Search results for ""author dan"

What roles do King Nebuchadnezzar, ruler of ancient Babylon, and Donald J. Trump, 45th president of the United States, play in God furthering His kingdom? In Two Men from Babylon, Wallace Henley brings into perspective how God uses unlikely leaders to bring about His plans and purpose. Here is a masterfully constructed book that tears the camouflage off our times and looks intensely at what is going on in our crazy era on the eve of a year of destiny—and perhaps for civilization itself. Here you will: Consider the possibility that God made Donald Trump president Learn where the “age of Trump” might fit into history Get a feel for the "White House Mystique” Sense the spiritual atmosphere of the Oval Office Discover the strategic role of the church related to politics Understand why places of great power are vulnerable to demonic attack . . . and much more The heart of this book is found in two Scripture passages, “It is God who changes the times and the epochs; He removes kings and establishes kings” (Daniel 2:21); and “This Gospel of the kingdom shall be preached in the whole world as a testimony to all the nations and then the end will come” (Matthew 24:14). Two Men from Babylon summarizes the truth of these verses in revealing that God has grand purposes for time and history; there are manifestations of the kingdom that appear throughout finite time and history; the church is the primary agent for the expansion of this kingdom; nations are of strategic importance in the fulfillment of God’s plan; and it is God who establishes and removes the leaders of those nations. Thus, the Lord of History is the focus of this book, but Nebuchadnezzar and Donald Trump play an essential role in His story.

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Sci-fi action meets steamy paranormal romance in Gini Koch’s Alien novels, as Katherine “Kitty” Katt faces off against aliens, conspiracies, and deadly secrets. • “Futuristic high-jinks and gripping adventure.” —RT Reviews The President and First Lady, aka Jeff and Kitty Katt-Martini, don’t get any downtime once the Mastermind has been revealed to the world. Not only do they have myriad high-level government positions to fill, but the scrutiny and pressure on this Administration has gone into overdrive.The sudden reappearance of a long-forgotten adversary turns out to be the tip of the iceberg. New robots and androids attacking, old enemies making new alliances, and new aliens with interesting abilities almost overshadow the fact that the U.S. still has to host a peace summit at Camp David between Israel and Iraq. It’s clear that while the Mastermind may be down, there are plenty of others ready to take his place—and all that stands between them and success are Kitty and Company.Kidnappings, rescues, creepy hideouts, a hidden black site, and a domestic dispute that could end Jeff and Kitty’s marriage are nothing compared to finding not one but two hidden labs where dangerous and deadly things are brewing. But when the President and his entourage finally get to the peace talks, things are no better. Mossad rightly suspects something’s wrong with both their Prime Minister and the President of Iraq. A hidden in-control superbeing, an android replacement, and an army of Fem-Bots turn the peace talks into a Battle Royale that the team might not actually survive. And if they don’t make it, Earth won’t make it, either.But no pressure.

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America likes to tell itself that it inhabits a postracial world, yet nearly every empirical measure—wealth, unemployment, incarceration, school segregation—reveals that racial inequality has barely improved since 1968, when Richard Nixon became our first “law and order” president. With the clarity and originality that distinguished his prescient bestseller, Twilight of the Elites, Chris Hayes upends our national conversation on policing and democracy in a book of wide-ranging historical, social, and political analysis. Hayes contends our country has fractured in two: the Colony and the Nation. In the Nation, we venerate the law. In the Colony, we obsess over order, fear trumps civil rights, and aggressive policing resembles occupation. A Colony in a Nation explains how a country founded on justice now looks like something uncomfortably close to a police state. How and why did Americans build a system where conditions in Ferguson and West Baltimore mirror those that sparked the American Revolution? A Colony in a Nation examines the surge in crime that began in the 1960s and peaked in the 1990s, and the unprecedented decline that followed. Drawing on close-hand reporting at flashpoints of racial conflict, as well as deeply personal experiences with policing, Hayes explores cultural touchstones, from the influential “broken windows” theory to the “squeegee men” of late-1980s Manhattan, to show how fear causes us to make dangerous and unfortunate choices, both in our society and at the personal level. With great empathy, he seeks to understand the challenges of policing communities haunted by the omnipresent threat of guns. Most important, he shows that a more democratic and sympathetic justice system already exists—in a place we least suspect. A Colony in a Nation is an essential book—searing and insightful—that will reframe our thinking about law and order in the years to come.

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A new understanding of how the West came to be For over 35 years, the dominant histories of the American West have been narratives of horrific conflicts. Framed in terms of empire building, these histories use modern constructs of ethnic cleansing and genocide to reckon the costs of centuries of conquest and settler colonialism. This vocabulary, and the interpretation it supports, sharply contrasts with older accounts of the "winning of the West," which had exulted in the triumph of civilization over savagery, making America great -- and great again. As dark and as bloody as western grounds have often been however, there were also important episodes of concord, instances of barriers breached, accords reached, and of people overcoming their differences as opposed to being overcome by them. Aron traces the origins of these episodes and thoughtfully considers the factors that led to their ultimate undoing. Featuring well-known figures such as Daniel Boone, William Clark, and Wyatt Earp, Peace and Friendship highlights locales where unexpectedly peaceful relations occurred, examining the particular circumstances that gave way to concord. These instances of peace may not have been long-lived, but what is critical is that the mainstream history of conflict and the alternative history of concord play out on the same historical plain (or plane). Take, for example, the shaky cohabitation that occurred in the Clatsop encampment, the terminal point of Lewis and Clark's westward expedition. The peace with the Clatsop tribe would not last, as the friendships and alliances struck up were forged in the interest of commercial advantage and survival, and eventually ended in theft. But examining the instance of cohabitation itself deepens our understanding of how the West came to be: through colonization, violence, misunderstanding, and, surprisingly, at times, peace.

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From bestselling comic-book franchise writer Charles Soule comes a clever and witty first novel of a twentysomething New Yorker who wakes up one morning with the power to predict the future—perfect for fans of Joe Hill and Brad Meltzer, or books like This Book Is Full of Spiders and Welcome to Night Vale.Knowledge is power. So when an unassuming Manhattan bassist named Will Dando awakens from a dream one morning with 108 predictions about the future in his head, he rapidly finds himself the most powerful man in the world. Protecting his anonymity by calling himself the Oracle, he sets up a heavily guarded Web site with the help of his friend Hamza to selectively announce his revelations. In no time, global corporations are offering him millions for exclusive access, eager to profit from his prophecies.He's also making a lot of high-powered enemies, from the President of the United States and a nationally prominent televangelist to a warlord with a nuclear missile and an assassin grandmother. Legions of cyber spies are unleashed to hack the Site—as it's come to be called—and the best manhunters money can buy are deployed not only to unmask the Oracle but to take him out of the game entirely. With only a handful of people he can trust—including a beautiful journalist—it's all Will can do to simply survive, elude exposure, and protect those he loves long enough to use his knowledge to save the world.Delivering fast-paced adventure on a global scale as well as sharp-witted satire on our concepts of power and faith, Marvel writer Charles Soule's audacious debut novel takes readers on a rollicking ride where it's impossible to predict what will happen next.

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In this enthralling historical thriller set in post—World War II London, detective John Henry Rossett must stop a murderous ex—SS officer as the German occupation of England begins to falter.Working with the SS in German-occupied Britain was never easy for John Rossett. Though he’s returned to his former job, the police inspector has been tainted by his Nazi associations. His suspicious colleagues see him as a collaborator, and he’s unwelcome at his old haunts. But the Germans aren’t done with Rossett. When decorated SS Captain Karl Bauer kills the US consul in Liverpool, then goes on the run, Generalmajor Neumann orders Rossett to find the missing killer—a swift, cunning, and ruthless man known as "the Bear."While the Nazis still maintain control over London, Liverpool is run by criminal networks and the British resistance. A wasteland of burned-out buildings and mountains of rubble, the northern port city is the perfect place for a clever warrior like Bauer to hide. Neumann and Rossett’s search also turns up damning new information: Bauer’s superior, Major Theo Dannecker, has been colluding with the US consul and the British resistance to smuggle large amounts of gold out of the country. As for the Bear, the fervent SS officer has repudiated his allegiance to the crumbling Reich and is now focused on destroying Rossett, the famed "British Lion," one innocent victim at a time.To prevent more deaths and protect Britain, Rossett must trap the Bear and uncover a diabolical conspiracy that has brought Nazi officers and the British resistance together. Vivid and energetic, full of Schumacher’s trademark action and rich, conflicted characters, An Army of One reveals how the strength of one man can turn the tide in an uncertain world.

