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Soon to be a major NETFLIX series! 'After reading this I wanted to read it all over again' – Zoe Sugg aka Zoella. This glorious collaboration from the New York Times bestselling authors of Nick & Norah’s Infinite Playlist was personally selected by Zoella for the Zoella Book Club. A teen romance set against the magical backdrop of New York City in December. It is the ultimate Christmas book. Dash and Lily have been dating for nearly a year, but when Lily’s beloved grandfather falls ill, the repercussions take their toll on everyone. Even though they are still together, somehow the magic has gone out of their relationship and it’s clear that Lily has fallen out of love with life. Action must be taken! Dash teams up with Lily’s brother and a host of their friends, who have just twelve days to get Lily’s groove back in time for Christmas. A warm, wintry read that is guaranteed to be a favourite Christmas book for many years to come. Look out for David and Rachel’s other young adult novels: Nick and Norah's Infinite Playlist, Naomi and Ely's No Kiss List and Sam and Ilsa's Last Hurrah. Also by David Levithan: Every Day, Another Day, Marly's Ghost, Two Boys Kissing, How They Met and Other Stories, 19 Love Songs. David is the New York Times bestselling author of Boy Meets Boy and Marly’s Ghost, while among his many collaborations are Will Grayson, Will Grayson with Fault in Our Stars author John Green, and Nick and Norah’s Infinite Playlist with Rachel Cohn, which became a major film. Tiny Cooper from Will Grayson, Will Grayson now has his own novel: Hold Me Closer: The Tiny Cooper Story. David is also a highly respected children’s book editor, whose list includes many luminaries of children’s literature, including Garth Nix, Libba Bray and Suzanne Collins. He lives and works in New York. Rachel Cohn was born in Maryland, but later moved to New York. Her first novel, Gingerbread, was published in 2002. Since then she has gone on to write many other successful young adult and children's books, several in collaboration with David Levithan. She now lives and writes in Los Angeles, assisted by two very cool cats. For a cosier Christmas YA read, David Levithan and Rachel Cohn’s The Twelve Days of Dash and Lily is a he-said, she-said romance about a couple struggling after a year together (the pair first met in Dash and Lily’s Book of Dares), and an attempt to rekindle Christmas magic in a world that seems a little too bleak for it to matter. The New York setting lends this quirky love story a glamour that will appeal to young teens… – The Irish Times I loved being in the company of Dash & Lily and was so distraught when I finished the last page of The Twelve Days. I miss those guys. So David & Rachel if you ever read this post … then you must write a new one each Christmas to keep me going please. – The Book Magpie

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A moving, compelling story about three women fighting to break free, from the Richard & Judy recommended bestselling author Julie Cohen.'Haunting, tender and true - this story cast a spell on me' Kirsty Logan'Wonderfully written and evocative' Woman & Home, BOOK OF THE MONTH'This haunting story about the power of love will give you the shivers' Best------------------------------------------Viola has an impossible talent. Searching for meaning in her grief, she uses her photography to feel closer to her late father, taking solace from the skills he taught her - and to keep her distance from her husband. But her pictures seem to capture things invisible to the eye . . .Henriette is a celebrated spirit medium, carrying nothing but her secrets with her as she travels the country. When she meets Viola, a powerful connection is sparked between them - but Victorian society is no place for reckless women.Meanwhile, on the other side of the world, invisible threads join Viola and Henriette to another woman who lives in secrecy, hiding her dangerous act of rebellion in plain sight.Faith. Courage. Love. What will they risk for freedom? Driven by passionate, courageous female characters, SPIRITED is your next unforgettable read!Perfect for fans of other bestselling historical novels The Binding by Bridget Collins, The Familiars by Stacey Halls, and Once Upon a River by Diane Setterfield. ------------------------------------------Praise for SPIRITED:'A testament to the enduring power of love' Sunday Mirror'Mindful, vivid, and strong Spirited explores death, grief, faith, class and gender, while at its heart relationships expand to make this such an engaging and rewarding novel' Love Reading'This vivid tale is simmering with passions - some more repressed than others' The People'A tender and haunting tale, this is a slow-burn read which sparks into flame, as passion kindles in the heart of her beautifully realised characters' Daily Mail'A thrilling, spooky tale that has all the ingredients of a bestseller' Cambridge Independent------------------------------------------Praise for the Richard & Judy Bookclub Pick TOGETHER by Julie Cohen:'A bold, breathtaking and truly compelling love story' Lisa Jewell'Moving and beautiful' Joanna Cannon'One of the most beautiful and heart-breaking stories I've read' Emma Flint'Reminded me of One Day & The Time Traveler's Wife' Erin Kelly'The kind of novel that will stay with you forever' Rowan Coleman'A page-turner with real emotional punch' Catherine Isaac'Original, poignant and beautifully told' S Magazine'A must read' Good Housekeeping'A taut, beguiling love-story-in-reverse that reveals just how far people will go to protect themselves from facing the truth' Elle'Every now and again, a novel comes along that is so different, so affecting and so unforgettable, that you simply must tell everyone you know to read it' Heat------------------------------------------Praise for the Polari Prize 2019 longlisted novel THE TWO LIVES OF LOUIS & LOUISE by Julie Cohen:'Brilliant . . . I enjoyed it hugely' Marian Keyes'Hugely original and heartbreakingly real' Rosie Walsh'Not often does a story remind us of what beautifully complex creatures we are. Julie Cohen has given us that rare gift' Christina Dalcher'Elegant, thoughtful and powerful' Daisy Buchanan'So cleverly done and authentic' A J Pearce'Beautifully written and thought-provoking' Kate Eberlen'A timely read that will stay with you long after you put it down' Libby Page'A cobweb of a book: beautifully intricate and delicate' Veronica Henry'Engaging, moving, arresting' Sunday Times'A powerful and memorable story' Sunday Express'A modern tale told with heart' Grazia

