Search results for ""author frances"

From Manhattan high-society to warn-torn France, Mirror Image is a compelling story about the mysterious bond between twin sisters. For twins Olivia and Victoria, their bond was mysterious, marvellous, and often playful – a secret realm only they inhabited. Shy, serious Olivia, born eleven minutes before her sister, had taken over the role of mother in their lush New York estate. Free-spirited Victoria wanted to change the world, and embraced the women’s suffrage movement, dreaming of sailing to war-torn Europe. Then, in the girls’ twenty-first year, as the First World War escalates overseas, a fateful choice changes their lives forever . . .

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There are many books about cheese, but this one features the professional knowledge and passion of a French master fromager who shares his expertise on making sense of the many cheese varieties crumbly, creamy, buttery, mouldy for which France is famous. From farms in the pastoral French countryside and cheese caves in a medieval Alpine monastery to the dairy scientists and affineurs who comprise the world of modern French cheese, no other book that covers the entire cheese spectrum. The book begins with answers to 70 commonly heard questions from why there are crusts on some cheese to why is mimolette orange and why cheeses do not all smell alike - and sections explaining the basics of cheese-making and ripening, the nuances of cow, sheep, and goat milk, and the alchemy of essential probiotics used as starter cultures. The main part of the book pays tribute to France s 45 A.O.P. cheeses - such as Brie de Meaux, Maroilles, Morbier, Munster, Rocquefort, Valencay - which have been granted the appellation d origine protegee guaranteeing origin and type. Each profile features a full-page photographic portrait with detailed text about terroir and origin, selection, tasting, presentation, serving, and wine pairing.

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There is little doubt that the French Revolution of 1789 changed the course of Western history. But why did the idea of civic equality—a distinctive signature of that revolution—find such fertile ground in France? How might changing economic and social realities have affected political opinions? William H. Sewell Jr. argues that the flourishing of commercial capitalism in eighteenth-century France introduced a new independence, flexibility, and anonymity to French social life. By entering the interstices of this otherwise rigidly hierarchical society, expanded commodity exchange colored everyday experience in ways that made civic equality thinkable, possible, even desirable, when the crisis of the French Revolution arrived. Sewell ties together masterful analyses of a multitude of interrelated topics: the rise of commerce, the emergence of urban publics, the careers of the philosophes, commercial publishing, patronage, political economy, trade, and state finance. Capitalism and the Emergence of Civic Equality in Eighteenth-Century France offers an original interpretation of one of history’s pivotal moments.

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How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression? This book explains the relationships between music, pantomime and freedom in pre-Revolutionary France. It argues that composers and performers recognized their agency when they attempted, from the 1730s through the end of the Old Regime, to revive a lost art called 'pantomime' for their compositions. In musical settings of pantomimes in French operas and instrumental works, leading composers of the time - Rameau, Rousseau, Gluck, and Salieri - used pantomime as a type of expressive dance and acting style that marked an aesthetic rupture between Louis XIV's absolutist governance and the Enlightenment ideals of free expression. In musical settings of pantomime, these composers cultivated various forms of freedom theorized in Enlightenment writings: artistic freedom for the composer; freedom as self-governance; interpretive freedom for spectators; freedom of action for performers; and freedom from dance convention. Thus, pantomime was not only a dance genre; it also functioned as an expressive medium for top performers and invited spectators to draw their own interpretative conclusions. Placing the cultural phenomenon of pantomime in the intellectual context of the Enlightenment, the book explains how composers helped develop thinking and feeling subjects in pre-Revolutionary France.

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This fourth collection by Professor André Gouron presents a set of twenty studies on jurisprudence, jurists and legal practice in the 12th and 13th centuries. The focus is on the schools and traditions of Bologna and in France, but the coverage includes canon, Roman and customary law. The first part deals with theories diffused by the jurists of Bologna and France and the literary genres in which they expressed these theories, particularly on questions of presumptions, proof, and illicit conditions. In the second section the author looks at some of the persons involved in the juridical renaissance of this period, and at some of the effects of the legal doctrines being taught on royal legislation, procedure, the fiscal system, and urban autonomy. Ce volume - le quatrième de l’auteur dans cette collection - réunit vingt articles du professeur Gouron. Onze de ces articles forment une première partie, consacrée aux théories diffusées par les juristes de Bologne ou de France et aux genres littéraires à travers lesquels s’expriment ces théories, notamment en matière de présomptions, de preuve par témoins ou de conditions illicites. La seconde partie du volume rassemble neuf articles qui traitent de divers acteurs, célèbres ou obscurs, de la renaissance juridique, ainsi que des effets des doctrines enseignées par les romanistes et les canonistes sur la législation royale, la procédure, le système fiscal et l’autonomie urbaine.

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This is a political biography of the French industrialist and political activist Jacques Lemaigre Dubreuil (1894-1955), president of the Taxpayers' Federation in the 1930s, entrepreneur in wartime France and Africa, organizer of the 'Group of Five' in Algiers which prepared for the Allied landings in North Africa (November 1942), 'inventor' of General Henri Giraud as a candidate for the leadership of liberated North and West Africa, negotiator of the Murphy-Giraud Agreements and the Anfa Memorandum with President Roosevelt (1942 and 1943), political writer on the postwar future of France in Morocco and the owner of the liberal newspaper Maroc-Presse. He was assassinated in Casablanca by French counter-terrorists in June 1955, a 'turning point' event which pushed the French government to grant independence to Morroco. Was he a rabble-rouser, a demagogue, a betrayer of French interests at home and overseas or a reformer, a patriot, a hero of the anti-German resistance, and a champion of Franco-Moroccan solidarity?

