Search results for ""author dan"

INSTANT NEW YORK TIMES BESTSELLERA REESE WITHERSPOON BOOK CLUB PICKMAJOR TV ADAPTATION IN DEVELOPMENT BY AMY ADAMS'Calling it The Handmaid's Tale crossed with Butch Cassidy and the Sundance Kid goes some way to describe this novel's memorable world, but it is also wholly its own' KIRKUS '2021 is already a year that could use a little joy. Here to provide some is Outlawed . . . It's an absolute romp and contains basically everything I want in a book: witchy nuns, heists, a marriage of convenience, and a midwife trying to build a bomb out of horse dung' Vox 'Outlawed sets a high bar for the 12 months of publishing still to come . . . It upends the tropes of the traditionally macho and heteronormative genre while also being a rip-snortin' good read, too' THE WEEK (Most Anticipated Books of the Year) 'North is a riveting storyteller . . . Reader, you are in for a real treat' JENNY ZHANG'Fans of Margaret Atwood and Cormac McCarthy finally get the Western they deserve' ALEXIS COE 'A thrilling tale eerily familiar but utterly transformed ... In North's galloping prose, it's a fantastically cinematic adventure that turns the sexual politics of the Old West inside out' WASHINGTON POST 'A western unlike any other, Outlawed features queer cowgirls, gender nonconforming robbers and a band of feminists that fight against the grain for autonomy, agency and the power to define their own worth' MS. 'A grand, unforgettable tale' ESMÉ WEIJUN WANG In the year of our Lord 1894, I became an outlaw.On the day of her wedding-dance, Ada feels lucky. She loves her broad-shouldered, bashful husband and her job as an apprentice midwife.But her luck will not last. It is every woman's duty to have a child, to replace those that were lost in the Great Flu. And after a year of marriage and no pregnancy, in a town where barren women are hanged as witches, Ada's survival depends on leaving behind everything she knows.She joins up with the notorious Hole in the Wall Gang. Its leader, a charismatic preacher-turned-robber, known to all as The Kid, wants to create a safe haven for women outcast from society. But to make this dream a reality, the Gang hatches a treacherous plan. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all.

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This important new reference work details all those ships and vessels of the Royal Navy, large and small, which were lost by accident or enemy action, during the twentieth century, from the end of the First World War, to the last years of the century. In all, the fates of over 2,000 ships and small craft are covered, from aircraft carriers and battleships to motor launches, harbour tenders and tugs. Those vessels hired or purchased for wartime service, such as trawlers, paddle steamers and yachts are also listed. During wartime ships are lost; it is their purpose to go in harm's way. Hostile gunfire, torpedoes and mines were established threats throughout the period, while the increasing threat of air attack and the introduction of weapons employing new technology, such as influence-triggered mines, homing torpedoes or air-launched guided weapons added to the risks of operating in a hostile environment. Ships operating in extremely hazardous conditions, such as at Dunkirk in 1940 or Singapore in 1942, suffered heavy losses in brief, concentrated conflicts; but the long continuous campaigns, such as the Atlantic convoys or the constant need to sweep for mines also took their toll. Peacetime losses are dominated by submarine casualties, demonstrating the dangerous character of that service. To this may be added the hazardous nature of the sea itself, when ships are lost in heavy weather; sometimes, human error or plain foolishness may play a part. The core of the book is taken up by those losses experienced during the Second World War, but peacetime losses and more recent conflicts such as the Falklands War of 1982 are included. Arranged chronologically, every entry notes the outline details of the vessel, identifies the Commanding Officer, where known, and gives a full and often harrowing account of the circumstances of the loss and the number of casualties. The details come from extensive original research using primary source material wherever possible, particularly the relevant War Diaries and the collected loss and damage reports, casualty reports and reports of proceedings, now in the National Archives. Wartime losses of the Dominions are included, to ensure completeness. This comprehensive record of warship losses, from all causes, suffered by the Royal Navy over the past one hundred years, is the first single-volume work on the subject and represents a major milestone in naval research and publishing.

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The Lords of Avaris is one man's journey in search of the legendary origins of the Western World. Our story begins in a small rock-cut tomb below the desolate ruin-mound of Jericho in the Jordan Valley. This is the start of an epic journey of discovery, in the Homeric mould, which ranges across the ancient lands and archaeological sites of the Mediterranean. From Joshua's Jericho to Romulus' Rome, the true chronicle of our pre-Christian past is uncovered revealing an extraordinary historical picture, previously unimagined by scholars. The epic legends of the West, which permeate the writings of Greece and Rome, appear to have been based on the exploits of genuine historical figures and actual events. There really was an 'Heroic Age' of brazen-clad warriors, the last of which fought before the walls of Troy, just as described in Homer's Iliad. At the beginning of the Middle Bronze Age - two thousand years before the assassination of Julius Caesar in the Roman Senate - a new people appeared on the stage of history to join the great civilisations of Mesopotamia and Egypt. These 'Indo-European'-speaking tribes were chariot-riding warriors from the northern mountains and plains. They became the Hittites, the Aryan kings of Mitanni, the Vedic heroes of the Indus, and the founders of the later empires of Greece, Persia and Rome. They had many legendary names - the Divine Pelasgians of Greece, the Luwians of Troy and western Anatolia, the Rephaim and Anakim of the Bible, and the Hyksos rulers of Avaris who suppressed Egypt for generations. Their heroes and heroines are legionary: Inachus, mythical king of Argos in the Peloponnese; his daughter the beautiful Princess Io who married an Egyptian pharaoh; Danaus, the Hyksos ruler who, fleeing from Egypt to Greece, founded the Mycenaean dynasty which culminated in Agamemnon's ill-fated Trojan War; Cadmus, the bringer of writing to the West; Minos, the Cretan high-king of Knossos who built the infamous Labyrinth; Mopsus, warrior and sage who led a vast Greek, Philistine and Anatolian army into the Levant in a daring attempt to seize Egypt in the time of Ramesses III. All these, and more, are the stuff of legend - but The Lords of Avaris reveals these Classical heroes as flesh-and-blood characters from our ancestral past.

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When John Rast signed up for Knight Watch, he expected it to be all fighting dragons and rescuing maidens. You know, hero stuff. But instead he’s stuck patrolling game conventions and cosplayer competitions, looking for dangerous anachronisms and the villains who may be trying to exploit them. Fortunately, all that changes when an honest-to-goodness necromancer shows up wielding a weapon created by Nazi occultists and accompanied by some badass evil Valkyries, hell-bent on kicking off the end of the world. John and the team will go to great lengths—even Minnesota—to prove find out who’s responsible for all this and foil their plans. Also, there’s a giant dog who thinks the moon is a ball. It’s epic. About Knight's Watch: “Buckle up and get ready for a fun ride. Tim Akers delivers an epic story about weekend ren faire warriors versus actual monsters. Best fictional use of a Volvo station wagon ever.” —Larry Correia About Tim Akers: “A must for all epic fantasy fans.” —Starburst “Full of strong world building, cinematic and frequent battle scenes, high adventure, great characters, suspense, and dramatic plot shifts, this is an engaging, fast-paced entry in a popular subgenre.” —Booklist (starred review) “Take a bit of fantasy, mix in the horror of the demonic, and put in some top-notch writing and you’ll have Akers’ latest novel.” —Hellnotes “Fast-paced . . . an epic fantasy story with action, intrigue and a good story.” —RPG “Delivers enough twists and surprises to keep readers fascinated . . . contains action, grittiness, magic, intrigue and well created characters.” —Rising Shadow “An extremely well-developed secondary world.” —SF Signal

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Does your dog know when you've had a bad day? Can your cat tell that the coffee pot you left on might start a fire? Could a chimpanzee be trained to program your computer? In this provocative book, noted animal expert Clive Wynne debunks some commonly held notions about our furry friends. It may be romantic to ascribe human qualities to critters, he argues, but it's not very realistic. While animals are by no means dumb, they don't think the same way we do. Contrary to what many popular television shows would have us believe, animals have neither the "theory-of-mind" capabilities that humans have (that is, they are not conscious of what others are thinking) nor the capacity for higher-level reasoning. So, in Wynne's view, when Fido greets your arrival by nudging your leg, he's more apt to be asking for dinner than commiserating with your job stress. That's not to say that animals don't possess remarkable abilities--and Do Animals Think? explores countless examples: there's the honeybee, which not only remembers where it found food but communicates this information to its hivemates through an elaborate dance. And how about the sonar-guided bat, which locates flying insects in the dark of night and devours lunch on the wing? Engagingly written, Do Animals Think? takes aim at the work of such renowned animal rights advocates as Peter Singer and Jane Goodall for falsely humanizing animals. Far from impoverishing our view of the animal kingdom, however, it underscores how the world is richer for having such a diversity of minds--be they of the animal or human variety.

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Jones’s Icones contains finely delineated paintings of more than 760 species of Lepidoptera, many of which it described for the first time, marking a critical moment in the study of natural history. With Iconotypes Jones’s seminal work is published for the first time, accompanied by expert commentary and contextual essays, and featuring annotated maps showing the location of each species. Jones painted the species between the early 1780s and 1800, drawing from his own collection and the collections of Joseph Banks, Dru Drury, Sir James Edward Smith, John Francillon, the British Museum and the Linnean Society. For every specimen painting he provided a species name, the collection from which it was taken and the geographical location in which it was found. In 1787, during a visit to London, the Danish scientist Johann Christian Fabricius studied Jones’s paintings and based 231 species of butterfly and moths on them. In this enhanced facsimile, Jones’s references to historic references are clarified and modern taxonomic names are provided, together with notes on which paintings serve as iconotypes. Contextual commentary by specialist entomologist Richard I. Vane-Wright gives an account of Jones’s life and his motivation for collecting butterflies and creating the Icones, and evaluates the significance of his work. Interspersed at intervals between the pages of Jones’s paintings are modern maps showing the location of each species painted, and expert essays on the development of lepidoptery and taxonomy after Linneaus, and the roles of collectors and natural history artists from the late 1700s to mid-1800s.With 1600 illustrations in colourIn partnership with Oxford University Museum of Natural History

