Search results for ""author albert"

Could it get any worse? Two shipwrecked sailors have different views of an absurd series of dilemmas in a wry, visually lavish tale for pessimists and optimists alike.As a pair of shipwrecked sailors float on what’s left of their ship, Albertini is none too happy. The rain, he observes, is unfair enough. Then the flying fish appear overhead – the ones with the sick stomachs. And the singing mermaids, leaving infernal earworms in their wake. There’s the ghost ship full of pirates and the ark teeming with ravenous beasts. But no matter how bad the situation seems, George, cheerfully playing his harmonica, reminds his friend it could always be worse. Ahhhh! But hang on ... is that a giant whale with an overpowering case of tuna breath? Delightfully detailed illustrations add visual comedy to a meditation on tough times that shows that even the worst days can turn around – especially with friends.

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Classic Hikes of North America is a beautifully photographed and eminently practical account of the best backcountry journeys in the United States and Canada. Peter Potterfield, an experienced hiker and photographer, has analyzed and graded these spectacular wilderness experiences with both beginners and avid hikers in mind. Included in the book is helpful information, such as: level of difficulty, trail conditions, recommended seasons, potential hazards and difficulties, resource information, and detailed maps of hiking routes. Illustrated with more than 200 color photographs and hiking directions, here is inspiration and information in a single volume. There are routes in the White Mountains of New Hampshire, the Big Beaver–Little Beaver Loop in the North Cascades National Park of Washington State, and the Slate Range in the Canadian Rockies, Alberta and British Columbia, and many more. These are journeys to dream on, and Potterfield puts them within reach of any aspiring hiker.

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For tourists and locals of Portland, Oregon, see and explore the Rose City as you never have before with this travel-sized illustrated guidebook and journal, all in one. "Locals and visitors alike will find this a creative and invaluable guide to help discover—and record—new experiences across the Rose City."—Powell's Books Staff Pick Discover Portland with this colorfully illustrated tour guide and travel journal, all in one! The Wanderlust Guide series offers a unique way of really getting to know a city, with all its quirks and charms. Inside Wanderlust Portland you'll find historical tidbits, fun trivia, fill-in lists, and creative prompts, including drawing, writing, photography, a scavenger hunt, and more imaginative ideas. With this guide, you can: Shop at the Portland Saturday Market and search for unique items. Relax at Pioneer Courthouse Square and record interesting conversations. Explore the Brewery Blocks for inspiration to make your own special brew. Sample from hundreds of food carts and design a food truck menu. View paintings and murals around Alberta Arts District and create a gallery of artwork. Embrace the outdoors at the parks of Portland and take a nature walk. And much more. Ready for a creative adventure? Grab a pen and some color pencils, bring your phone, and let's go!

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A profound and genre-defying work of literature about love, death, and illness from one of Portugal’s most celebrated writers “One of the essential writers of our tormented times.”—Alberto Manguel, Times Literary Supplement “Little prepares one for this extraordinary book, in which each chapter, covering a single day, and lasting a single sentence, offers a teeming stream of consciousness. . . . Even pain is alive, and alive is the word for this book, alive and enduring.”— Michael Autrey, Booklist Incapacitated after the removal of a malignant tumor, the narrator, António, spends his days in a Lisbon hospital enduring the humiliations of severe illness. As he drifts in and out of consciousness, he revisits fragments of his life and the people who passed through it. He recalls the village where he lived as a child near the Mondego River amid the eucalyptus and pines, his parents and grandparents and their tight-knit community of potato farmers and tungsten miners, and the woman he loved—an unexpected polyphony of voices and places sounding in sharp counterpoint to debilitating pain. By the Rivers of Babylon conjures the past and the present all at once, revealing the power of memory to embolden us in the face of extraordinary suffering. This is António Lobo Antunes’s homage to the beauty of a cherished life in its confrontation with imminent death.

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A comparative history of the practices, technologies, institutions, and people that created distinct literary traditions around the world, from ancient to modern timesLiterature is such a familiar and widespread form of imaginative expression today that its existence can seem inevitable. But in fact very few languages ever developed the full-fledged literary cultures we take for granted. Challenging basic assumptions about literatures by uncovering both the distinct and common factors that led to their improbable invention, How Literatures Begin is a global, comparative history of literary origins that spans the ancient and modern world and stretches from Asia and Europe to Africa and the Americas.The book brings together a group of leading literary historians to examine the practices, technologies, institutions, and individuals that created seventeen literary traditions: Chinese, Japanese, Korean, Indian, Greek, Latin, Hebrew, Syriac, Arabic, English, Romance languages, German, Russian, Latin American, African, African American, and world literature. In these accessible accounts, which are framed by general and section introductions and a conclusion by the editors, literatures emerge as complex weaves of phenomena, unique and deeply rooted in particular times and places but also displaying surprising similarities. Again and again, new literatures arise out of old, come into being through interactions across national and linguistic borders, take inspiration from translation and cultural cross-fertilization, and provide new ways for groups to imagine themselves in relation to their moment in history.Renewing our sense of wonder for the unlikely and strange thing we call literature, How Literatures Begin offers fresh opportunities for comparison between the individual traditions that make up the rich mosaic of the world’s literatures.The book is organized in four sections, with seventeen literatures covered by individual contributors: Part I: East and South Asia: Chinese (Martin Kern), Japanese (Wiebke Denecke), Korean (Ksenia Chizhova), and Indian (Sheldon Pollock); Part II: The Mediterranean: Greek (Deborah Steiner), Latin (Joseph Farrell), Hebrew (Jacqueline Vayntrub), Syriac (Alberto Rigolio), and Arabic (Gregor Schoeler); Part III: European Vernaculars: English (Ingrid Nelson), Romance languages (Simon Gaunt), German (Joel Lande), and Russian (Michael Wachtel); Part IV: Modern Geographies: Latin American (Rolena Adorno), African (Simon Gikandi), African American (Douglas Jones), and world literature (Jane O. Newman).

