Search results for ""author anne"

William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being "the best poetry critic in America," vividly assays the most memorable and most damning features of a poet's work. While his occasionally harsh judgments have raised some eyebrows and caused their share of controversy (a number of poets have offered to do him bodily harm), his readings offer the fresh and provocative perspectives of a passionate and uncompromising critic, unafraid to separate the tin from the gold. The longer essays in The Undiscovered Country explore a variety of poets who have shaped and shadowed contemporary verse, measuring the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, the mystery of Marianne Moore, and Milton's invention of personality, as well as offering a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father. Logan's unsparing "verse chronicles" present a survey of the successes and failures of contemporary verse. Neither a poet's tepid use of language nor lackadaisical ideas nor indulgence in grotesque sentimentality escapes this critic's eye. While railing against the blandness of much of today's poetry (and the critics who trumpet mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, Czeslaw Milosz's indictment of Polish poetry, and much more. Praise for Logan's previous works: Desperate Measures (2002)"When it comes to separating the serious from the fraudulent, the ambitious from the complacent, Logan has consistently shown us what is wheat and what is chaff...The criticism we remember is neither savage nor mandarin. ..There is no one in his generation more likely to write it than William Logan."-Adam Kirsch, Oxford American Reputations of the Tongue (1999)"Is there today a more stringent, caring reader of American poetry than William Logan? Reputations of the Tongue may, at moments, read harshly. But this edge is one of deeply considered and concerned authority. A poet-critic engages closely with his masters, with his peers, with those whom he regards as falling short. This collection is an adventure of sensibility."-George Steiner "William Logan's critical bedevilments-as well as his celebrations-are indispensable."-Bill Marx, Boston Globe All the Rage (1998)"William Logan's reviews are malpractice suits."-Dennis O'Driscoll, Verse "William Logan is the best practical critic around."-Christian Wiman, Poetry

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In this entertaining and eye-opening collection, writer, actor, and feminist Tracy Dawson showcases trailblazers throughout history who disguised themselves as men and continuously broke the rules to gain access and opportunities denied them because they were women.“This book will surprise, astonish, and hopefully anger you on the lengths women have had to go to pursue their dreams. Tracy has such a gift for storytelling and making history leap off the page. Her book has a wit that suggests it was written by a man since everyone knows women aren't this funny.”—Kay Cannon, writer, producer, director (the Pitch Perfect films, Cinderella)“A smart, funny journey through history that introduces us to the rule breakers who made history worth traveling through.”—Patton Oswalt, comedian, actor and author“I came up with Tracy as a fellow sketch comedian on the vomit-soaked stages of the Toronto comedy scene. And like the brilliant, resourceful, rule-breaking, damn-well-stubborn sisters in Let Me Be Frank, Tracy is someone who gets the job done, and gets it done well.”—Samantha Bee, Full Frontal with Samantha Bee Let Me Be Frank illuminates with a wry warmth the incredible stories of a diverse group of women from different ethnicities and cultural backgrounds who have defied the patriarchy, refusing to allow men or the status quo to define their lives or break their spirit. An often sardonic and thoroughly impassioned homage to female ingenuity and tenacity, the women profiled in this inspiring anthology broke the rules to reach their goals and refused to take “no” for an answer. These women took matters into their own hands, dressing—sometimes literally, sometimes figuratively—as men to do what they wanted to do. This includes competing in marathons, publishing books, escaping enslavement, practicing medicine, tunneling deep in the earth as miners, taking to the seas as pirates and serving on the frontlines in the military, among many other pursuits. Not only did these women persist, many unknowingly made history and ultimately inspired later generations in doing so. This compendium is an informative and enthralling celebration of these revolutionary badasses who have changed the world and our lives.Let Me Be Frank is filled with more than two dozen specially commissioned, full-color illustrations and hand-lettering by artist Tina Berning, whose multi-award-winning work has been published in numerous publications and anthologies worldwide, and is designed by Alex Kalman.WOMEN PROFILED INCLUDE: Jeanne Baret * Anne Bonny and Mary Read * Christian Caddell * Ellen Craft * Catalina De Erauso * Louise Augustine Gleizes * Hatshepsut * Annie Hindle and Florence Hines* Pili Hussein * Joan of Arc * Rena “Rusty” Kanokogi * Margaret King * Dorothy Lawrence * Tarpé Mills * Hannah Snell * Kathrine Switzer * Maria Toorpakai * Dr. Mary Edwards Walker * Cathay Williams

