Search results for ""Author Thomas"

We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"—whether manifested as a rhinoceros horn or a musical instrument—to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dalí, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dalí conceived of images as tactile entities during his “rhinoceros phase” or examining the problem of tactility in Thomas Pynchon’s The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.

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An exemplary collection of work from one of the world’s leading scholars of intellectual history “Földényi . . . stage[s] a broad metaphysical melodrama between opposites that he pursues throughout this fierce, provoking collection (expertly translated by Ottilie Mulzet). . . . He proves himself a brilliant interpreter of the dark underside of Enlightenment ambition.”—James Wood, New Yorker László Földényi’s work, in the long tradition of public intellectual and cultural criticism, resonates with the writings of Montaigne, Walter Benjamin, and Thomas Mann. In this new essay collection, Földényi considers the continuing fallout from the collapse of religion, exploring how Enlightenment traditions have not replaced basic elements of previously held religious mythologies—neither their metaphysical completeness nor their comforting purpose. Realizing beautiful writing through empathy, imagination, fascination, and a fierce sense of justice, Földényi covers a wide range of topics including a meditation on the metaphysical unity of a sculpture group and an analysis of fear as a window into our relationship with time.

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The Jewish Menorah is one of the world’s most sacred artefacts, a man-size lampstand with seven arms, made from a single block of gold, that is an iconic symbol for the Jewish people. King Solomon placed it in the inner sanctum of the Temple of Jerusalem, but by the 5th century AD, all trace of it had disappeared from the official record, and it was assumed lost. Two historical researchers, Corjan Mol and Christopher Morford, now reveal the astounding secret of what happened to the Menorah. Through their meticulous research as well as a jaw-dropping stroke of luck, Mol and Morford discovered that the Menorah was dug up from the Temple Mount in Jerusalem in the time of the Crusades by the Knights Templar and smuggled to France with the help of the French King Louis IX. From there it was taken to Portugal, to end up in North America after interventions by Thomas Jefferson, Benjamin Franklin and George Washington. The secret was hidden in plain sight in both France and North America, on a scale so big that it took 800 years for it to be discovered.

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The artistry, wit, and erudition of medieval Latin narrative poetry continued to thrive well into the middle of the thirteenth century. No better evidence of this survives than in the long and brilliantly successful career of Henry of Avranches (d. 1262). Professional versifier to abbots, bishops, kings, and at least one pope, Henry displays a pyrotechnical verbal skill and playfulness that rivals that of the Carmina Burana and similar collections of rhymed secular verse. Yet he also stands as self-conscious heir to the great classicizing tradition of the twelfth-century epic poets, above all of Walter of Châtillon. Henry entwines these two strands of his literary inheritance in what might surprise modern readers as an improbable genre. The bulk of Henry’s known output is a series of versified saints’ lives, including those of Francis of Assisi, King Edmund, and Thomas Becket, nearly all of which are based on identified prose models. These two volumes present most of his work in the genre, as witnessed in the English manuscript that remains the linchpin of our knowledge of this remarkable poet’s career.

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St Claire Bullock - a Professor of Philosophy, no less - in the intervals between pondering the great questions of life, turned his hand to penning light verse in the manner of Hilaire Belloc, Ogden Nash and Edward Lear. In rhyming couplets these wry and witty poems ponder the foibles and vanities of mortals. Some of these are captured in pen and ink drawings which caricature the subject of the poems. Each character is given an amusing name, beginning with Master Cecil Abercorn, through Clarence Castle, Serena Huff, The Marchioness of Mal de Mer, Major Houghton Reid and Thomas Tinkham Tattersall to Roland Washburn White. There are 70 poems in all of which 10 are illustrated. The illustration on the front cover relates to Rupert Ashe: 'The greatest pride of Rupert Ashe was his luxuriant moustache. He took great care to keep it groomed, And even, with restraint, perfumed. He brushed it upward every day, and it made such a grand display, that people who were not the wiser, imagined that he was the Kaiser.'

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Ralf Thomas Lutchen stellt eine neue Methode zur Erstellung von automatisierten Testabläufen in der Fahrzeugentwicklung auf. Dabei setzt der Autor Cloud- und KI-Modelle ein, durch welche die herausfordernde Optimierung der Durchlaufzeit einer Messaufgabe mit 63 % Reduzierung erreicht werden konnte. Zusätzlich zu dieser Optimierung zeigt er auf, wie gleichzeitig die Aktualität der Messaufgabe verbessert wird, bei ebenfalls steigender Vollständigkeit, indem die Komplexität in die Cloud und damit an die KI übertragen wird. Der dafür notwendige Prozess ist die vollständige Identifizierung der Steuergeräte, ihrer Softwarestände sowie aller Datennetze, die am Testequipment angeschlossen sind. Diese Technologie wird erstmals in dieser Studie hergeleitet und ist der Kern der Methode. Die sich daraus ergebenden ökonomischen und ökologischen Vorteile sind im Verhältnis zu den sich zeigenden Kosten und Energiebedarfen signifikant.

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Interpret the complexities of neuroanatomy like never before with the unparalleled coverage and expert guidance from Drs. Srinivasan Mukundan and Thomas C. Lee in this outstanding volume of the Netter's Correlative Imaging series. Beautiful and instructive Netter paintings and illustrated cross-sections created in the Netter style are presented side by side high-quality patient images and key anatomic descriptions to help you envision and review intricate neuroanatomy. View the brain, spinal cord, and cranial nerves, as well as head and neck anatomy through modern imaging techniques in a variety of planes, complemented with a detailed illustration of each slice done in the instructional and aesthetic Netter style. Find anatomical landmarks quickly and easily through comprehensive labeling and concise text highlighting key points related to the illustration and image pairings. Correlate patient data to idealized normal anatomy, always in the same view with the same labeling system. Access NetterReference.com where you can quickly and simultaneously scroll through images and illustrations.

