Search results for ""university of chicago press""

"A brilliant, original, and powerful book. . . . This is the most skillful integration of feminism and Marxist literary criticism that I know of." So writes critic Stephen Greenblatt about The Proper Lady and the Woman Writer, Mary Poovey's study of the struggle of three prominent writers to accommodate the artist's genius to the late eighteenth- and early nineteenth-century ideal of the modest, self-effacing "proper lady." Interpreting novels, letters, journals, and political tracts in the context of cultural strictures, Poovey makes an important contribution to English social and literary history and to feminist theory. "The proper lady was a handy concept for a developing bourgeois patriarchy, since it deprived women of worldly power, relegating them to a sanctified domestic sphere that, in complex ways, nourished and sustained the harsh 'real' world of men. With care and subtle intelligence, Poovey examines this 'guardian and nemesis of the female self' through the ways it is implicated in the style and strategies of three very different writers."—Rachel M. Brownstein, The Nation "The Proper Lady and the Woman Writer is a model of . . . creative discovery, providing a well-researched, illuminating history of women writers at the turn of the nineteenth century. [Poovey] creates sociologically and psychologically persuasive accounts of the writers: Wollstonecraft, who could never fully transcend the ideology of propriety she attacked; Shelley, who gradually assumed a mask of feminine propriety in her social and literary styles; and Austen, who was neither as critical of propriety as Wollstonecraft nor as accepting as Shelley ultimately became."—Deborah Kaplan, Novel

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Freedom Is an Endless Meeting offers vivid portraits of American experiments in participatory democracy throughout the twentieth century. Drawing on meticulous research and more than one hundred interviews with activists, Francesca Polletta challenges the conventional wisdom that participatory democracy is worthy in purpose but unworkable in practice. Instead, she shows that social movements have often used bottom-up decision making as a powerful tool for political change.Polletta traces the history of democracy in early labor struggles and pre-World War II pacifism, in the civil rights, new left, and women's liberation movements of the sixties and seventies, and in today's faith-based organizing and anti-corporate globalization campaigns. In the process, she uncovers neglected sources of democratic inspiration—Depression-era labor educators and Mississippi voting registration workers, among them—as well as practical strategies of social protest. But Freedom Is an Endless Meeting also highlights the obstacles that arise when activists model their democracies after familiar nonpolitical relationships such as friendship, tutelage, and religious fellowship. Doing so has brought into their deliberations the trust, respect, and caring typical of those relationships. But it has also fostered values that run counter to democracy, such as exclusivity and an aversion to rules, and these have been the fault lines around which participatory democracies have often splintered. Indeed, Polletta attributes the fragility of the form less to its basic inefficiency or inequity than to the gaps between activists' democratic commitments and the cultural models on which they have depended to enact those commitments. The challenge, she concludes, is to forge new kinds of democratic relationships, ones that balance trust with accountability, respect with openness to disagreement, and caring with inclusiveness.For anyone concerned about the prospects for democracy in America, Freedom Is an Endless Meeting will offer abundant historical, theoretical, and practical insights. "This is an excellent study of activist politics in the United States over the past century. . . . Assiduously researched, impressively informed by a great number of thoughtful interviews with key members of American social movements, and deeply engaged with its subject matter, the book is likely to become a key text in the study of grass-roots democracy in America."—Kate Fullbrook, Times Literary Supplement"Polletta's portrayal challenges the common assumption that morality and strategy are incompatible, that those who aim at winning must compromise principle while those who insist on morality are destined to be ineffective. . . . Rather than dwell on trying to explain the decline of 60s movements, Polletta shows how participatory democracy has become the guiding framework for many of today's activists."—Richard Flacks, Los Angeles Times Book Review "In Freedom Is an Endless Meeting, Francesca Polletta has produced a remarkable work of historical sociology. . . . She provides the fullest theoretical work of historical sociology. . . . She provides the fullest theoretical picture of participatory democracy, rich with nuance, ambiguity, and irony, that this reviewer has yet seen. . . . This wise book should be studied closely by both academics and by social change activists."—Stewart Burns, Journal of American History

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Exploring the effects of military defeat and Nazi occupation on French articulations of gender in wartime France, this text uses such sources as governmental archives, historical texts, and propaganda. Miranda Pollard explores the ways in which Vichy politicians used gendered images of work, family, and sexuality to restore and maintain political and social order. She argues that Vichy wanted to return France to an illustrious and largely mythical past of harmony, where citizens all knew their places and fulfilled their responsibilities, where order prevailed. The National Revolution, according to Pollard, replaced the ideals of liberty, equality and fraternity with work, family and fatherland, making the acceptance of traditional masculine and feminine roles a key priority. The author shows how Vichy's policies promoted the family as the most important social unit of a new France and elevated married mothers to a new social status - even as their educational, employment, and reproductive rights were strictly curtailed.

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How did the classical Greek city come into being? What role did religion play in its formation? Athens, with its ancient citadel and central religious cult, has traditionally been the model for the emergence of the Greek city-state. But in this original and controversial investigation, Francois de Polignac suggests that the Athenian model was probably the exception, not the rule, in the development of the polis in ancient Greece. Combining archaeological and textual evidence, de Polignac argues that the eighth-century settlements that would become the city-states of classical Greece were defined as much by the boundaries of "civilized" space as by its urban centers. The city took shape through what de Polignac calls a "religious bipolarity," the cults operating both to organize social space and to articulate social relationships being not only at the heart of the inhabited area, but on the edges of the territory. Together with the urban cults, these sanctuaries "in the wild" identified the polis and its sphere of influence, giving rise to the concept of the state as a territorial unit distinct from its neighbors. Frontier sanctuaries were therefore often the focus of disputes between emerging communities. But in other instances, in particular in Greece's colonizing expeditions, these outer sanctuaries may have facilitated the relations between the indigenous populations and the settlers of the newly founded cities. Featuring extensive revisions from the original French publication and an updated bibliography, this book is essential for anyone interested in the history and culture of ancient Greece.