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Campegius Vitringa (16591722) of Franeker University was a biblical scholar of considerable influence for the first half of the 18th century. Similar to that of Calvin, his exegetical methodology attempts to walk a via media between the historicism of Grotius (1583-1645) and the Christocentrism of Cocceius (16031669). His magnum opus was a widely-acclaimed commentary on Isaiah (1720). Vitringa scholars have charted his influence along a historical-critical trajectory (including Schultens, Venema, Alberti, Manger, Delitzsch, and Gesenius) and along a Pietistic trajectory (including Franke, Lange, and Bengel, leading toward Lessing, Herder and German Idealism). The book includes the first biography in English and compares his hermeneneutical theoria with his praxis. It analyzes Vitringas exegetical presuppositions, his remarkably high view of the Bible, and his canones hermeneuticos (highly valued by J.J. Rambach [16931735]). It shows Vitringas contextual sensitivity at every level of exegesis, commitment to New Testament normativity in the reading of Isaiah (in which redemptive history is the ultimate hermeneutical horizon), nuanced views on the historical fulfillment of prophecy, and concern for pastoral application. A scholars scholar, widely admired for his mastery of the languages and his intense historical focus in exegesis, Vitringa was also appreciated for his orthodox views, warm-hearted piety, and love for the church.

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More than two dozen stories of Indigenous resistance to the privatization and allotment of Indigenous lands Land privatization has been a longstanding and ongoing settler colonial process separating Indigenous peoples from their traditional homelands, with devastating consequences. Allotment Stories delves into this conflict, creating a complex conversation out of narratives of Indigenous communities resisting allotment and other dispossessive land schemes.From the use of homesteading by nineteenth-century Anishinaabe women to maintain their independence to the role that roads have played in expropriating Guam’s Indigenous heritage to the links between land loss and genocide in California, Allotment Stories collects more than two dozen chronicles of white imperialism and Indigenous resistance. Ranging from the historical to the contemporary and grappling with Indigenous land struggles around the globe, these narratives showcase both scholarly and creative forms of expression, constructing a multifaceted book of diverse disciplinary perspectives. Allotment Stories highlights how Indigenous peoples have consistently used creativity to sustain collective ties, kinship relations, and cultural commitments in the face of privatization. At once informing readers while provoking them toward further research into Indigenous resilience, this collection pieces back together some of what the forces of allotment have tried to tear apart.Contributors: Jennifer Adese, U of Toronto Mississauga; Megan Baker, U of California, Los Angeles; William Bauer Jr., U of Nevada, Las Vegas; Christine Taitano DeLisle, U of Minnesota–Twin Cities; Vicente M. Diaz, U of Minnesota–Twin Cities; Sarah Biscarra Dilley, U of California, Davis; Marilyn Dumont, U of Alberta; Munir Fakher Eldin, Birzeit U, Palestine; Nick Estes, U of New Mexico; Pauliina Feodoroff; Susan E. Gray, Arizona State U; J. Kēhaulani Kauanui, Wesleyan U; Rauna Kuokkanen, U of Lapland and U of Toronto; Sheryl R. Lightfoot, U of British Columbia; Kelly McDonough, U of Texas at Austin; Ruby Hansen Murray; Tero Mustonen, U of Eastern Finland; Darren O’Toole, U of Ottawa; Shiri Pasternak, Ryerson U; Dione Payne, Te Whare Wānaka o Aoraki–Lincoln U; Joseph M. Pierce, Stony Brook U; Khal Schneider, California State U, Sacramento; Argelia Segovia Liga, Colegio de Michoacán; Leanne Betasamosake Simpson; Jameson R. Sweet, Rutgers U; Michael P. Taylor, Brigham Young U; Candessa Tehee, Northeastern State U; Benjamin Hugh Velaise, Google American Indian Network.

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La Brea Tar Pits once trapped prehistoric mammals. Today that killer has a chemical cousin in the Athabasca oil sands of Alberta, Canada—immense deposits of natural asphalt destined for upgrading to synthetic crude oil. If the harvesting of this natural asphalt continues unabated, we might find ourselves stuck in a muck of a different kind. Humanity has used asphalt for thousands of years. This humble hydrocarbon may have glued the first arrowhead to the first shaft, but the changes wrought by this material are most dramatic since its emergence as pavement. Since the 1920s the automobile and blacktop have allowed unprecedented numbers of Americans to experience the beauty of their continent from the Adirondacks to the Rockies and beyond, to Big Sur and the Pacific Coast Highway. Blacktop roads, runways, and parking lots constitute the central arteries of our environment, creating a distinct “political territory” and a “political economy of velocity.” In Asphalt: A History Kenneth O’Reilly provides a history of this everyday substance. By tracing the history of asphalt—in both its natural and processed forms—from ancient times to the present, O’Reilly sets out to identify its importance within various contexts of human society and culture. Although O’Reilly argues that asphalt creates our environment, he believes it also eventually threatens it. Looking at its role in economics, politics, and global warming, O’Reilly explores asphalt’s contribution to the history, and future, of America and the world.

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Called the most exciting designer we have ever had by Billy Baldwin, Frances Elkins has been revered for her classic, elegant, and timeless decor. Ahead of her time, Elkins became a successful designer in the man s world of the 1920s and 30s, with a talent rivaled only by her formidable sense of style. Known as the first great California designer, Elkins brought an international perspective and architectural sensibility to her work. With a social circle that included prominent artists and designers such as Jean-Michel Frank, Coco Chanel, and Alberto Giacometti, Elkins traveled widely with her brother, architect David Adler, introducing a modern European chic to her clients. She collaborated with craftsmen and artists, commissioning handloomed carpets, Mexican silverware, decorative finishes, and custom furniture, which gave her interiors their distinctive elegance and polish. Showcasing never-before-published material, Frances Elkins includes more than sixty interiors that illustrate her outstanding sense of color and her gift of mixing periods and styles from her early work in Pebble Beach, to houses she designed with her brother in Chicago in the 1930s, to iconic hotel commissions of the 1940s such as the Royal Hawaiian Hotel in Honolulu, to midcentury homes for William Paley and David O. Selznick. With images by top photographers of the day, this volume will serve as a revelation and inspiration to fans of design.