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Aimed at examining the intersections between drama and the novel in nineteenth-century France, this collection of essays reorients scholarly attention to the central place of the theater in nineteenth-century life. Although not limited to a single critical approach, the essays in this collection share common intellectual concerns: the inscription of theatrical aesthetics within the novel; the widespread practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. Each of the ten essays provides insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Read together, their distinct perspectives form an overview of the literary landscape of nineteenth-century France. Bridging the gap between the drama and the novel, Novel Stages engages readers across the sometimes divisive lines of critical theory, cultural studies, and genre studies.

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The latest edition of Philip's France and Spain Road Atlas, in a handy spiral A4 format, is the must-have atlas for anyone travelling or driving in these and the adjacent countries including Belgium, Luxembourg and Portugal.From the market leaders in European Road Mapping, in addition to the main maps at 1:750,000, the road network is shown at three supplementary scales from 1:250,000 to 1:3M, with ultra-clear detailed maps for urban areas, so that you can navigate in this part of Europe with ease. Scenic routes are highlighted on the road maps, with theme parks and World Heritage Sites also clearly shown. The maps highlight towns with low-emission zones and show motorway rest/parking areas, not forgetting handy listings of top sites to visit and useful ski resort information.Philip's France and Spain Road Atlas includes: * Up-to-date driving regulations, including speed limits;* 4 pages of route-planning maps which enable journeys of over 800 miles to be planned without turning a page;* 57 pages of clear, detailed road maps, with scenic routes highlighted and toll, toll-free and pre-pay motorways all clearly marked;* 6 large-scale urban-area maps;* 11 city-centre plans marking historic buildings and tourist attractions, as well as car parks, head post offices and other facilities;* Listings for ski resorts and top visitor attractions.

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For much of the twentieth century, France recruited colonial subjects from sub-Saharan Africa to serve in its military, sending West African soldiers to fight its battles in Europe, Southeast Asia, and North Africa. In this exemplary contribution to the “new imperial history,” Gregory Mann argues that this shared military experience between France and Africa was fundamental not only to their colonial relationship but also to the reconfiguration of that relationship in the postcolonial era. Mann explains that in the early twenty-first century, among Africans in France and Africa, and particularly in Mali—where Mann conducted his research—the belief that France has not adequately recognized and compensated the African veterans of its wars is widely held and frequently invoked. It continues to animate the political relationship between France and Africa, especially debates about African immigration to France.Focusing on the period between World War I and 1968, Mann draws on archival research and extensive interviews with surviving Malian veterans of French wars to explore the experiences of the African soldiers. He describes the effects their long absences and infrequent homecomings had on these men and their communities, he considers the veterans’ status within contemporary Malian society, and he examines their efforts to claim recognition and pensions from France. Mann contends that Mali is as much a postslavery society as it is a postcolonial one, and that specific ideas about reciprocity, mutual obligation, and uneven exchange that had developed during the era of slavery remain influential today, informing Malians’ conviction that France owes them a “blood debt” for the military service of African soldiers in French wars.

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For much of the twentieth century, France recruited colonial subjects from sub-Saharan Africa to serve in its military, sending West African soldiers to fight its battles in Europe, Southeast Asia, and North Africa. In this exemplary contribution to the “new imperial history,” Gregory Mann argues that this shared military experience between France and Africa was fundamental not only to their colonial relationship but also to the reconfiguration of that relationship in the postcolonial era. Mann explains that in the early twenty-first century, among Africans in France and Africa, and particularly in Mali—where Mann conducted his research—the belief that France has not adequately recognized and compensated the African veterans of its wars is widely held and frequently invoked. It continues to animate the political relationship between France and Africa, especially debates about African immigration to France.Focusing on the period between World War I and 1968, Mann draws on archival research and extensive interviews with surviving Malian veterans of French wars to explore the experiences of the African soldiers. He describes the effects their long absences and infrequent homecomings had on these men and their communities, he considers the veterans’ status within contemporary Malian society, and he examines their efforts to claim recognition and pensions from France. Mann contends that Mali is as much a postslavery society as it is a postcolonial one, and that specific ideas about reciprocity, mutual obligation, and uneven exchange that had developed during the era of slavery remain influential today, informing Malians’ conviction that France owes them a “blood debt” for the military service of African soldiers in French wars.

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Suzanne de l'Orme's Huguenot family is under severe persecution as are other Protestants in the nation of France. The 1500's are a difficult time to be alive if you are unwilling to compromise.Sent on an errand by her mother twelve year old Suzanne walks into an adventure that she fears she will never walk out of. Kidnapped by the authorities for being the child of a bible believing family Suzanne is interrogated and persecuted. If she will only disown her faith and her people she can be released from her prison and welcomed into the 'freedom' of the Roman Catholic Church.It is soon apparent that Suzanne will not give in and she is taken from the relative safety of the abbey to become a slave for a local farmer's family. Still refusing to discard her faith Suzanne's faith strengthens and grows through her struggles.Will this captivity be the end for the young girl or will this adventure end with a new beginning for Suzanne's life.

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In his distinguished career as a historian of modern France, John Merriman has published ten books and scores of scholarly articles. This volume collects some of his most notable and significant explorations of French history and culture. In a wide-ranging introduction Merriman reflects on his decades of research and on his life, lived increasingly in France. At the beginning of his career he was determined to be not a narrow specialist but a historian who engaged with all the regions of France. So he set himself the goal of doing archival research in every single département of the country. A permanent resident of the small village of Balazuc in the Ardèche for more than twenty-five years, he laments what he sees as the over-professionalization of history at the expense of passion for one’s field. Yet Merriman is no cranky, tweed-bound scholar. Beloved by generations of historians of France, many of whom he has mentored (both as a graduate advisor and more informally), Merriman offers reflections on his life in history that will be of interest to a broad audience of historians.

