Search results for ""university of chicago press""

Until the nineteenth century, the Russian legal system was subject to an administrative hierarchy headed by the tsar, and the courts were expected to enforce, not interpret the law. Richard S. Wortman here traces the first professional class of legal experts who emerged during the reign of Nicholas I (1826-56). Discussing how new legal institutions fit into the traditional system of tsarist rule, Wortman analyzes how conflict arose from the same intellectual processes that produced legal reform. He ultimately demonstrates how the stage was set for later events, as the autocracy and judiciary pursued contradictory - and mutually destructive - goals.

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Far from being the serene, natural streams of yore, modern rivers have been diverted, dammed, dumped in, and dried up, all in efforts to harness their power for human needs. But these rivers have also undergone environmental change. The old adage says you can't step in the same river twice, and Ellen Wohl would agree - natural and synthetic change are so rapid on the world's great waterways that rivers are transforming and disappearing right before our eyes. "A World of Rivers" explores the confluence of human and environmental change on ten of the great rivers of the world. Ranging from the Murray-Darling in Australia and the Yellow River in China to Central Europe's Danube and the Mississippi, the book journeys down the most important rivers in all corners of the globe. Wohl shows us how pollution, such as in the Ganges and in the Ob of Siberia, has affected biodiversity in the water. But rivers are also resilient, and Wohl stresses the importance of conservation and restoration to help reverse the effects of human carelessness and hubris. What all these diverse rivers share is a critical role in shaping surrounding landscapes and biological communities, and Wohl's book ultimately makes a strong case for the need to steward positive change in the world's great rivers.

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The baby boom generation's entry into old age has led to an unprecedented increase in the elderly population. The social and economic effects of this shift are significant, and in "Research Findings in the Economics of Aging", a group of leading researchers takes an eclectic view of the subject. Among the broad topics discussed are work and retirement behavior, work disability, and their relationship to the structure of retirement and disability policies. While the choice of when to retire is made by individuals, those decisions are influenced by a set of incentives, including retirement benefits and health care, and this volume includes cross-national analyses of the effects of such programs on those decisions. Furthermore, the volume also offers in-depth analysis of the effects of retirement plans, employer contributions, and housing prices on retirement. It explores well-established relationships among economic circumstances, health, and mortality, as well as the effects of poverty and lower levels of economic development on health and life satisfaction. By combining the micro and the macro, this latest volume continues the tradition of expanding the research agenda both through the questions it asks and the empirical domain it examines.

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The Key to the City brings together work that has long been admired by readers of literary magazines and quarterlies. The collection opens with "The Ruins," a group of poems set in poor neighborhoods in New York City—some so cut off from midtown that they seem part of another continent or another age. The people in these poems are schoolgirls, a cleaning lady in the laundromat, derelicts, a prostitute stabbed in the street. Their interwoven voices contribute to a complex, grave vision of remote causes and immediate suffering in the city. The poems of the second section explore a broad range of experience: pregnancy and nursing, inward solitude, the textures of Renaissance painting and American landscapes.

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Winner of the 2005 Lenore Marshall Poetry Prize. The long-awaited follow-up to The Key to the City—a finalist for the National Book Critics Circle Award in 1986—Anne Winters's The Displaced of Capital emanates a quiet and authoritative passion for social justice, embodying the voice of a subtle, sophisticated conscience.The "displaced" in the book's title refers to the poor, the homeless, and the disenfranchised who populate New York, the city that serves at once as gritty backdrop, city of dreams, and urban nightmare. Winters also addresses the culturally, ethnically, and emotionally excluded and, in these politically sensitive poems, writes without sentimentality of a cityscape of tenements and immigrants, offering her poetry as a testament to the lives of have-nots. In the central poem, Winters witnesses the relationship between two women of disparate social classes whose friendship represents the poet's political convictions. With poems both powerful and musical, The Displaced of Capital marks Anne Winters's triumphant return and assures her standing as an essential New York poet.

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Reading the Shape of Nature vividly recounts the turbulent early history of the Museum of Comparative Zoology at Harvard and the contrasting careers of its founder Louis Agassiz and his son Alexander. Through the story of this institution and the individuals who formed it, Mary P. Winsor explores the conflicting forces that shaped systematics in the second half of the nineteenth century. Debates over the philosophical foundations of classification, details of taxonomic research, the young institution's financial struggles, and the personalities of the men most deeply involved are all brought to life. In 1859, Louis Agassiz established the Museum of Comparative Zoology to house research on the ideal types that he believed were embodied in all living forms. Agassiz's vision arose from his insistence that the order inherent in the diversity of life reflected divine creation, not organic evolution. But the mortar of the new museum had scarcely dried when Darwin's Origin was published. By Louis Agassiz's death in 1873, even his former students, including his son Alexander, had defected to the evolutionist camp. Alexander, a self-made millionaire, succeeded his father as director and introduced a significantly different agenda for the museum. To trace Louis and Alexander's arguments and the style of science they established at the museum, Winsor uses many fascinating examples that even zoologists may find unfamiliar. The locus of all this activity, the museum building itself, tells its own story through a wonderful series of archival photographs.

