Search results for ""graphic novels""

Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.The War of the Worlds, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.The Martians are coming! They are burning houses and killing the people of Earth. How can the people stop them?Visit the Penguin Readers websiteExclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.

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In this graphic novel adaptation of master horror storyteller Mary Downing Hahn's spookiest and most popular tale, two siblings must save their stepsister from the clutches of a vengeful ghost.When their mom remarries, Molly and her brother, Michael, try to make friends with their new stepsister, Heather. But Heather only wants to make trouble for them. She lies and tattles and misbehaves, and somehow they always get the blame. They know she’s trying to drive a wedge between her father and their mother so she can have her father all to herself—and it seems to be working.Then, Heather starts playing in the graveyard behind their new house. She claims she can talk to a ghost named Helen, and her behavior gets even stranger. Michael doesn't believe in ghosts and thinks their new little sister is just looking for more attention. But Molly isn't so certain, especially when Heather threatens that Helen is going to come for them and make them sorry.It seems as though things can’t get any worse—but they do.When Helen comes.For more spooky graphic novels from Mary Downing Hahn, check out Took, All the Lovely Bad Ones, and The Old Willis Place!

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Daniel doesn’t believe the woods behind his new home are haunted by an evil witch and her terrifying beast. But then his little sister disappears . . . and it’s up to him to find her. This chilling graphic-novel version of Mary Downing Hahn’s popular page-turner will thrill readers who love spooky stories.They say that a ghost witch lives in the woods, up on the hill. They say her companion has a pig skull for a face and stands taller than a man, his skeleton gleaming in the moonlight. They say that the witch takes young girls, and no one ever sees them again.Daniel doesn’t believe the stories. He figures the kids on the bus are just trying to scare him since he’s new. Still, he wishes his family had never moved here—their house is a wreck, Mom and Dad keep fighting, and his little sister, Erica, spends most of her time talking to her creepy doll.But when Erica disappears into the woods one day, Daniel knows something is terribly wrong. Has she been “took”For more spooky graphic novels from Mary Downing Hahn, check out Wait Till Helen Comes, All the Lovely Bad Ones, and The Old Willis Place!

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Take a step back in time to the origins of Japan's creation myth—told here for the very first time in illustrated form. In the beginning there was nothing—a void. Then the heavens and the earth took shape, as the ancient gods of Japan breathed the first sparks of life into these islands. The 1300 year-old Kojiki myth traces the beginnings of the Japanese people, following the rise of the Japanese islands from their humble origins as a lump of clay to a great nation that would one day take its rightful place among the leading nations of the world.Like all creation myths from around the world, the Kojiki story occupies a treasured place in the nation's literature and collective imagination. Kazumi Wilds's striking illustrations capture the drama and intensity of a mythic tale where chaos and demons are unleashed and where darkness is slowly pushed back by the righteous, as good prevails over evil. Kojiki: The Birth of Japan combines the raucous rhythms and startling imagery of today's best graphic novels with a retelling of a classic and timeless Japanese story. This book will be remembered and treasured for years to come by lovers of mythology, folklore and anyone interested in Japanese culture and history.For readers ages 14 & up

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In this graphic novel adaptation of master horror storyteller Mary Downing Hahn's spookiest and most popular tale, two siblings must save their stepsister from the clutches of a vengeful ghost.When their mom remarries, Molly and her brother, Michael, try to make friends with their new stepsister, Heather. But Heather only wants to make trouble for them. She lies and tattles and misbehaves, and somehow they always get the blame. They know she’s trying to drive a wedge between her father and their mother so she can have her father all to herself—and it seems to be working.Then, Heather starts playing in the graveyard behind their new house. She claims she can talk to a ghost named Helen, and her behavior gets even stranger. Michael doesn't believe in ghosts and thinks their new little sister is just looking for more attention. But Molly isn't so certain, especially when Heather threatens that Helen is going to come for them and make them sorry.It seems as though things can’t get any worse—but they do.When Helen comes.For more spooky graphic novels from Mary Downing Hahn, check out Took, All the Lovely Bad Ones, and The Old Willis Place!

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Laugh out loud with Captain Underpants, from Dav Pilkey, the creator of Dog Man! Tippy Tinkletrousers is back in the ninth full colour book in this #1 New York Times bestselling series. George and Harold are behind bars for a crime they didn't commit! But just as they are settling into their new life, they are pulled from prison by a time-travelling tyrant named Tippy Tinkletrousers! Now the boys are taking a trip back in time to the carefree days of kindergarten, when the scariest thing they had to face was not evil mad scientists or alien cafeteria ladies but a sixth-grade bully named Kipper Krupp, the nephew of their clueless school principal. And because George and Harold don't invent Captain Underpants until they're in fourth grade, the clever kindergarteners are on their own. Can they beat the bullies with brainpower instead of Wedgie Power? About the series: Captain Underpants is now a feature-length animated film from DreamWorks and a series on Netflix The original Captain Underpants books are fully illustrated with black and white comic book drawings The books are now also available in full-colour graphic novels Perfect for all children, but especially those who are struggling to engage with reading Full of fun and laughs (and toilet humour)!

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The day the towers fell, indelible images of plummeting rubble, fire, and falling bodies were imprinted in the memories of people around the world. Images that were caught in the media loop after the disaster and coverage of the attack, its aftermath, and the wars that followed reflected a pervasive tendency to treat these tragic events as spectacle. Though the collapse of the World Trade Center was "the most photographed disaster in history," it failed to yield a single noteworthy image of carnage. Thomas Stubblefield argues that the absence within these spectacular images is the paradox of 9/11 visual culture, which foregrounds the visual experience as it obscures the event in absence, erasure, and invisibility. From the spectral presence of the Tribute in Light to Art Spiegelman's nearly blank New Yorker cover, and from the elimination of the Twin Towers from television shows and films to the monumental cavities of Michael Arad's 9/11 memorial, the void became the visual shorthand for the incident. By examining configurations of invisibility and erasure across the media of photography, film, monuments, graphic novels, and digital representation, Stubblefield interprets the post-9/11 presence of absence as the reaffirmation of national identity that implicitly laid the groundwork for the impending invasions of Iraq and Afghanistan.

