Search results for ""author robin"

Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry. Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today; how to reconcile scientific and artistic discourses and modes of vision; how to connect present-day experience to myths perceived as lying at the origins of human culture; how to renew the poetic language and how (or whether) to present art's claim to moral, spiritual, or epistemological seriousness within representations of modern phenomena. For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no work from the last three volumes published during Jeffers' lifetime or from his posthumous volume. Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition. The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems published between 1920 and 1928, and includes some of his greatest and best-known poems—Tamar,Roan Stallion,The Women at Point Sur, and Cawdor—as well as a recently discovered long poem, "Home." There is also an Editorial Note and a General Introduction.

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The biography of a major British academic and cleric of the early 20th century, revealing his talent for controversy, his role in the reconciliation between the Anglican and Catholic Churches, and his wide-ranging interests and enthusiasms.

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T. H. Robinson's Paradigms and exercises in Syriac Grammar was first published in 1915 to meet the need for 'something of an elementary nature which should be of value to the student who takes up Syriac for the first time'. Since then, the book has met this need for generations of students. The fifth edition of 2002 remains the grammar of choice for many teachers of Syriac classes as well as for students learning by themselves. The present revision, drawing on ten more years of university teaching experience and students' comments, clarifies some of the grammatical explanations and exercises. Improvements to the fonts and a larger format make for easier reading. As before, the West Syriac script and grammatical tradition are followed in the body of the lessons, and appendices introduce reading in the other (estrangela and Eastern) scripts. The book remains a plain and friendly introduction to this important language.

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In a photographic career that spanned only seventeen years, Jack Robinson created an extraordinary body of work, that captured both the faces and the fashions of the 1960s - a defining period of twentieth-century popular arts. He regularly contributed "Vogue's Own Boutique" under the tutelage of Diana Vreeland, but in 1972 he suddenly abandoned his New York studio and spend the rest of his life in determined anonymity employed as a stained-glass designer in Memphis. When he died in 1997 at the age of 69, few people would have guessed that this reclusive artist had been at the centre of the glitterati in the Swinging Sixties and was acknowledged by his peers as one of the preeminent photographers in the business. This unique collection has been selected and edited by those to whom Jack entrusted his precious archive. Showcasing 150 of his most compelling portraits, with a reflective introduction by critic George Perry, and a foreword by Cybil Shepherd, this is a fitting tribute to a master photographer whose work resonates with the spirit of the time.

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Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Heath Robinson's The Ideal Home

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American Poet Robinson Jeffers (1887-1962) was educated in the classics from an early age and published his first book of poetry in 1912. Most of Jeffers' work is distinguished by strong elemental narratives set in the California Carmel/Big Sur area. His imagery often puts the rugged beauty of the landscape in opposition to the degraded and introverted condition of modern humanity. Jeffers' themes draw on classical and biblical sources from his early education, and his strong interest in Nietzsche's concept of individualism. Many of his contemporaries erroneously regarded him as a nihilist. This collection of essays attempts to illustrate the art and complexity of Jeffers, while presenting new insights into his work and its perception among his contemporaries. The essayists are Robert Brophy, Alex Vardamis, Robert Zaller, Terry Beers, Tim Hunt, David J. Rothman, Alan Soldofsky, Kirk Glaser, and William Everson. The essays represent a range of critical points of entry-some are on the cutting-edge of criticism and break new ground, others attempt to place Jeffers in the established perspectives of Western civilization's Christian humanism and American poetry's landscape-centered mysticism. The collection constitutes some of the most conversant and active research in the field of Jeffers studies. The critiques speak to the nature of Jeffer's poetry- how it challenged both the minds and hearts of its readers and prompted them to carefully define their own values and authentically find their own center.

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Cambridge Experience Readers is an award-winning series of graded readers including original fiction, adapted fiction and non-fiction especially written for teenagers. An adaptation of the classic story about a young man who is shipwrecked on an island. Crusoe eventually meets another person on the island and their friendship leads to his escape and return to the country he left as a young man, almost thirty years before. This paperback is in British English. Download the complete audio recording of this title and additional classroom resources at cambridge.org/experience-readers Cambridge Experience Readers get teenagers hooked on reading.

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Soldiers disguised as a herd of cows, cork bath mats for troops crossing streams and a tank with a piano attachment for camp concerts are just some of the absurd inventions to be found in this book of cartoons designed to keep spirits up during the Second World War. These intricate comic drawings poke gentle fun at both the instruments of war and the indignity of the air-raid shelter in Heath Robinson’s inimitable style.