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**NOW THE WINNER OF THE 2022 BEST DIRECTOR OSCAR AND TWO 2022 BAFTA AWARDS**Discover Thomas Savage's dark poetic tale of a small town in early 20th century America.Phil and George are brothers and joint owners of the biggest ranch in their Montana valley.Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business. They sleep in the room they shared as boys, and so it has been for forty years.When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX'With its echoes of East of Eden and Brokeback Mountain, this satisfyingly complex story deserves another shot at rounding up public admiration' Guardian

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Eye-opening contributions from the stars of game make this a powerful, groundbreaking investigation into the mind of the professional golfer. The perfect gift for Father's Day.* SHORTLISTED FOR THE TELEGRAPH SPORTS BOOK AWARDS *Professional golf is the most remorseless of sports, unique in the complexity of its demands. Technical perfection must be produced in short, concentrated bursts of synchronised movement. Huge mental strength is required. Why, then, do we know so little about what it takes to succeed - even survive - at the highest level? What separates the good from the great? What are the rituals of preparation and execution? How does an elite team come together? In a truly groundbreaking exposé of professional golf, Michael Calvin and Thomas Bjorn - captain of the 2018 European Ryder Cup Team - capture the distinctive nature of the game, and the principles and philosophies of players who dominate the world rankings. With unprecedented access to the European Tour players, and in-depth interviews with the European Ryder Cup team, Calvin reveals a sport which operates entirely within the finest margins of excellence.

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In the first historical account of international NGOs, from the French Revolution to the present, Thomas Davies places the contemporary debate on transnational civil society in context. In contrast to the conventional wisdom, which sees transnational civil society as a recent development taking place along a linear trajectory, he explores the long history of international NGOs in terms of a cyclical process characterised by three major waves: the era to 1914, the inter-war years, and the period since the Second World War. The breadth of transnational civil society activities explored is unprecedented in its diversity, from business associations to humanitarian organisations, peace groups to socialist movements, feminist organisations to pan- nationalist groups. The geographical scope covered is also extensive, and the analysis is richly supported with reference to a diverse array of previously unexplored sources. By revealing the role of civil society rather than governmental actors in the major trans- formations of the past two-and-a-half centuries, this book is for anyone interested in obtaining a new perspective on world history. The analysis concludes in the second decade of the twenty-first century, providing insights into the trajectory of transnational civil society in the post-9/11 and post-financial crisis eras.

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America’s much celebrated poet-undertaker Thomas Lynch is renowned for his thought-provoking poems on life, faith, doubt and death. This new retrospective shows the passage of his work over time, ‘a pilgrimage of sorts through growing old and facing death – subjects that caregivers know all too well. Lynch’s upfront, unvarnished style is likely to resolate with many who have come face to face with life’s most important questions’ (Mary Plummer, New York Times). Lynch – like Wallace Stevens and William Carlos Williams – is a poet who writes about real things with language rooted in the everyday yet masterfully infused with power. He spent his working life as an undertaker in Midwest America, becoming in his off-hours a writer of exceptional insight with much to say about life’s questions and mysteries – big and small. Drawing on his own daily routine, he transforms the mundane task of preparing the dead into life-affirming accounts of how we live our lives. His lyrical, elegiac poems describe the dead citizens of of his home town, his own family relationships, and scenes and myths from his Irish Catholic upbringing.

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Now a major motion picture, starring Amandla StenbergNo. 1 New York Times bestsellerGoodreads Choice Awards Best of the Best National Book Award Longlist Starr lives in two worlds: the poor neighborhood where she was born and raised and her posh high school in the suburbs. The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed best friend, Khalil, by a police officer. Now what Starr says could destroy her community. It could also get her killed.Inspired by the Black Lives Matter movement, this is a powerful and gripping YA novel about one girl's struggle for justice.Want more of Garden Heights? Catch Maverick and Seven’s story in Concrete Rose, Angie Thomas's powerful prequel to The Hate U Give.PRAISE FOR THE HATE U GIVE"Stunning." John Green“A masterpiece.” The Huffington Post“An essential read for everyone.” Teen Vogue“Outstanding.” The Guardian"This story is necessary. This story is important." Kirkus (starred review)"Heartbreakingly topical." Publishers Weekly (starred review)"A powerful, in-your-face novel." Horn Book (starred review)

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The Einstein Syndrome is a follow-up to Late-Talking Children, which established Thomas Sowell as a leading spokesman on the subject. While many children who talk late suffer from developmental disorders or autism, there is a certain well-defined group who are developmentally normal or even quite bright, yet who may go past their fourth birthday before beginning to talk. These children are often misdiagnosed as autistic or retarded, a mistake that is doubly hard on parents who must first worry about their apparently handicapped children and then must see them lumped into special classes and therapy groups where all the other children are clearly very different.Since he first became involved in this issue in the mid-1990s, Sowell has joined with Stephen Camarata of Vanderbilt University, who has conducted a much broader, more rigorous study of this phenomenon than the anecdotes reported in Late-Talking Children. Sowell can now identify a particular syndrome, a cluster of common symptoms and family characteristics, that differentiates these late-talking children from others relate this syndrome to other syndromes speculate about its causes and describe how children with this syndrome are likely to develop.