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"Polhemus sketches several distinctions between nineteenth- and twentieth-century novelists and concludes that what most characterizes the nineteenth century, from the perspective of the twentieth, is the tendency in its comic fiction to criticize and to undermine the dogma and institutions of religion and to put faith instead of the existence of the comic perspective. Comic Faith is a virtuoso performance of impressive stature; I suspect the book will be influential for many years to come."—John Halperin, Modern Fiction Studies

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For almost a century and a half, biologists have gone to the seashore to study life. The oceans contain rich biodiversity, and organisms at the intersection of sea and shore provide a plentiful sampling for research into a variety of questions at the laboratory bench: How does life develop and how does it function? How are organisms that look different related, and what role does the environment play? From the Stazione Zoologica in Naples to the Marine Biological Laboratory in Woods Hole, the Amoy Station in China, or the Misaki Station in Japan, students and researchers at seaside research stations have long visited the ocean to investigate life at all stages of development and to convene discussions of biological discoveries. Exploring the history and current reasons for study by the sea, this book examines key people, institutions, research projects, organisms selected for study, and competing theories and interpretations of discoveries, and it considers different ways of understanding research, such as through research repertoires. A celebration of coastal marine research, Why Study Biology by the Sea? reveals why scientists have moved from the beach to the lab bench and back.

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Over the past decade, ecologists have increasingly embraced phylogenetics, the study of evolutionary relationships among species. As a result, they have come to discover the field's power to illuminate present ecological patterns and processes. Ecologists are now investigating whether phylogenetic diversity is a better measure of ecosystem health than more traditional metrics like species diversity, whether it can predict the future structure and function of communities and ecosystems, and whether conservationists might prioritize it when formulating conservation plans. In Phylogenetic Ecology, Nathan G. Swenson synthesizes this nascent field's major conceptual, methodological, and empirical developments to provide students and practicing ecologists with a foundational overview. Along the way, he highlights those realms of phylogenetic ecology that will likely increase in relevance--such as the burgeoning subfield of phylogenomics--and shows how ecologists might lean on these new perspectives to inform their research programs.

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The Being of the Beautiful collects Plato’s three dialogues, the Theaetetus, Sophist, and Statesmen, in which Socrates formulates his conception of philosophy while preparing for trial. Renowned classicist Seth Benardete’s careful translations clearly illuminate the dramatic and philosophical unity of these dialogues and highlight Plato’s subtle interplay of language and structure. Extensive notes and commentaries, furthermore, underscore the trilogy’s motifs and relationships.“The translations are masterpieces of literalness. . . . They are honest, accurate, and give the reader a wonderful sense of the Greek.”—Drew A. Hyland, Review of Metaphysics

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London, 1820. The British capital is a metropolis that overwhelms dwellers and visitors alike with constant exposure to all kinds of sensory stimulation. Over the next two decades, the city’s tumult will reach new heights: as population expansion places different classes in dangerous proximity and ideas of political and social reform linger in the air, London begins to undergo enormous infrastructure change that will alter it forever. It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on the raising of voices in religious and sociopolitical contexts; and on the perception of voice in literary works and scientific experiments with acoustics. Emphasizing human subjects, this focus on voice allows the authors to explore the multifaceted issues that shaped London, from the anxiety surrounding the city’s importance in the musical world at large to the changing vocal imaginations that permeated the epoch. Capturing the breadth of sonic stimulations and cultures available—and sometimes unavoidable—to residents at the time, London Voices, 1820–1840 sheds new light on music in Britain and the richness of London culture during this period.

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This study seeks to resolve the paradox of Hannah Arendt's ideas; that she intended her work to liberate and empower and to restore our capacity for concerted political action whilst at the same time developed a metaphor of "the social" as an alien, all consuming monster appearing from outer space to gobble up human freedom. Arendt blames it - not us - for our public paralysis and depoliticization. The text traces Arendt's notion of "the social" from her earliest writings to "The Human Condition" and beyond, interpreting each work in its historical and personal context. The answer considers language and rhetoric, psychology and gender, authority and the nature of political theory itself. There are repeated challenges on established interpretations of Arendt's project, including the role in it of her teacher and lover Martin Heidegger and her supposed neglect of economic concerns.

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At first glance, the remote villages of the Kabre people of northern Togo appear to have all the trappings of a classic "out of the way" African culture - subsistence farming, straw-roofed houses, and rituals to the spirits and ancestors. Arguing that village life is in fact an effect of the modern and the global, Charles Piot suggests that Kabre culture is shaped as much by colonial and postcolonial history as by anything "indigenous" or local. Through analyses of everyday and ceremonial social practices, Piot illustrates the intertwining of modernity with tradition and of the local with the national and global. In an example of the appropriation of tradition by the state, Togo's Kabre president regularly flies to the region in his helicopter to witness male initiation ceremonies. Confounding both anthropological theorizations and the State Department's stereotyped images of African village life, this text aims to rethink Euroamerican theories that fail to come to terms with the fluidity of everyday relations in a society where persons and things are forever in motion.

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The first thing children ask about sex is typically, "Where do babies come from?" This, the most perplexing scientific question of all time, was hailed by the ancient Greeks as "the mystery of mysteries". Throughout history the most intelligent and well-educated men and women have struggled to understand how we reproduce, and the full picture is far from complete. In the mid-17th century, a theory of reproduction - preformation - sparked an intensely heated debate that continued for over 100 years. Preformation proposed that miniature creatures waiting to be born existed inside each potential parent much like a Russian nesting doll. It was thought that God placed these beings during Creation and predetermined the precise moment that each would unfold and exist. In "The Ovary of Eve", Clara Pinto-Correia traces the fascinating and often-amusing history of this much-maligned theory, ultimately revealing its critical influence on the modern view of conception. Opinion on preformation was sharply divided. "Ovists" believed that preformed individuals existed in the egg, but "spermists" argued that the locus of perfection before birth was in the sperm. This controversy ranged beyond the narrow confines of biology. Most scholars were reluctant to allow perfection to women. After all, these debates occurred in a culture which held women responsible for the Fall and original sin and which saw women as imperfect or incomplete males. Yet spermism entailed a formidable moral dilemma, - why would God allow millions of preformed individuals to die with each ejaculate? Pinto-Correia recounts this controversy in all its complexity, revealing the religious, cultural and social climate of the day. Acknowledging that several modern authors have presented preformation as little more than an entertaining interlude in the study of reproduction, Pinto-Correia nonetheless seeks to recast preformation as an important theory with a precious legacy. Her book shows that the basic tenets understood by the old preformationists are still a crucial part of developmental biology and effect such state-of-the art techniques as cloning.

