Search results for ""Author Mike"

Trace the evolution of the Brooklyn tattooing scene's iconographic status with this rare look into the borough's gritty history. Long before hipsters called Brooklyn home, tattoo legends like Tony Polito, Mikey Perfetto, Marcus Pacheco, and Ronnie Dell’Aquila set long-lasting trends from the '50s on, and gave young artists hope in this often unforgiving town. Peter Caruso visits over a dozen owners, artists, and customers, relating Brooklyn's 20th-century tattoo history through biographies of gritty, no-nonsense tattoo artists. Here, they get the attention they deserve as they focus on events that shaped their craft and style and what inspired them, as teenagers, to follow the path of this often thankless profession in New York's toughest borough. "Back in the day," artists didn't apprentice, but, like the men in this book, learned the ropes in basements and worked out of kitchens, sometimes experimenting with Asian and tribal styles, but always returning to the colorful, traditional, American tattooing Brooklyn is known for.

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Takemichi has returned to the present to find himself the first division leader of the violent criminal organisation the Toman has become. Kisaki's plots have had 12 uninterrupted years to come to fruition, leaving Draken in prison, Mikey gone, and Hina dead yet again. This time, Hina's death leaves evidence that implicates... Takemichi himself?! To fix this present, he has to go to the past to confront the Black Dragons, a longtime rival gang with Toman. But he finds the only way he can save Toman from the Black Dragons is to keep the Black Dragon's leader from being killed... by his own brother?!

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A special solo adventure for Peter Davison as the Fifth Doctor, in the first of three stories focusing on his arch enemy: The Master: wanted for crimes without number, across five galaxies. The Master: escaped his pursuers. Last known location: rural Hexford, England, Earth. The Master: dead and buried in an unmourned grave, in a lonely churchyard. Apparently. Forever kept busy, Peter Davison's most recently been seen on the London stage in the critically acclaimed The Vertical Hour, and in the musical Gypsy opposite Imelda Staunton. One of Big Finish's last outings with The Fifth Doctor was in Doctor Who - The Fifth Doctor Boxed Set, one story from which (Iterations of I) won the Scribe Award at the 2015 San Diego Comic Con. Geoffrey Beevers has played the Master for Big Finish across several ranges, but his first time in the role was for Doctor Who on TV in 1981. CAST: Peter Davison (The Doctor), Geoffrey Beevers (The Master), Sheena Bhattessa (Annie), Alex Foley (Colin), Peta Cornish (Helen/Jade Nymph), Russ Bain (Mikey/Grigor), Tessa Coates (Janine), Nick Ellsworth (Gomphus/Auctioneer)

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La historia sigue a la joven Ririchiyo Shirakiin, una heredera independiente y lenguaraz que se quiere ir a vivir sola. Sus padres mitad yokai se lo permite siempre y cuando resida en la Maison de Shirakiin, donde sólo pueden vivir personas de ascendencia yokai acompañadas por un agente de su propio Servicio Secreto. Aunque la rebelde Ririchiyo rechaza la idea de seguir al cuidado de nadie, comienza a cambiar de idea cuando se entera de que el agente responsable de ella es Soshi Miketsukami, alguien a quien ya conocía por otro nombre desde hace tiempo atrás...Así comienza esta historia de conspiraciones sobrenaturales, masacres desaforadas y reencarnaciones que les costará más de una vida al variopinto elenco sobrenatural. La historia es perfectamente divisible en tres sagas, cada una con sus dosis de épica, tragedia y fantasía.

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In Fragments of Bone, thirteen essayists discuss African religions as forms of resistance and survival in the face of Western cultural hegemony and imperialism. The collection presents scholars working outside of the Western tradition with backgrounds in a variety of disciplines, genders, and nationalities. These experts draw on research, fieldwork, personal interviews, and spiritual introspection to support a provocative thesis: that fragments of ancestral traditions are fluidly interwoven into New World African religions as creolized rituals, symbolic systems, and cultural identities. Contributors: Osei-Mensah Aborampah, Niyi Afolabi, Patrick Bellegarde-Smith, Randy P. Conner, T. J. Desch-Obi, Ina Johanna Fandrich, Kean Gibson, Marilyn Houlberg, Nancy B. Mikelsons, Roberto Nodal, Rafael Ocasio, Miguel "Willie" Ramos, and Denise Ferreira da Silva

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Come Back to Me My Language remains the authoritative study of the remarkable flourishing of West Indian poetry which emerged in the latter half of the 20th century. Writing with clarity and vigour, J. Edward Chamberlin discusses the work of more than thirty poets and writes with insight on poems by John Agard, Edward Baugh, Louise Bennett, Bongo Jerry, Dionne Brand, Kamau Brathwaite, Aimé Césaire, Merle Collins, Fred D’Aguiar, Lorna Goodison, Linton Kwesi Johnson, Claude McKay, Anthony McNeill, Mervyn Morris, Mutabaruka, Grace Nichols, Victor Questel, Eric Roach, Dennis Scott, Olive Senior, Philip Sherlock, Michael (Mikey) Smith, Bruce St. John, and Derek Walcott.