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'Graham is a lovely writer and this is by far his best. The passage of time is beautifully handled, and the emergence of Ireland into the modern world is a joy to read... There's a lovely kindness and a fundamental goodness at the heart of this book. A great read!' RUSSELL T. DAVIES'A real page-turner, the kind of warmth and magical storytelling that puts me in mind of the late, great Maeve Binchy... a writer of real strength and talent.' LORRAINE KELLY'[A] compelling, bighearted, emotionally precise page-turner.' THE SUNDAY TIMES'Beautiful and heartbreaking.' PANDORA SYKES'Graham Norton's bestselling novel gives a warm and perceptive account of tragedy, self-discovery and forgiveness in a tightly knit community.' THE DAILY MAIL'intelligent and tenderly observed' THE TIMES'Full of heart and humanity and I loved every single page. What a storyteller!' ELIZABETH DAY'a thoughtful examination of sexual identity, shame, and the impact of collective grief' OBSERVER'Graham Norton's new novel has me in floods... His gift for characterisation is positively Binchy-esque! Such nuance and warmth! It's GORGEOUS' MARIAN KEYES'I loved HOME STRETCH ... one of those books that stays with you so long after you've finished it' NIGELLA LAWSON'A subtle portrait of small-town Ireland; an unblinking study of shame & homophobia; a map of cultural shifts between 1980s & now; a kind, wise, perceptive novel by an author rich in these qualities.' DAVID MITCHELL'Beautifully written. Fasten your seatbelts, it's going to be a bumpy read. Utterly fantastic.' LIZ NUGENT'Graham Norton's examination of small-town Irish lives continues in his deeply moving third novel. He is a magnificent writer.' JOHN BOYNE'[Graham Norton is a] king of the page turners... A total triumph' ANNE GRIFFIN'What right has such a successful entertainer to write a novel as good as this?' SUNDAY EXPRESSShame and longing can flow through generations, but the secrets of the heart will not be buried for ever.It is 1987 and a small Irish community is preparing for a wedding. The day before the ceremony a group of young friends, including bride and groom, drive out to the beach. There is an accident. Three survive, but three are killed. The lives of the families are shattered and the rifts between them are felt throughout the small town. Connor is one of the survivors. But staying among the angry and the mourning is almost as hard as living with the shame of having been the driver. He leaves the only place he knows for another life, taking his secrets with him. Travelling first to Liverpool, then London, he makes a home - of sorts - for himself in New York. The city provides shelter and possibility for the displaced, somewhere Connor can forget his past and forge a new life. But the secrets, the unspoken longings and regrets that have come to haunt those left behind will not be silenced. And before long, Connor will have to confront his past.Graham Norton's powerful and timely novel of emigration and return demonstrates his keen understanding of the power of stigma and secrecy - with devastating results.