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The sociology of “social deviants” flourished in the United States at midcentury, studying the lives of outsiders such as homosexuals, Jews, disabled people, drug addicts, and political radicals. But in the next decades, many of these downcast figures would become the architects of new social movements, activists in revolt against institutions, the state, and social constraint. As queer theory gained prominence as a subfield of the humanities in the late 1980s, it seemed to inherit these radical, activist impulses—challenging not only gender and sexual norms, but the nature of society itself. With Underdogs, Heather Love shows that queer theorists inherited as much from sociologists as they did from activists. Through theoretical and archival work, Love traces the connection between midcentury studies of deviance and the anti-normative, anti-essentialist field of queer theory. While sociologists saw deviance as an inevitable fact of social life, queer theorists embraced it as a rallying cry. A robust interdisciplinary history of the field, Underdogs stages a reencounter with the practices and communities that underwrite radical queer thought.

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From the moment when we first open our homes - and our hearts - to a new pet, we know that one day we will have to watch this beloved animal age and die. The pain of that eventual separation is the cruel corollary to the love we share with them, and most of us deal with it by simply ignoring its inevitability. With "The Last Walk", Jessica Pierce makes a forceful case that our pets, and the love we bear them, deserve better. Drawing on the moving story of the last year of the life of her own treasured dog, Ody, she presents an in-depth exploration of the practical, medical, and moral issues that trouble pet owners confronted with the decline and death of their companion animals. Pierce combines heart-wrenching personal stories, interviews, and scientific research to consider a wide range of questions about animal aging, end-of-life care, and death. She tackles such vexing questions as whether animals are aware of death, whether they're feeling pain, and if and when euthanasia is appropriate. Given what we know and can learn, how should we best honor the lives of our pets, both while they live and after they have left us? The product of a lifetime of loving pets, studying philosophy, and collaborating with scientists at the forefront of the study of animal behavior and cognition, "The Last Walk" asks - and answers - the toughest questions pet owners face. The result is informative, moving, and consoling in equal parts; no pet lover should miss it.

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What does the name Trump stand for? If branding now rules over the production of value, as the coauthors of Sovereignty, Inc. argue, then Trump assumes the status of a master brand whose primary activity is the compulsive work of self-branding--such is the new sovereignty business in which, whether one belongs to his base or not, we are all "incorporated." Drawing on anthropology, political theory, philosophy, psychoanalysis, and theater, William Mazzarella, Eric L. Santner, and Aaron Schuster show how politics in the age of Trump functions by mobilizing a contradictory and convoluted enjoyment, an explosive mixture of drives and fantasies that eludes existing portraits of our era. The current political moment turns out to be not so much exceptional as exceptionally revealing of the constitutive tension between enjoyment and economy that has always been a key component of the social order. Santner analyzes the collective dream-work that sustains a new sort of authoritarian charisma or mana, a mana-facturing process that keeps us riveted to an excessively carnal incorporation of sovereignty. Mazzarella examines the contemporary merger of consumer brand and political brand and the cross-contamination of politics and economics, warning against all too easy laments about the corruption of politics by marketing. Schuster, focusing on the extreme theatricality and self-satirical comedy of the present, shows how authority reasserts itself at the very moment of distrust and disillusionment in the system, profiting off its supposed decline. A dazzling diagnostic of our present, Sovereignty, Inc., forces us to come to terms with our complicity in Trump's political presence and will immediately take its place in discussions of contemporary politics.

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The fascinating story of how a harsh terrain that resembled modern Antarctica has been transformed gradually into the forests, grasslands, and wetlands we know today."One of the best scientific books published in the last ten years."—Ottowa Journal"A valuable new synthesis of facts and ideas about climate, geography, and life during the past 20,000 years. More important, the book conveys an intimate appreciation of the rich variety of nature through time."—S. David Webb,Science

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The gap between the rich and the poor has grown dramatically in the United States and is now at its widest since at least the early 1900s. While by most measures the economy has been improving, soaring cost of living and stagnant wages have done little to assuage economic anxieties. Conditions like these seem designed to produce a generation-defining intervention to balance the economic scales and enhance opportunities for those at the middle and bottom of the country's economic ladder--but we have seen nothing of the sort. Nathan J. Kelly argues that a key reason for this is that rising concentrations of wealth create a politics that makes reducing economic inequality more difficult. Kelly convincingly shows that, when a small fraction of the people control most of the economic resources, they also hold a disproportionate amount of political power, hurtling us toward a self-perpetuating plutocracy, or an "inequality trap." Among other things, the rich support a broad political campaign that convinces voters that policies to reduce inequality are unwise and not in the average voter's interest, regardless of the real economic impact. They also take advantage of interest groups they generously support to influence Congress and the president, as well as state governments, in ways that stop or slow down reform. One of the key implications of this book is that social policies designed to combat inequality should work hand-in-hand with political reforms that enhance democratic governance and efforts to fight racism, and a coordinated effort on all of these fronts will be needed to reverse the decades-long trend.

