Search results for ""Author Laurence"

He knew nothing of celestial navigation or of the existence of the Pacific Ocean. He was a self-promoting and ambitious entrepreneur. His maps were a hybrid of fantasy and delusion. When he did make land, he enslaved the populace he found, encouraged genocide, and polluted relations between peoples. He ended his career in near lunacy.But Columbus had one asset that made all the difference, an inborn sense of the sea, of wind and weather, and of selecting the optimal course to get from A to B. Laurence Bergreen's energetic and bracing book gives the whole Columbus and most importantly, the whole of his career, not just the highlight of 1492. Columbus undertook three more voyages between 1494 and 1504, each designed to demonstrate that he could sail to China within a matter of weeks and convert those he found there to Christianity. By their conclusion, Columbus was broken in body and spirit, a hero undone by the tragic flaw of pride. If the first voyage illustrates the rewards of exploration, this book shows how the subsequent voyages illustrate the costs - political, moral, and economic.

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The Hoffman Process, founded by the late Bob Hoffman, is a highly respected and effective 8-day intensive course of emotional healing now practised in 14 countries around the world. The Process helps you face demons from your past - often rooted in your childhood and upbringing - and forgive, heal, and move on. Now, Tim Laurence, the director of the Process, brings its unique methods to a wider public. Some self-help books focus on therapeutic techniques, others on practical advice. But this is the only life-changing book to bridge the gap between the two, offering a unique perspective from which to bring benefits to all areas of your life. It aims to help you achieve:* Renewed enthusiasm for life * Increased self-confidence * Clearer sense of purpose * Greater spiritual identity * Better relationships with others * Relief from anger and depression A brilliant synthesis of Freud, Jung and other leading psychologists' work, the Process has proved its worth internationally for 15 years, and admirers include many of the most influential names in the self-help movement.

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In this timely book, completed before the current outbreak of unrest in Bahrain that has formed part of the Arab Spring, Laurence Louer explains, the background of the Bahraini conflict in the context of the wider issue of Shiism as a political force in the Arab Middle East, amongst other issues relating to the role of Shiite Islamist movements in regional politics. Her study shows how Bahrain's troubles are a phenomenon based on local perceptions of injustice rather than on the foreign policy of Shiite Iran. More generally, the book shows that, though Iran's Islamic Revolution had an electrifying effect on Shiite movements in Lebanon, Iraq, the Gulf and Saudi Arabia, local political imperatives have in the end been the crucial factor in the direction they have taken. In addition, the overwhelming influence of the Shiite clerical institution has been diminished by the rise to prominence of lay activists within the Shiite movements across the Middle East and the emergence of Shiite anti-clericalism. This book contributes to dispelling the myth of the determining power of Iran in the politics of Iraq, Bahrain and other Arab states with significant Shiite populations.

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The first season of survey work in 1993 was undertaken in advance of the construction of the North Challenge Road initially between Geili and Atbara. This work was carried out in the SARS concession area from BM98, opposite the Pyramids of Meroe, to Atbara. A total of 170 sites were recorded and this was published in the first volume of Road Archaeology in the Middle Nile (Mallinson et al. 96). In addition, a report was prepared advising the Sudan National Committee for Roads and Bridges of areas which were likely to be damaged by the road construction. The following year it was indicated that due to the advanced development of the road design no rerouting would be possible. In response to this a rescue season was proposed to excavate the sites clearly at risk in the remaining few months before construction and grading began. A limited amount of funds was provided by the Haycock Fund and within this resource a project was assembled with SARS directed by Laurence Smith and Michael Mallinson. As a total of eight sites with 30 archaeological structures appeared directly on the road line a methodology was needed that would permit these to be properly excavated and recorded in the available time of three weeks that the funds would accommodate.

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Renowned contributors use the late work of this crucial figure to open new speculations on "materiality." A "material event," in one of Paul de Man’s definitions, is a piece of writing that enters history to make something happen. This interpretation hovers over the publication of this volume, a timely reconsideration of de Man’s late work in its complex literary, critical, cultural, philosophical, political, and historical dimensions.A distinguished group of scholars responds to the problematic of "materialism" as posed in Paul de Man’s posthumous final book, Aesthetic Ideology. These contributors, at the forefront of critical theory, productive thinking, and writing in the humanities, explore the question of "material events" to illuminate not just de Man’s work but their own. Prominent among the authors here is Jacques Derrida, whose extended essay “Typewriter Ribbon: Limited Inc (2)” returns to a celebrated episode in Rousseau’s Confessions that was discussed by de Man in Allegories of Reading. The importance of de Man’s late work is related to a broad range of subjects and categories and-in Derrida’s provocative reading of de Man’s concept of "materiality"-the politico-autobiographical texts of de Man himself. This collection is essential reading for all those interested in the present state of literary and cultural theory. Contributors: Judith Butler, UC Berkeley; T. J. Clark, UC Berkeley; Jacques Derrida, École des Hautes Études en Sciences Sociales and UC Irvine; Barbara Johnson, Harvard U; Ernesto Laclau, U of Essex; Arkady Plotnitsky, Purdue U; Laurence A. Rickels, UC Santa Barbara; and Michael Sprinker.

