Search results for ""Queen's University""

Pourquoi des étudiants en médecine ont-ils enlevé des cadavres dans les lieux de sépulture durant près de six décennies (c. 1820-1883) au Québec ? Cette science nécessaire fait la lumière sur une histoire originale et méconnue, en nous plongeant dans l’univers macabre des étudiants en médecine du XIXe siècle.On y croise religieuses hospitalières, chiens protégeant les tombes, juges, patients d’institutions psychiatriques, policiers, évêques, ainsi qu’un grand nombre de médecins. Anglophones ou francophones, tous s’animent autour d’une même question : quels morts peut-on disséquer pour apprendre l’anatomie humaine et devenir un médecin compétent ? Écrit dans un style accessible, à partir de sources fascinantes et souvent inédites, Cette science nécessaire montre l’essor de la profession médicale au Québec en expliquant, par exemple, comment une émeute d’étudiants à coups de fémurs transforme la médecine canadienne, comment Trois-Rivières devient une plaque tournante du transport ferroviaire de cadavres, ou encore pourquoi les squelettes fument la pipe sur les images de salles de dissection de l’époque. Le rôle majeur des organisations catholiques et protestantes dans l’enseignement médical au Québec est mis en évidence : Montréal au XIXe siècle devient un environnement médical hybride où coexistent des établissements francophones et anglophones, ayant peu d’équivalents au monde.Cette science nécessaire est une lecture essentielle, tant pour mieux comprendre l’histoire de la formation médicale au Québec et dans le monde, que pour mettre en contexte les débats actuels sur le respect et la dignité dans les pratiques médicales et funéraires.

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Released in 1919, Anders als die Andern (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film’s moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today.Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, Anders als die Andern is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film’s portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates Anders als die Andern’s mournful cinema as an essential element of its endurance, treating the film’s melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle.Over a century after the film’s release, Anders als die Andern serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives.

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and it was in these bare sands / that you fell, / beloved.When John Baglow's partner Marianne MacKinnon died in 2006, he decided to assemble a new collection of poems in her memory. No one else knew of what proved to be a slow-moving ambition, but a member of the family mentioned one evening that Marianne had appeared in a dream, saying, “Tell John to finish my book.” After that, what choice did he have?In a famous photograph by James Crombie, a murmuration of starlings takes, for a magical moment, the shape of a giant bird. This is the metaphor that best describes the collection: individual poems moving together in liquid formation, arcing and swooping as they will, and for perhaps just a singular moment assuming the outline of the author, helplessly ever-changing. Some of these poems, inspired by love, grief, and wonder, have been tucked away for years; others are freshly written. All here find their place.There is no narrative in Murmuration, no chronology. Nor are the many personal remembrances and representations in the book confined to one person. Nevertheless, together they are one way of seeing, one way of being. Marianne would approve.

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Kim Thúy is a literary phenomenon, rising in her first decade of writing to a level of international recognition that few Québécois writers ever attain. The Vietnamese-born author’s novels have garnered literary prize recognition and have been translated from French into twenty-nine languages in nearly forty countries.Touching Beauty is the first collection to focus solely on Thúy and her economical yet poetic storytelling style that expresses both the traumatic and the beautiful. Her writings, which manage to be culturally specific all while speaking to the fundamentals of the human condition, are examined within the context of what is known as migrant literature in Canada and are situated within the history of Vietnamese literature in French that grew out of the colonial period. Chapters explore food, identity, gender, and the role of writing in Thúy’s life and work. Thúy herself contributes an unpublished poem and an extended interview that focus on her ongoing struggle to find, and write, beauty amidst war, migration, poverty, and loss. Touching Beauty maps the themes that have, to date, animated a literary career of global relevance and enduring value and encourages a deeper appreciation of Thúy’s writing.

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Zygmunt Bauman was both an outsider of Western modernity and one of its foremost interpreters. He was an exemplary figure in twentieth-century intellectual work on exile who experienced both Nazi and Soviet forms of totalitarianism.The first work to draw extensively on Bauman’s personal archive, Zygmunt Bauman and the West argues that the distinctive social thought that sprang from Bauman’s lived experiences of exile amounts to a sustained, sophisticated, and hitherto unappreciated problematization of Eurocentrism and the West. Through an overview of the intellectual’s thought and his contribution to sociology, Jack Palmer explores Bauman’s experience and interpretation of the West and seeks to understand his work in a broader context, outside of the Eurocentric environment from which it was born. Intervening in a resurgent sociology of intellectuals, Zygmunt Bauman and the West re-evaluates the place of the West in social and political thought.

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Pentecostalism is one of the fastest-growing religious movements in the world. In Canada, it is the most rapidly growing Christian group among Indigenous people, with approximately one in ten Pentecostals in the country being Indigenous. Pentecostalism has become a religious force in many Indigenous communities, where congregations are most often led by Indigenous ministers – an achievement that took many decades. The Holy Spirit and the Eagle Feather traces the development of Indigenous Pentecostalism in Canada. Exploring the history of twentieth-century missionization, with particular attention to the Pentecostal Assemblies of Canada’s Northland Mission, founded in 1943, Aaron Ross shows how the denomination’s Euro-Canadian leaders, who believed themselves to be supporters of Indigenous-led churches, struggled to relinquish control of mission management and finances. Drawing on interviews with contemporary figures in the movement, he describes how Indigenous Pentecostals would come to challenge the mission’s eurocentrism over decades, eventually entering positions of leadership in the church. This process required them to confront the painful vestiges of colonialism and to grapple with the different philosophies and theologies of Pentecostalism and Indigenous traditional spiritualities. In doing so they indigenized the movement and forged a new identity, as Indigenous and Pentecostal.Indigenous Pentecostals now occupy key roles in the church and serve as political, cultural, and economic leaders in their communities. The Holy Spirit and the Eagle Feather tells the story of how they overcame the church’s colonial impulses to become religious leaders, as well as agents for decolonization and reconciliation.

