Search results for ""author holly"

Like No Other Soldier continues the true story told in Fishers of Men of Rob Lewis’s life after he leaves the Force Research Unit (FRU). Staying on in Northern Ireland as a civilian after years of working on undercover missions against terrorists, Rob eventually gains employment in Bristol, undertaking security work, but things don’t work out and Rob ends up living in a squat. After a job offer from an old colleague, Rob heads to London to work in close-protection security for some of Hollywood’s royalty - Tom Cruise, Liam Neeson, Nicole Kidman and Mel Gibson among them - and later becomes involved in the rescue of some very well-connected people from a dangerous religious cult. Rob’s life seems to be getting back on track. But Rob’s work soon becomes more covert, and he ends up being on the wrong side of a police armed response unit whilst undertaking surveillance tasks, and is later arrested as a suspect when the ‘Stevens Enquiry’ building in Belfast - where detectives investigating the alleged collusion between his old unit and Loyalist paramilitaries are based - is set on fire. As Rob becomes involved in ever more shadowy surveillance and private security operations, he attracts further unwanted police attention, this time from the Serious Organised Crime Agency, and he is charged with fraud, found guilty and sentenced to prison at HMP Wandsworth. Can Rob prove his innocence and reclaim his life?

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Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films. The necktie murders in Alfred Hitchcock’s Frenzy; Chicago’s Jazz Age crime of passion; the fatal hookup in Looking for Mr. Goodbar; the high school horrors committed by the costumed slasher in Scream. These and other cinematic crimes have become part of pop-culture history. And each found inspiration in true events that provided the raw material for our greatest blockbusters, indie art films, black comedies, Hollywood classics, and grindhouse horrors. So what’s the reality behind Psycho, Badlands, The Hills Have Eyes, A Place in the Sun, Arsenic and Old Lace, and Dirty Harry? How did such tabloid-ready killers as Bonnie and Clyde, body snatchers Burke and Hare, Texas sniper Charles Whitman Jr., nurse-slayer Richard Speck, and Leopold and Loeb exert their power on the public imagination and become the stuff of movie lore? In this collection of revelatory essays, true-crime historian Harold Schechter takes a fascinating trip down the crossroads of fact and fiction to reveal the sensational real-life stories that are more shocking, taboo, and fantastic than even the most imaginative screenwriter can dream up.

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Henry Morgan, a twenty-year-old Welshman, arrived in the New World in 1655, hell-bent on making his fortune. Over the next three decades, his exploits in the Caribbean in the service of the English became legend. His daring attacks on the mighty Spanish Empire on land and sea changed the fates of kings and queens. His victories helped shape the destiny of the New World. Morgan gathered disaffected English and European sailors and soldiers, hard-bitten adventurers, runaway slaves, cutthroats and sociopaths and turned them into the fiercest and most feared army in the Western Hemisphere. Sailing out from the English stronghold of Port Royal, Jamaica, 'the wickedest city in the New World', Morgan and his men terrorised Spanish merchant ships and devastated the cities where great riches in silver, gold, and gems lay waiting to be sent to the King of Spain. His last raid, a daring assault on the fabled city of Panama, helped break Spain's solitary hold on the New World for ever. Awash with bloody battles, political intrigues, and a cast of characters more compelling, bizarre and memorable than any found in a Hollywood swashbuckler, EMPIRE OF BLUE WATER brilliantly re-creates the passions and the violence of the age of exploration and empire. What's more, it chillingly depicts the apocalyptic natural disaster that finally ended the pirates' dominion.

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'Absolutely loved it' Heidi Swain on The Ferryman's DaughterWill they find the courage to follow their dreams?St. Ives, 1916.Jess Morgan always hoped to become a celebrated silversmith, but when the men return from war she's forced to return to her job as a seamstress. All she can cling to is the memory of that delicate, unique silver clasp she created for a society bride.Rachel Bellamy served as an ambulance driver on the front line during the Great War but now it's up to her to save the family home and picturesque harbour from her wealthy brother-in-law, before it's too late. Giselle Harding fought her way up from poverty to become a Hollywood movie star. Yet even the most beautiful jewels she owns will never fill replace the man she lost.As the lives of the three women collide, will they be able to overcome their differences and fight together for the dreams they once held so close?Readers are loving THE GIRL WITH THE SILVER CLASP:'A lovely book filled full of hope nostalgia and love' NetGalley Reviewer'Full of highs and lows that pull at your heartstrings, superb!' NetGalley Reviewer'A really nice, feel good story' NetGalley Reviewer'Some of my favourite parts were reading about life in London as well as the growth of the artists in the St. Ives area!' NetGalley Reviewer

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In One-Man Band, the third volume in his epic survey of Orson Welles’ life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another – theatre, radio, film, television, even, at one point, ballet – in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities.The book begins with Welles’ self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?

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I've been watched all my life. I'm used to being stared at. Observed. Followed.Fame and obsession collide in this darkly twisted novel from an incredible new voice in suspense.SOMEONE IS WATCHINGWashed up teen star Liv Hendricks quit acting after her beloved younger sister inexplicably disappeared following a Hollywood party gone wrong. Liv barely escaped with her life, and her sister was never heard from again. But all this time, someone's been waiting patiently to finish what was started...FOUR MISSING GIRLSNow fifteen years later, broke and desperate, Liv is forced to return to the spotlight. She crowdfunds a webseries in which she'll pose as a real-life private detective--a nod to the show she starred on as a teen. When a mysterious donor challenges her to investigate a series of disappearances outside a town made famous by the horror movies filmed there, Liv has no choice but to accept.FOLLOW THE WHITE WOLFLiv is given a cryptic first clue: Follow the white wolf.And now a darker game is about to begin. Through social media, someone is leaving breadcrumbs to follow. As Liv makes increasingly disturbing discoveries, her show explodes in popularity. A rapt internet audience is eager to watch it all--perhaps even at the cost of Liv's own life...Filled with provocative twists and turns as the line between plot and reality blurs in this inventive tour-de-force from breakout writer Jennifer Wolfe.

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In 1940 and 1941 a group of ruthless gangsters from Brooklyn’s Brownsville neighborhood became the focus of media frenzy when they—dubbed “Murder Inc.,” by New York World-Telegram reporter Harry Feeney—were tried for murder. It is estimated that collectively they killed hundreds of people during a reign of terror that lasted from 1931 to 1940. As the trial played out to a packed courtroom, shocked spectators gasped at the outrageous revelations made by gang leader Abe “Kid Twist” Reles and his pack of criminal accomplices. News of the trial proliferated throughout the country; at times it received more newspaper coverage than the unabated war being waged overseas. The heinous crimes attributed to Murder, Inc., included not only murder and torture but also auto theft, burglary, assaults, robberies, fencing stolen goods, distribution of illegal drugs, and just about any “illegal activity from which a revenue could be derived.” When the trial finally came to a stunning unresolved conclusion in November 1941, newspapers generated record headlines. Once the trial was over, tales of the Murder, Inc., gang became legendary, spawning countless books and memoirs and providing inspiration for the Hollywood gangster-movie genre. These men were fearsome brutes with an astonishing ability to wield power. People were fascinated by the “gangster” figure, which had become a symbol for moral evil and contempt and whose popularity showed no signs of abating. As both a study in criminal behavior and a cultural fascination that continues to permeate modern society, the reverberations of “Murder, Inc.” are profound, including references in contemporary mass media. The Murder, Inc., story is as much a tale of morality as it is a gangster history, and Murder, Inc., and the Moral Life by Robert Whalen meshes both topics clearly and meticulously, relating the gangster phenomenon to modern moral theory. Each chapter covers an aspect of the Murder, Inc., case and reflects on its ethical elements and consequences. Whalen delves into the background of the criminals involved, their motives, and the violent death that surrounded them; New York City’s immigrant gang culture and its role as “Gangster City”; fiery politicians Fiorello La Guardia and Thomas E. Dewey and the choices they made to clean up the city; and the role of the gangster in popular culture and how it relates to “real life.” Whalen puts a fresh spin on the two topics, providing a vivid narrative with both historical and moral perspective.

