Search results for ""author dick"

In her own private ways, Emily Dickinson participated in the popular entertainments of her time. On her piano, she performed popular musical numbers, many from the tradition of minstrelsy, and at theaters, she listened to famous musicians, including Jenny Lind and, likely, the Hutchinson Family Singers. In reading the Atlantic Monthly, the Springfield Republican, and Harper's, she kept up with the roiling conflicts over slavery and took in current fiction and verse. And, she enjoyed the occasional excursion to the traveling circus and appreciated the attractions of the dime museum. Whatever her aspirations were regarding participation in a public arena, the rich world of popular culture offered Dickinson a view of both the political and social struggles of her time and the amusements of her contemporaries."Theatricals of Day" explores how popular culture and entertainments are seen, heard, and felt in Dickinson's writing. In accessible prose, Sandra Runzo proposes that the presence of popular entertainment in Dickinson's life and work opens our eyes to new dimensions of the poems, illuminating the ways in which the poet was attentive to strife and conflict, to amusement, and to play.

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Sixteen scholars from across the globe come together in Charles Dickens as an Agent of Change to show how Dickens was (and still is) the consummate change agent. His works, bursting with restless energy in the Inimitable's protean style, registered and commented on the ongoing changes in the Victorian world while the Victorians' fictional and factional worlds kept (and keep) changing. The essays from notable Dickens scholars—Malcolm Andrews, Matthias Bauer, Joel J. Brattin, Doris Feldmann, Herbert Foltinek, Robert Heaman, Michael Hollington, Bert Hornback, Norbert Lennartz, Chris Louttit, Jerome Meckier, Nancy Aycock Metz, David Paroissien, Christopher Pittard, and Robert Tracy—suggest the many ways in which the notion of change has found entry into and is negotiated in Dickens' works through four aspects: social change, political and ideological change, literary change, and cultural change. An afterword by the late Edgar Rosenberg adds a personal account of how Dickens changed the life of one eminent Dickensian.

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How do we know that Emily Dickinson wrote poems? How do we recognize a poem when we see one? In Dickinson's Misery, Virginia Jackson poses fundamental questions about reading habits we have come to take for granted. Because Dickinson's writing remained largely unpublished when she died in 1886, decisions about what it was that Dickinson wrote have been left to the editors, publishers, and critics who have brought Dickinson's work into public view. The familiar letters, notes on advertising fliers, verses on split-open envelopes, and collections of verses on personal stationery tied together with string have become the Dickinson poems celebrated since her death as exemplary lyrics. Jackson makes the larger argument that the century and a half spanning the circulation of Dickinson's work tells the story of a shift in the publication, consumption, and interpretation of lyric poetry. This shift took the form of what this book calls the "lyricization of poetry," a set of print and pedagogical practices that collapsed the variety of poetic genres into lyric as a synonym for poetry. Featuring many new illustrations from Dickinson's manuscripts, this book makes a major contribution to the study of Dickinson and of nineteenth-century American poetry. It maps out the future for new work in historical poetics and lyric theory.

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"Deeply respecting, and bowing down before the character of Our Saviour, you cannot go very wrong, and will always preserve at heart a true spirit of veneration and humility." Charles Dickens Charles Dickens was a great storyteller; he possessed the unique ability of documenting the realities of life for both his contemporaries and future generations. A journalist, commentator, historian, and the social conscience of a nation, his influence and reach extended far beyond that normally associated with a novelist. Although the subject of numerous books, none have sought to detail how the writer tried through his work to change the hearts of his readers. In this authoritative and highly readable new biography, Keith Hooper explores the nature and development of Dickens's faith, and the means by which it was expressed. This excellent study of Dickens's beliefs and struggles with the contemporary church gives new and valuable insight into his literary work.

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On 3 August 1845, Emily Dickinson declared, “All things are ready”—and with this, her life as a poet began. Despite spending her days almost entirely “at home”, Dickinson’s interior world was extraordinary. She loved passionately, was ambivalent towards publication, embraced seclusion and created 1,789 poems that she tucked into a dresser drawer. Martha Ackmann unravels the mysteries of Dickinson’s life through ten decisive episodes that distil her evolution as a poet. She follows Dickinson through her religious crisis while a student, her decision to ask a famous editor for advice, her letters to an unidentified “Master”, her frenzy of composition and her terror in confronting blindness. These ten days provide new insights into Dickinson’s wildly original poetry and render a concise and vivid portrait of this enigmatic figure.