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If, like most Americans, you think an Ivy League diploma paves the way to Nobel Prizes, Wall Street riches, and a life of prosperity and happiness, think again. Consider these "distinguished" alumni:* John Fairbanks (Dartmouth AB, 1946), embezzler* Amy Bishop (Harvard Ph.D., 1993), mass murderer* Eliot Spitzer (Princeton BA, 1981; Harvard JD, 1984), disgraced NY governor and patron of prostitutes* Cardinal Bernard F. Law (Harvard BA, 1952), protector of abusive priests* Jeffrey Skilling (Harvard MBA, 1979), felonious Enron CEO* Madison Grant (Yale BA, 1887; Columbia LL.B.), eugenicist* Ann Coulter (Cornell BA, 1984), professional bully* Jonah Lehrer (Columbia BA, 2003), plagiarist* Theodore Kaczynski (Harvard BA, 1962), the UnabomberIn 85 brief profiles of murderers, rapists, racists, cheaters, lying politicians, slavers, oligarchs, war criminals, traitors, forgers, kiddie-porners, and other moral reprobates, MONSTERS OF THE IVY LEAGUE effectively--and entertainingly!--bursts the bubble of America's obsession with elite colleges.

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The Faber poetry list, originally founded in the 1920s, was shaped by the taste of T.S.Eliot, who was its guiding light for nearly forty years. Each passing decade has seen it grow with the addition of poets who are arguably the finest of their generation. In recent years the creation of anthologies has further broadened the scope of the Faber poetry list by including the work of great poets from the past, chosen by the contemporary poets they have inspired. This Liberty Faber Poetry Journal contains a selection of new and classic poems and over a hundred lined pages for the reader to fill as they wish.To My Dear and Loving Husband by Anne Bradstreet (1612-1672)Postscript by Mary Jean Chan (b. 1990)April from Prologue to The Canterbury Tales by Geoffrey Chaucer (c. 1340s - 1400)Bumbarrel's Nest by John Clare (1793-1864)Heronkind by Julia Copus (b.1969)On First Looking into Chapman's Homer by John Keats (1795-1821)Preludes IV by T.S. Eliot (1888-1965)Green by D.H. Lawrence (1885-1930)Philanthropy by Daljit Nagra (b.1966)A Birthday by Christina Rossetti (1830-1894)A Wet Winter from A Midsummer Night's Dream by William Shakespeare (1564-1616)It Rains by Edward Thomas (1878-1917)

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This beautiful hardcover volume contains the two documents every American and citizen of the world should read: the complete text of the Declaration of Independence and the Constitution of the United States of America, along with all 27 of its amendments. A full, analytical index of the original Constitution and all of its ratified amendments follows. On July 4, 1776, in the midst of the Revolutionary War, the thirteen colonies of the United States ratified a document that would later be known as the Declaration of Independence. In it, the Continental Congress and the people it represented declared they were no longer under the rule of Great Britain and were now the United States. The Delegates who convened at the Federal Convention in Philadelphia on May 25, 1787, agreed to construct a new framework for a national government. Throughout the next four months, led by their elected president, George Washington, they debated the proper form such government should take. Once the Constitution was constructed, the debates that ensued in state senates while it was being ratified by each state made clear the need for additions to the basic framework drafted in Philadelphia to protect certain liberties at the core of American traditions. James Madison, then a member of the new United States House of Representative, drafted a list of amendments to guarantee the freedoms that Americans hold dear that would become known as the Bill of Rights. The documents in this collection are a monument to the combined spirit of all Americans as well as a testament to the extraordinary minds of our founding fathers, who put them on paper. Whether you are a history buff looking to enhance your library; or you are studying or teaching US government in school or at home and need a sturdy, portable reference; or you simply want to be able to prove that you are right in your political arguments, wherever they may occur—this edition containing the exact, uninterrupted words of America’s founders is what you are looking for. Essential volumes for the shelves of every classic literature lover, the Chartwell Classics series includes beautifully presented works and collections from some of the most important authors in literary history. Chartwell Classics are the editions of choice for the most discerning literature buffs. Other titles in the Chartwell Classics series include: The Essential Tales & Poems of Edgar Allen Poe; The Essential Tales of H.P. Lovecraft; The Federalist Papers; The Inferno; The Call of the Wild and White Fang; Moby Dick; The Odyssey; Pride and Prejudice; Grimm’s Fairy Tales; Emma; The Great Gatsby; The Secret Garden; Anne of Green Gables; The Phantom of the Opera; The Communist Manifesto and Das Kapital; The Republic; Frankenstein; Twenty Thousand Leagues Under the Sea; The Picture of Dorian Gray; Meditations; Alice’s Adventures in Wonderland and Through the Looking-Glass; A Tales of Two Cities; Beowulf; The Strange Case of Dr. Jekyll and Mr. Hyde; Adventures of Huckleberry Finn; Little Women; Wuthering Heights; Peter Pan; Persuasion; Aesop’s Fables; The Alchemist; Crime and Punishment; Dracula; Great Expectations; The Iliad; Irish and Fairy Folk Tales; The Legend of Sleepy Hollow; The War of the Worlds; and The Time Machine and The Invisible Man.