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Jackie Robinson famously said that a life is not important except for the impact it has on other lives. As we celebrate Robinson’s 100th birthday in January 2019, A Fine Team Man profiles not only Robinson, but nine other figures whose lives were altered by the “great experiment,” as the integration of baseball was called then. Profiled here are Rachel Robinson, the stoic and enduring wife; Branch Rickey, the tight-fisted but far-sighted general manager/owner of the Dodgers; baseball commissioner ”Happy” Chandler, who navigated political factions as he paved the way for integration; Clyde Sukeforth, the jack of all trades whose assessment, instruction, and encouragement of Robinson were crucial to the player’s success; Red Barber, whose own views on integration were altered by Robinson’s example of grace under pressure; Wendell Smith, the prominent black journalist who helped Robinson navigate through the trappings of a racist society; Burt Shotton, whose low-key style of managing helped Robinson into his best seasons; Pee Wee Reese, the Dodgers captain who united the team behind Robinson; and finally, Dixie Walker, the veteran Dodgers star who vowed never to play alongside Robinson, but who was eventually so changed by Robinson’s courage that he spent his last years working to improve the skills of such African-American players as Maury Wills, Jim Wynn, and Dusty Baker. While the story of Jackie Robinson has often been told and retold, seeing it through the lens of the lives he changed gives it a fresh shine. Perhaps more than ever, Robinson’s excellence sparkles through A Fine Team Man to demonstrate that change remains not only possible, but certain for both great heroes and for those who are savvy or fortunate enough to share the journey or at least stand in the wake during the hero’s finest moments.

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What makes a perfect husband? In this tongue-in-cheek guide, illustrated by Heath Robinson’s inimitable cartoons and contraptions, there are many charmingly old-fashioned tips for how to succeed in almost all aspects of married life. First published in 1937, this delightful book gives an insight into how the roles of both wife and husband were viewed at the time and pokes gentle fun at them both. The perfect husband presses his own trousers; he can tend the lawn and entertain the baby simultaneously by means of two simple attachments to the garden roller; he can peel onions behind his back, with the help of a mirror, and thus avoid tears; he can make a vacuum cleaner and he even has a device to help him climb the stairs silently after a late night out with the boys. When offered the choice of a glass of milk or a Manhattan, he will choose the former. With chapters on courtship and proposal, the wedding, early married life, bringing up children, sports and hobbies, domestic difficulties and middle age, this book makes a highly amusing gift for those who are considering tying the knot or wish to celebrate wedded bliss.

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Cambridge Experience Readers is a graded readers series of original fiction, adapted fiction and non-fiction especially written for teenagers. An adaptation of the classic story about a young man who is shipwrecked on an island. Crusoe eventually meets another person on the island and their friendship leads to his escape and return to the country he left as a young man, almost thirty years before. This paperback is in American English. Audio recordings of the text are available on our website at: www.cambridge.org/elt/discoveryreaders/ame Cambridge Experience Readers, previously called Cambridge Discovery Readers, get your students hooked on reading.

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Bonjour Mr Inshaw is a homage by the award-winning poet Peter Robinson to David Inshaw, the celebrated painter, whom he first met during the artist's years as Creative Arts Fellow at Trinity College, Cambridge, in the mid-1970s. Largely produced in an unexpected burst of inspiration after a visit to the painter's studio early in 2019, these poems combine memories of Inshaw's paintings, or characteristic landscapes, with experiences of his company and conversation. Showing a formal flexibility and deftness characteristic of this poet's work, they reflect on the role of art in a time of political and cultural division. Presented in an en face format, Bonjour Mr Inshaw beautifully illustrates its ekphrastic encounters and allows us to reflect in turn on this contemporary example of the centuries-old dialogue between the arts of poetry and painting. `Following the visionary traditions of such quintessentially English predecessors as Samuel Palmer ... or Stanley Spencer ... Inshaw's paintings discover the mystical in what could just as easily be overlooked as the mundane.' - Rachel Campbell-Johnston, art critic for The Times `Robinson is the finest poet alive when it comes to the probing of shifts in atmosphere, momentary changes in the weather of the mind, each poem an astonishingly fine-tuned gauge for recording the pressures and processes that generate lived occasions' - Adam Piette in The Reader

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Robinson Jeffers (1887-1962) is not only the greatest poet that the American West has produced but also a major poet of the twentieth century in the tradition of American prophetic poetry. This anthology serves as an introduction to Jeffers's work for the general reader and for students in courses on American poetry. Jeffers composed each volume of his verse around one or two long narrative or dramatic poems. The Wild God of the World follows this practice: in it, Cawdor, one of Jeffers's most powerful narratives, is surrounded by a representative selection of shorter poems. At the end of the book, the editor has provided revealing statements about Jeffers's poetry and poetics, and about his philosophy of nature and human nature.