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In the tradition of Schulz and Peanuts, an epic and revelatory biography of Krazy Kat creator George Herriman that explores the turbulent time and place from which he emerged—and the deep secret he explored through his art.The creator of the greatest comic strip in history finally gets his due—in an eye-opening biography that lays bare the truth about his art, his heritage, and his life on America’s color line. A native of nineteenth-century New Orleans, George Herriman came of age as an illustrator, journalist, and cartoonist in the boomtown of Los Angeles and the wild metropolis of New York. Appearing in the biggest newspapers of the early twentieth century—including those owned by William Randolph Hearst—Herriman’s Krazy Kat cartoons quickly propelled him to fame. Although fitfully popular with readers of the period, his work has been widely credited with elevating cartoons from daily amusements to anarchic art. Herriman used his work to explore the human condition, creating a modernist fantasia that was inspired by the landscapes he discovered in his travels—from chaotic urban life to the Beckett-like desert vistas of the Southwest. Yet underlying his own life—and often emerging from the contours of his very public art—was a very private secret: known as "the Greek" for his swarthy complexion and curly hair, Herriman was actually African American, born to a prominent Creole family that hid its racial identity in the dangerous days of Reconstruction. Drawing on exhaustive original research into Herriman’s family history, interviews with surviving friends and family, and deep analysis of the artist’s work and surviving written records, Michael Tisserand brings this little-understood figure to vivid life, paying homage to a visionary artist who helped shape modern culture.

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For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, this book offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim’s social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication. This book is also freely available online as an open access digital edition. Download the open access ebook here.

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For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves? Vivid and at times deeply personal, this book offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place. He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity. The book fills important gaps in Durkheim’s social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication.This book is also freely available online as an open access digital edition.Download the open access ebook here.

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In what has been referred to as 'the most advanced course in anthroposophy', Rudolf Steiner addresses one of the great questions of our time: the role of evil in human development. He speaks of the year 666, when three time streams intersected - the familiar linear stream and two 'lateral' streams - and the reoccurrence of the 666-year rhythm in history. At the heart of this mystery is the being Sorat ('the beast'), who attempted to flood humanity with premature spiritual knowledge by inspiring the scholars of the ancient Academy of Gondishapur. Although responsible for the saving of Aristotle's works, Steiner describes how the Academy generated tremendous but dangerous gnostic wisdom, which eventually spread through the Christian monasteries and inspired Western scientific thought. Its immediate negative impact, however, had to be counteracted by the Prophet Muhammad and the founding of Islam. In contrast to the 666-year rhythm in history, the 333-year rhythm is connected to the healing forces of the Mystery of Golgotha. The year 333 was a central point in the post-Atlantean age, but also a pivotal moment in establishing the Christ Impulse and the new equilibrium it brought to humanity, allowing people to gain wisdom through their own efforts. Such wisdom enables insight into three key areas: supersensible knowledge of birth and death; understanding of an individual's life; and the ability consciously to confront the adversarial beings of Lucifer and Ahriman. Steiner addresses a host of additional themes, including occult Freemasonry in Anglo-American countries; materialism in the Roman Catholic Church; prophetic and apocalyptic vision; dualism and fatalism in pre-Christian times; and the delusion of time and space. Seeking to awaken his listeners to the urgency of the tasks ahead of them, he urges that spiritual understanding be enlivened with enthusiasm, fire and warmth of heart.

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The Red Sea is one of the worlds most important trade routes, a theater of power struggle among local, regional and global powers. Military and political developments continue to impact on the geostrategic landscape of the region in the context of its trade thoroughfare for Europe, China, Japan and India; freedom of navigation is a strategic interest for Egypt, and essential for Israels economic ties with Asia. Superpower confrontation is inevitable. China, the US, France, Japan and Saudi Arabia have military bases in Djibouti. US strategy seeks to curb Chinese economic influence and Russian political interference in the region through diplomacy and investment. And at the centre of US alliances is the war on terror still prevalent in the Middle East and East Africa: Islamic terror groups Al Shabaab in Somalia and Kenya; Al Qaeda of the Arab Peninsula in Yemen; and the Islamic State in Egypt. The civil war in Yemen has become the arena for Iran and Saudi Arabias struggle for regional hegemony. Saudi Arabias Sunni Arab coalition have been fighting Iranian-backed Shiite Houthi rebels to a stalemate (December 2018). In 2016 Egypt ceded Saudi Arabia the Tiran and Sanafir Islands, the narrow sea passages between the Sinai and Arabian peninsulas, giving control of the entire length of the Red Sea. This, and other perceived positive geostrategic developments, have to be offset by the nuclearization of the Red Sea basin (directed in part by Russian foreign policy) and the dangers of multiple country military deployments in the hubs of radical Islam and terrorism potential. A stable future for the region cannot be taken for granted. And as alliances shift and change, so will Israels foreign policy and strategic partnerships have to adjust.

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This book is about the hope underlying the ability to survive the early years. Coleridge's The Rime of the Ancient Mariner is both metaphor and framework of the despair and hopelessness that some babies and parents experience in their efforts to hold on and go through difficult circumstances. Their early experiences are not voyages "into a sunny and cheerful sea": some are years-long voyages into horror and weariness - babies born into difficult families, into countries in difficulties or into difficult circumstances.Some babies born into difficulties are pretty much alone because their mothers might be too ill to look after them, and nurses are too busy to fulfil the maternal function other than changing and feeding them. They may have been born in war zones, or in prisons, or have been in intensive neonatal premature units. Unlike mothers who recall the early years with their babies as a dance of understanding and development, other carers don't recall hearing the music at all. They slog through the early years with only hope as a compass. Like the Ancient Mariner looking for a sail on the horizon, theirs is a poignant search of the horizons for hope in any form.Different professionals, each expert in their field, address the different difficulties. They show us the connections between traumatic experiences and traumatic consequences of survival, the implications in both the families and in the professionals who, in constant contact and working together, deal with the containment and transformations of those events. This book brings us face-to-face with the wonderful capacities of the newborn and the great potential for parents (both mother and father) and child to continue growing together in a society that cares for them.

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Named a Best Gift Book/Best Travel Book of the Year by the New York Times, Entertainment Weekly, Associated Press, House Beautiful, Business Insider, The Daily Beast, Forbes, Fodor's, The Points Guy, Seattle Times, and more"This is the comfort food of travel books. . . . This book will sweep you off your feet."-New York Times Book Review "Gorgeous . . . breathtaking . . . spectacular."-Publishers Weekly Patricia Schultz curates the world. When she published the original 1,000 Places to See Before You Die, she created not only a new kind of travel book but also a new way of thinking about our experiences and interests. Now Schultz captivates our hearts in the same compelling way her original book spoke to our minds. Moving from eloquent word to breath-taking image, she takes us on a visual journey of the best the world has to offer, and as we turn the pages and pore over these images, we feel it all: joy, curiosity, awe, passion, nostalgia (if we've been there), inspiration (because we want to go), and a profound and transforming sense of how lucky we are to live in a world filled with such beauty and wonder-to see tributaries of mist curling over the Great Wall, elephants grazing on the floor of the Ngorongoro Crater, the sun setting on the wild coast of Donegal, masked whirling dancers at a festival in Bhutan. The book itself is a thing of beauty, an oversize feast of more than 1,000 all-new photographs and 544 pages, every spread and page designed to showcase these mesmerizing photographs and hold just enough of Schultz's lively text that we know why it is we're looking at them. It is a perfect gift for every traveller, every fan of the original, every dreamer whose Instagram feed is filled with pictures of places near and far.