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There was an expectation that the end of the Cold War would herald a new era of peace and stability in which the importance of nuclear weapons was marginalized. Instead, we have been left with a fractious, inter-dependent international community rife with ethnic and religious tension and unbound by super-power competition. The challenges of climate change, demographic shifts and resource competition have further altered the security environment. As if this were not enough, nuclear proliferation is once again at the top of the international agenda. In the last decade the Nuclear Proliferation Treaty (NPT) has been challenged from within by Iraq, Iran and Libya while India’s, Pakistan’s and North Korea's nuclear weapon capabilities are threatening the non-proliferation norm from without. The new proliferators are predominantly, but not exclusively, aggressive, unstable and authoritarian regimes, considered by many in the international community to be outside the constraints of international normative behaviour. Some have even been labelled `outlaw’, or `rogue’ states. Although inter-continental nuclear war is not presently considered a danger, the increased number of nuclear weapons states combined with the nature of those states and the strategic environment in which they exist makes the possibility of a lesser nuclear exchange potentially much greater. In parallel, the 9/11 atrocities raised fears of the prospect of apocalyptic terrorists acquiring nuclear weapons. Indications that the NPT is failing to rise to the challenge have resulted in policy decisions that have arguably reversed both the disarmament and non-proliferation norms.This volume delves deep into the changing global nuclear landscape. The chapters document the increasing complexity of the global nuclear proliferation dynamic and the inability of the international community to come to terms with a rapidly changing strategic milieu. The future, in all likelihood, will be very different from the past, and the chapters in this volume develop a framework that may helps gain a better understanding of the forces that will shape the nuclear proliferation debate in the years to come.Part I examines the major thematic issues underlying the contemporary discourse on nuclear proliferation.Part II gives an overview of the evolving nuclear policies of the five established nuclear powers: the USA, Russia, the United Kingdom, France and the People's Republic of China. Part III looks at the three de facto nuclear states: India, Pakistan and Israel. Part IV examines two `problem states' in the proliferation matrix today: Iran and North Korea. Part V sheds light on an important issue often ignored during discussions of nuclear proliferation – cases where states have made a deliberate policy choice of either renouncing their nuclear weapons programme, or have decided to remain a threshold state. The cases of South Africa, Egypt and Japan will be the focus of this section.The final section, Part VI, will examine the present state of the global nuclear non-proliferation regime, which most observers agree is currently facing a crisis of credibility. The three pillars of this regime – the NPT, the Comprehensive Test Ban Treaty and the Fissile Material Cut-Off Treaty – will be analyzed.

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'Thrilling! The Hostage is an intense, white-knuckle ride from start to finish' LAURA GRIFFIN'An action-packed, don't-blink-or-you'll-miss-something kind of novel, which makes it impossible to put down once you've started reading' ⭐ ⭐ ⭐ ⭐ reader review'This was my first book by Melinda Di Lorenzo and I definitely will be looking out for her books in future, it was outstanding' ⭐ ⭐ ⭐ ⭐ reader review'A captivating, action packed thriller that didn't let up from the beginning to the end and kept me riveted long into the night' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'Riveting read - could not put it down!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'I read a ton of romantic suspense but this book was fantastic! This story had so many twists and turns! I didn't figure out any of them. Definitely worth the time to read!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'High energy, exciting and edge of your seat suspense' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'An amazing story that sucks you in on the first page' ⭐ ⭐ ⭐ ⭐ ⭐ reader reviewHe was the last person she expected to save her life . . . Air Force One meets The Fugitive with a thrillingly romantic spin in Melinda Di Lorenzo's gripping suspense novel. Perfect for fans of Nora Roberts, Melinda Leigh and Debra Webb. .................................Surviving the plane crash was the easy part. After losing someone close to her, nurse Joelle Diedrich needs a change of scene. But stepping in as a last-minute medical escort on a prisoner transfer flight results in a bigger one than she bargained for. Waking in the wreckage of a crash, Joelle swiftly gathers that no one else on the plane was what they seemed. And if she wants to make it out of this alive, she must place her trust in the only survivor who's not trying to kill her: Beck, the convicted murderer who was being transported. Fleeing with Beck presents more than one danger - not only that of simple survival across treacherous terrain, but by making Joelle a target in a ruthless plot. As the threats multiply and Beck and Joelle grow closer, Joelle has to ask herself just how much she's willing to risk for a man she's just met, and figure out whether Beck will risk the same for her . . ..................................Readers are gripped by The Hostage!'The anticipation is taut, the surprises are many, and the twists come to skew what one might think one has figured out. It is an exciting, romantic, suspenseful read with a very satisfying ending'A captivating, action-packed thriller that didn't let up from the beginning to the end and kept me riveted long into the night . . . Highly recommend!''A good mystery romance with a twist I couldn't have predicted''All this book was missing was Nicolas Cage - it definitely gave me some serious Con Air vibes - but with way more romance . . . I highly recommend this as a action suspense romance''Fast-paced and entertaining''I enjoyed this book, particularly the relationship between Beck and Joelle and their amusing dialogue! It reminded me of a mix between Con Air and Romancing The Stone'

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!! NOW WITH AN EXCLUSIVE BONUS CHAPTER !!One of Book Riot's 'Best and Swooniest Romantasy Books''Amber's series breaks the rules in the best way. Her main character is strong, capable, and unapologetically powerful. There is no damsel here. This story is filled with fast-paced action, an in-depth world, and a romance that goes from simmer to boil. If you like romantasy, read this!' RAVEN KENNEDY'A wicked ride from beginning to heart shattering end. Leaving me literally screaming for more. I couldn't turn the pages fast enough to get more our morally corrupt heroine who you can't help but root for, along with the giggle inducing banter between her and the heroic god Samkiel' HANNAH NICOLE MAEHER'Once in a while I read a series that reminds me of just why I love enemies to lovers, slow burn, and morally grey characters so much. Gods and Monsters is that series. This is perfection. Amber Nicole's Dianna is the FMC of my soul' NISHA J. TULIDon't miss this addictive BookTok sensation - a perfectly steamy, high-stakes, TRUE enemies-to-lovers, dark epic romantasy!_________________________WHERE THERE ARE GODS, THERE ARE ALSO MONSTERS . . .For a thousand years, the Etherworld has known peace.Until now.Many centuries ago, desperate to save her dying sister, Dianna made a deal with Kaden, a monster far worse than any nightmare. Locked in servitude to him, she is forced to hunt down an ancient relic held by her most dangerous enemies: an army led by Samkiel, the World Ender.After the Gods War, Samkiel hid from everything, denying his crown and deserting his people. Now, an attack on those he loves sends him back to the realm he never wished to return to, and into the sights of an enemy he had hoped to forget.With every world at stake, Dianna and Samkiel are forced to set aside their animosity and work together, before all is lost . . .Don't miss the next book in this series, THE THRONE OF BROKEN GODS and look out for Book 3 coming soon . . ._________________________⭐ Readers can't get enough of Samkiel and Dianna! ⭐'I loved reading this book so much! The world building is amazing, Dianna is super badass and I love how she grew in the book . . . Can't wait to read the next in the series!' ⭐ ⭐ ⭐ ⭐ ⭐'So so so so good! Such a well written and addictive read! Brings all the emotions and a great amount of twists and turns. Highly recommend!' ⭐ ⭐ ⭐ ⭐ ⭐'I am so glad BookTok showed me this book, I jumped in based off of one single line and I regret NOTHING! I especially love the fact that the characters are all very unique and feel very original . . . Loved it so much, cannot wait for book 2. And did I see that this will be a 5 book series? HELL YES PLEASE!' ⭐ ⭐ ⭐ ⭐ ⭐'An easy 5 ⭐ read. This is my favourite book of the year so far. You need to read this - I couldn't put it down. I need to go now and download the second book!' ⭐ ⭐ ⭐ ⭐ ⭐'Well, what a read. I am so glad that I picked this bad boy up. My first 5 ⭐ read for a really long time. I think book 2 will blow it out of the park! Absolutely amazing characters and that ending!!' ⭐ ⭐ ⭐ ⭐ ⭐

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“Alive with delicious prose and the cacophony of ’90s Harlem, Big Girl gifts us a heroine carrying the weight of worn-out ideas, who dares to defy the compulsion to shrink, and in turn teaches us to pursue our fullest, most desirous selves without shame.” —Janet Mock Malaya Clondon hates when her mother drags her to Weight Watchers meetings in the church’s stuffy basement community center. A quietly inquisitive eight-year-old struggling to suppress her insatiable longing, she would much rather paint alone in her bedroom, or sneak out with her father for a sampling of Harlem’s forbidden street foods. For Malaya, the pressures of going to a predominantly white Upper East Side prep school are compounded by the high expectations passed down over generations from her sharp-tongued grandmother and her mother, Nyela, a painfully proper professor struggling to earn tenure at a prestigious university. But their relentless prescriptions—fad diets of cottage-cheese and sugar-free Jell-O, high-cardio African dance classes, endless doctors’ appointments—don’t work on Malaya. As Malaya comes of age in a rapidly gentrifying 1990s Harlem, she strains to understand “ladyness” and fit neatly within the suffocating confines of a so-called “femininity” that holds no room for her body. She finds solace in the lyrical riffs of Biggie Smalls and Aaliyah, and in the support of her sensitive father, Percy; still, tensions at home mount as rapidly as Malaya’s weight. Nothing seems to help—until a family tragedy forces her to finally face the source of her hunger on her own terms. Exquisitely compassionate and clever, Big Girl is “filled with everyday people who, in Mecca Jamilah Sullivan’s gifted hands, show us the love and struggle of what it means to be inside bodies that don’t always fit with the outside world” (Jacqueline Woodson). In tracing the perils and pleasures of the inheritance that comes with being born, Sullivan pushes boundaries and creates an unforgettable portrait of Black womanhood in America.

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In May 1798, after Congress released the XYZ Affair dispatches to the public, a raucous crowd took to the streets of Philadelphia. Some gathered to pledge their support for the government of President John Adams, others to express their disdain for his policies. Violence, both physical and political, threatened the safety of the city and the Union itself. To combat the chaos and protect the nation from both external and internal threats, the Federalists swiftly enacted the Alien and Sedition Acts. Oppressive pieces of legislation aimed at separating so-called genuine patriots from objects of suspicion, these acts sought to restrict political speech, whether spoken or written, soberly planned or drunkenly off-the-cuff. Little more than twenty years after Americans declared independence and less than ten since they ratified both a new constitution and a bill of rights, the acts gravely limited some of the very rights those bold documents had promised to protect. In The Alien and Sedition Acts of 1798, Terri Diane Halperin discusses the passage of these laws and the furor over them, as well as the difficulties of enforcement. She describes in vivid detail the heated debates and tempestuous altercations that erupted between partisan opponents: one man pulled a gun on a supporter of the act in a churchyard; congressmen were threatened with arrest for expressing their opinions; and printers were viciously beaten for distributing suspect material. She also introduces readers to the fraught political divisions of the late 1790s, explores the effect of immigration on the new republic, and reveals the dangers of partisan excess throughout history. Touching on the major sedition trials while expanding the discussion beyond the usual focus on freedom of speech and the press to include the treatment of immigrants, Halperin's book provides a window through which readers can explore the meaning of freedom of speech, immigration, citizenship, the public sphere, the Constitution, and the Union.

