Search results for ""author thomas"

Mae’r gyfrol hon yn cynnig golwg newydd ar ddelweddau cyfarwydd y ffotograffydd John Thomas (1838–1905), wrth eu gosod yng nghyd-destun llenyddol a syniadol Cymru yn ystod ail hanner y bedwaredd ganrif ar bymtheg. Dyma’r astudiaeth fanylaf o waith John Thomas hyd yma, sy’n torri cwys newydd wrth ddadansoddi’r delweddau ochr yn ochr â llenyddiaeth Gymraeg ei gyfoedion. Mae’r gyfrol hefyd yn trafod perthynas Thomas ag O. M. Edwards, ac yn ystyried goblygiadau amwys y berthynas i’r modd y darllenir gwaith y ffotograffydd hyd heddiw; ac, mewn cyd-destun ehangach, cymherir gwaith Thomas â phrosiect y ffotograffydd Almaenig August Sander (1876–1964) i’r ugeinfed ganrif, gan gynnig dadansoddiad o weledigaeth greadigol ac arloesol y Cymro.

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All Dylan Thomas' major works gathered together and featuring a bold new livery in celebration of the Dylan Thomas centenary.A rich collection of Dylan Thomas' best-loved poems and stories, such as PORTRAIT OF THE ARTIST AS A YOUNG DOG, and pieces he wrote for radio and magazines, including the celebrated radio play UNDER MILK WOOD. The DYLAN THOMAS OMNIBUS highlights the full range and genius of this tempestuous and meticulous artist.

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Thomas Mann arrived in Princeton in 1938, in exile from Nazi Germany, and feted in his new country as “the greatest living man of letters.” This beautiful new book from literary critic Stanley Corngold tells the little known story of Mann’s early years in America and his encounters with a group of highly gifted émigrés in Princeton, which came to be called the Kahler Circle, with Mann at its center. The Circle included immensely creative, mostly German-speaking exiles from Nazism, foremost Mann, Erich Kahler, Hermann Broch, and Albert Einstein, all of whom, during the Circle’s nascent years in Princeton, were “stupendously” productive. In clear, engaging prose, Corngold explores the traces the Circle left behind during Mann’s stay in Princeton, treating literary works and political statements, anecdotes, contemporary history, and the Circle’s afterlife. Weimar in Princeton portrays a fascinating scene of cultural production, at a critical juncture in the 20th century, and the experiences of an extraordinary group of writers and thinkers who gathered together to mourn a lost culture and to reckon with the new world in which they had arrived.

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Like Shakespeare and Joyce before him, Dylan Thomas expanded our sense of what the English language can do. Rhythmically forceful yet subtly musical and full of memorable lines, his poems are anthology favourites; his 'play for voices' Under Milk Wood a modern classic. Much loved by The Beatles and Bob Dylan, he is a cultural icon and continues to inspire artists today.This new edition, released to commemorate the centenary of Thomas's birth, collects more of his poems together in a single volume than ever before. With recently discovered material and accessible critique from Dylan Thomas expert John Goodby, it looks at Thomas's body of work in a fresh light, taking us to the beating heart of his poetry.

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Thomas Sankara: A Revolutionary in Cold War Africa offers the first complete biography in English of the dynamic revolutionary leader from Burkina Faso, Thomas Sankara. Coming to power in 1983, Sankara set his sights on combating social injustice, poverty, and corruption in his country, fighting for women's rights, direct forms of democracy, economic sovereignty, and environmental justice. Drawing on government archival sources and over a hundred interviews with Sankara's family members, friends, and closest revolutionary colleagues, Brian J. Peterson details Sankara's political career and rise to power, as well as his assassination at age 37 in 1987, in a plot led by his close friend Blaise Compaoré. Thomas Sankara: A Revolutionary in Cold War Africa offers a unique, critical appraisal of Sankara and explores why he generated such enthusiasm and hope in Burkina Faso and beyond, why he was such a polarizing figure, how his rivals seized power from him, and why T-shirts sporting his image still appear on the streets today.