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Growing up on St Lawrence Boulevard, Phil Gold never aspired to be a doctor. But working as an encyclopedia salesman, a bottle washer at Molson, and a fur-coat schlepper in textile factories helped him realize and embrace his parents’ desire for him to follow that path.Looking back at his short wander from the Main to nearby McGill University and the Montreal General Hospital, Gold coins a new word, fortunome, to evoke his sense of a lucky life: “Our genome comes from our parents; our environment or epigenome shapes the expression of who we are; but without a good fortunome, life’s odds turn against us.” A born storyteller, Gold recounts the sights and sounds of a bygone era – horse-drawn milk carts, Yiddish neighbourhoods full of Holocaust survivors, furniture chopped up to keep the home fires burning, sacks of grain lugged off ships in the harbour, antisemitism and ethnic street-fighting, the padlocked doors of the Red Scare, his father’s first car. Gold tells the story of dating and marrying the love of his life, Evelyn, studying under the brilliant Sir Arnold Burgen, and his discovery of CEA (carcinoembryonic antigen) in a clear, fast-moving narrative that grips and fascinates. Gold’s Rounds also includes unforgettable stories from six decades of treating patients at the General, scenes from the founding of the famous Goodman Cancer Institute, and reflections on the physician's role and the meaning of a good death. By turns funny, wise, and heartrending, Gold’s memoir of a life well lived will be cherished by both medical professionals and general readers.

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In 2014–15, the Ethiopian government, together with many academics and observers, was surprised by the outbreak of anti-government protests, as large-scale public contestation of the Ethiopian People’s Revolutionary Democratic Front (EPRDF) had been largely absent in the regime’s history. The dominant narrative about the EPRDF regime was that it was a top-down government, using authoritarian methods to ensure the population abided by its visions and directives, and describing its role in paternalistic ways, such as being the protector and guardian of the people.Changing this narrative, Citizens, Civil Society, and Activism under the EPRDF Regime in Ethiopia considers how citizens and civil society expressed their interests and exerted their agency in an authoritarian setting. Focusing on the EPRDF regime over a period of three decades up to 2019, the book explores civic activism in Ethiopia, presenting diverse examples of how citizens have (re)shaped the country. Challenging state-centric readings of state-society relations under EPRDF governance, this collection provides a counternarrative that emphasizes the role and agency of citizens and civil society. The contributing authors draw on a heuristic analytical framework that examines different types of interactions between civil society and state actors (co-optation, co-operation, coexistence, and contestation) and captures the ways in which civil society actors make their voices heard.At a time when authoritarian forms of governance are increasingly prevalent across the world, this critically important collection offers insight into how citizens claim their agency and challenge state power in apparently top-down contexts.

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Concern over ecological and environmental problems grows daily, and many believe we’re at a critical tipping point. Scientists, social thinkers, public officials, and the public recognize that failure to understand the destructive impact of industrial society and advanced technologies on the delicate balance of organic life in the global ecosystem will result in devastating problems for future generations. In The Domination of Nature William Leiss argues that this global predicament must be understood in terms of deeply rooted attitudes towards nature. He traces the origins, development, and social consequences of an idea whose imprint is everywhere in modern thought: the idea of the domination of nature. In part 1 Leiss traces the idea of the domination of nature from the Renaissance to the nineteenth century. Francis Bacon’s seminal work provides the pivotal point for this discussion, and through an original interpretation of Bacon’s thought, Leiss shows how momentous ambiguities in the idea were incorporated into modern thought. By the beginning of the twentieth century the concept had become firmly identified with scientific and technological progress. This fact defines the task of part 2. Using important contributions by European sociologists and philosophers, Leiss critically analyzes the role of science and technology in the modern world. In the concluding chapter he puts the idea of mastery over nature into historical perspective and explores a new approach, based on the possibilities of the liberation of nature.Originally published in 1972, The Domination of Nature was part of the first wave of widespread interest in environmental issues. In a new preface Leiss explores the concept of eco-dominion and the moral obligations of human citizens of the twenty-first century.

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Concern over ecological and environmental problems grows daily, and many believe we’re at a critical tipping point. Scientists, social thinkers, public officials, and the public recognize that failure to understand the destructive impact of industrial society and advanced technologies on the delicate balance of organic life in the global ecosystem will result in devastating problems for future generations. In The Domination of Nature William Leiss argues that this global predicament must be understood in terms of deeply rooted attitudes towards nature. He traces the origins, development, and social consequences of an idea whose imprint is everywhere in modern thought: the idea of the domination of nature. In part 1 Leiss traces the idea of the domination of nature from the Renaissance to the nineteenth century. Francis Bacon’s seminal work provides the pivotal point for this discussion, and through an original interpretation of Bacon’s thought, Leiss shows how momentous ambiguities in the idea were incorporated into modern thought. By the beginning of the twentieth century the concept had become firmly identified with scientific and technological progress. This fact defines the task of part 2. Using important contributions by European sociologists and philosophers, Leiss critically analyzes the role of science and technology in the modern world. In the concluding chapter he puts the idea of mastery over nature into historical perspective and explores a new approach, based on the possibilities of the liberation of nature.Originally published in 1972, The Domination of Nature was part of the first wave of widespread interest in environmental issues. In a new preface Leiss explores the concept of eco-dominion and the moral obligations of human citizens of the twenty-first century.

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Si la devise du Québec sombre parfois dans l’oubli, ce livre s’impose tel un véritable devoir de mémoire envers les pionniers du cinéma de fiction LGBTQ+ québécois : « Je me souviens » de ce premier et courageux aveu queer de Claude Jutra dans À tout prendre, ainsi que de l’exploration par André Brassard et Michel Tremblay dans Il était une fois dans l’Est d’une faune colorée affirmant son existence dans un quartier modeste de l’est de Montréal. Ce livre commémore et conjugue ces deux fleurons de la cinématographie québécoise qui mettent en scène des représentations gaies, lesbiennes et trans pionnières dans les années 1960 et 1970.Malgré une réception critique empreinte parfois d’homophobie au Québec et un relatif silence à l’intérieur d’un Canada majoritairement anglophone, ce cinéma francophone fera néanmoins entendre sa voix à l’international, en Europe comme aux États-Unis, impressionnant des cinéastes comme Truffaut et Cassavetes. Ces films passent ainsi à l’histoire. Sous la loupe de la sociologie, Julie Vaillancourt analyse ces films au rythme d’événements sociopolitiques marquants, de la Révolution tranquille à la révolution sexuelle, des mouvements de libération homosexuels à ceux des femmes, sans oublier la question identitaire nationale. L’ouvrage présente également un état des lieux plus de cinquante ans après la décriminalisation de l’homosexualité au Canada. Vu l’influence de ces cinéastes auprès de la jeune génération, dont Xavier Dolan, les legs sont nombreux et invitent les comparaisons réaffirmant le caractère novateur de ces deux films pionniers. Ce livre revisite À tout prendre et Il était une fois dans l’Est pour démontrer leur importance artistique et sociale au moment de leur création ainsi que leur héritage durable dans le contexte du cinéma queer mondial.