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Over fifty years ago sociologist T. H. Marshall first opened the modern debate about the evolution of full citizenship in modern nation-states, arguing that it proceeded in three stages: from civil rights, to political rights, and finally to social rights. The shortcomings of this model were clear to feminist scholars. As political theorist Carol Pateman argued, the modern social contract undergirding nation-states was from the start premised on an implicit “sexual contract.” According to Pateman, the birth of modern democracy necessarily resulted in the political erasure of women. Since the 1990s feminist historians have realized that Marshall’s typology failed to describe adequately developments that affected women in France. An examination of the role of women and gender in welfare-state development suggested that social rights rooted in republican notions of womanhood came early and fast for women in France even while political and economic rights would continue to lag behind. While their considerable access to social citizenship privileges shaped their prospects, the absence of women’s formal rights still dominates the conversation. Practiced Citizenship offers a significant rereading of that narrative. Through an analysis of how citizenship was lived, practiced, and deployed by women in France in the modern period, Practiced Citizenship demonstrates how gender normativity and the resulting constraints placed on women nevertheless created opportunities for a renegotiation of the social and sexual contract.

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The best-selling Wild Swimming series returns to France for an expanded guide to best places to cool off this summer, including new coverage of Central and Northern France. Over 750 locations, including 300 new locations in Normandy, Ile, Champagne, Burgundy, Centre, Limousin, Auvergne and Aquitaine. Dive into the grand cascades of Auvergne, Jura and the Alps Dip in the emerald-green plunge pools and gorges of Provence Swim beneath the great chateaux of the Loire and Dordogne. Discover the unspoilt crater lakes of the Massif Central Soak in secluded hot springs in the woodlands of the Pyrenees. Bathe, picnic and canoe at willow dappled river beaches in Burgundy, Champagne & Limousin Combining dazzling photos, engaging writing and all the practical information you'll need, from maps, directions, grid references and walk-in times to recommendations for canoe trips, bike rides, riverside campsites and lakeshore restaurants.

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The must-have companion to the greatest event in world rugby, the Rugby World Cup France 2023.Containing everything rugby fans will need to enjoy the World Cup, this official guide is packed with images, profiles, previews and charts, making it essential reading for any fan and the perfect companion to all of the tournament action.Contents include:• Team-by-team profiles • Star player profiles • A guide to every venue • Fill-in tournament progress chart • History of the Rugby World Cup • Rugby World Cup records • Qualification round-upAnd much, much more besides.

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When France both hosted and won the World Cup in 1998, the face of its star player, Zinedine Zidane, the son of Algerian immigrants, was projected onto the Arc de Triomphe. During the 2006 World Cup finals, Zidane stunned the country by ending his spectacular career with an assault on an Italian player. In "Soccer Empire", Laurent Dubois illuminates the connections between empire and sport by tracing the story of World Cup soccer, from the Cup's French origins in the 1930s to Africa and the Caribbean and back again. As he vividly recounts the lives of two of soccer's most electrifying players, Zidane and his outspoken teammate, Lilian Thuram, Dubois deepens our understanding of the legacies of empire that persist in Europe and brilliantly captures the power of soccer to change the nation and the world.

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Our bestseller, updated and already the 6th edition of I Love the Seaside surf and travel guide to France, Spain & Portugal. The guide travels from Brittany, France, around North Spain and Portugal, to Andalusia. We connect travellers, surfers and locals by pointing out the nicest places to hang out, eat, sleep, surf and do.

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Winner of the 2015 Abbott Lowell Cummings prize from the Vernacular Architecture Forum Winner of the 2015 Sprio Kostof Book Award from the Society of Architectural Historians Winner of the 2016 International Planning History Society Book Prize for European Planning History Honorable Mention: 2016 Wylie Prize in French Studies In the three decades following World War II, the French government engaged in one of the twentieth century’s greatest social and architectural experiments: transforming a mostly rural country into a modernized urban nation. Through the state-sanctioned construction of mass housing and development of towns on the outskirts of existing cities, a new world materialized where sixty years ago little more than cabbage and cottages existed.Known as the banlieue, the suburban landscapes that make up much of contemporary France are near-opposites of the historic cities they surround. Although these postwar environments of towers, slabs, and megastructures are often seen as a single utopian blueprint gone awry, Kenny Cupers demonstrates that their construction was instead driven by the intense aspirations and anxieties of a broad range of people. Narrating the complex interactions between architects, planners, policy makers, inhabitants, and social scientists, he shows how postwar dwelling was caught between the purview of the welfare state and the rise of mass consumerism.The Social Project unearths three decades of architectural and social experiments centered on the dwelling environment as it became an object of modernization, an everyday site of citizen participation, and a domain of social scientific expertise. Beyond state intervention, it was this new regime of knowledge production that made postwar modernism mainstream. The first comprehensive history of these wide-ranging urban projects, this book reveals how housing in postwar France shaped both contemporary urbanity and modern architecture.

