Search results for ""Author Bernd"

Today, Bernie Sanders is a household name, a wildly popular presidential candidate and an icon for progressive Democrats in the United States. But back in the 1980s, this “democratic socialist”—though some folks would prefer the term “social democrat”—was mayor of Burlington, Vermont, where his administration attempted radical reforms. Some efforts were successful, but when a waterfront deal failed, it was not due to Sanders' efforts; he would rather compromise and have a net gain than be an ideological purist. In his preface to this reissue of the 1990 book, Challenging the Boundaries of Reform, W. J. Conroy reflects on the recent legacy of Sanders, his Agenda for America, and his appeal to young voters. His book then looks back to identify Sanders’ experience in Burlington by examining several case studies that unfolded amidst a conservative trend nationally, an unsympathetic state government, and a hostile city council. Ultimately, Conroy asks what lessons can be drawn from the case of Burlington that would aid the American left in its struggle to capture both government and civil society?

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There is a logical flaw in the statistical methods used across experimental science. This fault is not a minor academic quibble: it underlies a reproducibility crisis now threatening entire disciplines. In an increasingly statistics-reliant society, this same deeply rooted error shapes decisions in medicine, law, and public policy with profound consequences. The foundation of the problem is a misunderstanding of probability and its role in making inferences from observations.Aubrey Clayton traces the history of how statistics went astray, beginning with the groundbreaking work of the seventeenth-century mathematician Jacob Bernoulli and winding through gambling, astronomy, and genetics. Clayton recounts the feuds among rival schools of statistics, exploring the surprisingly human problems that gave rise to the discipline and the all-too-human shortcomings that derailed it. He highlights how influential nineteenth- and twentieth-century figures developed a statistical methodology they claimed was purely objective in order to silence critics of their political agendas, including eugenics.Clayton provides a clear account of the mathematics and logic of probability, conveying complex concepts accessibly for readers interested in the statistical methods that frame our understanding of the world. He contends that we need to take a Bayesian approach—that is, to incorporate prior knowledge when reasoning with incomplete information—in order to resolve the crisis. Ranging across math, philosophy, and culture, Bernoulli’s Fallacy explains why something has gone wrong with how we use data—and how to fix it.

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Sarah Bernhardt was a French stage actor who became a global superstar in the late nineteenth century—the Lady Gaga of her day—and is still considered to be one of the greatest performers of all time. This fast-paced account of her life, filled with provocative detail, brilliantly follows the transformation of a girl of humble origins, born to a courtesan, into a fabulously talented, wealthy, and beloved icon. Not only was her acting trajectory remarkable, but her personal life was filled with jaw-dropping exploits, and she was extravagantly eccentric, living with a series of exotic animals and sleeping in a coffin. She grew to be deeply admired around the world, despite her unabashed and public promiscuity at a time when convention was king; she slept with each of her leading men and proudly raised a son without a husband. A fascinating and fast-paced deep dive into the world of the divine Sarah. Illustrated with more than sixty-five photos of Bernhardt on stage, in film, and in real life.

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As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication. Irving Lavin is best known for his array of fundamental publications on the Baroque artist Gian Lorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious childhood, his architecture and -portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the -theatre, his attitude toward death and the role of the artist in the creation of a modern sense of social responsibility. All of Professor Lavin's papers on Bernini are here brought together in three volumes. The studies have been reset and in many cases up-dated, and there is a comprehensive index.

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No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ("Citizen Kane") to his last ("Taxi Driver"), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ("Fahrenheit 451", "The Day the Earth Stood Still") to the romantic ("Obsession", "The Ghost and Mrs. Muir") to the terrifying ("Psycho"). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles' "Mercury Theatre on the Air" and "The War of the Worlds". His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored - a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love. The films scored by Bernard Herrmann include "Citizen Kane", "The Ghost and Mrs. Muir", "Vertigo", "Psycho", "Fahrenheit 451", "Taxi Driver", "The Magnificent Ambersons", "The Man Who Knew Too Much", "North By Northwest", "The Birds", "The Snows of Kilimanjaro", "Cape Fear", "Marnie", "Torn Curtain", among others.