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'Incredible insight with a transgressive, witty, spirit.' COURTNEY LOVE'The most sensational read of 2022!' GEMMA COLLINS'A breath of fresh air... I want so many people to read this!' TRAVIS ALABANZA'Visionary' VIV ALBERTINEA STYLIST MUST-READ FOR 2022Wellness is oppressive, self-love is a trap, hustling is a health risk and it's all the patriarchy's fault. Poor Little Sick Girls is THE book for femmes who are online and want more from activism and life.Ione Gamble never imagined that entering adulthood would mean being diagnosed with an incurable illness. Watching identity politics become social media fodder from the confines of her sickbed Ione began to pick apart our obsession with self-care, personal branding, productivity and #LivingYourBestLife. Using her experience with disability to cast a fresh gaze on the particularly peculiar cultural moment in which young women find themselves, Poor Little Sick Girls explores the pressures faced - as well as the power of existing as - a chronically ill, overweight, and unacceptable woman in our current era of empowerment.Founder of Polyester zine and a host of The Polyester Podcast, Ione has been named one of fifteen coolest young Londoners by The Evening Standard, and a 2019 New Debutante in Tatler Magazine. If you love Trick Mirror, Feminists Don't Wear Pink and Hood Feminism, you don't want to miss this book.

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Fotografiar del natural es la primera recopilación en un único volumen de los textos más emblemáticos de Cartier-Bresson, entre los que se encuentran Los europeos y El instante decisivo, uno de sus escritos más conocidos que supuso un punto y aparte en la carrera del fotógrafo. Este volumen reúne también sus relatos de viajes a Moscú o China, y artículos dedicados a sus amigos André Breton, Alberto Giacometti o Jean Renoir. Todos ellos destilan la misma intensidad e inmediatez visual que caracteriza a la obra del fotógrafo francés, y han convertido este libro en un clásico imprescindible de cualquier biblioteca de fotografía.

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Experimenting with Ethnography collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors—who come from a variety of intellectual and methodological traditions—enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers. Contributors. Patricia Alvarez Astacio, Andrea Ballestero, Ivan da Costa Marques, Steffen Dalsgaard, Endre Dányi, Marisol de la Cadena, Marianne de Laet, Carolina Domínguez Guzmán, Rachel Douglas-Jones, Clément Dréano, Joseph Dumit, Melanie Ford Lemus, Elaine Gan, Oliver Human, Alberto Corsín Jiménez, Graham M. Jones, Trine Mygind Korsby, Justine Laurent, James Maguire, George E. Marcus, Annemarie Mol, Sarah Pink, Els Roding, Markus Rudolfi, Ulrike Scholtes, Anthony Stavrianakis, Lucy Suchman, Katie Ulrich, Helen Verran, Else Vogel, Antonia Walford, Karen Waltorp, Laura Watts, Brit Ross Winthereik

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A Sunday Times Best Humour Book of the Year 2017 How can you tell if your neighbour is speaking Muslim? Is a mosque a kind of hedgehog? Can I get fries with that burka? You can't trust the media any longer, but there's no need to fret: Don't Panic, I'm Islamic: Words and Pictures on How to Stop Worrying and Learn to Love the Alien Next Door provides you with the answers. Read this book to learn how you too can spot an elusive Islamist. Discover how Arabs (even 21-year-old, largely innocuous and totally adorable ones) plant bombs and get tips about how to interact with Homeland Security, which may or may not involve funny discussions about your sexuality. Commissioned in response to the US travel ban, Don't Panic, I'm Islamic includes cartoons, graffiti, photography, colouring in pages, memoir, short stories and more by 34 contributors from around the world. Provocative and at times laugh-out-loud funny, these subversive pieces are an explosion of expression, creativity and colour. Contributors: Hassan Abdulrazzak, Leila Aboulela, Amrou Al-Kadhi, Shadi Alzaqzouq, Chant Avedissian, Tammam Azzam, Bidisha, Chaza Charafeddine, Molly Crabapple, Carol Ann Duffy, Moris Farhi, Negin Farsad, Joumana Haddad, Saleem Haddad, Hassan Hajjaj, Omar Hamdi, Jennifer Jajeh, Sayed Kashua, Mazen Kerbaj, Arwa Mahdawi, Sabrina Mahfouz, Alberto Manguel, Esther Manito, Aisha Mirza, James Nunn, Chris Riddell, Hazem Saghieh, Rana Salam, Karl Sharro, Laila Shawa, Bahia Shehab, Sjon, Eli Valley, Alex Wheatle.

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In Power in the Balance: Presidents, Parties, and Legislatures in Peru and Beyond, Barry S. Levitt answers urgent questions about executive power in “new” democracies. He examines in rich detail the case of Peru, from President Alan García’s first term (1985–1990), to the erosion of democracy under President Alberto Fujimori (1990–2000), through the interim government of Valentín Paniagua (2000–2001) and the remarkable, if rocky, renewal of democracy culminating in Alejandro Toledo's 2001–2006 presidency. This turbulent experience with democracy brings into clear focus the functioning of formal political institutions—constitutions and electoral laws, presidents and legislatures, political parties and leaders—while also exposing the informal side of Peru’s national politics over the course of two decades. Levitt's study of politics in Peru also provides a test case for his regional analysis of cross-national differences and change over time in presidential power across eighteen Latin American countries. In Peru and throughout Latin America, Levitt shows, the rule of law itself and the organizational forms of political parties have a stronger impact on legislative-executive relations than do most of the institutional traits and constitutional powers that configure the formal "rules of the game" for high politics. His findings, and their implications for improving the quality of new democracies everywhere, will surprise promoters, practitioners, and scholars of democratic politics alike.