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The Cossack revolution of 1648 redrew the map of Eastern Europe and established a new social and political order that endured until the early nineteenth century, with the full integration of Ukraine into imperial states. It was an era when Ukrainian Cossack statehood was established, when a country called Ukraine appeared for the first time on European maps, and new, diverse identities emerged.Eighteenth-Century Ukraine provides an innovative reassessment of this crucial period in Ukrainian history and reflects new developments in the study of eighteenth-century Ukrainian history. Written by a team of primarily Ukrainian historians, the volume covers a wide range of topics: social history, demographics, history of medicine, religious culture, education, symbolic geography, the transformation of collective identities, and political and historical thought. Special attention is paid to Ukrainian-Russian relations in the context of eighteenth-century Russian imperial unification. Eighteenth-Century Ukraine is the most comprehensive guide to new visions of early-modern Ukrainian history.

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Evangelical Christianity is known for its defence of traditional Christian teachings and resistance to liberalizing trends. Many Western evangelicals themselves do not yet realize how their faith is being reshaped by the modern zeitgeist. Caught in the Current explores how and why Western evangelicals are changing. Church attendance is declining, conservative moral positions are unpopular, and young people are drifting away from the faith. Evangelism is avoided, so few are joining congregations. Yet these surface changes are only symptoms of a more profound shift that church leaders have not fully apprehended. Drawing upon 125 interviews with British and Canadian clergy and active laity, Sam Reimer argues that evangelicals have been deeply influenced by a post-Christian culture that has rejected institutional religious authority and embraced self-spirituality. As individual evangelicals struggle to navigate these waters, and to distance themselves from politicized evangelicalism in the United States, they are caught between conformity and resistance, between faithfulness to church moral teachings and accommodation of secular values. Many are responding by turning inward to define their Christian beliefs for themselves. The ironic result is that the decline of institutional religious authority is not happening just in Western culture, but within evangelical churches as well. Caught in the Current is an insightful and nuanced assessment of how British and Canadian evangelicals are navigating a post-Christian culture, often in ways that are distinct from how their counterparts in the United States approach it.

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The catastrophic terror Soviet power unleashed on the Ukrainian countryside in the early 1930s altered every aspect of village life. Based on extensive interviews with villagers throughout Ukraine, The Transformation of Civil Society provides an oral history of the material and cultural destruction sustained in rural Ukraine throughout the Stalinist era. Beginning with wholesale deportations and evictions, followed by the process of collectivization in Ukraine, the Soviet state’s impact on peasant life extended deep into the fabric of society. Targeting the cultural life of these Ukrainians, the 1930s began with the physical repression of religious institutions and personnel, the repression of church ritual, and later, the repression of entertainment and expressive culture such as music making. By bringing to light the experiences of more than four hundred Ukrainians who witnessed the terror of the Stalinist era, William Noll privileges villagers' points of view on the near total destruction of their world and preserves the memory of their civil society. Almost twenty-five years after its Ukrainian publication, The Transformation of Civil Society makes this classic available in English for the first time.

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While Canada is home to one of the largest Ukrainian diasporas in the world, little is known about the life and culture of Ukrainians living in the country’s rural areas and their impact on Canadian traditions.Drawing on more than ten years of interviews and fieldwork, Ukrainian Ritual on the Prairies describes the culture of Ukrainian Canadians living in the prairie provinces of Alberta and Saskatchewan. Despite powerful pressure to assimilate, these Ukrainians have managed both to preserve their sense of themselves as Ukrainian and to develop a culture sensitive to the realities of prairie life, creating their own uniquely Ukrainian Canadian traditions. The Ukrainian church, an iconic though now rapidly disappearing feature of the prairie landscape, takes centre stage as an instrument for the retention of Ukrainian identity and the development of a new culture. Natalie Kononenko explores the cultural elements of Ukrainian Canadian ritual practice, with an emphasis on family traditions surrounding marriage, birth, death, and religious holidays.Ukrainian Ritual on the Prairies gives voice to a group of everyday people who are too often overlooked, highlighting their accomplishments and their contributions to Canadian life.

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Imagine a house whose wiring is spliced and patchy with knob and tube, coiled like a serpent ready to strike and spark at any moment. Even if you have a fire trap behind your walls, the lights will turn on. In her memoir of a life lived in physical pain, Karen Engle asks whether and how language can capture what it’s like to be in a body that appears to work from the outside, when its internal systems operate through an ad hoc assemblage of garbled messaging, reroutings, and shaky foundations. A series of narrative reflections capture the myriad ways in which the chronic conditions its suffering subject. Contrary to claims that pain obliterates language – long a trope of writing about illness – Engle contends that the person with chronic pain is not hampered by a scarcity of language, but rather its excess: enervation by the unending waves of utterance. From a history of the word chronic and its shifting significance to meditations on multiple diagnoses and interactions with medical personnel, Chronic Conditions is a doctor’s case file through the looking glass of a creative writer, scholar, and patient. Engle explores, through medical research, literature, and art, how it feels to become attuned to the rhythms of perpetual and mysterious physical pain. At stake here is the search for a kind of writing that does not instrumentalize pain for allegorical or transcendental purposes. Chronic pain is not a sign of weakness, nor is it an opportunity for personal growth, Engle argues. Instead, it is entirely ordinary and deeply affecting.

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Hugo von Hofmannsthal (1874–1929) is frequently portrayed in cultural histories as an aloof writer with a precious style, out of step with modern sensibilities. In Aesthetic Dilemmas Marlo Burks reassesses Hofmannsthal’s oeuvre and its place in twentieth-century European modernist aesthetics.Through an examination of a diverse range of Hofmannsthal’s ekphrastic writings – including poetry, essays, opera libretti, fiction, and letters – Burks argues that Hofmannsthal’s work aims to engage the consciousness and sensibility of readers, listeners, and viewers by way of dynamic encounters with works of art. Aesthetic Dilemmas thereby corrects a long-standing, flawed characterization of Hofmannsthal’s work as escapist and demonstrates how his place in the Modernist movement has been misunderstood in most scholarship. The book is in dialogue with a broad range of critical voices and treats a variety of themes, from aestheticism to money, interpersonal relationships, suffering, poverty, labour, futurity, legacy, and hope. Translating numerous passages into English for the first time, Aesthetic Dilemmas gives English-speaking readers the chance to evaluate Hofmannsthal’s literary merit and his contributions to the enduring conversation about art’s relation to ethics.