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Because of illness and age the Jesuit theologian and philosopher Bernard Lonergan never completed the systematic study on Christology, the doctrine concerning the person of Christ, that he had planned to write. Christ and History, written by his former student Frederick E. Crowe, is an attempt to rectify that loss by tracing the outline of Lonergan's possible work on the subject. Moving from the Jesuit philosopher's early student work, through the fertile and productive years in which he wrote Insight and Method in Theology, to his final lectures on the topic, Crowe presents the evolution of Lonergan's thinking on Christology in the context of the radical developments contained within his other theological writings. Written in the spirit of piety towards his revered teacher, Christ and History is an important analysis of these works and the Christology that they contain.

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Modern Germany: A Global History places Germany in a global and transnational context, while offering a broad scope of chronological and thematic coverage. The authors present German-speaking lands in relation to the rest of the world, rather than as discrete entities, bringing global and transnational linkages and interdependencies into focus.

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Political Theory and Christian Vision explores the field of Christian political theoryóa discipline to which Bernard Zylstra devoted his life's work. His particular interests lay in the philosophical and methodological questions that underlie the study of empirical political systems. In his view, the neglect of rigorous critical reflection on the presuppositions of the discipline left many of its current practitioners lacking direction and their output lacking coherence. It was his aim to demonstrate the necessity for and the potential fruitfulness of an integrated, philosophically self-conscious and inter-disciplinary practice of political theory. The essays in this book, all written by former students or colleagues of Zylstra, are illustrative of this concern with issues arising at the foundations of the discipline. Those in the first section address questions immediately related to the normative character of those foundations. Further essays explore the nature of the state, the challenges of pluralism, and the nature of political economy. Co-published with the Institute for Christian Studies.

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This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration. Featuring chapters by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the collection examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom. Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films, examining the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the book explores the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways in which such partnerships inspire later work.

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The “greater fool” theory of economics states that it’s possible to make money by buying paper (securities), whether overvalued or not, and later, selling it at a profit because there will always be an even greater fool willing to pay the higher price. Many described in this book profited by peddling such worthless junk to foolish investors. But for some people—Bernie Madoff, Norman Hsu, Sholam Weiss, and “Crazie Eddie” Antar, aka the “Darth Vader of Capitalism”—overvalued securities were not enough. Outright fraud was their way of life. History of Greed is the compelling inside story of the names you know—Charles Ponzi, Baron Rothschild, Lou Pearlman—and the names you don’t—Isaac Le Maire, the world’s first “naked” short-seller. It’s also our story—why we ignore the lessons of the past and fall prey, most every time, to the promise of easy money.For thousands of years, alchemists unsuccessfully tried to turn worthless base metals into gold. Where science failed at turning nothing into something, business succeeded. Sometimes we praise the creators of derivatives, collateral debt obligations, subprime mortgages, credit default swaps, or auction rate securities as Wall Street’s new financial wizards, the creators of “magic paper.” Other times, we vilify and prosecute them as scam artists. Sometimes, it’s hard to tell who is who. History of Greed reveals the inside secrets of how the markets really work, and how scam artists abuse them to gain an unfair edge or to outright steal. It describes how luftgescheft (“air business”), wizardry, dishonesty, and fraud are used to swindle people. Along with a comprehensive bibliography, History of Greed also details: 400 years of financial fraud—from everyday fraud to the odd and unusual Accounting fraud (phantom sales), stock option fraud (backdating), auction rate securities, hedge fund fraud, Ponzi schemes, promotion fraud (pump-and-dump scams), and money laundering How to detect fraudulent schemes How government regulation only fixes yesterday’s problems If it’s too good to be true, it probably is. If they say you can’t lose, you probably will. History of Greed shows that there really is no such thing as a free lunch, while also detailing how not to become the “greater fool.”

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This engaging chronicle of how the author and the great horned owl "Bubo" came to know one another over three summers spent in the Maine woods--and of how Bubo eventually grew into an independent hunter--is now available in an edition that has been abridged and revised so as to be more accessible to the general reader.