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Book Riot "12 Best Graphic Novels and Comics of 2022" List A CONTEMPORARY CLASSIC CELEBRATING A DECADE OF EXCELLENCE! At long last, Hazel and her star-crossed family are finally back, and they’ve made some new...friends? This collection features the latest six chapters of the most epic adventure in comics, including the series' double-sized first issue back from hiatus. Collects SAGA #55-60. Romeo & Juliet meets Star Wars in this genre-blending, sci-fi/fantasy space opera about star crossed lovers from enemy worlds. An epic for mature readers, Saga follows new parents Marko and Alana as they risk everything to raise their child amidst a never-ending galactic war. A multiple award winning, critically acclaimed masterpiece and one of the most iconic, bestselling comic book series of its time. The SAGA series has sold over 6.8 million copies to date across all formats, has been translated into 20 languages, and has garnered multiple Eisner and Harvey Awards, plus a Hugo Award, British Fantasy Award, Goodreads Choice Award, Shuster Award, Inkwell Award, Ringo Award, and more. It has been featured in such mainstream media outlets as TIME, Entertainment Weekly, The Atlantic, NPR, and beyond, and has become a pop culture phenomenon.

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An epic, moving graphic novel set in ancient Athens about the birth and the rise of democracy – from the illustrator behind the bestselling Logicomix 'Impressive ... Simultaneously a standout historical examination and a compelling story' Booklist 'It’s fun, it’s heartbreaking, it’s thought-provoking, and it’s tragic – and it’s absolutely one of the greatest graphic novels I expect to read all year' i09 It is 490BC and Athens is at war. Leander, trying to rouse his comrades for the morrow’s battle against a far mightier enemy, begins to recount the story of his own life. Having witnessed the evils of the old tyrannical regimes and the rise of a new political system, Leander tells a tale of danger, bravery and big ideas, of the death of gods and the tortuous birth of democracy. Through a series of breathtaking scenes, we see that democracy was forged from chance and historical contingency – but also through the cunning and courage of a group of highly talented, driven individuals. Alecos Papadatos and Annie Di Donna, artists behind the international phenomenon Logicomix, together with writer Abraham Kawa deliver a graphic novel bursting with extraordinary characters and vibrant colour, one that offers fresh insight into how this greatest of civic inventions came to be.

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Untangle the complex web of philosophical dilemmas of Spidey and his world—in time for the release of The Amazing Spider-Man movie Since Stan Lee and Marvel introduced Spider-Man in Amazing Fantasy #15 in 1962, everyone’s favorite webslinger has had a long career in comics, graphic novels, cartoons, movies, and even on Broadway. In this book some of history’s most powerful philosophers help us explore the enduring questions and issues surrounding this beloved superhero: Is Peter Parker to blame for the death of his uncle? Does great power really bring great responsibility? Can Spidey champion justice and be with Mary Jane at the same time? Finding your way through this web of inquiry, you’ll discover answers to these and many other thought-provoking questions. Gives you a fresh perspective and insights on Peter Parker and Spider-Man’s story lines and ideas Examines important philosophical issues and questions, such as: What is it to live a good life? Do our particular talents come with obligations? What role should friendship play in life? Is there any meaning to life? Views Spider-Man through the lens of some of history’s most influential thinkers, from Aristotle, Thomas Aquinas, and Immanuel Kant to Nietszche, William James, Ayn Rand, and Alasdair MacIntyre

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Daniel doesn’t believe the woods behind his new home are haunted by an evil witch and her terrifying beast. But then his little sister disappears . . . and it’s up to him to find her. This chilling graphic-novel version of Mary Downing Hahn’s popular page-turner will thrill readers who love spooky stories.They say that a ghost witch lives in the woods, up on the hill. They say her companion has a pig skull for a face and stands taller than a man, his skeleton gleaming in the moonlight. They say that the witch takes young girls, and no one ever sees them again.Daniel doesn’t believe the stories. He figures the kids on the bus are just trying to scare him since he’s new. Still, he wishes his family had never moved here—their house is a wreck, Mom and Dad keep fighting, and his little sister, Erica, spends most of her time talking to her creepy doll.But when Erica disappears into the woods one day, Daniel knows something is terribly wrong. Has she been “took”For more spooky graphic novels from Mary Downing Hahn, check out Wait Till Helen Comes, All the Lovely Bad Ones, and The Old Willis Place!

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An international collaboration involving 26 writers and illustrators from 14 different countries have transformed 15 of Cixin Liu's – 'China's answer to Arthur C. Clarke' (New Yorker) – award-winning stories into graphic novels. It was the Ice and Snow Arts Festival that lured the low-temperature artist to Earth. Drawn by the beauty and technical skill of the sculptures displayed, the extraterrestrial visitor longed to collaborate and share its own art. But while humans learnt to craft ice into exquisite ephemera, the low-temperature artist's civilisation mastered the manipulation of whole worlds to create artworks – drawing on the seas and ice caps, and cooling their temperature to beautiful effect. Faced with the inevitable devastation and heat death of their planet, humankind must use their final breaths to fight for existence. But the artist will only speak to one human: Yan Dong, the ice sculptor whose beautiful work first drew its eye. Praise for Cixin Liu: 'Your next favourite sci-fi novel' Wired 'Immense' Barack Obama 'Unique' George R.R. Martin 'SF in the grand style' Guardian 'Mind-altering and immersive' Daily Mail 'A milestone in Chinese science-fiction' New York Times 'China's answer to Arthur C. Clarke' New Yorker Winner of the Hugo and Galaxy Awards for Best Novel

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A graphic novel chronicling the immediate aftermath and rippling effects of one of the most impactful days in modern history: September 11, 2001. From the Sibert Honor– and YALSA Award–winning creator behind The Unwanted and Drowned City. The consequences of the terrorist attack on the World Trade Center in New York City, both political and personal, were vast, and continue to reverberate today. Don Brown brings his journalistic eye and attention to moving individual stories to help teens contextualize what they already know about the day, as well as broaden their understanding of the chain of events that occurred in the attack's wake. Profound, troubling, and deeply moving, In the Shadow of the Fallen Towers bears witness to our history - and the ways it shapes our future. AGES: 12 plus AUTHOR: Don Brown is the YALSA excellence in nonfiction and Sibert Honor award-winning author and illustrator of many nonfiction graphic novels for teens and picture book biographies. He has been widely praised for his resonant storytelling and his delicate watercolor paintings that evoke the excitement, humor, pain, and joy of lives lived with passion. School Library Journal has called him "a current pacesetter who has put the finishing touches on the standards for storyographies." He lives in New York with his family.