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Redirecting examinations of the culture of the city away from its customs, art, and amenities to focus on the mental life of modern society, Alan Blum explores the methods cities and their subjects use to find meaning in the context of urban life, in particular the city’s relationships to social change and what has traditionally been identified as justice.The Material City pictures the city as a landscape of diverse clashes over beliefs, a site that exhibits interpretive collisions over globalization, gentrification, innovation, preservation, market value, popular culture, crowds, consumption, urban governance, and different strategies for healing the democratic city’s ever-present conflicts over these concerns. Each chapter uses a problem of urban life to observe and analyze assumptions and values that are typically taken for granted and unspoken, using elements of the philosophy of Plato as well as the work of modern thinkers such as Georg Simmel, Gertrude Stein, Ludwig Wittgenstein, Virginia Woolf, Hannah Arendt, and Jacques Lacan.The Material City translates contested views of everyday life and its management into a deeper reflection on urbanity as a system of desire. The historical and the contemporary metropolis alike are shown to be sites where the enigma of mortality – and its relation to pleasure, comedy, and fate – plays out.

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In the “post-truth” era, the question of how people perceive things to be real, even when they are not based in fact, preoccupies us. Lessons learned in the theatre – about how emotion and affect produce an experience of realness – are more relevant than ever.Real-ish draws on extensive interviews with audience members about their perceptions of realness in documentary, participatory, historical, and immersive performances. In studying these forms that make up the theatre of the real, Kelsey Jacobson considers how theatrical experiences of realness not only exist as a product of their real-world source material but can also unfurl as real products in their own right. Using the concept of real-ish-ness – which captures the complex feeling that is generated by engaging with elements of reality – the book examines how audiences experience the apparently real within the time and space of a performance, and how it is closely tied to the immediacy and intimacy experienced in relation to others.When feeling – rather than fact –becomes a way of knowing truths about the world, understanding the cultivation and circulation of such feelings of realness is paramount. In exploring this process, Real-ish centres audience voices and, perhaps most importantly, audience feelings during performance.

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In the Québécois political vision of the twentieth century, sovereignty became synonymous with mastery. French Canadians sometimes claimed solidarity with racialized and Indigenous peoples, yet they saw their liberation as a matter of taking their rightful place in the seat of the oppressors. The idea of mastery has prevented the Québécois from seeing that their liberation is bound up with that of other groups oppressed by colonial powers. The Eye of the Master confronts the missed opportunities for a decolonial version of indépendance in Quebec by examining the quest for mastery that has been at the root of every version of independence offered to the people of Quebec since the mid-twentieth century. Exploring political discourse, popular culture, and the family photo album, Dalie Giroux revisits the mythology of being “masters in our own house” and identifies the obstacles blocking a more comprehensive version of liberation based on solidarity. Drawing from the living forces of Indigenous thought and anti-racist, ecological, and feminist movements, Giroux envisions life without conquest, domination, exploitation, and surveillance. Making the case for a different future, beginning in the here and now, The Eye of the Master offers a major new intervention in contemporary political thought to Canadian readers and all those who imagine a different North America.

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We are living in a time of acute vulnerability. From climate change to drone warfare, terrorist attacks to mass shootings, safe spaces to trigger warnings, not to mention the COVID-19 pandemic, homo vulnerabilis is once again coming to terms with the fact that it can be wounded, or even killed.Against such finitude, sovereignty is now reasserting itself as a political power that might save us from our ontological state. The irony is, of course, that such sovereignty – for example through camps, walls, police violence, or drones – is also the underlying, historical cause of many of our most intense contemporary experiences of vulnerabilization. Interrupting the dialectic by which sovereignty manages to be both the cause of our vulnerabilization and the phantasmatic tool of its prevention, in Being Vulnerable Arne De Boever explores how today’s experiences of vulnerabilization can be translated into a collective human power that dismantles the form of sovereignty that is producing this state of affairs. Focused on theories, paradigms, and alternative formations of sovereignty, Being Vulnerable reconsiders the tradition of thinking through a political concept in order to approach it anew.

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At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.

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James Tully is one of the world’s most influential political philosophers at work today. Over the past thirty years – first with Strange Multiplicity (1995), and more fully with Public Philosophy in a New Key (2008) and On Global Citizenship (2014) – Tully has developed a distinctive approach to the study of political philosophy, democracy, and active citizenship for a deeply diverse world and a de-imperializing age. Civic Freedom in an Age of Diversity explores, elucidates, and questions Tully’s innovative approach, methods, and concepts, providing both a critical assessment of Tully’s public philosophy and an exemplification of the dialogues of reciprocal elucidation that are central to Tully’s approach. Since the role of public philosophy is to address public affairs, the contributors consider public philosophy in the context of pressing issues and recent civic struggles such as: crises of democracy and citizenship in the Western world; global citizenship; civil disobedience and non-violence; Indigenous self-determination; nationalism and federalism in multinational states; protest movements in Turkey and Quebec; supranational belonging in the European Union; struggles over equity in academia; and environmental decontamination, decolonization, and cultural restoration in Akwesasne.Offering a wide-ranging analytical discussion of Tully’s work by leading scholars from various fields of study, with an extensive reply by Tully himself, Civic Freedom in an Age of Diversity provides a rich perspective on the full extent of his contribution.

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Digital media technologies have provided an occasion not only for novel ways to display and exhibit collections, but also for new politics to arise as museums and urban settings change. While some believe these changes are driven by humans, others see digital media technologies at the heart of these changes. Reconfiguring the Museum offers a third explanation that considers both the social and technical together and thereby captures the experimental nature of introducing novel digital media technologies to museums, and the uncertainty, messiness, contingency, and complexity involved. In this sociotechnical case study of a novel augmented reality app – first designed to exhibit collections from the Museum of London across the sprawling capital city, and later remade for the McCord Museum to display collections throughout Montreal – Ana-Maria Herman reveals how the app introduced unexpected new relations between the museums, their collections, advertising agencies, sponsors, technology companies, corporations, urban spaces, and end users. She shows how museum practices related to curating, designing, building, visiting, and modifying exhibitions were transformed, and how, in such unsettled arrangements, what we think of as old cultural politics can unexpectedly re-emerge, while new digital politics – related to big data, surveillance, and automated processes – may not necessarily materialize.A detailed account of emerging actors and practices involved in making digital exhibitions, Reconfiguring the Museum offers practical considerations for museum, culture, and heritage practitioners charged with creating digital displays and accounting for their success or failure.