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Para aprender las letras jugando con las palabras, de rima en rima y disfrutando con las ilustraciones.Veintisiete ilustradores españoles y latinoamericanos participan en este abecedario ilustrado.Una letra por cada doble página, una palabra que empieza por esta letra y un pequeño texto literario, en tono divertido y asequible para los pequeños lectores, en el que aparece esta palabra.Con guiños en las ilustraciones, que hacen referencia a palabras que empiezan por la misma letra, en tipografía mayúscula y ligada (manuscrita).Lista de ilustradores: Adolfo Serra Alberto Gamón Ana Pez Antonia Santolaya Carme Solé Vendrell David Pintor Emilio Urberuaga Federico Delicado Goyo Gusti Iban Barrenetxea Isol Ivar Da Coll Javier Olivares Lucía Serrano Maria Espluga Miguel Ángel Díez Miguelanxo Prado Mikel Valverde

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QUIÉN MATÓ A SARAH BROOKS? La nueva revelación del thriller que conquistará a los nostálgicos de Twin Peaks y los lectores de Joël Dicker y Mikel Santiago. En la profundidad húmeda y espesa del bosque de Stoneheaven, descansa el cascarón de carne y huesos en el que se ha convertido el cuerpo adolescente de Sarah Brooks. Con solo diecisiete años y muchos secretos en su poder, la joven ha aparecido colgada de un árbol, bocabajo y completamente desnuda. Quién puede haberla asesinado de este modo? Qué sabía Sarah? Quién le tenía miedo? Este thriller es un viaje al corazón de uno de esos pueblos estadounidenses donde, aparentemente, nunca pasa nada. Sin embargo, bajo la aparente calma, bullen odios y mentiras a punto de estallar. A través de la investigación del reportero de sucesos local, Declan Jacobson, el lector irá reconstruyendo las últimas horas de vida de la joven, al tiempo que el número de sospechosos va creciendo entre sus familiares y amigos.

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AN IRISH TIMES BOOK OF THE YEAR 2023_______________''A blade-sharp coming-of-age novel'' SPECTATOR''Confirms Flattery as a bracingly original writer'' IRISH INDEPENDENT''In enviably elegant prose, she manages to be both arch and deadly serious'' LOUISE KENNEDY_______________A wildly original debut novel about two young women navigating the complex worlds of Andy Warhol''s Factory, and coming of age in 1960s New YorkNew York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother''s sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol.Warhol is composing an unconventional novel by recording the conversations and experiences of his

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In a four-decade-long career that generated more than forty films and numerous stage productions, Werner Schroeter became one of the most important directors in Germany and Europe since the late 1960s. After making a flurry of short films in a climate of feverish artistic experimentation and political upheaval, Schroeter soon gained recognition for Eika Katappa (1969) and The Death of Maria Malibran (1971), early mature works showcasing avant-garde performance as iconoclastic expression of rebellion and pathos. Following a decade of uncompromising experimental work, his deeply humanist features Il Regno di Napoli (1979) and Palermo or Wolfsburg (1980) brought him broader success. Yet Schroeter maintained his reputation as an enfant terrible of the German cultural scene with controversial stagings of operas and plays and with smartly observed documentaries on art, film, and politics.This volume traces Schroeter’s career as a filmmaker from early and rarely discussed works such as Salome (1971) and Willow Springs (1973) to his late 1970s breakout hits and later complex and mature art-house productions such as The Rose King (1986), Malina (1991), and Nuit de Chien (2008). The volume is supplemented by Schroeter’s own writings and conversations and includes an interview with his long-time collaborator Elfi Mikesch as well as an authoritative and completely updated filmography.

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'An excellent read' RACHEL ABBOTT'Like Nicci French, Kate Rhodes excels at character, pace and sense of place.' ERIN KELLY'The pace never lets up in Kate Rhodes' latest thriller' TAMAR COHEN'A riveting read' ALEX MARWOODClare Riordan and her son Mikey are abducted from Clapham Common early one morning. Hours later, the boy is found wandering disorientated. Soon after, a pack of Clare's blood is left on a doorstep in the heart of the City of London.Alice Quentin is brought in to help the traumatised child uncover his memories - which might lead them to his mother's captors. But she swiftly realises Clare is not the first victim... nor will she be the last.The killers are driven by a desire for revenge... and in the end, it will all come down to blood.WHAT READERS ARE SAYING:'I found myself reading long into the night - absolutely loved it!' 5*'Such an imagination! I was captivated by the suspense in this story' 5*'A fast paced story line with numerous possibilities as to the killers, keeps you guessing til the end' 5*'I LOVE this series. I will make it my mission to get everyone to read it' 5*'The story was so fresh and utterly different with characters and a plot that you really have deep feelings for' 5*'Kate Rhodes just gets better and better' 5*

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I know you’ll hate me. I just know you will. But I can’t help it. I’m going to find you. Matt’s mam left home when he was 10. He writes letters to her but doesn’t send them. He keeps them in his Gone Book, which he hides in his room. Five years of letters about his life. Five years of hurt. Matt’s dad won’t talk about her. His older brother is mixed up with drugs and messing with dangerous characters. His friends, Mikey and Anna, are the best thing in his life, but Matt keeps pushing them away. All Matt wants to do is skate, surf, and forget. But now his mam is back in town and Matt knows he needs to find her, to finally deliver the truth.

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Xabi Alonso (Tolosa, 1981) no es un futbolista al uso. Hijo de un bicampeón de Liga con la Real Sociedad, su infancia transcurrió en Barcelona y su juventud en Donosti, pero es en Madrid donde ha alcanzado la plenitud futbolística y personal. Campeón del mundo, no se concibe ni un Real Madrid ni una selección española sin él.Sus inicios futbolísticos fueron en la arena de La Concha y el Antiguoko, el club de su barrio. Tras recalar en Zubieta junto a su hermano Mikel, Clemente lo cedió al Eibar, pero Toshack lo rescató para la Real, donde fue subcampeón de Liga y debutó en la Champions. En su primer año en el Liverpool de Benítez ganó la Copa de Europa, aunque cinco años después volvió a hacer las maletas para jugar, ahora sí, en el Real Madrid, donde suma, de momento, los mismos títulos que su padre en el Barça: Copa, Liga y Supercopa de España. Además, es uno de los once jugadores que ha ganado la ?triple corona? con La Roja.No es Balón de Oro, pero sí Tambor de Oro de San Seba