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Encuadernación: RústicaColección: El Libro De Bolsillo. LiteraturaTexto que fascinó a J. R. R. Tolkien hasta el punto de encargarse de la edición de su manuscrito, "Sir Gawain y el Caballero Verde" es sin duda el mejor texto artúrico inglés. El primer día del año se presenta en la corte de Camelot un gigantesco y portentoso caballero, cuya piel, pelo, barba y vestimenta son tan verdes como su admirable corcel y sus arreos, y que hace una extraña propuesta que nos sumerge de lleno en lo maravilloso, dando así inicio a la aventura tras la cual el protagonista saldrá purificado. "Aunque ejemplifica las virtudes caballerescas del valor y la lealtad ?apunta Luis Alberto de Cuenca en su prólogo?, "Sir Gawain." no es sólo un relato al servicio de una moral, sino un relato en sí: fresca y bellísima literatura."

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Did James Joyce, that icon of modernity, spearhead the dismantling of the Cartesian subject? Or was he a supreme example of a modern man forever divided and never fully known to himself? This volume reads the dialogue of contradictory cultural voices in Joyce’s works—revolutionary and reactionary, critical and subject to critique, marginal and central. It includes ten essays that identify repressed elements in Joyce’s writings and examine how psychic and cultural repressions persistently surface in his texts. Contributors include Joseph A. Boone, Marilyn L. Brownstein, Jay Clayton, Laura Doyle, Susan Stanford Friedman, Christine Froula, Ellen Carol Jones, Alberto Moreirias, Richard Pearce, and Robert Spoo.

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This work contains seven documents from the history of economics: Four sets of lecture notes taken by Victor E. Smith, two from courses given by William Jaffe at Northwestern University, on general equilibrium theory and on Keynes, from 1938-39, and one from lectures given at the University of Cambridge during 1954-55. It includes two documents from the history of Institutional Economics, one the 1974 Editor's Report on the "Journal of Economic Issues" - on the conflicts then rampant - and the other, an exposition of the past and future of Institutional Economics, both by Warren J. Samuels. It also includes a set of autobiographical notes by the Wisconsin institutionalist, Martin G. Glaeser, and a bibliography of the writings of F.Y. Edgeworth by Alberto Baccini.

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D entro de un clima y unas preocupaciones esteticas comunes a su generación, Juan Van-Halen (Torrelodones, Madrid, 1944) elige un camino personal que debe mucho a los clásicos en una época en que se valoraba por encima de todo la novedad y la sorpresa. Hombre de su tiempo, hombre de reflexión y también de acción, como su antepasado barojiano, Van-Halen refleja en su obra poética la realidad que lo circunda, tiñéndola de biografía. Su escritura se sitúa entre la crónica whitmaniana de aliento épico y el fresco vivo y colorista, salpicado de sabrosos detalles.Junto a varios libros de prosa, Juan Van-Halen ha publicado hasta la fecha quince libros de versos y tres recopilaciones: Poemas del hombre que pasa (1974), Manual de asombros (1987) y Como un viejo secreto desvelado (1990). Entre los premios que ha obtenido destacan el Fray Luis de León, el Francisco de Quevedo y el Manuel Machado.Esta antología, seleccionada y prologada por Luis Alberto de Cuenca, ofrece

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Guerra viva reúne un conjunto de cuarenta y un poemas bélicos que José Herrera Petere utilizó al servicio de la República durante la Guerra Civil. El poemario está constituido en su amplia mayoría por romances que fueron difundidos con anterioridad en diversos medios de propaganda, como periódicos, revistas y romanceros de guerra, combinados, a su vez, con una pequeña cantidad de inéditos. Estas piezas componen una especie de diario de guerra en forma poética. Para su narración, Petere escoge una forma tan popular como el romance, con el que dirigirse al pueblo y comprometerse con su lucha por un país más justo, libre y equitativo. Con Guerra viva el poeta refleja a través de su palabra la cruda realidad que asoló España en el periodo más trágico de nuestra historia reciente.José Herrera Petere (1909-1977) inicia su trayectoria poética con composiciones de corte vanguardista, en las que se deja sentir su amistad con Rafael Alberti o la influencia de la escuela de Vallecas. Sin emba

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The newest entry in the USA Today bestselling Murder, She Wrote series.Jessica Fletcher’s British cousin, Emma MacGill, will be traveling to Edmonton in Alberta, Canada, to perform with internationally famous star of stage, screen, and television Derek Braverman in an old-fashioned musical review. Emma would love for Jessica to join her there and suggests she bring along some friends. Having just finished her latest book, Jessica is ready for a vacation and is delighted to agree.  Dr. Seth Hazlitt and Sheriff Mort Metzger are huge fans of Braverman, so they are eager to tag along, and their fanboy behavior gives Jessica and Mort’s wife, Maureen, more than occasional cause to roll their eyes.Upon arrival in Edmonton, Jessica is quickly outed as mystery writer J. B. Fletcher, and despite numerous protests, a hotel staffer arranges a book signing for her. This and touristy adventures arranged for the group make for a muc

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This enthralling hardback guide tells the story of the rise and spread of The Mafia, from the island of Sicily to the United States and beyond, brought to life with striking full-colour photographs and illustrations. The Mafia is full of blood-chilling characters, from Al Capone, who ran Chicago during Prohibition, and hitmen Louis Lepke and Alberto Anastasia who founded Murder, Inc, to Totò Riina, ''boss of bosses'', John Gotti, ''the Teflon don'', and Bernardo ''The Tractor'' Provenzano, who hid out under cover for 43 years... They were extraordinary men who lived through extraordinary times. The Mafia tells the story of their lives, their families, their codes, their crimes and their cold-blooded murders. It''s a long and enthralling tale, drenched in blood and scored with betrayal.Filled with full-colour photographs, illustrations, and special features, this book provides an essential starting point to underst