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The Enlightenment Atlantic was awash in deep feelings. People expressed the ardour of patriots, the homesickness of migrants, the fear of slave revolts, the ecstasy of revivals, the anger of mobs, the grief of wartime, the disorientation of refugees, and the joys of victory. Yet passions and affections were not merely private responses to the events of the period – emotions were also central to the era’s most consequential public events, and even defined them. In Enthusiasms and Loyalties Keith Grant shows that British North Americans participated in a transatlantic swirl of debates over emotions as they attempted to cultivate and make sense of their own feelings in turbulent times. Examining the emotional communities that overlapped in Cornwallis Township, Nova Scotia, between 1770 and 1850, Grant explores the diversity of public feelings, from disaffected loyalists to passionate patriots and ecstatic revivalists. He shows how certain emotions – especially enthusiasm and loyalty – could be embraced or weaponized by political and religious factions, and how their use and meaning changed over time. Feelings could be the glue that made loyalties stick, or a solvent that weakened community bonds. Taking a history of emotions approach, Enthusiasms and Loyalties aims to recover and understand the wide range of political and religious emotions that were possible – feelable – in the Enlightenment Atlantic.

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When strange signs appeared in the sky over Québec during the autumn of 1660, people began to worry about evil forces in their midst. They feared that witches and magicians had arrived in the colony, and a teenaged servant named Barbe Hallay started to act as if she were possessed. The community tried to make sense of what was happening, and why. Priests and nuns performed rituals to drive the demons away, while the bishop and the governor argued about how to investigate their suspicions of witchcraft. A local miller named Daniel Vuil, accused of using his knowledge of the dark arts to torment Hallay, was imprisoned and then executed.Stories of the demonic infestation circulated through the small settlement on the St Lawrence River for several years. In The Possession of Barbe Hallay Mairi Cowan revisits these stories to understand the everyday experiences and deep anxieties of people in New France. Her findings offer insight into beliefs about demonology and witchcraft, the limits of acceptable adolescent behaviour, the dissonance between a Catholic colony in theory and the church’s wavering influence in practice, the contested authority accorded to women as healers, and the insecurities of the colonial project. As the people living through the events knew at the time, and as this study reveals, New France was in a precarious position.The Possession of Barbe Hallay is both a fascinating account of a case of demonic possession and an accessible introduction to social and religious history in early modern North America.

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The North American Aerospace Defense Command (NORAD) has undergone wide-ranging changes since 2006, when it was given a new maritime warning mission and the NORAD Agreement was signed in perpetuity. Andrea Charron and James Fergusson trace NORAD’s recent history, marked by innovations in technology and in command and control, but also by unprecedented threats. The shared defence of North America remains an important issue that should extend to other areas, such as the joint defence of the maritime and cyber domains. Fuelled by a deep curiosity about the command and its decisions made in the face of inevitable geopolitical and technological changes, this book uses a functional lens to evaluate NORAD’s options and the technological and organizational solutions needed to defend North America. The authors investigate the ways in which the NORAD command might adapt in the future as it struggles to modernize and keep ahead of new threats.This book comes at a critical time. The rise of new peer competitors requires a fundamental reconsideration of North American defence. As one of very few contemporary analyses of the command and its future, NORAD will be a vital tool for scholars and practitioners.

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The Troubles claimed the lives of almost four thousand people in Northern Ireland, most of them civilians; forty-five thousand were injured in bombings and shootings. Relative to population size this was the most intense conflict experienced in Western Europe since the end of the Second World War. The central question posed in this book is fundamental, yet it is one that has rarely been asked: Who was primarily responsible for the prosecution of the Troubles and their attendant toll of the dead, the injured, and the emotionally traumatized? Liam Kennedy, who lived in Belfast throughout most of the conflict, was long afraid to raise the question and its implications. After years of reflection and research on the matter he has brought together elements of history, politics, sociology, and social psychology to identify the collective actors who drove the conflict onwards for more than three decades, from the days of the civil rights movement in the late 1960s to the signing of the Good Friday Agreement in 1998. The Troubles in Northern Ireland are a world-class problem in miniature. The combustible mix of national, ethnic, and sectarian passions that went into the making of the conflict has its parallels today in other parts of the world. Who Was Responsible for the Troubles? is an original and controversial work that captures the terror and the pain but also the hope of life and the pursuit of happiness in a deeply divided society.

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The Canada–European Union Comprehensive Economic and Trade Agreement (CETA) is hailed as the gold standard for trade agreements. It addresses tariffs on traded goods, favoured status for EU and Canadian exporters, trade in services, and technical barriers to trade, while also seeking coordination between government agencies to promote regulatory cooperation, harmonization, and mutual recognition of standards.As the world retreats towards populism and protectionism, CETA Implementation and Implications provides a vital examination of this contemporary economic collaboration between developed states, which serves as a model for other progressive regional trade agreements. This book offers the first in-depth, comprehensive assessment of CETA, covering many of its most important elements and exploring its obstacles, accomplishments, and early effects. Based on the European Commission-funded Erasmus+ Jean Monnet Project on CETA Implementation and Implications, which linked scholars and stakeholders across Europe and North America to analyze and evaluate the implementation and impacts of the agreement, this book covers regulation, procurement, the environment, the innovative investment disputes system, labour mobility and labour relations, bilateral governance instruments, and the implications for EU trade policy of CETA’s contested ratification.Uniquely interdisciplinary and featuring contributors from around the world, CETA Implementation and Implications provides a nuanced and balanced assessment of this landmark trade agreement and its effects on regional and global trade in turbulent times.

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The COVID-19 pandemic has made evident that the field of global health – its practices, norms, and failures – has the power to shape the lives of billions. Global health perspectives on the role of religion, however, are strikingly limited. Uncovering the points where religion and global health have connected across the twentieth century, focusing on Ghana, provides an opportunity to challenge narrow approaches.In Religion in Global Health and Development Benjamin Walker shows that the religious features of colonial state architecture were still operating by the turn of the twenty-first century. Walker surveys the establishment of colonial development projects in the twentieth century, with a focus on the period between 1940 and 1990. Crossing the colonial-postcolonial divide, analyzing local contexts in conjunction with the many layers of international organizations, and identifying surprisingly neglected streams of personnel and funding (particularly from Dutch and West German Catholics), this in-depth history offers new ways of conceptualizing global health.Patchworks of international humanitarian intervention, fragmented government services, local communities, and the actions of many foreign powers combined to create health services and the state in Ghana. Religion in Global Health and Development shows that religion and religious actors were critical to this process – socially, culturally, and politically.