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Inspired by the creator’s love of all things 80s including Hello Kitty, My Little Pony, Rainbow Brite, retro comic books, and Lisa Frank, this picture book told in comic panels is brimming with cuteness, accessible quirk, and a feel-good message of kindness. Bea loves helping friends and wants to be a superhero, but none of the costumes she tries on fit her personality. While Bea’s world is anything but ordinary, the things she accomplishes with her creativity and preparedness are all things a regular kid--with a big heart, a healthy dose of confidence, and an inflatable turtle--could do. This is a perfect intro to reading stories told in sequential pictures and a way for emerging readers to take an active role in following the narrative. And when readers fall in love with Bunnygirl, they won’t have to worry because she has another adventure coming soon. "Berbay has produced a delightful book that retains the distinctly kawaii feel of Jayne’s original artworks…. Bunnygirl’s message of kindness as a superpower is lovely for little ones to discover." Books + Publishing"A great early introduction into graphic novels, and its simple word choice makes for a wonderful easy reader." School Library Journal

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A brand new revised edition of the best-selling graphic novel based on the enchanting prelude to The Lord of the Rings. First published in 1990, David Wenzel’s comic book adaptation of J.R.R. Tolkien’s The Hobbit was an immediate success and has become one of the best-loved graphic novels of the last 25 years. The Hobbit is the story of Bilbo Baggins, a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim their stolen treasure. It is a journey fraught with danger – and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon, Smaug. Illustrated and hand painted in full colour throughout, and accompanied by the carefully abridged text of the original novel, this handsome authorised edition will introduce new generations to a magical masterpiece – and be treasured by Hobbit fans of all ages, everywhere. This new edition has been completely re-scanned from the original paintings to achieve more accurate and vibrant colours, with David Wenzel revisiting the work to provide sensitive improvements and additions to the original edition. The book includes a magnificent and completely new cover design by Wenzel himself.

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Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.Visit the Penguin Readers websiteExclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.Ebenezer Scrooge hates Christmas. He is angry that people are not working. Then, he meets the ghost of his old partner, Jacob Marley. Can Scrooge be a good person before it is too late? A Christmas Carol, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.

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*Now an acclaimed live-action Netflix series!* Boy meets boy. Boys become friends. Boys fall in love. This joyful trip into the LGBTQ+ world of Heartstopper is the perfect gift for anyone who loves the graphic novels or Netflix TV series - from Alice Oseman, bestselling author and winner of the YA Book Prize. Now in full colour for the first time! Praise for Heartstopper: 'Absolutely delightful. Sweet, romantic, kind. Beautifully paced. I loved this book.' RAINBOW ROWELL, author of Carry OnThe full-colour Heartstopper Yearbook is packed full of exclusive content from the Heartstopper universe - including never-before-seen illustrations, an exclusive mini-comic, a look back at Alice's Heartstopper artwork over the years, character profiles, trivia, and insights into her creative process - all narrated by a cartoon version of Alice herself. By the winner of the YA Book Prize, Heartstopper is about love, friendship, loyalty and mental illness. It encompasses all the small moments of Nick and Charlie's lives that together make up something larger, which speaks to all of us. *Shortlisted for Book of the Year in the British Book Awards 2023*Praise for Heartstopper: 'The queer graphic novel we wished we had at high school.' Gay TimesThe Heartstopper Yearbook was a Sunday Times bestseller on 23/10/22.

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For fans of Minecraft and graphic novels, an epic, full-color adventure—Phoenix must save her village from the ghost of Herobrine.This full-color, graphic novel adventure, with over 750 color images, is created especially for readers who love the fight of good vs. evil, magical academies like Hogwarts in the Harry Potter saga, and games like Minecraft, Terraria, and Pokemon GO.The redstone dust has barely settled after Phoenix’s epic battle against the Defender when word of a new threat arises: the legendary ghost of Herobrine has been sighted in Phoenix’s village, and under cover of darkness, he’s terrorizing a new family each night.Phoenix and T.H. rush to the village, where they discover a tangled string of clues. Just as the friends-turned-sleuths are sure they’ve unraveled the mystery of Herobrine’s griefing, they uncover a secret that makes them question everything they’ve learned.And when a new, stronger enemy appears, their hunt for Herobrine is turned on its end once again. Can a ghost be in danger? And could Herobrine cease to be their enemy and instead become . . . their ally?Fans of Minecraft won’t want to miss this gripping, mysterious addition to the series that began with Quest for the Golden Apple!

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For nearly forty years, from his earliest work in underground Arts Lab projects to his latest work as author of League of Extraordinary Gentlemen and Lost Girls, Moore has pushed the boundaries like few others, ranging from farce and high comedy to the dark, grim work that epitomised the comics revolution of the late eighties. This book examines the recurring themes and how Moore's work has evolved over the years from his early comic work in Captain Britain and 2000 AD, through milestone series like V for Vendetta, Marvelman, Swamp Thing and Watchmen, to his current genre-stretching work. On the way Moore has written definitive stories of America's greatest superheroes Batman and Superman, penned some of the most widely read graphic novels of all time, and helped turn comics into an indispensible art form. In this Pocket Essential you'll meet Moore the pop icon (everyone from the Simpsons to Transvision Vamp have hung out with Halo Jones), Moore the performance artist and magician, Moore the novelist, and above all Moore the writer who helped change the face of comics forever. As well as an introductory essay, this book is a comprehensive survey of Alan Moore's career. It also contains a complete list of his works, including projects that never saw the light of day.