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In this age of nearly unprecedented partisan rancor, you'd be forgiven for thinking we could all do with a smaller daily dose of politics. In his provocative and sharp book, however, Ned O'Gorman argues just the opposite: Politics for Everybody contends that what we really need is to do is engage more deeply with politics, rather than chuck the whole thing out the window. In calling for a purer, more humanistic relationship with politics--one that does justice to the virtues of open, honest exchange--O'Gorman draws on the work of Hannah Arendt (1906-75). As a German-born Jewish thinker who fled the Nazis for the United States, Arendt set out to defend politics from its many detractors along several key lines: the challenge of separating genuine politics from distorted forms; the difficulty of appreciating politics for what it is; the problems of truth and judgment in politics; and the role of persuasion in politics. O'Gorman's book offers an insightful introduction to Arendt's thought for anyone who wants to think more carefully about the predicaments of political culture in twenty-first century America.

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The term "Judeo-Christian" is remarkably easy to pass over without consideration. It seems obvious that Judaism and Christianity share texts, tenets, and values--and that these influenced the founders of the United States. However, in this ambitious book, K. Healan Gaston dispels the myth of a monolithic Judeo-Christian America. She argues that the idea of America as a Judeo-Christian nation is a relatively recent construct, and a potentially imperiling one if we fail to understand how various groups have mobilized Judeo-Christian rhetoric for their own political, cultural, and religious ends. Ever since its inception in the 1930s and its widespread adoption during World War II, the apparent inclusiveness of the term "Judeo-Christian" has masked competing conceptions of religion, secularism, and politics. Gaston demonstrates that this choice of terminology was deeply rooted in arguments over the nature of democracy and totalitarianism that intensified during World War II and the transformational early years of the Cold War. She details how religious and political commitments intersected in the formation of postwar American culture and politics. Tracing debates over the meaning and implications of American pluralism from the nineteenth century up to the present, Gaston shows that the term "Judeo-Christian," originally aimed at including Catholics and Jews alongside Protestants, became a marker for conservative social values under Ronald Reagan, as part of the culture wars that erupted in the wake of the 1960s and continue to rage today.

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In Out of Stock, Dara Orenstein delivers a nuanced, ambitious, and engrossing account of that most generic and underappreciated site in the history of American commerce and industry: the warehouse, and all its many permutations. She traces the progression from the bonded warehouse of the nineteenth century to today's foreign-trade zones, enclaves where goods are processed while simultaneously inside the US and outside US customs territory. Foreign-trade zones channel jobs to American workers by converting American cities into international ports, and to understand them, Orenstein tells us, we should look at them in the simplest of terms: as warehouses. Going further, Orenstein contends that these zones--nearly 800 of which are scattered across the US--are emblematic of how warehouses have begun to supplant factories on the terrain of logistics. In the age of Amazon and Walmart, circulation is so crucial to how and where goods are produced that it is increasingly inseparable from production, such that warehouses rank as some of the most pivotal spaces of global capitalism. Drawing from cultural geography, cultural history, and political economy, and vividly documented with photos, ads, maps, and other ephemera, Out of Stock nimbly demonstrates the centrality of warehouses for corporations, workers, cities, and empires.

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Drawing extensively upon the poet's unpublished manuscripts - poems, journals, essays, and letters - as well as all his published works, Marjorie Perloff presents Frank O'Hara as one of the central poets of the postwar period and an important critic of the visual arts. Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in the poetic climate in recent years.

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In this long-awaited book—the first in a three-volume work—David M. Perlmutter has co-authored and edited ten essays that introduce relational grammar, a novel conception of sentence structure that offers far-reaching conclusions for universal grammar. The basic ideas of relational grammar can be simply stated. First, grammatical relations such as 'subject of,' 'direct object of,' and 'indirect object of,' are needed to characterize the class of grammatical constructions in the clausal syntax of natural languages, to formulate universals of grammar, and to construct adequate and insightful grammars of individual languages. Second, the range of linguistic variation in word order and case patterns makes it impossible to define grammatical relations in terms of phrase structure configurations or case. Rather, grammatical relations must be taken as primitive notions of linguistic theory. The papers collected here take up the first of these ideas. They lay out the basic theoretical constructs of relational grammar and discuss three areas of grammar—advancement construction, raising, and clause union. In his introduction, Perlmutter discusses each of the papers—most of which are published here for the first time—and places them in the context of the whole of linguistic study.

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Indigenous sign-systems, such as pictographs, petroglyphs, hieroglyphs, and khipu, are usually understood as relics from an inaccessible past. That is far from the truth, however, as Edgar Garcia makes clear in Signs of the Americas. Rather than being dead languages, these sign-systems have always been living, evolving signifiers, responsive to their circumstances and able to continuously redefine themselves and the nature of the world. Garcia tells the story of the present life of these sign-systems, examining the contemporary impact they have had on poetry, prose, visual art, legal philosophy, political activism, and environmental thinking. In doing so, he brings together a wide range of indigenous and non-indigenous authors and artists of the Americas, from Aztec priests and Amazonian shamans to Simon Ortiz, Gerald Vizenor, Jaime de Angulo, Charles Olson, Cy Twombly, Gloria Anzald a, William Burroughs, Louise Erdrich, Cecilia Vicu a, and many others. From these sources, Garcia depicts the culture of a modern, interconnected hemisphere, revealing that while these "signs of the Americas" have suffered expropriation, misuse, and mistranslation, they have also created their own systems of knowing and being. These indigenous systems help us to rethink categories of race, gender, nationalism, and history. Producing a new way of thinking about our interconnected hemisphere, this ambitious, energizing book redefines what constitutes a "world" in world literature.

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This text considers what happens when the "natural speech" model inherited from the Modernist poets comes up against the "natural speech" of the "Donahue" talk show, or again, how visual poetics and verse forms are responding to the languages of billboards and sound bytes. Among the many poets whose works are discussed are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, and Steve McCaffery. But the strongest presence in Perloff's book is John Cage, a "poet" better known as a composer, a philosopher, a printmaker, and one who understood, almost half a century ago, that from now on no word, musical note, painted surface, or theoretical statement could ever again escape "contamination" from the media landscape in which we live. It is under his sign that "Radical Artifice" was composed.