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The definitive guide to the history of nuclear arms control by a wise eavesdropper and masterful storyteller, Michael Krepon. The greatest unacknowledged diplomatic achievement of the Cold War was the absence of mushroom clouds. Deterrence alone was too dangerous to succeed; it needed arms control to prevent nuclear warfare. So, U.S. and Soviet leaders ventured into the unknown to devise guardrails for nuclear arms control and to treat the Bomb differently than other weapons. Against the odds, they succeeded. Nuclear weapons have not been used in warfare for three quarters of a century. This book is the first in-depth history of how the nuclear peace was won by complementing deterrence with reassurance, and then jeopardized by discarding arms control after the Cold War ended. Winning and Losing the Nuclear Peace tells a remarkable story of high-wire acts of diplomacy, close calls, dogged persistence, and extraordinary success. Michael Krepon brings to life the pitched battles between arms controllers and advocates of nuclear deterrence, the ironic twists and unexpected outcomes from Truman to Trump. What began with a ban on atmospheric testing and a nonproliferation treaty reached its apogee with treaties that mandated deep cuts and corralled "loose nukes" after the Soviet Union imploded. After the Cold War ended, much of this diplomatic accomplishment was cast aside in favor of freedom of action. The nuclear peace is now imperiled by no less than four nuclear-armed rivalries. Arms control needs to be revived and reimagined for Russia and China to prevent nuclear warfare. New guardrails have to be erected. Winning and Losing the Nuclear Peace is an engaging account of how the practice of arms control was built from scratch, how it was torn down, and how it can be rebuilt.

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Winner of the 2016 Evelyn Shakir Non-Fiction Arab American Book Award A collection of insightful and heartbreaking essays on Muslim-American life after 9/11 Over the last few years, Moustafa Bayoumi has been an extra in Sex and the City 2 playing a generic Arab, a terrorist suspect (or at least his namesake “Mustafa Bayoumi” was) in a detective novel, the subject of a trumped-up controversy because a book he had written was seen by right-wing media as pushing an “anti-American, pro-Islam” agenda, and was asked by a U.S. citizenship officer to drop his middle name of Mohamed. Others have endured far worse fates. Sweeping arrests following the terrorist attacks of September 11, 2001 led to the incarceration and deportation of thousands of Arabs and Muslims, based almost solely on their national origin and immigration status. The NYPD, with help from the CIA, has aggressively spied on Muslims in the New York area as they go about their ordinary lives, from noting where they get their hair cut to eavesdropping on conversations in cafés. In This Muslim American Life, Moustafa Bayoumi reveals what the War on Terror looks like from the vantage point of Muslim Americans, highlighting the profound effect this surveillance has had on how they live their lives. To be a Muslim American today often means to exist in an absurd space between exotic and dangerous, victim and villain, simply because of the assumptions people carry about you. In gripping essays, Bayoumi exposes how contemporary politics, movies, novels, media experts and more have together produced a culture of fear and suspicion that not only willfully forgets the Muslim-American past, but also threatens all of our civil liberties in the present.

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In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to stay at it—to keep writing as the most important way to not only improve one’s writing but to also honor the stories and lessons learned through research. Throughout, they share new thoughts, prompts, and agitations for writing that will stimulate conversations that cut across the humanities. Contributors. Whitney Battle-Baptiste, Jane Eva Baxter, Ruth Behar, Adia Benton, Lauren Berlant, Robin M. Bernstein, Sarah Besky, Catherine Besteman, Yarimar Bonilla, Kevin Carrico, C. Anne Claus, Sienna R. Craig, Zoë Crossland, Lara Deeb, K. Drybread, Jessica Marie Falcone, Kim Fortun, Kristen R. Ghodsee, Daniel M. Goldstein, Donna M. Goldstein, Sara L. Gonzalez, Ghassan Hage, Carla Jones, Ieva Jusionyte, Alan Kaiser, Barak Kalir, Michael Lambek, Carole McGranahan, Stuart McLean, Lisa Sang Mi Min, Mary Murrell, Kirin Narayan, Chelsi West Ohueri, Anand Pandian, Uzma Z. Rizvi, Noel B. Salazar, Bhrigupati Singh, Matt Sponheimer, Kathleen Stewart, Ann Laura Stoler, Paul Stoller, Nomi Stone, Paul Tapsell, Katerina Teaiwa, Marnie Jane Thomson, Gina Athena Ulysse, Roxanne Varzi, Sita Venkateswar, Maria D. Vesperi, Sasha Su-Ling Welland, Bianca C. Williams, Jessica Winegar

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Until 1971, female victims of domestic violence were expected to 'kiss and make up' with their husbands, hide their black eyes and bruises, and bear the shame that somehow their partners' brutality was their fault. Chiswick Women's Aid was Europe's first ever refuge for what were then called 'battered women', and Jenny Smith was one of the first females who bravely made their way to this much-needed safe house. Desperate, and in fear for her life and the welfare of her two small children, Jenny had fled her dangerously schizophrenic partner, carrying only a few possessions. In the Chiswick shelter, founded by famous women's rights campaigner Erin Pizzey, Jenny found other women in the same position, all with harrowing, extraordinary stories to tell. Amenities were basic, but the respect, kindness and humanity of the community would help to give Jenny a new lease of life and strength. When the safe house came under threat of closure, she lobbied parliament and drove across Europe in a convoy of women in camper vans to raise awareness of their plight. Jenny's story is a slice of social history that begins in a Derbyshire mining village in the 1950s and takes the reader to inner city of Hackney in the 1960s, and Jenny's heart-breaking journey to the refuge. The house was the subject of a famous documentary, Scream Quietly or the Neighbours Will Hear, which, when first broadcast in 1974, sent shockwaves through the UK. Jenny was one of the first women to break a taboo by speaking publicly about domestic abuse. With the new start afforded her by the refuge, Jenny went on to find love, have another child and work as a foster carer.

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Although articles in this volume fall into three thematic clusters, each of those groups exemplifies three general themes: micro-social processes; innovations and the question of continuity versus discontinuity; and the relationship between ideas and practice. Most of these essays touch upon, and some of them are exclusively concerned with, small scale social processes: e.g. the routines of the all-female early-modern childbirth ritual, the different ways that male practitioners were summoned to such occasions, the functioning of voluntary hospitals, the protocols underlying patient records. Such social practices are well worth studying as both the sites and drivers of larger-scale historical change. Whenever there comes into being something new - whether an institution (a hospital), a social practice (the summoning of men as midwives) or a concept (a new approach to disease) - the question arises as to its relationship with what went before. This concept resonates throughout these essays, but is most to the fore in the chapters on early Hanoverian London (which asks explanatory questions) and on Porter versus Foucault (who represent the extremes of continuity and discontinuity respectively). A couple of generations ago, the ’history of ideas’ was pursued largely without reference to practice; in recent times, the danger has appeared of the very reverse taking place. This book ranges across a broad spectrum in this respect, the emphasis being sometimes upon practice (Eleanor Willughby’s work as a midwife) and sometimes upon ideas (concepts of pleurisy across the centuries); but in every case there is at least the potential for relating the two to one another. None of these themes is specific to medical history; on the contrary, they are the bread-and-butter of historical reconstruction in general.

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Chile has long been a centre for radical propaganda painting. As early as 1940 leading Mexican and Chilean artists, including David Alfaro Siqueiros, Fernando Marcos and Gregorio de la Fuente, were painting murals in Chile. Today, Latin American street art is as innovative as any in the world, and Chile plays a leading part. Much as Spain witnessed a boom in the arts post-Franco, so, since the end of Pinochet’s dictatorship in 1990, Chile has embraced an era of new freedoms. Chile has made up for lost time. The contemporary artists and graffiteros shown on these pages have their roots in Latin American propagandistic murals, but look forward. Artists such as Bomber West, Charqui Punk, Dana Pink, Elodio, Inti, Piguan, Pussyz Soul Food, Ritalin Crew, Vazko and Yisa are informed by Latin American, European and North American (especially West Coast) art and music, but have their own Chilean slant. Their carefully planned visual and verbal jokes, strategies and techniques are derived from an array of sources: Picasso, Surrealism, Pop, São Paulo’s Os Gêmoes, Vitche and Herbert, Brazilian pichaçao lettering, Peruvian photorealism, Argentine stencils, Bolivian hats and masks, US subway graffiti, hip hop, punk, Barcelona’s street art, Japanese animation, pornography, Gilbert & George, Brit art, Bansky. The resulting mixture is anarchic, accessible art. All parts of Chile are covered, from Arica to Punta Arenas, with special focus on Santiago and Valparaíso, both key centres of Latin American street art. Distinctive cities such as Iquique, Chillán, Concepción and Puerto Montt, and areas of the country rarely seen, are featured. The book includes an introduction to the history and flavour of Chilean street art; a glossary of graffiti terms; manifestos; and translations of all the graffiti shown.