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This Norton Critical Edition of The Conjure Stories arranges the tales chronologically by composition date, allowing readers to discern how Chesnutt experimented with plots and characters and with the idea of the conjure story over time. With one exception, the text of each tale is that of the original publication. (The text of “The Dumb Witness” was established from two typescripts held at the archives of Fisk University.) The stories are accompanied by a thorough and thought-provoking introduction, detailed explanatory annotations, and illustrative materials. “Contexts” presents a wealth of materials chosen by the editors to enrich the reader’s understanding of these canonical stories, including a map of the landscape of the conjure tales, Chesnutt’s journal entry as he began writing fiction of the South, as well as writings by Chesnutt, William Wells Brown, and Paul Laurence Dunbar, among others, on the stories’ central motifs—folklore, superstition, voodoo, race, and social identity in the South following the Civil War. “Criticism” is divided into two parts. “Early Criticism” collects critical notices for The Conjure Woman that suggest the volume’s initial reception, assessments by William Dean Howells and Benjamin Brawley, and a biographical excerpt by the author’s daughter, Helen Chesnutt. “Modern Criticism” demonstrates rich and enduring interest in The Conjure Stories with ten important essays by Robert Hemenway, William L. Andrews, Robert B. Stepto, John Edgar Wideman, Werner Sollors, Houston A. Baker, Eric J. Sundquist, Richard H. Brodhead, Candace J. Waid, and Glenda Carpio. A Chronology of Chesnutt’s life and work and a Selected Bibliography are also included.

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1000-PIECE PUZZLE: for hours of puzzling fun with friends or friendly strangers.FOR FANS OF WES ANDERSON: features photographs inspired by the director''s unique style with photographs from the Accidentally Wes Anderson locations spotted all around the world.FOLD-OUT POSTER: includes a double-sided poster, one side displaying the gallery wall and the other side featuring a map with fun facts about the locations featured in the puzzle.UNIQUE AND COLLECTIBLE GIFT: for avid travellers, aspiring adventurers and Wes Anderson aficionados.LAURENCE KING PUBLISHING has been capturing imaginations and inspiring creativity in new and unexpected ways for over 30 years, with playful and eye-catching games, gifts and books.Congratulations! You''ve found the missing piece for your curious coffee-table collection. Piece together a gallery wall featuring thirty of the world''s most aesthetic locations, travelling from contine

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! It’s all happy ever after at the School for Good and Evil… or is it? The second title in the bestselling series. After saving themselves and their fellow students from a life pitched against one another, Sophie and Agatha are back home again, living out their Happily Ever After. But life isn't quite the fairytale they expected… Witches and princesses reside at the School for Girls, where they've been inspired to live a life without princes, while Tedros and the boys are camping in Evil's old towers. A war is brewing between the schools, but can Agatha and Sophie restore the peace? Can Sophie stay good with Tedros on the hunt? And whose heart does Agatha's belong to – her best friend or her prince?

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Adolescence now lasts longer than ever before. And as world-renowned expert on adolescent psychology Dr. Laurence Steinberg argues, this makes these years the key period in determining individuals' life outcomes, demanding that we change the way we parent, educate, and understand young people. In Age of Opportunity, Steinberg leads readers through a host of new findings - including groundbreaking original research - that reveal what the new timetable of adolescence means for parenting 13-year-olds (who may look more mature than they really are) versus 20-somethings (who may not be floundering even when it looks like they are). He also explains how the plasticity of the adolescent brain, rivaling that of years 0 through 3, suggests new strategies for instilling self-control during the teenage years. Packed with useful knowledge, Age of Opportunity is sweeping book in the tradition of Reviving Ophelia, and an essential guide for parents and educators of teenagers.

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Think of a world without cold drinks, ice cream, and frozen foods. Believe it or not, such a world DID exist! Learn all about this fascinating history in this nonfiction book. In the early 1800s, people began to harvest ice, store it in ways that limited melting, and transport it to homes and businesses. Eventually, almost everyone had an icebox, and a huge, vital ice business grew. In this riveting book, acclaimed writer Laurence Pringle describes the key inventions and ideas that helped the ice business flourish. He points to the many sources of ice throughout the East and Midwest and spotlights Rockland Lake, "the icebox of New York City," to offer a close-up look at the ice business in action. Pringle worked closely with experts and relied on primary documents, including archival photographs, postcards, prints, and drawings, to capture the times when everyone waited for the ice man and his wagon to deliver those precious blocks of ice.

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Black Swan Summer tells the extraordinary story of Western Australia's first season of Sheffield Shield cricket, when an unheralded group of unknown, unfashionable and inexperienced players won Australian cricket's biggest prize at their first attempt. But it's more than just a story of an upset result in a cricket competition. It's a chronicle of the summer in which Don Bradman scored his 100th century, India toured Australia for the first time and the country plunged into political turmoil - which not everyone noticed, because they were at the cricket. The book explains the connections between men who returned from war to play cricket, the fear of communism, Mahatma Gandhi, rationing, Keith Miller, Laurence Olivier and Vivien Leigh, Ray Lindwall's back foot and a boxer called the Alabama Kid. Drawing on the personal reminiscences of the last three surviving cricketers from the 1947/48 season, it brings that hot, wet summer vividly to life.

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A surprising look at how Rousseau defended the philosophic life as the most natural and best of lives. Dreaming of Justice, Waking to Wisdom reveals what could be thought of as the capstone of Rousseau’s thought, even if that capstone has been nearly invisible to readers. Despite criticizing philosophy for its corrosive effects on both natural goodness and civic virtue, Rousseau, argues Laurence D. Cooper, held the philosophic life as an ideal. Cooper expertly unpacks Rousseau’s vivid depiction of the philosophic life and the case for that life as the most natural, the freest, or, in short, the best or most choice-worthy of lives. Cooper focuses especially on a single feature, arguably the defining feature of the philosophic life: the overcoming of the ordinary moral consciousness in favor of the cognitivist view of morality. Cooper shows that Rousseau, with his particular understanding and embrace of the philosophic life, proves to be a kind of latter-day Socratic. Thorough and thought-provoking, Dreaming of Justice, Waking to Wisdom provides vital insight into Rousseau.