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Was Christ’s human nature fallen, even sinful? From the 18th century to the present, this view has become increasingly prominent in Reformed theological circles and beyond, despite vigorous opposition. Both sides on the issue see it as vital for understanding the nature of salvation. Each side’s advocates appeal to or critique the Church Fathers. This book reviews the history and present state of the debate, then surveys the connections, distinctions, and patristic interpretations of five of the modern fallenness view’s proponents (Edward Irving, Karl Barth, T. F. Torrance, Colin Gunton, and Thomas Weinandy) and five of its opponents (Marcus Dods the Elder, A. B. Bruce, H. R. Mackintosh, Philip Hughes, and Donald Macleod). The book verifies the views of the ten most-cited Fathers: five Greek (Irenaeus, Athanasius, Gregory Nazianzen, Gregory Nyssen, and Cyril of Alexandria) and five Latin (Tertullian, Hilary of Poitiers, Ambrose, Augustine, and Leo the Great). The study concludes by sketching the implications of its findings for the doctrines of the Immaculate Conception, sin, sanctification, and Scripture.

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Wartime William is still up to mischief!William is always ready to offer his services to his country. But why is it that his enthusiastic contribution is so seldom appreciated? William is determined to do his bit, but unfortunately no one else thinks he'd make a hero . . . William at War by Richmal Compton is a selection of ten of William's most wonderful wartime stories in which William proves himself just as dangerous, unpredictable and downright troublesome as the Enemy! This much-loved children's classic features contemporary cover art by Michael Foreman, an introduction by actor and comedian John Sessions, along with the original inside illustrations by Thomas Henry – allowing a new generation to enjoy this unforgettable character.There is only one William. This tousle-headed, snub-nosed, hearty, loveable imp of mischief has been harassing his unfortunate family and delighting his hundreds of thousands of admirers since 1922.Enjoy more of William's adventures in Just William and Still William.

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The humanities include disciplines as diverse as literary theory, linguistics, history, film studies, theology, and philosophy. Do these various fields of study have anything in common that distinguishes them from, say, physics or sociology? The tripartite division between the natural sciences, the social sciences and the humanities may seem self-evident, but it only arose during the course of the 19th century and is still contested today. 'History and Philosophy of the Humanities: An Introduction' presents a reasoned overview of the conceptual and historical backgrounds of the humanities. In four sections, it discusses: - the most influential views on scientific knowledge from Aristotle to Thomas Kuhn; - the birth of the modern humanities and its relation to the natural and social sciences; - the various methodological schools and conceptual issues in the humanities; - several themes that set the agenda for current debates in the humanities: critiques of modernity; gender, sexuality and identity; and postcolonialism. Thus, it provides students in the humanities with a comprehensive understanding of the backgrounds of their own discipline, its relation to other disciplines, and the state of the art of the humanities at large.

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An RSPB audio and book guide to the birdsong of Britain's best known bird species. Birdsong is the natural soundtrack to our lives and can evoke a powerful sense of time, place and season. Often profoundly beautiful, it is also the most effective way to discover many birds, and birds’ songs and calls reveal much about their lives and behaviour. But identifying which bird is making which sound can seem challenging. With this groundbreaking and easy-to-use RSPB guide, Adrian Thomas helps you learn and identify bird sounds step by step and at your own pace. Whether you are an experienced birdwatcher or just enjoy hearing the birds in your garden, this new guide will open your ears like never before to the amazing songs and calls around you. Together the book and CD combine to create an RSPB-endorsed sound guide to more than 100 songs and calls of 65 garden, woodland and farmland birds, and a reference section describes in detail the sounds of a further 185 birds of Britain and north-west Europe. The 68-minute narrated recording can also be downloaded to listen to on the go, and is accompanied by beautiful colour photographs, annotated sonograms and ‘test yourself’ sections.

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Offers a philosophical history of bridges—both literal bridges and their symbolic counterparts—and the acts of cultural connection they embody. “Always,” wrote Philip Larkin, “it is by bridges that we live.” Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity. A rich compendium of myths, superstitions, and literary and ideological figurations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between distant times and places, Thomas Harrison questions why bridges are built and where they lead. He probes links forged by religion between life’s transience and eternity as well as the consolidating ties of music, illustrated by the case of the blues. He investigates bridges in poetry, as flash points in war, and the megabridges of our globalized world. He illuminates real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In readings of literature, film, philosophy, and art, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined.

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Using first-hand accounts and rare and unpublished images, this highly illustrated title tells the full story of the German reconnaissance troops in World War II. When the Wehrmacht was first formed in 1935, tactical reconnaissance was carried out by motorcycle rifle units (Kradschützen). However, with the development and large-scale introduction of wheeled armoured vehicles in the late 1930s, motorized reconnaissance battalions (Aufklärungs-Abteilungen) were introduced. Equipped with a mixture of armoured cars and motorcycles, they often operated far ahead of battlefront to survey the terrain, observe enemy positions and identify enemy forces – key information required ahead of any armoured assault. In the second half of the war, with Germany on the strategic defensive, armoured reconnaissance troops found themselves increasingly drawn into combat operations, and even holding sectors of the line. At the same time, more modern equipment was introduced with motorcycles phased out and purpose-built armoured personnel carriers (Schützenpanzerwagen) introduced. Renowned armour expert Thomas Anderson draws on first-hand accounts and rare and previously unseen photographs in this comprehensive and fully illustrated study of the Panzer reconnaissance troops, the crucial eyes and ears of the German armoured forces of World War II.