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Meet the man whose life-long quest to reclaim the true, cool soul of Batman wonderfully transformed today's comic book movies. Growing up outside of Asbury Park, New Jersey, Michael Uslan was obsessed with comic books. He'd be the first to grab the latest issues off the shelves of the three local comic book stores, including four copies of the now legendary Fantastic Four #1. His favorite superhero was the brooding, crime-fighting vigilante, Batman. Despising the campy 1960s TV show, Uslan became determined to bring the real Batman—dark, serious, burdened by a tragic past—to the silver screen. Undeterred by Hollywood's initial lackluster response, after a ten-year human endurance contest in which every major movie studio turned him down, Uslan went on to become Executive Producer on every modern Batman film, beginning with Tim Burton's widely hailed Batman in 1989 to Christopher Nolan's celebrated Dark Knight trilogy and well beyond. Warmly told and inspiring, Uslan's remarkable story is a testament both to the profound imaginative power of comic book heroes and the tenacity of the New Jersey boy determined to bring one of them to life. This second edition includes a special foreword and afterword by Uslan, bringing us up to date on everything Batman.

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SUNDAY TIMES CHILDREN'S BOOK OF THE YEAR 2019 Laugh-out-loud funny and instantly recognisable - not since The Inbetweeners has a coming of age story been so irreverent and relatable. Fifteen-year-old Sam is not a famous vlogger, he’s never gone viral, and he doesn’t want to be the Next Big Thing. In fact he's ordinary and proud of it. None of which was a problem until Dad got rich and Mum made the whole family move to London. Now Sam's off to the North London Academy for the Gifted and Talented, where everyone's busy planning Hollywood domination or starting alt-metal psychedelica crossover bands. Sam knows he'll never belong, even if he wanted to. And that's before he ends up on stage wearing nothing but a fur onesie ... A brilliantly funny look at fitting in, falling out and staying true to your own averageness. 'Dangerously funny ... To the parent, every line rings true — this is a writer with real live teenagers and he is especially good on the ups and downs of sibling relations and young love. Sutcliffe is gifted and talented. I hope the prizes flood in. I’ll be giving this to every teenager I know' - Alex O'Connell, The Times 'The Gifted, the Talented and Me made me cry with laughter. A comic novel like this is a gift to the nation' - Amanda Craig

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World War II soldier Bill Wynne met Smoky while serving in New Guinea, where the dog, who was smaller than Wynne’s army boot, was found trying to scratch her way out of a foxhole. After he adopted her, she served as the squadron mascot and is credited as being the first therapy dog for the emotional support she provided the soldiers. When they weren’t fighting, Bill taught Smoky hundreds of tricks to entertain the troops. Smoky became a war hero herself at an airstrip in Luzon, the Philippines, where she helped save forty airplanes and hundreds of soldiers from imminent attack. After the war, Bill worked as a Hollywood animal trainer and then returned to his hometown of Cleveland, Ohio. He and Smoky continued to perform their act, even getting their own TV show, How to Train Your Dog with Bill Wynne and Smoky. Nancy Roe Pimm presents Bill and Smoky’s story to middle-grade readers in delightful prose coupled with rich archival illustrations. Children will love learning about World War II from an unusual perspective, witnessing the power of the bond between a soldier and his dog, and seeing how that bond continued through the exciting years following the war.

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Why did Hans Memling paint everything in such minute detail? How did Rubens, in just a few brushstrokes, create special effects that Steven Spielberg would envy? And why was the Southern Netherlands the artistic centre of the world for three centuries? From Memling to Rubens: The Golden Age of Flanders tells the story of Flemish art from the 15th, 16th and 17th centuries, as you've never read it before. It's a rollercoaster ride through 300 years of cultural history. Leading the charge are breathtaking masterpieces from the collection of The Phoebus Foundation, unknown gems by the likes of Hans Memling, Quinten Metsys, Peter Paul Rubens and Anthony Van Dyck that plunge you into a world full of folly and sin, fascination and ambition. Along the way you'll bump into dukes and emperors, rich citizens and poor saints, picture galleries like wine cellars, and Antwerp as Hollywood on the Scheldt. This is a stirring tale about the image and its meaning, and the link between culture and society. Above all, it's about us, and about who we are today - as people. Published on the occasion of the exhibition From Memling to Ruben - The Golden Age of Flanders,during Autumn 2020, in the Kadriorg Palace in Tallinn (Estonia).

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In this delightfully modern spin on Pride and Prejudice, love is a goal, marriage is a distant option, and self-discovery is a sure thing. Welcome to Bennet House, the only all-women’s dorm at prestigious Longbourn University, home to three close friends who are about to have an eventful year. EJ is an ambitious Black engineering student. Her best friend, Jamie, is a newly out trans woman studying French and theatre. Tessa is a Filipina astronomy major with guy trouble. For them, Bennet House is more than a residence—it’s an oasis of feminism, femininity, and enlightenment. But as great as Longbourn is for academics, EJ knows it can be a wretched place to find love. Yet the fall season is young and brimming with surprising possibilities. Jamie’s prospect is Lee Gregory, son of a Hollywood producer and a gentleman so charming he practically sparkles. That leaves EJ with Lee’s arrogant best friend, Will. For Jamie’s sake, EJ must put up with the disagreeable, distressingly handsome, not quite famous TV actor for as long as she can. What of it? EJ has her eyes on a bigger prize, anyway: launching a spectacular engineering career in the “real world” she’s been hearing so much about. But what happens when all their lives become entwined in ways no one could have predicted—and EJ finds herself drawn to a man who’s not exactly a perfect fit for the future she has planned?

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A poster first printed in Germany in 1926 depicts the human body as a factory populated by tiny workers doing industrial tasks. Devised by Fritz Kahn (1888–1968), a German-Jewish physician and popular science writer, “Der Mensch als Industriepalast” (or “Man as Industrial Palace”) achieved international fame and was reprinted, in various languages and versions, all over the world. It was a new kind of image—an illustration that was conceptual and scientific, a visual explanation of how things work—and Kahn built a career of this new genre. In collaboration with a stable of artists (only some of whom were credited), Kahn created thousands of images that were metaphorical, allusive, and self-consciously modern, using an eclectic grab-bag of schools and styles: Dada, Art Deco, photomontage, Art Nouveau, Bauhaus functionalism, and commercial illustration. In Body Modern, Michael Sappol offers the first in-depth critical study of Fritz Kahn and his visual rhetoric. Kahn was an impresario of the modern who catered to readers who were hungry for products and concepts that could help them acquire and perform an overdetermined “modern” identity. He and his artists created playful new visual tropes and genres that used striking metaphors to scientifically explain the “life of Man.” This rich and largely obscure corpus of images was a technology of the self that naturalized the modern and its technologies by situating them inside the human body.The scope of Kahn’s project was vast—entirely new kinds of visual explanation—and so was his influence. Today, his legacy can be seen in textbooks, magazines, posters, public health pamphlets, educational websites, and Hollywood movies. But, Sappol concludes, Kahn’s illustrations also pose profound and unsettling epistemological questions about the construction and performance of the self. Lavishly illustrated with more than 100 images, Body Modern imaginatively explores the relationship between conceptual image, image production, and embodied experience.