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The Memory of Trade is an ethnographic study of the people of Aru, an archipelago in eastern Indonesia. Central to Patricia Spyer’s study is the fraught identification of Aruese people with two imaginary elsewheres—the ‘Aru’ and the ‘Malay’—and the fissured construction of community that has ensued from centuries of active international trade and more recent encroachments of modernity.Drawing on more than two years of archival and ethnographic research, Spyer examines the dynamics of contact with the Dutch and Europeans, Suharto’s postcolonial regime, and with the competing religions of Islam, Protestantism, and Catholicism in the context of the recent conversion of pagan Aruese. While arguing that Aru identity and community are defined largely in terms of absence, longing, memory, and desire, she also incorporates present-day realities—such as the ecological destruction wrought by the Aru trade in such luxury goods as pearls and shark fins—without overlooking the mystique and ritual surrounding these activities. Imprinted on the one hand by the archipelago’s long engagement with extended networks of commerce and communication and, on the other, by modernity’s characteristic repressions and displacements, Aruese make and manage their lives somewhat precariously within what they often seem to construe as a dangerously expanding—if still enticing—world. By documenting not only the particular expectations and strategies Aruese have developed in dealing with this larger world but also the price they pay for participation therein, The Memory of Trade speaks to problems commonly faced elsewhere in the frontier spaces of modern nation-states. Balancing particularly astute analysis with classic ethnography, The Memory of Trade will appeal not only to anthropologists and historians but also to students and specialists of Southeast Asia, modernity, and globalization.

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Bottom-up case studies, drawn from the perspective of ordinary Africans’ experiences with state bureaucracies, structures, and services, reveal how citizens and states define each other. This volume examines contemporary citizens’ everyday encounters with the state and democratic processes in Africa. The contributions reveal the intricate and complex ways in which quotidian activities and experiences—from getting an identification card (genuine or fake) to sourcing black-market commodities to dealing with unreliable waste collection—both (re)produce and (re)constitute the state and democracy. This approach from below lends gravity to the mundane and recognizes the value of conceiving state governance not in terms of its stated promises and aspirations but rather in accordance with how people experience it. Both new and established scholars based in Africa, Europe, and North America cover a wide range of examples from across the continent, including bureaucratic machinery in South Sudan, Nigeria, and Kenya infrastructure and shortages in Chad and Nigeria disciplinarity, subjectivity, and violence in Rwanda, South Africa, and Nigeria the social life of democracy in the Congo, Cameroon, and Mozambique education, welfare, and health in Ethiopia, the Democratic Republic of Congo, and Burkina Faso Everyday State and Democracy in Africa demonstrates that ordinary citizens’ encounters with state agencies and institutions define the meanings, discourses, practices, and significance of democratic life, as well its distressing realities. Contributors: Daniel Agbiboa Victoria Bernal Jean Comaroff John L. Comaroff E. Fouksman Fred Ikanda Lori Leonard Rose Løvgren Ferenc Dávid Markó Ebenezer Obadare Rogers Orock Justin Pearce Katrien Pype Edoardo Quaretta Jennifer Riggan Helle Samuelsen Nicholas Rush Smith Eric Trovalla Ulrika Trovalla

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Why do nearly five million people travel to the Grand Canyon each year? Mark Neumann answers this question with a book as compelling as the panoramic vistas of the canyon. In On the Rim, he describes how the Grand Canyon became an internationally renowned tourist attraction and cultural icon, and delves into the meanings the place holds for the individuals who live, work, and travel there.Weaving history, ethnography, documentary photography, and autobiography, Neumann exposes the roots—the personal and social dimensions—of America’s pursuit of leisure. He shows how people visiting the Grand Canyon create their own experiences, even while they are affected by one hundred years of social history and cultural expectations. On the Rim examines the lines between progress and nostalgia, science and spirituality, nature and culture, authenticity and mass production, and work and leisure—all of which crisscross the tourist experience.To support his argument, Neumann uses evidence from tourist registers and Park Service records, first-person narratives, interviews, and scenes from television shows, Hollywood movies, and popular novels. Heavily illustrated with historical and contemporary photographs, the narrative shifts back and forth between early descriptions of the canyon and modern tourist stories, the past illuminating the present at every step.From Albert Einstein’s visit and the hunt for the fugitive Danny Horning to the everyday experiences of local Native Americans, park rangers, and vacationing families, Neumann reminds us that every trip to the Grand Canyon is a complex journey, fueled by shared expectations but always open to the possibility of surprise. On the Rim is a multilayered, nuanced study of the place and its many visitors.

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What led to the Fourth Amendment’s protection of the people against unreasonable searches and seizures, codified in written law for the first time in history, and are we in danger of losing that protection? Celebrated lawyer Samuel Dash, known for his role as Chief Counsel of the Watergate Committee, explores the struggle for privacy. He does so by telling the dramatic tales of the people who were involved in influential legal battles, including landmark Supreme Court cases. Covering almost eight-hundred years of history, Dash begins with the time of King John of England and the Magna Carta, then moves to colonial America as colonists resisted searches mandated under King George. These tensions contributed to the birth of the United States and the adoption of our Bill of Rights with its Fourth Amendment, protecting people against unreasonable searches and seizures. How effective that protection has been is the story of the next two centuries. Dash explores U.S. Supreme Court cases through the sometimes humorous experiences of the people involved, including the unlucky gambler with a shoplifting wife and the police lieutenant turned king of bootleggers. To some extent, judicial safeguarding of Fourth Amendment protections depended on who made up the majority of the Court at any given time. By 2001 a conservative majority of the Court had given law enforcement agents greater search powers than ever before. Dash challenges the legal justification of the Bush Administration’s grab for greater search, seizure, and wiretap powers after the 9/11 terrorists’ attacks. He reminds us of government abuses of power in prior emergencies in American history. For Dash, the best security is our belief in individual liberty and the enforcement of our Bill of Rights.

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President Theodore Roosevelt once proclaimed, "Great corporations exist only because they are created and safeguarded by our institutions, and it is therefore our right and duty to see that they work in harmony with those institutions." But while corporations are ostensibly regulated by citizens through their governments, the firms in turn regulate many aspects of social and political life for individuals beyond their own employees and the communities that support them. Corporations are endowed with many of the same rights as citizens, such as freedom of speech, but are not themselves typically constituted around ideals of national belonging and democracy. In the wake of the global financial collapse of 2008, the question of what relationship corporations should have to governing institutions has only increased in urgency. As a democratically sanctioned social institution, should a corporation operate primarily toward profit accumulation or should its proper goal be to provision society with needed goods and services? Corporations and Citizenship addresses the role of modern for-profit corporations as a distinctive kind of social formation within democratic national states. Scholars of legal studies, business ethics, politics, history, and anthropology bring their perspectives to bear on particular case studies, such as Enron and Wall Street, as well as broader issues of belonging, social responsibility, for-profit higher education, and regulation. Together, these essays establish a complex and detailed understanding of the ways corporations contribute positively to human well-being as well as the dangers that they pose. Contributors: Joel Bakan, Jean Comaroff, John Comaroff, Cynthia Estlund, Louis Galambos, Rosalie Genova, Peter Gourevitch, Karen Ho, Nien-hê Hsieh, Walter Licht, Jonathan R. Macey, Hirokazu Miyazaki, Lynn Sharp Paine, Katharina Pistor, Amy J. Sepinwall, Jeffery Smith, Jeffrey L. Sturchio, Greg Urban.