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The congregation is a distinctly American religious structure, and is often overlooked in traditional studies of religion. But one cannot understand American religion without understanding the congregation.Volume 1: "Portraits of Twelve Religious Communities" chronicles the founding, growth, and development of congregations that represent the diverse and complex reality of American local religious cultures. The contributors explore multiple issues, from the fate of American Protestantism to the rise of charismatic revivalism.Volume 2: "New Perspectives in the Study of Congregations" builds upon those historical studies, and addresses three crucial questions: Where is the congregation located on the broader map of American cultural and religious life? What are congregations' distinctive qualities, tasks, and roles in American culture? And, what patterns of leadership characterize congregations in America?These essays are an indispensable tool for understanding American congregations and American religion as a whole.

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This text argues for the possibility of theological thinking in a postmodern secular milieu. Moving beyond the now familiar reiteration of postmodernity's losses - the death of God, the displacement of the self, the end of history, the closure of the book - Winquist equates a desire to think theologically with a desire, amidst postmodernity's disappointments, for a thinking that does not disappoint. To desire theology in this sense is to desire to know an "other" in and of language that can be valued in the forming of personal and communal identity. In this book, "desiring theology" carries another sense as well, for Winquist argues that, in the wake of psychoanalysis, theology must elaborate the meaning and importance of desire in its own discourse. Winquist's work is tactical as well as theoretical, showing what kind of work theology can do in a postmodern age. He suggests that theology is closely akin to what Gilles Deleuze and Felix Guattari refer to as a minor intensive use of a major language. The minor intensive theological use of language, Winquist argues, pressures the ordinary weave of discourse and opens it to desire. Thus theology becomes a work against "the disappointment of thinking". Engaged with the work of Nietzsche, Derrida, Tillich, Robert P. Scharlemann and Mark C. Taylor, among others, this book aims to provide a contribution to contemporary theology.

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Published in 2002, "Deforesting the Earth" was a landmark study of the history and geography of deforestation. Now available as an abridgement, this edition retains the breadth of the original while rendering its arguments accessible to a general readership. Deforestation - the thinning, changing, and wholesale clearing of forests for fuel, shelter, and agriculture - is among the most important ways humans have transformed the environment. Surveying ten thousand years to trace human-induced deforestation's effect on economies, societies, and landscapes around the world, "Deforesting the Earth" is the pre-eminent history of this process and its consequences. Beginning with the return of the forests after the ice age to Europe, North America, and the tropics, Michael Williams traces the impact of human-set fires for gathering and hunting, land clearing for agriculture, and other activities from the Paleolithic age through the classical world and the medieval period. He then focuses on forest clearing both within Europe and by European imperialists and industrialists abroad, from the 1500s to the early 1900s, in such places as the New World, India, and Latin America, and considers indigenous clearing in India, China, and Japan. Finally, he covers the current alarming escalation of deforestation, with our ever-increasing human population placing a potentially unsupportable burden on the world's forests.

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For many of us, one of the most important ways of coping with the death of a close relative is talking about them, telling all who will listen what they meant to us. Yet the Gypsies of central France, the Manus, not only do not speak of their dead, they burn or discard the deceased's belongings, refrain from eating the dead person's favourite foods and avoid camping in the place where he or she died. In "Gypsy World", Patrick Williams argues that these customs are at the centre of how Manus see the world and their place in it. The Manus inhabit a world created by the "Gadzos" (non-Gypsies) , who frequently limit or even prohibit Manus's movements within it. To claim this world for themselves, the Manus employ a principle of cosmological subtraction: just as the dead seem to be absent from Manus society, argues Williams, so too do the Manus absent themselves from Gadzo society - and in so doing they assert and preserve their own separate culture and identity. Anyone interested in Gypsies, death rituals or the formation of culture should enjoy this fascinating and sensitive ethnography.

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How do Balinese manage to present to the world the clear, bright face, the grace and poise, that they regard as crucial to self-respect and social esteem? How can the anthropologist pass behind the conventions of such a complex culture to recognize what is going on between people, in terms that convey their own experience?Wikan's study of the Indonesian island of Bali is an absorbing debate with previous anthropological interpretations as well as an innovative development of the anthropology of experience."This is indeed an important book, a landmark in studies of Bali and one surely destined to have major theoretical impact on anthropological research well beyond that famous Indonesian island."—Anthony R. Walker, Journal of Asian and African Studies

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If you drive into any American city with the car stereo blasting, you'll undoubtedly find radio stations representing R&D/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format. American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. In Top 40 Democracy, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others. He sheds new light on the upheavals in the music industry over the past fifteen years and their implications for the audiences the industry has shaped. Weisbard focuses in particular on formats-constructed mainstreams designed to appeal to distinct populations-showing how taste became intertwined with class, race, gender, and region. While many historians and music critics have criticized the segmentation of pop radio, Weisbard finds that the creation of multiple formats allowed different subgroups to attain a kind of separate majority status - for example, even in its most mainstream form, the R&B of the Isley Brothers helped to create a sphere where black identity was nourished. Music formats became the one reliable place where different groups of Americans could listen to modern life unfold from their distinct perspectives. The centers of pop, it turns out, were as complicated, diverse, and surprising as the cultural margins. Weisbard's stimulating book is a tour de force, shaking up our ideas about the mainstream music industry in order to tease out the cultural importance of all performers and songs.