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Cutting-edge analysis on how to improve life inside the Gaza Strip through architecture and design, illustrated in full-colorThe Gaza Strip is one of the most beleaguered environments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza’s inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. Open Gaza engages the Gaza Strip within and beyond the logics of siege and warfare, it considers how life can be improved inside the limitations imposed by the Israeli blockade, and outside the idiocy of violence and warfare.Contributors AffiliationsSalem Al Qudwa, Harvard Divinity School and Harvard Kennedy School, Cambridge, USAHadeel Assali, Columbia University, USATareq Baconi, International Crisis Group, Brussels, BelgiumTeddy Cruz, University of California-San Diego, USAFonna Forman, University of California-San Diego, USAM. Christine Boyer, Princeton University, Princeton, USAAlberto Foyo, architect, New York, USANasser Golzari , Westminster University, London, UKYara Sharif, Westminster University, London, UKDenise Hoffman Brandt, City College of New York, USARomi Khosla, architect, New Delhi, IndiaCraig Konyk, Kean University, Union, NJ, USARafi Segal, Massachusetts Institute of Technology, Boston, USA Chris Mackey, Payette Architects, Boston, USAVyjayanthi V. Rao, Terreform, New York, USASara Roy, Harvard University, Cambridge, USAMahdi Sabbagh, architect, New York, USAMeghan McAllister, architect, San Francisco Bay Area, USADeen Sharp, London School of Economics, UKMalkit Shoshan, Harvard University, Cambridge, USAPietro Stefanini, University of Edinburgh, ScotlandMichael Sorkin (1948–2020) , City University of New York, USAHelga Tawil-Souri, New York University, USAOmar Yousef, Al-Quds University, Jerusalem Fadi Shayya, The University of Manchester, UK

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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A comparative history of the practices, technologies, institutions, and people that created distinct literary traditions around the world, from ancient to modern timesLiterature is such a familiar and widespread form of imaginative expression today that its existence can seem inevitable. But in fact very few languages ever developed the full-fledged literary cultures we take for granted. Challenging basic assumptions about literatures by uncovering both the distinct and common factors that led to their improbable invention, How Literatures Begin is a global, comparative history of literary origins that spans the ancient and modern world and stretches from Asia and Europe to Africa and the Americas.The book brings together a group of leading literary historians to examine the practices, technologies, institutions, and individuals that created seventeen literary traditions: Chinese, Japanese, Korean, Indian, Greek, Latin, Hebrew, Syriac, Arabic, English, Romance languages, German, Russian, Latin American, African, African American, and world literature. In these accessible accounts, which are framed by general and section introductions and a conclusion by the editors, literatures emerge as complex weaves of phenomena, unique and deeply rooted in particular times and places but also displaying surprising similarities. Again and again, new literatures arise out of old, come into being through interactions across national and linguistic borders, take inspiration from translation and cultural cross-fertilization, and provide new ways for groups to imagine themselves in relation to their moment in history.Renewing our sense of wonder for the unlikely and strange thing we call literature, How Literatures Begin offers fresh opportunities for comparison between the individual traditions that make up the rich mosaic of the world’s literatures.The book is organized in four sections, with seventeen literatures covered by individual contributors: Part I: East and South Asia: Chinese (Martin Kern), Japanese (Wiebke Denecke), Korean (Ksenia Chizhova), and Indian (Sheldon Pollock); Part II: The Mediterranean: Greek (Deborah Steiner), Latin (Joseph Farrell), Hebrew (Jacqueline Vayntrub), Syriac (Alberto Rigolio), and Arabic (Gregor Schoeler); Part III: European Vernaculars: English (Ingrid Nelson), Romance languages (Simon Gaunt), German (Joel Lande), and Russian (Michael Wachtel); Part IV: Modern Geographies: Latin American (Rolena Adorno), African (Simon Gikandi), African American (Douglas Jones), and world literature (Jane O. Newman).

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THE TIMES AND WATERSTONES BEST ART BOOK OF 2023 'Marvellous . . . intimate and insightful . . . reads like a novel by Samuel Beckett’ Paul Theroux A portrait of one of the twentieth century’s greatest sculptors from one of our most eminent art historians Today the work of Alberto Giacometti is world-famous and his sculptures sell for record-breaking prices. But from his early days as an unknown outsider to the end of a dramatic international career, Giacometti lived in the same hovel of a studio in Paris. It was Paris that made him, and he in turn immortalised the city through his art. Arriving in Paris from the Swiss Alps in 1922, Giacometti was shaped not only by his relationships with remarkable artists and writers – from Picasso, Breton and Dalí to Sartre, Beauvoir and Beckett – but by the everyday life, pre-war and post-war, of Paris itself. His distinctive figures emerged from the city’s unique atmosphere: the crumbling grey stone of its humbler streets and the café-terraces buzzing with radical ideas and racy gossip. In Giacometti in Paris, Michael Peppiatt, who spent thirty years documenting the Parisian art world and mixing with many of the people Giacometti knew, brilliantly charts the course of the artist’s life and work. From falling in and out with the Surrealists to years of artistic anguish, from devotion to his mother to intense friendships, tragic love affairs and a fraught marriage, this is an intimate portrait of an outstanding artist in exceptional times.

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From the girl next door to sexy switch-blade sisters, the pin-up girls depicted in this collection of works by 15 of today's best artists boldly display the full spectrum of the genre. Through masterful use of color and media, both traditional and digital, these artists from around the world capture the female form in ways that remain true to their forefathers (Gil Elvgren, Alberto Vargas, etc.) but also to their own contemporary styles. To dig deeper into the process, each artist's section includes a statement that unveils his or her inspiration and techniques. Themes in the 280+ works included here are vast and cover everything from action, horror, and 70s cinema to mythology, comic books, science fiction, and fantasy. So, whether you're into zombies, angels, latex, burlesque, or pop-culture, there is fresh, modern pin-up art for everyone.

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Often alchemy is seen as an example of medieval gullibility and the alchemists as a collection of eccentrics and superstitious fools. Sean Martin shows that nothing could be further from the truth. It is important to see the search for the philosopher's stone and the attempts to turn base metal into gold as metaphors for the relation of man to nature and man to God as much as seriously held beliefs. Alchemy had a self-consistent outlook on the natural world and man's place in it. Alchemists like Paracelsus and Albertus Magnus were amongst the greatest minds of their time and the history of alchemy is both the history of a spiritual search and the history of a slowly developing scientific method. Sir Isaac Newton devoted as much time to his alchemical studies as he did to his mathematical ones. This book traces the history of alchemy from ancient times to the 20th century, highlighting the interest of modern thinkers like Jung in the subject, and in the process covers a major, if neglected area of Western thought.