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The second edition of Cities and Cinema provides an updated survey of films about cities, from their significance for modernity at the beginning of the twentieth century to the contemporary relationship between virtual reality and urban space. The book demonstrates the importance of the filmic depiction of capitals for national cinemas in the twentieth century and analyzes the transnational transfer of cinematic images surrounding global cities in the twenty-first century.Cities and Cinema covers the different facets of the cinematic depiction of cities. It rehearses distinct methodologies and offers a survey of the history of the cinematic city. The book also deepens our understanding of tropes and narrative conventions that shape films about urban settings and that reflect the transformation of cities throughout the twentieth and twenty-first centuries. Beginning with a discussion of the Weimar “street film,” it analyzes how the city film defined modernity. The book outlines the sociological context and the aesthetic features of so-called film noir, made in 1940s Hollywood and depicting Los Angeles. Paris became the site for the development of auteur cinema, which repeatedly depicts characters moving through the city. Tokyo took up noir to signal modern crime. The volume delineates how filmic genres, such as science fiction, comment on the present by imagining future forms of urban living. After analyzing how cinema captures the relationship between sexual identity and urban anonymity, migration and urban space, and marginalized ethnic and sexual identity in ghetto films, the book emphasizes transnational dynamics and global cities in the twenty-first century. Its conclusion points to the increasing virtual mediation of cities with new media.Cities and Cinema offers a historical overview of the development of films about cities and a theoretical approach to the intersection of urban studies and film studies. This title is designed as a textbook primarily for second-year undergraduate students in Film/Media studies, Urban studies, as well as Geography and Planning.

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Brace yourself, Frankie’s back, and he’s more outspoken and brilliantly inappropriate than ever. There are fears that this year could see the start of a double-dip recession, or worse still a double-dip-with-misery-sprinkles and f**k-where’s-my-job?-sauce. Why not chuckle into the howling void as taloned fingers reach up to consume you with Frankie Boyle’s new book, Work! Consume! Die! In Work! Consume! Die! stand-up comedy's favourite pessimist, Frankie Boyle, offers his outrageous, laugh-out-loud, cynical rant on life as he knows it. He describes your reality as viewed through a bloodshot eye pressed against a shit-smeared telescope, focused on hell: ‘Charlie Sheen’s life consists of going on huge drug benders with groups of porn stars. If he straightened himself out he could have a really mediocre career as a bit-part Hollywood actor. Playing the role of Martin Sheen’s corpse. He’s crazy like a fox! And also actually crazy. What a tragic waste, not being Charlie Sheen is. How majestic it will be for him to die, possibly quite soon, knowing that when they make a movie of his life, it will be a porno.’ ‘The X Factor will be allowed to show product placements. That’s powerful advertising. Last series I realised that looking at the judges alone had made me subconsciously buy a gnome, a scrag-end of mutton, a vacuous mannequin and a suspected gay.’ ‘The Taliban are running out of bullets. Operation ‘Get our troops to absorb them with their bodies’ is finally paying off. The Taliban are finding it impossible to get hold of essential supplies – at last we’re fighting on equal terms. But let’s not get complacent. Just because they’re running out of bullets we mustn’t assume our boys won’t get shot. Remember, the US troops have still got plenty.’ A no-holds-barred tour de force of comic writing, Work! Consume! Die! is Frankie Boyle at his brutal, taboo-busting best. This is nothing more or less than the clanging call to arms of a dying mechanical God.

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From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn).In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).

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ACTRESS. ICON. ACTIVIST. Her story, in her voice, for the first time. In this honest, layered and unforgettable book that alternates between storytelling and her own poetry, Pamela Anderson breaks the mould of the celebrity memoir while taking back the tale that has been crafted about her.Her blond bombshell image was ubiquitous in the 1990s. Discovered in the stands of a football game, she was immediately rocket launched into fame, becoming Playboy's favourite cover girl and an emblem of Hollywood glamour and sexuality. But what happens when you lose grip on your own life - and the image the notoriety machine creates for you is not who you really are?Growing up on Vancouver Island, the daughter of young, wild, and unprepared parents, Pamela Anderson's childhood was not easy, but it allowed her to create her own world-surrounded by nature and imaginary friends. When she overcame her deep shyness and grew into herself, she fell into a life on the cover of magazines, the beaches of Malibu, the sets of movies and talk shows, the arms of rockstars, the coveted scene at the Playboy Mansion. And as her star rose, she found herself tabloid fodder, at the height of an era when paparazzi tactics were bent on capturing a celebrity's most intimate, and sometimes weakest moments. This is when Pamela Anderson lost control of her own narrative, hurt by the media and fearful of the public's perception of who she was . . . and who she wasn't.Fighting back with a sense of grace, fuelled by a love of art and literature, and driven by a devotion to her children and the causes she cares about most, Pamela Anderson has now gone back to the island where she grew up, after a memorable run starring as Roxie in Chicago on Broadway, reclaiming her free spirit but also standing firm as a strong, creative, confident woman. 'The iconic Anderson uses a mixture of poetry and prose to present an impressionistic view of a fascinating life' Booklist

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*Selected as One of Oprah’s Favorite Things 2021* “It’s never too early to introduce youngsters to inspiring people who have changed the world.” – As Oprah says on OprahDaily.com Meet three inspirational women from the world of art: Frida Kahlo, Coco Chanel and Audrey Hepburn! This boxed gift set of three hardcover books from the internationally best-selling Little People, BIG DREAMS series introduces little dreamers to the lives of these incredible women who worked in the arts…and changed the world. In these remarkable true stories, learn how three women overcame hardship to achieve great success in the arts. Frida – despite having polio as a child and, later, being injured in a terrible road accident – went on to become one of the most famous artists of the twentieth century. Coco spent her early life at an orphanage, where she was taught how to use a needle and thread. She followed her passion to make her name as a world-famous fashion designer and style icon. Audrey, after living through the hardships of World War Two, began acting in plays and films, eventually becoming an iconic Hollywood star. Each of these moving books features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the woman's life. Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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“An extraordinary tale of derring-do told in a mesmerising new book via fascinating archive pictures – and worthy of a Hollywood movie too.” — Daily Mail "A new book showcasing them all is a fascinating read… The care and dedication that has gone into The Nansen Photographs is obvious." — Amateur Photographer "This epic tome, lovingly and painstakingly put together by Geir O Klover, director of the Fram Museum in Oslo, recounts this expedition using original photos and diary entries." — Black and White Photography In the late 19th century, the Norwegian Artic explorer Fridtjof Nansen undertook a pioneering expedition: he wanted to reach the North Pole with the specially designed ship Fram. The Nansen Photographs recounts this expedition, from the launch in 1890 through to the end of Nansen’s international lecture tour in 1897, using original photographs alongside personal diary entries from Nansen and seven of his crew members. Together, they illustrate in a poignant and sometimes disconcerting way how the expedition members went about their daily lives and conducted their research, the conflicts they faced, and how they ultimately brought their daring undertaking to its successful conclusion. This book brings new life to previously known facts and introduces the reader to hundreds of previously unknown photographs from the expedition. The large format of the book brings the smaller details in the photographs to the forefront, providing new insight into the work and life on board, the equipment and the clothing. Opposing diary entries from Nansen and the men about the same situations show that life on board was not always easy and tell a gripping story of survival and the human condition. Nansen’s lack of empathy and practical skills caused frustration among the men, and several of them resorted to fists to sort out their differences, but nonetheless they all pulled through and set a new standard for arctic expeditions to come. When Nansen leaves the ship for his legendary 18 month journey with Hjalmar Johansen towards the North Pole, we follow both Nansen and Johansen and the crew left on board through their photographs and diaries. The return to Norway and the spectacular celebration is told in detail through photographs, newspaper reports, speeches, menus and ephemera. This stunning 712-page book comes with an illustrated dustjacket and contains 850 photographs and illustrations, 35 ship drawings and 25 maps.