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'Brilliant . . . Hall has shaped a richly imagined, tremendously moving fictional work. Its genius is not to explain but to embody the science and politics that shaped Oppenheimer's life . . .The resulting quantum portrait feels both true and dazzlingly unfamiliar' New York Times J. Robert Oppenheimer - the father of the atomic bomb - was a brilliant scientist, a champion of liberal causes, and a complex and often contradictory character. In Louisa Hall's kaleidoscopic novel, seven fictional characters bear witness to his life. From a secret service agent who tailed him in San Francisco, to the young lover of a colleague in Los Alamos, to a woman fleeing McCarthyism who knew him on St. John, as these men and women fall into the orbit of a brilliant but mercurial mind at work, all consider his complicated legacy while also uncovering deep and often unsettling truths about their own lives.In Trinity, Louisa Hall has crafted an explosive story about what it means to truly know someone, and about the secrets we keep from the world and from ourselves.

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Thomas Jefferson's design for the University of Virginia is widely hailed as a masterpiece. It is his greatest architectural accomplishment, the summation of his quest for intellectual freedom. The story of the University encompasses the political and architectural worlds, as Jefferson struggled against great opposition to establish a new type of educational institution. ""Thomas Jefferson's Academical Village"" offers a comprehensive look at Jefferson's design for the University, at how it came into being, at the different perceptions of its successes and failures, and at the alterations that have taken place down through the years. The revised edition incorporates research that has been ongoing since the book first appeared in 1993, and includes a preface by Richard Guy Wilson, essays on architecture and education and the Lawn, additional architectural drawings and historic photographs, a foreword by President John T. Casteen III, and numerous color illustrations.

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Assurance was a central issue for the eminent Scottish theologian-pastor Thomas Boston long before it emerged as a focal point of the theological debate in the Marrow Controversy. In The Marrow of Certainty, Chun Tse presents the first full-length study of Boston's theology of assurance in six dimensions: trinitarian, covenantal, Christological, soteriological, ecclesiastical, and sacramental. This work not only furnishes the first-ever intellectual biography of Boston in his Scottish context and controversies, but it also cross-studies the theology of the Marrow of Modern Divinity with Boston's notes. This research argues that Boston's doctrine of assurance centres on union and communion with Christ, the architectonic principle of his theology. The book challenges the common conception that Boston's theology merely follows Calvin, the Scots Confession, the Marrow, the Westminster Standards, and Scottish federalism. Boston, most strikingly, holds in tension assurance as intrinsic to faith-itself a gift from God's sovereignty in election-while insisting on self-examination as a human responsibility. This salient mark of his doctrine of assurance originates from his assertion that Christ died for the elect alone but all-elect or not-have the warrant to receive Christ. As such, assurance is, theologically, a divine gift and, pastorally, a human endeavour. Certainty is thus both extra nos and intra nos. Boston, this study reveals, has a potent and enduring power to speak on the perennial issue of assurance, rooted in the person of Christ, whom he considers as being the covenant itself.

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Thomas Heatherwick: Designer is an inspiring biography of one of the UK's greatest living designers, whose work includes the 2012 Olympic cauldron. TreeTops inFact is a non-fiction series that aims to engage children in reading for pleasure as powerfully as fiction does. The variety of topics means there are books to interest every child in this compelling series. The series is written by top children's authors and subject experts. The books are carefully levelled, making it easy to match every child to the right book.

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag. Thomas Crane (1843–1903) was the son of painter Thomas Crane (1808–1859) and brother of the renowned children’s illustrator Walter Crane (1845–1915). He channeled his inborn artistic talents into illustration and design, and as art director at Marcus Ward & Co., producing highly regarded greeting cards, embroidery designs and illustrations. Particularly exquisite are his floral patterns designed for Art Embroidery: a Treatise on the Revived Practice of Decorative Needlework (1878).

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This volume is a collection of essays by various academics looking at how identity is shaped, gendered, and contested throughout PynchonOs work. By exploring sociological, anthropological, literary, and political dimensions, the contributors revise important ideas in the debate over individualism using political and feminist theory and examine the different ways in which their writings embody, engage, and critique the official narratives generated by AmericaOs culture.

