiet reflection, is one of the most engaging aspects of his work. This sense of balance, of the tension between pushing and pulling, light and shade, movement and rest, makes Ward’s work distinctive, distinguished and intriguing.” Setting out to explore and define those distinctions - expressing what makes Ward’s pots compelling and historically significant - the potter's important artistic contribution will finally be expressed.

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A rich new novel that explores the true story of A Confederacy Of Dunces and the remarkable life of its author, John Kennedy Toole.I, John Kennedy Toole is the novelized true story of the funny, tragic, riveting narrative behind the making of an American masterpiece. The novel traces Toole’s life in New Orleans through his adolescence, his stay at Columbia University in New York, his attempts to escape the burden of his demanding mother and his weak father, his retreat into a world of his own creation, and finally the invention of astonishing characters that came to living reality for both readers (and the author himself) in his prize-winning A Confederacy of Dunces. The other fascinating (and mostly unknown) part of the story is how after a decade of rebuke and dismissal the novel came to a brilliant author, Walker Percy, and a young publisher, Kent Carroll, who separately rescued the book, then published it with verve and devotion. The novel that almost never came to be went on to win a Pulitzer Prize and continues to sell at a satisfying rate as it winds its way to the 2 million mark. That audience is the happy ending for this brilliant, unrepentant writer, whose only reward before his untimely death was his unending belief in his work and his characters.“This novel tells the real-life story behind A Confederacy of Dunces, the cult classic that won a Pulitzer after Toole, its author, committed suicide. Carroll has a direct link to the material: He is the publisher who brought Toole’s book to light.” — New York Times “A boisterous fictional take on the life and career of author John Kennedy Toole. This love letter to Toole fans offers plenty of insights into the tragic literary figure.” — Publishers Weekly “Likable depiction of an ill-fated American master.” — Kirkus Reviews “The dramatization of publishing-world machinations is as fascinating as Toole’s life.” — Booklist “Every fan of A Confederacy of Dunces has read the Walker Percy foreword. We all thought we knew the story of how John Kennedy Toole’s novel found its way into readers’ hands after the author’s suicide. Boy, did we not know the story. Kent Carroll and Jodee Blanco’s brilliant non-fiction novel gives us the goods, and then some. Illuminating and devastating, triumphant and tragic, I, John Kennedy Toole tells the tale of a dream deferred, of genius ignored.” — David Benioff, New York Times bestselling author of City of Thieves and co-creator of HBO's Game of Thrones

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Cradle of Magic brings together two giants of 20th-century British painting: John Bellany and Alan Davie Alan Davie (1920–2014) was one of the first British artists to explore abstract expressionist forms and techniques, and his gestural paintings, rich with symbolism, demonstrate an interest in tribal art, as well as Zen Buddhism. John Bellany (1942–2013), over a long and prolific career, came to be considered one of Britain's foremost figurative painters. His intimate works, often filled with ghoulish, hybridized creatures, balance the uncanny, joyful and violent in powerful and original ways. The book comes with two different covers—one by each artist—and includes an essay by the acclaimed art historian Mel Gooding exploring the connections between the artists and the themes underpinning their paintings. Also included are two newly transcribed interviews with the artists recorded as part of the Artists' Lives oral history project at the British Library.

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A biography of Canada’s first prime minister, a legendary political strategist who helped found a new nation in 1867. Shocked by Canada’s 1837 rebellions, John A. Macdonald sought to build alliances and avoid future conflicts. Thanks to financial worries and an alcohol problem, he almost quit politics in 1864. The challenge of building Confederation harnessed his skills, and in 1867 he became the country’s first prime minister. As "Sir John A.," he drove the Dominion’s westward expansion, rapidly incorporating the Prairies and British Columbia before a railway contract scandal unseated him in 1873. He conquered his drinking problem and rebuilt the Conservative Party to regain power in 1878. The centrepiece of his protectionist National Policy was the transcontinental railway, but a western uprising in 1885 was followed by the controversial execution of rebel leader Louis Riel. Although dominant nationally, Macdonald often cut ethical corners to resist the formidable challenge of the Ontario Liberals in his own province. John A. Macdonald created Canada, but this popular hero had many flaws.