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The third book of the Ghost Roads series returns to the highways of America, where hitchhiking ghost Rose Marshall continues her battle with her killer—the immortal Bobby Cross.Lady of shadows, keeper of changes, plant the seeds of faith within me, that I might grow and flourish, that I might find my way through danger and uncertainty to the safety of your garden. Let my roots grow strong and my skin grow thick, that I might stand fast against all who would destroy me. Grant to me your favor, grant to me your grace, and when my time is done, grant to me the wisdom to lay my burdens down and rest beside you, one more flower in a sea of blooms, where nothing shall ever trouble me again.Rose Marshall died when she was sixteen years old and on her way to her high school prom. She hasn’t been resting easy since then—Bobby Cross, the man who killed her, got away clean after running her off the road, and she’s not the kind of girl who can let something like that slide. She’s been looking for a way to stop him since before they put her body in the ground.But things have changed in the twilight world where the spirits of the restless dead continue their “lives.” The crossroads have been destroyed, and Bobby’s protections are gone. For the first time, it might be possible for Rose to defeat him.Not alone, though. She’ll need every friend she’s managed to make and every favor she’s managed to add to her account if she wants to stand a chance…and this may be her last chance to be avenged, since what is Bobby Cross without the crossroads?Everything Rose knows is about to change.

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In a compelling meditation on the ideas that shape our lives, one of the world’s most provocative and creative philosophers explains how his eccentric early years influenced his lifelong critique of liberalism.Liberalism is so amorphous and pervasive that for most people in the West it is background noise, the natural state of affairs. But there are nooks and crannies in every society where the prevailing winds don’t blow. Raymond Geuss grew up some distance from the cultural mainstream and recounts here the unusual perspective he absorbed: one in which liberal capitalism was synonymous with moral emptiness and political complacency.Not Thinking like a Liberal is a concise tour of diverse intellectual currents—from the Counter-Reformation and communism to pragmatism and critical theory—that shaped Geuss’s skeptical stance toward liberalism. The bright young son of a deeply Catholic steelworker, Geuss was admitted in 1959 to an unusual boarding school on the outskirts of Philadelphia. Outside was Eisenhower’s America. Inside Geuss was schooled by Hungarian priests who tried to immunize students against the twin dangers of oppressive communism and vapid liberal capitalism. From there Geuss went on to university in New York in the early days of the Vietnam War and to West Germany, where critical theory was experiencing a major revival.This is not a repeatable journey. In tracing it, Geuss reminds us of the futility of abstracting lessons from context and of seeking a universal view from nowhere. At the same time, he examines the rise and fall of major political theories of the past sixty years. An incisive thinker attuned to both the history and the future of ideas, Geuss looks beyond the horrors of authoritarianism and the shallow freedom of liberalism to glimpse a world of genuinely new possibilities.

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'Spellbinding . . . superb.' WASHINGTON POST'Emotionally gripping and defiantly original.' ITALIAN MYSTERIESAN AURELIO ZEN MYSTERYZen finally receives the order he has been dreading all his professional life: his next posting to Sicily.The gruesome discovery of an unidentified, decomposed corpse sealed in a railway wagon marks the beginning of Zen's most difficult and dangerous murder case. And he will need all his cunning and skill to survive in a world where unwritten rules are enforced with ruthless violence, where one false step can prove fatal, and where the truth must be paid for in blood.'By far the darkest of Dibdin's remarkable mysteries.' 5* reader review 'The end leaves you gasping.' 5* reader review'I absolutely loved this book.' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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Ever since being brought up by The Beatles, Frankie Boyle has been a tremendous liar. Join him on his adventures with his chum Clangy The Brass Boy and laugh as he doesn’t accidentally kill a student nurse when a party gets out of hand. I don't think anyone can have written an autobiography without at some point thinking "Why would anyone want to know this shit?" I've always read them thinking "I don't want to know where Steve Tyler grew up, just tell me how many groupies he f**ked!"' So begins Frankie's outrageous, laugh-out loud, cynical rant on life as he knows it. From growing up in Pollockshaws, Glasgow (‘it was an aching cement void, a slap in the face to Childhood, and for the family it was a step up'), to his rampant teenage sex drive (‘in those days if you glimpsed a nipple on T.V. it was like porn Christmas'), and first job working in a mental hospital ('where most evenings were spent persuading an old man in his pants not to eat a family sized block of cheese'), nothing is out of bounds. Outspoken, outrageous and brilliantly inappropriate, Frankie Boyle, the dark heart of Mock the Week, says the unsayable as only he can. From the TV programmes he would like to see made ('Celebrities On Acid On Ice: just like Celebrity Dancing On Ice, but with an opening sequence where Graham Norton hoses the celebrities down with liquid LSD'), to his native Scotland and the Mayor of London ('voting for Boris Johnson wasn't that different to voting for a Labrador wearing a Wonder Woman costume'), nothing and no one is safe from Frankie's fearless, sharp-tongued assault. Sharply observed and full of taboo-busting, we-really-shouldn't-be-laughing-at-this humour, My Shit Life So Far shows why Frankie Boyle really is the blackest man in show business.

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WINNER OF THE 2020 PULITZER PRIZE FOR BIOGRAPHYSelected as a Book of the Year 2019 by the SPECTATOR, TELEGRAPH, NEW STATESMAN and FINANCIAL TIMES 'Definitive and delightful' Stephen Fry 'There can be no doubting the brilliance - the sheer explanatory vigour - of Moser's biography... a triumph of the virtues of seriousness and truth-telling that Susan Sontag espoused' New Stateman The definitive portrait of one of the twentieth century's most towering figures: her writing and her radical thought, her public activism and her private face Susan Sontag was our last great literary star. Her brilliant mind, political activism and striking image made her an emblem of the seductions - and the dangers - of the twentieth-century world.Her writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, Fascism and Freudianism, Communism and Americanism, reflected the conflicted meanings of a most conflicted word: modernity. She was there when the Cuban Revolution began and the Berlin Wall came down, in Vietnam under American bombardment, in wartime Israel. Sontag tells these stories and examines the work upon which her reputation was based, exploring the private woman hidden behind the formidable public face.Drawing on hundreds of interviews conducted from Maui to Stockholm and from Manhattan to Sarajevo - and featuring nearly one hundred images, many never seen before - Sontag is the first book based on the writer's restricted archives, and on access to many people who have never before spoken about her, including Annie Leibovitz. It is an indelible portrait of one of the twentieth century's greatest thinkers, who lived one of that century's most romantic - and most anguished - lives.

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In Kansai Cool anthropologist, writer and filmmaker Christal Whelan offers profound insights in the only collection of essays to focus on Kansai, Japan's ancient heartland. Kansai ; the region in Western Japan that boasts the ancient capitals of Kyoto and Nara, the bustling commercial city of Osaka and the cosmopolitan port city of Kobe ; has a character all its own, right down to its dialect, mannerisms, and cuisine. It is home to some of Japan's oldest history and an area where the country's most time-honored arts and crafts still thrive. Worldly and otherworldly, spirited and spiritual, trendy and traditional, it's a place where past and future live side-by-side, sometimes at odds. Part Japanese travel book, part cultural commentary, these 25 spirited essays and 32 pages of colour photos paint a broad yet penetrating portrait of the unique Western Japan region, covering such diverse topics as: The needs of the spirit: shrines, temples and the call to pilgrimage The arts in Kansai;dance, painting, anime, and combat The relationship between hi-tech and old-tech;material culture-bikes, robots, and dolls The culture of fashion in Kansai;from kimonos and obis to modern fashion designers, and the Lolita complex The meaning of landscape; human-made islands and the mystical power of water The hidden meaning of food;an anthropology of coffee and traditional cuisineFrom the deep-seated ancient beliefs of Kyoto to modern teen otaku culture, costume play and haute couture of Kobe and Osaka;Whelan delves below the surface to let readers eager to travel to Japan experience how art, science, faith and history swirl together in the Kansai region to produce this unique wellspring of Japanese culture.