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In Kristi Ann Hunter's "Legacy of Love," Sarah Gooding never suspected returning a brooch to an elderly woman would lead to a job . . . and introduce her to the woman's grandson, a man far above her station. In Karen Witemeyer's "Gift of the Heart," widow Ruth Albright uses the family brooch as collateral for a loan from the local banker. But the more she comes to know the man behind the stern businessman, the more she hopes for a second chance at love. In Sarah Loudin Thomas's "A Shot at Love," Fleeta Brady's rough-and-tumble childhood means she prefers hunting to more feminine activities. She never expected her family's brooch might be how a fellow hunter turns her attention from competition to romance. In Becky Wade's "Because of You," Maddie Winslow has spent years in love with a man whose heart was already spoken for. When a church Christmas project brings them together and she stumbles upon an old family brooch, might it finally be her turn for love?

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These classic Kerouac meditations, zen koans, and prose poems express the poet's beatific quest for peace and joy through oneness with the universe. "The Scripture of the Golden Eternity is fueled by Kerouac's discerning meditation on the nature of impermanence & consciousness, subtle like the dharma it invokes. We're here to disappear, therefore let's be as vivid & generous as we can. The intelligence & compassion behind this text is still alive." -Anne Waldman, The Jack Kerouac School of Disembodied Poetics The Scripture of the Golden Eternity is Jack Kerouac's statement of confidence in his oneness with the universe of energy and form, a confidence to which his whole being swelled. His was not the search for the ecstasy of the mystic or psychedelic or the Artaud-mad. He sought a recognition in philosophy of his early sense that his body participated in the universal forms of energy with a quality of exuberance-that "serious exuberance" which he so accurately called jazz." -Eric Mottram, Introduction Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights), Scattered Poems (City Lights), and The Scripture of the Golden Eternity (City Lights).

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Charmaine Cadeau's intensely imagined poems captivate everyone who experiences them. Delving beneath the gleaming surfaces of satellite dishes, wagon-wheels, rain-barrel planters, and suburban sprawl, she reveals a luminous spirituality. The encroachment that turns rural Ontario into cottage country becomes Cadeau's unsentimental locus of truth and beauty. With skill that even experienced poets seldom possess, Cadeau evokes the intangibility of perception, its flickering contingencies. In What You Used to Wear, Charmaine Cadeau has achieved what all young poets wish for but almost none attain. Her poetry is so impressive that her first book appears unheralded, untested by journal publication, and with few of the other supports usually so essential to first collections. Ross Leckie, Goose Lane's poetry editor and Cadeau's former creative writing professor at the University of New Brunswick, says, "This is very much a surprise book. I threw the manuscript into the mix to fill out packages for the readers, and it kept coming to the top." Anne Simpson, a finalist for the 2003 Governor General's Award for poetry and winner of the 2004 Griffin Prize, eagerly edited the book. With the publication of What You Used to Wear, Goose Lane is proud to launch the first book of a truly remarkable poet.