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Beware of Jaws and meet Georgie, Thomasina, Serendipity the Snail and other characters in this collection of hand rhymes. Arranged in order of increasing difficulty, these rhymes are designed for use at home or in the classroom. Wendy Cope is the author of "The River Girl".

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A major new edition of Thomas Kyd's The Spanish Tragedy,an outstanding landmark of Elizabethan drama. In its time, it quickly became a box office success and probably inspired Shakespeare to write Hamlet, as it contains a ghost, murders that demand revenge and a hero that hesitates and contemplates suicide. As a revenge tragedy, it set up the salient features of a dramatic genre that would last decades. Its hero, the aged Marshall of Spain Hieronimo, whose son is murdered at night, soon transcended the play and became the standard stage representation of grief, rhetorical passion and madness. Hieronimo's main antagonist is one of the first Machiavellian characters of English drama. This edition explores the play in relation to its historical context and contemporary Iberian dynastic policy. It also relates the play, as a literary artefact, to other artistic manifestations of the European Renaissance and offers a fresh assessment of the play's stage history. For the first time in the play's textual history, this edition presents an integrated text inviting a reading of the play as it was published both in 1592 and in 1602.

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On March 16, 1968, American soldiers killed as many as five hundred Vietnamese men, women, and children in a village near the South China Sea. In "My Lai" William Thomas Allison explores and evaluates the significance of this horrific event. How could such a thing have happened? Who (or what) should be held accountable? How do we remember this atrocity and try to apply its lessons, if any? "My Lai" has fixed the attention of Americans of various political stripes for more than forty years. The breadth of writing on the massacre, from news reports to scholarly accounts, highlights the difficulty of establishing fact and motive in an incident during which confusion, prejudice, and self-preservation overwhelmed the troops. Son of a Marine veteran of the Vietnam War - and aware that the generation who lived through the incident is aging - Allison seeks to ensure that our collective memory of this shameful episode does not fade. Well written and accessible, Allison's book provides a clear narrative of this historic moment and offers suggestions for how to come to terms with its aftermath.

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When conservatives took control of the federal judiciary in the 1980s, it was widely assumed that they would reverse the landmark rights-protecting precedents set by the Warren Court and replace them with a broad commitment to judicial restraint. Instead, the Supreme Court under Chief Justice William Rehnquist has reaffirmed most of those liberal decisions while creating its own brand of conservative judicial activism.Ranging from 1937 to the present, The Most Activist Supreme Court in History traces the legal and political forces that have shaped the modern Court. Thomas M. Keck argues that the tensions within modern conservatism have produced a court that exercises its own power quite actively, on behalf of both liberal and conservative ends. Despite the long-standing conservative commitment to restraint, the justices of the Rehnquist Court have stepped in to settle divisive political conflicts over abortion, affirmative action, gay rights, presidential elections, and much more. Keck focuses in particular on the role of Justices O'Connor and Kennedy, whose deciding votes have shaped this uncharacteristically activist Court.

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In his twentieth book, most of which was first composed on the backs of medical forms while on break as a third-shift medical technician, Sean Thomas Dougherty brings us a memoir-like prose sequence reflecting on disability, chronic illness, addiction, survival, love, and parenthood. In Death Prefers the Minor Keys, Dougherty offers the reader collaged prose poems, stories and essays full of dreams, metaphors, aphorisms, parables and narratives of his work as a caregiver. Moving portraits of Dougherty’s residents, a series of letters to Death, invocations of Jewish ancestry through the photography of Roman Vishniac, imaginary treatments for brain injuries, and half translated short stories of lives both real and imagined populate this collection. Through these, Dougherty engages issues of labor, the ontology of disability, and the mysticism of life. Death Prefers the Minor Keys is most of all a kind of love letter to Dougherty’s wife, and her courage and complicity in the face of long-term illness and addiction. Ultimately, we see how the antidote to despair can reside in daily acts of caring for other human beings.

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A beautiful collection of the most heartwarming, inspirational and hilarious quotes from Call the Midwife, accompanied by beautiful photographs throughout. 'Love is never the only answer. But it is always the best, the simplest, the one most likely to withstand the test of time.Love is the beginning. It should be the final word.' Narration by Jennifer, Series 8, Episode 4Call the Midwife is loved across the world for its moving and intimate insights into the colourful world of midwifery and family life in the East End of London in the 1950s and 60s. The residents of Poplar and of Nonnatus House have brought comfort and joy to millions of people through their words and shared experiences. In this book you will find a collection of the best, most heart-warming and inspiring narrations and life-affirming quotes, taken from the original scripts by Heidi Thomas, alongside beautiful photographs from the show. There are lessons on love, friendship, motherhood, faith, family, home and much more - and we will hear from, among others, the voices of glamorous but vulnerable Trixie, forthright Nurse Crane, the delightfully witty Sisters Evangelina and Monica Joan and of course the wise and iconic narrations of Jennifer. The perfect book to see you through both hard and better times, this lovely collection will inspire and entertain in equal measure.