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'In the Research Handbook of Expatriates, Yvonne McNulty and Jan Selmer have created a seminal work that should be on the bookshelf of all social scientists who work in the field of expatriation. More senior scholars will appreciate the ''deep dive'' each chapter takes into the literature, each one acting as a reservoir they can draw from to powerfully inform their future research efforts. Doctoral students and newly minted PhDs will find this book to be especially valuable - the final chapter of the book alone provides inestimable career and ''how-to-publish'' guidance for them in the field of expatriation. The coverage of the history, construct, milieu, research methodologies, and issues is the best I have come across in a single volume in over 30 years of working in the field. In short, this is a monumental contribution to the study of expatriates and global mobility.'- Mark E. Mendenhall, University of Tennessee'McNulty and Selmer's edited volume does a wonderful job of consolidating and integrating everything we know about expatriates and their different types. This long-overdue Handbook, featuring chapters by top researchers, lays a trail for scholars to further advance the study of expatriates.'- Joyce Osland, San Jose State University'McNulty and Selmer's edited book of readings on virtually all aspects of expatriates deserves a prominent place in the library of researchers and practitioners interested in this subject. The Handbook provides a historical overview as well as the latest trends in expatriate studies and concludes with useful guidelines on how to conduct as well as improve the quality of research in this field.'- Rosalie L. Tung, Simon Fraser University, CanadaConstituting a comprehensive and carefully designed collection of contributions, the Research Handbook of Expatriates provides a nuanced and up-to-date discussion of expatriates. Theoretically broad and groundbreaking, it offers important and contemporary insights into emerging areas of research warranting future consideration.Drawing upon a range of perspectives from the field’s most distinguished academics, contributions review the history of the literature in relation to expatriates, from the development of the expatriate construct through to the current state of research on business expatriates. Subsequent chapters progress into detailed examinations of the various types of business expatriates including LGBT, self-initiated expatriates, female assignees, inpatriates, international business travellers and commuters, and millennials. Other themes include expatriate performance, adjustment, expatriates to and from developing countries, global talent management, and expatriates’ safety and security. The Research Handbook also covers expatriates in diverse communities such as education, military, missionary, sports and ‘Aidland’, and provides additional commentaries relating to methodological issues, research with practitioners, case studies, biculturals and ATCKs, and global families. The Research Handbook concludes with publishing advice for PhD and early career researchers.Stimulating insightful new areas of study, this collection is a must read for academics and scholars in the field of expatriate research, international management, global human resource management and business administration. It also offers a wealth of guidance for executives and recruiters along with expatriates and professionals who may expatriate.Contributors: M. Andresen, C. Brewster, L. Care, J.-L. Cerdin, L. Clarke, D.G. Collings, M. Collins, A. Corbin, M. Crowley-Henry, M. Dickmann, H. Dolles, R. Donohue, C. Doss, B. Egilsson, A. Fee, K.L. Fisher, K.J. Hanek, A. Haslberger, T. Hippler, K. Hutchings, M. Isichei, J. Lauring, L. Mäkelä, R. McPhail, S. Michailova, M. Moeller, B. Oberholster

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Queen of French Noir, Johana Gustawsson returns with a spell-binding, dazzlingly dark gothic thriller that swings from Belle Époque France to 21st-century Quebec, with an extraordinary mystery at its heart … FIRST in a bewitching new series **Shortlisted for the CWA Crime in Translation Dagger** `A wonderfully dark, intricately woven historical thriller spanning three generations … it will have you hooked from the very first page' B A Paris `A gripping story of murder and black magic …Gustawsson slowly weaves together three seemingly disparate strands of her narrative with a skill that shows why she is such an admired crime writer in her native France´ The Times BOOK OF THE MONTH `Intriguingly dark and vivid, and so cleverly told through three different time frames´ Essie Fox ________________ Three women Three eras One extraordinary mystery…1899, Belle Époque Paris. Lucienne’s two daughters are believed dead when her mansion burns to the ground, but she is certain that her girls are still alive and embarks on a journey into the depths of the spiritualist community to find them. 1949, Post-War Québec. Teenager Lina’s father has died in the French Resistance, and as she struggles to fit in at school, her mother introduces her to an elderly woman at the asylum where she works, changing Lina’s life in the darkest way imaginable. 2002, Quebec. A former schoolteacher is accused of brutally stabbing her husband – a famous university professor – to death. Detective Maxine Grant, who has recently lost her own husband and is parenting a teenager and a new baby single-handedly, takes on the investigation. Under enormous personal pressure, Maxine makes a series of macabre discoveries that link directly to historical cases involving black magic and murder, secret societies and spiritism … and women at breaking point, who will stop at nothing to protect the ones they love… _________________ `This novel is a whirlpool that draws you irresistibly into levels of darkness so much deeper than you can possibly be ready for´ Ambrose Parry `I found myself racing through the book, always wanting one more page, one more chapter. A wonderfully creepy, unsettling read, with a superb twist in its tail´ James Oswald `Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling´ Peter James `I was hooked from the first page – a stunning and beautifully written gothic thriller full of atmosphere, intrigue and delight´ Alexandra Benedict `Brilliant … the last chapters knocked me sideways, and it’s a long time since that’s happened´ Lisa Hall `A dark world of elegance and grotesque … mesmeric´ Matt Wesolowski `Harrowing, compelling, haunting, vivid, twisty and shocking! ´ Noelle Holten `A powerful page-turner´ Livres Hebdo ***NUMBER ONE BESTSELLER IN FRANCE*** FOR FANS OF Laura Purcell, Stacey Halls, Bridget Collins, Anna Mazzola, Essie Fox, Ambrose Parry and Laura Shepherd-Robinson Praise for Johana Gustawsson `A satisfying, full-fat mystery´ The Times `Assured telling of a complex story´ Sunday Times `A real page-turner, I loved it´ Martina Cole `A bold and intelligent read´ Guardian `Utterly compelling´ Woman’s Own `Cleverly plotted, simply excellent´ Ragnar Jónasson `A must-read´ Daily Express `Gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed´ Crime by the Book `A relentless heart-stopping masterpiece´ New York Journal of Book