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Build your child’s reading confidence at home with books at the right level Charles Dickens was a famous writer who lived in the 19th century. Discover what life was like for Charles, from spending his childhood working in a factory to finding a job as a law clerk and starting his writing career in this biography by Jim Eldridge. Lime/Band 11 books have longer sentence structures and a greater use of literary language Text type: A biography Pages 30 and 31 present a timeline of Charles Dickens’ life, allowing children to recap the events from the book. Curriculum links: Literacy: Information texts. This book has been quizzed for Accelerated Reader.

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Beginning with an overview of the age of Dickens, Professor Jeremy Black guides the reader through the biography and writings of the great man to show how his work not only expressed his experience of Victorian England, but also defined it, for his contemporaries and for generations to come. In some ways for us, Victorian England simply is Dickens’ England. Professor Black considers London as the centre of all but also examines Dickens’ effect on concepts of gender and social structure. Then there is government – from the Circumlocution Office to Britain as the supreme imperial power. There is also a valuable account of Dickens’ relationship with America. Dickens describes a culture – popular, middle and élite – and at the same time creates one. It takes a historian of Professor Black’s standing to differentiate between the two and show how they inter-react.

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Celebrate the bicentennial birthday of Charles Dickens with this Miniature Edition packed with witty summaries of the novels of one of history's most beloved storytellers. All fans of great literature can enjoy these perfectly portable renditions of Oliver Twist, A Christmas Carol, Great Expectations, A Tale of Two Cities, and all the Dickensian classics. Featuring synopses, character profiles, and illustrations, this mini book brings to life twenty classic tales and the iconic characters that populate the world of Dickens.

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'This is a marvellous, endlessly illuminating book ... It doesn’t go on the shelf alongside other critics; it goes on the shelf alongside Dickens' Howard Jacobson ___________________ Discover the tricks of a literary master in this essential guide to the fictional world of Charles Dickens. From Pickwick to Scrooge, Copperfield to Twist, how did Dickens find the perfect names for his characters? What was Dickens's favourite way of killing his characters? When is a Dickens character most likely to see a ghost? Why is Dickens’s trickery only fully realised when his novels are read aloud? In thirteen entertaining and wonderfully insightful essays, John Mullan explores the literary machinations of Dickens’s eccentric genius, from his delight in clichés to his rendering of smells and his outrageous use of coincidences. A treat for all lovers of Dickens, this essential companion puts his audacity, originality and brilliance on full display. 'Brilliantly sharp ... Mullan makes us see that Charles Dickens was one of the most artful, which is to say skilled, writers the world has ever seen' Mail on Sunday 'Put it on your Christmas list and spend the post-goose collapse reading the good bits aloud' Laura Freeman 'Even if you know a lot about Dickens you will find revelations in this book, and if you know nothing about him it will be the perfect appetiser' The Times, The best paperbacks of 2021

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Two little dickie birds sitting on a wall, one named Peter, one named Paul. The much loved rhyme is retold with lots of additional little animals to interest and delight young children. Perfect for snuggling up with at bedtime.

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Focusing on the importance of Martineau's contribution to the development of the early Victorian press, this book highlights the degree to which the public quarrel between her and Dickens in the mid-1850s represented larger fissures within nineteenth-century liberalism. It places Martineau and Dickens within the context of Anglo-American liberalism and demonstrates how these fissures were embedded within a transatlantic conversation over the role of the press in forming a public sphere essential to the development of a liberal society.

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A TIMES BOOK OF THE YEAR The year is 1851. It's a time of radical change in Britain, when industrial miracles and artistic innovations rub shoulders with political unrest, poverty and disease. It's also a turbulent time in the life of Charles Dickens, as he copes with a double bereavement and early signs that his marriage is falling apart. But this year will become the turning point in Dickens's career, as he embraces his calling as a chronicler of ordinary people's lives. The Turning Point transports us into the foggy streets of Dickens's London, closely following the twists and turns of a year that would come to define him, and forever alter Britain's relationship with the world.'Sparklingly informative' Guardian'Wonderfully entertaining' Observer'It is hard to imagine a better book on Dickens' New Statesman