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Something important occurred in early 19th century America that came to be called democracy. Since then hundreds of millions of people worldwide have operated on the assumption that democracy exists. Yet definitions of democracy are surprisingly vague and remarkably few reckon with its history. In this work, Robert Wiebe suggests that only in appreciating that history can we recognize how breathtaking democracy's arrival was, how extraordinary its spread has been, and how uncertain its prospects are. American democracy arrived abruptly in the 19th century and changed just as dramatically early in the 20th century. Hence, this book divides the history of American democracy into two halves: a 19th century half covering the 1820s to the present, and a 20th century half, with a major transition from the 1890s to the 1920s between them. As Wiebe explains why the original democracy of the early 19th century represented a sharp break from the past, he recreates the way European visitors contrasted the radical character of American democracy with their own societies. He then discusses the operation of various 19th century democratic publics, including a nationwide public, the People. Finally, he places democracy's white fraternal world of equals in a larger environment where other Americans who differed by class, race, and gender, developed their own relations to democracy. Wiebe then picks up the history of democracy in the 1920s and carries it to the present. Individualism, once integrated with collective self-governance in the 19th century, becomes the driving force behind 20th century democracy. During those same years, other ways of defining good government and sound public policy shunt majoritarian practices to one side. Late in the 20th century, these two great themes in the history of American democracy - individualism and majoritarianism - turn on one another in modern democracy's war on itself. Finally, this text assesses the polarized state of contemporary American democracy. Putting the judgments of over 60 commentators from Kevin Phillips and E.J. Dionne to Robert Bellah and Benjamin Barber to the test of history, Wiebe offers his own suggestions on the meaning and direction of today's democracy. This sweeping work explains how the history of American democracy has brought the country to its current position and how that same history could invite one to create a different future.

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Azar Nafisi’s Reading Lolita in Tehran,Marjane Satrapi’s comics, and “Baghdad Blogger” Salam Pax’s Internet diary are just a few examples of the new face of autobiography in an age of migration, globalization, and terror. But while autobiography and other genres of life writing can help us attend to people whose experiences are frequently unseen and unheard, life narratives can also be easily co-opted into propaganda. In Soft Weapons, Gillian Whitlock explores the dynamism and ubiquity of contemporary life writing about the Middle East and shows how these works have been packaged, promoted, and enlisted in Western controversies. Considering recent autoethnographies of Afghan women, refugee testimony from Middle Eastern war zones, Jean Sasson’s bestsellers about the lives of Arab women, Norma Khouri’s fraudulent memoir Honor Lost, personal accounts by journalists reporting the war in Iraq, Satrapi’s Persepolis, Nafisi’s book, and Pax’s blog, Whitlock explores the contradictions and ambiguities in the rapid commodification of life memoirs. Drawing from the fields of literary and cultural studies, Soft Weapons will be essential reading for scholars of life writing and those interested in the exchange of literary culture between Islam and the West.

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Certain questions are basic to the human condition: how we imagine the world, and ourselves and others within it; how we confront the constraints of language and the limits of our own minds; and how we use imagination to give meaning to past experiences and to shape future ones. These are the questions James Boyd White addresses in "The Edge of Meaning", exploring each through its application to great works of Western culture - "Huckleberry Finn", the "Odyssey", and the paintings of Vermeer among them. In doing so, White creates a deeply moving and insightful book and presents an inspiring conception of mind, language and the essence of living.

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In the nineteenth century, the Académie des Beaux Arts, and institution of central importance to the artistic life of France for over two hundred years, yielded much of its power to the present system of art distribution, which is dependent upon critics, dealers, and small exhibitions. In Canvases and Careers, Harrison and Cynthia White examine in scrupulous and fascinating detail how and why this shift occurred. Assimilating a wide range of historical and sociological data, the authors argue convincingly that the Academy, by neglecting to address the social and economic conditions of its time, undermined its own ability to maintain authority and control. Originally published in 1965, this ground-breaking work is a classic piece of empirical research in the sociology of art. In this edition, Harrison C. White's new Foreword compares the marketing approaches of two contemporary painters, while Cynthia A. White's new Afterword reviews recent scholarship in the field.