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***THE SUNDAY TIMES BESTSELLER***'A master of plotting and pacing' - New York Times'With every new book I appreciate John Grisham a little more, for his compassion for the underdog, and his willingness to strike out in new directions' - Entertainment WeeklyONE MAN. ONE HOPE. ONCE CHANCE TO BECOME A LEGEND. ONE MAN Seventeen-year-old Samuel Sooleyman comes from a village in South Sudan, a war-torn country where one third of the population is a refugee. His great love is basketball: his prodigious leap and lightning speed make him an exceptional player. And it may also bring him his big chance: he has been noticed by a coach taking a youth team to the United States. ONE HOPE If he gets through the tournament, Samuel's life will change beyond recognition. But it's the longest of long shots. His talent is raw and uncoached. There are hundreds of better-known players ahead of him. And he must leave his family behind, at least at the beginning. ONE CHANCE As American success beckons, devastating news reaches Samuel from home. Caught between his dream and the nightmare unfolding thousands of miles away, 'Sooley', as he's nicknamed by his classmates, must make hard choices about his future. This quiet, dedicated boy must do what no other player has achieved in the history of his chosen game: become a legend in twelve short months. Global bestseller John Grisham takes you to a different kind of court in this gripping and incredibly moving novel that showcases his storytelling powers in an entirely new light.'Grisham's books are smart, imaginative, and funny, populated by complex interesting people' - The Washington Post'A superb, instinctive storyteller' - The Times350+ million copies, 45 languages, 9 blockbuster films:NO ONE WRITES DRAMA LIKE JOHN GRISHAM

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Born in Newry, educated at a Jesuit school in Dublin, John O’Hagan studied Law and Arts at Dublin University. There he became friendly with Thomas Davis, Gavan Duffy, and other Young Irelanders. He wrote for the Nation newspaper and was the author of some of its best known ballads. He toured Munster with Duffy and the poet Denis Florence McCarthy, and Ulster with Duffy and John Mitchel, and published accounts of both adventures, which cast light on the country side and people during the 1840s. After the 1848 revolution, O’Hagan worked as a lawyer on the Munster Circuit. Subsequently, he became friendly with John Henry Newman and lectured in Law, Literature and the Arts in Newman’s Catholic University. He stayed in touch with Newman after the latter had returned to England. In the 1860s, O’Hagan was appointed a Commissioner for National Education, a post and subject of great interest to him up to his death. In that decade also he married Frances O’Hagan, who was much younger than him. They had a happy marriage and their house on the hill of Howth was a welcome centre for poets such as Gerard Manley Hopkins and Aubrey de Vere, and a range of friends, writers, educationists, lawyers, and clergy. John O’Hagan prospered in a career in equity law, and he was appointed in turn chairman of the court of quarter sessions in Leitrim and in Clare. While in Clare, the title was raised to that of Judge. In 1880 he was appointed to take charge of the land commission arising from Mr Gladstone’s Land Act of 1881. He died in 1890 widely mourned and praised as a man of integrity who, in the words of The Spectator magazine, was ‘known to all not only as a most learned and experienced lawyer with a serene temper and a judgement of rare balance, but as a scholar of wide and liberal culture, a man beloved and respected by all who knew him’.

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1361: Orphaned by the Black Death, all John possesses are the tools that belonged to his father, a carpenter, and an uncanny ability to work wood. His travels bring him to Chesterfield, where he finds work erecting the spire of the new church. But no sooner does he begin than the master carpenter is murdered and John himself becomes a suspect. To prove his innocence John must help the coroner in his search for the killer, a quest that brings him up against some powerful enemies in a town where he is still a stranger and friends are few. Chris Nickson brilliantly evokes the feeling of time and place in this story of corruption and murder.

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Over the past few decades, John Eaves has had a major impact on the look of the Star Trek Universe and played a pivotal role in shaping Gene Roddenberry's vision. Starting with his work on Star Trek V: The Final Frontier, Eaves has worked as a production designer, illustrator and model maker across the franchise. He has been responsible for creating many of the props and ships, and helped develop the Federation design, from the U.S.S. Enterprise NCC-1701-E to the U.S.S. Discovery NCC-1031. Star Trek: The Art of John Eaves represents the most extensive collection of designs and illustrations created by Eaves across the Star Trek Universe. Featuring fascinating pencil sketches and stunning concept art, this visually dynamic book gives fans a unique in-depth look into Eaves' creative vision and the wealth of his remarkable work at the centre of this spectacular franchise.

