Search results for ""Collins""

Beneath the water the body sank rapidly. She would lie still and undisturbed for many years but above her on dry land, the nightmare was just beginning. When Detective Erika Foster receives a tip off that key evidence for a major narcotics case was stashed in a disused quarry on the outskirts of London, she orders for it to be searched. From the thick sludge the drugs are recovered, but so is the skeleton of a young child. The remains are quickly identified as eleven-year-old Jessica Collins. The missing girl who made headline news when she vanished twenty-six years ago. As Erika tries to piece together new evidence with the old, she discovers a family harbouring secrets, a detective plagued by her failure to find Jessica, and the mysterious death of a man living by the quarry. Is the suspect someone close to home? Someone doesn't want this case solved. And they'll do anything to stop Erika from finding the truth. Read what everyone is saying about Dark Water: 'OH MY GOD! Just let me a take a moment while I catch my breath! I LOVED IT! WHAT A BOOK! WHAT AN AUTHOR! WHAT A READ! It is all consuming, there is no let up... every twist and turn is designed to make you gasp, to make your head spin and your heart beat out of your chest.' Emma the Little Bookworm 'HOLY MOLY Robert Bryndza has only gone and done it again... it's one of those books you can't bear to put down, as each chapter ends you just "have to read one more" and before you know it it's the middle of the night!... I can and will wholeheartedly recommend Dark Waters for anyone looking for an original crime story but with all the hallmarks of a truly thrilling tale.' Book Review Café 'Oh wowzerz ... OMG I really wasn't expecting the ending ... this is one hell of a read.' Insights into the Wonderful World of Books 'Utterly addictive ... a book you really need to finish before bedtime, otherwise you will be up into the wee hours of the morning hooked!' The Quiet Knitter 'When all was revealed, I was totally gut punched... a winner and one that I feel will stay with me for quite some time.' Novel Gossip 'OMG!! What an amazing book! Once I started reading it, I couldn't stop! From the first chapter I was hooked and held bound and captive till the end ... this book is just fabulous, and absolutely the author's best to date!!' Relax and Read Book Reviews 'Brilliantly plotted, incredibly captivating, and definitely a must-read!... Robert Bryndza is like a breath of fresh air. He creates characters we can't get enough of and juicy, complex stories that suck you in...He truly writes with great depth and heart, and leaves you, as a reader, surprised, highly entertained, and extremely satisfied.' What's Better Than Books 'A gripping and an edge of your seat read. It made my heart and pulse race with every page I turned. It is one of those books that when you finish, you sit back and just think, wow! There is just so much more I want to say but I think I will just end up gushing and not do this fantastic book the justice it deserves. An outstanding read by an author who is one of my firm favourites.' By The Letter Book Reviews

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'Admirably brief and necessarily brutal... Highly recommended.' — NICK COHEN, THE SPECTATOR 'Compact and easily digestible. I’d encourage anyone who is confused, fascinated or frustrated by Brexit to read this book – you’ll be far wiser by the end of it.' — CAROLINE LUCAS MP 'I would strongly recommend Ian Dunt’s excellent guide. Dunt has taken the extraordinary step of asking a set of experts what they think. I learnt a lot.' — PHILIP COLLINS, PROSPECT Britain’s departure from the European Union is riddled with myth and misinformation — yet the risks are very real. Brexit could diminish the UK’s power, throw its legal system into turmoil, and lower the standard of living of 65m citizens. In this revised bestseller, Ian Dunt explains why leaving the world’s largest trading bloc will leave Britain poorer and key industries like finance and pharma struggling to operate. He argues that Brexit is unlikely to cause a big economic implosion, but will instead act like a slow puncture in the UK's national prosperity and global influence. Based on extensive interviews with trade and legal experts, Brexit: What the Hell Happens Now? is a searching exploration of Brexit shorn of the wishful thinking of its supporters in the British media and Parliament. ABOUT THE AUTHOR Ian Dunt is a columnist for the I newspaper and appears as a pundit on BBC TV, Sky News and Al-Jazeera. With Dorian Lynskey, he presents the Origin Story podcast and is a regular contributor to the Oh God, What Now? podcast. His most recent book, How To Be A Liberal (Canbury, 2020), is an