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For many men of various sexual inclinations, the Second World War offered an unprecedented release from the constraints of civilian life. However, when they returned home they had to face the harsh realities of a restrictive society. Men Without Maps continues the story of these men, whom John Ibson first gave voice to in The Mourning After. Here he uncovers the experiences of men after World War II who had same-sex desires but few, if any, direct, affirmative models of how to build identities and relationships. Though heterosexual men had plenty of cultural maps--provided by their parents, social institutions, and nearly every engine of popular culture--in the years before Pride parades, social organizations for queer persons, or publications devoted to them, gay men lacked such guides. In his survey of the years from shortly before the war up to the gay rights movement of the late 1960s and early '70s, Ibson considers male couples, who balanced domestic contentment with exterior repression, as well as single men, whose solitary lives illuminate unexplored aspects of the queer experience. Men Without Maps shows how, in spite of the obstacles they faced, midcentury gay men found ways to assemble their lives and senses of self at a time of limited social acceptance.

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For many men of various sexual inclinations, the Second World War offered an unprecedented release from the constraints of civilian life. However, when they returned home they had to face the harsh realities of a restrictive society. Men Without Maps continues the story of these men, whom John Ibson first gave voice to in The Mourning After. Here he uncovers the experiences of men after World War II who had same-sex desires but few, if any, direct, affirmative models of how to build identities and relationships. Though heterosexual men had plenty of cultural maps--provided by their parents, social institutions, and nearly every engine of popular culture--in the years before Pride parades, social organizations for queer persons, or publications devoted to them, gay men lacked such guides. In his survey of the years from shortly before the war up to the gay rights movement of the late 1960s and early '70s, Ibson considers male couples, who balanced domestic contentment with exterior repression, as well as single men, whose solitary lives illuminate unexplored aspects of the queer experience. Men Without Maps shows how, in spite of the obstacles they faced, midcentury gay men found ways to assemble their lives and senses of self at a time of limited social acceptance.

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Many observers of Kenya's complicated history raise cause for concern, offering critiques of practices such as the use of public office for private gain and a constitutional structure that gives the executive branch lopsided influence. Yet efforts from critics and academics to diagnose the country's problems do not often consider what these fiscal and political issues mean to ordinary Kenyans. How do Kenyans express their own political understandings, make sense of governance, and articulate what they expect from their leaders? In For Money and Elders, Robert Blunt addresses these questions by turning to the political, economic, and religious signs in circulation in Kenya today. He examines Kenyans attempt to make sense of political instability caused by the uncertainty of authority behind everything from currency to title deeds. When the symbolic order of a society is up for grabs, he shows, violence may seem like an expedient way to enforce the authority of signs. Drawing on fertile concepts of sovereignty, elderhood, counterfeiting, acephaly, and more, Blunt explores phenomena as diverse as the destabilization of ritual "oaths," public anxieties about Satanism with the advent of democratic reform, and contemporary mistrust of state currency. The result is a fascinating glimpse into Kenya's past and present and a penetrating reflection on meanings of violence in African politics.

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In July 1999, a mere seven years after the founding of the religious movement known as Falun Gong, the Chinese government banned it. Falun Gong is still active in other countries, and its suppression has become a primary concern of human rights activists and is regularly discussed in dealings between the Chinese government and its Western counterparts. But while much has been written on Falun Gong's relation to political issues, no one has analyzed in depth what its practitioners actually believe and do. "The Religion of Falun Gong" remedies that omission, providing the first serious examination of Falun Gong teachings. Benjamin Penny argues that in order to understand Falun Gong, one must grasp the beliefs, practices, and texts of the movement and its founder, Li Hongzhi. Contextualizing Li's ideas in terms of the centuries-long Chinese tradition of self-cultivation and the cultural world of 1980s and '90s China - particularly the upwelling of biospiritual activity and the influx of translated works from the Western New Age movement - Penny shows how both have influenced Li's writings and his broader view of the cosmos. An illuminating look at this controversial movement, "The Religion of Falun Gong" opens a revealing window into the nature and future of contemporary China.

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The essays in this collection are central to the modern canon in political economy. These ten articles and an introduction respond to two broad questions: How does government work? How do voters and their elected representatives make decisions? Sam Peltzman responds to the media's negative portrayal of the cynical political atmosphere in America, suggesting the electorate really does make well-informed decisions and elected officials actually do tend to vote according to their constituents' interests. These conclusions bear the stamp of the Chicago approach to political economy (which applies microeconomic principles to political phenomena), an approach that has had considerable success explaining why certain government policies have not achieved their intended effects.

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Jaroslav Pelikan begins this volume with the crisis of orthodoxy that confronted all Christian denominations by the beginning of the eighteenth century and continues through the twentieth century in its particular concerns with ecumenism. The modern period in the history of Christian doctrine, Pelikan demonstrates, may be defined as the time when doctrines that had been assumed more than debated for most of Christian history were themselves called into question: the idea of revelation, the uniqueness of Christ, the authority of Scripture, the expectation of life after death, even the very transcendence of God. "Knowledge of the immense intellectual effort invested in the construction of the edifice of Christian doctrine by the best minds of each successive generation is worth having. And there can hardly be a more lucid, readable and genial guide to it than this marvellous work."—Economist"This volume, like the series which it brings to a triumphant conclusion, may be unreservedly recommended as the best one-stop introduction currently available to its subject."—Alister E. McGrath, Times Higher Education Supplement "Professor Pelikan's series marks a significant departure, and in him we have at last a master teacher."—Marjorie O'Rourke Boyle, Commonweal"Pelikan's book marks not only the end of a dazzling scholarly effort but the end of an era as well. There is reason to suppose that nothing quite like it will be tried again."—Harvey Cox, Washington Post Book World

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We often talk loosely of the "tyranny of the majority" as a threat to the workings of democracy. But, in ancient Greece, the analogy of demos and tyrant was no mere metaphor, nor a simple reflection of elite prejudice. Instead, it highlighted an important structural feature of Athenian democracy. Like the tyrant, the Athenian demos was an unaccountable political actor with the power to hold its subordinates to account. And like the tyrant, the demos could be dangerous to counsel since the orator speaking before the assembled demos was accountable for the advice he gave. With Dangerous Counsel, Matthew Landauer analyzes the sometimes ferocious and unpredictable politics of accountability in ancient Greece and offers novel readings of ancient history, philosophy, rhetoric, and drama. In comparing the demos to a tyrant, thinkers such as Herodotus, Plato, Isocrates, and Aristophanes were attempting to work out a theory of the badness of unaccountable power; to understand the basic logic of accountability and why it is difficult to get right; and to explore the ways in which political discourse is profoundly shaped by institutions and power relationships. In the process they created strikingly portable theories of counsel and accountability that traveled across political regime types and remain relevant to our contemporary political dilemmas.