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Lucy Prebble is one of Britain's foremost writers for the stage and screen. This eagerly anticipated play collection brings together her landmark plays for the first time, showcasing her work from 2003 to 2019. Beginning with her George Devine Award-winning play The Sugar Syndrome it continues through her explosive look at the biggest financial scandal in history, concluding with her pointed dramatization of the one of the most shocking news stories of the 2010s. The Sugar Syndrome (2003) Dani is on a mission. She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy. What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation. Enron (2009) One of the most infamous scandals in financial history became a theatrical epic in Enron, a dazzling exposition of the shadowy mechanisms of economic deceit. Mixing classical tragedy with savage comedy and surreal metaphor, Enron follows a group of flawed men and women in a narrative of greed and loss which reviews the tumultuous 1990s, and the financial chaos which has spilled over into the new century. The Effect (2012) a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off course, much to the frustration of the clinicians involved. A Very Expensive Poison (2019) A shocking assassination in the heart of London. In a bizarre mix of high-stakes global politics and radioactive villainy, a man pays with his life. At this time of global crises and a looming new Cold War, A Very Expensive Poison sends us careering through the shadowy world of international espionage from Moscow to Mayfair.

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Volcanoes are capable of acts of pyrotechnical prowess verging on magic: they spout black magma more fluid than water, create shimmering cities of glass at the bottom of the ocean and frozen lakes of lava on the moon and can even tip entire planets over. Between lava that melts and re-forms the landscape, and noxious volcanic gases that poison the atmosphere, volcanoes have threatened life on Earth countless times in our planet’s history. Yet despite their reputation for destruction, volcanoes are inseparable from the creation of our planet. A lively and utterly fascinating guide to these geologic wonders, Super Volcanoes revels in the incomparable power of volcanic eruptions past and present, Earthbound and otherwise—and recounts the daring and sometimes death-defying careers of the scientists who study them. Science journalist and volcanologist Robin George Andrews explores how these eruptions reveal secrets about the worlds to which they belong, describing the stunning ways in which volcanoes can sculpt the sea, land and sky, and even influence the machinery that makes or breaks the existence of life. Walking us through the mechanics of some of the most infamous eruptions on Earth, Andrews outlines what we know about how volcanoes form, erupt and evolve, as well as what scientists are still trying to puzzle out. How can we better predict when a deadly eruption will occur—and protect communities in the danger zone? Is Earth’s system of plate tectonics, unique in the solar system, the best way to forge a planet that supports life? And if life can survive and even thrive in Earth’s extreme volcanic environments—superhot, super acidic and super saline surroundings previously thought to be completely inhospitable—where else in the universe might we find it? Traveling from Hawai‘i, Yellowstone, Tanzania and the ocean floor to the moon, Venus and Mars, Andrews illuminates the cutting-edge discoveries and lingering scientific mysteries surrounding these phenomenal forces of nature.

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An amazing journey of an Infantry Unit, so proud of its heritage, to find itself at the Nadir, helped by circumstances – when its Commanding Officer was lost to an impulsive soldier's bullets; officer, men and weapon were lost in quick succession; Counter Terrorist operations went awfully wrong – there seemed to be no light at the end of the tunnel. Morale of the Unit was at its lowest; others viewed it with circumspection and the question in every mind was, will the unit be able to bounce back?!The Unit held its nerves, helped by resilience of its brave officers, JCOs and men; eager to redeem its 'Name' and 'Izzat'-so dear to a soldier. The Unit fought back to regain its lost glory – but not without paying its cost in sweat and blood!The Day That Changed it All is written in the precise and unassuming language of a soldier. For the military reader, every page is full of lessons, big and small, in the craft of soldiering. It is one of the few works that explain simply and in lucid detail how a leader can drive his command to any extent of performance by training and motivation, how caring and preparation will any day outshine fear of punishment.Though a military book, it is a must-read for ‘civilians’ spanning a wide range of age, profession and experience. It has long been understood, but not often acknowledged, that running a successful army infantry unit is the final word on leadership and management. The art of motivation and activation of human resource is the forte of any successful army, especially so the infantry, since manpower is its particular strength and specialty. Any non-military leader, manager, student or admirer of the art of leadership would do well to read this masterpiece of caring, motivation and application of all that makes heroes out of men and winners out of teams. There are compelling descriptions of dangerous operations, sometimes carried out with surgical precision and sometimes fallen to the undeterminable hand of fate. Definitely, a must-read for all thinking people, military or otherwise.

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Build solid software with modern and safe concurrency features. Concurrency is one of the hardest problems in computer science. For years, computer scientists and engineers have developed different strategies for dealing with concurrency. However, the original concurrency primitives are complicated and difficult to understand, and even harder to implement. Using the new async/await APIs in Swift, this book will explain how your code can abstract a lot of the complexity with a simpler interface so you never have to deal with concurrency primitives such as semaphores, locks, and threads yourself. This will allow you to write concurrent code that is easier to read, easier to write, and easier to maintain. These new APIs are deeply ingrained into Swift, offering compile-level features that will keep you from writing dangerous concurrent code. You’ll start by exploring why concurrency is hard to implement in a traditional system. Explaining the definition of concurrency and what its primitives are will help you understand why they are hard to use correctly. These concepts will become clearer as you work through the sample projects. The book’s focus then shifts exclusively to the new APIs, helping you understand how the integration of the system with the language itself makes it easier for you to write concurrent code without overstepping the bounds of the concurrency safe zone. By the end of the book, you’ll have a solid foundation for working safely with concurrent code using the new async/await APIs.What You'll Learn Understand concurrency and its traditional problems Work with the new async/await API and all its features, from the basic usage and await keywords, to task groups and async sequences. Implement modern and safe concurrent code that you can start using right away Who This Book Is For Experienced iOS developers at a semi-senior or senior level. Knowledge on the Grand Central Dispatch is a bonus, but not required.

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Reprint of this bestselling title on contemporary jewelry. An introduction into art jewelry in light of current trends in contemporary fine art and society On Jewellery offers a comprehensive overview of the trends and role of contemporary international jewelry art from the 1960s to today, shown within the context of corresponding trends in art and society. This publication is dedicated to themes such as interdisciplinary collaboration, new means of presentation and contextualization. It also incorporates photography and the relationships between jewelry and the body, jewelry and ornament and new interpretations of traditional technical skills. Furthermore it considers aspects such as terminology and strategies, positioning, prejudices and the significance of content with regard to jewelry. On this basis this publication offers a synopsis of what jewelry art is and what it can be. Its aim is to reveal the characteristics, language and potential of jewelry. A bibliography of the most important works of jewelry art, a directory of jewelry galleries, museums and educational institutions make On Jewellery a compact handbook of contemporary jewelry art. Artists featured include Pia Aleborg, Gijs Bakker, Melanie Bielenker, Manfred Bischoff, Helen Britton, Paul Derrez, Iris Eichenberg, Warwick Freeman, Otto Kunzli, Daniel Kruger, Yuka Oyama, Robert Smit, Annamaria Zanella and Christoph Zellweger. Contents: Beyond the Showcase; Conceptual Jewellery; Jewellery and Photography; Reading Jewellery; Borderline Jewellery; Jewellery and the Body; Jewellery and Ornament; Jewellery and the Goldsmith's Skill; The Language of Jewellery; Documentation: Manifests. Since 1985, Liesbeth den Besten has worked free lance as a writer for newspapers, art and design magazines and exhibition catalogues. She is active as an advisor and jury member for Dutch and international governmental institutions, exhibitions and competitions, and lectures about contemporary jewelry and crafts at international conferences and art academies. She is chairwoman of the Francoise van den Bosch Foundation for contemporary jewelry and one of the founding members of Think Tank, a European Initiative for the Applied Arts.

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Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.

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This study of Medecins Sans Frontieres / Doctors Without Borders (MSF) casts new light on the organization's founding principles, distinctive culture, and inner struggles to realize more fully its "without borders" transnational vision. Pioneering medical sociologist Renee C. Fox spent nearly twenty years conducting extensive ethnographic research within MSF, a private international medical humanitarian organization that was created in 1971 and awarded the Nobel Prize for Peace in 1999. With unprecedented access, Fox attended MSF meetings and observed doctors and other workers in the field. She interviewed MSF members and participants and analyzed the content of such documents as communications between MSF staff members within the offices of its various headquarters, communications between headquarters and the field, and transcripts of internal group discussions and meetings. Fox weaves these threads of information into a rich tapestry of the MSF experience that reveals the dual perspectives of an insider and an observer. The book begins with moving, detailed accounts from the blogs of women and men working for MSF in the field. From there, Fox chronicles the organization's early history and development, paying special attention to its struggles during the first decades of its existence to clarify and implement its principles. The core of the book is centered on her observations in the field of MSF's efforts to combat a rampant epidemic of HIV/AIDS in postapartheid South Africa and the organization's response to two challenges in postsocialist Russia: an enormous surge in homelessness on the streets of Moscow and a massive epidemic of tuberculosis in the penal colonies of Siberia. Fox's accounts of these crises exemplify MSF's struggles to provide for thousands of people in need when both the populations and the aid workers are in danger. Enriched by vivid photographs of MSF operations and by ironic, self-critical cartoons drawn by a member of the Communications Department of MSF France, Doctors Without Borders highlights the bold mission of the renowned international humanitarian organization even as it demonstrates the intrinsic dilemmas of humanitarian action.

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A fourth novel featuring former Texas Ranger turned lawyer turned crime fighter, Billy Bob Holland, set in the savage and beautiful landscape of Montana.Wyatt Dixon, rodeo cowboy and 'the most dangerous, depraved, twisted and unpredictable human I ever knew' is certainly not one of Billy Bob Holland's favourite people. Sentenced to sixty years in jail for murder, Dixon is out after only a year, due to the DA's failure to disclose a piece of information. He swears he's a changed man and needs Billy Bob's help, but how can Billy Bob believe the man who tortured his wife?And then there's Johnny American Horse, who has been caught carrying a gun. He says he needs it for protection; in a dream he saw two men coming for him and it isn't long before his prediction proves him right . . .Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Billy Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising Sun* Each James Lee Burke novel can be read as a standalone or in series order *

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The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the "New Negro" movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics. In this Very Short Introduction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians, and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as "Mother to Son," "Harlem Shadows," and Cane. In examining the "New Negro," she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to working class blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris. From Hughes's "The Negro Speaks of Rivers" to W.E.B. Du Bois's novel Dark Princess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The Harlem Renaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us.