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The use of talismans and amulets stretches back nearly to the dawn of man, from everyday items magically prepared, such as horns or coins, to intricate and beautiful jewelry imbued with protective powers. Drawing on his private collection of medieval manuscripts as well as his privileged access to the rare book archives of major European universities, Claude Lecouteux provides a comprehensive history of the use of talismans and amulets for protection, healing, and divine influence. He explores their use in the Western Mystery Tradition as well as Eastern and Middle Eastern beliefs about these magical objects and their incorporation--despite Church anathema--into the Christian tradition of Medieval Europe. Reviewing many different kinds of amulets and talismans used throughout the ages, such as a rabbit's foot, horseshoe, gris-gris bag, or an inscribed parchment charged through ritual, he details the principles and symbology behind each object and shows that their use is still as widespread today as any time in the past. Lecouteux explains the high magic behind the hermetic art of crafting amulets and talismans: the chains of sympathy, astrological geography, and the invocations required to activate their powers. He explores the work of adepts such as Agrippa, Albertus Magnus, and Athanasius Kircher, including an in-depth look at Kircher's work on planetary seals in his Oedipus Aegyptiacus. Illustrated throughout with period art depicting magical symbols, seals, and a wide array of talismans and amulets, this comprehensive study provides a practical guide to the historical development and step-by-step creation of magical objects.

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Arte Popular features 100 pieces from Rex May's extensive collection of exquisite hand-crafted objects from all over Mexico. Coming from the reputable Mexican Museum, this volume demonstrates the dramatic power of folk art. This bilingual volume provides a veritable treasure trove of discoveries for the curious reader. • Features bold and atmospheric photographs • Includes scholarly essays that delve into the collection's origins and significance • A visual treat for lovers of Mexican art, craft, and visual culture The Rex May Collection–bequeathed to the Mexican Museum by the legendary 39-Mile-Drive sign designer–demonstrates the dramatic power of folk art. This book is a companion to the opening of the Mexican Museum building in downtown San Francisco's Yerba Buena museum neighborhood. • Wrapped in a striking, gold-foil-bedecked hardcover, this makes a wonderful gift for artists and art fans everywhere. • Perfect for museum goers and fans of Mexican arts and crafts • The Mexican Museum has been a San Francisco cultural destination and educational resource for 37 years, and became the only San Francisco affiliate of the Smithsonian Institution in 2012. • Add it to the shelf with books like Mexican Details by Joe P. Carr and Karen Witynski, Crafts of Mexico by Margarita de Orellana and Alberto Ruy Sanchez, and Masks of Mexico: Tigers, Devils, and the Dance of Life by Barbara Mauldin.

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In Power in the Balance: Presidents, Parties, and Legislatures in Peru and Beyond, Barry S. Levitt answers urgent questions about executive power in “new” democracies. He examines in rich detail the case of Peru, from President Alan García’s first term (1985–1990), to the erosion of democracy under President Alberto Fujimori (1990–2000), through the interim government of Valentín Paniagua (2000–2001) and the remarkable, if rocky, renewal of democracy culminating in Alejandro Toledo's 2001–2006 presidency. This turbulent experience with democracy brings into clear focus the functioning of formal political institutions—constitutions and electoral laws, presidents and legislatures, political parties and leaders—while also exposing the informal side of Peru’s national politics over the course of two decades. Levitt's study of politics in Peru also provides a test case for his regional analysis of cross-national differences and change over time in presidential power across eighteen Latin American countries. In Peru and throughout Latin America, Levitt shows, the rule of law itself and the organizational forms of political parties have a stronger impact on legislative-executive relations than do most of the institutional traits and constitutional powers that configure the formal "rules of the game" for high politics. His findings, and their implications for improving the quality of new democracies everywhere, will surprise promoters, practitioners, and scholars of democratic politics alike.

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Si bien el presente estudio no pretende -en palabras de su autor- ser una biografía crítica completa de Piero della Francesca, sino una guía para la valoración de su obra, pocos estudios iluminan de forma tan esclarecedora la peculiar, profunda e incluso enigmática obra del pintor de Borgo San Sepolcro. Gran conocedor no sólo de arte, sino de la civilización occidental y, especialmente, de la cultura del Renacimiento y del marco social e histórico de esta época, como se aprecia en su importante ensayo sobre Leonardo da Vinci y los sugerentes estudios sobre Donatello, Uccello, Alberti, Mantegna y Botticelli que forman el volumen titulado El arte del humanismo, Kenneth Clark (1903-1983), antiguo director de la National Gallery de Londres, nos brinda en este volumen, acompañada de un completo repertorio iconográfico que nos permite abordarla en sus más pequeños detalles, una reveladora visión de un pintor que tuvo una conciencia fuera de lo común del modo en que debían hacerse coincidir l

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Morino zezenaren urtebetetzea da, eta auskalo zer prestatu duen Claude eskeletoak lagunaren eguna ospatzeko. Ez da ohiko ospakizun bat izango, hori seguru. Meriendatxo bat hondartzan, agian? Edo beste bidaia bat karabanan? Zaila da aurretik jakitea, zeren Clauderen oina arrain txiki baten ahoan desagertu, arrain handiago batek arrain txikia jan, eta arrantza-ontzi batek arrain handia harrapatuko baitu. Nola edo hala, oin hori topatu beharra dago! Bi lagunek hondartza nudista bat zeharkatu behar badute Kapetonera heltzeko edo Purrustegi sorginaren erratzetako armairura sartu behar badute, hala egingo dute, eta gerorako utziko urtebetetze tarta.Adrien Albertek adiskidetasunari eta hazteari buruzko alegia bat eskaini zigun Claude eta Morinoren lehen abenturan, eta ildo berari jarraitzen dio bigarren liburuki honek, beti ere umore absurduaz eta nonahiko samurtasunez apaindurik.