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Social workers produced thousands of case files about the poor during the interwar years. Analyzing almost two thousand such case files and traveling from Boston, Minneapolis, and Portland to London and Melbourne, "Miss Cutler and the Case of the Resurrected Horse" is a pioneering comparative study that examines how these stories of poverty were narrated and reshaped by ethnic diversity, economic crisis, and war. Probing the similarities and differences in the ways Americans, Australians, and Britons understood and responded to poverty, Mark Peel draws a picture of social work that is based in the sometimes fraught encounters between the poor and their interpreters. He uses dramatization to bring these encounters to life - joining Miss Cutler and that resurrected horse are Miss Lindstrom and the fried potatoes and Mr. O'Neil and the seductive client - and to give these people a voice. Adding new dimensions to the study of charity and social work, this book is essential to understanding and tackling poverty in the twenty-first century.

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The line that separated Eastern Christendom from Western on the medieval map is similar to the "iron curtain" of recent times. Linguistic barriers, political divisions, and liturgical differences combined to isolate the two cultures from each other. Except for such episodes as the schism between East and West or the Crusades, the development of non-Western Christendom has been largely ignored by church historians. In The Spirit of Eastern Christendom, Jaroslav Pelikan explains the divisions between Eastern and Western Christendom, and identifies and describes the development of the distinctive forms taken by Christian doctrine in its Greek, Syriac, and early Slavic expression. "It is a pleasure to salute this masterpiece of exposition. . . . The book flows like a great river, slipping easily past landscapes of the utmost diversity—the great Christological controversies of the seventh century, the debate on icons in the eighth and ninth, attitudes to Jews, to Muslims, to the dualistic heresies of the high Middle Ages, to the post-Reformation churches of Western Europe. . . . His book succeeds in being a study of the Eastern Christian religion as a whole."—Peter Brown and Sabine MacCormack, New York Review of Books"The second volume of Professor Pelikan's monumental work on The Christian Tradition is the most comprehensive historical treatment of Eastern Christian thought from 600 to 1700, written in recent years. . . . Pelikan's reinterpretation is a major scholarly and ecumenical event."—John Meyendorff "Displays the same mastery of ancient and modern theological literature, the same penetrating analytical clarity and balanced presentation of conflicting contentions, that made its predecessor such an intellectual treat."—Virgina Quarterly Review

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Over the past half-century, El Salvador has transformed dramatically. Historically reliant on primary exports like coffee and cotton, the country emerged from a brutal civil war in 1992 to find much of its national income now coming from a massive emigrant workforce - over a quarter of its population - that earns money in the United States and sends it home. In "American Value", David Pedersen examines this new way of life as it extends across two places: Intipuca, a Salvadoran town infamous for its remittance wealth, and the Washington, DC, metro area, home to the second largest population of Salvadorans in the United States. Pedersen charts El Salvador's change alongside American deindustrialization, viewing the Salvadoran migrant work abilities used in new low-wage American service jobs as a kind of primary export, and shows how the latest social conditions linking both countries are part of a longer history of disparity across the Americas. Drawing on the work of Charles S. Peirce, he demonstrates how the defining value forms - migrant work capacity, services, and remittances - act as signs, building a moral world by communicating their exchangeability while hiding the violence and exploitation on which this story rests. Theoretically sophisticated, ethnographically rich, and compellingly written, "American Value" offers critical insights into practices that are increasingly common throughout the world.

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"The Soul of Tragedy" brings together top scholars to offer a wide range of perspectives on Greek tragedy. The collection pays homage to this ancient, enduring theatrical and literary genre by offering a deep exploration into the oldest form of dramatic expression. It is a reminder that, for all their years, these dramas still have much to teach us. Exemplary of the nature and scope of this book, the essays range from Simon Goldhill's comparative study of music, gender, and culture to Martha Nussbaum's inspection of "the comic soul." Through the critical lenses of psychoanalysis, gender, social history, and philology, this compilation looks at Greek tragedy's peculiar power to illuminate the workings of the human soul. Structures of tragic meaning, the relationship between character desire and spectator experience, and investigations of tragedy's extraordinary preoccupation with gender reveal the form's emotional core and explain its rapid ascent through the hierarchy of cultural practices in classical Greece. "The Soul of Tragedy" is a celebration and a model of collaboration that will be essential reading for scholars in classics, literature, and drama.

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Alexander von Humboldt was the most celebrated modern chronicler of North and South America and the Caribbean, and this translation of his essay on New Spain--the first modern regional economic and political geography--covers his travels across today's Mexico in 1803-04. The work canvases both natural-scientific and cultural-scientific objects alike, combining the results of fieldwork with archival research and expert testimony. To show how people, plants, animals, goods, and ideas moved across the globe, Humboldt wrote in a variety of styles, bending and reshaping familiar writerly conventions to keep readers attentive to new inputs. Above all, he wanted his readers to keep an open mind when confronted with cultural and other differences in the Americas. Fueled by his comparative global perspective on politics, economics, and science, he used his writing to support Latin American independence and condemn slavery and other forms of colonial exploitation. It is these voluminous and innovative writings on the New World that made Humboldt the undisputed father of modern geography, early American studies, transatlantic cultural history, and environmental studies. This two-volume critical edition--the third installment in the Alexander von Humboldt in English series--is based on the full text, including all footnotes, tables, and maps, of the second, revised French edition of Essai politique sur le royaume de de Nouvelle Espagne from 1825-27, which has never been translated into English before. Extensive annotations and full-color atlases are available on the series website.