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Deutschland lässt sich in die Karten schauen ...: Das Nationalatlas-Paket Haben Sie Fragen zu Deutschland? Brauchen Sie Informationen über die Menschen, die hier leben, oder über die soziale und politische Infrastruktur unseres Gemeinwesens? Über Siedlungsformen und Bildungseinrichtungen, Verkehrswege und Freizeitangebote, Kommunikationskanäle und Kulturetats? Möchten Sie Ost und West - oder die Stärken und Schwächen der einzelnen Bundesländer - miteinander vergleichen oder erfahren, wo Ihr Kreis gegenüber anderen in Deutschland steht? Oder lieben Sie es einfach, sich in Karten zu vertiefen - und darin laufend neue Dinge zu entdecken? Dann ist das große Werk Nationalatlas Bundesrepublik Deutschland - Unser Land in Karten, Texten und Bildern genau das Richtige für Sie. Mit diesem Nationalatlas-Paket holen Sie sich das geballte geographisch-kartographische Wissen über Deutschland ins Haus - und zugleich eine immens spannende Lektüre. Das Basiswerk, der erste umfassende Nationalatlas in der deutschen Geschichte und laut der ZEIT ein "schier allumfassendes Selbstbeschreibungsprojekt", hat in nur wenigen Jahren eine hohe Reputation erworben und ist für viele zu einem unverzichtbaren Nachschlagewerk geworden. Seine Erfolgsgeschichte begann im 50. "Lebensjahr" der Bundesrepublik Deutschland und 10 Jahre nach dem Ende der innerdeutschen Teilung, als der Band "Gesellschaft und Staat" mit seiner hohen inhaltlichen und handwerklichen Qualität sofort die Faszination und Informationsdichte dieses neuen Standardwerks belegte. Herausgegeben vom renommierten Leibniz-Institut für Länderkunde (IfL) in Leipzig und koordiniert von einer Vielzahl namhafter deutscher Wissenschaftler, vermittelt der Nationalatlas Bundesrepublik Deutschland ein umfassendes Bild vom Deutschland der Gegenwart. Dabei verfolgt das Werk einen ganzheitlichen Ansatz, um Bevölkerungsstruktur, Ressourcen, Raumordnung und gesellschaftliche Transformationsprozesse in ihrer Dynamik zu veranschaulichen. In Karten, Grafiken und Texten werden so die über lange Zeiträume ablaufenden nationalen, regionalen und lokalen Veränderungen an der Basis des Staates transparent. Neben die Präsentation des modernsten Forschungsstandes tritt eine zeitgemäße und problembezogene Themenformulierung. Dem Zusammenwachsen der ehemals zwei deutschen Staaten gilt ein besonderes Interesse. Jetzt wird das erstrangige Atlaswerk seinen Siegeszug auch in einer breiteren Öffentlichkeit fortsetzen können: Die Bände "Gesellschaft und Staat", "Bevölkerung", "Dörfer und Städte", "Bildung und Kultur", "Verkehr und Kommunikation" sowie "Freizeit und Tourismus" sind in dieser Sonderausgabe zu einem landeskundlichen Info-Paket erster Güte zusammengeführt - mit Hunderten von informativen Beiträgen, deren thematische Bandbreite von Arbeitsmarkt bis Zuwanderung, von Alterspyramide bis Zuliefererindustrie, von Ausbildung bis Zahlungsbilanz reicht. Jeder der sechs Bände enthält 40 bis 60 zwei- und vierseitige Themenbeiträge, die jeweils Karte, Grafik, Bild und Text kombinieren, wobei zugunsten eines handhabbaren Formats für die Bundesrepublik Deutschland ein Hauptmaßstab von 1 : 2,75 Mio. gewählt wurde. Die ungefähr 50 großformatigen und ebenso vielen kleineren neu erstellten Originalkarten bieten in verdichteter Form eine Fülle von aktuellen Informationen und werden von verständlich geschriebenen Texten begleitet. Eine Vielzahl von Fotos, Luft- und Satellitenbildern sowie fast 150 Grafiken, Abbildungen und Tabellen veranschaulichen die behandelten Themen. Zudem sind zahlreiche Fachbegriffe in einem Glossar erläutert.

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THE RAZOR’S EDGE OF TYRANNY AND FREEDOM THE EXILED LEADER: He was known as the Butcher of Sargusport. Zander Krycek made a choice that saved his world of Ithaca, but doomed his reputation and banished him to a planet far, far away. THE EVIL EMPIRE: The Orlov Combine intends to swallow Ithaca in the same way they have devoured so many worlds, creating a “company planet” where the residents are little better than slaves. THE DAUGHTER: Adisa Masozi never knew her father, but was taught he was a monster. Now she must reclaim her father’s legacy of leadership. And the place to start is with the mysterious aliens who also inhabit Ithaca. THE NATIVES: The saurians have held themselves aloof from galactic politics for eons in order to regain the strength to exact their revenge on an ancient foe. They have the means to resist the Combine. If they can be convinced to help. THE PRIVATEER: Enter privateer Captain Catherine Blackwood and her ship, the Andromeda. Blackwood and her crew have handled dangerous cargo and dicey situations before. Now, they’ll have to navigate assassination attempts, warring factions, and civil unrest. But Catherine has made a promise, and the freedom of a world hangs in the balance. The Privateer Andromeda series continues! Praise for the prequel, Her Brother's Keeper: “After co-writing Dead Six and Swords of Exodus with Larry Correia, Kupari makes his solo debut with this space opera that is bound to attract fans of Mike Shepherd’s Kris Longknife series or Elizabeth Moon’s Vatta’s War books. An excellent choice for both teen and adult sf readers.” —Library Journal "Mike Kupari is an awesome storyteller."—Larry Correia

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Winner of the 2023 Evelyn Shakir Non-Fiction Book Award from the Arab American National Museum Choice Outstanding Academic Title 2023 Uncovers the surprising history of Muslim life in the early American Midwest The American Midwest is often thought of as uniformly white, and shaped exclusively by Christian values. However, this view of the region as an unvarying landscape fails to consider a significant community at its very heart. Muslims of the Heartland uncovers the long history of Muslims in a part of the country where many readers would not expect to find them. Edward E. Curtis IV, a descendant of Syrian Midwesterners, vividly portrays the intrepid men and women who busted sod on the short-grass prairies of the Dakotas, peddled needles and lace on the streets of Cedar Rapids, and worked in the railroad car factories of Michigan City. This intimate portrait follows the stories of individuals such as farmer Mary Juma, pacifist Kassem Rameden, poet Aliya Hassen, and bookmaker Kamel Osman from the early 1900s through World War I, the Roaring 20s, the Great Depression, and World War II. Its story-driven approach places Syrian Americans at the center of key American institutions like the assembly line, the family farm, the dance hall, and the public school, showing how the first two generations of Midwestern Syrians created a life that was Arab, Muslim, and American, all at the same time. Muslims of the Heartland recreates what the Syrian Muslim Midwest looked, sounded, felt, and smelled like—from the allspice-seasoned lamb and rice shared in mosque basements to the sound of the trains on the Rock Island Line rolling past the dry goods store. It recovers a multicultural history of the American Midwest that cannot be ignored.

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Often called the “most African” part of Brazil, the northeastern state of Bahia has the country’s largest Afro-descendant population and a black culture renowned for its vibrancy. In Mama Africa, Patricia de Santana Pinho examines the meanings of Africa in Bahian constructions of blackness. Combining insights from anthropology, sociology, and cultural studies, Pinho considers how Afro-Bahian cultural groups, known as blocos afro, conceive of Africanness, blackness, and themselves in relation to both. Mama Africa is a translated, updated, and expanded edition of an award-winning book published in Brazil in 2004. Central to the book, and to Bahian constructions of blackness, is what Pinho calls “the myth of Mama Africa,” the idea that Africa exists as a nurturing spirit inside every black person. Pinho explores how Bahian cultural production influences and is influenced by black diasporic cultures and the idealization of Africa—to the extent that Bahia draws African American tourists wanting to learn about their heritage. Analyzing the conceptions of blackness produced by the blocos afro, she describes how Africa is re-inscribed on the body through clothes, hairstyles, and jewelry; once demeaned, blackness is reclaimed as a source of beauty and pride. Turning to the body’s interior, Pinho explains that the myth of Mama Africa implies that black appearances have corresponding black essences. Musical and dance abilities are seen as naturally belonging to black people, and these traits are often believed to be transmitted by blood. Pinho argues that such essentialized ideas of blackness render black culture increasingly vulnerable to exploitation by the state and commercial interests. She contends that the myth of Mama Africa, while informing oppositional black identities, overlaps with a constraining notion of Bahianness promoted by the government and the tourist industry.

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In the early twentieth century, Peruvian intellectuals, unlike their European counterparts, rejected biological categories of race as a basis for discrimination. But this did not eliminate social hierarchies; instead, it redefined racial categories as cultural differences, such as differences in education or manners. In Indigenous Mestizos Marisol de la Cadena traces the history of the notion of race from this turn-of-the-century definition to a hegemony of racism in Peru.De la Cadena’s ethnographically and historically rich study examines how indigenous citizens of the city of Cuzco have been conceived by others as well as how they have viewed themselves and places these conceptions within the struggle for political identity and representation. Demonstrating that the terms Indian and mestizo are complex, ambivalent, and influenced by social, legal, and political changes, she provides close readings of everyday concepts such as marketplace identity, religious ritual, grassroots dance, and popular culture, as well as of such common terms as respect, decency, and education. She shows how Indian has come to mean an indigenous person without economic and educational means—one who is illiterate, impoverished, and rural. Mestizo, on the other hand, has come to refer to an urban, usually literate, and economically successful person claiming indigenous heritage and participating in indigenous cultural practices. De la Cadena argues that this version of de-Indianization—which, rather than assimilation, is a complex political negotiation for a dignified identity—does not cancel the economic and political equalities of racism in Peru, although it has made room for some people to reclaim a decolonized Andean cultural heritage.This highly original synthesis of diverse theoretical arguments brought to bear on a series of case studies will be of interest to scholars of cultural anthropology, postcolonialism, race and ethnicity, gender studies, and history, in addition to Latin Americanists.