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When blacksmith Pierre Michaux affixed pedals to the front axle of a two-wheeled scooter with a seat, he helped kick off a craze known as velocipedomania, which swept France in the late 1860s. The immediate forerunner of the bicycle, the velocipede similarly reflected changing cultural attitudes and challenged gender norms. Velocipedomania is the first in-depth study of the velocipede fad and the popular culture it inspired. It explores how the device was hailed as a symbol of France’s cutting-edge technological advancements, yet also marketed as an invention with a noble pedigree, born from the nation’s cultural and literary heritage. Giving readers a window into the material culture and enthusiasms of Second Empire France, it provides the first English translations of 1869’s Manual of the Velocipede, 1868’s Note on Monsieur Michaux’s Velocipede, and the 1869 operetta Dagobert and his Velocipede. It also reprints scores of rare images from newspapers and advertisements, analyzing how these magnificent machines captured the era’s visual imagination. By looking at how it influenced French attitudes towards politics, national identity, technology, fashion, fitness, and gender roles, this book shows how the short-lived craze of velocipedomania had a big impact.

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When blacksmith Pierre Michaux affixed pedals to the front axle of a two-wheeled scooter with a seat, he helped kick off a craze known as velocipedomania, which swept France in the late 1860s. The immediate forerunner of the bicycle, the velocipede similarly reflected changing cultural attitudes and challenged gender norms. Velocipedomania is the first in-depth study of the velocipede fad and the popular culture it inspired. It explores how the device was hailed as a symbol of France’s cutting-edge technological advancements, yet also marketed as an invention with a noble pedigree, born from the nation’s cultural and literary heritage. Giving readers a window into the material culture and enthusiasms of Second Empire France, it provides the first English translations of 1869’s Manual of the Velocipede, 1868’s Note on Monsieur Michaux’s Velocipede, and the 1869 operetta Dagobert and his Velocipede. It also reprints scores of rare images from newspapers and advertisements, analyzing how these magnificent machines captured the era’s visual imagination. By looking at how it influenced French attitudes towards politics, national identity, technology, fashion, fitness, and gender roles, this book shows how the short-lived craze of velocipedomania had a big impact.

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In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York for the urbane glamour of Paris. Charmed by the beauties of the city, Gopnik set out to experience for himself the spirit and romance that has so captivated American writers throughout the twentieth century. In the grand tradition of Stein and Hemingway, Gopnik planned to walk the paths of the Tuilleries, to enjoy philosophical discussion in cafes - in short, to lead the fabled life of an American in Paris. Of course, there was also the matter of raising a child and carrying on with everyday, not-so-fabled life.

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Today, we are inclined to believe that intellectual freedom has no greater adversary than the censor. In eighteenth-century France, the matter was more complicated. Royal censors envisioned themselves not as fulfilling a mission of state-sponsored repression but rather as guiding the literary traffic of the Enlightenment. By awarding pre-publication and pre-distribution approvals, royal censors sought to insulate authors and publishers from the scandal of post-publication condemnation by parliaments, the police, or the Church. Less official authorizations were also awarded. Though censors did delete words and phrases from manuscripts and sometimes rejected manuscripts altogether, the liberal use of tacit permissions and conditional approvals resulted in the publication and circulation of books that, under a less flexible system, might never have seen the light of day. In essence, eighteenth-century French censors served as cultural intermediaries who bore responsibility for expanding public awareness of the progressive thought of their time.

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From Zinedine Zidane to Michael Jordan and from Marie-José Pérec to Lance Armstrong, over the last thirty years, numerous individuals have emerged through the global sports industry to capture the imagination of the French public and become touchstones for the discussion of a host of social issues. This book provides new insights into the evolution of the global sporting spectacle through a study of star athletes, emblematic organisations, key locations, and celebrated moments in French sport from the mid-1980s to the present day. It draws on a wide range of sources, from film, television, advertising, newspapers, and popular music to cover key developments in sports including football, motorsport, basketball, and cycling. Sport here emerges as a privileged site for the discussion of the nature of contemporary nationhood, as well as for the performance of France’s postcolonial heritage. Simultaneously, sport provides a platform for the playing out of concerns over globalisation, and, in a time of post-industrial uncertainty, for nostalgic reminiscences of an apocryphal bygone era of social cohesion. The exploration of these themes leads to new understandings of the ways sport influences and is implicated in broader social and cultural concerns in France today.

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When Emmanuel Macron was elected President of the French Republic, it ended the long-standing political alternation between the mainstream right- and left-wing parties. This book examines Macron’s political career from his rise as a public figure to his time as a president. The book explores Macron’s political ideology and examines the enactment of the key notions of security, merit and hope during his time in office. By offering a close study of his actions and ideological commitment, this book argues that, despite claims of being ideologically neutral, Macron actually represents a new form of right-wing politics in France.

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John Pocock's edition of Burke's Reflections is two classics in one: Burke's Reflections and Pocock's reflections on Burke and the eighteenth century.

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This book, which draws on a rich array of primary sources and archival materials, offers the first major appraisal of French responses to the Jewish refugee crisis after the Nazi seizure of power in 1933. It explores French policies and attitudes toward Jewish refugees from three interrelated vantage points: government policy, public opinion, and the role of the French Jewish community. The author demonstrates that Jewish refugees in France were not treated in the same manner as other foreigners, in part because of foreign policy considerations and in part because Jewish refugees had a distinctive socioeconomic profile. By examining the socioeconomic and political factors that informed French refugee policy in the 1930's, the author presents overwhelming evidence that Vichy's anti-Jewish measures were not merely the work of a few antisemitic zealots in the administration, nor did they stem solely from the desire of Marshal Pétain's government to find scapegoats for the military defeat of 1940. Rather, they enjoyed widespread popular support, not only from far-right organizations but also from a host of middle-class professional associations and their members (doctors, lawyers, merchants, and artisans) who perceived Jews as a competitive threat. The author also sheds new light on Jewish political behavior in the 1930s. She demonstrates that the French Jewish community was sharply divided over the proper approach to the refugee crisis. While some Jewish leaders pressed for a hard-line policy, others worked assiduously to provide the refugees relief and to persuade the government to pursue a more liberal refugee policy. Thus the author refutes claims that the native French Jewish elite was overwhelmingly unsympathetic to the refugees because of fear that an influx of refugees would provoke an antisemitic backlash. While this book reveals the extent to which anti-refugee attitudes and policies in the 1930's paved the way for Vichy's anti-Jewish policies, it also highlights significant discontinuities between the refugee policies of the Third Republic and those of the Vichy regime.