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John Cassian (360-435 CE) started his monastic career in Bethlehem. He later traveled to the Egyptian desert, living there as a monk, meeting the venerated Desert Fathers, and learning from them for about fifteen years. Much later, he would go to the region of Gaul to help establish a monastery there by writing monastic manuals, the Institutes and the Conferences. These seminal writings represent the first known attempt to bring the idealized monastic traditions from Egypt, long understood to be the cradle of monasticism, to the West. In his Institutes, Cassian comments that “a monk ought by all means to flee from women and bishops” (Inst. 11.18). An odd comment from a monk, apparently casting bishops as adversaries rather than models for the Christian life. This book argues that Cassian, in both the Institutes and the Conferences, advocated for a separation between monastics and the institutional Church. In Cassian’s writings and the larger corpus of monastic writings from his era, monks never referred to early Church fathers such as Irenaeus or Tertullian as authorities; instead, they cited quotes and stories exclusively from earlier, venerated monks. In that sense, monastic discourse such as Cassian’s formed a closed discursive system, consciously excluding the hierarchical institutional Church. Furthermore, Cassian argues for a separate monastic authority based not on apostolic succession but on apostolic praxis, the notion that monastic practices such as prayer and asceticism can be traced back to the primitive church. This study of Cassian’s writings is supplemented with Michel Foucault’s analysis of the creation of subjects to examine Cassian’s formation of a specifically Egyptian form of monastic subjectivity for his audience, the monks of Gaul. Foucault’s concepts of disciplinary power and pastoral power are also employed to demonstrate the effect Cassian’s rhetoric would have upon his direct audience, as well as many other monks throughout history.

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This uniquely written title presents both the fascinating biography of Dr. John Loeser, a visionary pioneer in the field of pain medicine, as well as the compelling account of the birth and evolution of pain medicine in the United States and beyond. In this captivating work, readers are taken down the path of an extraordinary man who not only shaped the discipline of pain medicine but also embraced a multitude of passions, leaving an indelible mark on those lucky enough to know him. Prior to the pivotal role Loeser played in helping pain medicine emerge as a recognized field in the 1980s, he had already established himself as a highly respected neurosurgeon and co-author of a definitive text on neuroembryology. However, when he became immersed in the world of pain medicine, an entirely new frontier beckoned—one that held the promise of reducing human suffering and revolutionizing the way we understand and manage pain. Soon Loeser was deeply engaged in pain research and clinical practice and was advocating for better diagnostics, cutting-edge technologies, and a deeper understanding of pain mechanisms. Loeser not only played a leading role in the evolution of pain medicine in the 1980s but became the chief architect and champion of multidisciplinary pain management. Indeed, this outstanding biography amounts to two absorbing stories in one – the exceptional life of Loeser, complete with engrossing details of his early-life background, along with an absorbing history of the modern pain management movement. A colleague of Loeser for many years, the author skillfully and colorfully details the major, and often intimate, landscape of people, friendships, anecdotes, episodes, and ideas that weave into a rich context for understanding a multi-talented man who was not only a fighter for his beliefs and a major leader among all pain management professionals and organizations, but was also equally at home in his command of the operating room and in carving wooden masks based on northwestern indigenous traditions. An invaluable contribution to the literature, John Loeser: The Man Who Reimagined Pain will be of great interest to physicians and clinicians in every field, as well as to laypersons interested in the incomparable story of a man who accomplished so much and means so much to family, friends, and colleagues around the world.

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Jan G. van der Watt analyses in detail the ethics of John's Letters against their respective socio-historical backgrounds. He then compares the ethics of the Gospel and Letters, showing that the basic core narrative overlaps in these writings, although some ethical material is applied in different ways to different situations. A rich ethical landscape is revealed, addressing issues like the importance of inter-personal relations, which results in co-operation through mutual love. The author shows that the focus in 1 John is pastoral, aiming at convincing the addressees not to be deceived by the schismatics but to strengthen their relationship with the eyewitness group. In 2 John, advice is given about visitors who threaten the church with false teachings, while 3 John deals with a conflict about receiving travelling missionaries. In both cases ethical guidelines are given which aim at protecting the group.