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The first book in the New York Times bestselling series with over ten million copies in print! ‘Terrifyingly fun! Max Brallier’s The Last Kids on Earth delivers big thrills and even bigger laughs.’ Jeff Kinney, author of Diary of a Wimpy Kid Now an award-winning Netflix show! It’s still TOTAL MONSTER ZOMBIE CHAOS on the streets, but now Jack has a gang of friends to help him through – science genius and best friend Quint, super-strong Dirk and all-round coolest girl ever, June. Not to mention Rover, Jack’s awesome monster pet! Plus the treehouse is more souped up than ever, chockablock with defensive gizmos and ready to withstand anything that the monster apocalypse can throw at it.Which is just as well, because there’s something extra-big and extra-monstrous marching right around the corner … The second book in a hilarious monster adventure series. With fresh, funny illustrations on every page, this is perfect for fans of comics and graphic novels aged 8 and over. The Last Kids on Earth series: The Last Kids on Earth The Last Kids on Earth and the Zombie Parade The Last Kids on Earth and the Nightmare King The Last Kids on Earth and the Cosmic Beyond

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The day the towers fell, indelible images of plummeting rubble, fire, and falling bodies were imprinted in the memories of people around the world. Images that were caught in the media loop after the disaster and coverage of the attack, its aftermath, and the wars that followed reflected a pervasive tendency to treat these tragic events as spectacle. Though the collapse of the World Trade Center was "the most photographed disaster in history," it failed to yield a single noteworthy image of carnage. Thomas Stubblefield argues that the absence within these spectacular images is the paradox of 9/11 visual culture, which foregrounds the visual experience as it obscures the event in absence, erasure, and invisibility. From the spectral presence of the Tribute in Light to Art Spiegelman's nearly blank New Yorker cover, and from the elimination of the Twin Towers from television shows and films to the monumental cavities of Michael Arad's 9/11 memorial, the void became the visual shorthand for the incident. By examining configurations of invisibility and erasure across the media of photography, film, monuments, graphic novels, and digital representation, Stubblefield interprets the post-9/11 presence of absence as the reaffirmation of national identity that implicitly laid the groundwork for the impending invasions of Iraq and Afghanistan.

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Take flight to this post-apocalyptic utopia filled with birds. Long after the demise of humankind, birds roam freely around a new earth complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honourable professions for most birds are historian and/or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from the moon threatens to change everything. Michael DeForge s post-apocalyptic reality brings together the author s quintessential deadpan humour, surrealist imagination, and undeniable socio-political insight. Appearing originally as a webcomic, Birds of Maine follows DeForge s prolific trajectory of astounding graphic novels that reimagine and question the world as we know it. His latest comic captures the optimistic glow of utopian imagination with a late-capitalism sting of irony.

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Why would two Eastern European meatboys want to whack an innocent cab driver? That's the question that occurs to Gilrein as Raban and Blumfeld press the gun barrel into his mouth. Does it have something to do with the ritual death-by-flencing of Leo Tani? Or does the answer involve Gilrein's ex-lover, now working as a librarian for a bibliomaniac gangster. Or maybe the whole thing has something to do with the Inspector, inventor of the notorious Methodology? And how does Bobby Oster figure in the mix, with his crew of murder-for-hire rogue cops who call themselves The Magicians? To find the answers, Gilrein will drive the night streets of his hometown and face down more than one demon from his past. From the Vacuum, where child-artists are held captive in veal pens and forced to forge graphic novels, to the Houdini Lounge, where the second annual immigrant death-match is being marketed, Gilrein will wander the underworld, collecting stories and looking for absolution. In the end, he'll brush up against "Alicia's Tale" and learn new truths about the terrifying negotiations always taking place between the storyteller and the audience in the city of Quinsigamond.

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The iconoclastic and bestselling cartoonist of Paying for It: A Comic-Strip Memoir About Being a John returns with a polemical interpretation of the Bible that will be one of the most controversial and talked-about graphic novels of 2016. Mary Wepte over the feet of Jesus is the retelling in comics from of nine biblical stories that present Chester Brown's fascinating and starling thesis about biblical representations of prostitution. Brown weaves a connecting line between Bathsheba, Ruth, Rahab, Tamar, Mary of Bethany, and he Birgin Mother and the reassesses the Christian moral code by examining the cultural implications of the Bible's representations of sex work. Mary Wept over the Feet of Jesus is a fitting follow-up to Brown's sui generis graphic memoir Paying for It, which was reviewed twice in the New York Times and hailed by sex workers for Brown's advocacy for the decriminalization and normalization of prostitution. Brown approaches the Bible as he did the life of Louis Riel, making these stories compellingly readable and utterly pertinent to a modern audience. In classic Chester Brown fashion, he provides extensive handwritten endnotes that delve into the biblical lore that informs Mary Wept over the feet of Jesus. 'There aren't many cartoonists as brave - or frankly, as strange - as this Canadian artist.' - Rolling Stone.

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Winner, Charles Hatfield Book Prize, Comic Studies Society, 2020 A CHOICE Outstanding Academic Title, 2019The history of America’s civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this:Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013–2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father’s participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends, by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement.In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos’s interview with Ho Che Anderson.