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Jerusalem currently stands at the center of a violent controversy that threatens the stability of both the Middle East and the world. This volatility, observes Annabel Jane Wharton, is only the most recent manifestation of a centuries-old obsession with the control of the Holy City - military occupation and pilgrimage being two familiar forms of "ownership." Wharton makes the innovative argument, here, that the West has also sought to possess Jerusalem by acquiring its representations. From relics of the True Cross and Templar replicas of the Holy Sepulchre to Franciscan recreations of the Passion to nineteenth-century mass-produced prints and contemporary theme parks, Wharton describes the evolving forms by which the city has been possessed in the West. She also maps those changing embodiments of the Holy City against shifts in the western market. From the gift-and-barter economy of the early Middle Ages to contemporary globalization, both money and the representations of Jerusalem have become progressively incorporeal, abstract, illusionistic, and virtual. "Selling Jerusalem" offers a penetrating introduction to the explosive combination of piety and capital at work in religious objects and global politics. It is sure to interest students and scholars of art history, economic history, popular culture, religion, and architecture, as well as those who want to better understand Jerusalem's problematic place in history.

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In this text, Lawrence Weschler chronicles the antics of J.S.G. Boggs, a young artist with a certain panache, a certain flair, an artist whose consuming passion is money, or perhaps, more precisely, value. What Boggs likes to do is to draw money - actual paper notes in the denominations of standard currencies from all over the world - and then to go out and try to spend those drawings. Instead of selling his money drawings outright to interested collectors, Boggs looks for merchants who will accept his drawings in lieu of cash payment for their wares or services as part of elaborately choreographed transactions, complete with receipts and even proper change - an artistic practice which regularly lands him in trouble with treasury around the world. This volume teases out these transactions and their sometimes dramatic legal consequences, following Boggs on a larkish, though at the same time disconcertingly profound, econo-philosophic chase. For in a madcap Socratic fashion, Boggs is raising all sorts of truly fundamental questions - what is it that we value in art, or, for that matter, in money? Indeed, how do we place a value on anything at all? And in particular, why do we, why should we, how can we place such trust in anything as confoundingly insubstantial as paper money? In passing, Weschler frames a concise, highly entertaining history of money itself - from cowrie shells through hedge funds.

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Paul Klee—one of the preeminent artists of the twentieth century—was associated with all of the major movements of the first half of the century: expressionism, cubism, surrealism, and abstraction. In this economic and political history, O. K. Werckmeister traces Klee's career as a professional artist, concentrating on the years 1914-20 in which Klee rose from obscurity to recognition in the visual culture of the incipient Weimar Republic. Werckmeister reveals the degree to which Klee, who has been traditionally portrayed as aloof from politics and the vicissitudes of the art market, was subject to and interacted with material conditions. Drawing on rich documentary evidence—records of Klee's sales, reviews of his exhibitions, the artist's published writings about his art, unpublished correspondence, as well as contemporary criticism—Werckmeister follows Klee's transformation from an idiosyncratic abstract individualist to a metaphysical storyteller to mystical sage. Werckmeister argues that this latter image was promoted by a number of influential art critics and dealers acting in cooperation with the artist himself. This posture prompted Klee's success first in the war-weary modernist art world of 1916-18 and then in the pseudo-revolutionary art world of 1919-20. This work is a critical challenge to the myth of Klee's art and to the hagiography of his artistic personality. Werckmeister's historical account is sure to be a controversial yet significant contribution to Klee studies—one that will change the nature of Klee scholarship for some time to come.

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Burnout is common among doctors in the West, so one might assume that a medical career in Malawi, one of the poorest countries in the world, would place far greater strain on the idealism that drives many doctors. But, as "A Heart for the Work" makes clear, Malawian medical students learn to confront poverty creatively, experiencing fatigue and frustration but also joy and commitment on their way to becoming physicians. The first ethnography of medical training in the global South, Claire L. Wendland's book is a moving and perceptive look at medicine in a world where the transnational movement of people and ideas creates both devastation and possibility. Wendland, a physician anthropologist, conducted extensive interviews and worked in wards, clinics, and operating theaters alongside the student doctors whose stories she relates. From the relative calm of Malawi's College of Medicine to the turbulence of training at hospitals with gravely ill patients and dramatically inadequate supplies, staff, and technology, Wendland's work reveals the way these young doctors engage the contradictions of their circumstances, shedding new light on debates about the effects of medical training, the impact of traditional healing, and the purposes of medicine.

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In 1939, George Gallup's American Institute of Public Opinion published a pamphlet optimistically titled "The New Science of Public Opinion Measurement". At the time, though, survey research was in its infancy, and only now, six decades later, can public opinion measurement be appropriately called a science, based in part on the development of the total survey error approach. Herbert F. Weisberg's handbook presents a unified method for conducting good survey research centered on the various types of errors that can occur in surveys - from measurement and nonresponse error to coverage and sampling error. Each chapter is built on theoretical elements drawn from specific disciplines, such as social psychology and statistics, and follows through with detailed treatments of the specific types of errors and their potential solutions. Throughout, Weisberg is attentive to survey constraints, including time and ethical considerations, as well as controversies within the field and the effects of new technology on the survey process - from Internet surveys to those completed by phone, by mail, and in person. Practitioners and students will find this comprehensive guide particularly useful now that survey research has assumed a primary place in both public and academic circles.