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From Glee to gay marriage, from lesbian senators to out gay Marines, we have undoubtedly experienced a seismic shift in attitudes about gays in American politics and culture. Our reigning national story is that a new era of rainbow acceptance is at hand. But dig a bit deeper, and this seemingly brave new gay world is disappointing. For all of the undeniable changes, the plea for tolerance has sabotaged the full integration of gays into American life. Same-sex marriage is unrecognized and unpopular in the vast majority of states, hate crimes proliferate, and even in the much vaunted “gay friendly” world of Hollywood and celebrity culture, precious few stars are openly gay. In The Tolerance Trap, Suzanna Walters takes on received wisdom about gay identities and gay rights, arguing that we are not “almost there,” but on the contrary have settled for a watered-down goal of tolerance and acceptance rather than a robust claim to full civil rights. After all, we tolerate unpleasant realities: medicine with strong side effects, a long commute, an annoying relative. Drawing on a vast array of sources and sharing her own personal journey, Walters shows how the low bar of tolerance demeans rather than ennobles both gays and straights alike. Her fascinating examination covers the gains in political inclusion and the persistence of anti-gay laws, the easy-out sexual freedom of queer youth and the suicides and murders of those in decidedly intolerant environments. She challenges both “born that way” storylines that root civil rights in biology, and “god made me that way” arguments that similarly situate sexuality as innate and impervious to decisions we make to shape it. A sharp and provocative cultural critique, this book deftly argues that a too-soon declaration of victory short-circuits full equality and deprives us all of the transformative possibilities of full integration. Tolerance is not the end goal, but a dead end. In The Tolerance Trap, Walters presents a complicated snapshot of a world-shifting moment in American history—one that is both a wake-up call and a call to arms for anyone seeking true equality.

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Excellence in Publishing Award, Association of Catholic Publishers Honorable Mention, Catholic Press Association Book Award Finalist, Washington State Book Award Pure Act tells the story of poet Robert Lax, whose quest to live a true life as both an artist and a spiritual seeker inspired Thomas Merton, Jack Kerouac, William Maxwell and a host of other writers, artists and ordinary people. Known in the U.S. primarily as Merton’s best friend and in Europe as a daringly original avant-garde poet, Lax left behind a promising New York writing career to travel with a circus, live among immigrants in post-war Marseilles and settle on a series of remote Greek islands where he learned and recorded the simple wisdom of the local people. Born a Jew, he became a Catholic and found the authentic community he sought in Greek Orthodox fishermen and sponge divers. In his early life, as he alternated working at The New Yorker, writing screenplays in Hollywood and editing a Paris literary journal with studying philosophy, serving the poor in Harlem and living in a sanctuary high in the French Alps, Lax pursued an approach to life he called pure act―a way of living in the moment that was both spontaneous and practiced, God-inspired and self-chosen. By devoting himself to simplicity, poverty and prayer, he expanded his capacity for peace, joy and love while producing distinctive poetry of such stark beauty critics called him “one of America’s greatest experimental poets” and “one of the new ‘saints’ of the avant-garde.” Written by a writer who met Lax in Greece when he was a young seeker himself and visited him regularly over fifteen years, Pure Act is an intimate look at an extraordinary but little-known life. Much more than just a biography, it’s a tale of adventure, an exploration of friendship, an anthology of wisdom, and a testament to the liberating power of living an uncommon life.

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The camera loved Marilyn, and she loved it right back. In this luxurious volume, get to know the enigmatic star through iconic and rare photos, intimate stories, and removable memorabilia. Everyone knows the classic photographs of Marilyn Monroe: in the dress she wore to John F. Kennedy’s birthday, or leaning out of a balcony over the streets of New York City, or famously standing over the subway grates while shooting The Seven Year Itch. Behind the glamour, we’ve also heard the sad stories: her mother’s institutionalization, her three failed marriages, her own struggles with mental health, her surprising death that still leaves us with questions.Marilyn Monroe: A Photographic Life delves into the life of the star—before, during, and after she became a “Blonde Bombshell.” Born Norma Jeane Mortenson (the Baker came later), she had a troubled childhood that culminated in her self-described “inferiority complex.” But all the while, she dreamed of something more.Read the stories behind her first marriage (and why she kept it secret when she started modeling), her early roles with the studios (and the one exec who thought she didn’t have “it”), and her life as a budding actress that include humble anecdotes (at one point, she was so poor that she and a roommate shared one pair of high heels—and whoever had a date that night got to wear them). Along with the stories are fabulous rare photographs and reproductions of frameable memorabilia, such as: Birth and marriage certificates Handwritten letters Certificate of conversion to Judaism before her marriage to Arthur Miller Screen Actors Guild membership card Picture of Marilyn sketched by Jane Russell Watercolor Marilyn painted for JFK Childhood photos Shots and ads from her earliest modeling days Wedding photos Images of those who knew her, including Groucho Marx, Ella Fitzgerald, Gene Kelly, Frank Sinatra, and so many more Marilyn’s favorite image of herself, taken in 1956 Further chapters cover Marilyn’s marriages to Joe DiMaggio and Arthur Miller, her time in England and New York, and her rise as one of Hollywood’s most sought after starlets. Through it all—the self doubts, the illnesses, the isolation—we see Marilyn triumph with the help of friends and confidantes and her own tenacious will of knowing what she wanted. We see time and again the depths of Marilyn’s heart and her capacity to care for others. “I want to love and be loved more than anything else in the world,” she once said, and with Marilyn Monroe: A Photographic Life, you can’t help but oblige.

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It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This book gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective. In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garçons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh’s respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaïa, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto. Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy. Lindbergh’s reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh. From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh’s lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.

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'A rapid-fire debut with a cinematographer's eye for detail... Fan strikes a deft balance between agile set-pieces and lingering beauty.' Naoise Dolan 'A vivid, powerful portrait of a vanishing world.' David Nicholls'Do you know what it was like here? You wouldn't believe the glamour. We had our own film studio, redbrick houses for the stars, even Jackie Chan. Now look at us - the Hollywood of the Orient will soon be gone altogether.'1987, Hong Kong. Trying to outrun his demons, a young man who calls himself Buddha returns to the bustling place of his birth. He moves into a small Buddhist nunnery in the crumbling neighbourhood of Diamond Hill, where planes landing at the nearby airport fly so close overhead that travellers can see into the rooms of those below.As Buddha begins to care for the nuns and their neighbours, this pocket of the old city is vanishing. Even the fiery Iron Nun cannot prevent the frequent landslides that threaten the nunnery she fights for, and in the nearby shanty town, a faded film actress who calls herself Audrey Hepburn is hiding a deep secret and trying to survive with her teenage daughter who has a bigger fish to fry.But no one arrives in Diamond Hill by accident, and Buddha's ties to this place run deeper than he is willing to admit. Can he make peace with his past and survive in this disappearing city?Beautifully written and utterly compelling, Diamond Hill is a gorgeous love letter that perfectly captures a lost place, filled with unforgettable characters. If you love books by Hanya Yanagihara, Colm Tóibín and Ocean Vuong, you'll adore this haunting and evocative novel.What people are saying about Diamond Hill:'The best debut I've read in ages... A glorious luminosity to the writing and the reading experience is rather like looking into a kaleidoscope and giving it several twirls.' Cathy Rentzenbrink 'A gripping and highly accomplished debut... A thoroughly enjoyable and profound exploration of powerlessness, identity and the evolution of a city.' Guardian'Fan is an exuberant chronicler of a lost time and place... It's a timely consideration of Hong Kong's recent past.' The Times'An exhilarating and original tale, Diamond Hill marks award-winning Fan as a writer to watch.' Cosmopolitan 'Fan creates a textured, unsettled portrait of a territory facing a decisive ending... The dark drama that unfolds is an elegy to that vanished vanishing world.' The Wall Street Journal'Gleams with pleasurable insights... Memorable moments are sketched by a poet's hand.' South China Morning Post