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A surprising look at how Rousseau defended the philosophic life as the most natural and best of lives. Dreaming of Justice, Waking to Wisdom reveals what could be thought of as the capstone of Rousseau’s thought, even if that capstone has been nearly invisible to readers. Despite criticizing philosophy for its corrosive effects on both natural goodness and civic virtue, Rousseau, argues Laurence D. Cooper, held the philosophic life as an ideal. Cooper expertly unpacks Rousseau’s vivid depiction of the philosophic life and the case for that life as the most natural, the freest, or, in short, the best or most choice-worthy of lives. Cooper focuses especially on a single feature, arguably the defining feature of the philosophic life: the overcoming of the ordinary moral consciousness in favor of the cognitivist view of morality. Cooper shows that Rousseau, with his particular understanding and embrace of the philosophic life, proves to be a kind of latter-day Socratic. Thorough and thought-provoking, Dreaming of Justice, Waking to Wisdom provides vital insight into Rousseau.

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This volume joins the pragmatic philosophy of Deleuze to current affairs. The twelve new essays in this volume use a contemporary context to think through and with Deleuze. Engaging the here and now, the contributors use the Deleuzian theoretical apparatus to think about issues such as military activity in the Middle East, refugees, terrorism, information and communication, and the State. The book is aimed both at specialists of Deleuze and those who are unfamiliar with his work but who are interested in current affairs. Incorporating political theory and philosophy, culture studies, sociology, international studies, and Middle Eastern studies, the book is designed to appeal to a wide audience. Contributors include: Rosi Braidotti, Claire Colebrook, Verena Conley, Eugene Holland, John Marks, Paul Patton, Patricia Pisters, Laurence J. Silberstein, Kenneth Surin and Nicholas Thoburn. Deleuze and the Contemporary World represents - a fresh perspective on current affairs - a transdisciplinary response to the contemporary world - a book that puts the concepts of Deleuze to work

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Australia 1789. A young married lieutenant is directing rehearsals of the first play ever to be staged in that country. With only two copies of the text, a cast of convicts, and one leading lady who may be about to be hanged, conditions are hardly ideal... Winner of the Laurence Olivier Play of the Year Award in 1988, and many other major awards, Our Country's Good premiered at the Royal Court Theatre, London, in 1988 and opened on Broadway in 1991. 'Rarely has the redemptive, transcendental power of theatre been argued with such eloquence and passion.' Georgina Brown, Independent It is published here in a new Student Edition, alongside commentary and notes by Sophie Bush. The commentary includes a chronology of the play and the playwright’s life and work as well as discussion of the social, political, cultural and economic context in which the play was originally conceived and created.

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Fans of the Divergent and Hunger Games series will love Wasteland, the first installment of the Wasteland trilogy, by five-time Emmy Award-nominated writer Susan Kim and Edgar Award-winning Laurence Klavan. With heart-pounding thrills, this harrowing survival story is alive with action and intrigue. Welcome to the Wasteland, a post-apocalyptic U.S. where no one lives past the age of 19. But an early death isn't the only doom waiting around the corner: Everyone is forced to live under the looming threat of rampant disease and brutal attacks by the variants-hermaphroditic outcasts that live on the outskirts of Prin. Esther doesn't care that her best friend, a variant, is considered "the enemy." She doesn't care that Levi, who controls the Source, is the real enemy and might send his Taser boys after her if she makes one wrong move. Then she meets Caleb, and just possibly, she might have a chance at salvation.

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Deep Are the Roots celebrates the pioneers of Black British theatre, beginning in 1825, when Ira Aldridge made history as the first Black actor to play Shakespeare’s Othello in the United Kingdom, and ending in 1975 with the success of Britain’s first Black-led theatre company. In addition to providing a long-overdue critique of Laurence Olivier’s Othello, Bourne has unearthed the forgotten story of Paul Molyneaux, a Shakespearean actor of the Victorian era. The twentieth-century trailblazers include Paul Robeson, Florence Mills, Elisabeth Welch, Edric Connor and Pearl Connor-Mogotsi. There are chapters about the groundbreaking work of playwrights at the Royal Court, the first Black drama school students, pioneering theatre companies and three influential dramatists of the 1970s: Mustapha Matura, Michael Abbensetts and Alfred Fagon. Drawing on interviews with leading lights, here is everything you need to know about the trailblazers of Black theatre in Britain and their profound influence on the culture of today.