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"Weinstein explores the attitudes and organizations of artists and architects in Berlin, Munich, and Dresden in response to the tumultuous events associated with the end of WWI and the (failed) Revolution. She traces the initial excitement and zeal and then the disillusionment as utopian dreams were dimmed by social, political, and military realities as well as by inherent contradiction within the arts movements itself. The accompanying b&w illustrations, fascinating in themselves, directly depict textual themes."—Booknews

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Maverick gay poetic icon Thom Gunn (1929-2004) and his body of work have long dared the British and American poetry establishments either to claim or disavow him. To critics in the United Kingdom and United States alike, Gunn demonstrated that formal poetry could successfully include new speech rhythms and open forms, and that experimental styles could still maintain technical and intellectual rigor. Along the way, Gunn's verse captured the social upheavals of the 1960s, the existential possibilities of the late twentieth century, and the tumult of post-Stone-wall gay culture. The first book-length study of this major poet, "At the Barriers" surveys Gunn's career from his youth in 1930s Britain to his final years in California, from his earliest publications to his later unpublished notebooks, bringing together some of the most important poet-critics from both sides of the Atlantic to assess his oeuvre. This landmark volume traces how Gunn, in both his life and his writings, pushed at boundaries, be they geographic, sexual, or poetic. "At the Barriers" will solidify Gunn's rightful place in the pantheon of Anglo-American letters.

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Nineteenth-century philologist and Biblical critic William Robertson Smith famously concluded that the sacred status of holy places derives not from their intrinsic nature, but from their social character. Building upon this insight, "Mecca and Eden" uses Islamic exegetical and legal texts to analyze the rituals and objects associated with the sanctuary at Mecca. Integrating Islamic examples into the comparative study of religion, Brannon Wheeler shows how the treatment of rituals, relics, and territory is related to the more general mythological depiction of the origins of Islamic civilization. Along the way, Wheeler considers the contrast between Mecca and Eden in Muslim rituals, the dispersal and collection of relics of the prophet Muhammad, their relationship to the sanctuary at Mecca, and long tombs associated with the gigantic size of certain prophets mentioned in the Quran. "Mecca and Eden" succeeds, as few books have done, in making Islamic sources available to the broader study of religion.

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Middle-class family life in the 1950s brings to mind images of either smugly satisfied or miserably repressed nuclear families with breadwinning husbands, children and housewives, much like the families depicted in "Ozzie and Harriet" and "Father Knows Best". Jessica Weiss delves beneath these mythic images and paints a far more complex picture that reveals strong continuities between the baby boomer and their parents. Drawing on interviews with American couples from the 1950s to the 1980s, Weiss creates a dynamic portrait of family and social change in the postwar era. She pairs these firsthand accounts with a deft analysis of movies, television shows, magazines and advice books from each decade, providing an unprecedented and intimate look at ordinary marriages in a time of sweeping cultural change. Weiss shows how young couples in the 1950s attempted to combine egalitarian hopes with traditional gender roles. Middle-class women encouraged their husbands to become involved fathers. Midlife wives and mothers reshaped the labour force and the home by returning to work in the 1960s. And couples strove for fulfilling marriages as they dealt with the pressures of childrearing in the midst of the sexual and divorce revolutions of the 1960s and 1970s. By the 1980s, they were far more welcoming to the ideas of the women's movement than has often been assumed. More than simply changing with the times, the parents of the baby boom contributed to changing times themselves. Weiss's use of family interviews that span three decades, her imaginative examination of popular culture, and her incisive conclusions make her book a valuable contribution not only to our understanding of the past but also to our understanding of men's and women's roles in today's family.

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This selection from Max Weber's writings presents his variegated work from one central focus, the relationship between charisma on the one hand, and the process of institution building in the major fields of the social order such as politics, law, economy, and culture and religion on the other. That the concept of charisma is crucially important for understanding the processes of institution building is implicit in Weber's own writings, and the explication of this relationship is perhaps the most important challenge which Weber's work poses for modern sociology. Max Weber on Charisma and Institution Building is a volume in "The Heritage of Sociology," a series edited by Morris Janowitz. Other volumes deal with the writings of George Herbert Mead, William F. Ogburn, Louis Wirth, W. I. Thomas, Robert E. Park, and the Scottish Moralists—Adam Smith, David Hume, Adam Ferguson, and others.