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How can politicians and ordinary citizens face the racial past in a country that frames itself as colorblind? In her timely and provocative book, Resurrecting Slavery, Crystal Fleming shows how people make sense of slavery in a nation where talking about race, colonialism, and slavery remains taboo. Noting how struggles over the meaning of racial history are informed by contemporary politics of race, she asks: What kinds of group identities are at stake today for activists and French people with ties to overseas territories where slavery took place?Fleming investigates the connections and disconnections that are made between racism, slavery, and colonialism in France. She provides historical context and examines how politicians and commemorative activists interpret the racial past and present. Resurrecting Slavery also includes in-depth interviews with French Caribbean migrants outside the commemorative movement to address the everyday racial politics of remembrance.Bringing a critical race perspective to the study of French racism, Fleming’s groundbreaking study provides a more nuanced understanding of race in France along with new ways of thinking about the global dimensions of slavery, anti-blackness, and white supremacy.

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An example of pre-professional history, the Tales of a Grandfather chronicles the French royalty's dynastic concerns and principal military-political engagements with foreign powers from 1412 to 1512. Scott's narrative opens with Henry V's preparations for war with France and an account of the persisting rivalry between the houses of Orleans and of Burgundy. Of particular interest is Scott's description of the murder of John the Fearless at Montereau in 1419 and his tracing of that event's disastrous effects through the fifteenth century.Scott drew on standard sources, but the interpretation of the material and the historical vision are his own. Modern readers will be especially engaged by his interpretation of the character of Joan of Arc. Readers will also be interested to compare Scott's treatment of history and its leading figures with his novels set in the same period and country, namely, Quentin Durward and Anne of Geierstein.

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In 1983—as France struggled with race-based crimes, police brutality, and public unrest—youths from Vénissieux (working-class suburbs of Lyon) led the March for Equality and Against Racism, the first national demonstration of its type in France. As Abdellali Hajjat reveals, the historic March for Equality and Against Racism symbolized for many the experience of the children of postcolonial immigrants. Inspired by the May '68 protests, these young immigrants stood against racist crimes, for equality before the law and the police, and for basic rights such as the right to work and housing. Hajjat also considers the divisions that arose from the march and offers fresh insight into the paradoxes and intricacies of movements pushing toward sweeping social change. Translated into English for the first time, The Wretched of France contemplates the protest's lasting significance in France as well as its impact within the context of larger and comparable movements for civil rights, particularly in the US.

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North African immigrants, once confined to France’s social and cultural margins, have become a strong presence in France’s national life. Similarly, descendants of immigrants from Morocco, Algeria, and Tunisia have gained mainstream recognition as filmmakers and as the subject of films. The first collective volume on this topic, Screening Integration offers a sustained critical analysis of this cinema. In particular, contributors evaluate how Maghrebi films have come to participate in, promote, and, at the same time, critique France’s integration. In the process, these essays reflect on the conditions that allowed for the burgeoning of this cinema in the first place, as well as on the social changes the films delineate.Screening Integration brings together established scholars in the fields of postcolonial, Francophone, and film studies to address the latest developments in this cinematic production. These authors explore the emergence of various genres that recast the sometimes fossilized idea of ethnic difference. Screening Integration provides a much-needed reference for those interested in comprehending the complex shifts in twenty-first-century French cinema and in the multicultural social formations that have become an integral part of contemporary France in the new millennium.

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On the nights of July 16 and 17, 1942, French police rounded up 11-year-old Joseph Weismann, his family, and 13,000 other Jews. They were held for five days at the Vélodrome d'Hiver stadium, before being sent by cattle car to the Beaune-la-Rolande transit camp. But where would they be transported to? Separated from his parents, who were deported to Auschwitz and certain death, Joseph remained with 1,000 other separated children, as they waited to discover their fates.But instead of waiting, Joseph and his new friend, Joe Kogan, chose to risk everything in a daring escape attempt. After eluding the guards and crawling under razor-sharp barbed wire, Joseph found freedom. But how would he survive the rest of the war in Nazi-occupied France and build a life for himself? His nightmare had just begun.After the Roundup is a story of hope, friendship, and courage in the face repression, hatred, and fear. This graphic novel, originally published in French, is based on Weismann's memoir of the same name.

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What did it feel like to be a child in France during World War II? Feeling Memory is an affective exploration of children’s lives in wartime France and the ways they are remembered.Lindsey Dodd draws on the recorded oral narratives of a hundred people to examine the variety of experiences children had during the war. She considers different aspects of remembering, underscoring the centrality of emotion to memory. This book covers a wide range of locations—the country and the city, Occupied France and the Free Zone—and situations—well-off and poor children, those separated from their families and those with them; it places Jewish children’s experiences alongside non-Jewish children’s. Against the backdrop of momentous events, readers encounter children playing, working, eating, thinking, doing, and feeling.An investigation of the emotions of history, Feeling Memory argues for the transformative potential of affect theory and affective methodologies in oral history and the history of everyday life. This book makes major contributions to the history of France during World War II, understandings of children’s lives in war, and the use of memory in historical and oral history analysis.