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In After Hiroshima, American artist elin o’Hara slavick attempts to address the aftermath of the 1945 bombing--historically, poetically and visually. This act of ethical seeing “brings to us with harrowing clarity … what may lie ahead if we cannot cure ourselves of the pathology that has brought us this far." --Noam Chomsky elin o’Hara slavick is a Professor of Visual Art, Theory and Practice at the University of North Carolina at Chapel Hill. She received her MFA in Photography from the School of the Art Institute of Chicago and her BA from Sarah Lawrence College. Slavick has exhibited her work internationally [and is the author of Bomb After Bomb: A Violent Cartography, with a foreword by Howard Zinn and essay by Carol Mayor in addition to After Hiroshima]. She is also a curator, critic and activist. James Elkins grew up in Ithaca, New York, separated from Cornell University by a quarter-mile of woods once owned by the naturalist Laurence Palmer. He stayed on in Ithaca long enough to get the BA degree (in English and Art History), with summer hitchhiking trips to Alaska, Mexico, Guatemala, the Caribbean, and Columbia. For the last twenty-five years he has lived in Chicago; he got a graduate degree in painting, and then switched to Art History, got another graduate degree, and went on to do the PhD in Art History, which he finished in 1989. (All from the University of Chicago.) Since then he has been teaching at the School of the Art Institute of Chicago. He is currently E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism. His writing focuses on the history and theory of images in art, science, and nature. Some of his books are exclusively on fine art (What Painting Is, Why Are Our Pictures Puzzles?). Others include scientific and non-art images, writing systems, and archaeology (The Domain of Images, On Pictures and the Words That Fail Them), and some are about natural history (How to Use Your Eyes).

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Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critics of the twentieth century, such as I.A. Richards, W.K. Wimsatt and Northrop Frye. Cairns Craig explores the ways in which associationist conceptions of literature gave rise to some of the key transformations in British writing between the romantic and modernist periods. In particular, he analyses the ways in which authors' conceptions of the form of their readers' aesthetic experience led to radical developments in literary style, from the fragmentary narrative of Sterne's Tristram Shandy in 1760 to Virginia Woolf's experiments in the rendering of characters' consciousness in the 1920s; and from Wordsworth's poetic use of autobiography to J.G. Frazer's exploration of a mythic unconscious in The Golden Bough. Detailed analyses are offered of the ways in which a wide variety of major British writers, including Scott, Lady Morgan, Dickens, Tennyson, Hardy, Yeats, Joyce and Woolf developed their literary techniques on the basis of associationist conceptions of the mind, and of how modern literary criticism - from Arthur Symons to Roland Barthes - is founded on associationist principles. Associationism and the Literary Imagination relocates the traditions of British writing since the eighteenth century within the neglected context of its native empirical philosophy, and reveals how many of the issues assumed to be products of 'postmodern' or 'deconstructive' theory have long been foregrounded and debated within the traditions of British empiricism. This is a work which provides a radical new perspective on the history of literature in Britain and Ireland and challenges many of the assumptions of contemporary theoretical debate about the nature of literary experience and critical judgement. Key Features * Covers a range of writers from Laurence Sterne to Virginia Woolf and a range of theorists from David Hume to I. A. Richards; * Offers new ways of appreciating the relation of philosophy/psychology to literary creativity and of understanding the development of modern criticism in Britain and America; * Relocates British writers within a native philosophical tradition.

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Essays on teaching comedy in literature, writing, theater, and cultural studies courses.From Shakespeare to The Simpsons, comedy has long provided both entertainment and social commentary. It may critique cultural values, undermine authority, satirize sacred beliefs, and make room for the marginalized to approach the center. Comedy can be challenging to teach, but in the classroom it can help students connect with one another, develop critical thinking skills, and engage with important issues.The essays in this volume address a rich variety of texts spanning film, television, stand-up, cartoons, and memes as well as conventional literary works from different places and times. Contributors offer theoretical foundations and practical methods for a broad range of courses, including guidance on contextualizing the humor of historical works and navigating the ways that comedy can both subvert and reinforce stereotypes. Finally, the volume argues for the value of comedy in difficult times, as a way to create community and meaning.This volume contains discussion of fiction, poetry, plays, and essays by Maya Angelou, Jane Austen, Aphra Behn, Hugh Henry Brackenridge, Frances Burney, Charles W. Chesnutt, Roddy Doyle, Maria Edgeworth, Ben Jonson, Anita Loos, Emtithal Mahmoud, Thomas Middleton, Okot p'Bitek, William Shakespeare, Laurence Sterne, Jonathan Swift, Alma Villanueva, Paula Vogel, Oscar Wilde, John Wilmot, and William Wycherley; TV shows and films including Crazy Ex-Girlfriend, The Gold Rush, Life Is Beautiful, The Marvelous Mrs. Maisel, The Office, Office Space, Rick and Morty, and South Park; works and stand-up performances by Aziz Ansari, Samantha Bee, Dave Chappelle, Louis C.K., Tina Fey, Moms Mabley, Hasan Minhaj, Eddie Murphy, Trevor Noah, Richard Pryor, Issa Rae, and Wanda Sykes; and visual works and other media including Aaron McGruder's The Boondocks, Bill Watterson's Calvin and Hobbes, Nick Sousanis's Unflattening, Marvel's Hawkeye, The Onion, YouTube videos, advertisements, and memes.

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Contemporary China is seen as a place of widespread commodification and consumerism, while the preceeding Maoist Cultural Revolution is typically understood as a time when goods were scarce and the state criticized what little consumption was possible. Indeed, with the exception of the likeness and words of Mao Zedong, both the media and material culture of the Cultural Revolution are often characterized as a void out of which the postsocialist world of commodity consumption miraculously sprang fully formed. In Newborn Socialist Things, Laurence Coderre explores the material culture of the Cultural Revolution to show how it paved the way for commodification in contemporary China. Examining objects ranging from retail counters and porcelain statuettes to textbooks and vanity mirrors, she shows how the project of building socialism in China has always been intimately bound up with consumption. By focusing on these objects—or “newborn socialist things”—along with the Cultural Revolution’s media environment, discourses of materiality, and political economy, Coderre reconfigures understandings of the origins of present-day China.