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The spiritual crisis of the twenty-first century is overload boredom. There is more information, content, and stimulation than ever before, and none of it is waiting passively to be consumed. The demands exceed our capacities.The Spiritual Significance of Overload Boredom makes the case that withdrawal and resistance are not our only options: we can choose kēdia, an ethic of care. Rather than conceiving the world of information as external, Sharday Mosurinjohn turns to the sensational and emotional, focusing on the ways the digital age has radically reconfigured our interior lives. Using an innovative method of affective aesthetic speculation, Mosurinjohn engages the world of art, literature, and comedy for a series of unexpected case studies that make strange otherwise familiar scenes of overload boredom: texting, browsing social media, and performing information work. Ultimately, she shows that the opposite of boredom is not interest but meaning, and that we can only make it by curating the overload.The Spiritual Significance of Overload Boredom is a bold and original intervention for the present condition, unsettling the framing of existing work around technological modernity and its discontents.

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In Moldova, the number of dual citizens has risen exponentially in the last decades. Before annexation, many saw Russia as granting citizenship to—or passportizing—large numbers in Crimea. Both are regions with kin majorities: local majorities claimed as co-ethnic by external states offering citizenship, among other benefits. As functioning citizens of the states in which they reside, kin majorities do not need to acquire citizenship from an external state. Yet many do so in high numbers.Kin Majorities explores why these communities engage with dual citizenship and how this intersects, or not, with identity. Analyzing data collected from ordinary people in Crimea and Moldova in 2012 and 2013, just before Russia’s annexation of Crimea, Eleanor Knott provides a crucial window into Russian identification in a time of calm. Perhaps surprisingly, the discourse and practice of Russian citizenship was largely absent in Crimea before annexation. Comparing the situation in Crimea with the strong presence of Romanian citizenship in Moldova, Knott explores two rarely researched cases from the ground up, shedding light on why Romanian citizenship was more prevalent and popular in Moldova than Russian citizenship in Crimea, and to what extent identity helps explain the difference.Kin Majorities offers a fresh and nuanced perspective on how citizenship interacts with cross-border and local identities, with crucial implications for the politics of geography, nation, and kin-states, as well as broader understandings of post-Soviet politics.

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Most monumental buildings of France’s global empire – such as the famous Saigon and Hanoi Opera Houses – were built in South and Southeast Asia. Much of this architecture, and the history of who built it and how, has been overlooked.The Architecture of Empire considers the large-scale public architecture associated with French imperialism in seventeenth- and eighteenth-century India, Siam, and Vietnam, and nineteenth- and twentieth-century Indochina, the largest colony France ever administered in Asia. Offering a sweeping panorama of the buildings of France’s colonial project, this is the first study to encompass the architecture of both the ancien régime and modern empires, from the founding of the French trading company in the seventeenth century to the independence and nationalist movements of the mid-twentieth century. Gauvin Bailey places particular emphasis on the human factor: the people who commissioned, built, and lived in these buildings. Almost all of these architects, both Europeans and non-Europeans, have remained unknown beyond – at best – their surnames. Through extensive archival research, this book reconstructs their lives, providing vital background for the buildings themselves. Much more than in the French empire of the Western Hemisphere, the buildings in this book adapt to indigenous styles, regardless of whether they were designed and built by European or non-European architects.The Architecture of Empire provides a unique, comprehensive study of structures that rank among the most fascinating examples of intercultural exchange in the history of global empires.

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Millennials have come of age in an era when environmental and social crises have defined much of their adult lives, as has the recurrent message that time is of the essence. Future generations will bear the greatest burden created by climate change, pandemics, and inequality, but often they are not in positions of power to make impactful decisions about it.This book gives voice to young lawyers offering new critical perspectives in the burgeoning field of corporate law and sustainability. Climate change is an intergenerational crisis, and the solutions and path forward must include intergenerational voices. Millennials are rising in power at a critical juncture in our climate and corporate history, and their perspectives stand apart from those who have been trained into myopic views of what constitutes change. These essays challenge the status quo across a number of pressing topics, including executive compensation, board diversity, decolonialization, crowdfunding, social media risk, corporate lobbying, shareholder activism, tax avoidance, global supply chain management, and human rights, written with a level of thoughtfulness and urgency that demands attention from policymakers and scholars alike.Edited by Carol Liao, a leading expert in the field, and with a foreword by author and filmmaker of The Corporation and The New Corporation Joel Bakan, this book offers timeless research from a diverse group of young lawyers calling for bona fide corporate accountability within legal and regulatory frameworks, including innovative ideas for reform.

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In recent decades an increasing share of Canada’s agricultural workforce has been made up of temporary foreign workers from the Global South. These labourers work difficult and dangerous jobs with limited legal protections and are effectively barred from permanent settlement in Canada.In Harvesting Labour Edward Dunsworth examines the history of farm work in one of Canada’s underrecognized but most important crop sectors – Ontario tobacco. Dunsworth takes aim at the idea that temporary foreign worker programs emerged in response to labour shortages or the unwillingness of Canadians to work in agriculture. To the contrary, Ontario’s tobacco sector was extremely popular with workers for much of the twentieth century, with high wages attracting a diverse workforce and enabling thousands to establish themselves as small farm owners. By the end of the century, however, the sector had become something entirely different: a handful of mega-farms relying on foreign guest workers to produce their crops. Taking readers from the leafy fields of Ontario’s tobacco belt to rural Jamaica, Barbados, and North Carolina and on to the halls of government, Dunsworth demonstrates how the ultimate transformation of tobacco – and Canadian agriculture writ large – was fundamentally a function of the capitalist restructuring of farming.Harvesting Labour brings together the fields of labour, migration, and business history to reinterpret the historical origins of contemporary Canadian agriculture and its workforce.

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There is a common assumption that the promotion of democracy and economic development are the most effective means of quelling widespread political unrest within a country. Many believe that free and fair elections, health care, education, and employment will help secure the hearts and minds of citizens. By contrast, the violation of human rights and international law is presumed to be counterproductive, engendering political protest and violent rebellion.When Bad States Win challenges the belief that democratic institutions and economic growth are effectual tools in countering insurgencies. Jeffrey Treistman uses a mixed-methods approach to examine the conditions in which governments have violated human rights and attacked civilians to effectively suppress political dissent. His research suggests that moderate levels of violence against civilians tend to backfire and only provoke widespread resentments that lead to the overthrow of a central government; however, when pursued to extremes, brutal repression and indiscriminate violence against civilians can effectively defeat a rebellion. As a result, bad states may sometimes win.As the number of democratic states in the world continues to decline, violence and authoritarian rule are on the rise. A thought-provoking and timely analysis, When Bad States Win offers important insight into how democratic states can respond to human rights violations in regions in crisis.