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Following his recovery after a savage wounding in America, Kydd returns to England to re-assume command of his ship-of-the-line, Thunderer, which is sent to the remote station of Bermuda.'Paints a vivid picture of life aboard the mighty ship-of-the-line' Daily Express

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Monetarism and the Methodology of Economics is a collection of 14 original essays in honour of Thomas Mayer focusing on the themes of monetarism, the transmission mechanism for monetary policy, the political economy of monetary policy and the methodology of empirical economics.This volume addresses the many areas where Thomas Mayer has made a major contribution and brings together a distinguished group of contributors including King Banaian, Mark Blaug, Martin Bronfenbrenner, Richard C.K. Burdekin, Thomas F. Cargill, Milton Friedman, C.A.E. Goodhart, D. Wade Hands, Abraham Hirsch, Kevin D. Hoover, David Laidler, Thomas Mayer, James L. Pierce, Steven M. Sheffrin, Richard J. Sweeney, Thomas D. Willett, Wing Thye Woo. An autobiographical essay by Thomas Mayer and a short appreciation by Kevin Hoover and Steven Sheffrin are included in this volume, together with a bibliography of Mayer's economic writings.

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R. S. Thomas is recognised globally as one of the major poets of the twentieth century. Such detailed attention as has been paid to the religious dimensions of his work has, however, largely limited itself to such matters as his obsession with the ‘absent God’, his appalled fascination with the mixed cruelty and wonder of a divinely created world, his interest in the world-view of the ‘new physics’, and his increasingly heterodox stance on spiritual matters. What has been largely neglected is his central indebtedness to key features of the ‘classic’ Christian tradition. This book concentrates on one powerful and compelling example of this, reading Thomas’s great body of religious work in the light of the three days that form the centre of the Gospel narrative; the days which tell of the death, entombment and resurrection of Christ.

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The Summa contra gentiles is perhaps the most peculiar work of St. Thomas Aquinas, due to Thomas's decision to structure the work first according to what humans can say about God without revelation and then what humans can say about God once revelation is explicitly introduced. Such an approach to the human pursuit of the divine is otherwise unheard of in Thomas's own day, and this unusual structure has provided a fertile seedbed for a wide range of interpretations. Matthew Kostelecky's book shows the integral relationship between the conceptions of human nature and God operative throughout the Summa contra gentiles such that the text is always in a twofold movement, at once describing what humans can say about God while also reflecting human nature back on itself by delineating its limits and capabilities with respect to the possible human knowledge of God. As a result, the Summa contra gentiles is presented as a mirror of human nature as that nature is directed to its most noble object.

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Includes the whole of the First Part of the Summa Theologica. Pegis's revision and correction of the English Dominican Translation renders Aquinas' technical terminology consistently as it conveys the directness and simplicity of Aquinas' writing; the Introduction, notes, and index aim at giving the text its proper historical setting, and the reader the means of studying St. Thomas within that setting.

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Best known for his interiors and landscapes featuring beautiful women in artful poses and subtly related color harmonies, Thomas Wilmer Dewing (1851–1938) lived and worked at the forefront of developments in modern American art. His paintings, which navigate a course between the bravura of John Singer Sargent and the attenuated aestheticism of James McNeill Whistler, convey a sensuous beauty that remains uniquely his and that represents an exceptional phase in American painting. Featuring a comprehensive biography and engaging, narrative commentaries, this elegant, 2-volume catalogue raisonné is an essential and much-needed reference. Included here are more than 550 works of art as well as previously unpublished photographs from the artist’s own albums; each work is accompanied by a full provenance, exhibition histories, and literature—both published and archival.

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Thomas Hutchinson was the leading spokesman in colonial America for opposition to the Revolutionary movement. His logical and cogent prose as well as the stature he gained through his long and varied public service to Massachusetts gave weight to his arguments and insured a wide audience for his ideas in both England and the colonies. Because of his Loyalist sympathies, however, his letters have until now languished unpublished in the Massachusetts Archives.This first volume of the only fully annotated edition of his correspondence begins with his emergence on the political stage in 1740 and covers the events of the French and Indian War, his controversial appointments as lieutenant-governor and chief justice, and the Stamp Act riots (including the looting of his own home).Distributed for the Colonial Society of Massachusetts.