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Historically, one of the recurring arguments in psychiatry has been that heredity is the root cause of mental illness. In Inheriting Madness, Ian Dowbiggin traces the rise in popularity of hereditarianism in France during the second half of the nineteenth century to illuminate the nature and evolution of psychiatry during this period. In Dowbiggin's mind, this fondness for hereditarianism stemmed from the need to reconcile two counteracting factors. On the one hand, psychiatrists were attempting to expand their power and privileges by excluding other groups from the treatment of the mentally ill. On the other hand, medicine's failure to effectively diagnose, cure, and understand the causes of madness made it extremely difficult for psychiatrists to justify such an expansion. These two factors, Dowbiggin argues, shaped the way psychiatrists thought about insanity, encouraging them to adopt hereditarian ideas, such as the degeneracy theory, to explain why psychiatry had failed to meet expectations. Hereditarian theories, in turn, provided evidence of the need for psychiatrists to assume more authority, resources, and cultural influence. Inheriting Madness is a forceful reminder that psychiatric notions are deeply rooted in the social, political, and cultural history of the profession itself. At a time when genetic interpretations of mental disease are again in vogue, Dowbiggin demonstrates that these views are far from unprecedented, and that in fact they share remarkable similarities with earlier theories. A familiarity with the history of the psychiatric profession compels the author to ask whether or not public faith in it is warranted.

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Honorable Mention, Association for Middle East Women’s Studies Honorable Mention, 2018 Arab American Book Awards (Non-Fiction) In contemporary France, particularly in the banlieues of Paris, the figure of the young, virile, hypermasculine Muslim looms large. So large, in fact, it often supersedes liberal secular society’s understanding of gender and sexuality altogether. Engaging the nexus of race, gender, nation, and sexuality, Sexagon studies the broad politicization of Franco-Arab identity in the context of French culture and its assumptions about appropriate modes of sexual and gender expression, both gay and straight. Surveying representations of young Muslim men and women in literature, film, popular journalism, television, and erotica as well as in psychoanalysis, ethnography, and gay and lesbian activist rhetoric, Mehammed Amadeus Mack reveals the myriad ways in which communities of immigrant origin are continually and consistently scapegoated as already and always outside the boundary of French citizenship regardless of where the individuals within these communities were born. At the same time, through deft readings of—among other things—fashion photography and online hook-up sites, Mack shows how Franco-Arab youth culture is commodified and fetishized to the point of sexual fantasy. Official French culture, as Mack suggests, has judged the integration of Muslim immigrants from North and West Africa—as well as their French descendants—according to their presumed attitudes about gender and sexuality. More precisely, Mack argues, the frustrations consistently expressed by the French establishment in the face of the alleged Muslim refusal to assimilate is not only symptomatic of anxieties regarding changes to a “familiar” France but also indicative of an unacknowledged preoccupation with what Mack identifies as the “virility cultures” of Franco-Arabs, rendering Muslim youth as both sexualized objects and unruly subjects. The perceived volatility of this banlieue virility serves to animate French characterizations of the “difficult” black, Arab, and Muslim boy—and girl—across a variety of sensational newscasts and entertainment media, which are crucially inflamed by the clandestine nature of the banlieues themselves and non-European expressions of virility. Mirroring the secret and underground qualities of “illegal” immigration, Mack shows, Franco-Arab youth increasingly choose to withdraw from official scrutiny of the French Republic and to thwart its desires for universalism and transparency. For their impenetrability, these sealed-off domains of banlieue virility are deemed all the more threatening to the surveillance of mainstream French society and the state apparatus.

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Shapely Bodies: The Image of Porcelain in Eighteenth-Century France constructs the first cultural history of porcelain making in France. It takes its title from two types of “bodies” treated in this study: the craft of porcelain making shaped clods of earth into a clay body to produce high-end commodities and the French elite shaped human bodies into social subjects with the help of makeup, stylish patterns, and accessories. These practices crossed paths in the work of artisans, whose luxury objects reflected and also influenced the curves of fashion in the eighteenth century. French artisans began trials to reproduce fine Chinese porcelain in the 1660s. The challenge proved impossible until they found an essential ingredient, kaolin, in French soil in the 1760s. Shapely Bodies differs from other studies of French porcelain in that it does not begin in the 1760s at the Sèvres manufactory when it became technically possible to produce fine porcelain in France, but instead ends there. Without the secret of Chinese porcelain, artisans in France turned to radical forms of experimentation. Over the first half of the eighteenth century, they invented artificial alternatives to Chinese porcelain, decorated them with French style, and, with equal determination, shaped an identity for their new trade that distanced it from traditional guild-crafts and aligned it with scientific invention. The back story of porcelain making before kaolin provides a fascinating glimpse into the world of artisanal innovation and cultural mythmaking. To write artificial porcelain into a history of “real” porcelain dominated by China, Japan, and Meissen in Saxony, French porcelainiers learned to describe their new commodity in language that tapped into national pride and the mythic power of French savoir faire. Artificial porcelain cut such a fashionable image that by the mid-eighteenth century, Louis XV appropriated it for the glory of the crown. When the monarchy ended, revolutionaries reclaimed French porcelain, the fruit of a century of artisanal labor, for the Republic. Tracking how the porcelain arts were depicted in documents and visual arts during one hundred years of experimentation, Shapely Bodies reveals the politics behind the making of French porcelain’s image. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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Louis II de Bourbon (1621-86), known as Le Grand Conde, stood alongside Richelieu and Mazarin as one of the key figures who shaped the reign of Louis XIV. In response to profound upheavals in their world, his contemporaries looked to him to satisfy their need for a hero. Originally the warrior-hero par excellence, Conde was redefined by successive generations as the ideal subject of the absolutist state, as the epitome of civilized behaviour and, finally, as the exemplar of the triumph of faith over reason. In this first detailed study in English of Le Grand Conde's significance for his contemporaries, Mark Bannister reveals the complexity of the ideological patterns forming and reforming in seventeenth-century France, and the perennial need to believe in the existence of an iconic figure, incarnating new values as they emerge.