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The nineteenth century was a time of unprecedented transformation, and nowhere was this more apparent than on the streets of London. In only a few decades, London grew from a Regency town to the biggest city the world had ever seen, with more than 6.5 million people and railways, street-lighting and new buildings at every turn.Charles Dickens obsessively walked London's streets, recording its pleasures, curiosities and cruelties. Now, Judith Flanders follows in his footsteps, leading us through the markets, transport systems, sewers, slums, cemeteries, gin palaces and entertainment emporia of Dickens' London. The Victorian City is a revelatory portrait of everyday life on the streets, bringing to life the Victorian capital in all its variety, vibrancy, and squalor. No one who reads it will view London in the same light again.

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Dickens and Demolition examines how tropes, characters, or extracts from Dickens' fiction were repurposed as a portable terminology in arguments for large-scale demolition and redevelopment projects in London during his lifetime.

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Dickens and Demolition' examines how tropes, characters, or extracts from Dickens' fiction were repurposed as a portable terminology in arguments for large-scale demolition and redevelopment projects in London during his lifetime.

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See the beauty and magic of the everyday world through the eyes of Emily Dickinson, one of America’s best-loved and most renowned poets. Flowers, birds, sunrises, sunsets, the moon, and even her own existence take on surprising meanings and colorful illustrations accompany more than thirty-five of her best-loved poems. An ideal way to introduce young readers to the marvels of prose, the Poetry for Young People series opens up the world of wonderful word images by pairing classic verses with beautiful illustrations, and by providing helpful definitions and commentary.

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Doug Dickey was an unlikely Marine hero. He was a gentle soul who sang in the school’s chorus and struggled to make it through boot camp. However, in the terrible seconds that passed after a grenade landed in the middle of his platoon’s command element, Doug chose to sacrifice his life to save his comrades. For this Final Valiant Act, Doug received the Medal of Honor.Doug grew up on a farm in Ohio and enlisted in the Marine Corps with four of his friends from high school. Arriving in Vietnam, he was assigned to “Blackjack” Westerman’s 1st Battalion, 4th Marines - one of the few Marine units to make amphibious assaults during the Vietnam War.As part of 2nd Platoon, Company C, Doug took part in Operation Deckhouse VI, to rout the Viet Cong from Quang Ngai; and Operation Beacon Hill, which culminated in the desperate battle on March 26, 1967. That afternoon, the platoon became engaged with a much larger NVA unit just south of the DMZ. In the midst of that fierce battle, with casualties mounting rapidly, an enemy grenade landed in the middle of the platoon’s command group. Doug dove on the grenade - saving his friends and comrades. Second Platoon was ultimately victorious, but at a high cost: more than 40 men had gone into battle that day; only 12 walked out the next morning.Doug’s comrades in 2nd Platoon never forgot him. Easter Sunday 1967 was seared into their memories. In 1997, they began holding yearly reunions. They decided to honor Doug by holding their first reunion in his hometown. Harold and Leona Dickey were finally able to meet the men their son had saved 30 years earlier.A Final Valiant Act is the result of over 14 years of research - drawing on Doug’s letters home, and more than 50 interviews. The personal stories are woven into a meticulously researched battle history, sourced from dozens of declassified combat reports - yielding the most detailed account of Operation Beacon Hill yet written.

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American poet Emily Dickinson is revered around the world, and influenced many feminist artists and writers. Her work is some of the best known and most quoted or adapted:'Hope is the thing with feathers, that perches in the soul, and sings the tune without the words, and never stops at all' Emily DickinsonDickinson received a very good education, but chose to return home to Amherst, Massachusetts, where she spent the rest of her life, writing more than a poem a day until her death. Her refusal to compromise her highly condensed expression meant that only a tiny fraction of her work was published in her lifetime. Even today, her work feels startlingly modern:'Dogs are better than human beings because they know but do not tell' Emily Dickinson'The dearest ones of time, the strongest friends of the soul - BOOKS'This is a superb collection from a truly iconic poet.