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'In the Research Handbook of Expatriates, Yvonne McNulty and Jan Selmer have created a seminal work that should be on the bookshelf of all social scientists who work in the field of expatriation. More senior scholars will appreciate the ''deep dive'' each chapter takes into the literature, each one acting as a reservoir they can draw from to powerfully inform their future research efforts. Doctoral students and newly minted PhDs will find this book to be especially valuable - the final chapter of the book alone provides inestimable career and ''how-to-publish'' guidance for them in the field of expatriation. The coverage of the history, construct, milieu, research methodologies, and issues is the best I have come across in a single volume in over 30 years of working in the field. In short, this is a monumental contribution to the study of expatriates and global mobility.'- Mark E. Mendenhall, University of Tennessee'McNulty and Selmer's edited volume does a wonderful job of consolidating and integrating everything we know about expatriates and their different types. This long-overdue Handbook, featuring chapters by top researchers, lays a trail for scholars to further advance the study of expatriates.'- Joyce Osland, San Jose State University'McNulty and Selmer's edited book of readings on virtually all aspects of expatriates deserves a prominent place in the library of researchers and practitioners interested in this subject. The Handbook provides a historical overview as well as the latest trends in expatriate studies and concludes with useful guidelines on how to conduct as well as improve the quality of research in this field.'- Rosalie L. Tung, Simon Fraser University, CanadaConstituting a comprehensive and carefully designed collection of contributions, the Research Handbook of Expatriates provides a nuanced and up-to-date discussion of expatriates. Theoretically broad and groundbreaking, it offers important and contemporary insights into emerging areas of research warranting future consideration.Drawing upon a range of perspectives from the field’s most distinguished academics, contributions review the history of the literature in relation to expatriates, from the development of the expatriate construct through to the current state of research on business expatriates. Subsequent chapters progress into detailed examinations of the various types of business expatriates including LGBT, self-initiated expatriates, female assignees, inpatriates, international business travellers and commuters, and millennials. Other themes include expatriate performance, adjustment, expatriates to and from developing countries, global talent management, and expatriates’ safety and security. The Research Handbook also covers expatriates in diverse communities such as education, military, missionary, sports and ‘Aidland’, and provides additional commentaries relating to methodological issues, research with practitioners, case studies, biculturals and ATCKs, and global families. The Research Handbook concludes with publishing advice for PhD and early career researchers.Stimulating insightful new areas of study, this collection is a must read for academics and scholars in the field of expatriate research, international management, global human resource management and business administration. It also offers a wealth of guidance for executives and recruiters along with expatriates and professionals who may expatriate.Contributors: M. Andresen, C. Brewster, L. Care, J.-L. Cerdin, L. Clarke, D.G. Collings, M. Collins, A. Corbin, M. Crowley-Henry, M. Dickmann, H. Dolles, R. Donohue, C. Doss, B. Egilsson, A. Fee, K.L. Fisher, K.J. Hanek, A. Haslberger, T. Hippler, K. Hutchings, M. Isichei, J. Lauring, L. Mäkelä, R. McPhail, S. Michailova, M. Moeller, B. Oberholster

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Beneath the water the body sank rapidly. She would lie still and undisturbed for many years but above her on dry land, the nightmare was just beginning. When Detective Erika Foster receives a tip off that key evidence for a major narcotics case was stashed in a disused quarry on the outskirts of London, she orders for it to be searched. From the thick sludge the drugs are recovered, but so is the skeleton of a young child. The remains are quickly identified as eleven-year-old Jessica Collins. The missing girl who made headline news when she vanished twenty-six years ago. As Erika tries to piece together new evidence with the old, she discovers a family harbouring secrets, a detective plagued by her failure to find Jessica, and the mysterious death of a man living by the quarry. Is the suspect someone close to home? Someone doesn't want this case solved. And they'll do anything to stop Erika from finding the truth. Read what everyone is saying about Dark Water: 'OH MY GOD! Just let me a take a moment while I catch my breath! I LOVED IT! WHAT A BOOK! WHAT AN AUTHOR! WHAT A READ! It is all consuming, there is no let up... every twist and turn is designed to make you gasp, to make your head spin and your heart beat out of your chest.' Emma the Little Bookworm 'HOLY MOLY Robert Bryndza has only gone and done it again... it's one of those books you can't bear to put down, as each chapter ends you just "have to read one more" and before you know it it's the middle of the night!... I can and will wholeheartedly recommend Dark Waters for anyone looking for an original crime story but with all the hallmarks of a truly thrilling tale.' Book Review Café 'Oh wowzerz ... OMG I really wasn't expecting the ending ... this is one hell of a read.' Insights into the Wonderful World of Books 'Utterly addictive ... a book you really need to finish before bedtime, otherwise you will be up into the wee hours of the morning hooked!' The Quiet Knitter 'When all was revealed, I was totally gut punched... a winner and one that I feel will stay with me for quite some time.' Novel Gossip 'OMG!! What an amazing book! Once I started reading it, I couldn't stop! From the first chapter I was hooked and held bound and captive till the end ... this book is just fabulous, and absolutely the author's best to date!!' Relax and Read Book Reviews 'Brilliantly plotted, incredibly captivating, and definitely a must-read!... Robert Bryndza is like a breath of fresh air. He creates characters we can't get enough of and juicy, complex stories that suck you in...He truly writes with great depth and heart, and leaves you, as a reader, surprised, highly entertained, and extremely satisfied.' What's Better Than Books 'A gripping and an edge of your seat read. It made my heart and pulse race with every page I turned. It is one of those books that when you finish, you sit back and just think, wow! There is just so much more I want to say but I think I will just end up gushing and not do this fantastic book the justice it deserves. An outstanding read by an author who is one of my firm favourites.' By The Letter Book Reviews