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Graphic novels and comics have launched characters and stories that play a dominant role in contemporary popular culture throughout the world. The extensive revisions in this second edition of Comic Art, Creativity and the Law update the author’s analysis of important changes at the intersection of law and comics, featuring an examination of how recent cases will affect the creative process as applied to comic art.Throughout, Marc H. Greenberg examines the impact of contract law, copyright law (including termination rights, parody and ownership of characters), tax law and obscenity law on the creative process. He considers how these laws enhance and constrain the process of creating comic art by examining the effect their often inconsistent and incoherent application has had on the lives of creators, retailers and readers of comic art. Thoroughly revised and updated, there are new chapters featuring a discussion of important new cases in copyright work-for-hire and fair use doctrines; the intersection of law and fan-based creations, such as fan fiction, fan art, fan film and cosplay; as well as a new chapter on licensing comics for motion pictures and television.Designed for academics, practitioners, students of law and fans of comic art, the book offers proposals for changes in those laws that constrain the creative process, as well as a glimpse into the future of comic art and the law.

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What would it mean to “get over slavery”? Is such a thing possible? Is it even desirable? Should we perceive the psychic hold of slavery as a set of mental manacles that hold us back from imagining a postracist America? Or could the psychic hold of slavery be understood as a tool, helping us get a grip on the systemic racial inequalities and restricted liberties that persist in the present day? Featuring original essays from an array of established and emerging scholars in the interdisciplinary field of African American studies, The Psychic Hold of Slavery offers a nuanced dialogue upon these questions. With a painful awareness that our understanding of the past informs our understanding of the present—and vice versa—the contributors place slavery’s historical legacies in conversation with twenty-first-century manifestations of antiblack violence, dehumanization, and social death. Through an exploration of film, drama, fiction, performance art, graphic novels, and philosophical discourse, this volume considers how artists grapple with questions of representation, as they ask whether slavery can ever be accurately depicted, trace the scars that slavery has left on a traumatized body politic, or debate how to best convey that black lives matter. The Psychic Hold of Slavery thus raises provocative questions about how we behold the historically distinct event of African diasporic enslavement and how we might hold off the transhistorical force of antiblack domination.

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Manga from the Floating World is the first full-length study in English of the kibyōshi, a genre of woodblock-printed comic book widely read in late-eighteenth-century Japan. By combining analysis of the socioeconomic and historical milieus in which the genre was produced and consumed with three annotated translations of works by major author-artist Santō Kyōden (1761–1816) that closely reproduce the experience of encountering the originals, Adam Kern offers a sustained close reading of the vibrant popular imagination of the mid-Edo period. The kibyōshi, Kern argues, became an influential form of political satire that seemed poised to transform the uniquely Edoesque brand of urban commoner culture into something more, perhaps even a national culture, until the shogunal government intervened.Based on extensive research using primary sources in their original Edo editions, the volume is copiously illustrated with rare prints from Japanese archival collections. It serves as an introduction not only to the kibyōshi but also to the genre’s readers and critics, narratological conventions, modes of visuality, format, and relationship to the modern Japanese manga and to the popular literature and wit of Edo. Filled with graphic puns and caricatures, these entertaining works will appeal to the general reader as well as to the more experienced student of Japanese cultural history—and anyone interested in the global history of comics, graphic novels, and manga.

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A Kirkus Reviews Best YA Book of 2022 A USBBY 2023 Outstanding International BookA 2022 Foreword INDIES Bronze Winner (Graphic Novels & Comics Category)Honorable mention, 2023 Children's Africana Book Awards2022 VLA Graphic Novel Diversity Award Overfloweth honoreeNominated for the TLA Maverick List All Rise: Resistance and Rebellion in South Africa revives six true stories of resistance by marginalized South Africans against the country’s colonial government in the years leading up to Apartheid. In six parts—each of which is illustrated by a different South African artist—All Rise shares the long-forgotten struggles of ordinary, working-class women and men who defended the disempowered during a tumultuous period in South African history. From immigrants and miners to tram workers and washerwomen, the everyday people in these stories bore the brunt of oppression and in some cases risked their lives to bring about positive change for future generations. This graphic anthology breathes new life into a history dominated by icons, and promises to inspire all readers to become everyday activists and allies. The diverse creative team behind All Rise, from an array of races, genders, and backgrounds, is a testament to the multicultural South Africa dreamed of by the heroes in these stories—true stories of grit, compassion, and hope, now being told for the first time in print.

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"A grown-up gothic fairy tale" — The Guardian's "five best young adult books of 2023""With its silver-sprinkled jacket, this elegiac story . . . is perfect"Children's Book of the Week – The Sunday TimesThe award-winning, bestselling Frances Hardinge and Emily Gravett unite for the first time to conjure up a thrilling fairy tale of ghosts and magic, highly illustrated throughout with a luscious blue ink.On the island of Merlank, the Dead must not be allowed to linger. The very sight of their ghosts can kill you. When young Milo is thrust into the role of Ferryman following his father’s sudden death, he is the one who must carry away the Dead.Pursued by a vengeful lord and two malignant magicians, Milo must navigate strange and perilous seas where untold threats whisper in the mist. Does he have the courage and imagination to complete his urgent mission?From the Costa Book Award-winning Frances Hardinge, author of The Lie Tree and Unraveller, with spectacular illustrations from double Kate Greenaway Medal winner Emily Gravett, this riveting coming-of-age tale will sweep you away on an unforgettable journey.Island of Whispers is a beautiful hardback glittering all over with silver moths, making the most exquisite gift for anyone who loves mysterious fantasy worlds and graphic novels. Perfect for fans of Neil Gaiman and Kiran Millwood Hargrave.

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Discover the Korean War through the eyes of the journalist who covered it in this installment of the New York Times bestselling graphic novel series In 1950, Marguerite Higgins (1920–1966) was made bureau chief of the Far East Asia desk for the New York Herald Tribune. Tensions were high on the Korean peninsula, where a border drawn after WWII split the country into North and South. When the North Korean army crossed the border with Soviet tanks, it was war. Marguerite was there when the Communists captured Seoul. She fled with the refugees heading south, but when the bridges were blown over the Han River, she was trapped in enemy territory. Her eyewitness account of the invasion was a newspaper smash hit. She risked her life in one dangerous situation after another––all for the sake of good story. Then she was told that women didn’t belong on the frontlines. The United States Army officially ordered her out of Korea. She appealed to General Douglas MacArthur, and he personally lifted the ban on female war correspondents, which allowed her the chance to report on many of the major events of the Korean War. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!