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What's the point in friends, if you can't share your secrets? The Gunners used to be inseparable. A gang of latchkey kids, they took their name from the doorbell of the abandoned house they played in as children - and drank in as teenagers. Together they navigated the difficult journey from childhood to adolescence and learnt their first vital lessons about becoming adults; Mikey, Sam, Lynn, Alice, Jimmy and Sally are more like a family than just friends. One day, Sally suddenly stopped speaking to them and wouldn't explain why. Years later, Sally's suicide forces the Gunners back together for her funeral. All of them have secrets they are reluctant to share, secrets which mean they must reassess their happy memories and finally be honest about the reasons Sally left. This is a generous and poignant novel about the difficulty - and the joy - of being a true friend.

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The remarkable commercial success of Mel Gibson’s The Passion of the Christ in 2004 came as a surprise to the Hollywood establishment, particularly considering the film’s failure to find production funding through a major studio. Since then the Biblical epic, long thought dead in terms of mainstream marketability, has become a viable product. This collection examines the new wave of the genre, which includes such varied examples as Darren Aronofsky’s Noah (2014) and Ridley Scott’s Exodus: Gods and Kings (2014), along with the telenovelas of Latin America. Such texts follow previous traditions while appearing distinct both stylistically and thematically from the Biblical epic in its prime, making academic consideration timely and relevant. Featuring contributions from such scholars as Mikel J. Koven, Andrew B. R. Elliott and Martin Stollery, and a preface from Adele Reinhartz, the book will be of interest to students and scholars of film, television and religion.

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A new chapter in Superman s life begins as the challenges of Dark Nights: Death Metal are causing Clark Kent to feel a change in his powers. Is it possible the Metropolis Marvel could be losing a step? The Man of Steel s struggles in taking down the creatures from the Breach would suggest as much! If he s going to continue to protect the people of Earth, he ll have to adapt especially with threats like Mongul out there waiting to launch their biggest attacks on the Earth yet. After a war-torn battleship escapes Warworld and makes the perilous journey to Earth, Superman searches for answers about the identities of its mysterious refugees and their apparent link to the planet Krypton. Could there be other Kryptonians in the universe? Meanwhile, Atlantean scientists study the wreckage of the Warworld vessel and make a shocking discovery that could change the balance of power on Earth. Phillip Kennedy Johnson and Mikel Janin begin an exciting new era for the Last Son of Krypton! Includes Action Comics #1030 1035!

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With its delectable recipes and charming girl-next-door tone, Homemade With Love is sure to be a welcome addition to the kitchens of longtime readers of the blog, uIn Jennie's Kitchen. /u Jennifer Perillo has long written on the pleasures and importance of cooking from scratch, buying local, and eating at home. Jennie shares her love for her farmers' markets and local purveyors while dishing out a hearty dose of practical culinary know-how for the working parent,or any busy cook. Jennie has been writing online since 2006, and developing recipes for more than 15 years, even after the sudden death of her young husband, Mikey, in 2011. Gathering her family together around the table was her recipe for healing though many things about her life have changed, her commitment to eating for nourishment,physical and spiritual,has not. A seasoned recipe developer and personal chef, Jennie has crafted shortcuts (like two homemade all-purpose baking mixes, used as a base for baked goods such as breads, muffins, and cupcakes) to make good eating just a little easier. Try recipes like Orange-Scented Waffles, Carrot Fennel Soup, Lentil Ricotta Meatballs, Drop Biscuit Chicken Pot Pie, Strawberry Blender Sherbet, and Lemon Buttermilk Doughnuts. Simple, soulful recipes for every meal of the day emphasize farm-fresh produce and whole foods. Jennie's distinctive voice is an evangelist for eating close to home, lingering around the table.

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Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions. Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film.

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For more than twenty years, Bill Heavey has staked a claim as one of America’s best writers and most passionate—if not necessarily most skilled—outdoorsmen. In his new collection, Should the Tent Be Burning Like That?, Heavey takes readers across the country to experience his triumphs and failures as a suburban dad who happens to love hunting and fishing. He nearly drowns attempting to fish the pond inside the cloverleaf off an Interstate Highway four miles from the White House. He rents and crashes a forty-four-foot houseboat on a river in Florida. He accompanies a shaggy steelhead fanatic named Mikey on a thousand-mile odyssey on the California coast and comes to see him as a purer soul than almost anyone he has ever met.Whatever the subject, Heavey’s tales are odes to the notion that enthusiasm is more important than skill, and a testament to the enduring power of the natural world. Whether he’s hunting mule deer in Montana, draining cash on an overpriced pistol, or ruminating on the joys and agonies of outdoor gear, Heavey always entertains and enlightens with honesty and wit.

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Following the death of her best friend, Erin has to get out of London. Returning home to Belfast, an au pair job provides a partial refuge from her grief and her volatile relationship with her mother. Erin spends late nights at the bar where her childhood friend Declan works. There Erin meets an American academic who is also looking to get lost. Parallel to this she reconnects with an old flame, Mikey. This brings its own web of complications. With a startlingly fresh and original voice - jarringly funny, cranky, often hungover - Lazy City depicts the strange, meandering aftermath that follows disaster.

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Following the death of her best friend, Erin has to get out of London. Returning home to Belfast, an au pair job provides a partial refuge from her grief and her volatile relationship with her mother. Erin spends late nights at the bar where her childhood friend Declan works. There Erin meets an American academic who is also looking to get lost. Parallel to this she reconnects with an old flame, Mikey. This brings its own web of complications. With a startlingly fresh and original voice - jarringly funny, cranky, often hungover - Lazy City depicts the strange, meandering aftermath that follows disaster.