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Thomas Glover arrived in Nagasaki in 1859, just as Japan was opening to the West. Within a few years he had played a crucial part in the overthrow of the Tokugawa Shogunate, providing the rebels with war-winning, Scottish-designed warships, and modern arms. Bankruptcy by the age of thirty was barely a setback and he went on to become a pivotal figure in the rapidly expanding Mitsubishi empire, founding shipyards and breweries.As energetic in his love-life as in business and politics, Glover had a string of Japanese mistresses, one of whom inspired Puccini's Madam Butterfly. This 'Scottish Samurai' was to become an adviser to the Japanese government; he also arranged for many Japanese to visit Britain and see the wonders of the industrial revolution, a lesson they enthusiastically absorbed. Today, Glover is regarded as one of the founding fathers of the Japanese economic miracle.

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Thomas Paine's words were like no others in history: they leaped off the page, inspiring readers to change their lives, their governments, their kings, and even their gods. In an age when spoken and written words were the only forms of communication, Paine's aroused men to action like no one else. The most widely read political writer of his generation, he proved to be more than a century ahead of his time, conceiving and demanding unheard-of social reforms that are now integral elements of modern republican societies. Among them were government subsidies for the poor, universal housing and education, pre- and post-natal care for women, and universal social security. An Englishman who emigrated to the American colonies, he formed close friendships with Benjamin Franklin, Thomas Jefferson, and James Madison, and his ideas helped shape the Declaration of Independence and the Bill of Rights.However, the world turned against Paine in his later years. While his earlier works, Common Sense and Rights of Man, attacked the political and social status quo here on earth, The Age of Reason attacked the status quo of the hereafter. Former friends shunned him, and the man America had hailed as the muse of the American Revolution died alone and forgotten.Packed with action and intrigue, soldiers and spies, politics and perfidy, Unger's Thomas Paine is a much-needed new look at a defining figure.

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This book presents a privileged insight into the design and construction of the award-winning Thomas P. Murphy Design Studio Building through a series of interviews with the main professionals responsible for its conception, design and construction: the lead architects Bernardo Fort-Brescia, Raymond Fort-Brescia and Thomas Westberg; the builders Thomas C. Murphy, Erin Murphy, Nick Duke and Jason Anderson; the curtain wall manufacturers Jose Daes and Carmen L. Guerrero, and the University of Miami Project Manager, Gary Tarbe. It also offers sumptuous, detailed photography to provide a thorough understanding of a building that is not just a brilliant work of architecture in its own right but that also provides an inspiring, tailor-made environment in which to educate the architects of the future.

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Thomas Adès is feted from Los Angeles to London, from New York to Berlin, as the musician who has done more than any other living composer to connect contemporary music with wider audiences. But this celebrated composer, conductor and pianist is notoriously secretive about his creative process, about what lies behind his compositional impulse. Here, Adès opens up for the first time, in conversations with Tom Service, about how he creates his music, where it comes from, and what it means. In these provocative and challenging interviews, Adès connects his music with influences from a huge historical and cultural spectrum - from Sephardic Jewish folk music to 80s electronica, from the films of Luis Buñuel and pre-Columbian art to the soundtracks of Al-Qaeda training videos - and offers a unique insight into the crucible of composition.This edition is updated with a foreword on Adès's opera, Exterminating Angel.

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Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.