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Geoffrey Wheatcroft's hugely entertaining and well researched history of the Tour de France is already established as the definitive account of cycling's greatest event. Since the book was last published in 2007, much has changed. Bradley Wiggins' historic victory in 2012 - the first Briton ever to secure the yellow jersey - brought him a knighthood and garnered more interest in the race than ever before. Yet the months after were dominated by an even bigger story, as Tour legend and seven-time winner Lance Armstrong was stripped of his titles and confessed on Oprah to doping in each of his victories. Suddenly, everything that we thought we knew had happened was no longer true. In this new and comprehensively revised edition of the book, Wheatcroft not only brings his story of the Tour fully up to date to mark the race's 100th running in 2013, he also reflects on the changes brought about by the scandals that have rocked the sport to its core. Yet for all the controversies of modern times, he vividly captures the essential glory and romance of the heroes who battle to conquer one of sport's greatest challenges.

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This book examines the development of France’s male and female homosexual communities and its gay liberation movements after 1968. The book focuses on the construction of social institutions, treating gay activist organizations and their relation to post-1968 French feminism, gay ghettos in French cities, the gay press, the impact of AIDS on political identity, and the renewed militancy of the 1990s. While acknowledging the influence of America’s gay liberation movement on the French situation, the author emphasizes the differences arising from the fact that homosexuality has not historically been criminalized in France as it has been in the United States. The book is divided into four parts. Part I, “The Revolution of Desire (1968-79),” which examines the activism of the early post-1968 gay liberation movement, is preceded by a historical summary that traces French cultural, political, and social attitudes toward homosexuality. It also explores the relations between the movements for gay and women’s liberation in their various incarnations. Part II, “The Time of Socialization (1979-84)” describes the development of gay ghettos and the dissemination of gay institutions (media, countercultural venues, bars, baths, and the like). The pivotal year is 1981, which saw the advent of François Mitterrand’s government, with its pro-gay policies, as well as the first tracking of AIDS in the United States. Part III, “End of the Carefree Life (1981-89),” deals with initial reactions in France to the AIDS epidemic, reactions that included the realization of its ubiquity, first with the death of Michel Foucault in 1984, and then with the media spectacle of Rock Hudson’s death in 1985. The author describes the French government’s response to the epidemic, the role of French medical researchers in searching for the causes of the infection, and the development of Aides (meaning helpers), a social, medical, and political-action group dedicated to raising public and personal awareness of AIDS. Part IV, “The Time of Contradictions (1989-96),” focuses on the changing social institutions of homosexuality in the 1990s: the development of ACT-UP, based on the American model, in France; the campaign to promote safer sex; the integration of seropositive individuals into the homosexual community; and the acceptance of homosexuality almost as a given. The book concludes with a thoughtful epilogue on the integration of minority communities into French society.

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'Set Europe ablaze.' The order came from Churchill himself. The result was the Special Operations Executive - the SOE. Established in 1941 with the aim of supplying occupied France with a steady stream of highly trained resistance agents, this clandestine second world war network grew to become a crucial part of the allied arsenal. Ingeniously engineering acts of sabotage, resistance and terror in the face of the occupying Nazis, the SOE dealt devastating and fatal blows to the German war effort - and directly contributed to the rapid and successful advance of Allied forces across France in the days and months after D-Day. At the head of the French operations stood Colonel Maurice James Buckmaster, the leader of the SOE's French Section. These are his extraordinary memoirs. A lost classic, now available for the first time after many decades, They Fought Alone offers a unique insight into the courageous triumphs and terrible fates of the SOE's agents between 1941 and 1944. This new edition includes an introduction by intelligence historian Michael Smith that deals with the recent controversy surrounding Buckmaster, restoring his reputation as one of the most important figures in the resistance to the Nazis. The best collection of military, espionage, and adventure stories ever told. The Dialogue Espionage Classics series began in 2010 with the purpose of bringing back classic out-of-print spying and espionage tales. From WWI and WWII to the Cold War, D-Day to the SOE, Bletchley Park to the Comet Line this fascinating spy history series brings you the best stories that should never be forgotten.

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When one thinks of the quintessential Frenchman, one likely pictures Jean Gabin (1904-1976). The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Émile Zola's La Bête Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir.Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit - a persona that would define his future roles.In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Harriss recounts the actor's multi-faceted persona, including his famously fiery temper, his tumultuous love affairs - including a six-year relationship with the German star Marlene Dietrich - and his military valor. With this enthralling work, film enthusiasts can gain an appreciation of France's quintessential movie star and his lasting impact on world cinema during its Golden Age.