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Combining Black Dog’s three very successful hardcover collections of “urban legends” (Alligators in the Sewer, The Baby on the Car Roof, and The Cat in the Dryer) into one stupendous volume, Urban Legends is the ultimate collection of those outlandish tales people love to share. With themes that run the gamut from funny to sick, risqué to informative, frightening to disgusting, these fantastic yarns are remarkable for their uncanny ability to travel by word of mouth. We’ve all heard the one about the alligators that roam New York City’s sewers, or how “Mikey” of Life Cereal fame died from ingesting Pop Rocks and Coke, or about the flustered parents who left their baby on the car roof. But, did you hear the one about the scuba diver who was found in the middle of a forest after a fire? These and other favorites are here in all of their creepy glory—guaranteed to amuse, enlighten, intrigue, and most of all, stick in the mind forever.

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Friends make dreams come trueJazz, short for Jasmine, and her parents have just moved to Brighton from Sydney, so that Jazz's dad, Mikey, can pursue his career as a music producer. Jazz is finding it difficult to fit into her new school, and her love of surfing seems destined to be quashed for ever. Not only do Brighton's beaches have stones instead of sand and the water is downright freezing. but there's not a surfboard in sight. When she meets her older cousin, Amber, at a family dinner in London. Amber senses Jazz's unhappiness and tells her about the Moonlight Dreamers, a secret society of likeminded friends that she founded years earlier. Amber suggests that Jazz seek out a group of soulmates too and form her own Moonlight Dreamers.At first Jazz is wary, but then decides to leave postcards for prospective soulmates, just as her cousin had. And so a new group of Moonlight Dreamers is born. Allegra, Hope, Portia and Jazz may be very different but they soon become firm friends who are always there for one another. They listen to each other's problems and support each other's hopes – and help them make their dreams come true.

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A tidal wave of cataclysmic change is sweeping the planet that could leave a trail of wreckage unlike anything we have seen before. No, this is not sci-fi - this is real life. Humankind is staring into an abyss, yet it's hard to focus on the pain of the world when we're still having trouble managing our own. Enter The Portal, a heart-opening experience of transformation on a personal and global scale. To be published in conjunction with the global release of the film, The Portal is an exploration of how humans transform in times of crisis, and takes us on a global journey with six people who each experience their own painful, cataclysmic event, before finding stillness through meditation; showing us our unique capacity to bring ourselves (and our species) back from the brink. Supported by global insights from three futurists and philosophers - Daniel Schmachtenberger, Dr Julia Mossbridge and Mikey Siegel - The Portal will take you on an intimate journey to explore how to find focus through the noise of modern life, and the shifts that meditation can bring to the lives of those it touches. The Portal is a captivating and vibrant tapestry of technology, love, the future, existentialism, human potential, brain hacking and inner peace, ‘The Portal: How meditation can save the world’ will rekindle your excitement for yourself, humanity and the future. Is an enlightened planet possible? Enter The Portal to find out.

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Joxean Agirre Uxue Alberdi Íñigo Aranbarri Joxe A. Arrieta Inma Errea Angel Erro Garazi Goia Maite González Esnal Jose A. Irigaray Arantxa Iturbe Edorta Jiménez Goizalde Landabaso Laura Mintegi Inazio Mujika Lourdes Oñederra Ramiro Pinilla Begoña Pro Fito Rodríguez Mikel Taberna Juan Luis ZabalaLa presente antología pretende ser un primer acercamiento al panorama literario vasco actual. Los 20 autores presentes (unidos a los 19 de la primera entrega), en principio, no tienen mas nexos que el de formar parte de un tiempo y un lugar común. Hay autores consagrados, reconocidos, premiados junto con otros que empiezan. Han publicado en euskera y castellano. Forman parte de generaciones, corrientes y guston distintos. Y, "son todos los que están". Pero hay mas de los que están. Vendrán mas antologías...

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The tenth hilarious title in the award-winning, laugh-out-loud series, The World of Norm. Perfect for fans of Tom Gates and Diary of a Wimpy Kid.Norm knew it was going to be one of those days when he lost his house...But even when he finds it, things don't get much better. What could be worse than imagining your parents at a salsa dancing event - with your best friend?! Norm's not sure what's got into Mikey, but he suspects hormones may be involved. Flipping typical!With brilliantly funny illustrations throughout from Donough O'Malley. Praise for Jonathan Meres: 'Hilarious stuff from one of my comic heroes!' - Harry Hill 'Jonathan Meres is flipping funny!' - Eddie Izzard

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The ninth hilarious title in the award-winning, laugh-out-loud series, The World of Norm. Perfect for fans of Tom Gates and Diary of a Wimpy Kid.Norm knew it was going to be one of those days when he was grounded before he'd even got up...But that's what happens when you run up a phone bill the size of a flipping bus. The trouble is Norm has no idea how it happened! All he knows is that he has to somehow pay it off if he's to go biking with Mikey. Even if that does mean going into business with the world's most annoying next door neighbour... With brilliantly funny illustrations throughout from Donough O'Malley. Praise for Jonathan Meres: 'Hilarious stuff from one of my comic heroes!' - Harry Hill 'Jonathan Meres is flipping funny!' - Eddie Izzard