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Policymakers and public managers around the world have become preoccupied with the question of how their goals can be achieved in a way that rebuilds public confidence in government. Yet because public policies and programs increasingly are being administered through a complicated web of jurisdictions, agencies, and public-private partnerships, evaluating their effectiveness is more difficult than in the past. Though social scientists possess insightful theories and powerful methods for conducting empirical research on governance and public management, their work is too often fragmented and irrelevant to the specific tasks faced by legislators, administrators, and managers. Proposing a framework for research based on the premise that any particular governance arrangement is embedded in a wider social, fiscal, and political context, Laurence E. Lynn, Jr., Carolyn J. Heinrich, and Carolyn J. Hill argue that theory-based empirical research, when well conceived and executed, can be a primary source of fundamental, durable knowledge about governance and policy management. Focusing on complex human services such as public assistance, child protection, and public education, they construct an integrative, multilevel "logic of governance," that can help researchers increase the sophistication, power, and relevance of their work.

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This volume joins the pragmatic philosophy of Deleuze to current affairs. The twelve new essays in this volume use a contemporary context to think through and with Deleuze. Engaging the here and now, the contributors use the Deleuzian theoretical apparatus to think about issues such as military activity in the Middle East, refugees, terrorism, information and communication, and the State. The book is aimed both at specialists of Deleuze and those who are unfamiliar with his work but who are interested in current affairs. Incorporating political theory and philosophy, culture studies, sociology, international studies, and Middle Eastern studies, the book is designed to appeal to a wide audience. Contributors include: Rosi Braidotti, Claire Colebrook, Verena Conley, Eugene Holland, John Marks, Paul Patton, Patricia Pisters, Laurence J. Silberstein, Kenneth Surin and Nicholas Thoburn. Deleuze and the Contemporary World represents - a fresh perspective on current affairs - a transdisciplinary response to the contemporary world - a book that puts the concepts of Deleuze to work

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The Laurence and Lynne Brown Democracy Medal is an initiative of the McCourtney Institute for Democracy at Pennsylvania State University. It annually recognizes outstanding individuals, groups, and organizations that produce exceptional innovations to further democracy in the United States or around the world. In this book, Albert W. Dzur argues that some of the most innovative and important work in democracy is taking place face-to-face and is being led by professionals who bring those involved into the decision making process. These "democratic professionals" create a culture that leads to better decisions and overcomes what he calls "civic lethargy." He focuses on how this democratic professionalism manifests itself in the operation of a wide range of public institutions, including schools and local government, as well as in the reform of our criminal justice system, from juries to prisons.

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Peter Bowles invites us backstage to witness the job of acting as it really is. This is a warm-hearted look at the lived experience of a jobbing actor – and a survival guide to anyone thinking of entering this most emotionally gruelling of industries. Behind the Curtain is the inside scoop on ‘the profession’as told by a master raconteur – one who has trodden the boards in the West End for five decades. Armed with an array of classic anecdotes, Bowles shares some of the infamous ad-libs, opening night disasters and dressingroom dramas that he has been party to over the years. Full of sage advice about the pitfalls of celebrity and thefluctuating fortunes of an actor – and his own journey fromTV stardom to the labour exchange and back again. With tales of some biggest personalities in the historyof showbiz such as Michael Gambon, Noel Coward,Rex Harrison, Laurence Olivier & John Gielgud, this is a book that captures the acting professionin all its eccentric glory.

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As heiress to the Trevennor fortune, hiding her identity is her best chance for survival… Isabel Hampton is the only survivor of a horrific carriage accident that happens on her way to the bedside of her ailing wealthy uncle, Sir Laurence Trevennor. Being heiress to a vast fortune puts Isabel mortal danger from her cousins, the Kempthornes, who will stop at nothing to claim the Trevennor riches for themselves. For protection, Isabel is placed in the care of Nick Nancarrow: a broad-shouldered, gruff young man who is tasked with concealing her whereabouts and identity. Isabel must give up her ladylike ways if she is to survive incognito until the Kempthornes’ crimes can be proven. Away from all she knows, she slowly begins to discover that there is more to Nick than meets the eye, and that there is beauty in even the simplest of lives. An epic tale of romance and intrigue in 18th Century Cornwall, perfect for fans of Dilly Court and Val Wood.

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A compact collection of 100 supremely jolly poems to cheer you up wherever you are. We can all benefit from a portable little nugget of happiness to soothe our weary souls in moments of stress, sadness and hardship.100 Happy Poems gives you exactly that: 100 specially selected and sublimely happy poems to turn to in times of need, from cosy fireside idylls to exhilaratingoutdoor adventures, encounters with the beauty of nature, interactions with our fellow humans, and moments of quiet reflection. This little bit of happiness is always on hand, and it includesuplifting words from some of the greatest poets ever to put pen to paper, from Emily Brontë wandering on the moors and Paul Laurence Dunbar welcoming his beloved to Katherine Mansfield reliving a childhood moment, Wendy Cope sharing an orange, and Algernon Charles Swinburne chatting to his cat. Quirkily and colourfully designed, this wonderful book is the perfect way to lift your spirits in t

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! A beautiful Collector’s Edition of the first in the bestselling School for Good and Evil series – perfect for gifting! Best friends Sophie and Agatha have been chosen to be students at the fabled School for Good and Evil, where ordinary boys and girls are trained to become fairy-tale heroes and villains. One will train for Good, taking classes in Princess Etiquette and Animal Communication. One will become Evil’s new hope: learning Uglification and Death Curses. Sophie and Agatha think they know where they belong, but when they are swept into the Endless Woods, they’re switched into the opposite schools. Together they’ll discover who they really are and what they are capable of. Because the only way out of a fairy tale . . . is to live through it.