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Of all the writings on theory and aesthetics - ancient, medieval, or modern - the most important is indisputably Aristotle's Poetics, the first philosophical treatise to propound a theory of literature. The author offers a fresh interpretation of the lost second book of Aristotle's Poetics.

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Now known internationally through the recordings of King Sunny Ade and others, juju music originated more than fifty years ago among the Yoruba of Nigeria. This history and ethnography of juju is the first detailed account of the evolution and social significance of a West African popular music. Enhanced with maps, color photographs of musicians and dance parties, musical transcriptions, interviews with musicians, and a glossary of Yoruba terms, Juju is an invaluable contribution to scholarship and a boon to fans who want to discover the roots of this vibrant music. "What's most impressive about Juju is how much Waterman makes of his purism. By concentrating on one long- lived, well-defined genre, he helps the Western reader experience 'rock' the way any proud Yoruba would--as a tributary of African music rather than vice versa."--Robert Christgau, The Village Voice

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Scott Warren’s ambitious and enduring work sets out to resolve the ongoing identity crisis of contemporary political inquiry. In the Emergence of Dialectical Theory, Warren begins with a careful analysis of the philosophical foundations of dialectical theory in the thought of Kant, Hegel, and Marx. He then examines how the dialectic functions in the major twentieth-century philosophical movements of existentialism, phenomenology, neomarxism, and critical theory. Numerous major and minor philosophers are discussed, but the emphasis falls on two of the greatest dialectical thinkers of the previous century: Maurice Merleau-Ponty and Jürgen Habermas.Warren’s shrewd critique is indispensable to those interested in the history of social and political thought and the philosophical foundations of political theory. His work offers an alternative for those who find postmodernism to be at a philosophical impasse.

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Virginia Woolf once commented that the central image in Robinson Crusoe is an object - a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things, but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Wall argues that the shift involved not just literary representation, but an evolution in cultural perception. In "The Prose of Things", Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, "The Prose of Things" is the first full account of the historic shift in the art of describing.

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The inevitability of gravitational collapse for stellar bodies of sufficient mass was convincingly demonstrated by S. Chandrasekhar in the 1930s, black holes and neutron stars played a minor role in serious analyses of physical or astrophysical phenomena until the discovery of quasars and pulsars in the 1960s. Black holes and neutron stars are now generally recognized as key components of many astrophysical systems, and play a central role in the understanding of gravitational phenomena at both the classical and quantum levels. Based on a symposium held in honour of S. Chandrasekhar, these papers provide a comprehensive summary of progress made in the 1990s on the theory of black holes and relativistic stars.

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Writing for the general reader or student, Wald has completely revised and updated this highly regarded work to include recent developments in black hole physics and cosmology. Nature called the first edition "a very readable and accurate account of modern relativity physics for the layman within the unavoidable constraint of almost no mathematics. . . . A well written, entertaining and authoritative book."

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In this book, Robert Wald provides a pedagogical introduction to the formulation of quantum field theory in curved spacetime. He begins with a treatment of the ordinary one-dimensional quantum harmonic oscillator, progresses through the construction of quantum field theory in flat spacetime to possible constructions of quantum field theory in curved spacetime, and, ultimately, to an algebraic formulation of the theory. In his presentation, Wald disentangles essential features of the theory from inessential ones (such as a particle interpretation) and clarifies relationships between various approaches to the formulation of the theory. He also provides a comprehensive, up-to-date account of the Unruh effect, the Hawking effect, and some of its ramifications. In particular, the subject of black hole thermodynamics, which remains an active area of research, is treated in depth. This book is intended for students and researchers who have had introductory courses in general relativity and quantum field theory, and should be of interest to scientists in general relativity and related fields.

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In the early 1980s, the radical group MOVE settled into a rowhouse in a predominantly African-American neighborhood of west Philadelphia, beginning years of confrontations with neighbours and police over its anti-establishment ways and militant stance against all social and political institutions. On May 13, 1985, following a period of increased MOVE activity and threats by neighbours to take matters into their own hands, the city moved from bureaucratic involvement to violent intervention. Police bullhorned arrest warrants, hosed down the rowhouse, sprayed tear gas through its walls and dropped explosives from a helicopter. By the end of the day, eleven MOVE members were dead, an entire block of the neighbourhood was destroyed, and Mayor Wilson Goode was calling for an investigation. How did this struggle between the city and MOVE go from memos and meetings to tear gas and bombs? And how does the mandate to defend public order become a destructive force? Sifting through the hearings that followed the deadly encounter, Robin Wagner-Pacifici reconstructs the conflict between MOVE and the city of Philadelphia. Against this account, in which the participants - from the mayor and the police officers to members of MOVE and their neighbours - offer opposing versions of their aims, assumptions and strategies, Wagner-Pacifici develops an analysis of the relation between definition and action, between language and violence. Was MOVE simply a radical, black separatist group with an alternative way of life? Or was it a terrorist cult that held a neighbourhood and politicians hostage to its offensive language and bizarre behaviour? This book shows how competing definitions of MOVE led to different strategies for managing the conflict.