epic history of the spread of the ideas underpinning personal freedom. EXTRACT What is the European project? Britain has always been deeply ignorant of the motivation behind the European project. The most common British response to European politicians is indifference, followed by frustration, followed by mockery. But without understanding Europe, you can’t effectively negotiate with Europe. Ultimately, the European Union arose out of the ashes of the Second World War. In 1951, to prevent future disputes over resources, six nations agreed to trade freely in steel and coal. In 1957, the nations of the Coal and Steel Community (France, West Germany, Italy, Holland, Belgium and Luxembourg) signed the Treaty of Rome, founding the European Economic Community, which created a bigger common market and a customs union. Over time this common market attracted more nations and became the European Union. For years Britain stood outside this club. In 1951, Prime Minister Clement Attlee declined an invitation to join the Coal and Steel Community, dismissing it as ‘six nations, four of whom we had to rescue from the other two.’ Britain also spurned the European Economic Community in 1958. While the European states looked to each other for peace and prosperity, the UK, with its still large empire and its special relationship with the United States, gazed overseas. Britain and the Continent were divided not just by geography, but by conflict. A great deal of the British psyche derives from the fact that we have not been invaded for centuries. We went through incredible suffering during the world wars, but it fell from the sky. It did not march down the streets in jackboots. On the mainland, that trauma was and is personal: the social memory of a neighbour’s betrayal, death camps, and tyranny. The EU is considered a barrier to conflict and carries an emotional weight we struggle to understand. Our MPs underestimate the resolve of Europe to preserve political unity. Extracted from Brexit: What the Hell Happens Now? by Ian Dunt (Canbury Press)

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A moving, compelling story about three women fighting to break free, from the Richard & Judy recommended bestselling author Julie Cohen.'Haunting, tender and true - this story cast a spell on me' Kirsty Logan'Wonderfully written and evocative' Woman & Home, BOOK OF THE MONTH'This haunting story about the power of love will give you the shivers' Best------------------------------------------Viola has an impossible talent. Searching for meaning in her grief, she uses her photography to feel closer to her late father, taking solace from the skills he taught her - and to keep her distance from her husband. But her pictures seem to capture things invisible to the eye . . .Henriette is a celebrated spirit medium, carrying nothing but her secrets with her as she travels the country. When she meets Viola, a powerful connection is sparked between them - but Victorian society is no place for reckless women.Meanwhile, on the other side of the world, invisible threads join Viola and Henriette to another woman who lives in secrecy, hiding her dangerous act of rebellion in plain sight.Faith. Courage. Love. What will they risk for freedom? Driven by passionate, courageous female characters, SPIRITED is your next unforgettable read!Perfect for fans of other bestselling historical novels The Binding by Bridget Collins, The Familiars by Stacey Halls, and Once Upon a River by Diane Setterfield. ------------------------------------------Praise for SPIRITED:'A testament to the enduring power of love' Sunday Mirror'Mindful, vivid, and strong Spirited explores death, grief, faith, class and gender, while at its heart relationships expand to make this such an engaging and rewarding novel' Love Reading'This vivid tale is simmering with passions - some more repressed than others' The People'A tender and haunting tale, this is a slow-burn read which sparks into flame, as passion kindles in the heart of her beautifully realised characters' Daily Mail'A thrilling, spooky tale that has all the ingredients of a bestseller' Cambridge Independent------------------------------------------Praise for the Richard & Judy Bookclub Pick TOGETHER by Julie Cohen:'A bold, breathtaking and truly compelling love story' Lisa Jewell'Moving and beautiful' Joanna Cannon'One of the most beautiful and heart-breaking stories I've read' Emma Flint'Reminded me of One Day & The Time Traveler's Wife' Erin Kelly'The kind of novel that will stay with you forever' Rowan Coleman'A page-turner with real emotional punch' Catherine Isaac'Original, poignant and beautifully told' S Magazine'A must read' Good Housekeeping'A taut, beguiling love-story-in-reverse that reveals just how far people