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An unprecedented compilation of critical and creative essays and visual texts from leading international scholars, Unfolding Irish landscapes presents cross-disciplinary studies of the prose, cartography, visual art and cultural legacy of the award-winning work of cartographer and writer Tim Robinson. This book explores the process in which Robinson has addressed the historical and geographical tensions that suffuse the landscapes of Ireland. Robinson’s distinctive methods of map-making and topographical writing capture the geographical and cultural consciousness of not only Ireland, but also of the entire North Atlantic archipelago. Through both topographic prose and cartography Robinson undertakes one of the greatest explorations of the Irish landscape by a single person in recent history, paralleling, if not surpassing, Robert Lloyd Praeger’s extensive catalogue of writings and natural histories of western Ireland.

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How does one play bridge in a gas mask? Or enjoy motoring without consuming petrol? Or deal with a nationwide shortage of pea-sticks? For this compact little book Heath Robinson joined forces with writer Cecil Hunt to show civilians ‘how to make the best of things’ during the air raids, rationing, allotment tending and blackouts of the Second World War. The result is a warm celebration of the British population’s ability to ‘make do and mend’.

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The precipitous cliffs, rolling headlands, and rocky inlets of the Big Sur coast of California were alive for Robinson Jeffers, and throughout his long career as a poet, he extolled their wild beauty. His vivid descriptions inspired the best work of other artists who lived nearby, including such noted photographers as Edward Weston, Ansel Adams, and their younger contemporary Morley Baer. Before he died in 1995, Baer was planning a volume that would bring together a group of his landscape photographs of the Big Sur area with a selection of poems that expressed Jeffers's mystical experience of stone. Jeffers believed that stone is alive, perhaps even conscious in some way. Baer wanted to create a visual and literary meditation on the life-experience of stone. James Karman was invited by Baer to serve as his collaborator, and has brought the project to completion—more than 50 of Baer's photographs paired with poems by Jeffers (some complete, others excerpted). Stones of the Sur is in five parts, each of which takes its title from a poem. Part I, "Tor House," contains photographs and poems about Jeffers's home, ever the locus of his inspiration. Part II, "Continent's End," begins with a panoramic view of the coastline and is followed by visual and textual images that become progressively narrower in scope as Baer and Jeffers focus on the mountains, cliffs, beaches, boulders, rocks, and pebbles of the Big Sur. The inward progression continues in Part III, "Oh Lovely Rock," where Baer trains his lens on close surfaces—revealing his sensibilities at their most abstract. From the middle of Part III on, the spiral is reversed and the view begins to open. Part IV, "Credo," expands outwardly from the pebbles and rocks of the Big Sur back to the beaches, cliffs, and mountains. Part V, "The Old Stone-Mason," concludes the book with a return to Tor House.

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Explore the wonders of the past in this stunning collection of over 160 historical artefacts, from Ancient Rome to the dynasties of China. Welcome to the museum.This rich and informative cabinet of curiosities beautifully displays objects of the ancient past. Wander from room to room to explore the magnificence of what civilisations have left behind over thousands of years of human history.With text written by expert Jo Nelson and stunning illustrations by Richard Wilkinson, this updated edition also features a foreword by Sir Tony Robinson.

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According to Martin Luther King, Jr., Jackie Robinson was “a sit-inner before the sit-ins, a freedom rider before the Freedom Rides.” According to Hank Aaron, Robinson was a leader of the Black Power movement before there was a Black Power movement. According to his wife, Rachel Robinson, he was always Jack, not Jackie - the diminutive form of his name bestowed on him in college by white sports writers. From two prominent Robinson scholars comes this electrifying biography that recovers the real person behind the legend, reanimating this famed figure’s legacy for new generations, widening our focus from the sportsman to the man as a whole and deepening our appreciation for his achievements on the playing field in the process.

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There are many similarities in the development of urbanism and literature in the last two hundred years, resulting from a correspondence between modes of city-planning and modes of literary expression. The symbolic city, connected to the transcendental sphere of myth, evolved into the allegorical city that was transcendentally disconnected. In literature, initially there was no distinction between the symbol and allegory, but for nineteenth-century writers both were antithetical. Later, the symbol and allegory were merely ornaments, embodying a nostalgic drive for the unity of a subject and the products of its perception. Robinson Jeffers’s poetry, like the early twentieth-century city, relies on the symbol while A. R. Ammons’s poetry, like the late twentieth-century city, is allegorical in its essence. These similarities are not coincidental, but prove that the city and literature belong to the same socio-cultural sphere.