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Sociology in Pictures: Theories and Concepts Self-Study and Teacher Guide provides a series of questions and suggested answers for each of the topics in the student book. It includes an evaluation of each theory and concept and, where appropriate, a short biography of major sociologists. Sociology in Pictures: Theories and Concepts is a fresh and exciting publication based on styles from graphic novels and comics. The Self-Study and Teacher Guide provides a series of questions and suggested answers for each of the topics in the student book. These can be used for individual work, group work or class discussions, for homework or for self study. The Guide also includes an evaluation of each theory and concept and, where appropriate, a short biography of major sociologists. Contents1. Culture2. Social control3. Marxism4. Alienation5. Emile Durkheim6. Anomie7. Functionalism8. Functions of religion9. Max Weber10. Rational action11. Stratification12. The Chicago School13. Symbolic interactionism14. Interaction processes15. Acting the part16. Ethnomethodology17. Phenomenology18. Feminism19. Gender20. Michel Foucault21. Pierre Bourdieu22. Postmodern society23. Late modernity24. The second modernity25. Liquid modernity26. Globalisation27. The network society28. The reinvention society29. Common sense30. References A companion book, Sociology in Pictures: Theories and Concepts Self-Study and Teacher’s Guide, is also available.

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In Sketching Men, veteran art instructor Koichi Hagawa, PhD explains how to quickly capture the dynamic male form through two distinct styles of sketching: Very rapid (1-3 minute) line drawings that capture the essence of the subject's posture and movement—perfect for recording athletic action poses in the moment More finished tonal drawings, which take a bit longer to render (7-10 minutes), but fill in lots of interesting texture and wonderfully realistic details and nuances, including the play of light and shadow, three-dimensional form and a sense of mass and balance Learn to sketch the following: Individual body parts and their bones and muscles Objects held in the hands and with both arms Standing and sitting poses Transitions from prone and sitting poses to a standing pose Bending, reaching and leaning poses Pushing, throwing and dancing poses Folds, gathers and drape of clothing This book contains hundreds of detailed studies and helpful examples. Your sketches will improve rapidly as you learn all about how human anatomy—the skeleton, muscles and posture—all come together to express the uniquely male form. When you hone your line and tonal drawing skills with this book, all of your artwork will improve as a result, no matter the application: storyboarding, cartooning and graphic novels, illustration, formal drawings, painting and more!

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An international collaboration involving 26 writers and illustrators from 14 different countries have transformed 15 of Cixin Liu's – 'China's answer to Arthur C. Clarke' (New Yorker) – award-winning stories into graphic novels. The Sun is dying. Helium will soon permeate its core, triggering a violent explosion, and its burning-hot diameter will increase until it has consumed everything that stands in its way. As long as we remain in its path, humanity stands no chance. Interstellar emigration is the only way out. Reaching a consensus on a destination has been easy: the only viable target is Proxima Centauri. It is the star closest to our own, a mere 4.3 light-years away. How to reach our new solar system is more difficult. Spaceships stand no chance in open space, and the nearest inhabitable planet lies hundreds of thousands of years away. If humanity leaves Earth behind, our continued existence is impossible. The only way to survive is to find a way to propel Earth out of its orbit. But how? Praise for Cixin Liu: 'Your next favourite sci-fi novel' Wired 'Immense' Barack Obama 'Unique' George R.R. Martin 'SF in the grand style' Guardian 'Mind-altering and immersive' Daily Mail 'A milestone in Chinese science-fiction' New York Times 'China's answer to Arthur C. Clarke' New Yorker Winner of the Hugo and Galaxy Awards for Best Novel

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Winner, Charles Hatfield Book Prize, Comic Studies Society, 2020 A CHOICE Outstanding Academic Title, 2019The history of America’s civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this:Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013–2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father’s participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends, by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement.In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos’s interview with Ho Che Anderson.

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From Brian Fies, the acclaimed graphic novelist of Mom’s Cancer, Whatever Happened to the World of Tomorrow?, and A Fire Story, comes a classic comic book adventure for all agesDecades after being imprisoned for threatening his city with an army of giant robots, an elderly scientist reenters society, only to discover he needs help navigating life in the 21st century. Experiencing real kindness and friendship for the first time ever, his new relationships challenge the inventor’s single-minded devotion for vengeance—just as his plans threaten to spiral out of his control. An homage to the classic cartoons of the 1940s, The Last Mechanical Monster is about ambition, creativity, mortality, friendship, and legacy. How do we want to be remembered? And what will we leave behind? This latest graphic novel from Brian Fies (Mom’s Cancer, Whatever Happened to the World of Tomorrow?, and A Fire Story) already has a fanbase and a considerable history of accomplishment. Initially published online as a webcomic, it was nominated for an Eisner Award for Best Digital Comic in both 2014 and 2015. It is also a pivot from Fies’s more serious graphic novels, created at a time when he was between large, demanding projects, and needing to remind himself that comics could and should be fun and provide a joyful escape—something we can all use a little more of these days.

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How can we foster a more inclusive, responsible, and communicative future? What if illustrated scholarship is one way to get there? Organized around eight terms in the study of religion, the groundbreaking, multifaceted book A Universe of Terms: Religion in Visual Metaphor combines text and image to examine the human as both catalyst of crisis and principal agent for its mitigation. Mona Oraby and Emilie Flamme—a professor and an illustrator—were spurred to create an alternative form for scholarly communication, one that stages conversations between thinkers who likely would not all find themselves in the same room. This graphic nonfiction book acknowledges the significance of certain terms to the social sciences and the humanities, narrates their limitations, and shows why we need a structure and style for thinking them otherwise. It further urges the iterative rethinking of any new terms this exercise yields. Through its unique visual lexicon, A Universe of Terms explores religious media in postcolonial and secular contexts, performances of religious feeling, the political economy of religion, sacred presence, and human striving amid social inequality and climate change. Beautifully illustrated and inspired by a range of media from graphic novels to podcasts, A Universe of Terms is a visual experiment, one that invites readers to think again and anew about how the visual is integral to thought.