will go to protect themselves from facing the truth' Elle'Every now and again, a novel comes along that is so different, so affecting and so unforgettable, that you simply must tell everyone you know to read it' Heat------------------------------------------Praise for the Polari Prize 2019 longlisted novel THE TWO LIVES OF LOUIS & LOUISE by Julie Cohen:'Brilliant . . . I enjoyed it hugely' Marian Keyes'Hugely original and heartbreakingly real' Rosie Walsh'Not often does a story remind us of what beautifully complex creatures we are. Julie Cohen has given us that rare gift' Christina Dalcher'Elegant, thoughtful and powerful' Daisy Buchanan'So cleverly done and authentic' A J Pearce'Beautifully written and thought-provoking' Kate Eberlen'A timely read that will stay with you long after you put it down' Libby Page'A cobweb of a book: beautifully intricate and delicate' Veronica Henry'Engaging, moving, arresting' Sunday Times'A powerful and memorable story' Sunday Express'A modern tale told with heart' Grazia

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Queen of French Noir, Johana Gustawsson returns with a spell-binding, dazzlingly dark gothic thriller that swings from Belle Époque France to 21st-century Quebec, with an extraordinary mystery at its heart … FIRST in a bewitching new series **Shortlisted for the CWA Crime in Translation Dagger** `A wonderfully dark, intricately woven historical thriller spanning three generations … it will have you hooked from the very first page' B A Paris `A gripping story of murder and black magic …Gustawsson slowly weaves together three seemingly disparate strands of her narrative with a skill that shows why she is such an admired crime writer in her native France´ The Times BOOK OF THE MONTH `Intriguingly dark and vivid, and so cleverly told through three different time frames´ Essie Fox ________________ Three women Three eras One extraordinary mystery…1899, Belle Époque Paris. Lucienne’s two daughters are believed dead when her mansion burns to the ground, but she is certain that her girls are still alive and embarks on a journey into the depths of the spiritualist community to find them. 1949, Post-War Québec. Teenager Lina’s father has died in the French Resistance, and as she struggles to fit in at school, her mother introduces her to an elderly woman at the asylum where she works, changing Lina’s life in the darkest way imaginable. 2002, Quebec. A former schoolteacher is accused of brutally stabbing her husband – a famous university professor – to death. Detective Maxine Grant, who has recently lost her own husband and is parenting a teenager and a new baby single-handedly, takes on the investigation. Under enormous personal pressure, Maxine makes a series of macabre discoveries that link directly to historical cases involving black magic and murder, secret societies and spiritism … and women at breaking point, who will stop at nothing to protect the ones they love… _________________ `This novel is a whirlpool that draws you irresistibly into levels of darkness so much deeper than you can possibly be ready for´ Ambrose Parry `I found myself racing through the book, always wanting one more page, one more chapter. A wonderfully creepy, unsettling read, with a superb twist in its tail´ James Oswald `Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling´ Peter James `I was hooked from the first page – a stunning and beautifully written gothic thriller full of atmosphere, intrigue and delight´ Alexandra Benedict `Brilliant … the last chapters knocked me sideways, and it’s a long time since that’s happened´ Lisa Hall `A dark world of elegance and grotesque … mesmeric´ Matt Wesolowski `Harrowing, compelling, haunting, vivid, twisty and shocking! ´ Noelle Holten `A powerful page-turner´ Livres Hebdo ***NUMBER ONE BESTSELLER IN FRANCE*** FOR FANS OF Laura Purcell, Stacey Halls, Bridget Collins, Anna Mazzola, Essie Fox, Ambrose Parry and Laura Shepherd-Robinson Praise for Johana Gustawsson `A satisfying, full-fat mystery´ The Times `Assured telling of a complex story´ Sunday Times `A real page-turner, I loved it´ Martina Cole `A bold and intelligent read´ Guardian `Utterly compelling´ Woman’s Own `Cleverly plotted, simply excellent´ Ragnar Jónasson `A must-read´ Daily Express `Gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed´ Crime by the Book `A relentless heart-stopping masterpiece´ New York Journal of Book