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Gastronomy is a wonderful starting point to study France and the French. As the retired schoolmaster from Provence says 'The religion of France is food. And wine, of course.' And they put their money where their mouth is, spending a greater proportion of their income on food and drink than any other nation in the world. Literally hundreds of gastronomic fairs and festivals take place throughout the year all over France - a frog fair, an hommage to the sausage, to the turnip, to the quiche and the noble Camembert. What kind of person is a snail-fancier? Is there a brotherhood of sausage connoisseurs? How can you devote an entire weekend to the French fry? Peter Mayle finds out and brings hilariously and affectionately to life the people who can get passionate about a frog's leg or a well-turned omelette. Over ten years ago he transformed our feelings about Provence, now he captures the irresistible essence of France herself - and her food.

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A pesar de que nos defendamos más o menos en francés, todos, en mayor o menor medida, tenemos dudas a la hora de elegir la palabra, expresión o construcción adecuada de una frase.? Cómo debe decirse: j?ai venu o je suis venu?? Es mejor comer du poison o du poisson?Estructurados en forma de pregunta y respuesta, se trata una gran variedad de temas: escritura, puntuación, verbos, preposiciones y partículas, expresiones, construcción de frases, corrección y estilo?

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At 21:00 on 9 May 1940 Codeword Danzig was issued alerting Adolf Hitler's airborne troops that they were about to spearhead an attack on Belgium and the Netherlands. The following day his blitzkrieg rolled forward striking the British Expeditionary Force and the French armies in Belgium and in northern France at Sedan. The desperate attempts of the allied armies to stem the Nazi tide proved futile and, once their reserves had been exhausted and the remaining forces cut off, Paris lay open. By early June, it was all over - trapped British, Belgian and French troops were forced to evacuate Dunkirk, Calais and Boulogne and the defeated French army agreed to an armistice leaving the country divided in two. This dramatic story is shown in a sequence of over 150 historic photographs that Anthony Tucker-Jones he has selected for this memorable book. The images he has chosen cover every aspect of this extraordinary campaign, but his main focus is on the vital role played by the armoured fighting vehicles of both sides. The book is a graphic record of the destruction wrought by the Wehrmacht's lightning offensive through the Low Countries and France.

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In this bitingly funny and insightful polemic, Boyles, using his knowledge of history and his shrewd eye for current events, examines the internal crises -- a falling birth rate, an expanding Muslim minority, economic stagnation, a lessening of international prestige -- that have changed the personality of what was once 'La Belle France', transforming it into a nation afflicted with status anxiety. He explains how a country that endlessly repeats its credentials as America's oldest ally became one of our most resolute enemies, wielding the biggest weapon in its arsenal -- the European Union -- against the interests of an America that it fears and envies. While making clear his affection for the "France" of the French people, he targets the "France" of the ruling elite -- from de Gaulle to Chirac -- who have always run the country as a private club, often to the angry dismay of its citizens.

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In Guarded Words Eric de Bellaigue has attempted to answer questions inspired by his reading of Isaac D'Israeli's short essay 'Imprisonment of Learned', from that author's Curiosities of Literature. He asks: 'Can prison writing lay claim to a distinctive chapter in histories of literature? Is there a thread linking prisoners' output across the centuries? Can confinement provide the ideal environment for literary creativity? Is there common ground among the subjects treated? Alternatively, does diversity ride rough-shod over the shared experiences of imprisonment?' The author's Preface explains the self-imposed restrictions that have determined his choice of writers and how the sequence of chapters has largely been governed by geography and chronology. The main sections of the book are: Incarceration in England; Incarceration in France; Incarceration in Russia; Convicted Murderers. Texts need to have been composed within the prisons themselves, and memoirs written after release have been excluded. With three exceptions the writings are in English or French with the year 1500 as a starting point. The writers who make their appearance here are a mixed bag. Where common ground is apparent it is at the personal level, notably in the causes of imprisonment which include: * For religious views: John Bunyan; Clement Marot; Anne Askew; Thomas More; John Hart. * For reasons of State: Walter Ralegh; William Prynne; Antoine Lavoisier; Madame Roland; Andre Chenier; Jean-Antoine Roucher; the Earl of Surrey; Charles I ; Richard Lovelace. * As victims of civil action: William Combe; Theodore von Neuhoff, King of Corsica; Mirabeau; Voltaire. * For Murder: Pierre Francois Lacenaire; William Chester Minor. * For dissidence in Russia: Alexander Solzhenitsyn; Lev Mishchenko ; Irina Ratushinskaya. An appendix, 'Snapshots of Prison Writing', provides short notes about each writer. There are also textual notes, a bibliography and an index. Illustrations: approximately 30 b&w illustrations of writers and the places where they were incarcerated.

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From the ITV News at Ten Anchor'Bradby has the talent of a reporter but the heart of a storyteller' Daily Mail___________________________Attempting to rebuild her shattered life in the South of France, former MI6 operative Kate Henderson receives an unexpected and most unwelcome visit from an old adversary: the UK Prime Minister. He has an extraordinary story to tell - and he needs her help.A Russian agent has come forward with news that the PM has been the victim of the greatest misinformation play in the history of MI6. It's run out of a special KGB unit that exists for one purpose alone: to process the intelligence from 'Agent Dante', a mole right at the heart of MI6 in London.Against her better judgement, Kate is forced back into the fray in a top-secret, deeply flawed and dangerous investigation. But now she's damaged goods. Her one-time allies no longer trust her. And neither do her enemies.With the stakes this high, can the truth ever come out? Or is the cost of uncovering it a price that no one, least of all Kate, can afford to pay?With a bonus extract of Tom Bradby's latest book, Yesterday's Spy___________________________Praise for the Tom Bradby:'Cracking' Financial Times'A gripping thriller' Sunday Times'An all-too-plausible premise' Observer'Enthralling and fast-moving' Daily Mail'Teems with twists ... imaginative and unexpected' The Times

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