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When it began, modern Spanish cinema was under strict censorship, forced to conform to the ideological demands of the Nationalist regime. In 1950, the New Spanish Cinema was born as a protest over General Francisco Franco's policies: a new series of directors and films began to move away from the conformist line to offer a bold brand of Spanish realism. In the 1950s and early 1960s, filmmakers such as Juan Antonio Bardem, Luis García Berlanga, and Luis Buñuel expressed a liberal image of Spain to the world in such films as Muerte de un ciclista (Death of a Cyclist), Bienvenido Señor Marshall (Welcome Mr. Marshall), and Viridiana. The emergence of new directors continued into the sixties and seventies with Carlos Saura, José Luis Borau, Víctor Erice, and others. After Franco's death in 1975, censorship was abolished and films openly explored such formerly taboo subjects as sexuality, drugs, the church, the army, and the Civil War. The Spanish cinema was no longer escapist and entertaining but, at long last, mirrored the society it depicted. While established directors like Saura, Bardem, and Berlanga continued to produce distinguished work, the "new wave" of Spanish cinema included brilliant films by the likes of Montxo Armendáriz (Tasio), Fernando Trueba (First Work), Imanol Uribe (The Death of Mikel), and Pedro Almodóvar (Women on the Verge of a Nervous Breakdown). In the last couple of decades, exciting works by established filmmakers and newcomers alike continue to be produced, including Alejandro Amenábar's Thesis, José Luis Garcí's The Grandfather, and Almodóvar's Talk to Her and Volver. In Great Spanish Films Since 1950, Ronald Schwartz presents a compendium of outstanding Spanish films from the pre-Francoist era through the Spanish New Wave of the 80's and 90's and into the present day. Schwartz provides background, plot, and commentaries of key films from six decades of Spanish cinema. In addition to identifying

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The eighth hilarious title in the award-winning, laugh-out-loud series, The World of Norm. Perfect for fans of Tom Gates and Diary of a Wimpy Kid.Norm knew it was going to be one of those days when he went to the toilet, just for something to do...But things can only get better, right? WRONG! If only Brian and Dave hadn't found Dad's million year old aftershave. If only Mikey wasn't feeling lower than a snake's backside. If only Chelsea would hurry up and move!It's all ifs and buts though. Or should that be whiffs and butts? Either way it's just so flipping unfair! With brilliantly funny illustrations throughout from Donough O'Malley. Praise for Jonathan Meres: 'Hilarious stuff from one of my comic heroes!' - Harry Hill 'Jonathan Meres is flipping funny!' - Eddie Izzard

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Fina Puigdevall, who has run Les Cols since 1990, has bared her soul in her first book. It takes an in-depth look at her philosophy and creations; two of the elements that make up this magical restaurant where it is possible to savour both peace and tranquillity. Its 384 pages cannot but glow with a personal and didactic beauty.In 1990, a young Fina Puigdevall opened the doors of Les Cols (Olot, Girona) in the farmhouse (masía) where she was born. For 27 years, together with her life (and professional) partner Manel Puigvert, she has forged this restaurant with two Michelin stars that is unique in the world and which reflects every facet of her soul. Now, this cook bares it completely in Anima, her first publication. The book, published by Montagud Editores, offers an intimate portrait of the restaurant. Each and every one of Anima's 384 pages glow with a spirit that is didactic, beautiful, reflective and contemplative in equal measure. And they do so via 32 of Fina Puigdevall's most emblematic recipes. All of them take the shape of an offering to the diner, while at the same time reflecting, with exquisite faithfulness, one of the cross-sectional axes of her cuisine: "the unchanging cycle of the seasons". Produce, beyond being an object of homage, is the recipient of devotion and a profound love for the earth; the discreet yet undeniable protagonist.In addition, ten experts on contemporary art, culture, philosophy and poetry, among other disciplines, have collaborated on this book. Their writings open a window onto aspects that are vital for understanding Puigdevall's cuisine. Among them, landscape is represented; the complete awareness of the surroundings and the peace and calm that can only be achieved when plenitude has been reached. These writings are all along the same lines as Fina's dishes, where the superfluous is done away with so that elegance and what is of essence are highlighted. Anima's circle closes with 84 famous and undisputed philosophical quotations by inspirational, wise figures from the world over and from throughout the ages - from Fray Luis de León to Oscar Wilde, via Rabindranath Tagore - and with photos by Mikel Ponce that encompass the same values that guide the evolution of Les Cols.

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This magical postcard set features iconic film posters from Disney's most beloved films and animated shorts. Filled with art from the Disney archives, these 100 unique postcards span from Disney's early 1930s shorts to the studio's first animated feature film, Snow White and the Seven Dwarfs, to more contemporary classics like Robin Hood and One Hundred and One Dalmatians. Set in a gorgeous box with a satin ribbon, these postcards offer fans of Disney animation a chance to relive the joy of their favorite films in a deluxe format that's perfect for sharing, displaying, and gifting to friends and family. Films include: • One Hundred and One Dalmatians • Alice in Wonderland • The Aristocats • Bambi • Cinderella • Fantasia • Lady and the Tramp • Robin Hood • The Sword in the Stone • Pinocchio • Peter Pan • Sleeping Beauty • Snow White and the Seven Dwarfs • Classic animated shorts featuring Mikey Mouse, Minnie Mouse, Donald Duck, Goofy, Pluto, and more.

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Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions. Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film.