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Confidently provide best practices in patient care, with the newly updated Lippincott® Nursing Procedures, 9th Edition. More than 400 entries offer detailed, evidence-based guidance on procedures ranging from the most basic patient care to assisting with intricate surgeries. The alphabetical organization allows you to quickly look up any procedure by name, and benefit from the clear, concise, step-by-step direction of nursing experts. Whether you’re a nursing student, are new to nursing, or are a seasoned practitioner, this is your go-to guide to the latest in expert care and positive outcomes. Ensure a high level of nursing expertise with this practical, quick-reference guide. This edition offers: NEW entries with evidence-based direction on: Ankle-brachial index calculation Biohazardous waste handling Cultural assessment Elastomeric pump use Hazardous drug preparation and handling Hazardous drug spill management Nasal decolonization Opioid withdrawal management Post-traumatic stress disorder assessment Prone positioning for the awake patient Sepsis emergency patient care Wound photography Colored letter tabs at the top of each page that allow quick-and-easy locating of any entry Full-color photos and diagrams that illustrate procedure steps with a quick-read, bulleted format that walks you through each procedure Practices based on clinical evidence—recent studies supporting best practices are cited Colorful, eye-catching special alerts: Nursing Alerts – Potentially dangerous actions or clinically significant findings related to a procedure Pediatric Alerts – Special precautions to take while treating infants, young children, and adolescents Elder Alerts – Elder patient special needs Hospital-Acquired Condition Alerts – Conditions the Centers for Medicare and Medicaid Services have identified as events that may occur during hospitalization Procedures presented in a structured how-to format: Equipment – Types of equipment needed for procedure Preparation of equipment – Guidance on preparing any needed equipment for procedure Implementation – Step-by-step guidance for performing procedure Special considerations – Factors to keep in mind that can affect the procedure Troubleshooting – Methods for troubleshooting equipment issues, with step-by-step interventions Patient teaching – Helpful tips, reminders, and follow-up instructions before patient discharge Complications – Procedure-related complications to watch for Documentation – Everything needed to document the procedure fully

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“Big tech” knows all your secrets and sells them to the highest bidder—this guide for the everyday tech user explains how it happens, why it matters, and how to protect yourself and your most precious commodities, your identity and privacy. THE GUIDE TO USING EVERYDAY TECH—FROM GOOGLE SEARCHES AND AMAZON TO GPS AND FACEBOOK—WITH EYES WIDE OPEN. What if somebody knew everything about you? Your . . . • relationships: work, social, and private • family history, finances, and medical records • even your exact location . . . at any time of the day • personal preferences and purchases Somebody does. That somebody is “Big Tech.” Facebook, Google, Amazon, Apple, and Microsoft know more about you than you do. And they make billions of dollars by cashing in on your private data. Our personal data, which Big Tech companies get for free, is the engine that drives the unregulated, free-for-all, Wild West world called the digital marketplace. These corporate giants may bring us information and entertainment, convenience and connection, but they also do a lot of harm by: • threatening our privacy, discovering and disseminating our personal information. • spreading dangerous misinformation from foreign governments and bad actors. • manipulating our behavior, affecting what we see, buy . . . even who we vote for. So, what can we do about it? This eye-opening book provides vital information that has been out of reach to those who need it most—the millions of Facebook, Google, Amazon, Apple, and Microsoft users who have come to love and depend upon these digital products. Veteran consumer advocate Jane Hoffman makes the complex world of Big Tech simple to grasp as she reveals exactly how Big Tech uses—and abuses—your personal information. And she proposes a bold blueprint for reforming these corporate behemoths—including a data dividend. Your Data, Their Billions is a guidebook to everything at stake in our digital society, from Big Tech’s overreach into our daily lives to its practices that threaten our democracy. Knowledge is power—and it starts here.

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Winner of the Civil War Round Table of New York’s Fletcher Pratt Literary Award Winner of the Austin Civil War Round Table’s Daniel M. & Marilyn W. Laney Book Prize Winner of an Army Historical Foundation Distinguished Writing Award “A superb account” (The Wall Street Journal) of the longest and most decisive military campaign of the Civil War in Vicksburg, Mississippi, which opened the Mississippi River, split the Confederacy, freed tens of thousands of slaves, and made Ulysses S. Grant the most important general of the war.Vicksburg, Mississippi, was the last stronghold of the Confederacy on the Mississippi River. It prevented the Union from using the river for shipping between the Union-controlled Midwest and New Orleans and the Gulf of Mexico. The Union navy tried to take Vicksburg, which sat on a high bluff overlooking the river, but couldn’t do it. It took Grant’s army and Admiral David Porter’s navy to successfully invade Mississippi and lay siege to Vicksburg, forcing the city to surrender. In this “elegant…enlightening…well-researched and well-told” (Publishers Weekly) work, Donald L. Miller tells the full story of this year-long campaign to win the city “with probing intelligence and irresistible passion” (Booklist). He brings to life all the drama, characters, and significance of Vicksburg, a historic moment that rivals any war story in history. In the course of the campaign, tens of thousands of slaves fled to the Union lines, where more than twenty thousand became soldiers, while others seized the plantations they had been forced to work on, destroying the economy of a large part of Mississippi and creating a social revolution. With Vicksburg “Miller has produced a model work that ties together military and social history” (Civil War Times). Vicksburg solidified Grant’s reputation as the Union’s most capable general. Today no general would ever be permitted to fail as often as Grant did, but ultimately he succeeded in what he himself called the most important battle of the war—the one that all but sealed the fate of the Confederacy.

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Years before the Civil War began, another dark conflict threatened to shatter the Union. It was December 1849. The U.S.-Mexican War had just ended, doubling the size of the country. A grave problem emerged: whether slavery should be admitted into the new territories that were to be carved out of the vast new domain resulting from the war. This dilemma strained the relationship between the slave-holding South and the antislavery North. Other issues loomed as well: where to draw the Texas boundary line with the New Mexico territory, how to settle the Texas debt claims, and what to do about the problem of fugitive slaves escaping to the North and the slavetrade in the District of Columbia. The nation was on the brink of secession, dissolution, and civil war. On the Brink of Civil War tells the dramatic story of what happened when a handful of senators-towering figures in nineteenth-century American history-tried to hammer out a compromise to save the Union. The characters in this critical political drama included Henry Clay, seasoned politician and statesman known as the "Great Pacificator," who formulated an agreement in the Senate and would fight to get it through Congress; the gifted orator Daniel Webster, who helped Clay in his efforts by delivering the "Seventh of March" compromise speech on the Senate floor, one of the most memorable speeches in American history; and John C. Calhoun, a fervent defender of slavery and the South who, though nearing death, spoke to the Senate and demanded equal rights for the South in the new Western territories. Four young senators stepped into the fray to play their own unique, important roles: Henry Seward, the Whig from New York who many say controlled President Zachary Taylor and who opposed compromise; Stephen A. Douglas, the dynamic "Little Giant" from Illinois who favored agreement; Salmon P. Chase, the voice of the Free-Soilers and foe of compromise and concessions to the South; and Jefferson Davis, Mexican War hero and second only to Calhoun as the V

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It has become known to many as the moment when the U.S. Supreme Court kicked God out of the public schools, supposedly paving the way for a decline in educational quality and a dramatic rise in delinquency and immorality. The 6-to-1 decision in Engel v. Vitale (1962) not only sparked outrage among a great many religious Americans, it also rallied those who cried out against what they perceived as a dangerously activist Court. Bruce Dierenfield has written a concise and readable guide to the first - and still most important - case that addressed the constitutionality of prayer in public schools. The 22-word recitation in a Long Island school that was challenged in Engel v. Vitale was hardly denominational - not even overtly Christian - but a handful of parents saw it as a violation of the First Amendment's proscription again the establishment of religion. The case forced the Supreme Court to take a stand on Jefferson's ""wall of separation"" between church and state. When it did so, the Court declared that by endorsing the prayer recitation - no matter how brief, nondenominational, or voluntary - the Long Island school board had unconstitutionally approved the establishment of religion in school. Writing with impeccable fairness and sensitivity, Dierenfield sets his account of the Engel decision in the larger historical and political context, citing battles over a wide range of religious activities in public schools throughout American history. He takes readers behind the scenes at school board meetings and Court deliberations to show real people wrestling with deeply personal issues. Through interviews with many of the participants, he also reveals the large price paid by the plaintiffs and their children, who were frequently harassed both during and after the trial. For a long time, opponents of the decision have loudly claimed that it was based on a distorted reading of the First Amendment and deprived Americans of their right to practice religion. Dierenfield shows that the polarizing effect of Engel - a decision every bit as controversial as Roe v. Wade - has reverberated through the subsequent decades and gained intensity with the rise of the religious right. His book helps readers understand why, even in the face of this landmark decision, Americans remain divided on how divided church and state should be.

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Deep in the redwoods, in a magical town, anything can happen, and any creature—or monster—could exist. But when a team of myth-busters comes to Aldermere, they threaten its very existence—and eleven-year-old Fin will do anything to protect her home. For fans of Nevermoor and Amari and the Night Brothers, Emily Lloyd-Jones’s sequel to the acclaimed Unseen Magic is a story of trusting yourself and finding the friends who believe in you, no matter what.Aldermere is a town with its own set of rules: there’s a tea shop that vanishes if you try to force your way in, crows that must be fed or they’ll go through your trash, and a bridge that has a toll that no one knows the cost of. Some say that there may even be bigfoots wandering through the woods.It’s been six months since Fin saved Aldermere from someone intent on exploiting its magic. With spring break just around the corner, Fin’s plans are to relax, try to train her new raven friend, and read some of the mystery books she loves. But her plans are derailed when Fin and her friends find a baby bigfoot who’s been separated from her pack.Then a film crew shows up, intending to add Aldermere to their web show debunking strange and magical legends. Fin can’t let the film crew put the bigfoot—and Aldermere—at risk. Now, Fin, Eddie, and Cedar must keep the bigfoot hidden and find a way to track down her family. But Cedar’s been hiding a secret of her own; one that may complicate everything.As monsters, friends, and enemies collide, Fin, Eddie, and Cedar have to trust one another with secrets both good and bad if they’re going to save the town they all love.Emily Lloyd-Jones crafts a novel infused with magic that is sometimes wonderful and charming—and sometimes dangerous. The sequel to Indie Next Pick Unseen Magic, Unspoken Magic is perfect for fans of Christina Soontornvat’s A Wish in the Dark and Claribel A. Ortega’s Ghost Squad.