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A wolf’s howl is felt in the body. Frightening and compelling, incomprehensible or entirely knowable, it is a sound that may be heard as threat or invitation but leaves no listener unaffected.Toothsome fiends, interfering pests, or creatures wild and free, wolves have been at the heart of Canada’s national story since long before Confederation. Villain, Vermin, Icon, Kin contends that the role in which wolves have been cast – monster or hero – has changed dramatically through time. Exploring the social history of wolves in Canada, Stephanie Rutherford weaves an innovative tapestry from the varied threads of historical and contemporary texts, ideas, and practices in human-wolf relations, from provincial bounties to Farley Mowat’s iconic Never Cry Wolf. These examples reveal that Canada was made, in part, through relationships with nonhuman animals. Wolves have always captured the human imagination. In sketching out the connections people have had with wolves at different times, Villain, Vermin, Icon, Kin offers a model for more ethical ways of interacting with animals in the face of a global biodiversity crisis.

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Citizens have lost trust in their institutions of public governance. In trying to fix the problem, presidents and prime ministers have misdiagnosed the patient, failing to recognize that government bureaucracies are inseparable from political institutions. As a result, career officials have become adroit at managing the blame game but much less so at embracing change.Donald Savoie looks to the United States, Great Britain, France, and Canada to assess two of the most important challenges confronting governments throughout the Western world: the concentration of political power and the changing role of government bureaucracy. The four countries have distinct institutions shaped by distinct histories, but what they have in common is a professional non-partisan civil service. When presidents and prime ministers decide to expand their personal authority, national institutions must adjust while bureaucracies grow to fill the gap, paradoxically further constricting government efficacy. The side effects are universal – political power is increasingly centralized; Parliament, Congress, and the National Assembly have been weakened; Cabinet has lost standing; political parties have been debased; and civil services have been knocked off their moorings.Reduced responsibility and increased transparency make civil servants slow to take risks and politicians quick to point fingers. Government astutely diagnoses the problem of declining trust in government: presidents and prime ministers have failed to see that efficacy in government is tied to well-performing institutions.

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A wolf’s howl is felt in the body. Frightening and compelling, incomprehensible or entirely knowable, it is a sound that may be heard as threat or invitation but leaves no listener unaffected.Toothsome fiends, interfering pests, or creatures wild and free, wolves have been at the heart of Canada’s national story since long before Confederation. Villain, Vermin, Icon, Kin contends that the role in which wolves have been cast – monster or hero – has changed dramatically through time. Exploring the social history of wolves in Canada, Stephanie Rutherford weaves an innovative tapestry from the varied threads of historical and contemporary texts, ideas, and practices in human-wolf relations, from provincial bounties to Farley Mowat’s iconic Never Cry Wolf. These examples reveal that Canada was made, in part, through relationships with nonhuman animals. Wolves have always captured the human imagination. In sketching out the connections people have had with wolves at different times, Villain, Vermin, Icon, Kin offers a model for more ethical ways of interacting with animals in the face of a global biodiversity crisis.

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The fur trade was the heart of the French empire in early North America. The French-Canadian (Canadien) men who traversed the vast hinterlands of the Hudson Bay watershed, trading for furs from Indigenous trappers and hunters, were its cornerstone.Though the Canadiens worked for French colonial authorities, they were not unwavering agents of imperial power. Increasingly they found themselves between two worlds as they built relationships with Indigenous communities, sometimes joining them through adoption or marriage, raising families of their own. The result was an ambivalent empire that grew in fits and starts. It was guided by imperfect information, built upon a contested Indigenous borderland, fragmented by local interests, and periodically neglected by government administrators. Heirs of an Ambivalent Empire explores the lives of the Canadiens who used family and kinship ties to navigate between sovereign Indigenous nations and the French colonial government from the early 1660s to the 1780s.Acting as cultural intermediaries, the Canadiens made it possible for France to extend its presence into northwest North America. Over time, however, their uncertain relationships with the French colonial state splintered imperial authority, leading to an outcome that few could have foreseen – the emergence of a new Indigenous culture, language, people, and nation: the Métis.

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Responsibility is political. As the international community has called for more responsible environmental, social, and governance performance, the politics of commodities has become more fraught. Commodity Politics cuts through the new rhetoric of responsibility and presents innovative research from Cameroon to provide a better understanding of the political complexity surrounding commodity production and trade in the twenty-first century.Assessing the perspectives of businesses, international organizations, governments, and civil society groups, the authors offer insights gleaned from years of field research in a commodity-dependent country. Commodity Politics presents case studies of sugar, palm oil, cocoa, and the Chad-Cameroon pipeline project. These cases uncover a problematic politics that is much broader than the implications of corporate social responsibility codes for people and the planet, delivering solid rationales for policy-makers and commodity stakeholders to think more deeply about investor-driven approaches to improving environmental, social, and governance conduct. This book trains students and scholars to better recognize political intricacies and consequential flash points.Immersing its readers in timely debates over the meaning and intent of responsibility, Commodity Politics breaks new ground in the political analysis of development.

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Yards are not quite wild, yet rarely tamed. Across diverse residential landscapes in North America and beyond, yards are regulated by the state and markets, defined by imaginary property lines on maps, and sometimes central to privilege and exclusion.As urban life is reimagined for greater sustainability, resilience, and adaptation, Living with Yards invites readers to more fully engage with the possibilities of how we can coexist with our urban habitats. Ursula Lang uses the yard as a faceted lens through which to examine the multiple and contradictory ways people live in urban environments, and how perceptions of those environments are shaped by contemporary environmental policies and projects. Visual ethnography and narrative illustrate how inhabitants of Minneapolis live with their yards as sites of social and environmental care while also negotiating difference. Throughout, Lang’s subjects engage in diverse and creative everyday practices of cultivation and property ownership, often quite distinct from the environmental policies and projects in place.The process of reimagining cities as more sustainable and equitable must include knowledge of how people live within urban spaces. By conducting in-depth visits to more than forty yards and sharing her results, Lang provokes us to think about what else these realms of daily life might become. Living with Yards chronicles the interplay between the yard as habitat and our inhabitation of it, exploring the changes and innovations a better understanding of urban living might spark.