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We’ve heard plenty from politicians and experts on affirmative action and higher education, about how universities should intervene—if at all—to ensure a diverse but deserving student population. But what about those for whom these issues matter the most? In this book, Natasha K. Warikoo deeply explores how students themselves think about merit and race at a uniquely pivotal moment: after they have just won the most competitive game of their lives and gained admittance to one of the world’s top universities. What Warikoo uncovers—talking with both white students and students of color at Harvard, Brown, and Oxford—is absolutely illuminating; and some of it is positively shocking. As she shows, many elite white students understand the value of diversity abstractly, but they ignore the real problems that racial inequality causes and that diversity programs are meant to solve. They stand in fear of being labeled a racist, but they are quick to call foul should a diversity program appear at all to hamper their own chances for advancement. The most troubling result of this ambivalence is what she calls the “diversity bargain,” in which white students reluctantly agree with affirmative action as long as it benefits them by providing a diverse learning environment—racial diversity, in this way, is a commodity, a selling point on a brochure. And as Warikoo shows, universities play a big part in creating these situations. The way they talk about race on campus and the kinds of diversity programs they offer have a huge impact on student attitudes, shaping them either toward ambivalence or, in better cases, toward more productive and considerate understandings of racial difference. Ultimately, this book demonstrates just how slippery the notions of race, merit, and privilege can be. In doing so, it asks important questions not just about college admissions but what the elite students who have succeeded at it—who will be the world’s future leaders—will do with the social inequalities of the wider world.

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How things are divided up or pieced together matters. Half a bridge is of no use at all. Conversely, many things would do more good if they could be divided up differently: Perhaps you would prefer a job that involves a third less work and a third less pay or a car that materializes only when needed and is priced accordingly? Difficulties in "slicing" and "lumping" shape nearly every facet of how we live and work--and a great deal of law and policy as well. Lee Anne Fennell explores how both types of challenges--carving out useful slices and assembling useful lumps--surface in myriad contexts, from hot button issues like conservation and eminent domain to developments in the sharing economy to personal struggles over work, money, time, diet, and exercise. Yet the significance of configuration is often overlooked, leading to missed opportunities for improving our lives. With a technology-fueled entrepreneurial explosion underway that is dividing goods, services, and jobs in novel ways, and as urbanization and environmental threats raise the stakes for assembling resources and cooperation, this is an especially exciting and crucial time to confront questions of slicing and lumping. The future of the city, the workplace, the marketplace, and the environment all turn on matters of configuration, as do the prospects for more effective legal doctrines, for better management of finances and health, and more. This book reveals configuration's power and potential--as a unifying concept and as a focus of public and private innovation.

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Continued public outcries over such issues as the presence of young models in sexually suggestive ads and occurrences of intimate relationships between teachers and students speak to one of the most controversial fears of our time: the entanglement of children and sexuality. In this book, Steven Angelides confronts that very fear, arguing that adult alarm over child sexualization often masks the sexuality of children. Angelides explores how emotional vocabularies of anxiety, shame, and even contempt not only dominate discussions of youth sexuality but also allow adults to avoid acknowledging the sexual agency of young people. Introducing case studies and trends from Australia, the United Kingdom, and North America, he challenges prevalent assumptions toward a variety of topics, among them sex education, age-of-consent laws, and technology-driven phenomena like sexting. Along the way, Angelides contends that an unwillingness to recognize the sexual agency that children possess results less in the protection of young people than in their marginalization.

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During the 1920s and '30s, Franz Taibosh - whose stage name was Clicko - performed in front of millions as one of the stars of the Ringling Brothers and Barnum & Bailey Circus. Prior to his fame in the United States, Taibosh toured the world as the 'Wild Dancing Bushman', showing off his frenzied dance moves in freak shows, sideshows, and music halls from Australia to Cuba. When he died in 1940, the "New York Times" called him 'the only African bushman ever exhibited in this country'. In "Clicko", Neil Parsons unearths the untold story of Taibosh's journey from boyhood on a small farm in South Africa to top billing as one of the travelling World's Fair Freaks. Through Taibosh's tale, Parsons brings to life the bizarre golden age of entertainment as well as the role that the dubious new science of race played in it. Beginning with Taibosh's early life, Clicko untangles the real story of his ancestry from the web of myths spun around him on his rise to international stardom. Parsons then chronicles the unhappy middle period of Taibosh's career, when he suffered under the heel of a vicious manager. Left to freeze and nearly starve in an unheated apartment, Taibosh was rescued by Frank Cook, Barnum & Bailey's lawyer. The Cooks adopted Taibosh as a member of their family of circus managers and performers, and his happy - if far from average - years with them make up the final chapter of this remarkable story. Equal parts entertaining and disturbing, "Clicko" vividly evokes a forgotten era when vaudeville drew massive crowds and circus freaks were featured in Billboard and Variety. Parsons introduces us to colorful characters such as George Auger the giant and the original Zip the Pinhead, but above all, he gives us an unforgettable portrait of Franz Taibosh, rescued at last from the racists and the romantics and revealed here as an ordinary man with an extraordinary life.

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In the interpretation of Shakespeare, wordplay has often been considered inconsequential, frequently reduced to a decorative "quibble." But in this book, Patricia Parker argues that attention to Shakespearean wordplay reveals unexpected linkages, not only within and between plays but also between the plays and their contemporary culture. Combining feminist and historical approaches with attention to the "matter" of language as well as of race and gender, Parker's "edification from the margins" illuminates much that has been overlooked, both in Shakespeare and in early modern culture. This book, a re-examination of popular and less familiar texts, is intended for all students of Shakespeare and the early modern period. Patricia Parker is the author of "Inescapable Romance and Literary Fat Ladies: Rhetoric, Gender, Property".