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The rediscovered classic: an unforgettable memoir by a trailblazing black woman in post-war London, introduced by Bernardine Evaristo ('I dare anyone to read it and not come away shocked, moved and entertained')Benjamin Zephaniah: 'A must-read. Her life makes you laugh. Her life makes you cry. Get to know her.'Jacqueline Wilson: 'A superb but shocking memoir ... Imaginative, resilient and inspiring.'Christie Watson: 'A beautiful memoir of one woman's strength and dignity against the odds.'Steve McQueen: 'Gilroy blazed a path that empowered generations of Black British educators.'David Lammy: 'This empowering tale of courage, resistance, and triumph is a breath of fresh air.'Diana Evans: 'Important, enlightening and very entertaining, full of real-life drama ... Inspirational.'Paul Mendez: 'Written with a novelist's ear and sense of atmosphere ... A vital and unique testament.'Jeffrey Boakye: 'A landmark. Warm and wise ... Life lessons we can all learn from.' Alex Wheatle: 'A pioneer in many fields and wonderful example for all of us ... Essential reading.'Denied teaching jobs due to the colour bar. Working in an office amidst the East End's bombsites. Serving as a lady's maid to an Empire-loving aristocrat. Raising two children in suburbia. Becoming one of the first black headteachers in Britain.In 1952, Beryl Gilroy moved from British Guiana to London. Her new life wasn't what she expected - but her belief in education resulted in a revolutionary career. Black Teacher, her memoir, is a rediscovered classic: not only a rare insight into the Windrush generation, but a testament to how her dignity, ambition and spirit transcended her era.**WATERSTONES PICK: JULY'S BEST BOOKS**Reader Reviews:'Incredibly important ... Such an interesting read, and I am so glad that it is being republished.''Wonderful and insightful. I really, thoroughly enjoyed reading this book.''Eye-opening ... A powerful reminder of how far we have come ... Beautifully written ... I wish everyone could have a teacher like Beryl!''Really lovely, and a surprisingly quick read ... I wish I could have met her.''A great piece of history [with] so much relevance even today as it touches upon issues of race, education and female empowerment.''Excellent [on] what it was really like for the Windrush Generation... Highly recommended.'

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In the late nineteenth century, a number of prominent reformers wereinfluenced by what Edward Carpenter called “the largersocialism,” a philosophy that promised to completely transformsociety, including the place of animals within it. To open a window on late Victorian ideas about animals, Rod Preeceexplores what he calls radical idealism and animal sensibility in thework of George Bernard Shaw, the acknowledged prophet of modernism andconscience of his age. Preece examines Shaw’s reformist thought-- particularly the notion of inclusive justice, which aimed toeliminate the suffering of both humans and animals -- in relation tothat of fellow reformers such as Edward Carpenter, Annie Besant, andHenry Salt and the Humanitarian League. This fascinating account of the characters and crusades that shapedShaw’s philosophy sheds new light not only on modernist thoughtbut also on an overlooked aspect of the history of the animal rightsmovement.

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As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication. Irving Lavin is best known for his array of fundamental publications on the Baroque artist Gian Lorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious childhood, his architecture and -portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the -theatre, his attitude toward death and the role of the artist in the creation of a modern sense of social responsibility. All of Professor Lavin's papers on Bernini are here brought together in three volumes. The studies have been reset and in many cases up-dated, and there is a comprehensive index.

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In Black Athena Writes Back Martin Bernal responds to the passionate debates set off by the 1987 publication of his book Black Athena. Producing a shock wave of reaction from scholars, Black Athena argued that the development of Greek civilization was heavily influenced by Afroasiatic civilizations. Moreover, Bernal asserted that this knowledge had been deliberately obscured by the rampant racism of nineteenth-century Europeans who could not abide the notion that Greek society—for centuries recognized as the originating culture of Europe—had its origins in Africa and Southwest Asia. The subsequent rancor among classicists over Bernal’s theory and accusations was picked up in the popular media, and his suggestion that Greek culture had its origin in Africa was widely derided. In a report on 60 Minutes, for example, it was suggested that Bernal’s hypothesis was essentially an attempt to provide blacks with self-esteem so that they would feel included in the march of progress. In Black Athena Writes Back Bernal provides additional documentation to back up his thesis, as well as offering persuasive explanations of why traditional scholarship on the subject remains inaccurate and why specific arguments lobbed against his theories are themselves faulty.Black Athena Writes Back requires no prior familiarity with either the Black Athena hypothesis or with the arguments advanced against it. It will be essential reading for those who have been following this long-running debate, as well as for those just discovering this fascinating subject.

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Fast-moving and brisk, and filled with wit, humor, and gaiety, the Barber is assured of immortality because of its sheer fun. Plays for Performance Series.