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Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies. John Skelton is a central literary figure and the leading poet during the first thirty years of Tudor rule. Nevertheless, he remains challenging and even contradictory for modern audiences. This book aims to provide an authoritative guide to this complex poet and his works, setting him in his historical, religious, and social contexts. Beginning with an exploration of his life and career, it goes on to cover all the major aspects of his poetry, from the literary traditions in which he wrote and the form of his compositions to the manuscript contexts and later reception. SEBASTIAN SOBECKI is Professor of Medieval English Literature and Culture at the University of Groningen; JOHN SCATTERGOOD is Professor (Emeritus) of Medieval and Renaissance English at Trinity College, Dublin. Contributors: Tom Betteridge, Julia Boffey, John Burrow, David Carlson, Helen Cooper, Elisabeth Dutton,A.S.G. Edwards, Jane Griffiths, Nadine Kuipers, Carol Meale, John Scattergood, Sebastian Sobecki, Greg Waite

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A daring account of Black Seminole warrior, chief, and diplomat John Horse and the route he forged on the Underground Railroad to gain freedom for his people John Horse (c. 1812–1882, also known as Juan Caballo) was a famed chief, warrior, tactician, and diplomat who played a dominant role in Black Seminole affairs for half a century. His story is central to that of the Black Seminoles—descendants of Seminole Indians, free Blacks, and escaped slaves who formed an alliance in Spanish Florida. A political and military leader of mixed Seminole and African heritage, Horse defended his people from the US government, other tribes, and slave hunters. A Man Called Horse focuses on the little-known life of Horse while also putting into historical perspective the larger story of Native Americans and especially Black Seminoles, helping to connect the missing “dots” in this period. After fighting during the Second Seminole War (1835–1842), one of the longest and most costly Native American conflicts in US history, Horse negotiated terms with the federal government and later became a guide and interpreter. Forced to relocate, he led a group of Black Seminoles to find a new home, first heading westward to Texas and later to Mexico. Turner worked with descendants of Horse, who provided oral histories as well as many photographs and other artifacts. Her expertly researched and vetted biography depicts Horse as a complex, fascinating figure who served in many varied roles, including as a counselor of fellow Seminole leaders, an agent of the US government, and a captain in the Mexican army. But no matter the part he played, one thing remained constant: whether in battle or at the negotiating table, Horse fought tirelessly to help his people survive. The story of John Horse is a tale of daring, intrigue, and the lifelong quest for freedom. The book includes black-and-white archival photos throughout (though the book is designed in full color), as well as a map, timeline, author's note, endnotes, and select bibliography.

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The first complete biography of a little-known but fascinating figure in the history of espionage and the American Revolution A man of as many names as motives, Edward Bancroft is a singular figure in the history of Revolutionary America. Born in Massachusetts in 1745, Bancroft moved to England as a young man in the 1760s and began building a respectable résumé as both a scientist and a man of letters. In recognition of his works in natural history, Bancroft was unanimously elected to the Royal Society, and while working to secure French aid for the American Revolution, he became a close associate of such luminaries as Benjamin Franklin, Silas Deane, and John Adams. Though lauded in his time as a staunch American patriot, when the British diplomatic archives were opened in the late nineteenth century, it was revealed that Bancroft led a secret life as a British agent acting against French and American interests.In this book, the first complete biography of Bancroft, historian Thomas J. Schaeper reveals the full extent of the agent's deception during the crucial years of the American Revolution. Operating under aliases, working in ciphers, and leaving coded messages in the trees of Paris's Tuileries Gardens, Bancroft filtered information from unsuspecting figures including Franklin and Deane back to his contacts in Britain, navigating a complicated web of political allegiances. Through Schaeper's keen analysis of Bancroft's correspondence and diplomatic records, this biography reveals whether Bancroft should ultimately be considered a traitor to America or a patriot to Britain.

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Comprising a vivid and varied series of miniature biographies, revealing profiles, thought-provoking essays and a multitude of previously unknown anecdotes and quotes, Hercules!: The A to Z of Elton John is the perfect compendium for the casual fan or devoted connoisseur, providing a funny, comprehensive and fully alphabetised overview of the star's life and music.Charting all the highs and lows, the major record releases and the significant tours, the strokes of genius and the bottoms of barrels, this insightful portrait will cover serious subjects such as Elton's battle with the media, his highly publicised addictions, his route to sobriety, his tangled love life and his struggles to come to terms with his sexuality, hair loss and temper. But, as Elton himself always does so well in the hundreds of interviews he has given over the past half-century, his stories will also be told frankly and humorously, his demons now conquered and his success unrelenting.And at the heart of this book is a joyride through one of the all-time greatest musical catalogues from a brilliant, versatile, glamorous and universally loved pop superstar.