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Dutch artist Aernout Mik’s moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling, unsettling, peculiar and plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer’s physical relationship to his work a critical component of the overall experience. By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Mik creates works that are rich in allusion but subversive of codes. Published to accompany the artist’s first US retrospective, this volume is a vivid exploration of Mik’s work and process. Laurence Kardish, MoMA’s Senior Curator in the Department of Film, discusses the unique, creative aspects of Mik’s installations that extend the traditional boundaries of media, while Michael Taussig, professor of anthropology at Columbia University, investigates how the artist’s work changes the way we see reality while reinforcing the norms of visual culture. Abundantly illustrated with stills and the artist’s own drawings of works in the exhibition, Aernout Mik features detailed descriptions of the installations, an exhibition history and a bibliography, making it the most comprehensive volume about Mik and his work available in English.

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"Gartel has so superbly captured...the essence of erotic desire. In an age of sex being turned into merely a forbidden behavior and a troublesome medical condition, Gartel has rallied and preserved sexual teasing, seduction, and allure into its rightful pleasurable position by his commendable artistic photographic journaling. In my thirty years as a Sexologist, it is nice to see sex education, preservation, and permission for sexual expression and fun so alive in his work." —Dr. Gil Eriksen, Director of Research at the Institute for Reality Studies Renowned digital media artist Laurence M. Gartel records the world of Fetish in his own inimitable style. As an artist he brings his own creative input and adds his twist to the storyline, becoming a participant through the creative process of working with the imagery. This book is loaded with Gartel's provocative art, including 103 set pieces plus many of the posters and other graphic art for which Gartel has received such acclaim. This work will entertain and confront, as all great art will do. And in the end the reader will be left to ponder the creative mind that brought these images into being. An aesthetic and erotic adventure awaits.

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The trajectory of Friedrich Nietzsche's thought has long presented a difficulty for the study of his philosophy. How did the young Nietzsche classicist and ardent advocate of Wagner's cultural renewal become the philosopher of Will to Power and the Eternal Return? With this book, Laurence Lampert answers that question. He does so through his trademark technique of close readings of key works in Nietzsche's journey to philosophy: The Birth of Tragedy, Schopenhauer as Educator, Richard Wagner in Bayreuth, Human All Too Human, and "Sanctus Januarius," the final book of the 1882 Gay Science. Relying partly on how Nietzsche himself characterized his books in his many autobiographical guides to the trajectory of his thought, Lampert sets each in the context of Nietzsche's writings as a whole, and looks at how they individually treat the question of what a philosopher is. Indispensable to his conclusions are the workbooks in which Nietzsche first recorded his advances, especially the 1881 workbook which shows him gradually gaining insights into the two foundations of his mature thinking. The result is the most complete picture we've had yet of the philosopher's development, one that gives us a Promethean Nietzsche, gaining knowledge even as he was expanding his thought to create new worlds.

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AI is nothing without somewhere to run it. Now that mobile devices have become the primary computing device for most people, it's essential that mobile developers add AI to their toolbox. This insightful book is your guide to creating models and running them on popular mobile platforms such as iOS and Android. Laurence Moroney, lead AI advocate at Google, offers an introduction to machine learning techniques and tools, then walks you through writing Android and iOS apps powered by common ML models like computer vision and text recognition, using tools such as ML Kit, TensorFlow Lite, and Core ML. If you're a mobile developer, this book will help you take advantage of the ML revolution today. Explore the options for implementing ML and AI on mobile devices--and when to use each Create ML models for iOS and Android Write ML Kit and TensorFlow Lite apps for iOS and Android and Core ML/Create ML apps for iOS Understand how to choose the best techniques and tools for your use case: on-device inference versus cloud-based inference, high-level APIs versus low-level APIs, and more Learn privacy and ethics best practices for ML on devices

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The third wave of democratization produced a wealth of enduring social science. Beginning in the 1970s, it prompted scholars to develop important theories on authoritarian breakdowns and transitions to democracy. No one in the field was more influential than Guillermo O'Donnell (1936-2011), whose pathbreaking work shaped the scholarship of generations of social scientists. Reflections on Uneven Democracies honors the legacy of O'Donnell's research by advancing debates related to his work on democracy. Drawing together a veritable Who's Who of eminent scholars - including two of O'Donnell's closest collaborators, Philippe Schmitter and Laurence Whitehead - the volume examines issues related to democratic breakdowns and stability, the nature and quality of new democracies, institutional strength, the rule of law, and delegative democracy. This reexamination of some of the most influential arguments about democracy of the past forty years leads to original approaches and insights for a new era of democracy studies. Students of democracy and institutional performance, both Latin Americanists and comparativists more generally, will find this essential reading.