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Henry Crabb Robinson (1775-1867) spent five years in Germany (1800-1805) and became deeply informed about its Romantic literature and philosophy, then at its height in that country. In the course of his enthusiastic embrace of the German language and culture, Robinson built up an intellectual and literary capital that he would draw on for the rest of his long life. The main thrust of this critical and biographical study is to demonstrate that Robinson is an important nineteenth-century life writer, and that his autobiographical writings, a large portion of which are still in manuscript, deserve to be taken seriously by students and scholars of autobiography, and to be published in a new edition. Since to date no one has focused on Robinson the life writer, this study of Robinson's German years draws on his published letters, diaries, and reminiscences as well as some manuscript material.

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"Alone, each story is a good one. Combined -- and they can hardly be separated -- the Rickey-Robinson story becomes compelling even mythical. For those readers not particularly interested in baseball, I trust that this book might help them to consider the game in a new light, or at least appreciate its place in American history. At the same time, those who do not have to be persuaded that baseball truly is America's game will hardly be disappointed by the pages that follow, because baseball necessarily lies at the heart of this work". -- From the Preface.

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One of the most prominent mathematicians of the twentieth century, Abraham Robinson discovered and developed nonstandard analysis, a rigorous theory of infinitesimals that he used to unite mathematical logic with the larger body of historic and modern mathematics. In this first biography of Robinson, Joseph Dauben reveals the mathematician's personal life to have been a dramatic one: developing his talents in spite of war and ethnic repression, Robinson personally confronted some of the worst political troubles of our times. With the skill and expertise familiar to readers of Dauben's earlier works, the book combines an explanation of Robinson's revolutionary achievements in pure and applied mathematics with a description of his odyssey from Hitler's Germany to the United States via conflict-ridden Palestine and wartime Europe. Robinson was born in Prussia in 1918. As a boy, he fled with his mother and brother Saul to Palestine. A decade later he narrowly escaped from Paris as the Germans invaded France. Having spent the rest of World War II in England, at the Royal Aircraft Establishment in Farnborough, he began his teaching career at the Royal College of Aeronautics. Subsequently he moved to universities in Canada, Israel, and finally the United States. A joint appointment in mathematics and philosophy at UCLA led to a position at Yale University, where Robinson served as Sterling Professor of Mathematics until his untimely death at the age of fifty-five. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Cedric J. Robinson is considered one of the doyens of Black Studies and a pioneer in study of the Black Radical Tradition. His works have been essential texts, deconstructing racial capitalism and inspiring insurgent movements from Ferguson to the West Bank. For the first time, Robinson's essays come together, spanning over four decades and reflective of his diverse interests in the interconnections between culture and politics, radical social theory and classic and modern political philosophy. Themes explored include Africa and Black internationalism, World politics, race and US Foreign Policy, representations of blackness in popular culture, and reflections on popular resistance to racial capitalism, white supremacy and more. Accompanied by an introduction by H. L. T. Quan and a foreword by Ruth Wilson Gilmore, this collection, which includes previously unpublished materials, extends the many contributions by a giant in Black radical thought.

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Defoe's most celebrated story of Crusoe's shipwreck, his resourcefulness and ingenuity in his soliatry life on a desert island and his rescue of Man Friday has been abridged and retold many times since its publication (in two volumes) in 1719. It even appeared recently in graphic-novel form. In 1968 Kathleen Lines determined to make the original text more accessible to young readers by breaking Defoe's original, continuous narrative into chapters, slightly cutting Crusoe's long meditations, and compressing the relevant bits of THE FARTHER ADVENTURES into a neat Epilogue, so that readers learn what happened to Friday. The evocative engravings are reproduced from a mid-nineteenth-century edition published by Cassell, Petter & Gilpin.

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This book collects the columns which baseball legend Jackie Robinson wrote for the New York Post and the New York Amsterdam News, as well as excerpts of letters between Robinson and politicians such as Lyndon Johnson and John F. Kennedy. The brevity of the columns and Robinson's vivid imagery and compelling voice make this an absorbing and very moving read.