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In Paris 1870, three wandering souls find themselves in a city set to descend into war.'A historical epic that Jessie Burton fans will adore' GRAZIA'Exquisite, relevant and immersive' ANNA MAZZOLA'A triumph' GUARDIANAnne is a former patient from a women's asylum trying to carve out a new life for herself in a world that doesn't understand her. Newcomer Lawrence is desperate to develop his talent as a photographer and escape the restrictions of his puritanical upbringing. Ellis, an army surgeon, has lived through the trauma of one civil war and will do anything to avoid another bloodbath. Each keeps company with the restless beasts of Paris' Menagerie, where they meet, fight their demons, lose their hearts, and rebel in a city under siege.A dazzling historical epic of love and survival, Stef Penney carries the reader captivated through war-torn Paris.***************************************** Praise for Stef Penney 'One of the best storytellers we have' The Scotsman 'Penney works hard to fill her canvas with colour and conviction' Sunday Times '[Her] prose is cinematic' Independent 'What has marked Penney out from the start is her ability to make her extensive historical research come alive' Sunday Herald'Hypnotically readable . . . Stef Penney is a mesmerising storyteller' Amanda Craig

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Winner of the ASLE-UKI Book Prize 2023. The commons and enclosure are among the most vital ways of thinking about poetry today, posing urgent ecological and political questions about land and resource ownership and use. Poetry & Commons is the first study to read postwar and contemporary poetry through this lens, by putting it in dialogue with the Romantic experience of agrarian dispossession. Employing an innovative transhistorical structure, the book demonstrates how radical Anglophone poetries since 1960 have returned to the 'enclosure of the commons' in response to political and ecological crises. It identifies a 'commons turn' in contemporary lyric that contests the new enclosures of globalized capital and resource extraction. In lucid close readings of a rich field of experimental poetries associated with the 'British Poetry Revival', as well as from Canada and the United States, it analyses a landscape poetics of enclosure in relationship with Romantic verse. Canonical Romantic poetry by Wordsworth and Clare is understood through the fine-grain textures of the period’s vernacular and radical verse and discourse around enclosure, which the book demonstrates contain the seeds of neoliberal political economy. Engaging with the work of Anne-Lise François and Anna Tsing, Poetry & Commons theorizes commoning as marking out subsistence 'rhythms of resource', which articulate plural, irregular, and tentative relations between human and nonhuman lifeworlds.

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This gorgeously presented keepsake is the perfect gift for expectant parents, enabling mums- and dads-to-be to bond with their unborn baby.By the third trimester your baby's ears are ready to hear! Featuring expert insights, a gentle rhyme to read to bump, beautiful illustrations and pages to personalise.With an introduction by Dr Kimberley Bennett (@the_psychologists_child) about reading to children, even before they are born, expectant parents will learn the importance of sound and rhythm for their child's development in utero. There are pages to personalise, with a letter to be written to baby ahead of their birth and a page to record their name, weight and date of birth, making this book a treasured heirloom to pass on to the child. To the back of the book is a secure envelope where parents can keep scan photos and other treasured items.The rhyming text which follows is a beautiful, lyrical poem which touches on the emotions of pregnancy and the hopes and dreams of life with a new child. Parents are encouraged to read the poem aloud to bump, creating a loving, bonding routine which enables the unborn baby to become familiar with their parents' voice - whether they are the birthing parent, or not. The poem is accompanied by the stunning illustrations of Anneli Bray, featuring parent and baby animals, curled up together.Bedtime Book for Bump is the perfect pregnancy gift for baby showers, Mother's Day, Father's Day... or just because!