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Queen of French Noir, Johana Gustawsson returns with a spell-binding, dazzlingly dark gothic thriller that swings from Belle Époque France to 21st-century Quebec, with an extraordinary mystery at its heart … FIRST in a bewitching new series **Shortlisted for the CWA Crime in Translation Dagger** `A wonderfully dark, intricately woven historical thriller spanning three generations … it will have you hooked from the very first page' B A Paris `A gripping story of murder and black magic …Gustawsson slowly weaves together three seemingly disparate strands of her narrative with a skill that shows why she is such an admired crime writer in her native France´ The Times BOOK OF THE MONTH `Intriguingly dark and vivid, and so cleverly told through three different time frames´ Essie Fox ________________ Three women Three eras One extraordinary mystery…1899, Belle Époque Paris. Lucienne’s two daughters are believed dead when her mansion burns to the ground, but she is certain that her girls are still alive and embarks on a journey into the depths of the spiritualist community to find them. 1949, Post-War Québec. Teenager Lina’s father has died in the French Resistance, and as she struggles to fit in at school, her mother introduces her to an elderly woman at the asylum where she works, changing Lina’s life in the darkest way imaginable. 2002, Quebec. A former schoolteacher is accused of brutally stabbing her husband – a famous university professor – to death. Detective Maxine Grant, who has recently lost her own husband and is parenting a teenager and a new baby single-handedly, takes on the investigation. Under enormous personal pressure, Maxine makes a series of macabre discoveries that link directly to historical cases involving black magic and murder, secret societies and spiritism … and women at breaking point, who will stop at nothing to protect the ones they love… _________________ `This novel is a whirlpool that draws you irresistibly into levels of darkness so much deeper than you can possibly be ready for´ Ambrose Parry `I found myself racing through the book, always wanting one more page, one more chapter. A wonderfully creepy, unsettling read, with a superb twist in its tail´ James Oswald `Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling´ Peter James `I was hooked from the first page – a stunning and beautifully written gothic thriller full of atmosphere, intrigue and delight´ Alexandra Benedict `Brilliant … the last chapters knocked me sideways, and it’s a long time since that’s happened´ Lisa Hall `A dark world of elegance and grotesque … mesmeric´ Matt Wesolowski `Harrowing, compelling, haunting, vivid, twisty and shocking! ´ Noelle Holten `A powerful page-turner´ Livres Hebdo ***NUMBER ONE BESTSELLER IN FRANCE*** FOR FANS OF Laura Purcell, Stacey Halls, Bridget Collins, Anna Mazzola, Essie Fox, Ambrose Parry and Laura Shepherd-Robinson Praise for Johana Gustawsson `A satisfying, full-fat mystery´ The Times `Assured telling of a complex story´ Sunday Times `A real page-turner, I loved it´ Martina Cole `A bold and intelligent read´ Guardian `Utterly compelling´ Woman’s Own `Cleverly plotted, simply excellent´ Ragnar Jónasson `A must-read´ Daily Express `Gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed´ Crime by the Book `A relentless heart-stopping masterpiece´ New York Journal of Book

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Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. ‘While all of these portraits may not be recognisably activist images’, asserts Watts, ‘they’re rooted in the belief of a micro-politics of everyday lives and relationships.’ Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative.Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later.Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print.The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

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'It is rare for a business analysis to read like a thriller – this one does.' – Azeem Azhar, Founder, Exponential View 'Vital to understanding how[TikTok] works and the impact it's having.' – Damian Collins MP, former chairman of the House of Commons Digital, Culture, Media and Sport Select Committee 'TikTok Boom is a must read for students, scholars, and policy makers.' – David Craig, Clinical Professor, USC AnnenbergA whole generation is hooked on TikTok. In just a few years, it’s raced ahead of WhatsApp and Instagram to become the biggest app in the world. But how did it burst into life and overtake its rivals? Delving deep into its upstart origins, TikTok Boom charts the astonishingly rapid rise of China’s viral video app. It yields new insights into its culture, addictive algorithm, and influencer ecosystem. And it reveals the influence its owners in Beijing are having on hundreds of millions worldwide through the use of little-known content guidelines. TikTok is the emerging battleground for a geopolitical tussle between East and West for control of social media. TikTok Boom is a rollercoaster business story bristling with ambition and drama. Find out where TikTok came from and where it's going. Find out how TikTok Works and whether it can work for you.Reviews'A careful, detailed teardown of the people, culture and technology behind the world's most dynamic social network. It is rare for a business analysis to read like a thriller – this one does.' – Azeem Azhar, Founder, Exponential View'It's clear that Stokel-Walker's strength is that he's not just TikTok-literate, he's TikTok-fluent. He knows the product, the people, and the entire ecosystem inside and out, and it is this familiarity that makes his telling so compelling, because he knows how to make you feel like you, too, are an insider in this strange new world.' - Rui Ma, founder, Tech Buzz China'Blending journalistic narrative with state-of-the-art academic research, no other author comes close to weaving this epic tale of the rise of China’s first global platform threatening Silicon’s Valley hegemony while operating as inflection point around the rise of one globe two Internet systems. This is a must read for students, scholars, and policy makers.' – David Craig, Clinical Professor, USC Annenberg'This book charts the story of an app on the rise that's changing the world of tech, charting the future of culture, and creating a new world of work: the creator economy... it breaks down some of the biggest questions for the future of work and culture.' - Li Jin, Atelier VenturesExtract: ByteDanceAsk most people what ByteDance is and they’ll likely meet you with a blank stare. Yet it is the owner of TikTok and a host of other world-leading apps. Founded in March 2012, it’s worth about $180 billion – up from its $75 billion in 2018 when the Japanese technology investors SoftBank Group bought into the company. Despite the fact that its apps are used by two billion people worldwide, earning it $34 billion in revenue in 2020, ByteDance deliberately keeps a low profile among the general public in the West. It wants its products to take centre stage. It’s a strategy devised by its low-key, but intensely-driven founder, Yiming Zhang. Whereas his fellow Chinese rival, Musical.ly’s Alex Zhu, is creative and flighty, Zhang is measured and focussed. Compared to his more brash counterparts in China, such as Jack Ma, the former boss of Alibaba Group, who’s known for his exuberance and outgoing personality, he is even a little dull. Considered. He practises ‘delayed gratification.’ He’s rational – though his choice of clothing, T-shirts and jeans, makes him more laid back than the average Chinese executive. Imagine the slightly underwhelming disappointment of Mark Zuckerberg, rather than the zany pinball personality of Elon Musk. Born in 1983 in the city of Longyan in the coastal province of Fujian that’s known for having the highest proportion of emigrants to the Western world in all of China, Zhang is, however, fiercely independent. While many people entering China’s tech sector are comfortable to land a job at one of the pre-existing Chinese tech giants, Zhang ignored that route. He was not after the quick buzz of instant success by piggybacking onto a pre-existing victor: he played the long game. Buy the book to carry on reading

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Proceedings of the Seminar for Arabian Studies Volume 41 2011, Papers from the forty-fourth meeting, held at the British Museum, London, 22–24 July 2010. Contents: 1) Some observations on women in Omani sources (Olga Andriyanova); 2) Archaeological landscape characterization in Qatar through satellite and aerial photographic analysis, 2009 to 2010 (Paul Breeze, Richard Cuttler & Paul Collins); 3) Fishing kit implements from KHB-1: net sinkers and lures (poster) (Fabio Cavulli & Simona Scaruffi); 4) The distribution of storage and diversion dams in the western mountains of South Arabia during the Himyarite period (Julien Charbonnier); 5) Assessing the value of palaeoenvironmental data and geomorphological processes for understanding Late Quaternary population dynamics in Qatar (Richard Cuttler, Emma Tetlow & Faisal al-Naimi); 6) Les fortifications de Khor Rorī – ‘Sumhuram’ (poster) (Christian Darles); 7) Places of contact, spheres of interaction. The Ubaid phenomenon in the central Gulf area as seen from a first season of reinvestigations at Dosariyah (Dawsāriyyah), Eastern Province, Saudi Arabia (Philipp Drechsler0; 8) khushub musannadah (Qurān 63. 4) and Epigraphic South Arabian ms3nd (Orhan Elmaz); 9) Walled structures and settlement patterns in the south-western part of Dhofar, Oman (poster) (Roman Garba & Peter Farrington);10) The wall and talus at Barāqish, ancient Yathill (al-Jawf, Yemen): a Minaean stratigraphy (Francesco G. Fedele); 11) Through evangelizing eyes: American missionaries to Oman (Hilal al-Hajri); 12) Quantified analysis of long-term settlement trends in the northern Oman peninsula (Nasser Said al-Jahwari); 13) Yeha and Hawelti: cultural contacts between Saba and DMT – New research by the German Archaeological Institute in Ethiopia (Sarah Japp, Iris Gerlach, Holger Hitgen & Mike Schnelle); 14) The Kadhima Project: investigating an Early Islamic settlement and landscape on Kuwait Bay (poster) (Derek Kennet, Andrew Blair, Brian Ulrich & Sultan M. al-Duwīsh); 15) Typology of incense-burners of the Islamic period (Sterenn Le Maguer); 16) A geomorphological and hydrological underpinning for archaeological research in northern Qatar (Phillip G. Macumber); 17) Recent investigations at the prehistoric site RH-5 (Ras al-Hamrā, Muscat, Sultanate of Oman) (Lapo Gianni Marcucci, Francesco Genchi, Émilie Badel & Maurizio Tosi); 18) Geoarchaeological investigations at the site of Julfār (al-Nudūd and al-Matāf), Ras al-Khaymah, UAE: preliminary results from the auger-hole survey (poster) (Mike Morley, Robert Carter & Christian Velde); 19) Conserving and contextualizing national cultural heritage: the 3-D digitization of the fort at al-Zubārah and petroglyphs at Jabal al-Jusāsiyyah, Qatar (poster) (Helen Moulden, Richard Cuttler & Shane Kelleher); 20) Reassessing Wādī Debayan (Wādī al-Dabayān): an important Early Holocene Neolithic multi-occupational site in western Qatar (poster) (Faisal al-Naimi, Kathryn M. Price, Richard Cuttler & Hatem Arrock); 21) Research on an Islamic period settlement at Ras Ushayriq in northern Qatar and some observations on the occurrence of date presses (Andrew Petersen); 22) Relations between southern Arabia and the northern Horn of Africa during the last millennium BC (David W. Phillipson); 23) Bayt Bin Ātī in the Qattārah oasis: a prehistoric industrial site and the formation of the oasis landscape of al-Ain, UAE (Timothy Power & Peter Sheehan); 24) The Sabaic inscription A–20–216: a new Sabaean-Seleucid synchronism (Alessia Prioletta); 25) Al-Suwaydirah (old al-Taraf) and its Early Islamic inscriptions (Saad bin Abdulaziz al-Rashid); 26) Investigations in al-Zubārah hinterland at Murayr and al-Furayhah, north-west Qatar (poster) (Gareth Rees, Tobias Richter & Alan Walmsley); 27) Pearl fishers, townsfolk, Bedouin, and shaykhs: economic and social relations in Islamic al-Zubārah (Tobias Richter, Paul Wordsworth & Alan Walmsley); 28) Contemporary tribal versions of local history in Hadramawt (Mikhail Rodionov); 29) A view of the defence strategy of Muharraq, a tribal town in the Gulf (poster); 30) Solaiman Abd al-Rahmān al-Theeb, New Nabataean inscriptions from the site of al-Sīj in the region of al-Ulā, Saudi Arabia (Abdulla Al-Sulaiti); 31) Al-Zubārah Archaeological Park as a UNESCO World Cultural Heritage Site – a master plan for its site management, preservation, and presentation (poster) (Ingolf Thuesen & Moritz Kinzel); 32) Oman and Bahrain in Late Antiquity: the Sasanians’ Arabian periphery (Brian Ulrich); 33) From the port of Mocha to the eighteenth-century tomb of Imām al-Mahdī MuΉammad in al-Mawāhib: locating architectural icons and migratory craftsmen (Nancy Um); 34) Drummers of the Najd: musical practices from Wādī al-Dawāsir, Saudi Arabia (Lisa Urkevich); 35) The Jewel of Muscat Project: reconstructing an early ninth-century CE Shipwreck (Tom Vosmer, Luca Belfioretti, Eric Staples & Alessandro Ghidoni); 36) Lateral fricatives and lateral emphatics in southern Saudi Arabia and Mehri (Janet C.E. Watson & Munira Al-Azraqi).