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Summer 1942. Defeatism hangs in the air. Britain stands alone. Winston Churchill is determined to strike back and has ordered the formation of a special operations force, dubbed "Commandos", with the mission to "set Europe ablaze."U.S. Marine Captain Jim Cain and his Gunnery Sergeant Leland Montgomery are surprised to receive orders to the British Commando training center in the Scottish Highlands. There they are put through the brutal specialized training that will hone their fighting skills and physical endurance. Pitiless forced marches, dangerous live fire exercises and hazardous assault courses separate the men from the boys, while building a strong sense of brotherhood among the British soldiers and the two Marines. Lucky to be quartered in the spacious home of the Commandos' CO, Cain has the pleasure of meeting Loreena. The stunning auburn-haired daughter of the CO is secretive about her work in London. Before Cain can learn more about her, the training course is interrupted. He and the commando squad are sent on a special mission to destroy a German radar station on a Nazi-held island off the coast of France.The site is defended by a squad of second-rate garrison soldiers who are no match for the highly trained and motivated commandos. A reaction force of infantry, led by a blooded German combat veteran, joins the fight. The action is fierce and bloody and there are heavy losses on both sides. The surviving raiders are able to withdraw to Royal Navy motor torpedo boats, as a marauding squadron of Schnellboots (E-Boats) lies in wait.The Commandos: Set Europe Ablaze is rich in detail and military accuracy which makes the story "come alive" and enables the reader to easily visualize the characters, the settings and the action scenes.

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Taking inspiration from medieval sea charts—portulans—the poems in Jason Sommer’s collection bring a fresh variation to the ancient metaphor of life as a journey. Creating a coordinate system charting paths between ports and the dangers that surrounded them, portulans offered webs of routes and images through which sailors could navigate. These maps—both accurate and beautifully illustrated—guided mariners from port to port weaving paths at the threshold of the open sea. Similarly, the course of these poems navigates familiar mysteries and perennial questions through times of unbelief, asking whether consciousness is anchored in the transcendent, if inward travel can descend past the self, and if the universe can be accounted for by physics alone. Is there more to the story that you remember and hesitate to say? Your eyes, though, scanning upward in their sockets, do seem to search memory, but for what may be gone already, gone to where it goes—wherever it came from—gone as can be imagined, down into things, in past flesh and bark, marrow and pith, and down, down into molecule, atom, particle, vanishing into theory. Through this collection, Sommer takes us to the ocean floor, into the basement, out the front door, through multiverses, and in and out of dreams. Along the way, he considers whether art—the beauty of the map—can provide momentary meaning against a backdrop of oblivion. Drawing on history and myth, the voices in these poems consider what can and cannot be known of the self and the other, of our values, and of what we insist has permanence. These are poems of searching. Like ancient cartographers who lent lavish decoration to their maps, the poems in Portulans illuminate possibilities of beauty in each journey.

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A Civil Rights Journey presents the astonishing archive of Dr Doris Derby: photographer, activist, and professor of anthropology. Active throughout the Civil Rights Movements of the mid twentieth century in the southern United States, particularly Mississippi, Derby acted as a photographer, organiser and teacher, making photographs of the intimate and human side of the everyday struggle for survival and human rights. She photographed both the organisation of political events, meetings, and funerals, alongside the literacy, co-operative and community theatre programmes, many of which she founded, and encountered much danger and tragedy along the way. Here we see the speeches and protests that gave the movement its defining moments, as well as vital figures including Muhammad Ali, Alice Walker, Fannie Lou Hamer, and Jesse Jackson. We also see classrooms and church halls, doctors and secretaries: everyday scenes of joy, frustration, curiosity, and connection, in which the determination and collective actions and resolve and actions of the movement are equally expressed. This extensive volume presents Derby's images in sequences that between them document rural and urban poverty, offer lucid ethnographies of particular streets and families, track the day-to-day lives of African American children growing up in the Mississippi Delta, and bear witness to such pivotal events as the Jackson State University shooting, the funeral of Martin Luther King Jr., and the 1968 Democratic Convention. Derby's photographs offer us an invaluably rich portrait of a historical moment whose effects have defined today's world and issues a vital reassertion of the work that remains to be done. Artist photographer Hannah Collins has worked with Doris Derby to recount the events photographed in extensive texts which accompany the images.

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Harriet's parents hoped that, after leaving boarding school and doing `the Season', she would meet and marry a suitable young man. But she was to disappoint them. Just after the Soviet invasion of Afghanistan, she set off for Peshawar to see for herself the plight of thousands of displaced Afghan refugees. Determined to do something about their dire situation, Harriet set up a small silk weaving project for illiterate Turkmen refugees, and was sent by UNESCO to Mazar-i-sharif to work with Afghanistan's last remaining silk ikat weavers. During those years she was arrested by the KHAD, narrowly missed being blown up, survived acute bacterial meningitis in a Kabul hospital, and rescued an abandoned pi-dog puppy who became her devoted companion. At the end of the first Gulf War she travelled with the Peshmerga in the newly-liberated Iraqi Kurdistan. Then in 1994 she joined a group of unemployed builders and decorators driving convoys of food and aid from Croydon to the Muslim enclaves in Bosnia Herzegovina. Much has been written about conflicts in these countries, by war correspondents, diplomats and military personnel, but this is a different story. It is about young woman from a sheltered and privileged background travelling and working alone, in and around war zones, frequently with no financial or practical support, at a time of increasing Islamic fundamentalism. Harriet left her traditional, comfortable home and chose to live a life of adventure and danger helping refugees who had nowhere else to turn. She continues to raise money for charity through her business selling oriental textiles and remains friends with the refugees she helped in Afghanistan. However, she is now married, to just the sort of husband her parents always hoped for.

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Rock and roll was born in the United States during the 1950s. Its popularity rapidly grew spreading across the Atlantic to England. The Brits transformed rock bringing it back to the States in a new form with the British Invasion. Since that time the two countries have dominated headlines and histories in terms of rock music.ÞWhat's often forgotten in these histories is the evolution of Canadian rock and roll during the same period. Over the years a huge contingent of Canadian artists has made invaluable contributions to rock and roll. The list of innovative Canadian artists is quite impressive: Neil Young Joni Mitchell Paul Anka Arcade Fire The Band Bryan Adams Rush Leonard Cohen Celine Dion Diana Krall Gordon Lightfoot Sarah McLachlan Alanis Morissette Tegan and Sara Feist Nickelback and many others not to mention the all-star producers such as Daniel Lanois (U2 Bob Dylan Peter Gabriel) Bob Rock (Metallica Aerosmith Bon Jovi) Bob Ezrin (Pink Floyd Alice Cooper Kiss) and David Foster (Michael Jackson Celine Dion).ÞThe history of Canadian rock and roll is a lively entertaining and largely untold tale. Bob Mersereau presents a streamlined informative trip through the country's rich history and depth of talent from the 1950s to today covering such topics as: Toronto's club scene the folk rock and psychedelic rock of the 1960s Canadian artists who hit major stardom in the United States the challenges and reform of the Canadian broadcasting system the huge hits of the 1970s Canadian artists' presence all over the pop charts in the 1990s and Canada's indie-rock renaissance of the 2000s.