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Reversing into the Future: New Wave Graphics 1977–1990 is a unique and fascinating book of graphic design history curated from Andrew Krivine’s personal and vast collection of original posters, flyers, artworks and memorabilia from the golden age of New Wave. Packed with exclusive artworks and expert texts, this is the comprehensive guide to the unforgettable period of New Wave. Having witnessed an emerging generation of music buyers who’d been energised by punk, major record labels and independents alike went in search of sounds and visions that captured something of the energy and cheeky attitude of punk, while ignoring its political edge. New Wave was embraced by the mainstream music and entertainment industries and used to promote artists who rejected the anti-consumerist, anti-materialistic, black-and-white nihilism of the original punk movement in favour of a more optimistic, humorous and colourful present refracted through the past. In doing so, and as this book illustrates, the New Wave followed Marshall McLuhan’s dictum that ‘we drive boldly into the future with our eyes fixed firmly on the rear-view mirror’. New Wave artists rejected punk’s satirical, parodic and irreverent treatment of rock ’n’ roll’s original, iconic imagery preferring to display it reverently or referenced with love and affection. Reversing Into The Future: New Wave Graphics 1977–1990 includes graphic designs for, among others, The B52s, Boomtown Rats, Devo, Duran Duran, The Cars, Elvis Costello, Joe Jackson, XTC, Cyndi Lauper, The Police, Simple Minds, Gary Numan, Japan, Blondie, Talking Heads, The Go-Gos, Graham Parker, Nick Lowe, Simple Minds, Frankie Goes To Hollywood and many more. Graphic artists featured include Martyn Atkins, Barney Bubbles, Chris Morton, Malcolm Garrett, Alex McDowell, Tony Wright, Martin Kaye for the Paradiso, X3 Posters, DEVO Inc., Neville Brody, The Designers Republic, Russell Mills and more. A collectable item itself, the book is beautifully produced with front and back cover artwork by world-renowned designers Malcolm Garrett and Chip Kidd. Alongside a vast array of original artworks and graphics from the New Wave period, the book includes text contributions from recognised and respected commentators, critics and designers from the UK, US and Australia. Documenting the incredible impact of New Wave, this is the ideal book for die-hard music fans and graphic design aficionados alike.

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For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex.Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies.Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.”A John Hope Franklin Center BookNovember424 pages129 illustrations6x9 trim sizeISBN 0-8223-0-8223-4285-5paper, $24.95ISBN 0-8223-0-8223-4263-4library cloth edition, $89.95ISBN 978-0-8223-4285-4paper, $24.95ISBN 978-0-8223-4263-2library cloth edition, $89.95

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Welcome to Hollywood! Follow the saga of the Acme Pictures movie studio as it exchanges information with its vendor and its primary customer to put low-budget sci-fi movies on shelves. This entertaining case study showcases the requirements, standards, and capabilities for building an SAP EDI system and optimizing electronic information exchange via IDocs. From configuring IDocs, to generating purchase orders and goods receipts, to customizing IDocs with ALE, to processing invoices, this script teaches you how to make your EDI system a star. 1. Cross-Industry Standard: See what makes IDocs in SAP and EDI the heart, bones, arteries, and brains of modern businesses and government organizations. 2. The Full Picture: Build the EDI system step by step, from generating the purchase order, to building outbound order confirmation, to processing the inbound payment advice using IDocs. 3. Custom IDocs: Using ABAP, ALE, and XML, explore custom utilities that extend standard SAP functionality. 4. Test Your System: Learn how to achieve success and diagnose failure by using monitoring tools to troubleshoot. 5. Updated and Expanded: In this second edition, find new custom tools and utilities, a renewed focus on the business context, and new interfaces from the purchasing cycle. Highlights include: Business process integration IDoc architecture and configuration Custom IDocs and extensions Mapping specifications Message control Customer purchase orders Replication services Inbound goods receipts and invoices Outbound advance shipments and invoices Custom IDoc tools EDI and IDocs troubleshooting and recovery

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In a film career that spanned five decades, John Wayne became a U.S. icon of heroic individualism and rugged masculinity. His widespread popularity, however, was not limited to the United States: he was beloved among moviegoers in Asia, Africa, Latin America, and Europe. In John Wayne’s World, Russell Meeuf considers the actor’s global popularity and makes the case that Wayne’s depictions of masculinity in his most popular films of the 1950s reflected the turbulent social disruptions of global capitalism and modernization taking place in that decade.John Wayne’s World places Wayne at the center of gender- and nation-based ideologies, opening a dialogue between film history, gender studies, political and economic history, and popular culture. Moving chronologically, Meeuf provides new readings of Fort Apache, Red River, Hondo, The Searchers, Rio Bravo, and The Alamo and connects Wayne’s characters with a modern, transnational masculinity being reimagined after World War II. Considering Wayne’s international productions, such as Legend of the Lost and The Barbarian and the Geisha, Meeuf shows how they resonated with U.S. ideological positions about Africa and Asia. Meeuf concludes that, in his later films, Wayne’s star text shifted to one of grandfatherly nostalgia for the past, as his earlier brand of heroic masculinity became incompatible with the changing world of the 1960s and 1970s. The first academic book-length study of John Wayne in more than twenty years, John Wayne’s World reveals a frequently overlooked history behind one of Hollywood’s most iconic stars.

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Michelle thought she'd lost everything she cared about when she was 17. That was the summer her world-famous, Hollywood legend of a father finally summoned her to spend a summer with him on his ranch in Montana--to get to know each other. Though he still seemed an unapproachable star, she loved the ranch and her life there. She also discovered Sam that summer, just another cow hand on the ranch, but to Michelle he was the man she had always dreamed of, the lover who would make all her dreams come true. Until her father finds out about their affair and not only fires Sam, banishing him back to the wrong side of the tracks, but destroys his family as well in one mighty blow. Pregnant and heartbroken, Michelle flees to a new life in Seattle. There she is successful and safe--safe from love, safe from hurt. But her son is lost to her, a troubled teen on the verge of self-destruction, a boy who blames her for the absence of his father and grandfather. And then one day her father calls to tell her he is dying. He has only one chance to live--if she will donate a kidney to save him. And she goes, resolved to save her father, terrified to face Sam, but driven by desperation to save her son. To do that, she must face all the secrets of the past and find a way to heal the scars and love again.