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“a tour de force of comics” (Ed Park, The New York Times)One of the Top Ten Graphic Novels of 2020, as chosen by the American Library AssociationOne of the Best Books of 2020, as chosen by Publishers Weekly“Fortunately for readers of this raw and intimate graphic memoir, Terry never fully lets go of his youthful vulnerability. . . . Reckoning with sobriety requires connection and humility, as Terry makes the case for with sincerity and beauty, as he ties his recovery to his spiritual homecoming.” —Starred Review, Publishers WeeklyA brutally honest but charming look at the pain of childhood and the alienation and anxiety of early adulthood.In his memoir, we are invited to walk through the life of the author, Jim Terry, as he struggles to find security and comfort in an often hostile environment. Between the Ho-Chunk community of his Native American family in Wisconsin and his schoolmates in the Chicago suburbs, he tries in vain to fit in and eventually turns to alcohol to provide an escape from increasing loneliness and alienation. Terry also shares with the reader in exquisite detail the process by which he finds hope and gets sober, as well as the powerful experience of finding something to believe in and to belong to at the Dakota Access Pipeline resistance at Standing Rock.

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A beautifully rendered graphic novel adaptation of Lauren Tarshis's bestselling I Survived the Nazi Invasion, 1944, with text adapted by Georgia Ball and art by Álvaro Sarraseca. It's been years since the Nazis invaded Max Rosen's home country of Poland. All the Jewish people, including Max's fam­ily, have been forced to live in a ghetto. At least Max and his sister, Zena, had Papa with them … until two months ago, when the Nazis took him away. Now Max and Zena are on their own. One day, with barely enough food to survive, the siblings make a dar­ing escape from Nazi soldiers into the nearby forest. They are found by Jewish resistance fighters, who take them to a safe camp. But soon, grenades are falling all around them. Can Max and Zena survive the fallout of the Nazi invasion? With art by Álvaro Sarraseca and text adapted by Georgia Ball, Lauren Tarshis's New York Times bestselling I Survived series takes on vivid new life in this explosive graphic novel edition. Includes non-fiction back matter with historical photos and facts about World War II and the Holocaust. Perfect for: readers who prefer the graphic novel format existing fans of the I Survived chapter book series I Survived graphic novels combine historical facts with high-action storytelling that's sure to keep any reader turning the pages.

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Sarah Glidden is a progressive Jewish American twenty-some- thing who is both vocal and critical of Israeli politics in the Holy Land. When a debate with her mother prods her to sign up for a Birthright Israel tour, Glidden expects to find objective facts to support her strong opinions. During her two weeks in Israel, Glidden takes advantage of the opportunity to ask the people she meets about the fraught and complex issue of the Israeli-Palestinian conflict, but their answers only lead her to question her own take on the conflict. Simple linework and gorgeous watercolors spotlight Israel's countryside, urban landscapes, and religious landmarks. With straightforward sincerity, lovingly observed anecdotes, and a generous dose of self-deprecating humor, How to Understand Is-rael in 60 Days or Less is accessible while retaining Glidden's distinctive perspective. Over the course of this touching memoir, Glidden comes to terms with the idea that there are no easy answers to the world's problems, and that is okay. Glidden's debut book, How to Understand Israel in 60 Days or Less landed on several best of the year lists, including Entertainment Weekly; earned a YALSA Great Graphic Novels for Teens distinction; and won an Ignatz Award. Her second book, Rolling Blackouts, which documents her experience shadowing journalists in Turkey, Iraq, Lebanon, and Syria, will also come out this fall from Drawn and Quarterly

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Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.The Railway Children, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.Bobbie, Peter, Phyllis and their mother have to leave London and live in the countryside. Their new house is next to the railway, and the children visit it every day. Slowly, the children begin to love their new life.Visit the Penguin Readers websiteExclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.

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Winner of the Best Book Award in Comics History from the Grand Comics Database Honorable Mention, 2019-2020 Research Society for American Periodicals Book Prize The term “graphic novel” was first coined in 1964, but it wouldn’t be broadly used until the 1980s, when graphic novels such as Watchmen and Maus achieved commercial success and critical acclaim. What happened in the intervening years, after the graphic novel was conceptualized yet before it was widely recognized? Dreaming the Graphic Novel examines how notions of the graphic novel began to coalesce in the 1970s, a time of great change for American comics, with declining sales of mainstream periodicals, the arrival of specialty comics stores, and (at least initially) a thriving underground comix scene. Surveying the eclectic array of long comics narratives that emerged from this fertile period, Paul Williams investigates many texts that have fallen out of graphic novel history. As he demonstrates, the question of what makes a text a ‘graphic novel’ was the subject of fierce debate among fans, creators, and publishers, inspiring arguments about the literariness of comics that are still taking place among scholars today. Unearthing a treasure trove of fanzines, adverts, and unpublished letters, Dreaming the Graphic Novel gives readers an exciting inside look at a pivotal moment in the art form’s development.

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The world of James Bond is complex and ever growing. The British secret agent started off life as a semi-fictional, part-biographical character in Ian Fleming's 1953 novel, Casino Royale. Since then, 007 has captured the minds and hearts of a worldwide audience, and the franchise is now available over multiple media platforms, including movie, comic strips, games, graphic novels and fashion statements. This edited collection examines the role that gender has played across the platforms that the James Bond franchise now occupies. Each chapter investigates gender-approaches through a variety of case studies, including Bond, his boss M, and Miss Moneypenny, the songs and title sequences, the villains, computer games, 'Lad's Mags', and the fashions of the era. Looking beyond the Bond Girl, expert editor Steven Gerrard brings together a cast of contributors that investigate not only femininity, but also masculinity when it comes to the world's best-known agent - a man with a license to kill. In a rapidly changing world where gender boundaries are being eroded, this edited collection investigates the changing and challenging roles that gender has undergone in the franchise. By using a series of case studies, and employing theoretical modes linked to close analysis, each chapter clearly demonstrates how and why the world of James Bond is important in reflecting the changing gender roles within modern society.