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Ecological morphology examines the relation between an animal's anatomy and physiology - its form and function - and how the animal has evolved in, and can inhabit, a particular environment. This book provides a synthesis of major concepts and a demonstration of the ways in which this integrative approach can yield rich and surprising results. Through this interdisciplinary study, scientists have been able to understand, for instance, how bat-wing design affects habitat use and bat diet; how the size of a predator affects its ability to capture and eat certain prey; and how certain mosquitoes have evolved physiologically and morphologically to tolerate salt-water habitats. "Ecological Morphology" also covers the history of the field, the role of the comparative method in studying adaptation and the use of data from modern organisms for understanding the ecology of fossil communities. This book provides an overview of the achievements and potential of ecological morphology for all biologists and students interested in the way animal design, ecology and evolution interact.

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When Nathan Wachtel, the historical anthropologist, returned to the village of Chipaya, the site of his extensive fieldwork in the Bolivian Andes, he learned a group of Uru Indians was being incarcerated and tortured for no apparent reason. Even more strangely, no one - not even his closest informant and friend - would speak about it. Wachtel discovered that a series of recent deaths and misfortunes in Chipaya had been attributed to the evil powers of the Urus, a group usually regarded with suspicion by the other ethnic groups. Those incarcerated were believed to be the chief sorcerers and vampires whose paganistic practices had brought death to Chipaya by upsetting the social order. Wachtel's investigation, told in "Gods and Vampires: Back to Chipaya", reveals much about relations between the Urus and the region's dominant ethnic groups and confronts some of the most trenchant issues in contemporary anthropology. His analysis shows that the Urus had become victims of the same set of ideals the Spanish had used, centuries before, to establish their hegemony in the region. Presented as a personal detective story, "Gods and Vampires" is Wachtel's latest work in a series studying the ongoing impact of the Spanish conquest on the Andean consciousness and social system. It should be of interest to scholars of anthropology, Latin American studies and Native American studies.

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Harlem's nightclubs in the 1920s and '30s were a crucible for testing society's racial and sexual limits. Normally tacit divisions were there made spectacularly public in the vibrant, but often fraught, relationship between performer and audience. The cabaret scene, Shane Vogel contends, also played a key role in the Harlem Renaissance by offering an alternative to the politics of sexual respectability and racial uplift that sought to dictate the proper subject matter for black arts and letters. Individually and collectively, luminaries such as Duke Ellington, Lena Horne, Langston Hughes, Claude McKay, Wallace Thurman, and Ethel Waters expanded the possibilities of blackness and sexuality in America, resulting in a queer nightlife that flourished in music, in print, and on stage. Deftly combining performance theory, literary criticism, historical research, and biographical study, "The Scene of Harlem Cabaret" brings this rich moment in history to life, while exploring the role of nightlife performance as a definitive touchstone for understanding the racial and sexual politics of the early twentieth century.

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Menacing, nerve-racking, uncomfortably intrusive, the high school reunion has become a dreaded encounter with the past and present for many Americans. It is a moment of both heightened self-awareness and public presentation, insisting that people account for themselves, not merely to their own satisfaction, but to the satisfaction of others as well. For the author, this situation presents an ideal forum in which to explore the ongoing construction of identity in American society, and, perhaps, to ascertain just how people have managed to make sense of their lives, from then to now. As autobiographical occasions, reunions prompt us to examine our own life narratives, the stories we tell ourselves about who we are and how we have come to be that person. But at the same time, they threaten the integrity of those very stories, subjecting them to the scrutiny of others whose memories of the past and ourselves may be altogether different from our own. Reunions, then, engender a fragile community held together by the resources of a shared past, yet imperiled by the tensions of competing histories. Inevitabley, they force a kind of biographical confrontation. This book explores that struggle, the desire to resolve the tensions between public conceptions and internal understandings, to maintain a sense of continuity between past and present lives, and to lay claim to both an integrated self and a unified life history.

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The Baroque period stretched from the end of the 16th to the second half of the 17th century. In this book, 13 scholars develop a portrait of institutions, ideologies, intellectual themes and social structures as they are reflected in Baroque personae, or characteristic social roles. Studying the statesman, soldier, financier, secretary, rebel, preacher, missionary, nun, witch, scientist, artist and bourgeois, the essays depart dramatically from traditional accounts of this era. The statesman, for example, is seen here as the exact opposite of a benevolent man working for the common good; and the soldier is depicted as part of an institution that could be savage and destructive but that also, by the end of the Baroque age, helped shape a more rational relationship with the military and civil society.

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For more than a century, Harlem has been the epicenter of black America, the celebrated heart of African American life and culture - but it has also been a byword for the problems that have long plagued inner-city neighborhoods: poverty, crime, violence, disinvestment, and decay. Photographer Camilo Jose Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood's urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing - some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pop shops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration. Woven throughout the images is Vergara's own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the stories of how Harlem and its residents navigated the segregation, dereliction, and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.