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In a year when the Southern Foodways Alliance asks, “Where is the South?”, the Fall 2023 issue of Gravy examines Southern food inside and outside the region. Readers will follow traditional Southern foods as they transcend the region’s historic geographic borders. Meanwhile, newcomers to the South adapt to regional tastes and introduce new flavors to the canon. Mackenzie Martin tells of culinary entrepreneur Annie Fisher, who built a booming catering business at the turn of the twentieth century with her signature beaten biscuits—all without investors or access to a bank loan, as a Black woman in Jim Crow Missouri. In a story by Mikeie Reiland, two professional soccer players of African Muslim ancestry find a taste of home in Nashville, at iftar, the fast-breaking meal of Ramadan. Chris Jay serves up Shreveport stuffed shrimp, a dish perfected by a network of Black chefs in Shreveport, Louisiana, through five generations of restaurant ownership. Gravy columnist Hanna Raskin tracks Bojangles’ expansion into the Midwest, asking: does a fast food biscuit lose its fluff outside the South? Adrian Miller digs into the menu archives at the Carter Center to find out exactly how “Southern” the First Family ate in the White House. SFA oral historian Sarah Rodriguez shares excerpts from the new oral history project, Tapping into Richmond Beer, which chronicles craft brewing in Richmond, Virginia, through the city’s vibrant and diverse beer scene. Poet Reyes Ramirez explores Latino foodways in Texas in verse from his debut collection El Rey of Gold Teeth, forthcoming from Hub City Press. Erika Council talks biscuits and business in a Q&A about her new book, Still We Rise: A Love Letter to the Southern Biscuit with Over 70 Sweet and Savory Recipes.

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'Moments of high tension - involving closeted sexuality, unrequited love and hidden parentage - erupt from a narrative that wrongfoots you with its careful pace' Daily Mail What's the point in friends, if you can't share your secrets? The Gunners used to be inseparable. A gang of latchkey kids, they took their name from the doorbell of the abandoned house they played in as children - and drank in as teenagers. Together they navigated the difficult journey from childhood to adolescence and learnt their first vital lessons about becoming adults; Mikey, Sam, Lynn, Alice, Jimmy and Sally are more like a family than just friends. One day, Sally suddenly stopped speaking to them and wouldn't explain why. Years later, Sally's suicide forces the Gunners back together for her funeral. All of them have secrets they are reluctant to share, secrets which mean they must reassess their happy memories and finally be honest about the reasons Sally left. This is a generous and poignant novel about the difficulty - and the joy - of being a true friend.

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In this captivating new memoir, award-winning writer Jessica B. Harris recalls her youth “surrounded by some of the most famous creative minds of the seventies and eighties…James Baldwin, Maya Angelou, Toni Morrison, Nina Simone” (New York magazine)—in a vibrant, lost era of New York City.In the Technicolor glow of the early seventies, Jessica B. Harris debated, celebrated, and danced her way from the jazz clubs of the Manhattan’s West Side to the restaurants of Greenwich Village, living out her buoyant youth alongside the great minds of the day—luminaries like Maya Angelou, James Baldwin, and Toni Morrison. My Soul Looks Back is her tribute to that fascinating social circle and their shared commitment to activism, intellectual engagement, and each other. With “simmering warmth” (The New York Times), Harris paints evocative portraits of her illustrious friends: Baldwin as he read aloud an early draft of If Beale Street Could Talk, Angelou cooking in her California kitchen, and Morrison relaxing at Baldwin’s house in Provence. Harris describes her role as theater critic for the New York Amsterdam News and editor at then-burgeoning Essence magazine; star-studded parties in the South of France; drinks at Mikell’s, a hip West Side club; and the simple joy these extraordinary people took in each other’s company. At the center is Harris’s relationship with Sam Floyd, a fellow professor at Queens College, who introduced her to Baldwin. More than a memoir of friendship and first love, My Soul Looks Back is a carefully crafted, intimately understood homage to a bygone era and the people that made it so remarkable.

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The word has gone out that Seduce is dead, and the mourners gather on Church Island in the Caribbean for her wake. All bring their own memories of Seduce: her daughter Glory prays for the rescue of her mother's soul, but there are also those who have come to make sure that "dutty filthy woman" has finally ceased to be a temptress to the island's husbands. Her grandchildren, too, both in their different ways marked by growing up in such a conflicted family, strive to find something positive in Seduce's life, and new directions in their own. And then there is Seduce's old lover, Mikey, come to make his peace.In this remarkable debut novel, told in patois prose that is poetic and delicate, profane and slyly funny, Desiree Reynolds has powerful things to say about race, class and the struggle between the sexes.Desiree Reynolds started her writing career in London as a freelance journalist for the Jamaica Gleaner and the Village Voice. She has gone on to write film scripts, poetry and short stories; Seduce is her first novel. A teacher, broadcaster and DJ, Desiree currently lives in Sheffield.This book is also available as a eBook. Buy it from Amazon here.

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The true story of a Romany childhood... Gypsy Princess is a searingly honest account of what life is really like for travelling communities, for girls in particular, and captures a way of life that is slowly fading away. If you enjoyed the memoirs of Mikey Walsh and Jess Smith, you'll be enthralled by Violet Cannon's biography. 'A fascinating and enjoyable insight into Gypsy life' - CloserA true blooded Gypsy, Violet Cannon grew up the Romany way. Life was tough at times, living in a cramped one-roomed trailer, but, unbound by strict routines, Violet spent her days learning to keep home, playing and roaming the fields with a sense of freedom long lost to the rest of modern society. Immersed in the Gypsy way of life, her childhood set her apart from other children. Bullied by classmates, and segregated from 'gorgia' kids (all non-Gypsies), Violet eventually left school at the age of nine to live a life of travel, play and learning under generations-old Gypsy rules on the fringes of society. With traditional values at the heart of her childhood, the pressure of conforming and marrying young was intense. Violet was duty-bound to find a husband, but would her marriage lead to the 'happy ever after' she grew up believing in as a Gypsy girl? What readers are saying about Gypsy Princess:'A fascinating and realistic look at what it means to be a Gypsy in today's society. A little understanding of Gypsy traditions goes a long way and I hope we see more biographies like this one''Violet is so likeable and warm, and the stories are written so vividly that you can really imagine yourself there' 'I could not put this book down - from the first paragraph I was hooked. I would love to read more about this fascinating lady and her family. By the end of the book I felt as if I knew them all'