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A gripping explanation of the biases that lead to the blaming of pregnant women and mothers. Are mothers truly a danger to their children’s health? In 2004, a mentally disabled young woman in Utah was charged by prosecutors with murder after she declined to have a Caesarian section and subsequently delivered a stillborn child. In 2010, a pregnant woman who attempted suicide when the baby’s father abandoned her was charged with murder and attempted feticide after the daughter she delivered prematurely died. These are just two of the many cases that portray mothers as the major source of health risk for their children. The American legal system is deeply shaped by unconscious risk perception that distorts core legal principles to punish mothers who “fail to protect” their children. In Blaming Mothers, Professor Fentiman explores how mothers became legal targets. She explains the psychological processes we use to confront tragic events and the unconscious race, class, and gender biases that affect our perceptions and influence the decisions of prosecutors, judges, and jurors. Fentiman examines legal actions taken against pregnant women in the name of “fetal protection” including court ordered C-sections and maintaining brain-dead pregnant women on life support to gestate a fetus, as well as charges brought against mothers who fail to protect their children from an abusive male partner. She considers the claims of physicians and policymakers that refusing to breastfeed is risky to children’s health. And she explores the legal treatment of lead-poisoned children, in which landlords and lead paint manufacturers are not held responsible for exposing children to high levels of lead, while mothers are blamed for their children’s injuries. Blaming Mothers is a powerful call to reexamine who - and what - we consider risky to children’s health. Fentiman offers an important framework for evaluating childhood risk that, rather than scapegoating mothers, provides concrete solutions that promote the health of all of America’s children. Read a piece by Linda Fentiman on shaming and blaming mothers under the law on The Gender Policy Report.

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A major historical phenomenon of our century, exile has been a focal point for reflections about individual and cultural identity and problems of nationalism, racism, and war. Whether emigrés, exiles, expatriates, refugees, or nomads, these people all experience a distance from their homes and often their native languages. Exile and Creativity brings together the widely varied perspectives of nineteen distinguished European and American scholars and cultural critics to ask: Is exile a falling away from a source of creativity associated with the wholeness of home and one’s own language, or is it a spur to creativity?In essays that range chronologically from the Renaissance to the 1990s, geographically from the Danube to the Andes, and historically from the Inquisition to the Holocaust, the complexities and tensions of exile and the diversity of its experiences are examined. Recognizing exile as an interior experience as much as a physical displacement, this collection discusses such varied topics as intellectual exile and seventeenth-century French literature; different versions of home and of the novel in the writings of Bakhtin and Lukács; the displacement of James Joyce and Clarice Lispector; a young journalist’s meeting with James Baldwin in the south of France; Jean Renoir’s Hollywood years; and reflections by the descendents of European emigrés. Strikingly, many of the essays are themselves the work of exiles, bearing out once more the power of the personal voice in scholarship.With the exception of the contribution by Henry Louis Gates Jr., these essays were originally published in a special double issue of Poetics Today in 1996. Exile and Creativity will engage a range of readers from those whose specific interests include the problems of displacement and diaspora and the European Holocaust to those whose broad interests include art, literary and cultural studies, history, film, and the nature of human creativity.Contributors. Zygmunt Bauman, Janet Bergstrom, Christine Brooke-Rose, Hélène Cixous, Tibor Dessewffy, Marianne Hirsch, Denis Hollier, Henry Louis Gates Jr., Linda Nochlin, Leo Spitzer, Susan Rubin Suleiman, Thomas Pavel, Doris Sommer, Nancy Huston, John Neubauer, Ernst van Alphen, Alicia Borinsky, Svetlana Boym, Jacqueline Chénieux-Gendron

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Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering.In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind’s architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country’s current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim. Hansen-Glucklich explores how each museum’s concept of the sacred shapes the design and choreography of visitors’ experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage.

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Food is so much more than fuel, and veganism is so much more than a diet. It’s linked to culture, family, memories, and identity. A collection of over 100 plant-based recipes that, together, give readers a bird’s eye view of vegan cuisine and its facets, Best of Vegan is a marvelously versatile glimpse into the world of vegan cuisine. As someone who grew up eating (and loving) meat, fish, dairy, and eggs, Kim-Julie Hansen never expected to go vegan or even vegetarian. After years of learning and exploring, Hansen committed to a vegan lifestyle and never looked back. Now the creator of the Best of Vegan Instagram and platform, with a reach of over 2 million people, Hansen has fostered a global community of enthusiastic home cooks, chefs, bloggers, and all things food and veganism. Chef contributions include Gaz Oakley (Avant-Garde Vegan, Samantha Onyemenam and Daniel Haimona. In Best of Vegan, Hansen shows that adopting a vegan lifestyle does not mean giving up on the dishes you grew up eating, and plant-based recipes can be accessible, affordable, familiar, and, of course, delicious. A comprehensive guide to a wide variety of vegan dishes, the cookbook includes the most popular recipes from the Best of Vegan community, as well as basic recipes, meal-prep, veganised comfort food, appetisers, and protein-forward wholesome recipes. Fan-favorites include: Avocado Pesto Pasta with Toasted Pine Nuts Fried Tofu “Chick’n” Sandwich Classic Vegan Mac’n Cheese Vegan Baja Style “Fish” Tacos Inspired by Best of Vegan’s global community and the international impact of vegan food, Hansen collaborates with famous vegan chefsfrom all over the world to showcase the incredibly diverse history and newest trends of traditional cultural dishes to include recipes such as: Panamanian Tamal de Olla Chinese Dumplings Sri Lankan Pumpkin Curry Congolese Moambé With simplified yet satisfying vegan recipes, Hansen helps home chefs reconnect with the ingredients and their origins. A result of years of collaboration, trial and error, stories told, and meals shared, Best of Vegan is a creative and comprehensive guide for any level of home chef interested in vegan cuisine and plant-based recipes.

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A wide-ranging, multi-disciplinary collection of essays that decenter, critique, and problematize predominant notions of the meaning of mortality for human creativityThis issue of Alif explores the ways in which humans have come to confront their mortality across time and space. Contributions question the nature of loss, grief, and the possibility of an afterlife. Is death only an interlude? Perhaps simply the end? How have people used literature and the arts to conceptualize its relentless presence in our existence?The articles in this issue decenter, critique, and problematize predominant notions of the meaning of mortality for human creativity. They provide a wide scope of responses to mortality, anthropologically, philosophically, and psychologically. They shed light on different cultural receptions of loss, annihilation, and mortality, ranging from India to Yemen, Palestine to Iraq, the Island of Lampedusa to the war-ravished city of Beirut, among many other locales. Death is dealt with in an intimate fashion through the exploration and reinterpretation of modern and classical elegiac poetry, children’s picturebooks, fictional accounts of war, grief, and displacement, and dramatic treatments of dying and the afterlife.Contributors: Hajjaj Abu Jabr, Egyptian Academy of Arts, Cairo, EgyptKaram AbuSehly, Beni-Suef University, Beni Suef, EgyptHala Amin, Beni-Suef University, Beni Suef, EgyptShaimaa El-Ateek, Imam Mohammad Ibn Saud Islamic University, Riyadh, Saudi ArabiaMohamed Birairi, Beni-Suef University, Beni-Suef, Egypt, and American University in Cairo, Cairo, EgyptElliott Colla, Georgetown University, Washington, DC, USASaeed Elmasry, Cairo University, Cairo, EgyptShaimaa Gohar, Ain Shams University, Cairo, EgyptWalid El Khachab, York University, Toronto, CanadaYasmine Motawy, American University in Cairo, Cairo, EgyptDani Nassif, University of Münster, Münster, GermanyAndrea Maria Negri, Ludwig Maximilian University of Munich, Munich, GermanyMarwa Ramadan, Zagazig University, Zagazig, EgyptCaroline Rooney, University of Kent, Kent, United KingdomTania Al Saadi, Stockholm University, Stockholm, SwedenMay Telmissany, University of Ottawa, Ottawa, CanadaShahla Ujayli, American University of Madaba, Madaba, Jordan

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The French Revolution was the "big bang" out of which all the elements of modern politics and social conflicts were formed. Democracy, populism, liberalism, conservatism, socialism, nationalism, feminism, abolitionism, and "enlightened" imperialism are heir to the momentous upheaval that began in Paris in 1789. To some, the French Revolution might seem only a distant memory of a middle-sized country, but as esteemed historian Jeremy Popkin demonstrates in A New World Begins, the principles of the French Revolution remain the only possible basis for a just society -- even if, after more than two hundred years, these ideals have not been realized and are still often contested.The French Revolution is also perhaps the most dramatic episode in human history. Popkin takes us from the storming of the Bastille and the drafting of the Declaration of the Rights of Man in 1789, and from the descent of the Reign of Terror (and the execution of Louis XIV) to the rise of Napoleon. His gripping narrative follows the French revolutionaries as they attempted to realize the principle that people "are born and remain free and equal in rights," and he shows how this revolutionary idea led both to incredible progress and murderous conflicts in the span of mere months. He paints vivid portraits of the (in)famous leaders of the Revolution, including Robespierre, Danton and Mirabeau and at the same time surfaces lesser-known figures, such as Jean-Marie Goujon, the idealistic Jacobin who told his beloved she would always be second in his mind to the Fatherland and François Molin, the anti-revolutionary priest who became so accustomed to leading underground religious services that he trembled when he performed mass in public again for the first time. This masterful account is also the first to show how women and violence in France's overseas possessions helped determine the course of the Revolution.Drawing on a career spent studying the Revolution and synthesising the last thirty years of historical scholarship, Popkin gives us a history of the French Revolution for our own time, when so many of the Revolution's legacies are facing renewed challenges across the world.

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If there was ever a man who was born to fly, it is John M. Billings. He took his first plane ride in 1926, began taking piloting lessons in 1938, and joined the US Army Air Force in July 1942\. After training he was assigned to fly Consolidated B-24 Liberator long-range bombers. He joined the 825th Bombardment Squadron of the 484th Bombardment Group. After flying fifteen daylight strategic bombing missions, Billings was selected for assignment to the 885th Bombardment Squadron (Heavy) (Special). As its designation suggests, the 885th was no regular bombing unit. The 885th specialized in flying top secret, low-altitude missions at night in support of the clandestine operations of the OSS and the Special Operations Executive. The unit's covert missions included parachuting OSS and SOE agents and supplies deep inside German territory. The most eventful and dangerous of Billings' thirty-nine secret missions with the 885th was his assignment in February 1945 to clandestinely insert a three-man OSS team, code-named _Greenup_, into Austria. The drop zone selected for the _Greenup_ insertion was located on a glacier in a valley surrounded by mountains in the middle of the snow-covered Alps. Billings and his crew finally found the weather in the Alps clear enough to spot the drop zone, slip their unwieldy B-24 between the mountain peaks and descend to an altitude just a few hundred feet above the moonlit snow. On Billings' signal, the OSS agents parachuted right on target. The insertion of this OSS team was the inspiration for the feature film _Inglorious Bastards_. However, Brad Pitt's vengeful character was far removed from the leader of the _Greenup_ team, Fred Mayer, who achieved success by infiltrating enemy ranks to gain vital intelligence. After the war, John Billings flew with Trans World Airlines and Eastern Airlines. He also flew more than 300 'Angel Flight' airlift missions which involve the specialized aerial transportation of critically ill medical patients. This is one man's story of a remarkable lifetime of flying, both in peace and in war.