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This is a biography of Bernard G Sarnat, SB, MD, MS, DDS, FACS, a remarkable man who lived for most of the 20th century. Born in 1912 in the USA, he was the son of immigrant parents from Belarus, a former republic of the USSR. He received his MD degree from the University of Chicago, and his MS and DDS degrees from the University of Illinois. Dr Sarnat was a practitioner in the formative years of modern plastic surgery as well as an internationally known biological researcher in the area of craniofacial biology. He was one of the first bone researchers to apply the stain alizarin red S to document the pattern of dental and bone growth, and has published over 220 research papers dealing with bone and teeth biology.Bernard G Sarnat: 20th Century Plastic Surgeon and Biological Scientist is the story of not only a successful physician-scientist, but also a warm and caring individual who is dedicated to his family, as revealed by the many personal details in this biography. Thus, this biography is intended not just for researchers in the biology of bone and teeth, but also for medical and dental students as well the general reader interested in science and medicine.

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Bernice O'Hanlon turns to Tarot to unlock the memories that haunt her.

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In 1937, Theos Casimir Bernard (1908-1947), the self-proclaimed "White Lama," became the third American in history to reach Lhasa, the capital city of Tibet. During his stay, he amassed the largest collection of Tibetan texts, art, and artifacts in the Western hemisphere at that time. He also documented, in both still photography and 16mm film, the age-old civilization of Tibet on the eve of its destruction by Chinese Communists. Based on thousands of primary sources and rare archival materials, Theos Bernard, the White Lama recounts the real story behind the purported adventures of this iconic figure and his role in the growth of America's religious counterculture. Over the course of his brief life, Bernard met, associated, and corresponded with the major social, political, and cultural leaders of his day, from the Regent and high politicians of Tibet to saints, scholars, and diplomats of British India, from Charles Lindbergh and Franklin Delano Roosevelt to Gandhi and Nehru. Although hailed as a brilliant pioneer by the media, Bernard also had his flaws. He was an entrepreneur propelled by grandiose schemes, a handsome man who shamelessly used his looks to bounce from rich wife to rich wife in support of his activities, and a master manipulator who concocted his own interpretation of Eastern wisdom to suit his ends. Bernard had a bright future before him, but disappeared in India during the communal violence of the 1947 Partition, never to be seen again. Through diaries, interviews, and previously unstudied documents, Paul G. Hackett shares Bernard's compelling life story, along with his efforts to awaken America's religious counterculture to the unfolding events in India, the Himalayas, and Tibet. Hackett concludes with a detailed geographical and cultural trace of Bernard's Indian and Tibetan journeys, which shed rare light on the explorer's mysterious disappearance.

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'One of the greatest anti-heroes ever written' LEE CHILDAs Berlin prepares for the 1936 Olympic Games, Bernie is caught between violently opposing factions in a story that comes full circle in 1950s' Cuba.Berlin 1934. The Nazis have been in power for just eighteen months but already Germany has seen some frightening changes. As the city prepares to host the 1936 Olympics, Jews are being expelled from all German sporting organisations - a blatant example of discrimination. Forced to resign as a homicide detective with Berlin's Criminal Police, Bernie is now house detective at the famous Adlon Hotel. Two bodies are found - one a businessman and the other a Jewish boxer. As Bernie digs to unearth the truth, he discovers a vast labour and construction racket designed to take advantage of the huge sums the Nazis are spending to showcase the new Germany to the world. It is a plot that finds its dramatic and violent conclusion twenty years later in pre-revolutionary Cuba.

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Leonard Bernstein was arguably the most highly esteemed, influential, and charismatic American classical music personality of the twentieth century. Conductor, composer, pianist, writer, educator, and human rights activist, Bernstein truly led a life of Byronic intensity--passionate, risk-taking, and convention-breaking. In November 1989, just a year before his death, Bernstein invited writer Jonathan Cott to his country home in Fairfield, Connecticut for what turned out to be his last major interview--an unprecedented and astonishingly frank twelve-hour conversation. Now, in Dinner with Lenny, Cott provides a complete account of this remarkable dialogue in which Bernstein discourses with disarming frankness, humor, and intensity on matters musical, pedagogical, political, psychological, spiritual, and the unabashedly personal. Bernstein comes alive again, with vodka glass in hand, singing, humming, and making pointed comments on a wide array of topics, from popular music ("the Beatles were the best songwriters since Gershwin"), to great composers ("Wagner was always in a psychotic frenzy. He was a madman, a megalomaniac"), and politics (lamenting "the brainlessness, the mindlessness, the carelessness, and the heedlessness of the Reagans of the world"). And of course, Bernstein talks of conducting, advising students "to look at the score and make it come alive as if they were the composer. If you can do that, you're a conductorand if you can't, you're not. If I don't become Brahms or Tchaikovsky or Stravinsky when I'm conducting their works, then it won't be a great performance." After Rolling Stone magazine published an abridged version of the conversation in 1990, the Chicago Tribune praised it as "an extraordinary interview" filled with "passion, wit, and acute analysis." Studs Terkel called the interview "astonishing and revelatory." Now, this full-length version provides the reader with a unique, you-are-there perspective on what it was like to converse with this gregarious, witty, candid, and inspiring American dynamo.