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Cedric Robinson – political theorist, historian, and activist – was one of the greatest black radical thinkers of the twentieth century. In this powerful work, the first major book to tell his story, Joshua Myers shows how Robinson’s work interrogated the foundations of western political thought, modern capitalism, and changing meanings of race. Tracing the course of Robinson’s journey from his early days as an agitator in the 1960s to his publication of such seminal works as Black Marxism, Myers frames Robinson’s mission as aiming to understand and practice opposition to “the terms of order.” In so doing, Robinson excavated the Black Radical tradition as a form of resistance that imagined that life on wholly different terms was possible. In the era of Black Lives Matter, that resistance is as necessary as ever, and Robinson’s contribution only gains in importance. This book is essential reading for anyone wanting to learn more about it.

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In their original versions, the ultimate fates of Faust, Don Quixote, and Don Juan reflect the anti-individuals of their time: Faust and Don Juan are punished in hellfire, and Don Quixote is mocked. A century later, Defoe's Robinson Crusoe embodies a more favourable consideration of the individual. Ian Watt examines these four myths of the modern world, all created in the sixteenth to eighteenth centuries, as distinctive products of a historically new society.

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Robinson Crusoe, an adventure tale that fascinated such thinkers as Jean-Jacques Rousseau, Karl Marx, Virginia Woolf, and J. M. Coetzee, has been an international best-seller for three hundred years. An adventure tale involving cannibals, pirates, and shipwrecks, it embodies economic, social, political, and philosophical themes that continue to be relevant today. Moreover, the notion of isolation on a deserted island and a fascination with survival continue to be central to countless popular cinema and television programs. This edition of the novel with its introduction, line notes, and full bibliographical notes provides a uniquely scholarly presentation of the novel. There has been no other edition like it. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Robinson Crusoe, an adventure tale that fascinated such thinkers as Jean-Jacques Rousseau, Karl Marx, Virginia Woolf, and J. M. Coetzee, has been an international best-seller for three hundred years. An adventure tale involving cannibals, pirates, and shipwrecks, it embodies economic, social, political, and philosophical themes that continue to be relevant today. Moreover, the notion of isolation on a deserted island and a fascination with survival continue to be central to countless popular cinema and television programs. This edition of the novel with its introduction, line notes, and full bibliographical notes provides a uniquely scholarly presentation of the novel. There has been no other edition like it. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry. Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today; how to reconcile scientific and artistic discourses and modes of vision; how to connect present-day experience to myths perceived as lying at the origins of human culture; how to renew the poetic language and how (or whether) to present art's claim to moral, spiritual, or epistemological seriousness within representations of modern phenomena. For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no work from the last three volumes published during Jeffers' lifetime or from his posthumous volume. Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition. The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems written between 1928 and 1938—the narratives Dear Judes, Thurso's Landing, Give Your Heart to the Hawks, Solstice, and Such Counsels You Gave to Me, as well as shorter verse dramas and lyric poems.

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Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry. Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today; how to reconcile scientific and artistic discourses and modes of vision; how to connect present-day experience to myths perceived as lying at the origins of human culture; how to renew the poetic language and how (or whether) to present art's claim to moral, spiritual, or epistemological seriousness within representations of modern phenomena. For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems—the current Selected Poetry, first published in 1938, contains no work from the last three volumes published during Jeffers' lifetime or from his posthumous volume. Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition. The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems written from 1939 to Jeffers' death in 1963, including the dramatic poems The Bowl of Blood, Medea, and The Double Axe byt were eventually omitted for reasons that are unclear; and those poems from his last years, which appeared posthumously in The Beginning and the End, that seem to be completed drafts.

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Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry. Jeffers consciously set himself apart from the poetry of his generation—by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an “anti-modernist.” Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today. Now, for the first time, all of Jeffers’s completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition of five volumes. The present volume is in four parts. An Introduction deals with the scope and principles of selection for the edition, including the decision to present the poems in chronological order, and gives a brief review of the textual evidence and commentary that form the bulk of this volume. The essay “Chronology” offers an overview of Jeffers’s career, the evidence for dating the poems, and the arguments drawn from that evidence. The two parts that follow describe the rationale and evidence for establishing the texts of the poems for this edition, and present, in the form of extensive commentary and tabulations for each poem, the material (notes, preliminary workings, revisions, discarded passages, and variations in published versions) that both complicate and enrich the study of Jeffers’s poetry and prose. These commentaries also incorporate a number of additional selections from Jeffers’s previously unpublished writings. There are three appendixes: tables of contents for original editions as well as some planned editions that were never published; poems (not included in this edition) that have appeared in posthumous compilations; and errata for the first four volumes. The book concludes with two indexes, of titles and of first lines.

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