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Evoking the spirit—and danger—of the early American West, this is the story of the Battle of Beecher Island, pitting an outnumbered United States Army patrol against six hundred Native warriors, where heroism on both sides of the conflict captures the vital themes at play on the American frontier.In September 1868, the undermanned United States Army was struggling to address attacks by Cheyenne and Sioux warriors against the Kansas settlements, the stagecoach routes, and the transcontinental railroad. General Sheridan hired fifty frontiersmen and scouts to supplement his limited forces. He placed them under the command of Major George Forsyth and Lieutenant Frederick Beecher. Both men were army officers and Civil War veterans with outstanding records. Their orders were to find the Cheyenne raiders and, if practicable, to attack them. Their patrol left Fort Wallace, the westernmost post in Kansas, and headed northwest into Colorado. After a week or so of following various trails, they were at the limit of their supplies—for both men and horses. They camped along the narrow Arikaree Fork of the Republican River. In the early morning they were surprised and attacked by a force of Cheyenne and Sioux warriors. The scouts hurried to a small, sandy island in the shallow river and dug in. Eventually they were surrounded by as many as six hundred warriors, led for a time by the famous Cheyenne, Roman Nose. The fighting lasted four days. Half the scouts were killed or wounded. The Cheyenne lost nine warriors, including Roman Nose. Forsyth asked for volunteers to go for help. Two pairs of men set out at night for Fort Wallace—one hundred miles away. They were on foot and managed to slip through the Cheyenne lines. The rest of the scouts held out on the island for nine days. All their horses had been killed. Their food was gone and the meat from the horses was spoiled by the intense heat of the plains. The wounded were suffering from lack of medical supplies, and all were on the verge of starvation when they were rescued by elements of the Tenth Cavalry—the famous Buffalo Soldiers. Although the battle of Beecher Island was a small incident in the history of western conflict, the story brings together all of the important elements of the Western frontier—most notably the political and economic factors that led to the clash with the Natives and the cultural imperatives that motivated the Cheyenne, the white settlers, and the regular soldiers, both white and black. More fundamentally, it is a story of human heroism exhibited by warriors on both sides of the dramatic conflict.

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Having penned hundreds of letters to his family over four decades, Freeman Dyson has framed them with the reflections made by a man now in his nineties. While maintaining that “the letters record the daily life of an ordinary scientist doing ordinary work,” Dyson nonetheless has worked with many of the twentieth century’s most renowned physicists, mathematicians, and intellectuals, so that Maker of Patterns presents not only his personal story but chronicles through firsthand accounts an exciting era of twentieth-century science. Though begun in the dark year of 1941 when Hitler’s armies had already conquered much of Europe, Dyson’s letters to his parents, written at Trinity College, Cambridge, often burst with the curiosity of a precocious seventeen-year-old. Pursuing mathematics and physics with a cast of legendary professors, Dyson thrived in Cambridge’s intellectual ferment, working on, for example, the theory of partitions or reading about Kurt Gödel’s hypotheses, while still finding time for billiards and mountain climbing. After graduating and serving with the Royal Air Force’s Bomber Command operational research section, whose job it was “to demolish German cities and kill as many German civilians as possible,” Dyson visited a war-torn Germany, hoping through his experience to create a “tolerably peaceful world.” Juxtaposing descriptions of scientific breakthroughs with concerns for mankind’s future, Dyson’s postwar letters reflect the quandaries faced by an entire scientific generation that was dealing with the aftereffects of nuclear detonations and concentration camp killings. Arriving in America in 1947 to study with Cornell’s Hans Bethe, Dyson continued to send weekly missives to England that were never technical but written with grace and candor, creating a portrait of a generation that was eager, as Einstein once stated, to solve “deep mysteries that Nature intend[ed] to keep for herself.” We meet, among others, scientists like Richard Feynman, who took Dyson across country on Route 66, Robert Oppenheimer, Eugene Wigner, Niels Bohr, James Watson, and a young Stephen Hawking; and we encounter intellectuals and leaders, among them Reinhold Niebuhr, George Kennan, Arthur C. Clarke, as well as Martin Luther King, Jr. The “patterns of comparable beauty in the dance of electrons jumping around atoms” invariably replicate themselves in this autobiography told through letters, one that combines accounts of wanton arms development with the not-inconsiderable demands of raising six children. As we once again attempt to guide society toward a more hopeful future, these letters, with their reenactment of what, at first, seems like a distant past, reveal invaluable truths about human nature.

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On a freezing night in January 2013, a hooded assailant hurled acid in the face of the artistic director of the Bolshoi Ballet. The crime, organized by a lead soloist, dragged one of Russia’s most illustrious institutions into scandal. The Bolshoi Theater had been a crown jewel during the reign of the tsars and an emblem of Soviet power throughout the twentieth century. Under Putin in the twenty-first century, it has been called on to preserve a priceless artistic legacy and mirror Russia’s neo-imperial ambitions. The attack and its torrid aftermath underscored the importance of the Bolshoi to the art of ballet, to Russia, and to the world. The acid attack resonated far beyond the world of ballet, both into Russia’s political infrastructure and, as renowned musicologist Simon Morrison shows in his tour-de-force account, the very core of the Bolshoi’s unparalleled history. With exclusive access to state archives and private sources, Morrison sweeps us through the history of the storied ballet, describing the careers of those onstage as well as off, tracing the political ties that bind the institution to the varying Russian regimes, and detailing the birth of some of the best-loved ballets in the repertoire. From its disreputable beginnings in 1776 at the hand of a Faustian charlatan, the Bolshoi became a point of pride for the tsarist empire after the defeat of Napoleon in 1812. After the revolution, Moscow was transformed from a merchant town to a global capital, its theater becoming a key site of power. Meetings of the Communist Party were hosted at the Bolshoi, and the Soviet Union was signed into existence on its stage. During the Soviet years, artists struggled with corrosive censorship, while ballet joined chess tournaments and space exploration as points of national pride and Cold War contest. Recently, a $680 million restoration has restored the Bolshoi to its former glory, even as prized talent has departed. As Morrison reveals in lush and insightful prose, the theater has been bombed, rigged with explosives, and reinforced with cement. Its dancers have suffered unimaginable physical torment to climb the ranks, sometimes for so little money that they kept cows at home whose milk they could sell for food. But the Bolshoi has transcended its own fraught history, surviving 250 years of artistic and political upheaval to define not only Russian culture but also ballet itself. In this sweeping, definitive account, Morrison demonstrates once and for all that, as Russia goes, so goes the Bolshoi Ballet.

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Fantasy has had a modern resurgence in cinema due largely to the success of superhero narratives and the two major fantasy series, the Lord of the Rings and Harry Potter. Often regarded as mere escapism, works of both literature and cinema wishing to be taken seriously by the public, by critics and by academics have tended to shelter under the euphemistic umbrella of Magic Realism and, until very recently, there has been a general lack of serious academic work concerned with fantasy as a genre. This volume explores the way in which music and sound articulate the fantastic in cinema and contribute to the creation of fantasy narratives. Apart from the accusation of frivolous escapism that attaches itself to the fantasy genre, another issue is the lack of a single and simple definition of what fantasy is: the consensus of academic opinion appears to be that fantasy invokes the magical within its narratives as the means by which to achieve what would be impossible in our own reality, as compared to sci-fi's as-yet unknown technologies and horror's dark and deadly supernatural forces. Fantasy remains problematic, however, because it defies many of the conventional mechanisms by which genre is defined such as setting, mood and audience. In a way quite unlike its co-genres, fantasy moves with infinite flexibility between locations - the world (almost) as we know it, historical, futuristic or mythic locations; between moods - heroic, epic, magical; and between audiences - children, teens, adults. In English-language cinema, it encompasses the grand mythic narratives of Lord of the Rings, Legend and The Seventh Voyage of Sinbad, the heroic narratives of Superman, Flash Gordon and Indiana Jones and the magical narratives of Labyrinth, Edward Scissorhands and the Harry Potter series, to name just some of films that typify the variety that the genre offers. What these films all have in common is a requirement that the audience accepts the a fundamental break with reality within the diegesis of the filmic narrative, and embraces magic in its many and various forms, sometimes benign, sometimes not. This volume examines music in fantasy cinema across a broad historical perspective, from Bernard Herrmann's scores for Ray Harryhausen, through the popular music scores of the 1980s to contemporary scores for films such as The Mummy and the Harry Potter series, allowing the reader to see not only the way that the musical strategies of fantasy scoring have changed over time but also to appreciate the inventiveness of composers such as Bernard Herrmann, John Williams, Jerry Goldsmith, Danny Elfman and Elliot Goldenthal, and popular musicians such as Queen and David Bowie in evoking the mythic, the magical and the monstrous in their music for fantasy film.