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'John Rawls: Towards a Just World Order' is a concise and detailed analysis of one of the foremost political philosophers of our time that demonstrates the importance of Rawls's work for contemporary debates regarding international relations, world politics and human rights.

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This work undertakes a philosophical analysis and study of the thought of John Paul II on inculturation and evangelization. It investigates the development of the Pope's thought on inculturation and argues that inculturation is the central theme that unifies the Pope's encyclical. The relationship between inculturation and evangelization is argued for, with particular attention to the analysis of such themes as: creation as inculturation, incarnation as inculturation, and evangelization as inculturation. The text then argues that the relationships between these themes are not only reciprocal but hermeneutical. It also focuses on the relationship between hermeneutics and inculturation and argues that hermeneutics is the most rational foil for understanding the mechanics and the logic of inculturation. The text shows how inculturation, as proposed by Pope John Paul II, serves as a unifying principle that would usher in a new world order (intellectually and socially). Such world vision would allow for cooperation and unity between nations of varied cultures, and thus, allow for the development of a Christian and world community where peaceful co-existence would be a priority. This is the hope of the Pope's gospel of 'Evangelization 2000.'

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The bloody mutiny was a success, and Long John is now in command of the Neptune. Following their native guide, the survivors find the mouth of the Amazon and sail on towards Guiana-Capac. But after the dangers of the open ocean, it's the unknown terrors of the jungle they must now face with a damaged ship and a reduced crew. To what doom will the lush labyrinth of the Amazon lead Long John, Lady Vivian and Dr Livesey?

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Baltimore seen through the eyes of John Waters, Anne Tyler, Charles S. Dutton, Barry Levinson, David Simon—and also ordinary citizens.The city of Baltimore features prominently in an extraordinary number of films, television shows, novels, plays, poems, and songs. Whether it's the small-town eccentricity of Charm City (think duckpin bowling and marble-stooped row houses) or the gang violence of "Bodymore, Murdaland," Baltimore has figured prominently in popular culture about cities since the 1950s. In Come and Be Shocked, Mary Rizzo examines the cultural history and racial politics of these contrasting images of the city. From the 1950s, a period of urban crisis and urban renewal, to the early twenty-first century, Rizzo looks at how artists created powerful images of Baltimore. How, Rizzo asks, do the imaginary cities created by artists affect the real cities that we live in? How does public policy (intentionally or not) shape the kinds of cultural representations that artists create? And why has the relationship between artists and Baltimore city officials been so fraught, resulting in public battles over film permits and censorship?To answer these questions, Rizzo explores the rise of tourism, urban branding, and citizen activism. She considers artists working in the margins, from the East Baltimore poets writing in Chicory, a community magazine funded by the Office of Economic Opportunity, to a young John Waters, who shot his early low-budget movies on the streets, guerrilla-style. She also investigates more mainstream art, from the teen dance sensation The Buddy Deane Show to the comedy-drama Roc to the crime show The Wire, from Anne Tyler's award-winning book The Accidental Tourist to Barry Levinson's movie classic Diner.

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Puritan politician, lawyer, and lay theologian John Winthrop fled England in 1630 when it looked like Charles I had successfully blocked all hopes of passing Puritan-inspired reforms in Parliament. Leading a migration, he came to New England in the hopes of creating an ideal Puritan community and eventually became the governor of Massachusetts. Winthrop is remembered for his role in the Puritan migration to the colonies and for delivering what is probably the most famous lay sermon in American history, "A Model of Christian Charity." In it he proclaimed that New England would be "a city upon a hill"--an example for future colonies. In John Winthrop: Founding the City upon a Hill, Michael Parker examines the political and religious history of this iconic figure. In this short biography, bolstered by letters, sermons, and maps, John Winthrop introduces students to the colonial world, the Pequot Wars, and the history of American Exceptionalism.