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'It is rare for a business analysis to read like a thriller – this one does.' – Azeem Azhar, Founder, Exponential View 'Vital to understanding how[TikTok] works and the impact it's having.' – Damian Collins MP, former chairman of the House of Commons Digital, Culture, Media and Sport Select Committee 'TikTok Boom is a must read for students, scholars, and policy makers.' – David Craig, Clinical Professor, USC AnnenbergA whole generation is hooked on TikTok. In just a few years, it’s raced ahead of WhatsApp and Instagram to become the biggest app in the world. But how did it burst into life and overtake its rivals? Delving deep into its upstart origins, TikTok Boom charts the astonishingly rapid rise of China’s viral video app. It yields new insights into its culture, addictive algorithm, and influencer ecosystem. And it reveals the influence its owners in Beijing are having on hundreds of millions worldwide through the use of little-known content guidelines. TikTok is the emerging battleground for a geopolitical tussle between East and West for control of social media. TikTok Boom is a rollercoaster business story bristling with ambition and drama. Find out where TikTok came from and where it's going. Find out how TikTok Works and whether it can work for you.Reviews'A careful, detailed teardown of the people, culture and technology behind the world's most dynamic social network. It is rare for a business analysis to read like a thriller – this one does.' – Azeem Azhar, Founder, Exponential View'It's clear that Stokel-Walker's strength is that he's not just TikTok-literate, he's TikTok-fluent. He knows the product, the people, and the entire ecosystem inside and out, and it is this familiarity that makes his telling so compelling, because he knows how to make you feel like you, too, are an insider in this strange new world.' - Rui Ma, founder, Tech Buzz China'Blending journalistic narrative with state-of-the-art academic research, no other author comes close to weaving this epic tale of the rise of China’s first global platform threatening Silicon’s Valley hegemony while operating as inflection point around the rise of one globe two Internet systems. This is a must read for students, scholars, and policy makers.' – David Craig, Clinical Professor, USC Annenberg'This book charts the story of an app on the rise that's changing the world of tech, charting the future of culture, and creating a new world of work: the creator economy... it breaks down some of the biggest questions for the future of work and culture.' - Li Jin, Atelier VenturesExtract: ByteDanceAsk most people what ByteDance is and they’ll likely meet you with a blank stare. Yet it is the owner of TikTok and a host of other world-leading apps. Founded in March 2012, it’s worth about $180 billion – up from its $75 billion in 2018 when the Japanese technology investors SoftBank Group bought into the company. Despite the fact that its apps are used by two billion people worldwide, earning it $34 billion in revenue in 2020, ByteDance deliberately keeps a low profile among the general public in the West. It wants its products to take centre stage. It’s a strategy devised by its low-key, but intensely-driven founder, Yiming Zhang. Whereas his fellow Chinese rival, Musical.ly’s Alex Zhu, is creative and flighty, Zhang is measured and focussed. Compared to his more brash counterparts in China, such as Jack Ma, the former boss of Alibaba Group, who’s known for his exuberance and outgoing personality, he is even a little dull. Considered. He practises ‘delayed gratification.’ He’s rational – though his choice of clothing, T-shirts and jeans, makes him more laid back than the average Chinese executive. Imagine the slightly underwhelming disappointment of Mark Zuckerberg, rather than the zany pinball personality of Elon Musk. Born in 1983 in the city of Longyan in the coastal province of Fujian that’s known for having the highest proportion of emigrants to the Western world in all of China, Zhang is, however, fiercely independent. While many people entering China’s tech sector are comfortable to land a job at one of the pre-existing Chinese tech giants, Zhang ignored that route. He was not after the quick buzz of instant success by piggybacking onto a pre-existing victor: he played the long game. Buy the book to carry on reading

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'It is rare for a business analysis to read like a thriller – this one does.' – Azeem Azhar, Founder, Exponential View 'Vital to understanding how[TikTok] works and the impact it's having.' – Damian Collins MP, former chairman of the House of Commons Digital, Culture, Media and Sport Select Committee 'TikTok Boom is a must read for students, scholars, and policy makers.' – David Craig, Clinical Professor, USC AnnenbergA whole generation is hooked on TikTok. In just a few years, it’s raced ahead of WhatsApp and Instagram to become the biggest app in the world. But how did it burst into life and overtake its rivals? Delving deep into its upstart origins, TikTok