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This thought-provoking book conceptualizes the importance of civil society and citizenship in building a sustainable and participatory democracy. It considers the ways in which networks and organizations promoting common interests contribute to this mediating space between the public and private spheres, examining the impacts of the diversity of values and attitudes held by these organizations.Taking a normative position, Thomas P. Boje argues for the importance of social justice and civility in an active, liberating, equitable and participatory society. He presents a series of ideas for democratic involvement and emancipation through civil society organizations, as well as societal institutions more generally. This innovative book concludes with a detailed discussion of the conditions required for a participatory democratic system in which all citizens are involved in the planning, decision-making and implementation of crucial decisions influencing the development of an equitable society.This timely book will be an illuminating read for students and scholars seeking to understand the role of civil society and real participatory democracy in liberal democracies. It will also be a key resource for policy makers, professionals and activists wishing to become more informed about conditions for participatory democracy and activism.

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Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali’s booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property.Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether performed live on stage, broadcast on the radio, or shared over the Internet, music is a privileged mode of expression that suffuses Bamako’s urban soundscape. It animates professional projects, communicates cultural values, pronounces public piety, resounds in the marketplace, and quite literally performs the nation. Music, the artists who make it, and the audiences who interpret it thus represent a crucial means of articulating and disseminating the ethics and aesthetics of a varied and vital Afropolitanism, in Bamako and beyond.

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WINNER OF THE BRITISH ACADEMY BOOK PRIZE A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century. ‘A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story’ - William Dalrymple, Financial Times ‘A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour’ - Spectator ‘Beautifully written and masterfully researched, this has the makings of a classic’ - Peter Frankopan SHORTLISTED FOR THE POL ROGER DUFF COOPER PRIZE LONGLISTED FOR THE CUNDILL HISTORY PRIZE SHORTLISTED FOR THE HWA CROWN AWARDS When Thomas Roe arrived in India in 1616 as James I’s first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe was representing a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified ‘Great Britain’ under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In Nandini Das's fascinating history of Roe's four years in India, she offers an insider's view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. A major debut that explores the art, literature, sights and sounds of Jacobean London and Imperial India, Courting India reveals Thomas Roe's time in the Mughal Empire to be a turning point in history – and offers a rich and radical challenge to our understanding of Britain and its early empire.

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'An outstanding page-turner . . . historical fiction at its absolute best' - Alison Weir'An engaging heroine . . . and Borman's depiction of Villiers, with all his ruthless charisma, is striking' - The Sunday Times_____________________________________________Frances Gorges seems destined to be happy at last. King James has apparently lost his appetite for hunting witches, so the medical skills and herbal knowledge that saw Frances accused of witchcraft no longer seem to hang over her like a death sentence. The King would rather be hunting stag and boar - and Frances's beloved husband Thomas is firmly established in the royal household as the Master of Buckhounds. Their family is growing and their estates are secure.But life at court is never without intrigue, jealousy and danger for long, and a new arrival turns the world upside down.George Villiers is a young man with the face of an angel - and as his many enemies are about to discover, the cunning heart of a devil.Soon James is totally in thrall to this charismatic new lover. All the King's former favourites are crushed by Villiers' lies and ruthless scheming. Thomas's life is made a misery and Frances is back under suspicion as Villiers - rapidly made the Earl of Buckingham - moves to secure the hand and fortune of her friend Katherine Manners.Appalled at the courtier's greed and ambition and the King's weakness and lust, Frances finds herself drawn back towards her old friend Sir Walter Raleigh and his last, desperate plot to see a Catholic monarch on the throne. And then her troubles really begin...The Fallen Angel is a standalone novel of thrilling power and emotional drama. It is also the concluding volume in the King's Witch trilogy, establishing Tracy Borman as one of our leading writers of historical fiction.'Unexpected twists and turns with every page . . . masterfully crafted' - Nicola Tallis'Lots of fascinating detail and insight into James's backstabbing court . . . enjoyable' - The Times'Lush, wholly convincing and utterly gripping. Fact and fiction have rarely been blent so seamlessly' - Sarah Gristwood

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Kunst der Vereinigten Staaten 17502000 ist eine wegweisende Anthologie, die drei Jahrhunderte amerikanischer Kunst anhand einer breiten Auswahl historischer Texte vorstellt, darunter u. a. Schriften von Künstler/-innen, Kritiker/-innen, Mäzen/-innen und Literat/-innen. Durch die Zusammenstellung der Texte mit hochwertigen Reproduktionen von Kunstwerken bietet das Buch eine unverzichtbare Grundlage für das Verständnis der bildenden Kunst der Vereinigten Staaten. Erläuternde Einleitungen, kontextbezogene Essays und Karten begleiten die Quellen ebenso wie kurze Texte zu einzelnen epochentypischen Kunstwerken. Die Texte einer Reihe von bekannteren Künstler/-innen und kulturellen Persönlichkeiten darunter John Adams, Thomas Cole, Frederick Douglass, Mary Cassatt, Edward Hopper, Clement Greenberg und Cindy Sherman werden ergänzt durch Quellen von bisher weniger bekannten Autor/-innen.

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50 speeches from every period of British history from the medieval era to the present and a fascinating dip-in history title that will both inspire readers and give them a greater understanding of British history. The speechmakers are: King Henry V; Queen Elizabeth I; King Charles I; Oliver Cromwell; Earl of Shelburne; Edmund Burke (3); Charles James Fox (2); William Pitt (2); Warren Hastings; William Wilberforce; R.B. Sheridan; Robert Peel; Charles Grey; Thomas Carlyle; Lord Palmerston; John Bright (2); Benjamin Disraeli; William Gladstone; James Campbell-Bannerman; F.E. Smith; David Lloyd George (2); Stanley Baldwin; King Edward VIII; King George VI; Winston Churchill (4); Aneurin Bevan; Harold Macmillan (2); Hugh Gaitskell (2); Nigel Birch; Harold Wilson; Enoch Powell (2); Michael Foot; Margaret Thatcher (2); Neil Kinnock; Geoffrey Howe; Charles Spencer; Tony Blair.