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A Sunday Times Book of the YearShortlisted for The Pol Roger Duff Cooper Prize 'This magnificent, highly readable double biography...brings these two driven, complicated women vividly to life' The Financial Times'A gripping saga of a double-biography' Daily Mail'A masterful portrait' The Times'Vastly enjoyable' Literary Review'Deeply absorbing and meticulously researched' The Oldie In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict, as nobody would do for another century, the dawn today of our modern computer age. When Ada died - like her father, she was only 36 - great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars.Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

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Once every decade, it is "decline time" in America. In recent years, it has been the unstoppable rise of China that has spelled "finis America." What the Chinese juggernaut is today, the Soviet Union ("We shall bury you") was in the 1950s. The Vietnam decade of the 1960s was described as America's "collective suicide attempt," while in the 1970s, the United States succumbed to Jimmy Carter's famous "malaise," as the dollar dangerously plummeted. The 1980s unquestionably belonged to a resurgent Japan, the "Rising Sun," whereas in the 1990s, Europe shone forth as an "empire by example." In the naughts, it was "Asia Rising" that became the flavor of the decade. Despite a litany of prognostications, these contenders have all fallen back, one by one. While it may be catnip for the media to play up America as a has-been, Josef Joffe, a leading German commentator and Stanford University academic, compellingly shows that Declinism is not a cold-eyed diagnosis but a device in the style of the ancient prophets: "Thou shalt perish, unless..." Gloom is a prophecy that must be believed so that it will turn out wrong. Joffe repeatedly demonstrates how the "economic miracles" that propelled the rising tide of challengers flounder against their own limits. Hardly confined to Europe alone, Declinism has also been an especially nifty career builder for American politicians, among them Kennedy, Nixon, and Reagan, who all rode into the White House by hawking "the end is near." Buttressing his argument with facts, Joffe demonstrates that America's future is sanguine. In contrast to the Carter years, the economic woes of the Obama era look more like a nasty migraine. By historical standards, the U.S. defense burden today is extraordinarily low, hence sustainable over the long haul. Immigration (plus a healthy birth rate) will not only keep the nation younger than China, Japan, Europe, and Russia but will continue to bring in the world's best and brightest. Indeed, America is the "world's Ph.D. factory" both in science and engineering, while its R&D spending dwarfs the "rising rest." Its uniquely deep and wide capital market encourages innovations and continues to turn dreams into vibrant companies. Joffe argues that it is only if America "freezes up" by enshrining privilege, closing its doors, and withdrawing from the world that it will succumb to the rigor mortis that has overwhelmed previous empires. Effortlessly mixing keen historical insights with brilliant diplomatic and economic analysis, The Myth of America's Decline becomes a remarkable reflection on our nation's standing in the world and an eye-opening account that challenges the pervasive and now tired notion that America is on the decline.

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Globalization, it seems, has propelled the world's uber-wealthy to new heights of power and money, with tremendous repercussions for the other 99.9 percent of us. At a time when neoliberalism has propelled the world into a new Gilded Age, with rising inequality everywhere, an aggressive class war being waged by the wealthy, and billionaires inserting themselves bluntly into the political arena, understanding the behavior and spatiality of the super-rich has acquired a pressing urgency. This volume offers a richly textured suite of essays concerning how the super-rich have restructured local places, transforming landscapes as varied as London and Kentucky, Ireland and St. Barts, as well as domains as varied as art, thoroughbred horses, and housing.'- Barney Warf, University of Kansas, US'The world's super-rich, made up of just 11 million people, have access to about US$42.0 trillion of wealth. These are people who each have a spare million of 'liquid' wealth. Their wealth is roughly equal to two thirds of global GDP. They own most of everything. As the editor of this books states '. . . library shelves and the pages of journals remain largely devoid of geographical work on the super-rich a startling lacuna this volume sets out to fill'. The super-rich now own most of the planet. During the last year their share fell slightly. Times may be changing. Now is the time to begin to study the super-rich in detail, especially if you are worried about where all the wealth has gone.'- Danny Dorling, University of Sheffield, UKThis timely and path-breaking book brings together a group of distinguished and emerging international scholars to critically consider the geographical implications of the world's super-rich, a privileged yet remarkably overlooked group.Emerging from this unique collection is an enlightening picture of the influence of the super-rich over a diverse range of affairs, extending from the shape of urban and rural landscapes to the future of art history. By concentrating on those at the apex of the economic pyramid, this book provides valuable insights to the institutions, practices and cultural values of our society, as well as allowing us a more comprehensive view of the consequences of global capitalism. Presenting case studies from across the globe from Singapore to St Barts, London to Lexington - the spatial and cultural span of the book is wide-ranging and diverse.This truly unique book will prove a fascinating read for academics, researchers and students in the fields of geography, regional and urban studies, sociology, political science and development studies.Contributors: J.V. Beaverstock, S. Chauvin, B. Cousin, M. Fasche, S.J.E. Hall, I. Hay, P. McGuirk, P. McManus, L. Murphy, C. Paris, C.-P. Pow, S.M. Roberts, R.H. Schein, J.R. Short, T. Wainwright, K. Wilkins, M. Woods

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The hole they dug was not deep. A white flour bag encased the little body. Three small faces watched from the window, eyes black with terror. The child in the middle spoke without turning his head. 'I wonder which one of us will be next?'When a woman's body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It's clear the pair are connected, but how? The trail leads Lottie to St Angela's, a former children's home, with a dark connection to her own family history. Suddenly the case just got personal. As Lottie begins to link the current victims to unsolved murders decades old, two teenage boys go missing. She must close in on the killer before they strike again, but in doing so is she putting her own children in terrifying danger? Lottie is about to come face to face with a twisted soul who has a very warped idea of justice. Fans of Tess Gerritsen, Karin Slaughter and Helen Fields will be gripped by this page-turning serial killer thriller, guaranteed to keep you reading late into the night.What everyone is saying about The Missing Ones'I had been looking forward to reading this book and I was not disappointed. I will certainly be reading more books in this series.' Angela Marsons'This debut novel from Gibney is just EVERYTHING!!! This was THE BEST book I have read in quite some time. If I could give it more than 5 stars, I would!' Butterfly's Booknerdia Blog'Totally riveting and 100% engrossing.' Books From Dusk Till Dawn'A gripping read from beginning to finish.' Deja Read'AMAZING! Really well written and kept me itching to read the next page. It was unputdownable! Cannot wait to read book two when released.' Goodreads Reviewer'I was immediately grabbed by the opening paragraph and was so enthralled that I read it in two sittings. I only put it down when my eyes refused to stay open!' Goodreads Reviewer'It's one of those stories where you look at the clock and you think just a couple more chapters, and then you look again and hours have gone by. It was well worth the lack of sleep.' Goodreads Reviewer'A phenomenal read for a debut novel - when I say good, I mean gooooooooood.' Page Turners Nook'Gibney definitely is a writer to watch and an exciting new voice in crime fiction.'But Books are Better'This story has

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'The lives of the characters get entangled in this powerful read' WOMAN'S OWN'A pacy, gripping tale of secrets, love and betrayal in 1950s Catalonia, written with skill and colour. It gave me enormous pleasure to read such a satisfying novel.' SANTA MONTEFIORE 'If you're in desperate need of a far-Flung getaway, indulge in this slice of escapist fiction' HEAT'Being transported to a Spanish summer in 1951... I feel the cool of the shadows under the trees and hear the sea as it glistens in the rippling heat. I think you might like it too!' FERN BRITTON'As colourful, rich and mesmerising as one of Dali's paintings, this absorbing, poignant rollercoaster of a read is utterly satisfying and will stay with you long after you've put it down.' PATRICIA SCANLAN 'a tale of intrigue, love, politics and scandal. Mixing fact and fiction The Diver and The Lover keeps up the pace and excitement to the very end.' JOAN BAKEWELL'This tale intrigued me and captured my imagination in equal measure. I loved being whisked back to the 1950s and felt the heat of the Spanish sun as I fell in love with the sisters' unique relationship. Be prepared to be taken on a dramatic journey confronting pain, tragedy and passion along the way ' SARA COX'We'll never look at one of the world's best known paintings in the same way again. [Jeremy Vine] has managed to weave truth and fiction together to bring us a most unexpected love story.' FIONA BRUCE'A touching love story set in General Franco's postwar Spain is hallmark Vine - fresh, well-researchedand packed with female protagonists.' - COUNTRYSIDE MAGSoaked in sunlight, love and the mysteries surrounding a famous artist The Diver and the Lover is a novel inspired by true events.It is 1951 and sisters Ginny and Meredith have travelled from England to Spain in search of distraction and respite. The two wars have wreaked loss and deprivation upon the family and the spectre of Meredith's troubled childhood continues to haunt them. Their journey to the rugged peninsula of Catalonia promises hope and renewal. While there they discover the artist Salvador Dali is staying in nearby Port Lligat. Meredith is fascinated by modern art and longs to meet the famous surrealist. Dali is embarking on an ambitious new work, but his headstrong male model has refused to pose. A replacement is found, a young American waiter with whom Ginny has struck up a tentative acquaintance. The lives of the characters become entangled as family secrets, ego and the dangerous politics of Franco's Spain threaten to undo the fragile bonds that have been forged. A powerful story of love, sacrifice and the lengths we will go to for who - or what - we love.

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Douglas MacArthur is one of the most controversial generals in American military history. During World War II, some adored him while others mocked him as “Dugout Doug.” His superiors, like President Franklin Roosevelt and General George Marshall, considered him indispensable as well as intolerable. Dwight Eisenhower, who once served under MacArthur, was not alone in thinking, “My God, but he was smart” and also “I just can’t understand how such a damn fool could have gotten to be a general.” Historians have been similarly conflicted, but while acknowledging that MacArthur was imperious, egotistical, insubordinate, paranoid, unfair to subordinates, and more, many have concluded that he was still a military genius. In this carefully researched and argued book that’s sure to be as controversial as the general himself, James Ellman digs deep, connects the dots, and concludes that General MacArthur was decidedly not a military genius.Highly intelligent, outspoken, old-fashioned as well as surprisingly modern, a self-promoter extraordinaire, a bonafide World War I hero who lived in the shadow of his Civil War hero father and under the thumb of his doting mother, Douglas MacArthur’s rise through the U.S. Army’s ranks was meteoric during an era when promotions came slowly. In 1930, he became Chief of Staff.As Chief of Staff, MacArthur disobeyed President Hoover’s orders during the Bonus Army March. A scandal surrounding his Filipino mistress saw him sue journalists, only to end up paying them a settlement. Even as he privately excoriated Roosevelt, he worked well with FDR, who found the general politically useful even while considering him and Huey Long “the two most dangerous men in America.” MacArthur then became field marshal of the Philippine Army, but when war came in December 1941, the Philippines were caught ill-prepared. Recalled to United States service, MacArthur’s vacillation led to the virtual destruction of the American bomber force in the Philippines, and during the fall of Bataan and Corregidor, he pursued unsound tactics and did not venture to the front lines. Awarded a politically motivated Medal of Honor by Roosevelt and paid a vast sum by the Filipino president, MacArthur escaped to Australia. For the next four years, as Supreme Commander of the Southwest Pacific theater, MacArthur was obsessed with retaking the Philippines – and in pursuing that self-centered goal, he ignored U.S. global strategy, insulted Allied partners like Australia, tried to one-up the U.S. Navy, and gave at least tacit approval to a presidential campaign to nominate him to run against Roosevelt in 1944. Today MacArthur still polarizes. Many biographies agree he was a great commander marred by a few failures. Ellman argues the opposite: MacArthur was a lackluster commander whose reputation has been elevated by a few successes.

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