Boom charts the astonishingly rapid rise of China’s viral video app. It yields new insights into its culture, addictive algorithm, and influencer ecosystem. And it reveals the influence its owners in Beijing are having on hundreds of millions worldwide through the use of little-known content guidelines. TikTok is the emerging battleground for a geopolitical tussle between East and West for control of social media. TikTok Boom is a rollercoaster business story bristling with ambition and drama. Find out where TikTok came from and where it's going. Find out how TikTok Works and whether it can work for you.Reviews'A careful, detailed teardown of the people, culture and technology behind the world's most dynamic social network. It is rare for a business analysis to read like a thriller – this one does.' – Azeem Azhar, Founder, Exponential View'It's clear that Stokel-Walker's strength is that he's not just TikTok-literate, he's TikTok-fluent. He knows the product, the people, and the entire ecosystem inside and out, and it is this familiarity that makes his telling so compelling, because he knows how to make you feel like you, too, are an insider in this strange new world.' - Rui Ma, founder, Tech Buzz China'Blending journalistic narrative with state-of-the-art academic research, no other author comes close to weaving this epic tale of the rise of China’s first global platform threatening Silicon’s Valley hegemony while operating as inflection point around the rise of one globe two Internet systems. This is a must read for students, scholars, and policy makers.' – David Craig, Clinical Professor, USC Annenberg'This book charts the story of an app on the rise that's changing the world of tech, charting the future of culture, and creating a new world of work: the creator economy... it breaks down some of the biggest questions for the future of work and culture.' - Li Jin, Atelier VenturesExtract: ByteDanceAsk most people what ByteDance is and they’ll likely meet you with a blank stare. Yet it is the owner of TikTok and a host of other world-leading apps. Founded in March 2012, it’s worth about $180 billion – up from its $75 billion in 2018 when the Japanese technology investors SoftBank Group bought into the company. Despite the fact that its apps are used by two billion people worldwide, earning it $34 billion in revenue in 2020, ByteDance deliberately keeps a low profile among the general public in the West. It wants its products to take centre stage. It’s a strategy devised by its low-key, but intensely-driven founder, Yiming Zhang. Whereas his fellow Chinese rival, Musical.ly’s Alex Zhu, is creative and flighty, Zhang is measured and focussed. Compared to his more brash counterparts in China, such as Jack Ma, the former boss of Alibaba Group, who’s known for his exuberance and outgoing personality, he is even a little dull. Considered. He practises ‘delayed gratification.’ He’s rational – though his choice of clothing, T-shirts and jeans, makes him more laid back than the average Chinese executive. Imagine the slightly underwhelming disappointment of Mark Zuckerberg, rather than the zany pinball personality of Elon Musk. Born in 1983 in the city of Longyan in the coastal province of Fujian that’s known for having the highest proportion of emigrants to the Western world in all of China, Zhang is, however, fiercely independent. While many people entering China’s tech sector are comfortable to land a job at one of the pre-existing Chinese tech giants, Zhang ignored that route. He was not after the quick buzz of instant success by piggybacking onto a pre-existing victor: he played the long game. Buy the book to carry on reading

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Contributors: Madeleine Brainerd, Joe Conway, Fraser Easton, Christopher GoGwilt, Shari Goldberg, Melanie D. Holm, Sarah Kay, Kaori T. Kitao, Holt V. Meyer, Isabel A. Moore, Fawzia Mustafa, Gavin Sourgen. Mocking Bird Technologies brings together a range of perspectives to offer an extended meditation on bird mimicry in literature: the way birds mimic humans, the way humans mimic birds, and the way mimicry of any kind involves technologies that extend across as well as beyond languages and species. The essays examine the historical, poetic, and semiotic problem of mimesis exemplified both by the imitative behavior of parrots, starlings, and other mocking birds, and by the poetic trope of such birds in a range of literary and philological traditions. Drawing from a cross-section of traditional periods and fields in literary studies (18th-century studies, romantic studies, early American studies, 20th-century studies, and postcolonial studies), the collection offers new models for combining comparative and global studies of literature