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“Although the live-work concept is now accepted among progressive urban design and planning professionals, the specifics that define the term, and its application, remain sketchy. This encyclopedic work is sure to change that, providing the critical information that is needed by architects, planners and citizens.” -Peter Katz, Author, The New Urbanism, and Planning Director, Arlington County, Virginia Live-Work Planning and Design is the only comprehensive guide to the design and planning of live-work spaces for architects, designers, and urban planners. Readers will learn from built examples of live-work, both new construction and renovation, in a variety of locations. Urban planners, developers, and economic development staff will learn how various municipalities have developed and incorporated live-work within building codes and city plans. The author, whose pioneering website, www.live-work.com, has been guiding practitioners and users of live-work since 1998, is the United States' leading expert on the subject.

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Against the backdrop of today's increasingly multicultural society, are America's elite colleges admitting and successfully educating a diverse student body? No Longer Separate, Not Yet Equal pulls back the curtain on the selective college experience and takes a rigorous and comprehensive look at how race and social class impact each stage--from application and admission, to enrollment and student life on campus. Arguing that elite higher education contributes to both social mobility and inequality, the authors investigate such areas as admission advantages for minorities, academic achievement gaps tied to race and class, unequal burdens in paying for tuition, and satisfaction with college experiences. The book's analysis is based on data provided by the National Survey of College Experience, collected from more than nine thousand students who applied to one of ten selective colleges between the early 1980s and late 1990s. The authors explore the composition of applicant pools, factoring in background and "selective admission enhancement strategies"--including AP classes, test-prep courses, and extracurriculars--to assess how these strengthen applications. On campus, the authors examine roommate choices, friendship circles, and degrees of social interaction, and discover that while students from different racial and class circumstances are not separate in college, they do not mix as much as one might expect. The book encourages greater interaction among student groups and calls on educational institutions to improve access for students of lower socioeconomic status. No Longer Separate, Not Yet Equal offers valuable insights into the intricate workings of America's elite higher education system.

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Against the backdrop of today's increasingly multicultural society, are America's elite colleges admitting and successfully educating a diverse student body? No Longer Separate, Not Yet Equal pulls back the curtain on the selective college experience and takes a rigorous and comprehensive look at how race and social class impact each stage--from application and admission, to enrollment and student life on campus. Arguing that elite higher education contributes to both social mobility and inequality, the authors investigate such areas as admission advantages for minorities, academic achievement gaps tied to race and class, unequal burdens in paying for tuition, and satisfaction with college experiences. The book's analysis is based on data provided by the National Survey of College Experience, collected from more than nine thousand students who applied to one of ten selective colleges between the early 1980s and late 1990s. The authors explore the composition of applicant pools, factoring in background and "selective admission enhancement strategies"--including AP classes, test-prep courses, and extracurriculars--to assess how these strengthen applications. On campus, the authors examine roommate choices, friendship circles, and degrees of social interaction, and discover that while students from different racial and class circumstances are not separate in college, they do not mix as much as one might expect. The book encourages greater interaction among student groups and calls on educational institutions to improve access for students of lower socioeconomic status. No Longer Separate, Not Yet Equal offers valuable insights into the intricate workings of America's elite higher education system.

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Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams’s use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member’s performance as the Germs’ front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple “Louie, Louie.” David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample “Apache” to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference “the best thing that’s ever happened to serious consideration of pop music.”Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard

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The third book in the hilarious New York Times bestselling middle-grade series set in the world of law-breaking leprechauns from actor and writer Thomas Lennon Ronan Boyle may be the youngest detective of the secret Garda, but now that he’s saved the captain from a spooky cult, he’s also the only detective that has the head of an old Irish god in his vastsack! But his adventures are far from over. His parents are still on the run (he told them the prison break was a bad idea!), and he still has to turn over the corrupt wee folk to the leprechaun king and return to the Human Republic of Ireland to turn over the god’s head. Simple, right? VERY WRONG! Between having to get swallowed by a whale to take a short cut, avoiding a jar of hot pickle farts, and figuring out how he can prove his parents’ innocence, Ronan’s really got his hands full. Will our small, nervous hero be able to somehow save the day once again? Fast-paced, action-packed, and sidesplittingly funny, the third book in the New York Times bestselling series delivers strange creatures, heart-pounding thrills, and plenty of laughs.

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Stan Allen is an architect and educator who has won global acclaim, primarily for his work in town planning and his influential 1996 essay Field Conditions. His new book Situated Objects shows a unique facet of his creative process: a selection of small buildings and projects on rural sites, most of them situated within the landscape of the Hudson Valley, New York. They demonstrate an approach to architecture that engages in a dialogue with this partly wild and wholly non-urban environment that lies just outside the gates of New York City. The projects are presented in drawings and a rich array of images by celebrated photographer Scott Benedict. They are arranged in three thematic categories: Outbuildings, Material Histories, and New Natures, supplemented by the architect’s writings and essays contributed by Helen Thomas and Jesús Vassallo. The first book on Stan Allen’s buildings, Situated Objects highlights Allen’s personal engagement with American material traditions, the conventions of architectural drawing, and the challenge of building with nature.