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Investigative journalist Terry Nelson is divorced, depressed and disillusioned. He has abandoned his career to smoke copious amounts of crack cocaine and engage in meaningless sex in order to reach ‘pleasure’s cutting edge’. Obsessed with the beautiful yet vapid Paula, Terry is soon drawn into a shadowy underworld to fund their growing drug habits. Mikey, a Jamaican gangster, befriends Terry and recruits him as a driver for drug deals. This allows Terry access to large amounts of crack cocaine, as well as information about the local drugs scene. Peterfield – a once prosperous manufacturing hub in the North of England – has descended into extreme urban decay and become a place where the residents turn to sex and drugs to escape their dead-end, mundane existence. Drug dealers supplied by international crime gangs are only too pleased to meet the population’s needs and regenerate the area to further line their pockets. Terry is convinced the gangs are led by a mysterious figure – Bonique. Who is Bonique? This is the question that haunts Terry and threatens to destroy his life. As Terry searches for contacts to Bonique his life becomes increasingly violent and leads him to question the path he has chosen. A vigilante group is increasingly active, targeting suspected drug dealers and criminals plaguing Peterfield. Who are they and who are they led by? Terry’s relationship with his mother and father is very strained. Why is his father so distant? Does the reason involve an unidentified girl Terry witnessed arguing with his father when he was in his teens? Terry struggles to piece together any strands of information that might yield an answer. A Government Task Force arrives in Peterfield to break the drug gangs’ hold on the city. Terry’s involvement with drugs is taken advantage of by the organisation for information. The cash he’s paid keeps his drug habit financed. Terry’s Task Force handler, Mark, is reluctant to share information and appears to be hiding something. Can Terry pull together all the pieces and soothe his growing obsessions? Or will he lose control of the forces pulling him in the wrong direction, causing harm to himself and his family?

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AN IRISH TIMES BOOK OF THE YEAR 2023 _______________ 'A blade-sharp coming-of-age novel' SPECTATOR 'Confirms Flattery as a bracingly original writer' IRISH INDEPENDENT 'In enviably elegant prose, she manages to be both arch and deadly serious' LOUISE KENNEDY _______________ A wildly original debut novel about two young women navigating the complex worlds of Andy Warhol's Factory, and coming of age in 1960s New York New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her. Nothing Special is a whip-smart coming-of-age story about friendship, independence and the construction of art and identity, bringing to life the experience of young women in this iconic and turbulent moment. _______________ PRAISE FOR SHOW THEM A GOOD TIME: 'A masterclass . . . Bold, irreverent and agonisingly funny' Sally Rooney 'Announces the arrival of a brilliant talent' Financial Times 'Explores difficult questions about self-worth, agency and intimacy with thrilling sharpness' Sunday Times 'Demands repeated reading' Jon McGregor A 2023 HIGHLIGHT FOR: THE TIMES * TELEGRAPH * STYLIST * GQ * GUARDIAN * HARPER'S BAZAAR * GOOD HOUSEKEEPING * WATERSTONES * i-D * IRISH TIMES * HUFFINGTON POST UK

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The South Platte River begins high atop the frozen Continental Divide, home to a chain of rugged 13,000-foot, snow-capped peaks. This region comprises lush valleys, meandering meadow streams, and rose-colored, boulder-filled canyons. For generations this area has been a recreation mecca and a fly fisher’s paradise in its purest form. Out of all the trout fisheries in America that are within an hour’s drive of a major metropolitan area, the South Platte River is clearly one of the best. It has become a river shrine to thousands of anglers on an annual basis and for good reason. Throughout the river’s entirety, the South Platte creates a series of reservoirs (Antero, Spinney, Eleven Mile, Cheesman, Strontia Springs, and Chatfield) that provide major metropolitan water storage systems for Denver Water and the City of Aurora. The by-products of these storage facilities are world-class tailwaters that provide anglers with year-round fishing opportunities. Against all odds, the South Platte River remains a world-class trout fishery abundant with some of the most finicky and challenging trout in the world. There’s a common belief among South Platte regulars—if you can catch trout on the South Platte; you can catch trout anywhere in the world. * Completely new maps and updated river, access, and fishing information * Regional experts like Landon Mayer, Greg Blessing, Jeremy Hyatt, Chris Wells, Richard Pilatzke and John Perizzolo, Rick Mikesell and many more, share insider information * New line up of cutting-edge fly patterns * Additional chapters on stillwaters and the Denver Metro Area