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The trajectory of Friedrich Nietzsche’s thought has long presented a difficulty for the study of his philosophy. How did the young Nietzsche—classicist and ardent advocate of Wagner’s cultural renewal—become the philosopher of Will to Power and the Eternal Return? With this book, Laurence Lampert answers that question. He does so through his trademark technique of close readings of key works in Nietzsche’s journey to philosophy: The Birth of Tragedy, Schopenhauer as Educator, Richard Wagner in Bayreuth, Human All Too Human, and “Sanctus Januarius,” the final book of the 1882 Gay Science. Relying partly on how Nietzsche himself characterized his books in his many autobiographical guides to the trajectory of his thought, Lampert sets each in the context of Nietzsche’s writings as a whole, and looks at how they individually treat the question of what a philosopher is. Indispensable to his conclusions are the workbooks in which Nietzsche first recorded his advances, especially the 1881 workbook which shows him gradually gaining insights into the two foundations of his mature thinking. The result is the most complete picture we’ve had yet of the philosopher’s development, one that gives us a Promethean Nietzsche, gaining knowledge even as he was expanding his thought to create new worlds.

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Contemporary China is seen as a place of widespread commodification and consumerism, while the preceeding Maoist Cultural Revolution is typically understood as a time when goods were scarce and the state criticized what little consumption was possible. Indeed, with the exception of the likeness and words of Mao Zedong, both the media and material culture of the Cultural Revolution are often characterized as a void out of which the postsocialist world of commodity consumption miraculously sprang fully formed. In Newborn Socialist Things, Laurence Coderre explores the material culture of the Cultural Revolution to show how it paved the way for commodification in contemporary China. Examining objects ranging from retail counters and porcelain statuettes to textbooks and vanity mirrors, she shows how the project of building socialism in China has always been intimately bound up with consumption. By focusing on these objects—or “newborn socialist things”—along with the Cultural Revolution’s media environment, discourses of materiality, and political economy, Coderre reconfigures understandings of the origins of present-day China.

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The attack on London between 1939 and 1945 is one of the most significant events in the city's modern history, the impact of which can still be seen in its urban and social landscapes. As a key record of the attack, the London County Council Bomb Damage Maps represent destruction on a huge scale, recording buildings and streets reduced to smoke and rubble. The full set of maps is made up of 110 hand-coloured 1:2500 Ordnance Survey base sheets originally published in 1916 but updated by the LCC to 1940. Because they use the 1916 map, they give us a glimpse of a 'lost London', before post-war redevelopment schemes began to shape the modern city. The colouring applied to the maps records a scale of damage to London's built environment during the war - the most detailed and complete survey of destruction caused by the aerial bombardment. A clear and fascinating introduction by expert Laurence Ward sets the maps in the full historical context of the events that gave rise to them, supported by archival photographs and tables of often grim statistics.

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GROSS FUN: Score points for each disgusting sandwich you complete.EASY TO LEARN: Simple rules and a quick-start video will have you playing right out of the box.AWARD-WINNING: Gold prize winner at the 2023 Independent Toy Awards.PERFECT FOR AGES 5 TO 9: and great fun for older chefs, too.LAURENCE KING PUBLISHING has been capturing imaginations and inspiring creativity in new and unexpected ways for over 30 years, with playful and eye-catching games, gifts and books.A card game in which children play short-order cooks competing to be the first to complete a revolting sandwich for their monster customers. Each sandwich needs two pieces of 'bread' and five ingredients to be finished, from crispy fried ants to toenail clippings and belly button lint! But these are some fussy monster customers: not everybody loves sewer spinach or elephant ear wax! Can you be the first to satisfy your customer and achieve the title of Monster Chef?!

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Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies)​The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies) The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Hamlet has inspired four outstanding film adaptations that continue to delight a wide and varied audience and to offer provocative new interpretations of Shakespeare’s most popular play. Cinematic Hamlet contains the first scene-by-scene analysis of the methods used by Laurence Olivier, Franco Zeffirelli, Kenneth Branagh, and Michael Almereyda to translate Hamlet into highly distinctive and remarkably effective films. Applying recent developments in neuroscience and psychology, Patrick J. Cook argues that film is a medium deploying an abundance of devices whose task it is to direct attention away from the film’s viewing processes and toward the object represented. Through careful analysis of each film’s devices, he explores the ways in which four brilliant directors rework the play into a radically different medium, engaging the viewer through powerful instinctive drives and creating audiovisual vehicles that support and complement Shakespeare’s words and story. Cinematic Hamlet will prove to be indispensable for anyone wishing to understand how these films rework Shakespeare into the powerful medium of film.

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This book examines the creation of the Antients Grand Lodge and traces the influence of Ireland and the London Irish, and most especially that of Laurence Dermott, the Antients' Grand Secretary, in the development of freemasonry in the second half of the eighteenth century. The book demonstrates the relative accessibility of the Antients and contrasts this with the exclusivity of the 'Moderns' -- the original Grand Lodge of England. The Antients instigated what became a six decades long rivalry with the Moderns and pioneered fundamental changes to the social composition of freemasonry, extending formal sociability to the lower middling and working classes and creating one of the first modern friendly societies. Schism does not stand solely as an academic work but introduces the subject to a wider Masonic and non-Masonic audience and, most particularly, supplements dated historical works. The book contributes to the history of London and the London Irish in the long eighteenth century and examines the social and trade networks of the urban lower middling and working class, subjects that remains substantially unexplored. It also offers a prism through which Britain's calamitous relationship with Ireland can be examined.