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Most scholarship on sorcery and witch-craft has narrowly focused on specific times and places, particularly early modern Europe and twentieth-century Africa. And much of that research interprets sorcery as merely a remnant of premodern traditions. Boldly challenging these views, "Sorcery in the Black Atlantic" takes a longer historical and broader geographical perspective, contending that sorcery is best understood as an Atlantic phenomenon that has significant connections to modernity and globalization. A distinguished group of contributors here examine sorcery in Brazil, Cuba, South Africa, Cameroon, and Angola. Their insightful essays reveal the way practices and accusations of witchcraft spread throughout the Atlantic world from the age of discovery up to the present, creating an indelible link between sorcery and the rise of global capitalism. Shedding new light on a topic of perennial interest, "Sorcery in the Black Atlantic" will be provocative, compelling reading for historians and anthropologists working in this growing field.

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If a city based its planning decisions on the needs of an international bureaucracy rather than on the traditional needs of local residents and businesses, how would that city change? How might it look? In Brussels, Belgium - home to the European Union since 1957 - such change is taking place. Observing the change, Alexis G. Papadopoulos explores a new geographical concept, the Central Executive District. This urban form is significantly different from the Central Business District, its conventional counterpart. Drawing on game and rational choice theories, spatial analysis and land economics, the author analyzes how the landscape of the city's centre has evolved over the last three decades under the influence of successive coalitions of local and foreign elites. He describes how foreign diplomats, international corporate executives and real-estate developers co-operate with one another to carry out major urban projects in the face of resistance from local neighbourhood groups, conservationists and political factions. This study explores the future of world cities like New York, London and Paris and applies the notion of co-operative regimes.

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The reach of the Catholic Church is arguably greater than that of any other religion, extending across diverse political, ethnic, class, and cultural boundaries. But what is it about Catholicism that resonates so profoundly with followers who live under disparate conditions? What is it, for instance, that binds parishioners in America with those in Mexico? For Joseph M. Palacios, what unites Catholics is a sense of being Catholic - a social imagination that motivates them to promote justice and build a better world. In "The Catholic Social Imagination", Palacios gives readers a feeling for what it means to be Catholic and put one's faith into action. Tracing the practices of a group of parishioners in Oakland, California, and another in Guadalajara, Mexico, Palacios reveals parallels - and contrasts - in the ways these ordinary Catholics receive and act on a church doctrine that emphasizes social justice. Whether they are building a supermarket for the low-income elderly or waging protests to promote school reform, these parishioners provide important insights into the construction of the Catholic social imagination. Throughout, Palacios also offers important new cultural and sociological interpretations of Catholic doctrine on issues such as poverty, civil and human rights, political participation, and the natural law.

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Nearly every job application asks it: have you ever been convicted of a crime? For the hundreds of thousands of young men leaving American prisons each year, their answer to that question may determine whether they can find work and begin rebuilding their lives. The product of an innovative field experiment, Marked gives us our first real glimpse into the tremendous difficulties facing ex-offenders in the job market. Devah Pager matched up pairs of young men, randomly assigned them criminal records, then sent them on hundreds of real job searches throughout the city of Milwaukee. Her applicants were attractive, articulate, and capable - yet ex-offenders received less than half the callbacks of the equally qualified applicants without criminal backgrounds. Young black men, meanwhile, paid a particularly high price: those with clean records fared no better in their job searches than white men just out of prison. Such shocking barriers to legitimate work, Pager contends, are an important reason that many ex-prisoners soon find themselves back in the realm of poverty, underground employment, and crime that led them to prison in the first place.

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Chicago has been called by many names. Nelson Algren declared it a 'City on the Make.' Carl Sandburg dubbed it the 'City of Big Shoulders.' Upton Sinclair christened it the 'Jungle,' while New Yorkers, naturally, pronounced it the 'Second City.' At last there is a book for all of us, whatever we choose to call Chicago. In this magisterial work, historian Dominic A. Pacyga traces the storied past of his hometown, from the explorations of Joliet and Marquette in 1673 to the new wave of urban pioneers today. The city's great industrialists, reformers, and politicians - and, indeed, the many not-so-great and downright notorious - animate this book, from Al Capone and Jane Addams to Mayor Richard J. Daley and President Barack Obama. But what distinguishes this book from the many others on the subject is its author's uncommon ability to illuminate the lives of Chicago's ordinary people. Raised on the city's South Side and employed for a time in the stockyards, Pacyga gives voice to the city's steelyard workers and kill floor operators, and maps the neighborhoods distinguished not by Louis Sullivan masterworks but by bungalows and corner taverns. Filled with the city's one-of-a-kind characters and all of its defining moments, "Chicago: A Biography" is as big and boisterous as its namesake - and as ambitious as the men and women who built it.

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One of America's most eminent nature poets, Robert Pack has won the acclaim of writers, critics, and readers from Stephen Jay Gould to Mark Strand. In his latest collection, "Laughter Before Sleep", Pack carries on his themes of family and friends, responsibility to the natural world of evolved diversity, the transience of life, the fragility of happiness, and the consolations offered by art and music. "Laughter Before Sleep" weighs the nature of endings from the perspective of old age and embraces the humor and play of memory that keep mortality at bay. As we are carried along with Pack's lyrical, sensitive, and intelligent verse, he takes us on a moving but often comic journey toward the end of life. In the opening section, Pack composes poems that meditate upon a sense of his own diminishing and the meaning of absences. The middle sections form episodes of a memoir in verse, moving from family to history and back again, reflecting on the power of anecdote to shape a life in retrospect. With the final section, Pack recalls his unfulfilled plan to raise penguins in Montana, offers a panegyric on Darwin's nose, and makes the mistake of trying to impress a police officer with a book of poems. Filled with charm and wit but also with philosophical melancholy, "Laughter Before Sleep" is a superb addition to the poet's oeuvre.

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