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2007 Choice Outstanding Academic Title Although the 1969 Stonewall riots in New York City symbolically mark the start of the gay rights movement, individuals came together long before the modern era to express their same-sex romantic and sexual attraction toward one another, and in a myriad of ways. Some reflected on their desires in quiet solitude, while others endured verbal, physical, and legal harassment for publicly expressing homosexual interest through words or actions. Long Before Stonewall seeks to uncover the many iterations of same-sex desire in colonial America and the early Republic, as well as to expand the scope of how we define and recognize homosocial behavior. Thomas A. Foster has assembled a pathbreaking, interdisciplinary collection of original and classic essays that explore topics ranging from homoerotic imagery of black men to prison reform to the development of sexual orientations. This collection spans a regional and temporal breadth that stretches from the colonial Southwest to Quaker communities in New England. It also includes a challenge to commonly accepted understandings of the Native American berdache. Throughout, connections of race, class, status, and gender are emphasized, exposing the deep foundations on which modern sexual political movements and identities are built.

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Thomas P. Flint develops and defends the idea of divine providence sketched by Luis de Molina, the sixteenth-century Jesuit theologian. The Molinist account of divine providence reconciles two claims long thought to be incompatible: that God is the all-knowing governor of the universe and that individual freedom can prevail only in a universe free of absolute determinism. The Molinist concept of middle knowledge holds that God knows, though he has no control over, truths about how any individual would freely choose to act in any situation, even if the person never encounters that situation. Given such knowledge, God can be truly providential while leaving his creatures genuinely free. Divine Providence is by far the most detailed and extensive presentation of the Molinist view ever written.Middle knowledge is hotly debated in philosophical theology, and the controversy spills over into metaphysics and moral philosophy as well. Flint ably defends the concept against its most influential contemporary critics, and shows its importance to Christian practice. With particular originality and sophistication, he applies Molinism to such aspects of providence as prayer, prophecy, and the notion of papal infallibility, teasing out the full range of implications for traditional Christianity.

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The biography of Thomas Argyll Robertson who played a key role in Operation Mincemeat (the Second World War operation which suggested that an invasion of Greece was imminent) and masterminded the 1944 Operation Fortitude (which was designed to persuade the Germans that the invasion of France would not take place in Normandy but in Pas de Calais). Thomas Argyll Robertson, known universally as Tar, joined MI5 in March 1933, recruited by Vernon Kell, the organisation's founder. He was not formally interviewed for service but was recommended by Kell's son John, Tar's contemporary at Charterhouse. In the 1930s MI5 was Vernon Kell's personal fiefdom and with the help of his wife Constance, it was run very much as a 'family firm'. At first glance, Tar Robertson may not appear an inspired choice. After Charterhouse and Sandhurst he was commissioned into the Seaforth Highlanders but resigned after two years. He had a spell in the City and somewhat unusually, served in the Birmingham Police Force. But all of these experiences served him well and as an MI5 officer he made an outstanding contribution to Britain's counter-espionage activities before and during the Second World War. Tar's deft handling of a widely disparate collection of Double Cross agents, among them criminals, drug addicts and drunks, brought some spectacular military advantages for Britain. The most important by far was Operation Fortitude which fooled the German High Command over the location of the landing of the Allied Invasion Force in June 1944. In another operation Tar's agents put out masses of false information concerning the hits scored by V1 and V2 rockets which led the Germans to change their target areas which prevented thousands of civilian casualties. Not only were Tar's agents successful in hundreds of missions, they also proved more than a match for their German counterparts in the Abwehr, who effectiveness was almost totally nullified. In Gentleman Spymaster, Geoffrey Elliott has captured Tar Robertson's character perfectly. He was at once determined, discreet and fiercely loyal. Equally he was ruthless in his handling of those who threatened the Double Cross system. He was one of Britain's unsung heroes, widely recognised by many of his contemporaries as one of MI5's greatest assets. This brilliantly researched and perceptive biography clearly shows why.

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This dictionary is the most comprehensive work of reference on the ship portraitists and marine artists who worked in Liverpool between the late eighteenth century and the present day. It includes 65 known portraitists and marine artists and an appendix of over a dozen other locally-based painters who produced an occasional marine work and about half a dozen possible marine artists who may have worked, visited or have been temporarily resident in the port. It is organised alphabetically by surname. Each entry includes a full biography of the artist; a summary of their main subjects, style and range of work; details of the main UK and US museums holding their paintings; and the principal published sources. The dictionary includes 70 illustrations which are typical examples of the work of each of the main artists. These included: Samuel and Miles Walters, Joseph Heard, Robert Salmon, Francis Hustwick, William Jackson, John Jenkinson, Sam Brown, Odin Rosenvinge, Thomas Dove, William G Yorke and William H Yorke.

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Twentieth-Century Women's Writing in Wales documents Welsh women's writing in both Welsh and English in the twentieth century. It identifies a distinctive female literary tradition in which Wales is represented as a 'different country' by its modern women writers; a country in which both Welshness and womanhood are variously lived and performed. This volume is arranged chronologically and deals with a wide range of literary genres, including the short story; the novel; poetry; autobiography, travel writing and drama. It affords long-overdue serious critical attention to the works of early twentieth-century women writers - from the comical short stories of Jane Ann Jones to the powerful naturalist novels of Elena Puw Morgan and free-thinking 'New Woman' Bertha Thomas - while also dealing with better-known literary figures such as Kate Roberts and Gillian Clarke. This pioneering study of twentieth-century writing by Welsh women provides a much-needed alternative literary history to the stereotypical land of male bards.