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*NOW A MAJOR SKY TV SERIES. Read the novel Season 2 is based on.*Fall deeper under the spell of Diana and Matthew in the captivating second volume of the No.1 internationally bestselling ALL SOULS series, following A DISCOVERY OF WITCHES. Perfect for fans of Neil Gaiman, Diana Gabaldon and J. K. Rowling.---In a world of witches, daemons and vampires the fragile balance of peace is unravelling. Diana and Matthew's forbidden love has broken the laws dividing creatures. To discover the manuscript which holds their hope for the future, they must now travel back to the past.When Diana Bishop, descended from a line of powerful witches, discovered a significant alchemical manuscript in the Bodleian Library, she sparked a struggle in which she became bound to long-lived vampire Matthew Clairmont. Now the coexistence of witches, daemons, vampires and humans is dangerously threatened.Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot.Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...Praise for Deborah Harkness:'Rich, thrilling . . . captivating' E L James'Intelligent and off-the-wall' The Sunday Times'I could lose myself in here and never want to come out' Manda Scott'A bubbling cauldron of illicit desire' Daily Mail

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A compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

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***OVER A MILLION COPIES OF THE IRON DRUID BOOKS SOLD***'American Gods meets Jim Butcher's Harry Dresden' SFF WorldFor a two-thousand-year-old Druid, Atticus O'Sullivan is a pretty fast runner. Good thing, because he's being chased by not one but two goddesses of the hunt - Artemis and Diana - for messing with one of their own. Dodging their slings and arrows, Atticus, his apprentice Granuaile and his wolfhound Oberon are making a mad dash across modern-day Europe to seek help from a friend of the Tuatha Dé Danann. His usual magical option of shifting planes is blocked, so instead of playing hide and seek, the game plan is . . . run like hell.Crashing the pantheon marathon is the Norse god Loki. Killing Atticus is the only loose end he needs to tie up before unleashing Ragnarok - AKA the Apocalypse. Atticus and Granuaile have to outfox the Olympians and contain the god of mischief if they want to go on living - and still have a world to live in.Praise for the Iron Druid Chronicles:'Atticus and his crew are a breath of fresh air! . . . I love, love, love this series' My Bookish Ways'Entertaining, steeped in a ton of mythology, populated by awesome characters' Civilian Reader'This is one series no fantasy fan should miss. Mystery, suspense, magic and mayhem' SciFiChickThe Iron Druid ChroniclesHounded Hexed HammeredTrickedTrappedHuntedShatteredStakedScourgedBesieged (short stories)HAVE YOU TRIED . . . Kevin Hearne's epic fantasy novel A PLAGUE OF GIANTS - described by Delilah S. Dawson as 'a rare masterpiece that's both current and timeless . . . merging the fantasy bones of Tolkien and Rothfuss with a wide cast of characters who'll break your heart'. Out now!

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Explore the colourful reefs, volcanic canyons, emerald rainforests, and unspoiled beaches of this sparkling archipelago with Moon Fiji. Inside you'll find:*Flexible itineraries including four days on Taveuni Island, five days of island-hopping in the Yasawas, and the ten-day best of Fiji*Strategic advice for outdoor adventurers, diving enthusiasts, honeymooners, foodies, and more, with guidance on which island is right for you*Must-see highlights and unique experiences: Go scuba-diving and spot barracuda, manta rays, and dolphins. Hike the rain-filled crater of a dormant volcano, raft down the thrilling Navua River, or zip-line through old-growth yesi forests. Share an intoxicating bowl of kava with new friends, tour an inland sugar plantation, or immerse yourself in the vibrant culture of indigenous peoples at a VOU dance performance. Sample fresh papaya, passionfruit, and mangoes from local growers or go off the grid in a traditional Fijian village, where you can practice mountainside yoga and learn to river fish with localsExpert insight: Minal Hajratwala, a writer with lifelong family ties to Fiji, recommends where to eat, how to get around, and where to stay, from guest cottages and beach bungalows to luxurious resorts*Full-colour photos and detailed maps throughout*Reliable background information on the landscape, climate, wildlife, and history, as well as common customs, etiquette, and basic Fijian and Hindi phrasebooks*Handy tips for families, seniors, students, and travellers with disabilities, plus ideas for travelling sustainably and engaging with the cultureWith Moon Fiji's practical tips and local know-how, you can experience the best of Fiji.Exploring the South Pacific? Check out Moon New Zealand.

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From legendary barbecue to famous blues, soak up the best of Bluff City with Moon Memphis. *See the Sites: Immerse yourself in history at the National Civil Rights Museum or the Stax Museum of American Soul Music. Pay respects to the King at Graceland, take an evening stroll down Beale Street where the Memphis blues were born, and watch the march of the ducks at the elegant Peabody Hotel*Get a Taste of the City: Feast on world-famous barbecue, fried chicken, and catfish, savour a homemade plate lunch with cornbread and fried green tomatoes, or opt for a multi-course meal at one of Memphis's classic steakhouses*Bars and Nightlife: Listen to live blues at B.B. King's, tour a brewery and sample a flight, and dance the night away at an old-school juke joint*Honest Advice from Tennessean Margaret Littman on the real Memphis, from local businesses to historic hotspots*Flexible, strategic itineraries including a five-day best of Memphis and tours of the art scene and Civil Rights history, plus day trips to the Mississippi Blues Trail, Tupelo, Little Rock, Hot Springs National Park, and more*Tips for Travellers including where to stay, how to safely bike the city, and more, plus advice for LGBTQ visitors, international travellers, and families with children*Maps and Tools like background information on the history and culture of Memphis, easy-to-read maps, full-colour photos, and neighbourhood guides from Downtown to SoulsvilleWith Moon Memphis's practical tips and local know-how, you can experience the best of the city.Hitting the road? Try Moon Blue Ridge Parkway Road Trip or Moon Nashville to New Orleans Road Trip. Exploring more of the Volunteer State? Check out Moon Tennessee.

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It is a little-known fact that during the Cold War, two U.S. Army Special Forces detachments were stationed far behind the Iron Curtain in West Berlin. The existence and missions of the two detachments were highly classified secrets.The massive armies of the Soviet Union and its Warsaw Pact allies posed a huge threat to the nations of Western Europe. US military planners decided they needed a plan to slow the juggernaut they expected when and if a war began. The plan was Special Forces Berlin. The first 40 men who came to Berlin in mid-1956 were soon reinforced by 60 more and these 100 soldiers (and their successors) would stand ready to go to war at only two hours’ notice, in a hostile area occupied by nearly one million Warsaw Pact forces, until 1990.Their mission should hostilities commence was to wreak havoc behind enemy lines, and buy time for vastly outnumbered NATO forces to conduct a breakout from the city. In reality it was an ambitious and extremely dangerous mission, even suicidal. Highly trained and fluent in German, each man was allocated a specific area. They were skilled in clandestine operations, sabotage, intelligence tradecraft and able to act if necessary as independent operators, blending into the local population and working unseen in a city awash with spies looking for information on their every move.Special Forces Berlin was a one of a kind unit that had no parallel. It left a legacy of a new type of soldier expert in unconventional warfare, one that was sought after for other deployments including the attempted rescue of American hostages from Tehran in 1979. With the U.S. government officially acknowledging their existence in 2014, their incredible story can now be told.

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In The Haitian Vodou Handbook, Kenaz Filan, an initiate of the Société la Belle Venus, presents a working guide to the proper methods of interacting with the full Vodou pantheon, explaining how to build respectful relationships with the lwa, the spirits honored in Haitian Vodou, and how to transform the fear that often surrounds the Vodou religion. Until recently, the Haitian practice of Vodou was often identified with devil worship, dark curses, and superstition. Some saw the saint images and the Catholic influences and wrote Vodou off as a “Christian aberration.” Others were appalled by the animal sacrifices and the fact that the Houngans and Mambos charge money for their services. Those who sought Vodou because they believed it could harness “evil” forces were disappointed when their efforts to gain fame, fortune, or romance failed and so abandoned their “voodoo fetishes.” Those who managed to get the attention of the lwa, often received cosmic retaliation for treating the spirits as attack dogs or genies, which only further cemented Vodou’s stereotype as “dangerous.” Filan offers extensive background information on the featured lwa, including their mythology and ancestral lineage, as well as specific instructions on how to honor and interact fruitfully with those that make themselves accessible. This advice will be especially useful for the solitary practitioner who doesn’t have the personal guidance of a societé available. Filan emphasizes the importance of having a quickened mind that can read the lwa’s desires intuitively in order to avoid establishing dogma-based relationships. This working guide to successful interaction with the full Vodou pantheon also presents the role of Vodou in Haitian culture and explores the symbiotic relationship Vodou has maintained with Catholicism.