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When Allegra Huston was four years old, her mother was killed in a car crash. Soon afterwards, she was introduced to an intimidating man wreathed in cigar smoke - the legendary film director John Huston - with the words, 'This is your father'. So began an extraordinary odyssey: from the magical Huston estate in Ireland, to the Long Island suburbs, to a hidden paradise in Mexico - and, at the side of her older sister, Anjelica, into the hilltop retreats of Jack Nicholson, Ryan O'Neal, and Marlon Brando. Allegra's is the penetrating gaze of an outsider never quite sure if she belongs in this rarefied world, and of a motherless child trying to make sense of her famous, fragmented family. Then, at the age of twelve, Allegra's precarious sense of self is shattered when she is, once more, introduced to her father - her real one, this time, the British aristocrat and historian John Julius Norwich. At the heart of "Love Child" is Allegra's search through the unreliable certainties of memory for the widely adored mother she never knew - the ghost who shadowed her childhood and left her in a web of awkward and unwelcome truths. With clear-eyed tenderness, Allegra tells of how she forged bonds with both her famous fathers, transforming her mother's difficult legacy into a hard-won blessing. Beautifully written and forensically honest, "Love Child" is a seductive insight into one of Hollywood's great dynasties, and the story of how, in a family that defied convention, one woman found her balance on the shifting sands of conflicting loyalties.

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No one steps up to life’s banquet, holds out her tray, and orders, “Grief, please!” But as a child, Candy Pekkala was served a heaping helping of it. Every buffet line has a dessert section, however, and when a cousin calls with a Hollywood apartment to sublet, it seems as though Candy is finally offered something sweet. It’s good-bye to Minnesota and hello to California, where a girl who has always lived by her wits has a real chance of making a living with them. With that, the irrepressible Lorna Landvik launches her latest irresistible character onto the world stage—or at least onto the dimly lit small stage where stand-up comedy gets its start.Herself a comic performer, Landvik taps her own adventurous past and Minnesota roots to conjure Candy’s life in this strange new Technicolor home. Her fellow tenants at Peyton Hall include a female bodybuilder, a ruined nightclub impresario, and a well-connected Romanian fortune-teller. There are game show appearances and temp jobs at a record company and an establishment suspiciously like the Playboy Mansion, and of course the alluring but not always welcoming stage of stand-up comedy. As she hones her act, Candy is tested by humiliation, hecklers, and the inherent sexism that insists “chicks aren’t funny.”Written with the light touch and quiet wisdom that have made her works so popular, this is classic Lorna Landvik—sometimes so funny, you’ll cry; sometimes so sad, you might as well laugh; and always impossible to put down.

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Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier establishes and explains the impact of actual skyscrapers on America’s ideologies about work, leisure, romance, sexual identity, and politics as seen in Hollywood movies. Schleier analyzes cinematic works in which skyscrapers are an integral component, interpreting the iconography and spatial practices in these often fictional modern buildings, especially on concepts of gender. Organized chronologically and thematically, she offers close readings of films including Safety Last, Skyscraper Souls, Wife vs. Secretary, Baby Face, The Fountainhead, and Desk Set. Opening with the humorous antics of Harold Lloyd, the premier skyscraper actor of the silent era, the book moves through the disillusionment of the Depression era, in which skyscrapers are employed as players in moralistic, class-conscious stories, to post–World War II and its reimagining of American political and economic values and ends with the complicated prosperity of the 1950s and the lives of white-collar workers and their spouses. Taking inspiration from Walter Benjamin’s Arcades Project, among works of other critical theorists, Schleier creates in this book a model for understanding architecture as a purveyor of desire and class values and, ultimately, contributes broadly to thinking on the rich intersection of the built environment, cinema, and gender.

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As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.

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How is film changing? What does it do, and what do we do with it? This book examines the reasons why we should be studying film in the twenty-first century, connecting debates from philosophy, anthropology and new media with historical concerns of film studies. When the common frameworks for studying film – the nation, identity, representation, Hollywood industry – have ceased to yield explanatory power, how do we conceive of film’s doings? In this fresh and innovative book, Janet Harbord argues that film no longer represents or stands in for particular cultures, but acts isomorphically, showing us how the world works. Film here is action, energy, matter, moving across space to forge connections, provide encounters, and create schisms in our knowledge of others. The book brings together key thinkers of the contemporary in an innovative exchange between film and theory. Marc Auge’s concept of ‘non-place’ is brought to bear on, and disrupt, the category of national cinema. Manuel DeLanda’s notion of morphogenesis frames an understanding of film as a process of constant evolution, in which the terms of change are immanent to matter itself. And the concept of inertia, from Paul Virilio’s work, allows us to comprehend the different energies of film. Arguing that there is no higher position from which to view the present, either in theory or in film, we move blindly and yet with faith, discovering the present frame by frame. The Evolution of Film demonstrates how this is an intangible yet critical medium in the contemporary, mediating relationships to place, technology and thought itself. The Evolution of Film will be essential reading for students and scholars of film at all levels.

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A witty new thriller from a "great storyteller" (Michael Connelly), California Bear follows four unlikely vigilantes whose decision to take justice into their own hands pits them against the villain behind California's coldest case."Fresh, exciting, and brilliantly unpredictable." -James PattersonNONE OF YOU ARE SAFE"KILLER": Jack Queen has been exonerated and freed from prison thanks to retired LAPD officer Cato Hightower. But when guilt gnaws at Jack, he admits: "I actually did it." To which Hightower responds: "Yeah, no kidding." You see, the ex-cop has a special job in mind for the ex-con...THE GIRL DETECTIVE: Fifteen-year-old Matilda Finnerty has been handed a potential death sentence in the form of a leukemia diagnosis. But that's not going to stop her from tackling the most important mystery of her life: Is her father guilty of murder?GENE JEANIE: Jeanie Hightower mends family trees for a living, but the genealogist is unable to repair her own marriage. And her soon-to-be ex may have entangled her in a scheme that has drawn the bloody wrath of...THE BEAR: A prolific serial killer who disappeared forty years ago, who is only now emerging from hibernation when the conditions are just right. And this time, the California Bear is not content to hunt in the shadows...From two-time Edgar nominee Duane Swierczynski, California Bear is clever, moving, and surprising as it takes aim at the true crime industry, Hollywood, justice, and the killers inside us all.

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Women in comedy have traditionally been pegged as either “pretty” or “funny.” Attractive actresses with good comic timing such as Katherine Hepburn, Lucille Ball, and Julia Roberts have always gotten plum roles as the heroines of romantic comedies and television sitcoms. But fewer women who write and perform their own comedy have become stars, and, most often, they’ve been successful because they were willing to be funny-looking, from Fanny Brice and Phyllis Diller to Lily Tomlin and Carol Burnett. In this pretty-versus-funny history, women writer-comedians—no matter what they look like—have ended up on the other side of “pretty,” enabling them to make it the topic and butt of the joke, the ideal that is exposed as funny.Pretty/Funny focuses on Kathy Griffin, Tina Fey, Sarah Silverman, Margaret Cho, Wanda Sykes, and Ellen DeGeneres, the groundbreaking women comics who flout the pretty-versus-funny dynamic by targeting glamour, postfeminist girliness, the Hollywood A-list, and feminine whiteness with their wit and biting satire. Linda Mizejewski demonstrates that while these comics don’t all identify as feminists or take politically correct positions, their work on gender, sexuality, and race has a political impact. The first major study of women and humor in twenty years, Pretty/Funny makes a convincing case that women’s comedy has become a prime site for feminism to speak, talk back, and be contested in the twenty-first century.