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In the early twentieth century, the eugenics movement won many supporters with its promise that social ills such as venereal disease, alcoholism, and so-called feeble-mindedness, along with many other conditions, could be eliminated by selective human breeding and other measures. The provinces of Alberta and British Columbia passed legislation requiring that certain “unfit” individuals undergo reproductive sterilization. Ontario, being home to many leading proponents of eugenics, came close to doing the same.In the Public Good examines three legal processes that were used to advance eugenic ideas in Ontario between 1910 and 1938: legislative bills, provincial royal commissions, and the criminal trial of a young woman accused of distributing birth control information. Taken together, they reveal who in the province supported these ideas, how they were understood in relation to the public good, and how they were debated. Elizabeth Koester shows the ways in which the law was used both to promote and to deflect eugenics, and how the concept of the public good was used by supporters to add power to their cause.With eugenic thinking finding new footholds in the possibilities offered by reproductive technologies, proposals to link welfare entitlement to “voluntary” sterilization, and concerns about immigration, In the Public Good adds depth to our understanding. Its exploration of the historical relationship between eugenics and law in Ontario prepares us to face the implications of “newgenics” today.

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Until the nineteenth century all time was local time. On foot or on horseback, it was impossible to travel fast enough to care that noon was a few minutes earlier or later from one town to the next. The invention of railways and telegraphs, however, created a newly interconnected world where suddenly the time differences between cities mattered.The Clocks Are Telling Lies is an exploration of why we tell time the way we do, demonstrating that organizing a new global time system was no simple task. Standard time, envisioned by railway engineers such as Sandford Fleming, clashed with universal time, promoted by astronomers. When both sides met in 1884 at the International Meridian Conference in Washington, DC, to debate the best way to organize time, disagreement abounded. If scientific and engineering experts could not agree, how would the public? Following some of the key players in the debate, Scott Johnston reveals how people dealt with the contradictions in global timekeeping in surprising ways – from zealots like Charles Piazzi Smyth, who campaigned for the Great Pyramid to serve as the prime meridian, to Maria Belville, who sold the time door to door in Victorian London, to Moraviantown and other Indigenous communities that used timekeeping to fight for autonomy.Drawing from a wide range of primary sources, The Clocks Are Telling Lies offers a thought-provoking narrative that centres people and politics, rather than technology, in the vibrant story of global time telling.

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From 1963 until 1971, a group of distinguished Canadians wrestled with the language conflict that ran the risk of tearing the country apart. Among their ranks, F.R. Scott – a poet, intellectual, constitutional expert, human rights activist, and law professor – kept diaries that recounted the meetings of one of Canada’s most significant royal commissions.The Fate of Canada introduces readers to Scott’s biography, puts his diary entries into the political context of the time, and identifies the people he met and the places he visited during the hearings of the Royal Commission on Bilingualism and Biculturalism. Scott’s journal entries recording the earliest meetings convey optimism for a bilingual Canada. As the years pass, however, he becomes increasingly concerned that bilingualism is in danger, and Quebec’s English community threatened. His remarks convey a sense of humour and mutual respect amongst the commissioners despite the tensions over language within the group – and across the country.Scott was a champion of English-language rights in Quebec. Never before published, these diaries provide remarkable insight into the inner life of one of twentieth-century Canada’s most significant intellectuals, and a royal commission that shaped the nation’s language policy for decades to come.

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Canada's representative democracy is confronting important challenges. At the top of the list is the growing inability of the national government to perform its most important roles: namely mapping out collective actions that resonate in all regions as well as enforcing these measures. Others include Parliament's failure to carry out important responsibilities, an activist judiciary, incessant calls for greater transparency, the media's rapidly changing role, and a federal government bureaucracy that has lost both its way and its standing.Arguing that Canadians must reconsider the origins of their country in order to understand why change is difficult and why they continue to embrace regional identities, Democracy in Canada explains how Canada's national institutions were shaped by British historical experiences, and why there was little effort to bring Canadian realities into the mix. As a result, the scope and size of government and Canadian federalism have taken on new forms largely outside the Constitution. Parliament and now even Cabinet have been pushed aside so that policy makers can design and manage the modern state. This also accounts for the average citizen's belief that national institutions cater to economic elites, to these institutions' own members, and to interest groups at citizens' own expense.A masterwork analysis, Democracy in Canada investigates the forces shaping the workings of Canadian federalism and the country's national political and bureaucratic institutions.

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The sexual revolution is unfinished. A sexual double standard between men and women still exists, and society continues to punish bad girls and reward good ones. Until we eliminate good-girl privilege and bad-girl stigma, women will not be fully free to embrace their sexuality.In Slut-Shaming, Whorephobia, and the Unfinished Sexual Revolution Meredith Ralston looks at the common denominators between the #MeToo movement, the myths of rape culture, and the pleasure gap between men and women to reveal the ways that sexually liberated women threaten the patriarchy. Weaving in history, pop culture, philosophy, interviews with sex workers, and personal anecdotes, Ralston shows how women cannot achieve sexual equality until the sexual double standard and good girl/bad girl binary are eliminated and women viewed by society as "whores" are destigmatized. Illustrating how women's sexuality is policed by both men and women, she argues that women must be allowed the same personal autonomy as men: the freedom to make sexual decisions for themselves, to obtain orgasm equality, and to insist on their own sexual pleasure.Dispelling the myth that all sex workers are victims and all clients are violent, Slut-Shaming, Whorephobia, and the Unfinished Sexual Revolution calls out Western society's hypocrisy about sex and shows how stigma and the marginalization of sex workers harms all women.

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The personal journals examined in Reading the Diaries of Henry Trent are not the witty, erudite, and gracefully written exercises that have drawn the attention of most biographers and literary scholars. Prosaic, ungrammatical, and poorly spelled, the fifteen surviving volumes of Henry Trent's hitherto unexamined diaries are nevertheless a treasure for the social and cultural historian.Henry Trent was born in England in 1826, the son of a British naval officer. When he was still a boy, his father decided to begin a new life as a landed gentleman and moved the family to Lower Canada. At the age of sixteen Trent began writing in a diary, which he maintained, intermittently, for more than fifty years. As a lonely youth he narrates days spent hunting and trapping in the woods owned by his father. On the threshold of manhood and in search of a vocation, he writes about his experiences in London and then on Vancouver Island during the gold rush. And finally, as the father of a large family, he describes the daily struggle to make ends meet on the farm he inherited in Quebec's lower St Francis valley.As it follows Trent through the different stages of his long life, Reading the Diaries of Henry Trent explores the complexities of class and colonialism, gender roles within the rural family, and the transition from youth to manhood to old age. The diaries provide a rare opportunity to read the thoughts and follow the experiences of a man who, like many Victorian-era immigrants of the privileged class, struggled to adapt to the Canadian environment during the rise of the industrial age.

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