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Rise of the Dungeon Master tells, in graphic form, the story of Gary Gygax, co-creator of Dungeons & Dragons, one of the most influential games ever made. Like the game itself, the narrative casts the reader into the adventure from a first person point of view, taking on the roles of the different characters in the story.Gygax was the son of immigrants who grew up in Lake Geneva, WI, in the 1950s. An imaginative misfit, he escaped into a virtual world based on science fiction novels, military history and strategic games like chess. In the mid-1970s, he co-created the wildly popular Dungeons & Dragons game, determining the rules and inventing the signature 20-sided dice. Starting out in the basement of his home, he was soon struggling to keep up with the demand. Gygax was a purist, in the sense that he was adamant that players use their imaginations and that the rules of the game remain flexible. A creative mind with no real knowledge of business, he made some strategic errors and had a falling out with the game's co-creator, his close friend and partner, David Arneson. By the late 1970s the game had become so popular among kids that parents started to worry -- so much so that a mom's group was formed to alert parents to the dangers of role play and fantasy. The backlash only fueled the fires of the young fans who continued to play the game, escaping into imaginary worlds. Before long, D&D conventions were set up around the country and the game inspired everything from movies to the first video games. With D&D, Gygax created the kind of role playing fantasy that would fuel the multibillion dollar video game industry, and become a foundation of contemporary geek culture.

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In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to stay at it—to keep writing as the most important way to not only improve one’s writing but to also honor the stories and lessons learned through research. Throughout, they share new thoughts, prompts, and agitations for writing that will stimulate conversations that cut across the humanities. Contributors. Whitney Battle-Baptiste, Jane Eva Baxter, Ruth Behar, Adia Benton, Lauren Berlant, Robin M. Bernstein, Sarah Besky, Catherine Besteman, Yarimar Bonilla, Kevin Carrico, C. Anne Claus, Sienna R. Craig, Zoë Crossland, Lara Deeb, K. Drybread, Jessica Marie Falcone, Kim Fortun, Kristen R. Ghodsee, Daniel M. Goldstein, Donna M. Goldstein, Sara L. Gonzalez, Ghassan Hage, Carla Jones, Ieva Jusionyte, Alan Kaiser, Barak Kalir, Michael Lambek, Carole McGranahan, Stuart McLean, Lisa Sang Mi Min, Mary Murrell, Kirin Narayan, Chelsi West Ohueri, Anand Pandian, Uzma Z. Rizvi, Noel B. Salazar, Bhrigupati Singh, Matt Sponheimer, Kathleen Stewart, Ann Laura Stoler, Paul Stoller, Nomi Stone, Paul Tapsell, Katerina Teaiwa, Marnie Jane Thomson, Gina Athena Ulysse, Roxanne Varzi, Sita Venkateswar, Maria D. Vesperi, Sasha Su-Ling Welland, Bianca C. Williams, Jessica Winegar

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Brings the science of biological anthropology to bear on understanding how our evolutionary history has shaped a phenomenon everyone has experienced – childhood. Tracking deep into our evolutionary history, anthropological science has begun to unravel one particular feature that sets us apart from the many, many animals that came before us – our uniquely long childhoods. Growing Up Human looks at how we have diverged from our ancestral roots to stay ‘forever young’ – or at least what seems like forever – and how the evolution of childhood is a critical part of the human story. Beginning with a look at the ways animals invest in their offspring, the book moves through the many steps of making a baby, from pair-bonding to hidden ovulation, points where our species has repeatedly stepped off the standard primate path. From the mystery of monogamy to the minefield of modern parenting advice, biological anthropologist Brenna Hassett reveals how differences between humans and our closest cousins lead to our messy mating systems, dangerous pregnancies, and difficult births, and what these tell us about the kind of babies we are trying to build. Using observations of our closest primate relatives, the tiny relics of childhood that come to us from the archaeological record, and the bones and teeth of our ancestors, science has started to unravel the evolution of our childhood right down the fossil record. In our species investment doesn’t stop at birth, and as Growing Up Human reveals, we can compare every aspect of our care and feeding, from the chemical composition of our milk to our fondness for formal education from ancient times onwards, in order to understand just what we evolved our weird and wonderful childhoods for.

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This is the definitive autobiography of John Lydon, one of the most recognizable icons in the annals of music history. As Johnny Rotten, he was the lead singer of the Sex Pistols - the world's most notorious band, who shot to fame in the mid-1970s with singles such as 'Anarchy in the UK' and 'God Save the Queen'. Via his music and invective he spearheaded a generation of young people across the world who were clamouring for change - and found it in the style and attitude of this most unlikely figurehead.With his next band, Public Image Ltd (PiL) Lydon expressed an equally urgent impulse in his make-up - the constant need to reinvent himself. From their beginnings in 1978 he set the template for a band that continues to challenge and thrive in the 2010s. He also found time for making innovative new dance records with the likes of Afrika Baambaata and Leftfield. Following the release of a solo record in 1997, John took a sabbatical from his music career into other media, most memorably his own Rotten TV show for VH1 and as the most outrageous contestant ever on I'm a Celebrity ... Get Me Out of Here!He then fronted the Megabugsseries and one-off nature documentaries and even turned his hand to a series of much loved TV advertisements for Country Life butter.Lydon has remained a compelling and dynamic figure - both as a musician, and, thanks to his outspoken, controversial, yet always heartfelt and honest statements, as a cultural commentator.The book is a fresh and mature look back on a life full of incident from his beginnings as a sickly child of immigrant Irish parents who grew up in post-war London, to his present status as a vibrant, alternative national hero.

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THE COMPELLING NOVEL FROM SUNDAY TIMES BESTSELLER PHILIPPA GREGORY'There is only one bond that I trust: between a woman and her sisters. We never take our eyes off each other. In love and in rivalry, we always think of each other.' When Katherine of Aragon is brought to the Tudor court as a young bride, the oldest princess, Margaret, takes her measure. With one look, each knows the other for a rival, an ally, a pawn, destined – with Margaret’s younger sister Mary – to a sisterhood unique in all the world. The three sisters will become the queens of England, Scotland and France. United by family loyalties and affections, the three queens find themselves set against each other. Katherine commands an army against Margaret and kills her husband James IV of Scotland. But Margaret’s boy becomes heir to the Tudor throne when Katherine loses her son. Mary steals the widowed Margaret’s proposed husband, but when Mary is widowed it is her secret marriage for love that is the envy of the others. As they experience betrayals, dangers, loss and passion, the three sisters find that the only constant in their perilous lives is their special bond, more powerful than any man, even a king.Praise for Philippa Gregory: ‘Meticulously researched and deeply entertaining, this story of betrayal and divided loyalties is Gregory on top form’ Good Housekeeping ‘Gregory has popularised Tudor history perhaps more than any other living fiction writer…all of her books feature strong, complex women, doing their best to improve their lives in worlds dominated by men’ Sunday Times ‘Engrossing’ Sunday Express ‘Popular historical fiction at its finest, immaculately researched and superbly told’ The Times

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'This is a rip-roaring read, full of derring-do and sometimes comic, often foolhardy bravery. [Jenny] sounds an absolute hoot, and her book is never anything less' – Daily Mail ‘A fascinating and quirky take on how easily we can be hoodwinked and hacked. Next time you hear anyone complain about the cost of cyber-protection, hand them a copy of People Hacker. It could save them a fortune’ – The Times -------'From an early age, locked doors, high fences and the secrets kept by businesses, buildings and people, fascinated me. I wanted to find out what they wanted to hide away.' A burglar for hire, con-artist and expert in deception and physical infiltration – Jenny Radcliffe is a professional people hacker. After being schooled in the art of breaking and entering by her family, she became an expert social engineer, doing an insider’s job to exploit the flaws and weaknesses in top-grade security operations. In People Hacker, Jenny reveals how she uses her inimitable blend of psychology, stagecraft and charm to gain access to top-grade private and commercial properties. From the back streets of Liverpool to the City of London's Square Mile, across rooftops, cellars and staircases in Europe to the mansions of gangsters in the Far East, Jenny has risked it all to earn the title ‘People Hacker’. This is Jenny insider’s account of how her working-class upbringing, northern sense of humour and femininity in a male-dominated industry all helped her to become one of the most sought-after social engineers in the world. Told in her trademark colourful style, and packed full of stories of the crazy and dangerous situations she has found herself in along the way, Jenny shines a light on the security mistakes we all make – and how to avoid them.

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