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Thomas Kinsella began writing in the early 1950s when Irish poets were struggling to emerge from what he identified as the ""double shadow of Yeats and English verse"". Throughout his career, Kinsella has sought to establish his identity as an Irish poet writing in English, and to determine his place within the dual Irish tradition, Gaelic and English. This comprehensive study explores the poet's development within both the Irish and the English contexts, and defines the nature of his poetic achievement. It also offers a new reading of Kinsella's evolving relationship to one of his major literary forebears, W.B. Yeats. What becomes clear is the formidable accomplishment of a poet, now writing at the height of his powers, whose substantial body of work warrants comparison with the grand masters of 20th-century literature in English, Yeats, Joyce and Beckett. Beginning with Kinsella's first volume of poetry in 1956 and concluding with his most recent work, ""From Centre City"" (1994), the book traces the evolution of the poet's style and vision from the formal lyricism of his early volumes, through the long narrative poems of his middle period, to his later sequences of spare, laconic poems that are increasingly rich in polyphony and intertextuality. It finds that the formal structure and mellifluous cadence of Kinsella's early poetry, indebted to the works of past masters, such as Auden, Eliot and Yeats, give way to experimentalism, to a dislocated poetry that is often lacking closure. In his later writing, diverse exemplars, ranging from the early Irish literature and myth and the 18th-century Irish poet Aogan O Rathaille to the psycholoanalysis of Carl Jung and the music of Gustav Mahler and Sean O Riada, aid Kinsella in tracing his personal and poetic inheritance. This book illuminates poetry often regarded as difficult, and offers a useful evaluation of a major poet who continues to contribute to contemporary Irish poetry.

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Another excellent historical adventure from Susanna Gregory featuring 17th-century spy Thomas Chaloner------------------------London in the spring of 1665 is a city full of fear. There is plague in the stews of St Giles, the Dutch fleet is preparing to invade, and a banking crisis threatens to leave Charles II's government with no means of paying for the nation's defence.Amid the tension, Thomas Chaloner is ordered to investigate the murder of Dick Wheler, one of the few goldsmith-bankers to have survived the losses that have driven others to bankruptcy - or worse. At the same time, a French spy staggers across the city, carrying the plague from one parish to another.Chaloner's foray into the world of the financiers who live in and around Cheapside quickly convinces him that they are just as great a threat as the Dutch, but their power and greed thwart him at every turn. Meanwhile, the plague continues to spread across the city, and the body count from the disease and from the fever of avarice starts to rise alarmingly . . .

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In a ceremony of great solemnity in July 1220, almost fifty years after his murder in December 1170, the relics of Saint Thomas Becket, Canterbury’s most famous archbishop, were taken from the tomb in the crypt of Canterbury Cathedral where they had lain for fifty years and placed in a magnificent bejewelled shrine in the cathedral’s Trinity Chapel. The shrine, which became the focus of pilgrimage and veneration for generations of travellers to Canterbury, remained in the Trinity Chapel for more than 300 years until its destruction in September 1538 by commissioners acting on the orders of King Henry VIII. The fabulous jewels and precious metals were carted off to the king’s treasury in London, but no authentic record has come to light of the fate of the mortal remains – the holy relics – of Saint Thomas. There are many stories but few hard facts. This book marks the 800th anniversary of the translation of Thomas Becket’s relics in 1220 from the crypt of Canterbury Cathedral to the shrine in the Trinity Chapel. In it, John Butler carefully sifts the evidence about the fate of Becket’s bones when the shrine was destroyed in 1538, and he explores a series of probing questions. Did the monks of the cathedral attempt to hide the relics before King Henry’s commissioners arrived in Canterbury? Were the bones burnt on the orders of Pope Paul III, as many believe, or did they somehow survive? What is the significance of the grave discovered in the crypt of the cathedral in 1888? Against a background of church politics and carefully referencing all his sources, John Butler pieces together an intriguing story of faith, science and romanticism that will appeal to all who relish a true-life mystery.

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This book, Thomas Munzer Und Seine Genossen: Historischer Roman. Band 3, by Ludwig Kohler, is a replication of a book originally published before 1845. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.

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RESPECT, TRUST, COMMITMENT. These are the cornerstones of a dedicated relationship between a teacher and a student. For a passionate student yearning to learn and understand the essence of a subject, they must demonstrate these traits before a teacher will take them under their wing. In this case, the teacher was Thomas Troward of Cornwall England and the student was Genevieve Behrend. Not long after her time with Troward, Behrend began her mission in New York City where she established and headed The School of the Builders up until 1925. She then established another school in Los Angeles before touring other major cities throughout North America for the next 35 years as a celebrated lecturer, teacher, and practitioner of Mental Science. Behrend presents the Troward philosophy at its best because of the way her incomparably direct, and dynamic personality relates the life-changing concepts on a personal level. Now it's up to you to respect, trust, and commit.