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Contributors: Madeleine Brainerd, Joe Conway, Fraser Easton, Christopher GoGwilt, Shari Goldberg, Melanie D. Holm, Sarah Kay, Kaori T. Kitao, Holt V. Meyer, Isabel A. Moore, Fawzia Mustafa, Gavin Sourgen. Mocking Bird Technologies brings together a range of perspectives to offer an extended meditation on bird mimicry in literature: the way birds mimic humans, the way humans mimic birds, and the way mimicry of any kind involves technologies that extend across as well as beyond languages and species. The essays examine the historical, poetic, and semiotic problem of mimesis exemplified both by the imitative behavior of parrots, starlings, and other mocking birds, and by the poetic trope of such birds in a range of literary and philological traditions. Drawing from a cross-section of traditional periods and fields in literary studies (18th-century studies, romantic studies, early American studies, 20th-century studies, and postcolonial studies), the collection offers new models for combining comparative and global studies of literature and culture. Editors Christopher GoGwilt is Professor of English and Comparative Literature at Fordham University. He is the author of The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (Oxford, 2011), The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock (Stanford, 2000), and The Invention of the West: Joseph Conrad and the Double-Mapping of Europe and Empire (Stanford, 1995). Melanie D. Holm is Assistant Professor of the English Department and Graduate Program of Literature and Criticism at Indiana University of Pennsylvania. She also teaches in the university’s Women’s and Gender Studies program. Her scholarly focus is on eighteenth-century literature and skepticism. Contributors Madeleine Brainerd taught at Washington University in St. Louis and at Excelsior College. Since 2004 she has taught therapeutic yoga and medical qi gong in New York City, at the Integral Yoga Institute, Kenshikai Dojo, Gouverneur Hospital, and other venues. She studies histories of yoga’s intersections with ecological in/justice, animality, and affect theory. Joe Conway is an Assistant Professor of American Literature at the University of Alabama in Huntsville. His articles have appeared or are scheduled to appear in the journals Women’s Studies, Early American Literature, and Nineteenth-Century Contexts. He is currently at work on a monograph about the social life of antebellum money that charts how discourses of noneconomic phenomena such as medicine, race, nationalism, and aesthetics informed nineteenth-century debates about what constitutes good money. Fraser Easton is Associate Professor of English, University of Waterloo, Canada. A specialist in eighteenth-century literature, he has published on Jane Austen, Daniel Defoe, Maria Edgeworth, and Christopher Smart, as well as on newspaper records and historical accounts of passing women in the eighteenth century. Shari Goldberg is Assistant Professor of English at Franklin & Marshall College in Lancaster, Pennsylvania. She is the author of Quiet Testimony: A Theory of Witnessing from Nineteenth-Century American Literature (Fordham, 2013). She has also published essays on silence, politics, and personhood in American literature. Her current research focuses on late-nineteenth-century models of mind and person in narrative and psychological writing. Sarah Kay teaches French and Medieval Studies at New York University. She has written widely on medieval literature across languages, genres, and periods; her work combines the study of medieval texts, especially troubadour songs, with philosophical and theoretical inquiry. Her two most recent books are Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (2013) and Animal Skins and the Reading Self in Medieval Latin and French Bestiaries (2017). Kaori Kitao (William R. Kenan Jr. Professor of Art History, Emerita, Swarthmore College) taught art history at Swarthmore College from 1966 to 2001. She was born in Tokyo and studied architecture at UC Berkeley and art history at Harvard. Her main specialization is Italian renaissance and baroque art; she has also taught courses in cinema history, material culture, urban studies, and Japanese architecture. Holt V. Meyer is Professor of Slavic Studies at Erfurt University. He is the author of Romantische Orientierung (1995) and numerous articles and has co-edited the collections Juden und Judentum in Literatur und Film des slavischen Sprachraumes. Die geniale Epoche (1999), Inventing Slavia (2005), Schiller: Gedenken—Vergessen—Lesen (2010), and Gagarin als Archivkörper und Erinnerungsfigur (2014). He is co-editor of the new book series Spatio-Temporality. Practices—Concepts— Media (De Gruyter). He is currently working on a book about the official Stalinist Pushkin celebrations of 1949. Isabel (Annie) Moore completed her Ph.D. in comparative literature at the University of California–Irvine. From 2011 to 2013, she held a postdoctoral fellowship in English at the University of Victoria. She has published on Contemporary Irish and Canadian poetry, and her book project is titled The Ends of Lyric Life: A Theory of Biopoetics. Fawzia Mustafa is Professor of English and African and African American Studies at Fordham University. She also teaches in the university’s Comparative Literature and Women’s, Gender and Sexuality Studies Programs. The author of V. S. Naipaul (1995), she has published numerous articles on postcolonial literature and development. Gavin Sourgen is Visiting Assistant Professor of English at the Harriet L. Wilkes Honors College of Florida Atlantic University. He completed his D.Phil. at Balliol College (Oxford) in 2013, concentrating on the transitional poetics of Lord Byron’s verse, and has published on Byron, Coleridge, and romantic aesthetics in general.