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophia Anne Caruso and more!A dark and enchanting fantasy adventure perfect for those who prefer their fairytales with a twist THE SCHOOL FOR GOOD AND EVIL Every four years, two girls are kidnapped from the village of Gavaldon. Legend has it these lost children are sent to the School for Good and Evil, the fabled institution where they become fairytale heroes or villains.A WORLD WITHOUT PRINCES Witches and princesses reside at the School for Girls, where they''ve been inspired to live a life without princes, while Tedros and the boys are camping in Evil''s old towers. A war is brewing between the schools, but can Agatha and Sophie restore the peace?THE LAST EVER AFTERWith the girls apart, Evil has taken over and the villains of the past have come back to turn the world of Good and Evil upside down. With

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix – starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young and more! The battle between Good and Evil begins. Go back in time to the beginning of the School for Good and Evil and uncover the never-before-told events leading up to Sophie and Agatha’s dramatic arrival and the beginning of their epic fairy tale. Two brothers. One Good. One Evil. Together, they watch over the Endless Woods. Together, they choose the students for the School for Good and Evil. Together they train them, teach them, prepare them for their fate. Then, something happens. Something that will change everything and everyone. Who will survive? Who will rule the School? The journey starts here. With magic, surprises and daring deeds at every turn, courage and loyalty will be put to the test, only to lead you to the very beginning of the adventures that are The School for Good and Evil.

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It is widely accepted that the canon of African American literature has racial realism at its core: African American protagonists, social settings, cultural symbols, and racial-political discourse. As a result, writings that are not preoccupied with race have long been invisible—unpublished, out of print, absent from libraries, rarely discussed among scholars, and omitted from anthologies. However, some of our most celebrated African American authors—from Zora Neale Hurston and Richard Wright to James Baldwin and Toni Morrison—have resisted this canonical rule, even at the cost of critical dismissal and commercial failure. African American Literature Beyond Race revives this remarkable literary corpus, presenting sixteen short stories, novelettes, and excerpts of novels-from the postbellum nineteenth century to the late twentieth century-that demonstrate this act of literary defiance. Each selection is paired with an original introduction by one of today's leading scholars of African American literature, including Hazel V. Carby, Gerald Early, Mae G. Henderson, George Hutchinson, Carla Peterson, Amritjit Singh, and Werner Sollors. By casting African Americans in minor roles and marking the protagonists as racially white, neutral, or ambiguous, these works of fiction explore the thematic complexities of human identity, relations, and culture. At the same time, they force us to confront the basic question, “What is African American literature?” Stories by: James Baldwin, Octavia E. Butler, Samuel R. Delany, Paul Laurence Dunbar, Frances Ellen Watkins Harper, Chester B. Himes, Zora Neale Hurston, Nella Larsen, Toni Morrison, Ann Petry, Wallace Thurman, Jean Toomer, Frank J. Webb, Richard Wright, and Frank Yerby. Critical Introductions by: Hazel V. Carby, John Charles, Gerald Early, Hazel Arnett Ervin, Matthew Guterl, Mae G. Henderson, George B. Hutchinson, Gene Jarrett, Carla L. Peterson, Amritjit Singh, Werner Sollors, and Jeffrey Allen Tucker.

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Co-Winner, Margaret Laurence Award for FictionPatricia Robertson’s new collection of short fiction, Hour of the Crab, is a work of insight and mastery, each story demonstrating an original vision, intriguing characters, and sophisticated skill. Readers will travel with Robertson’s vivid characters, sharing their journeys, their challenges, their complicated choices. They will also discover other worlds — from an eleventh-century monastery in France to a near-future British Columbia where apocalyptic wildfires seem to be never-ending. A young woman discovers the corpse of a Moroccan teenager washed up on the beach in southern Spain and sets out to find his family in a gesture that destabilizes her own. An international aid worker shares her house with the very real ghost of a gardener’s boy. The last speaker of a dying Norse-like language carves the words he remembers into the stones of his house. Urgent and evocative, immersed in issues of our time, the stories of Hour of the Crab reveal Robertson’s ability to draw in her readers with the heightened realism of her imagined worlds.

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Cinematic Shakespeare takes the reader inside the making of a number of significant adaptations to illustrate how cinema transforms and re-imagines the dramatic form and style central to Shakespeare's imagination. Cinematic Shakespeare investigates how Shakespeare films constitute an exciting and ever-changing film genre. The challenges of adopting Shakespeare to cinema are like few other film genres. Anderegg looks closely at films by Laurence Olivier (Richard III), Orson Welles (Macbeth), and Kenneth Branagh (Hamlet) as well as topics like 'Postmodern Shakespeares' (Julie Taymor's Titus and Peter Greenaway's Prospero's Books) and multiple adaptations over the years of Romeo and Juliet. A chapter on television looks closely at American broadcasting in the 1950s (the Hallmark Hall of Fame Shakespeare adaptations) and the BBC/Time-Life Shakespeare Plays from the late 70s and early 80s.

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Hollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. His era abounded in greats - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.

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Nigeria, England, America, Jamaica; are you proud of where you're from? Dark skinned, light skinned, afro, weaves, who are your true brothers and sisters? When two brothers from different continents go down the street to buy a pint of milk, they lift the lid on a disunited nation where everyone wants to be an individual but no one wants to stand out from the crowd. A debut work produced at the Royal Court's Young Writers Festival, Gone Too Far! is a comic and astute play about identity, history and culture, portraying a world where respect is always demanded but rarely freely given. Gone Too Far! premiered at the Royal Court Theatre in 2007 where it was awarded the Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre, 2008. It is published here in an abridged form as part of Methuen Drama's Plays For Young People series.

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