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‘Comparable to Tolkien at his best’ WASHINGTON POST Instantly recognised as a modern fantasy classic, Stephen Donaldson’s uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre. Lying unconscious after an accident, writer Thomas Covenant awakes in the Land – a strange, beautiful world locked in constant conflict between good and evil. But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?

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Kevin the Mobile Crane is excited when he’s asked to work at the Docks with Cranky. But Cranky doesn’t think he needs any help, even when he gets into trouble …   This latest Thomas Story Time title publishes alongside four other new titles: Noisy Stafford, The Lost Puff, Gordon Runs Dry and Scruff Gets Clean.  A brand new addition to the award-winning series. 

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In 1739, the London Foundling Hospital opened its doors to take in the abandoned children of the city. It was the culmination of seventeen years of campaigning by Captain Thomas Coram, driven by his horror at seeing children die in the streets. He was supported in his endeavours by a royal charter and by William Hogarth and George Frideric Handel. The Hospital would continue as both home and school for over 215 years, raising thousands of children until they could be apprenticed out.London’s Forgotten Children is a fascinating history of the first children’s charity, charting the rise of this incredible institution and examining the attitude towards illegitimate children over the years. The story comes alive with the voices of children who grew up in the Hospital, and the concluding, fully updated, account of today’s children’s charity Coram is an ongoing testament to the vision of its founder.

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From the moment they met at a pub in London, drink was the most conspicuous part of the lives of Caitlin and her 'genius poet', Dylan Thomas. It fuelled their sexual adventures, lessened their shyness and enriched their social life. This searing book is Caitlin's story of the passions, the rage and the tragic humour of those years of drink and the toll it took on the lives of two talented people, leaving one of them dead at the age of thirty-nine, and the other alone, penniless and an alcoholic. It is also the memoir of a woman not always likeable, but consistently energetic and honest and possessing an indomitable spirit.

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A hundred years ago Edward Thomas was killed in the Battle of Arras (April 1917). The reputation of his poetry has never been higher. Edna Longley has already edited Thomas's poems and prose. She now marks his centenary, and adds to the growing field of Thomas studies, with this close reading of his poetry. Longley places the lyric poem at the centre of Thomas's poetry and of his thinking about poetry. Drawing on Thomas's own remarkable critical writings, she argues that his importance to emergent 'modern poetry' has yet to be fully appreciated. Thomas, as a leading reviewer of poetry in the early 1900s, was deeply engaged with the traditions of poetry in the English language, as well as with contemporary poetry. Under the Same Moon takes a fresh look at Thomas's relation to the Romantic poets, to Great War poetry, to Robert Frost, to W.B. Yeats. By making detailed comparisons between their poems, Longley shows how the aesthetics of Thomas and Frost complement one another across the Atlantic. She argues, perhaps controversially, that we should think about Great War poetry from the perspective of Thomas as 'war poet' and critic of war poetry. And she suggests that to focus on Thomas is to open up poetic relations in the 'Anglo-Celtic' archipelago. Under the Same Moon is also a study of lyric poetry: its sources, structures and forms; the kinds of meaning it creates. Longley asks what exactly happened when, in December 1914, Thomas morphed from a prose-writer into a poet; and she approaches the lyric from a psychological angle by comparing Thomas with Philip Larkin.

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In the thirteenth historical adventure by Susanna Gregory, Chaloner faces a barrage of problems in the latest case for the 17th-century spy-----------------------------------By January 1666, the plague has almost disappeared from London, leaving its surviving population diminished and in poverty. The resentment against those who had fled to the country turns to outrage as the court and its followers return, their licentiousness undiminished. The death of a well-connected physician, the mysterious sinking of a man-of-war in the Thames and the disappearance of a popular courtier are causing concern to Thomas Chaloner's employer. When instructed to investigate them all, he is irritated that he is prevented from gaining intelligence on the military preparations of the Dutch. Then he discovers common threads in all the cases, which seem linked to those planning to set a match to the powder keg of rebellion in the city.Battling a ferocious winter storm that causes serious damage to London's fabric, Chaloner is in a race against time to prevent the weakened city from utter destruction.

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