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John Maynard Keynes wird am 5. Juni 1883 im britischen Cambridge geboren. Nach einer beeindruckenden Bildungskarriere nimmt er 1908 an der Universität Cambridge eine Lehrtätigkeit auf und hält Vorlesungen über Geld, Kredit und Preise. Nach der Veröffentlichung verschiedener Schriften (unter anderem zum indischen Finanzsystem, zum Versailler Vertrag und zum Goldstandard) veröffentlicht er Ende 1930 sein fünftes Buch A Treatise on Money und Anfang des Jahres 1936 die berühmte General Theory of Employment, Interest, and Money. Mit diesen Werken erschüttert er die gängige neoklassische Wirtschaftstheorie in ihren Fundamenten und begründet eine neue Makroökonomik. Keynes unterstellt hierbei eine fragile Marktwirtschaft, die Krisen hervorbringen kann, welche eines entschlossenen staatlichen Handelns bedürfen, um Arbeitslosigkeit und Stagflation zu vermeiden. Bis heute streiten die Ökonomen über die Keynessche Makroökonomik und die Rolle des Staates bei der Bekämpfung von Krisen. Die hier versammelten Beiträge diskutieren das Gesamtwerk dieses großen Denkers - auch vor dem Hintergrund aktueller Probleme: Was leisten seine Konzepte zum besseren Verständnis der Funktionsweise und zur besseren Gestaltung moderner Gesellschaften?

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San Juan de la Cruz, the 16th-century Spanish mystic, is regarded as one of Spain's finest poets. Passionate, ecstatic and spiritual, his poems are a blend of lyricism and mystical thought. This book presents a translation of the complete poems, with the aim of recreating the religious fervour of St John's work. This dual-language edition provides the original Spanish from the "Codex of Sanlucon de Barrameda", with facing English translations. The work concludes with two essays - a critique of the poetry and a short piece on the Spanish text that appears alongside the translation - as well as brief notes on the individual poems.

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Winner of the East Anglian Book of the Year 2015 Winner of the New Angle Book Prize 2017John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as ‘a stuporous state’. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his masterpiece, a huge embroidery of The Evacuation of Dunkirk.Very few facts about Craske are known, and only a few scattered photographs have survived, together with accounts by the writer Sylvia Townsend Warner and her lover Valentine Ackland, who discovered Craske in 1937. So - as with all her books - Julia Blackburn’s account of his life is far from a conventional biography. Instead it is a quest which takes her in many strange directions - to fishermen’s cottages in Sheringham, a grand hotel fallen on hard times in Great Yarmouth and to the isolated Watch House far out in the Blakeney estuary; to Cromer and the bizarre story of Einstein’s stay there, guarded by dashing young women in jodhpurs with shotguns. Threads is a book about life and death and the strange country between the two where John Craske seemed to live. It is also about life after death, as Julia’s beloved husband Herman, a vivid presence in the early pages of the book, dies before it is finished. In a gentle meditation on art and fame; on the nature of time and the fact of mortality; and illustrated with Craske’s paintings and embroideries, Threads shows, yet again, that Julia Blackburn can conjure a magic that is spellbinding and utterly her own.

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At the summit of his power, John Law was the most famous man in Europe. Born in Scotland in 1671, he was convicted of murder in London and, after his escape from prison, fled Scotland for the mainland when Union with England brought with it a warrant for his arrest. On the continent he lurched from one money-making scheme to the next - selling insurance against losing lottery tickets in Holland, advising the Duke of Savoy - amassing a fortune of some £80,000.But for his next trick he had grander ambitions. When Louis XIV died, leaving a thoroughly bankrupt France to his five-year-old heir, Law gained the ear of the Regent, Philippe D'Orleans. In the years that followed, Law's financial wizardry transformed the fortunes of France, enriching speculators and investors across the continent, and he was made Controller-General of Finances, effectively becoming the French Prime Minister. But the fall from grace that was to follow was every bit as spectacular as his meteoric rise.John Law, by a biographer of Adam Smith and the author of Frozen Desire and Capital of the Mind, dramatises the life of one of the most inventive financiers in history, a man who was born before his time and in whose day the word millionaire came to be coined.