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Shortlisted, Trillium Book Award for Poetry and Gerald Lampert Memorial AwardIn this confessional debut collection, Matthew Walsh meanders through their childhood in rural Nova Scotia, later roaming across the prairies and through the railway cafés of Alberta to the love letters and graffiti of Vancouver. In this nomadic journey, Walsh explores queer identity set against an ever-changing landscape of what we want, and who we are, were, and came to be.Walsh is a storyteller in verse, his poems laced with catholic "sensibilities" and punctuated with Maritime vernacular. In These are not the potatoes of my youth, Walsh illuminates the complex choreography of family, the anxiety of individuality, and the ambiguous histories of stories erased, forgotten, or suppressed. Readers will find moments of humour, surprise, and a queer realization that all is not what it seems.

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Say hi to Pica Pau's sweetest friends! Meet Roberto Dachshund, Alberto Seagull, Humboldt Penguin, Horacio Polar Bear, Amalia Giraffe and many more: everyone is a happy member of the bustling Pica Pau family. They're earnest, warmhearted and gentle, and as soon as you've opened the book, you'll feel right at home. Toy maker, character designer and crochet knitter Yan Schenkel has collected the brightest amigurumi around her. In this book, she presents her expert knowledge of amigurumi crochet in 20 precious designs, and she also unveils the secrets to make her most beautiful creations. All patterns contain detailed instructions and are accompanied by step-by-step pictures and explanations of all techniques used, so both beginners and advanced crocheters can easily get acquainted with her amigurumi besties. Discover the phenomenon of Pica Pau and friends.

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The definitive biography of a fascinating and enigmatic figure'Succeeds in every way as one of the most readable, fascinating and informative documents, not just on an artist, but on art and artists in general' WASHINGTON TIMES'The most moving biography of a modern artist I've read' NEWSWEEKAlberto Giacometti is one of the best-known artists of the twentieth century. Born in a Swiss village, he moved to pre-war Paris and went on to play a leading role in the art world, alongside characters such as Picasso, Balthus, Samuel Beckett and Sartre.His passionate and strange life reflects the genius of his works - his gaunt and haunting sculptures and his unsettling paintings. As someone who was personally acquainted with Giacometti and his peers, and who has consolidated his personal knowledge with extensive research, James Lord is uniquely qualified to write Giacometti's biography.

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The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.

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A ROUGH TRADE, MOJO, UNCUT & LOUDER THAN WAR BOOK OF THE YEARSHORTLISTED FOR THE RALPH J. GLEASON MUSIC BOOK AWARDA redemptive, myth-shattering biography of one of the twentieth century's most underestimated creative and artistic forces.'Here is the Odyssey of Nico . . . a scholarly and detailed chronicle of this brilliant artist, who was spurned and tortured for her trouble.'IGGY POP'At last, a comprehensive and compelling book about Nico.'VIV ALBERTINE'Absorbs from start to finish.'OBSERVERThe real story of Nico is one of determination, self-destruction and belief in one's artistic vision, at any cost . . .You Are Beautiful and You Are Alone is an empowering reappraisal of an underappreciated icon. Drawing upon new interviews and rare archival material Bickerdike defies the sexist casting of Nico's life as the tragedy of a beautiful woman losing her youth and fame, and instead cements her legacy as one of the most vital artists of her generation.'Gripping.' THE TIMES'[This] book gets closer to understanding Nico than most.' GUARDIAN'Deserves to sit with the great biographies.' RECORD COLLECTOR'A compassionate portrait of a musician whose artistry has often been overlooked.' MOJO'Valuable . . . Bickerdike gives Nico her due as an artist.' THE SPECTATOR'Entertainingly written and insightful.' INDEPENDENT'The best music book you will read this year.' LOUDER THAN WAR

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From tasting his own blood while running hard as a Notre Dame miler to producing the top US marathon legends in the epicentre of the running boom of the 1970s and into the 80s, Bill Squires not only survived being born with a misdiagnosed and potentially fatal defective heart, but the late-developing skinny kid also amassed numerous track records as a collegiate All-American while struggling academically. As the first coach of the ground-breaking Greater Boston Track Club, Bill Squires was the key figure in the creation of the greatest generation of American distance runners. Coaching for years at all levels, it is with this vast accumulation of first-hand knowledge and experience that legendary Olympians and major marathon champions such as Bill Rodgers, Alberto Salazar, Greg Meyer, Dick Beardsley, wheelchair champ Bob Hall, and more, individually and with GBTC dominated the landscape and set the pace for future generations via Bill’s innovative race simulators and group-training techniques that are still used today. Proof of his determination and perseverance appeared early as he survived the physical and emotional childhood trauma and effects of a misdiagnosis that stunted his emotional and physical growth. He continually pushed himself through personal pain in competition and maturation; found his eventual athletic calling as a record-setting runner; and became the highly sought-after benevolent ambassador of running as a coach. He is proof that one should never give up.

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Winner, Alberta Historical Resources Foundation Heritage Award, Canadian Museums Association Outstanding Achievement in Publications, and Redgees Legacy AwardShortlisted, Robert Kroetsch City of Edmonton Book PrizeRemember pearl-snap Western shirts, Scrubbies jeans, and denim jackets, George W. Groovy, Cowboy Kings, Red Straps? Take a trip down memory lane and relive the GWG story! Remember the slogans "Anything Goes," "They wear longer, because they're made stronger," and Wayne Gretzky's declaration that "I grew up in GWGs"? GWGs have been a cultural icon in Canada since the company's founding in 1911. Here, at long last, is the complete, lushly illustrated history of the Great Western Garment Company, whose products were staples for some generations and defined cool for others. This lavish book includes archival photographs, advertisements, product photos, and insights on the long history of this iconic Canadian company. Begun in Edmonton, GWG not only manufactured jeans, but also helped immigrant women support their families, becoming a model of management and labour working collaboratively. GWG eventually became the largest workwear manufacturing company in Canada, providing different styles of work and leisure clothing for men, women, and children, and for the military during both world wars. Although Levis acquired the company during the 1960s and '70s and closed the last factories in 2004, the GWG brand remains a part of pop culture. It is firmly fixed in the Canadian psyche and still holds a place in Canadian hearts.