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Verdi's Attila, his ninth opera, had its premiere at Venice's Teatro La Fenice in March 1846. This title discusses the opera's origins, sources, and performance questions, and details editorial problems and their solutions.

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"La traviata" was initially far from a success, Verdi declared its 1853 premiere a "fiasco," and later reworked parts of five pieces in the first two acts, retaining the original setting for the rest. The first performance of the new version in 1854 was a tremendous success, and the opera was quickly taken up by theatres around the world. This critical edition presents the 1854 version as the main score, and also makes available the full score and the original 1853 settings of the revised pieces. For this text Fabrizio della Seta used the composer's autograph and many secondary sources, but also Verdi's previously unknown sketches. These sketches helped corroborate the original readings and illuminate the work's compositional stages. A detailed critical commentary discusses source problems and anbiguities.

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In this survey of political participation in seven nations—Nigeria, Austria, Japan, India, the Netherlands, Yugoslavia, and the United States—the authors examine the relationship between social, economic, and educational factors and political participation.

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A popular and critical success when it first appeared in France, Yoga and the Hindu Tradition has freed Yoga from the common misconceptions of the recent Yoga vogue. Jean Varenne, the distinguished French Orientalist, presents the theory of classical Yoga, in all its richness, as a method—a concrete way to reach the Absolute through spiritual exercises—which makes possible the transition from existence to essence. This excellent translation, including line drawings and charts, a glossary of technical terms, and a complete translation of the Yoga Darshana Upanishad, begins with a brief description of the metaphysical and religious history on which Yoga is based. Varenne discusses the theoretical conception of Yoga as the search for liberating knowledge, concluding with a brief indication of the physical practices and extra Yogic themes such as Kundalini and Tantrism. It is the author's hope that "those who read [this book] will come to realize that it is in fact dishonest to reduce Yoga to some sort of physical training, or to just an occult doctrine; it is a 'world view' a Weltanschauung that comprehends reality in its totality." "The straightforward, well-organized presentation makes the book itself a microcosm of what Varenne singles out as a dominant feature of classical Hindu thought—a bringing of the complex and multitudinous into a unity."—Judith Guttman, Yoga Journal

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By necessity, by proclivity, by delight, Ralph Waldo Emerson said in 1876, 'we all quote'. But often the phrases that fall most readily from our collective lips - like 'fire when ready', 'speak softly and carry a big stick', or 'nice guys finish last' - are those whose origins and true meanings we have ceased to consider. Restoring three-dimensionality to more than fifty of these American sayings, "Tippecanoe and Tyler Too" turns cliches back into history by telling the life stories of the words that have served as our most powerful battle cries, rallying points, laments, and inspirations. In individual entries on slogans and catchphrases from the early seventeenth to the late twentieth century, Jan R. Van Meter reveals that each one is a living, malleable entity that has profoundly shaped and continues to influence our public culture. From John Winthrop's 'We shall be as a city upon a hill' and the 1840 Log Cabin Campaign's "Tippecanoe and Tyler Too" to Martin Luther King Jr.'s 'I have a dream' and Ronald Reagan's 'Mr. Gorbachev, tear down this wall', each of Van Meter's selections emerges as a memory device for a larger political or cultural story. Taken together in Van Meter's able hands, these famous slogans and catchphrases give voice to our common history even as we argue about where it should lead us.

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Measuring the Universe is the first history of the evolution of cosmic dimensions, from the work of Eratosthenes and Aristarchus in the third century B.C. to the efforts of Edmond Halley (1656--1742). "Van Helden's authoritative treatment is concise and informative; he refers to numerous sources of information, draws on the discoveries of modern scholarship, and presents the first book-length treatment of this exceedingly important branch of science."--Edward Harrison, American Journal of Physics "Van Helden writes well, with a flair for clear explanation. I warmly recommend this book."--Colin A. Ronan, Journal of the British Astronomical Association

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Judge Dee presided over his Imperial Chinese court with a unique brand of Confucian justice. A near-mythic figure in China, he distinguished himself as a tribunal magistrate, inquisitor, and public avenger. Long after his death, accounts of his exploits were celebrated in Chinese folklore and later immortalized by Robert van Gulik in his electrifying mysteries. These lively and historically accurate tales, written by a Dutch diplomat and scholar during the 1950s and '60s and brought back into print to critical acclaim in the 1990s, have entertained a devoted following around the world. Van Gulik's Judge Dee stories often based on actual cases and illustrated with the author's charming line drawings, offer vivid insight into life in traditional China. The eight short stories in "Judge Dee at Work" cover a decade during which the judge served in four different provinces of the Tang Empire. From the suspected treason of a general in the Chinese army to the murder of a lonely poet in his garden pavilion, the cases here are among the most memorable in the "Judge Dee" series.

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