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Baby brother, I can't wait until you're older.Just imagine the adventures that lie ahead...An exquisitely illustrated and deeply joyful celebration of the bond between brothers. Join them as they explore the far reaches of this wild and amazing world, side by side every step of the way. From two highly acclaimed and award-winning creators.'This is a very special picture book for all ages. We are with the brothers all the way - on the last pages, holding our breath. A masterpiece.' ANN JAMES'This beautiful book gives us the life we'd all love our children to have, out in the natural world, revelling in its beauty and truly being part of it. The exquisite illustrations are bursting with energy and colour, the language is rich yet simple and the brothers look after each other as brothers should. It really hits the spot, right in your heart.' ALISON LESTER'A heart-warming story about the powerful bond between brothers.' MARGARET WILD'Thrilling journeys abound in this lovely ode to childhood fantasies and sibling bonds.' Kirkus Reviews

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'The father of contemporary European detective fiction' Ann Cleeves It was indeed a photograph, a picture of a woman. But the face was completely hidden, scribbled all over in red ink. Someone had tried to obliterate the head, someone very angry. The pen had bitten into the paper. There were so many criss-crossed lines that not a single square millimetre had been left visible.On the other hand, below the head, the torso had not been touched. A pair of large breasts. A light-coloured silk dress, very tight and very low cut.Sailors don't talk much to other men, especially not to policemen. But after Captain Fallut's body is found floating near his trawler, they all mention the Evil Eye when they speak of the Ocean's voyage.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Sailors' Rendezvous.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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A practical guide to contemplative and spiritual practices for the magical season of Yuletide, December 21 through January 2• Explains how the 12 nights after the winter solstice offer the ideal opportunity for inner focusing, seeing signs, and laying the foundation for the year to come • Shares reflective themes and exercises for each night (and the day to follow) and guided meditations to deepen the experience The season of Yuletide--the 12 nights following the winter solstice--offers the ideal opportunity for inner focusing, for seeing signs, and for planting seeds for the future. This guide explores inner practices for the magical Yuletide season, the period between December 21 and January 2, when the veil between worlds is thin. Revealing the deeper meaning of the darkest time of the year, the authors discuss how the 12 nights of Yuletide were significant in pagan and Nordic traditions long before Christmas was grafted onto them. A special Yuletide channeling explains the ancient and modern significance of the heathen holy days. Each night (and the day that follows) has a particular energy quality and is dedicated to a theme upon which to reflect as you look at the 12 months past and ahead. The authors introduce and explain each of the respective themes of the 12 nights, such as humility and devotion, truth and clarity, the power of the heart, and self-care. They also share a series of ideas to consider for the year just gone by along with insights and guidance to contemplate for the one to come. Through the questions, exercises, and tools linked to each specific night and its theme we can gain valuable insights and shape our future. Journaling is an essential part of this work, enabling us to reflect our thoughts actively as well as record them for use during the coming year. The authors also include guided meditations for each of the Yuletide nights, enabling readers to deepen their experience. Working with the magical power of Yuletide and the 12 holy nights is a ritual that can be repeated year after year, offering the reader a completely new understanding of this very special time and a way to lay the foundations for the new year ahead.

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"Royalty." A single word that invokes daydreams of champagne, lavish lifestyles, and extravagant parties. In How to Drink Like a Royal, Albert W. A. Schmid offers readers a taste of how the other half lives, with cocktail recipes inspired by some of the world's most famous dynasties. To ensure that you will delight even royal guests, Schmid also provides tips for proper etiquette, such as the requirement to stand if the Monarch is standing and to never, ever try to take a selfie. Discover cocktails like the Golden Doublet, created to celebrate the marriage of England's Princess Anne to Captain Mark Phillips, or the Savoy Royale created for Queen Elizabeth the Queen Mother on her visit to the Savoy Hotel, London. Other recipes give ode to royal families from works of literature, like the Beowulf Cocktail honoring King Hrothgar of the Danes. Even the royalty of the United States is featured through the Hawaiian Martini, an homage to the Hawaiian royal family who reigned from their palaces until 1893.With easy-to-follow glossaries for both royal and cocktail-making terms alongside 180 reciepes for a wide array of drinks that will quench any sort of thirst, How to Drink Like a Royal is an informative and light-hearted manual to help you cultivate your inner prince or princess.