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En este volumen se agrupan críticas, entrevistas, reseñas y artículos dedicados a A. F. Molina desde los años 50 del pasado siglo hasta el 2013 del presente. Con firmas como: Fernando Arrabal, Víctor García de la Concha, Ricardo Senabre, José Luis Calvo Carilla, Antonio Beneyto, Juan Eduardo Cirlot, José Hierro, Jesús Ferrer Solà, Gabino-Alejandro Carriedo, María Zambrano, Fernando Valls, Luis Alberto de Cuenca, Antón Castro. Y más. Se atreven a internarse en la selva fernandezmoliniana, a cruzar al otro lado del espejo, a franquear el umbral? Son muchos y de distintas ideologías los intelectuales que han dedicado atención a la singular obra de A. F. Molina. Por algo será, no creen? Ester Fernández Echeverría En el fondo de su literatura lleva Fernández Molina algo de la visión esperpéntica de Valle-Inclán, el sueño de las calaveras de Quevedo y las figuraciones plásticas de Dalí. Dámaso Santos Apollinaire pensó un libro de caligramas que se titularía Y yo también soy pintor. Antonio F

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Gathering together Ruth Wilson Gilmore's work from over three decades, Abolition Geography presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an "anti-state state" that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.Edited with an introduction by Brenna Bhandar and Alberto Toscano.

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Gathering together Ruth Wilson Gilmore's work from over three decades, Abolition Geography presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an "anti-state state" that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.Edited with an introduction by Brenna Bhandar and Alberto Toscano.

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In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an "architectonic" unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano.

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In 1996, against the backdrop of Alberto Fujimori's increasingly corrupt national politics, an older woman in Lima, Peru - part of a group of women street sweepers protesting the privatization of the city's cleaning services - stripped to the waist in full view of the crowd that surrounded her. Lima had just launched a campaign to revitalize its historic districts, and this shockingly transgressive act was just one of a series of events that challenged the norms of order, cleanliness, and beauty that the renewal effort promoted."The City at Its Limits" employs a novel and fluid interweaving of essays and field diary entries as Daniella Gandolfo analyzes the ramifications of this act within the city's conflicted history and across its class divisions. She builds on the work of Georges Bataille to explore the relation between taboo and transgression, while Peruvian novelist and anthropologist Jose Maria Arguedas' writings inspire her to reflect on her return to her native city in movingly intimate detail. With its multiple perspectives - personal, sociological, historical, and theoretical - "The City at Its Limits" is a pioneering work on the cutting edge of ethnography.

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“Ravishing… as if Saavedra were a modern-day Borges.” —Luis Alberto Urrea, O, The Oprah MagazineA novel of dark obsession, missed connections, and violent love.Marcos has just been through a divorce and moved into a new apartment. He feels alienated from his ex-wife, from his daughter, from society; everything feels flat and fake to him. He begins to receive letters at his new address from an anonymous troubled woman who signs off as A. and who clearly believes she is writing to the former tenant, her ex-lover, in the aftermath of a violent heartbreak. Marcos falls under the spell of the manic, hypnotic missives and for the first time in years, something moves him.Blue Flowers alternates between the letters detailing the dissolution of A.''s relationship, and Marcos'' growing fixation with this damaged person. The letters become a kind of exorcism as both A.''s epistolary affair and Marcos'' personal

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In The England's Dreaming Tapes, Jon Savage has gone back to the source to re-create, in original interview form, the extraordinarily disparate and contentious personalities who emerged in the mid-70s as the harbingers of what became known as punk.Here in uncut form is the story of a generation that changed the world in just a few months in 1976. In interviews with all the major figures of the time - including all four original Sex Pistols, Joe Strummer, Chrissie Hynde, Jordan, Siouxsie Sioux, Viv Albertine, Adam Ant, Lee Black Childerss, Howard Devoto, Pete Shelley, Syl Sylvain, Debbie Wilson, Tony Wilson and Jah Wobble - Jon Savage has produced a book huge in scope, vision and generosity of perspective.The England's Dreaming Tapes will surely become the final word and the must-have oral history of the music, fashion and attitude that defined this influential and incendiary era.

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A magnificent volume and a journey through time: This is Christine Turnauer's black and white photo series from 1986, first published in book form. North American indigenous peoples travel thousands of miles to participate in traditional dance contests called powwows. Christine Turnauer visited them from northern Alberta to southern Montana with her mobile studio tent. The result was very authentic and extraordinary portraits. The dancers were completely themselves and when they wear their traditional costumes, it becomes a spontaneous expression of pride and inner freedom. It seems as if they have a connection to their ancestors. What at first glance may seem like the black-and-white photographs of an Edward S. Curtis and other classics of Indian portrait photography of the late 19th and early 20th centuries, is experiencing a new perspective with Turnauer. For the poses are not posed by the photographer, but arise from the active participation of those photographed.

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The sequel to the best-selling 50 States, 5,000 Ideas takes readers on the road trip of a lifetime: 100 epic journeys through all 50 states--and 10 Canadian provinces--offering thousands of diverting sites, roadside attractions, and pure fun along the way. From breathtaking views across national parks to a vineyard route through Northwest wine country and a winter wonderland on Alberta's Icefields Parkway, this informative travel guide offers epic sights, good bites, and pure fun. Pack your car and hit the road to experience 100 drives--both classic and off the beaten track--across the United States and Canada. You'll find innovative itineraries outlining your route, along with when to go and what to do and see along the way. And there's something here to satisfy every passenger. Take in the magnificent turns along Alaska's Route One through Anchorage to Kenai. Or wind your way through retro spots from Chicago to Los Angeles on Route 66. On nearly 600 miles of New Mexico's Trail of the Ancients, stop off to encounter sites dating back to A.D. 850. Or discover fossils along Dinosaur Drive, a route that winds its way from Calgary to Denver. Beach lovers will delight in Hawaii's Oahu Circle Island Drive, while history lovers can follow Canada's War of 1812 trail: a cruise between Montreal and Windsor with stops at major battlefields along the way. Filled with expert tips, tons of activities, and plenty to see and do as you drive--the ultimate road trip playlist anyone?--here is an inspirational and practical keepsake for any road warrior.

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