and culture. Editors Christopher GoGwilt is Professor of English and Comparative Literature at Fordham University. He is the author of The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (Oxford, 2011), The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock (Stanford, 2000), and The Invention of the West: Joseph Conrad and the Double-Mapping of Europe and Empire (Stanford, 1995). Melanie D. Holm is Assistant Professor of the English Department and Graduate Program of Literature and Criticism at Indiana University of Pennsylvania. She also teaches in the university’s Women’s and Gender Studies program. Her scholarly focus is on eighteenth-century literature and skepticism. Contributors Madeleine Brainerd taught at Washington University in St. Louis and at Excelsior College. Since 2004 she has taught therapeutic yoga and medical qi gong in New York City, at the Integral Yoga Institute, Kenshikai Dojo, Gouverneur Hospital, and other venues. She studies histories of yoga’s intersections with ecological in/justice, animality, and affect theory. Joe Conway is an Assistant Professor of American Literature at the University of Alabama in Huntsville. His articles have appeared or are scheduled to appear in the journals Women’s Studies, Early American Literature, and Nineteenth-Century Contexts. He is currently at work on a monograph about the social life of antebellum money that charts how discourses of noneconomic phenomena such as medicine, race, nationalism, and aesthetics informed nineteenth-century debates about what constitutes good money. Fraser Easton is Associate Professor of English, University of Waterloo, Canada. A specialist in eighteenth-century literature, he has published on Jane Austen, Daniel Defoe, Maria Edgeworth, and Christopher Smart, as well as on newspaper records and historical accounts of passing women in the eighteenth century. Shari Goldberg is Assistant Professor of English at Franklin & Marshall College in Lancaster, Pennsylvania. She is the author of Quiet Testimony: A Theory of Witnessing from Nineteenth-Century American Literature (Fordham, 2013). She has also published essays on silence, politics, and personhood in American literature. Her current research focuses on late-nineteenth-century models of mind and person in narrative and psychological writing. Sarah Kay teaches French and Medieval Studies at New York University. She has written widely on medieval literature across languages, genres, and periods; her work combines the study of medieval texts, especially troubadour songs, with philosophical and theoretical inquiry. Her two most recent books are Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (2013) and Animal Skins and the Reading Self in Medieval Latin and French Bestiaries (2017). Kaori Kitao (William R. Kenan Jr. Professor of Art History, Emerita, Swarthmore College) taught art history at Swarthmore College from 1966 to 2001. She was born in Tokyo and studied architecture at UC Berkeley and art history at Harvard. Her main specialization is Italian renaissance and baroque art; she has also taught courses in cinema history, material culture, urban studies, and Japanese architecture. Holt V. Meyer is Professor of Slavic Studies at Erfurt University. He is the author of Romantische Orientierung (1995) and numerous articles and has co-edited the collections Juden und Judentum in Literatur und Film des slavischen Sprachraumes. Die geniale Epoche (1999), Inventing Slavia (2005), Schiller: Gedenken—Vergessen—Lesen (2010), and Gagarin als Archivkörper und Erinnerungsfigur (2014). He is co-editor of the new book series Spatio-Temporality. Practices—Concepts— Media (De Gruyter). He is currently working on a book about the official Stalinist Pushkin celebrations of 1949. Isabel (Annie) Moore completed her Ph.D. in comparative literature at the University of California–Irvine. From 2011 to 2013, she held a postdoctoral fellowship in English at the University of Victoria. She has published on Contemporary Irish and Canadian poetry, and her book project is titled The Ends of Lyric Life: A Theory of Biopoetics. Fawzia Mustafa is Professor of English and African and African American Studies at Fordham University. She also teaches in the university’s Comparative Literature and Women’s, Gender and Sexuality Studies Programs. The author of V. S. Naipaul (1995), she has published numerous articles on postcolonial literature and development. Gavin Sourgen is Visiting Assistant Professor of English at the Harriet L. Wilkes Honors College of Florida Atlantic University. He completed his D.Phil. at Balliol College (Oxford) in 2013, concentrating on the transitional poetics of Lord Byron’s verse, and has published on Byron, Coleridge, and romantic aesthetics in general.