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WELCOME BACK TO CHERRYWOOD!Preparations are underway for Cherrywood's annual celebration of Guy Fawkes Night . . .When it's announced that the hotly anticipated 'Penny for the Guy' trail will have a celebrity judge - former DJ 'Screaming' Ade Adams - competition steps up amongst the villagers.But as everyone gathers for the main event, Ade is found dead atop the bonfire with three mysterious tarot cards in his pocket, and barmaid and part-time sleuth Tess Feather suspects foul play. Why would anyone in Cherrywood want the retired disc jockey dead? And could there be a connection to a recently returned villager: Tess's estranged brother Mikey?Once again, Tess is forced to team up with her ex-boyfriend - private investigator Liam Hanley - and her friends Raven and Oliver as they investigate a tale of murder and vengeance that could go all the way to the top.WHAT READERS ARE SAYING ABOUT THE CHERRYWOOD MYSTERIES:'⭐ ⭐ ⭐ ⭐ ⭐ My new favourite cosy crime series!' '⭐ ⭐ ⭐ ⭐ Truly, this was one of the best starts to a new British cosy series I have read in a while''⭐ ⭐ ⭐ ⭐Wow what an amazing book! This is a great read for all the Thursday Murder Club fans''⭐ ⭐ ⭐ ⭐ ⭐ I loved it, and I hope this is the start of a long series of Cherrywood books!''⭐ ⭐ ⭐ ⭐ ⭐ Love the drama and romance! The lovely British setting and a great bunch of characters! Looking forward to book 2!''⭐ ⭐ ⭐ ⭐ ⭐ I loved this British cozy mystery! And the characters were so good!''⭐ ⭐ ⭐ ⭐ Cleverly written, with a good air of mystery . . . I really enjoyed this novel'----Return to Cherrywood in the gripping and addictive new instalment in The Cherrywood Mysteries. If you love a charming and quintessentially British cosy murder mystery, packed full of witty one-liners and an eclectic cast of characters, you won't want to miss this one. Perfect for fans of Fiona Leitch, Hannah Hendy and Robert Thorogood.

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AN IRISH TIMES BOOK OF THE YEAR 2023 _______________ 'A blade-sharp coming-of-age novel' SPECTATOR 'Confirms Flattery as a bracingly original writer' IRISH INDEPENDENT 'In enviably elegant prose, she manages to be both arch and deadly serious' LOUISE KENNEDY _______________ A wildly original debut novel about two young women navigating the complex worlds of Andy Warhol's Factory, and coming of age in 1960s New York New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her. Nothing Special is a whip-smart coming-of-age story about friendship, independence and the construction of art and identity, bringing to life the experience of young women in this iconic and turbulent moment. _______________ PRAISE FOR SHOW THEM A GOOD TIME: 'A masterclass . . . Bold, irreverent and agonisingly funny' Sally Rooney 'Announces the arrival of a brilliant talent' Financial Times 'Explores difficult questions about self-worth, agency and intimacy with thrilling sharpness' Sunday Times 'Demands repeated reading' Jon McGregor A 2023 HIGHLIGHT FOR: THE TIMES * TELEGRAPH * STYLIST * GQ * GUARDIAN * HARPER'S BAZAAR * GOOD HOUSEKEEPING * WATERSTONES * i-D * IRISH TIMES * HUFFINGTON POST UK

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An excellent way to celebrate a well-deserved second Michelin star, and a resounding endorsement from both the critics and the public, is to put the reasons for this success in black on white. This is what the brilliant chef Paco Morales has done. His first book, in which he uncovers the secrets of NOOR - a gastrocultural project that, far beyond its status as a restaurant, delves into the culinary traditions of al-Andalus - has been published by Montagud Editores. Over 320 pages, the book not only brings together 65 recipes that recreate Hispano-Muslim cuisine from a rabidly contemporary perspective... It also presents a detailed historical contextualisation of what and how people ate at the time, as well as dozens of indispensable techniques photographed step by step.On 17 March 2016, Paco Morales 'lifted the shutter' on NOOR Restaurant with several objectives in mind. One of them was to build a gastrocultural project that, service by service, would reinterpret and pay homage to a crucial period in the history of Spain: the Andalusian era. Another was to turn his native Cordoba into a must-visit place for seasoned gastronomes, inquisitive gourmets and lovers of good food. All with the utmost excellence as the omnipresent watchword.In less than four years, it has more than achieved it. This is practically unanimously endorsed by both his customers and the gastronomic critics. "He has been able to create a cuisine, something that is within the reach of very few. A personal, personal line, different from anything known, in which he combines avant-garde and tradition in equal parts", says Carlos Maribona, gastronomic journalist of the ABC newspaper. His are "contemporary recipes in which he demonstrates his talent for combining flavour, creativity and aesthetics. In his work, which is very personal, he is both rigorous and transgressive at the same time", says José Carlos Capel, food critic for El País. The inspectors of the Michelin Guide have joined in: in little more than three years, they have awarded the establishment two stars, recognising its "journey to the historic al-Andalus from 21st century gastronomic concepts".The chef, rigorous and perfectionist like few others, celebrates this success as it deserves: by setting down his reasons in black on white under the editorial direction of Jãvi Antoja de la Rosa. And he does so in a large-format work of 320 pages. It presents 314 preparations, 75 of them photographed step by step, in which recipes are rescued and reinterpreted, attention is drawn to ingredients that are distant only in appearance and craftsmanship is restored to that predominant position in haute cuisine that it should never have lost. All this, with 140 images signed by Mikel Ponce and the historical advice of Rosa Tovar and Lúa Monasterio.The 65 recipes that bring together these processes are accompanied by an exhaustive analysis by Paco Morales himself. In it, he shows that they are the result of a conscientious work of recovery, on the one hand, and updating in a contemporary key, on the other, of what and how people ate in al-Andalus in the 10th century, with the splendorous Caliphate of Cordoba; 11th century, with its fragmentation into the Kingdoms of Taifas; and 12th and 13th centuries, with the hegemony of the Almoravid and Almohad empires. In this way, and in addition to a didactic glossary, the work includes a detailed historical and culinary contextualisation of what arrived in the pantries, what was forged in the kitchens and what was served on the tables of the great houses of the time. It is completed with the cultural and spiritual notions that are indispensable for the reader to be able to delve deeper into everything that was going on around Hispano-Muslim gastronomy.However, Jãvi Antoja de la Rosa, director of the work and of the century-old gastronomic publishing house, is not wrong when he says that "this book is a publishing boast that aims to be on a par with the Cordovan chef". Nor when he poses a question that has little rhetoric in it: "Montagud Editores and NOOR, hand in hand. What could go wrong?

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