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There is a logical flaw in the statistical methods used across experimental science. This fault is not a minor academic quibble: it underlies a reproducibility crisis now threatening entire disciplines. In an increasingly statistics-reliant society, this same deeply rooted error shapes decisions in medicine, law, and public policy with profound consequences. The foundation of the problem is a misunderstanding of probability and its role in making inferences from observations.Aubrey Clayton traces the history of how statistics went astray, beginning with the groundbreaking work of the seventeenth-century mathematician Jacob Bernoulli and winding through gambling, astronomy, and genetics. Clayton recounts the feuds among rival schools of statistics, exploring the surprisingly human problems that gave rise to the discipline and the all-too-human shortcomings that derailed it. He highlights how influential nineteenth- and twentieth-century figures developed a statistical methodology they claimed was purely objective in order to silence critics of their political agendas, including eugenics.Clayton provides a clear account of the mathematics and logic of probability, conveying complex concepts accessibly for readers interested in the statistical methods that frame our understanding of the world. He contends that we need to take a Bayesian approach—that is, to incorporate prior knowledge when reasoning with incomplete information—in order to resolve the crisis. Ranging across math, philosophy, and culture, Bernoulli’s Fallacy explains why something has gone wrong with how we use data—and how to fix it.

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In 1941, the Jewish American writer and avant-garde icon Gertrude Stein embarked on one of the strangest intellectual projects of her life: translating for an American audience the speeches of Marshal Philippe Petain, head of state for the collaborationist Vichy government. From 1941 to 1943, Stein translated thirty-two of Petain's speeches, in which he outlined the Vichy policy barring Jews and other "foreign elements" from the public sphere while calling for France to reconcile with Nazi occupiers. Unlikely Collaboration pursues troubling questions: Why and under what circumstances would Stein undertake this project? The answers lie in Stein's link to the man at the core of this controversy: Bernard Fay, Stein's apparent Vichy protector. Fay was director of the Bibliotheque Nationale during the Vichy regime and overseer of the repression of French freemasons. He convinced Petain to keep Stein undisturbed during the war and, in turn, encouraged her to translate Petain for American audiences. Yet Fay's protection was not coercive. Stein described the thinker as her chief intellectual companion during her final years. Barbara Will outlines the formative powers of this relationship, noting possible affinities between Stein and Fay's political and aesthetic ideals, especially their reflection in Stein's writing from the late 1920s to the 1940s. Will treats their interaction as a case study of intellectual life during wartime France and an indication of America's place in the Vichy imagination. Her book forces a reconsideration of modernism and fascism, asking what led so many within the avant-garde toward fascist and collaborationist thought. Touching off a potential powder keg of critical dispute, Will replays a collaboration that proves essential to understanding fascism and the remaking of modern Europe.

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This book explores the importance of Bernardin de Saint-Pierre's principal works, notably the novel Paul et Virginie. It provides an account of the writer's significance and status in a period of French history which saw the transition from monarchy to republic and empire.

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Bernie Madoff's arrest could not have come at a more darkly poetic moment. Economic upheaval had plunged America into a horrid recession. Then, on December 11, 2008, Madoff's $65 billion Ponzi scheme came to light. A father turned in by his sons; a son who took his own life; another son dying and estranged from his father; a woman at the center of a storm—Madoff's story was a media magnet, voraciously consumed by a justice-seeking public. Bernie Madoff and the Crisis goes beyond purely investigative accounts to examine how and why Madoff became the epicenter of public fury and titillation. Rooting her argument in critical sociology, Colleen P. Eren analyzes media coverage of this landmark case alongside original interviews with dozens of journalists and editors involved in the reportage, the SEC Director of Public Affairs, and Bernie Madoff himself. Turning the mirror back onto society, Eren locates Madoff within a broader reckoning about free market capitalism. She argues that our ideological and cultural tendencies to attribute blame to individuals—be they regulators, victims, or "monsters" like Madoff—distracts us from more systemic critiques. Bernie Madoff and the Crisis offers fresh insight into the 2008 crisis, whether we have come to terms with it, and what we have yet to gain from the case of the century.

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