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Contributors: Madeleine Brainerd, Joe Conway, Fraser Easton, Christopher GoGwilt, Shari Goldberg, Melanie D. Holm, Sarah Kay, Kaori T. Kitao, Holt V. Meyer, Isabel A. Moore, Fawzia Mustafa, Gavin Sourgen. Mocking Bird Technologies brings together a range of perspectives to offer an extended meditation on bird mimicry in literature: the way birds mimic humans, the way humans mimic birds, and the way mimicry of any kind involves technologies that extend across as well as beyond languages and species. The essays examine the historical, poetic, and semiotic problem of mimesis exemplified both by the imitative behavior of parrots, starlings, and other mocking birds, and by the poetic trope of such birds in a range of literary and philological traditions. Drawing from a cross-section of traditional periods and fields in literary studies (18th-century studies, romantic studies, early American studies, 20th-century studies, and postcolonial studies), the collection offers new models for combining comparative and global studies of literature and culture. Editors Christopher GoGwilt is Professor of English and Comparative Literature at Fordham University. He is the author of The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (Oxford, 2011), The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock (Stanford, 2000), and The Invention of the West: Joseph Conrad and the Double-Mapping of Europe and Empire (Stanford, 1995). Melanie D. Holm is Assistant Professor of the English Department and Graduate Program of Literature and Criticism at Indiana University of Pennsylvania. She also teaches in the university’s Women’s and Gender Studies program. Her scholarly focus is on eighteenth-century literature and skepticism. Contributors Madeleine Brainerd taught at Washington University in St. Louis and at Excelsior College. Since 2004 she has taught therapeutic yoga and medical qi gong in New York City, at the Integral Yoga Institute, Kenshikai Dojo, Gouverneur Hospital, and other venues. She studies histories of yoga’s intersections with ecological in/justice, animality, and affect theory. Joe Conway is an Assistant Professor of American Literature at the University of Alabama in Huntsville. His articles have appeared or are scheduled to appear in the journals Women’s Studies, Early American Literature, and Nineteenth-Century Contexts. He is currently at work on a monograph about the social life of antebellum money that charts how discourses of noneconomic phenomena such as medicine, race, nationalism, and aesthetics informed nineteenth-century debates about what constitutes good money. Fraser Easton is Associate Professor of English, University of Waterloo, Canada. A specialist in eighteenth-century literature, he has published on Jane Austen, Daniel Defoe, Maria Edgeworth, and Christopher Smart, as well as on newspaper records and historical accounts of passing women in the eighteenth century. Shari Goldberg is Assistant Professor of English at Franklin & Marshall College in Lancaster, Pennsylvania. She is the author of Quiet Testimony: A Theory of Witnessing from Nineteenth-Century American Literature (Fordham, 2013). She has also published essays on silence, politics, and personhood in American literature. Her current research focuses on late-nineteenth-century models of mind and person in narrative and psychological writing. Sarah Kay teaches French and Medieval Studies at New York University. She has written widely on medieval literature across languages, genres, and periods; her work combines the study of medieval texts, especially troubadour songs, with philosophical and theoretical inquiry. Her two most recent books are Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (2013) and Animal Skins and the Reading Self in Medieval Latin and French Bestiaries (2017). Kaori Kitao (William R. Kenan Jr. Professor of Art History, Emerita, Swarthmore College) taught art history at Swarthmore College from 1966 to 2001. She was born in Tokyo and studied architecture at UC Berkeley and art history at Harvard. Her main specialization is Italian renaissance and baroque art; she has also taught courses in cinema history, material culture, urban studies, and Japanese architecture. Holt V. Meyer is Professor of Slavic Studies at Erfurt University. He is the author of Romantische Orientierung (1995) and numerous articles and has co-edited the collections Juden und Judentum in Literatur und Film des slavischen Sprachraumes. Die geniale Epoche (1999), Inventing Slavia (2005), Schiller: Gedenken—Vergessen—Lesen (2010), and Gagarin als Archivkörper und Erinnerungsfigur (2014). He is co-editor of the new book series Spatio-Temporality. Practices—Concepts— Media (De Gruyter). He is currently working on a book about the official Stalinist Pushkin celebrations of 1949. Isabel (Annie) Moore completed her Ph.D. in comparative literature at the University of California–Irvine. From 2011 to 2013, she held a postdoctoral fellowship in English at the University of Victoria. She has published on Contemporary Irish and Canadian poetry, and her book project is titled The Ends of Lyric Life: A Theory of Biopoetics. Fawzia Mustafa is Professor of English and African and African American Studies at Fordham University. She also teaches in the university’s Comparative Literature and Women’s, Gender and Sexuality Studies Programs. The author of V. S. Naipaul (1995), she has published numerous articles on postcolonial literature and development. Gavin Sourgen is Visiting Assistant Professor of English at the Harriet L. Wilkes Honors College of Florida Atlantic University. He completed his D.Phil. at Balliol College (Oxford) in 2013, concentrating on the transitional poetics of Lord Byron’s verse, and has published on Byron, Coleridge, and romantic aesthetics in general.

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