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While many film fans may not be familiar with Bill Duke’s name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke’s extraordinary accomplishments off-screen—as a talented director, producer, entrepreneur, and humanitarian. Bill Duke: My 40-Year Career on Screen and behind the Camera is the memoir of a Hollywood original. In an industry that rarely embraces artists of color, Duke first achieved success as an actor then turned to directing. After helming episodes of ratings giants Dallas, Falcon Crest, Hill Street Blues, and Miami Vice, Duke progressed to feature films like A Rage in Harlem, Deep Cover, Hoodlum, and Sister Act 2. In this candid autobiography, Duke recalls the loving but stern presence of his mother and father, acting mentors like Olympia Dukakis, and the pitfalls that nearly derailed his career, notably an addiction to drugs. Along the way, readers will encounter familiar names like Danny Glover, Laurence Fishburne, Forest Whitaker, Arnold Schwarzenegger, and Whoopi Goldberg. From his Broadway debut in 1971 to the establishment of the Duke Media Foundation, which trains and mentors young filmmakers, Duke has been breaking the rules of what it means to triumph in the entertainment industry. Recalling pivotal moments in his life, Bill Duke: My 40-Year Career on Screen and behind the Camera is the story only Bill Duke could tell.

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WATERSTONES' BEST BOOKS OF 2023: SPORTA definitive and intriguing biography of Max Verstappen, Formula 1's superstar, Lewis Hamilton's great rival and the three-time winner of the World Drivers' Championship.No Hollywood scriptwriter could possibly have envisioned the breathless, adrenaline-pumping climax to the 2021 Formula 1 season. On the very last lap of the final race of an unbelievably arduous and controversial season, Red Bull's Max Verstappen nervelessly overtook the seven-time World Champion Lewis Hamilton of Mercedes to clinch the first place that thrust the young prodigy to the narrowest of victories and to his first World Drivers' title. He followed up by taking the 2022 and 2023 titles as well.Verstappen may only be 26 years of age, but the Dutch motorsport sensation has an incredible record in F1. This young man has already left an indelible mark on the sport. The son of F1 driver Jos, Verstappen junior quickly stepped out of his father's shadow: his youthful charisma, ferocious speed, fearless driving style and refusal to back down mark him out as a true champion. And the phenomenal success of Netflix's Drive to Survive documentary series has elevated his worldwide popularity still further.Widely respected motorsport writer and F1 insider Mark Hughes is perfectly placed to write the most authoritative narrative on Verstappen's incredible rise through the ranks to F1 glory. Hughes' immaculate credentials and first-rate access enable him to generate fresh and fascinating insights, and to paint a fully-rounded and richly-textured portrait of one of the most exciting young sportsmen on the planet.

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An exploration of infamous, controversial figures and how they exert control. Amos Barshad has long been fascinated by the powerful. But not by elected officials or natural leaders—he’s interested in their scheming advisors, the dark figures who wield power in the shadows. And, as Barshad shows in No One Man Should Have All That Power, the natural habitat of these manipulators is not only political backrooms. It’s anywhere power dynamics exist—from Hollywood to drug cartels, from recording studios to the NFL. In this wildly entertaining, wide-ranging, and insightful exploration of the phenomenon, Barshad takes readers into the lives of more than a dozen of these notorious figures, starting with Grigori Rasputin. An almost mythical Russian mystic, Rasputin drank, danced, and healed his way into a position of power behind the last of the tsars. But not every one of these figures rose to power through lechery or magical cures. Barshad explores how they got there, how they wielded control, what led to their downfall or staved it off, and what lessons we can take from them, including how to spot Rasputins in the wild. Based on interviews with well-known personalities like Scooter Braun (Justin Bieber’s manager), Alex Guerrero (Tom Brady’s trainer), and Sam Nunberg (Trump’s former aide) and original reporting on figures like Nicaragua’s powerful first lady Rosario Murillo and the Tijuana cartel boss known as “Narcomami,” No One Man Should Have All That Poweris an eye-opening book from an exciting new voice.

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Iconic celebrity photographer Greg Williams presents the release of his first book, illuminating the memorable stories and methodology behind the phenomenal photographs of 100 Hollywood stars.Have you ever wondered about the stories behind memorable photographs of some of the most famous people in the world? Why does Joaquin Phoenix look so relaxed eating a sandwich right after winning an Academy Award? Why was Cate Blanchett’s daughter running through her legs in a hotel at Cannes? Greg Williams Photo Breakdowns brings you behind the scenes of over 100 intimate and revealing images shot by one of today’s most in-demand photographers: Greg Williams.Learn the techniques of the master and draw on key tactics and skills Williams has accumulated throughout his extensive career. Whether describing how to frame a shot, leverage the lighting, or understand exposure, Williams emphasizes the importance of using photography as a means to tell stories, especially the stories that you want to tell. With a focus on authenticity, believability, and imperfection, Williams illuminates how he achieves these staggering shots.As the official photographer for the Oscars and a regular contributor to magazines such as Vanity Fair, Williams has unprecedented access to international celebrities, ranging from Brad Pitt and Daniel Craig to Beyoncé, Charlize Theron, and Adam Driver. And, more importantly, his rapport with his subjects results in singular photographs. See some of his favorite moments in Greg Williams Photo Breakdowns, and learn how he captured these incredible moments.

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On July 4, 1939, Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium. There is, for now, no known, intact film of Gehrig's speech, but instead, just a swatch of the newsreel footage has survived, incorporating his opening and closing remarks: "For the past two weeks you have been reading about the bad break I got. Yet today I consider myself the luckiest man on the face of this earth," the last line, of course, having become one of the most famous, invoked, and inspiring, ever, anywhere. The New York Times account, the following day, called it "one of the most touching scenes ever witnessed on a ball field", that made even hard-boiled reporters "swallow hard." The scene and the story would likely have been largely lost to history, altogether, were it not for the film, Pride of the Yankees, best known for Gary Cooper, as the dying Lou Gehrig, movingly describing himself as "the luckiest man on the face of the earth," even as his body was being ravaged by the disease that was soon named after him. Here, now, in Pride of the Yankees and the Legend of Lou Gehrig by Richard Sandomir, New York Times sports columnist, is, for the first time, the full story behind the pioneering, seminal movie. Filled with larger than life characters and unexpected facts, Pride of the Yankees shows us how Samuel Goldwyn had no desire to making a baseball film but he was persuaded to make a quick deal with Lou's widow, Eleanor, not long after Gehrig had passed; Hollywood icon Cooper had zero knowledge of baseball and had to be taught to play; unknown parts of the screen treatment and screenplay that will be written about for the first time; and dishy letters to Eleanor from Christy Walsh, the pioneering business manager who represented the Gehrigs, from the Los Angeles set. Nostalgic, breezy and fun, Pride of the Yankees captures a lost time in film and sports history.

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In The Time of Her Life, David Helwig draws us into the world of a woman of character. Indeed how Helwig tells the tale is as absorbing as the tale itself as we follow Jean from small-town Ontario to a privileged life as la contesse de Serviède in wartime France to genteel poverty in Montreal, adapting her actions and values to survive in the world around her. At fifteen, Jean is ready to slip into the secret life of adults; already she enjoys the attention of a cross-border whiskey smuggler. When he is shot by other smugglers, she rows out to him. Close to shore, she admits to herself that he is dead. Setting the course of her life, she sidesteps explanation by rolling the body overboard and sneaking home. Soon, she accepts a movie cameraman's impulsive proposition and heads for New York disguised as a boy. Being beautiful, being looked at becomes Jean's métier. In New York, working as nude model, she learns the value of her youth and beauty and what sex can buy her if she uses it judiciously. In Hollywood, silent-film stardom is soon hers. Asked to make a movie in France, she says Yes, as always. She says Yes again to a much-older count, has a son, and lives as a Paris aristocrat until her life is devastated by World War II. Her husband dead and her apartment commandeered, she huddles at the family's country home with her child until the war is over. Trading on her title, Jean opens a gallery, and, in the postwar confusion about ownership, she carefully sells a parcel of Picassos left with her by a missing Russian Jewish designer. But peace is transitory. She loses her son to the war in Indochina, her lover to family duties, her womb to a hysterectomy. Stricken with restlessness, she sells the gallery, moves to Montreal, and starts a new career in films and commercials. In old age, she measures out her last days in her Montreal apartment, her resilience undimmed by history and human folly. In The Time of Her Life David Helwig has created a highly entertaining and provocative work. This is an inspired exploration of time and memory skillfully crafted by a veteran Canadian writer.