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An international collaboration involving 26 writers and illustrators from 14 different countries have transformed 15 of Cixin Liu's – 'China's answer to Arthur C. Clarke' (New Yorker) – award-winning stories into graphic novels. Yuanyuan was five months old when she saw bubbles for the first time. In that moment, her eyes lit up with a radiance that outshone the sun and stars, and she felt she truly saw the world for the first time. From that day on, her life's one dream was to blow the biggest bubbles possible. Yuanyuan's father doesn't approve of her dream. He fears his daughter's obsession is childish and too fleeting for his daughter, and longs for her to turn her intelligence to a calling that might help people. Their city is dying, but Yuanyuan focuses solely on blowing bigger and bigger bubbles. But when Yuanyuan learns to create a bubble the size of a city – greater even – it may be that her obsession isn't so unhelpful after all. Praise for Cixin Liu: 'Your next favourite sci-fi novel' Wired 'Immense' Barack Obama 'Unique' George R.R. Martin 'SF in the grand style' Guardian 'Mind-altering and immersive' Daily Mail 'A milestone in Chinese science-fiction' New York Times 'China's answer to Arthur C. Clarke' New Yorker Winner of the Hugo and Galaxy Awards for Best Novel

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Manga from the Floating World is the first full-length study in English of the kibyōshi, a genre of woodblock-printed comic book widely read in late-eighteenth-century Japan. By combining analysis of the socioeconomic and historical milieus in which the genre was produced and consumed with three annotated translations of works by major author-artist Santō Kyōden (1761–1816) that closely reproduce the experience of encountering the originals, Adam Kern offers a sustained close reading of the vibrant popular imagination of the mid-Edo period. The kibyōshi, Kern argues, became an influential form of political satire that seemed poised to transform the uniquely Edoesque brand of urban commoner culture into something more, perhaps even a national culture, until the shogunal government intervened.Based on extensive research using primary sources in their original Edo editions, the volume is copiously illustrated with rare prints from Japanese archival collections. It serves as an introduction not only to the kibyōshi but also to the genre’s readers and critics, narratological conventions, modes of visuality, format, and relationship to the modern Japanese manga and to the popular literature and wit of Edo. Filled with graphic puns and caricatures, these entertaining works will appeal to the general reader as well as to the more experienced student of Japanese cultural history—and anyone interested in the global history of comics, graphic novels, and manga.

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This beautiful and engaging volume charts the evolution of manga from its roots in late 19th-century Japan through the many and varied forms of comics, cartoons and animation created throughout Asia for more than 100 years. World authority on comic art Paul Gravett details the evolving meanings of the myths and legends told and retold by manga artists of every decade and reveals the development and cross pollination of cultural and aesthetic ideas between manga artists throughout Asia. He explores the explosion of creativity in manga after the Second World War with the emergence of such artists as Osamu Tezuka, whose pioneering Astro Boy spawned a new and much imitated visual dynamic. He highlights how creators have responded to political events since 1950 in the form of propaganda, criticism and commentary in manga magazines, comics and books. There have been many remarkably powerful and sophisticated graphic novels, although some sexually explicit and emotionally dark adult manga has also attracted criticism, raising questions about taste and acceptability. Gravett discusses the influence of censorship on manga and concludes with a survey of current multi- platform offerings of manga in Asia and the transition from cut-price rental libraries to the booming specialist emporia and comic conventions that champion the kaleidoscope of creativity apparent in the digital age.

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The zombie craze has infected popular culture with the intensity of a viral outbreak, propagating itself through text, television, film, video games, and many other forms of media. As a metaphor, zombies may represent political notions, such as the return of the repressed violence of colonialism, or the embodiment of a culture obsessed with consumerism. Increasingly, they are understood and depicted as a medicalized phenomenon: creatures transformed by disease into a threatening vector of contagion.The Walking Med brings together scholars from across the disciplines of cultural studies, medical education, medical anthropology, and art history to explore what new meanings the zombie might convey in this context. These scholars consider a range of forms—from comics disseminated by the Centers for Disease Control and Prevention to graphic novels and television shows such as The Walking Dead—to show how interrogations of the zombie metaphor can reveal new perspectives within the medical humanities. An unprecedented forum for dialogue between cultural studies of zombies and graphic medicine, The Walking Med is an invaluable contribution to both areas of study, as well as a potent commentary on one of popular culture’s most invasive and haunting figures.In addition to the editors, the contributors are Tully Barnett, Gerry Canavan, Daniel George, Michael Green, Ben Kooyman, Sarah Juliet Lauro, Juliet McMullin, Kari Nixon, Steven Schlozman, Dan Smith, and Darryl Wilkinson.

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New York Times Bestseller Nathan Hale, the author’s historical namesake, was America’s first spy, a Revolutionary War hero who famously said “I regret that I have but one life to give for my country” before being hanged by the British. In the Nathan Hale’s Hazardous Tales series, author Nathan Hale channels his namesake to present history’s roughest, toughest, and craziest stories in the graphic novel format.One Dead Spy tackles the story of Hale himself, who was an officer and spy for the American rebels during the Revolutionary War. Author Hale highlights the unusual, gruesome, and just plain unbelievable truth of historical Nathan Hale—from his early unlucky days at Yale to his later unlucky days as an officer—and America during the Revolutionary War. Get One Dead Spy and two other Hazardous Tales in the Nathan Hale's Hazardous Tales 3-Book Boxed Set, available now!Praise for Nathan Hale's Hazardous Tales: One Dead Spy "An innovative approach to history that will have young people reading with pleasure." —Kirkus Reviews "Readers interested in American history will enjoy these graphic novels... Comic panels of varying sizes enhance the real-life events and support the stories’ over-the-top humor... the writing is accessible and entertaining; author Hale’s style gives readers an insider-y, you-are-there-type scoop." —Horn Book

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