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Contributors: Madeleine Brainerd, Joe Conway, Fraser Easton, Christopher GoGwilt, Shari Goldberg, Melanie D. Holm, Sarah Kay, Kaori T. Kitao, Holt V. Meyer, Isabel A. Moore, Fawzia Mustafa, Gavin Sourgen. Mocking Bird Technologies brings together a range of perspectives to offer an extended meditation on bird mimicry in literature: the way birds mimic humans, the way humans mimic birds, and the way mimicry of any kind involves technologies that extend across as well as beyond languages and species. The essays examine the historical, poetic, and semiotic problem of mimesis exemplified both by the imitative behavior of parrots, starlings, and other mocking birds, and by the poetic trope of such birds in a range of literary and philological traditions. Drawing from a cross-section of traditional periods and fields in literary studies (18th-century studies, romantic studies, early American studies, 20th-century studies, and postcolonial studies), the collection offers new models for combining comparative and global studies of literature and culture. Editors Christopher GoGwilt is Professor of English and Comparative Literature at Fordham University. He is the author of The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (Oxford, 2011), The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock (Stanford, 2000), and The Invention of the West: Joseph Conrad and the Double-Mapping of Europe and Empire (Stanford, 1995). Melanie D. Holm is Assistant Professor of the English Department and Graduate Program of Literature and Criticism at Indiana University of Pennsylvania. She also teaches in the university’s Women’s and Gender Studies program. Her scholarly focus is on eighteenth-century literature and skepticism. Contributors Madeleine Brainerd taught at Washington University in St. Louis and at Excelsior College. Since 2004 she has taught therapeutic yoga and medical qi gong in New York City, at the Integral Yoga Institute, Kenshikai Dojo, Gouverneur Hospital, and other venues. She studies histories of yoga’s intersections with ecological in/justice, animality, and affect theory. Joe Conway is an Assistant Professor of American Literature at the University of Alabama in Huntsville. His articles have appeared or are scheduled to appear in the journals Women’s Studies, Early American Literature, and Nineteenth-Century Contexts. He is currently at work on a monograph about the social life of antebellum money that charts how discourses of noneconomic phenomena such as medicine, race, nationalism, and aesthetics informed nineteenth-century debates about what constitutes good money. Fraser Easton is Associate Professor of English, University of Waterloo, Canada. A specialist in eighteenth-century literature, he has published on Jane Austen, Daniel Defoe, Maria Edgeworth, and Christopher Smart, as well as on newspaper records and historical accounts of passing women in the eighteenth century. Shari Goldberg is Assistant Professor of English at Franklin & Marshall College in Lancaster, Pennsylvania. She is the author of Quiet Testimony: A Theory of Witnessing from Nineteenth-Century American Literature (Fordham, 2013). She has also published essays on silence, politics, and personhood in American literature. Her current research focuses on late-nineteenth-century models of mind and person in narrative and psychological writing. Sarah Kay teaches French and Medieval Studies at New York University. She has written widely on medieval literature across languages, genres, and periods; her work combines the study of medieval texts, especially troubadour songs, with philosophical and theoretical inquiry. Her two most recent books are Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (2013) and Animal Skins and the Reading Self in Medieval Latin and French Bestiaries (2017). Kaori Kitao (William R. Kenan Jr. Professor of Art History, Emerita, Swarthmore College) taught art history at Swarthmore College from 1966 to 2001. She was born in Tokyo and studied architecture at UC Berkeley and art history at Harvard. Her main specialization is Italian renaissance and baroque art; she has also taught courses in cinema history, material culture, urban studies, and Japanese architecture. Holt V. Meyer is Professor of Slavic Studies at Erfurt University. He is the author of Romantische Orientierung (1995) and numerous articles and has co-edited the collections Juden und Judentum in Literatur und Film des slavischen Sprachraumes. Die geniale Epoche (1999), Inventing Slavia (2005), Schiller: Gedenken—Vergessen—Lesen (2010), and Gagarin als Archivkörper und Erinnerungsfigur (2014). He is co-editor of the new book series Spatio-Temporality. Practices—Concepts— Media (De Gruyter). He is currently working on a book about the official Stalinist Pushkin celebrations of 1949. Isabel (Annie) Moore completed her Ph.D. in comparative literature at the University of California–Irvine. From 2011 to 2013, she held a postdoctoral fellowship in English at the University of Victoria. She has published on Contemporary Irish and Canadian poetry, and her book project is titled The Ends of Lyric Life: A Theory of Biopoetics. Fawzia Mustafa is Professor of English and African and African American Studies at Fordham University. She also teaches in the university’s Comparative Literature and Women’s, Gender and Sexuality Studies Programs. The author of V. S. Naipaul (1995), she has published numerous articles on postcolonial literature and development. Gavin Sourgen is Visiting Assistant Professor of English at the Harriet L. Wilkes Honors College of Florida Atlantic University. He completed his D.Phil. at Balliol College (Oxford) in 2013, concentrating on the transitional poetics of Lord Byron’s verse, and has published on Byron, Coleridge, and romantic aesthetics in general.