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Perfect for readers of James Rebanks, Wendell Berry and Thomas Piketty, A Small Farm Future is a refreshingly new outlook on the way forward for society. A vital resource for activists, students, policy makers and anyone looking to enact change. In a time of UNCERTAINTY, what would a truly RESILIENT SOCIETY look like? The recent pandemic has brought to light the fragility of a globalised food system. We have seen firsthand how important farmers are and how scary it can be when supply chains break down. This is precisely the type of crisis farmer and former social scientist Chris Smaje delves into in his ground-breaking debut A Small Farm Future. Destined to become a modern classic, A Small Farm Future plants a flag at the intersection between economics, agriculture and society during a time of immense crisis. Smaje makes the case for organising human societies around small-scale, local and ecological farming in order to meet the environmental and political challenges of our times.

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Rafe Khatchadorian is getting the Hollywood treatment in a film version of Middle School: The Worst Years of My Life starring Griffin Gluck, Lauren Graham, Rob Riggle and Thomas Barbusca.Georgia Khatchadorian plans to excel at Hills Village Middle School in all the places her troublemaking brother failed. She's even bet him that she'll quickly become one of the most popular girls in school. But Rafe left a big mark at HVMS, and no one will give Georgia a chance! Even worse, Rafe has sneakily signed up her band to play at the school dance, and she's terrified to embarrass herself in front of the snooty 'Princesses' who run the school and the boy who's caught her eye.Will she be able to overcome her fears and win her bet with Rafe? Find out THE TRUTH about Rafe Khatchadorian's sister in the first Middle School story from the point of view of the hilarious Georgia - a girl who's ready to speak her mind!

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Scott Hutchison (1981-2018) was the founder member, frontman and main songwriter of the indie band Frightened Rabbit. He was also a talented illustrator and artist who created a wealth of artworks. Living In Colour features a curated selection of Scott’s art, including a variety of work from his early years as an illustration student at Glasgow School of Art, artwork he produced for the Frightened Rabbit releases, and a wide range of work he created during his music career. Much of the content has been reproduced for the first time and was provided by the Hutchison family, as well as by the extensive and ever-loyal Frightened Rabbit fanbase. This limited edition has been designed and curated by long-time Frightened Rabbit collaborator and friend of Scott’s, Dave Thomas. Faber Music supports Tiny Changes, the mental health charity helping young minds feel better, which was set up in Scott’s memory. A percentage of proceeds from the project will go to Tiny Changes.

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An exceptional reference work to pilgrim and secular badges of the middle ages. This is the first major catalogue in English devoted to medieval badges. These fascinating objects provide us with a guide to the popularity of different cults and pilgrim centres, supplying evidence of the sometimes arduous journeys not only to famous and far-off sanctuaries like Compostela, but to native shrines such as that of St Thomas Becket at Canterbury, or the tombs of local, unofficial saints. Often mass-produced and sold in tens of thousands, pilgrim souvenirs offer pointers to fashion in contemporary precious jewellery. The secular badges include a wealth of non-religious imagery, playful and amatory, satirical, celebratory and heraldic. Illustrating nearly 800 items ofpopular medieval jewellery, the catalogue contained within the book describes previously unpublished finds retrieved from datable archaeological London waterfront deposits, and provides the basis of a chronological framework for future excavations. BRIAN SPENCER was the Senior Keeper at the Museum of London, with special responsibility for the Museum's collection of medieval everyday objects.

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Matthew Boulton was an 18th-century designer, inventor, and industrialist, a consummate businessman, and co-founder of the influential Lunar Society. Now, on the bicentenary of his death, this book surveys his life and extraordinarily varied achievements. The book explains how Boulton, a Birmingham ‘toy’-maker producing buttons, buckles, and silverware, went into business with James Watt and exported Boulton & Watt steam engines all over the world. Meanwhile his magnificent ormolu ornaments decorated aristocratic drawing rooms, and his determination to discourage counterfeiters led to a contract to manufacture British coinage and coins of other countries at his mint. Boulton was leader of the campaign to establish the Birmingham Assay Office (still the busiest in the country), and also at the heart of the Lunar Society, a group of prominent industrialists, natural philosophers, and intellectuals interested in scientific and social change. Known to Ben Franklin, Thomas Jefferson, Erasmus Darwin, Josiah Wedgwood, and many others, Boulton was a fascinating man, Britain’s leading Enlightenment entrepreneur.

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François Hébel, who then was the Director of Rencontres photographiques d'Arles, requested Magnum photographers to recall their 'first time' - namely that delicate moment of transition that 'distinguished' them and that marked an actual turning-point in their artistic careers. The Magnum: La première fois volume has been inspired by the turning points identified, and recalls - thanks to the series of photographs by Abbas, Christopher Anderson, Olivia Arthur, Bruno Barbey, Cornell Capa, Robert Capa, Chien-Chi Chang, Bruce Gilden, Harry Gruyaert, David Alan Harvey, Thomas Hoepker, Richard Kalvar, Peter Marlow, Susan Meiselas, Paolo Pellegrin, Gueorgui Pinkhassov, Eli Reed, Jacob Aue Sobol, Larry Towell and Alex Webb - the particular moment in which artists distance themselves from their teachers and come up with a language, an aesthetic form and a grammar that are theirs and theirs alone. The moment in which their concept of photography, together with their commitment, acquire meaning and individuality for the first time. Text in English and Italian.

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