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The John Charles Story

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This insightful study engages the debates and interpretations of the brief and somewhat elusive writings known in the Christian canon as 1, 2, and 3 John. Chapter 1 identifies six unknowns about the origins of the three writings: authors, relationship to John's Gospel, order, date and location of the writings, and their audiences. Chapters 2 and 3 delineate the debate concerning the relationship of these writings to a purported Johannine tradition and Johannine community in which a schism is claimed to have occurred. An alternative view recognizes that while there are some connections with John's Gospel, it is more compelling to see the writings as independent rather than derivative, as internally not externally directed, as pastoral not polemical, and as schism-free. Chapters 4-7 discuss important aspects of 1 John. Chapter 4 argues that its structure or organization is based on rhetorical and conceptual links among the writing's small units. Chapter

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London, present day. The body of an unidentified young man is found face down in a suburban street. Who is he and where did he come from? He has no ID and nobody witnessed anything. It's as if he has just fallen from the sky… Pathologists and police working on the case must uncover the truth and piece the story – and body – of this 'John Doe' back together. A breakthrough sends DC John Kavura into overdrive and as his investigation unravels, he uncovers a haunting story of our time. Inspired by real events, Fiona Doyle's play The Strange Death of John Doe is a powerful and poignant drama that premiered at Hampstead Theatre Downstairs, London, in 2018, and was a finalist for the Susan Smith Blackburn Prize.

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It was a defining moment, the first time ‘Jihadi John’ appeared. Suddenly Islamic State had a face and the whole world knew the extent of their savagery. Weeks later, when his identity was revealed, Robert Verkaik was shocked to realise that this was a man he’d interviewed years earlier. Back in 2010, Mohammed Emwazi was a twenty-one-year-old IT graduate who claimed the security services were ruining his life. They had repeatedly approached him, his family and his fiancée. Had they been tracking an already dangerous extremist or did they push him over the edge? In the aftermath of the US air strike that killed Emwazi in November 2015, Verkaik’s investigation leads him to deeply troubling questions. What led Emwazi to come to him for help in the first place? And why do hundreds of Britons want to join Islamic State? In an investigation both frightening and urgent, Verkaik goes beyond the making of one terrorist to examine the radicalisation of our youth and to ask what we can do to stop it happening in future.

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A new commentary for today's world, The Story of God Bible Commentary explains and illuminates each passage of Scripture in light of the Bible's grand story.The first commentary series to do so, SGBC offers a clear and compelling exposition of biblical texts, guiding everyday readers in how to creatively and faithfully live out the Bible in their own contexts. Its story-centric approach is ideal for pastors, students, Sunday school teachers, and laypeople alike.Each volume employs three main, easy-to-use sections designed to help readers live out God's story: LISTEN to the Story: Includes complete NIV text with references to other texts at work in each passage, encouraging the reader to hear it within the Bible's grand story. EXPLAIN the Story: Explores and illuminates each text as embedded in its canonical and historical setting. LIVE the Story: Reflects on how each text can be lived today and includes contemporary stories and illustrations to aid preachers, teachers, and students. —1, 2, & 3 John—The three letters of John are ripe with immediate encouragement, practical application, and profound insight. The twin themes of love and truth dominate their theological content. If these letters seem, at times, more detached from the biblical narrative than most of the New Testament, we can still understand them in light of that story.Edited by Scot McKnight and Tremper Longman III, and written by a number of top-notch theologians, The Story of God Bible Commentary series will bring relevant, balanced, and clear-minded theological insight to any biblical education or ministry.

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John Shaw is the author of seven previous photography books published by Amphoto: his authentic voice and trusted advice has helped photographers achieve impressive shots in the great outdoors for decades. In his first-ever book on digital photography, Shaw provides in-depth advice on everything from equipment and lenses, composition and close-ups, to up-to-date information on software filtration and the histogram. In addition, he offers inspirational and frank insight that goes far beyond the nuts and bolts of photography, explaining that successful photos come from having a vision, practicing and then acquiring the equipment needed to accomplish the intention. Easily digestible and useful for every type of photographer, John Shaw's Guide to Digital Nature Photography is sure to be the new classic in the category.