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Copper Nickel is the national literary journal housed at the University of Colorado Denver. It is edited by poet, editor, and translator Wayne Miller (author of five collections, including We the Jury and Post-, coeditor of Literary Publishing in the Twenty-First Century, and co-translator of Moikom Zeqo’s Zodiac) and co-editor Joanna Luloff (author of the novel Remind Me Again What Happened and the story collection The Beach at Galle Road)—along with poetry editors Brian Barker (author of Vanishing Acts, The Black Ocean, and The Animal Gospels) and Nicky Beer (author of Real Phonies and Genuine Fakes, The Octopus Game and The Diminishing House), and fiction editors Teague Bohlen (author of The Pull of the Earth), Alexander Lumans (whose work has appeared in American Short Fiction, Gulf Coast, The Paris Review, Story Quarterly, and elsewhere), and Christopher Merkner (author of The Rise & Fall of the Scandamerican Domestic). Since the journal’s relaunch in 2015, work published in Copper Nickel has been regularly selected for inclusion in Best American Poetry, Best American Short Stories, Best Small Fictions, Best Literary Translations, and the Pushcart Prize Anthology, and has often been listed as “notable” in the Best American Essays. According to Clifford Garstang’s US literary journal rankings, Copper Nickel is ranked number 10 for poetry and number 34 for fiction, out of more than 700 regularly publishing literary journals. Contributors to Copper Nickel have received numerous honors for their work, including the Nobel Prize; the National Book Critics Circle Award; the Pulitzer Prize; the Kingsley Tufts Poetry Award; the Kate Tufts Discovery Award; the Laughlin Award; the American, California, Colorado, Minnesota, and Washington State Book Awards; the Georg Büchner Prize; the Prix Max Jacob; the Lenore Marshall Prize; the T. S. Eliot and Forward Prizes; the Anisfield-Wolf Book Award; the Alice Fay Di Castagnola Award; the Lambda Literary Award; as well as fellowships from the NEA and the MacArthur, Guggenheim, Ingram Merrill, Witter Bynner, Soros, Rona Jaffee, Bush, and Jerome Foundations. Copper Nickel is published twice a year, on March 15 and October 15, and is distributed nationally to bookstores and other outlets by Publishers Group West (PGW) and Accelerate 360.Issue 37 Includes: • Poetry Translation Folios with work by Ukrainian poet Alex Averbuch, translated by Oksana Maksymchuk and Max Rosochinsky; Russian poet Anzhelina Polonskaya, translated by Andrew Wachtel; and Italian fiction writer Elena Varvello, translated by Jennifer Panek. • A feature of poems by three South American poets—Claudia Magliano from Uruguay, Eliana Hernández Pachón from Colombia, and Úrsula Starke from Chile—edited by Jesse Lee Kercheval and featuring a Q&A with both the poets and the translators. • New Poetry by International Latino Book Award–winner William Archila; NEA Fellows Michael Bazzett and Amy Beeder; Lambda Literary Award–winner Benjamin S. Grossberg; Kate Tufts Discovery Award–finalist Julie Hanson; Grolier Prize–winner John Hodgen; four-time Pushcart Prize–winner Mark Irwin; Jake Adam York Prize–winners Yalie Saweda Kamara and Christopher Brean Murray; Audre Lorde Award–winners Meg Day and Maureen Seaton; relative newcomers Mansi Dahal, Christine Kwon, Weijia Pan, Patrick Wilcox, Alison Zheng; and many others. • New Fiction by Stephanie Carpenter, Becky Hagenston, Jacqueline Kolosov, and Luke Rolfes/ • New Essays by TS Eliot Award–winner and National Book Critics Circle Finalist Sinéad Morrissey and Anne P. Beatty. • Cover Art by New York–based Native-American “photo-weaving” artist, Sarah Sense.Contributor LocationsContributors to issue 37 come from all over the country and the world.U.S. cities/regions where contributors are concentrated include:Denver, CO (home of Copper Nickel and the Copper Nickel staff; contributors Andrew Hemmert andMaureen Seaton)Los Angeles, CA (contributors William Archila, Mark Irwin, and Michael Mark; contributing editorsVictoria Chang, Piotr Florczyk, Amaud Jamaul Johnson, and Chris Santiago)Minneapolis/St. Paul, MN (home of Milkweed Editions; contributors Mair Allen and MichaelBazzett; contributing editor V. V. Ganeshananthan)Houston, TX (contributors Ayokunle Falomo, Christopher Brean Murray, and Weijia Pan;contributing editor Kevin Prufer)New York, NY (contributors Mansi Dahal, Eliana Herández Pachón, and Tyler Mills)Chicago, IL (contributors Oksana Maksymchuk and Michael Robins; contributing editor RobertArchambeau)San Francisco Bay Area, CA (contributor Alison Zheng; contributing editor Randall Mann)Kansas City, MO (contributor Patrick Wilcox; contributing editor Robert Long Foreman)Greensboro, NC (contributor Anne P. Beatty; contributing editor Emilia Phillips)Dallas, TX (contributor Mag Gabbert; contributing editor Tarfia Faizullah)Boston/Cambridge, MA (contributing editors Martha Collins and Frederick Reiken)Pittsburgh, PA (contributing editors Joy Katz and Kevin Haworth)Maryville, MO (contributors John Gallaher and Luke Rolphes)US Cities/Regions with single contributors:West Hartford, CT (contributor Benjamin S. Grossberg)Cedar Rapids, IA (contributor Julie Hanson)Dubuque, IA (contributor Jeannine Marie Pitas)New Orleans, LA (contributor Christine Kwon)Worcester, MA (contributor John Hodgen)Frederick, MD (contributor Elizabeth Knapp)Hannock, MI (contributor Stephanie Carpenter)Grand Rapids, MI (contributor L. S. Klatt)Starkville, MS (contributor Becky Hagenston)Raleigh, NC (contributor Meg Day)Omaha, NE (contributor Trey Moody)Albuquerque, NM (contributor Amy Beeder)Cincinnati, OH (contributor Yalie Saweda Kamara)Easton, PA (contributor Owen McLeod)Lubbock, TX (contributor Jacqueline Kolosov)Lexington, VA (contributor Seth Michelson)Bellingham, WA (contributor Jeffrey Morgan)Ellensburg, WA (contributor Maya Jewell Zeller)Eau Claire, WI (contributor Dorothy Chan)Madison, WI (contributor Jesse Lee Kercheval)Ottawa, Ontario (contributor Jennifer Panek)Philadelphia, PA (contributing editor Adrienne Perry)Washington, DC (contributing editor David Keplinger)Boca Raton, FL (contributing editor A. Papatya Bucak)Boise, ID (contributing editor Emily Ruskovich)Lexington, KY (contributing editor Ada Limón)Princeton, NJ (contributing editor James Richardson)Canton, NY (contributing editor Pedro Ponce)Saint Louis, MO (contributing editor Niki Herd)Missoula, MT (contributing editor Sean Hill)Tulsa, OK (contributing editor Kaveh Bassiri)Blacksburg, VA (contributing editor Janine Joseph) International contributors live in:Montevideo, UruguayNewcastle-upon-Tyne, UKMexico City, MXSan Bernardo, ChileTurin, ItalyBishkek, Kyrgyzstan

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