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This special 10th anniversary edition celebrates the revolutionary first book of the New York Times bestselling and Hugo-award winning Expanse series - a modern masterwork of science fiction with over 4 million copies sold worldwide.NOW AN AMAZON PRIME TV SERIES'Interplanetary adventure the way it ought to be' George R. R. MartinHumanity has colonised the solar system - Mars, the Moon, the Asteroid Belt and beyond - but the stars are still out of our reach. Jim Holden is an officer on an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew discover a derelict ship called the Scopuli, they suddenly find themselves in possession of a deadly secret. A secret that someone is willing to kill for, and on an unimaginable scale. War is coming to the system, unless Jim can find out who abandoned the ship and why. Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money - and money talks. When the trail leads him to the Scopuli and Holden, they both realise this girl may hold the key to everything. Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries and secret corporations, and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.The Expanse is the biggest science fiction series of the last decade and is now a major TV series.Praise for the Expanse: 'The science fictional equivalent of A Song of Ice and Fire' NPR Books'As close as you'll get to a Hollywood blockbuster in book form' io9.com'Great characters, excellent dialogue, memorable fights' wired.com'High adventure equalling the best space opera has to offer, cutting-edge technology and a group of unforgettable characters . . . Perhaps one of the best tales the genre has yet to produce' Library Journal

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NOW A PRIME ORIGINAL TV SERIESCibola Burn is the fourth book in the New York Times bestselling and Hugo-award winning Expanse series.The gates have opened the way to a thousand new worlds and the rush to colonise has begun. Settlers looking for a new life stream out from humanity's home planets. Illus, the first human colony on this vast new frontier, is being born in blood and fire. Independent settlers stand against the overwhelming power of a corporate colony ship with only their determination, courage and the skills learned in the long wars of home. Innocent scientists are slaughtered as they try to survey a new and alien world.James Holden and the crew of his one small ship are sent to make peace in the midst of war and sense in the heart of chaos. But the more he looks at it, the more Holden thinks the mission was meant to fail. And the whispers of a dead man remind him that the great galactic civilisation which once stood on this land is gone. And that something killed them.The Expanse is the biggest science fiction series of the last decade and is now a major TV series.Praise for the Expanse:'The science fictional equivalent of A Song of Ice and Fire' NPR Books'As close as you'll get to a Hollywood blockbuster in book form' io9.com'Great characters, excellent dialogue, memorable fights' wired.com'High adventure equalling the best space opera has to offer, cutting-edge technology and a group of unforgettable characters . . . Perhaps one of the best tales the genre has yet to produce' Library Journal'This is the future the way it's supposed to be' Wall Street Journal'Tense and thrilling' SciFiNowThe Expanse series:Leviathan WakesCaliban's WarAbaddon's GateCibola BurnNemesis GamesBabylon's AshesPersepolis RisingTiamat's WrathLeviathan Falls Memory's Legion: The Complete Expanse Story Collection

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First runner-up for the 2019 John Leo and Dana Heller Award from the Popular Culture Association Surprisingly, Hollywood is still clumsily grappling with its representation of sexual minorities, and LGBTQ filmmakers struggle to find a place in the mainstream movie industry. However, organizations outside the mainstream are making a difference, helping to produce and distribute authentic stories that are both by and for LGBTQ people. Turning the Page introduces readers to three nonprofit organizations that, in very different ways, have each positively transformed the queer media landscape. David R. Coon takes readers inside In the Life Media, whose groundbreaking documentaries on the LGBTQ experience aired for over twenty years on public television stations nationwide. Coon reveals the successes of POWER UP, a nonprofit production company dedicated to mentoring filmmakers who can turn queer stories into fully realized features and short films. Finally, he turns to Three Dollar Bill Cinema, an organization whose film festivals help queer media find an audience and whose filmmaking camps for LGBTQ youth are nurturing the next generation of queer cinema. Combining a close analysis of specific films and video programs with extensive interviews of industry professionals, Turning the Page demonstrates how queer storytelling in visual media has the potential to empower individuals, strengthen communities, and motivate social justice activism.

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Alpha C Chiang, a renowned economist, and Professor Emeritus of Economics at the University of Connecticut, is best-known for his classic textbook — Fundamental Methods of Mathematical Economics.In this memoirs, he tells the entertaining, scary, embarrassing, glorifying and surreal tales that colored his life.On the academic side, Alpha describes in detail his scholastic journey, including why and how he created one of the most popular books on mathematical methods in economics, as well as the experiences of his teaching career. On the nonacademic side, he describes his ventures into his many hobbies, the spices of his life, including Chinese opera, ballroom dancing, painting and calligraphy, photography, piano, music composition, playwriting, and even magic. Such tales round out the depiction of a colorful life.What's behind his unusual name, Alpha? What schooling disaster tripped him at a young age? What surreal occurrence did he experience at a cliff at age 8? What major miracle changed his family? How did he become a loan shark when he was a graduate student at Columbia University? What Hollywood glamour star mysteriously materialized within inches of him when he was working on a TV show in his student days? How did he conquer a serious phobia and eventually become an acclaimed professor? What motivated his writing of his celebrated book? And what funny, embarrassing, and memorable events occurred in his teaching career?This book is a unique story about a unique life.

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Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each accompanied by an introduction and exposition by the editor, Christopher Kul-Want, that places the philosophers within a historical and intellectual framework of aesthetic and social thought.Encompassing a range of intellectual traditions—Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories—this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and Silverman. Many of the texts discuss cinema as a mass medium; others develop phenomenological analyses of particular films. Reflecting upon the potential of films to challenge dominant forms of ideology, the anthology considers the ways in which they can disrupt the clichés of capitalist images and offer radical possibilities for creating new worlds of visceral experience outside the grasp of habitual forms of knowledge and subjectivity. Ranging from the early silent period of cinema through the classics of European and Hollywood cinema to the early twenty-first century, the films discussed offer a vivid sense of these philosophers’ concepts and ideas, casting new light on the history of cinema. This reader is an essential and valuable resource for a wide range of courses in film and philosophy.

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What has brought about the transformation of the British film industry over the last few decades, to the beginnings of what is arguably a new golden era? In the mid-1980s the industry was in a parlous state. The number of films produced in the UK was tiny. Cinema attendance had dipped to an all-time low, cinema buildings were in a state of disrepair and home video had yet to flourish. Since then, while many business challenges - especially for independent producers and distributors - remain, the industry overall has developed beyond recognition. In recent years, as British films have won Oscars, Cannes Palms and Venice Golden Lions, releases such as Love Actually, Billy Elliot, Skyfall, Paddington and the Harry Potter series have found enormous commercial as well as critical success. The UK industry has encouraged, and benefitted from, a huge amount of inward investment, much of it from the Hollywood studios, but also from the National Lottery via the UK Film Council and BFI. This book portrays the visionaries and officials who were at the helm as a digital media revolution began to reshape the industry. Through vivid accounts based on first-hand interviews of what was happening behind the scenes, film commentator and critic Geoffrey Macnab provides in-depth analysis of how and why the British film industry has risen like a phoenix from the ashes.

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