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A unique, colorful view of Victorian London when residents both famous and now-forgotten endured “the Great Stink” across one hot summer​ While 1858 in London may have been noteworthy for its broiling summer months and the related stench of the sewage-filled Thames River, the year is otherwise little remembered. And yet, historian Rosemary Ashton reveals in this compelling microhistory, 1858 was marked by significant, if unrecognized, turning points. For ordinary people, and also for the rich, famous, and powerful, the months from May to August turned out to be a summer of consequence. Ashton mines Victorian letters and gossip, diaries, court records, newspapers, and other contemporary sources to uncover historically crucial moments in the lives of three protagonists—Charles Dickens, Charles Darwin, and Benjamin Disraeli. She also introduces others who gained renown in the headlines of the day, among them George Eliot, Karl Marx, William Thackeray, and Edward Bulwer Lytton. Ashton reveals invisible threads of connection among Londoners at every social level in 1858, bringing the celebrated city and its citizens vibrantly to life.

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Jerome Charyn, "one of the most important writers in American literature" (Michael Chabon), continues his exploration of American history through fiction with The Secret Life of Emily Dickinson, hailed by prize-winning literary historian Brenda Wineapple as a "breathtaking high-wire act of ventriloquism." Channeling the devilish rhythms and ghosts of a seemingly buried literary past, Charyn removes the mysterious veils that have long enshrouded Dickinson, revealing her passions, inner turmoil, and powerful sexuality. The novel, daringly written in first person, begins in the snow. It's 1848, and Emily is a student at Mount Holyoke, with its mournful headmistress and strict, strict rules. Inspired by her letters and poetry, Charyn goes on to capture the occasionally comic, always fevered, ultimately tragic story of her life-from defiant Holyoke seminarian to dying recluse.

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Dickie Metcalfe was not your typical secret agent, but he was larger than life in more ways than one. Unlike many other agents who were part of the Double Cross System during the Second World War, he did not defect; nor was he blackmailed into becoming a spy. Instead, using his father's connection with Sir Vernon Kell, the first Director of MI5, Metcalfe volunteered his services. Recently cashiered from his infantry regiment, he had an ulterior motive - by supplying MI5 with titbits of information about weapons and arms deals in his newfound profession as an arms dealer, he hoped they would be able to help him get his commission reinstated. Metcalfe became BALLOON, a sub-agent of double agent TRICYCLE's Yugoslav spy ring. Concurrent with his spying activities, he collaborated with the co-inventor of the Bren gun to develop a new submachine gun for British forces. After the war, he was also a celebrated motor racing driver and continued to compete until shortly before his death. His success as a double-cross agent in the eyes of both his masters - British and German - is examined in this book, using official documents as a primary source.

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In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making. These illustrated serial novels offered Victorians a reading experience that was both verbal and visual, based on complex effects of flash-forward and flashback as the placement of illustrations revealed or recalled significant story elements. Victorians’ experience of what are now canonical novels thus differed markedly from that of modern readers, who are accustomed to reading single volumes with minimal illustration. Even if modern editions do reproduce illustrations, these do not appear as originally laid out. Modern readers therefore lose a crucial aspect of how Victorians understood plot—as a story delivered in both words and images, over time, and with illustrations playing a key role. In The Plot Thickens, Mary Elizabeth Leighton and Lisa Surridge uncover this overlooked narrative role of illustrations within Victorian serial fiction. They reveal the intricacy and richness of the form and push us to reconsider our notions of illustration, visual culture, narration, and reading practices in nineteenth-century Britain.

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When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience. The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill's ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen. In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.

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Turtle Point Press is pleased to introduce the Divining Poets Quotable Deck Series. These elegant, boxed sets of seventy-eight cards à la tarot decks feature short quotes meant to inspire, provoke, and guide users—to contemplate, memorize, or answer life questions. Here is the ever-astonishing Emily Dickinson. David Trinidad was struck by the Magic 8 Ball sound in his favorite bits from Emily Dickinson’s poems—mystical answers to questions one might ask about life and death. He chose seventy-eight, the number of cards in a tarot deck, and found they worked. This is a superlative selection of indelible gems to guide, ponder, and quote. The set includes a display stand, plus an instruction card with tips on how to use the deck. This is pocket-sized wisdom to give and to keep, here in perfect time for the holiday season.

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Only a handful of Emily Dickinson's nearly 2000 poems were published in her lifetime, but today she is recognised as one of the most important American poets of the 19th century. This attractive collection gathers more than 150 of her memorable works. Featuring insights about nature, love, life, death and immortality, these poems are among the best loved in English literature.

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