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In recent years, Gower's reputation has begun to evolve. Scholars and critics have opened his books once more to discover there a talent worthy of respect, rather than something to be viewed as tedious or dull. Recently it has seemed easier to understand Chaucer's good will toward the moral friend and fellow author into whose tutelary watchfulness he commended Troilus and Criseyde-and easier to assess the positive value Chaucer's adjective must have borne. The thirteen essays included here all represent a fresh approach, an effort by North American and European scholars to offer a representative sample of the many diverse directions taken by Gower studies today. The essays demonstrate the life still present in Gower's work and serve as both an excellent introduction and update on the state of Gower scholarship.

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Captain John Smith's voyages throughout the New World did not end - or, for that matter, begin - with the trip on which he was captured and brought to the great chief Powhatan. Partly in an effort to map the region, Smith covered countless leagues of the Chesapeake Bay and its many tributary rivers, and documented his experiences. In this ambitious and extensively illustrated book, scholars from multiple disciplines take the reader on Smith's exploratory voyages and reconstruct the Chesapeake environment and its people as Smith encountered them.

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Indulge yourself with this stunning collection of pin-ups! The art of pin-up glorifies the female form, and John Gladman celebrates beautiful girls from all walks of life. He has a refreshing, timeless style, bringing back the art of the tease at a time when innocence has been lost. Glamour and art meet photography to create John’s recognizable and unique look. His imagery is tasteful yet sexy, stirring up sensuality and allure. He has revered and admired the female form throughout his life span, learning posing from the great artists of the past, paying attention to every detail during posing from the hand placement, the arch of the back, to the expressions and nuances, creating an art piece that appears as natural happenstance. John has a modern flair mixed with vintage themes honoring the classic era of the mid-twentieth century.

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John McPake, a former teacher, has a diagnosis of schizophrenia. Soon after his marriage fell apart he started hearing voices and eventually moved into an Edinburgh hostel for men with enduring mental health problems. An earlier obsession with the works of Breughel develops into a full blown delusion, and he assumes the personna of Johannes, a 16th century Dutch weaver who travels with his friends, Balthazar and Cornelius, in pursuit of his son who has been abducted by the Spanish mercenaries. This is an echo of John's real life quest to be reunited with his brother. People with a diagnosis of psychosis often hear multiple voices. To the hearer the voices are as real as if they were listening to someone standing next to them. The voices, often unpleasant, can have completely different characters. John's voices jostle and bitch with each other for the right to tell his story.

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When Raymond E. Brown died in 1998, less than a year after the publication of his masterpiece, An Introduction to the New Testament, he left behind a nearly completed revision of his acclaimed two-volume commentary on the Gospel of John. The manuscript, skillfully edited by Francis J. Moloney, displays the rare combination of meticulous scholarship and clear, engaging writing that made Father Brown’s books consistently outsell other works of biblical scholarship. An Introduction to the Gospel of John represents the culmination of Brown’s long and intense examination of part of the New Testament. One of the most important aspects of this new book, particularly to the scholarly community, is how it differs from the original commentary in several important ways. It presents, for example, a new perspective on the historical development of the Gospels, and shows how Brown decided to open his work to literary readings of the text, rather than relying primarily on the historical, which informed the original volumes. In addition, there is an entire section devoted to Christology, absent in the original, as well as a magisterial new section on the representation of Jews in the Gospel of John.

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Scholars have examined John Adams's writings and beliefs for generations, but no one has brought such impressive credentials to the task as Richard Alan Ryerson in John Adams's Republic. The editor-in-chief of the Massachusetts Historical Society's Adams Papers project for nearly two decades, Ryerson offers readers of this magisterial book a fresh, firmly grounded account of Adams's political thought and its development. Of all the founding fathers, Ryerson argues, John Adams may have worried the most about the problem of social jealousy and political conflict in the new republic. Ryerson explains how these concerns, coupled with Adams's concept of executive authority and his fear of aristocracy, deeply influenced his political mindset. He weaves together a close analysis of Adams's public writings, a comprehensive chronological narrative beginning in the 1760s, and an exploration of the second president's private diary, manuscript autobiography, and personal and family letters, revealing Adams's most intimate political thoughts across six decades. How, Adams asked, could a self-governing country counter the natural power and influence of wealthy elites and their friends in government? Ryerson argues that he came to believe a strong executive could hold at bay the aristocratic forces that posed the most serious dangers to a republican society. The first study ever published to closely examine all of Adams's political writings, from his youth to his long retirement, John Adams's Republic should appeal to everyone who seeks to know more about America's first major political theorist.

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