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Papa always told us that to be brave doesn't mean you have no fear. It just means you can move forwards in spite of that fear. 2019. When Imogen Wren's husband dies, she must realise their dream of moving to France on her own. She finds a beautiful abandoned chateau and starts to rebuild her life among its ruins. But she soon notices that the locals won't come near. A dark web of secrets surrounds the house, and it all seems to centre on the war... 1944. Since the moment German troops stepped foot in her village, the sole aim of Simone Varon's life has been to avoid them. Until one soldier begins leaving medicine bottles for her sick brother, and she gets to know the man behind the uniform. Then the Resistance comes calling, and she must choose between love and duty – with devastating consequences that will echo through the decades. As Imogen restores the chateau, she's determined to uncover the truth – and set to rest the ghosts of the past. A beautiful and devastating dual timeline novel that spans from occupied France in World War Two, to the war-ravaged chateau in 2019. Perfect for fans of Gill Paul, Lucinda Riley and Lorna Cook. Reader love All That We Have Lost! 'Will truly sweep you away... I could really imagine the characters. A standout novel and Suzanne Fortin's best yet!' NetGalley 5* Review 'It will crush you then revive you... Absolute stunner of a book! I hope we will be blessed with many more books by this author' Goodreads 5* Review 'An excellent read! I really enjoyed the double time eras and the stories of both modern and WWII kept me enthralled. Such brilliant research and warm characters that brought the French countryside to life' Anne Marie Brear, 5* Review 'Wonderful novel – historical fiction at its best. I really enjoyed the dual timeline the book drew me in kept me reading late into the night... Highly recommend' NetGalley 5* Review 'Fabulous read from beginning to end... Amazing characters who worked so well together, it really was a story off love and loss in during WW2... I want to give nothing away only that I highly recommend ?' Goodreads 5* Review 'Brilliant dual timeline historical fiction story... Hard to put down and five stars from me. I highly recommend' Karen Reads Books, 5* Review 'A brilliant read... This book had it all, part romance, part mystery, throw in intrigue and a little history and you come up with this excellent book... Heartening and at times heartbreaking story' Goodreads 5* Review

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The Swiss-born artist Albert von Keller (1844-1920) was a founding member of the Munich Secession, one of Europe's most influential artists' associations. Highly regarded as an artist in both Europe and America at the turn of the last century, Keller was a flamboyant figure known for his fascination with the occult. Jo-Anne Birnie Danzker places Keller's modern treatment of enigmatic subjects within the cultural mileau of fin de siecle Germany, particularly the investigation of the occult undertaken by scientists, artists andintellectuals. She also documents for the first time the critical reception to Keller's work in America, tracing the artist's participation in exhibitions in Boston, Chicago, Indianapolis, New york, and Saint Louis and his presence in important private collections of German art in America. Swiss art historian Gian Casper Bott examines each painting by Keller in depth and places the artist's works in the art-historical context of the era. The book includes magnificent color reproductions of Keller's paintings from the collection of the Kunsthaus Zurich. It includes key works by Keller from the late 1870s to the beginning of the First World War, a period that coincided with the scandal of his elopement with the beautiful banker's daughter Irene von Eichthal, the tragic death of his only child, and the death of his wife only months later in a state of profound grief.

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Until 300 years ago, the Chinese considered Taiwan a "land beyond the seas," a "ball of mud" inhabited by "naked and tattooed savages." The incorporation of this island into the Qing empire in the seventeenth century and its evolution into a province by the late nineteenth century involved not only a reconsideration of imperial geography but also a reconceptualization of the Chinese domain. The annexation of Taiwan was only one incident in the much larger phenomenon of Qing expansionism into frontier areas that resulted in a doubling of the area controlled from Beijing and the creation of a multi-ethnic polity. The author argues that travelers' accounts and pictures of frontiers such as Taiwan led to a change in the imagined geography of the empire. In representing distant lands and ethnically diverse peoples of the frontiers to audiences in China proper, these works transformed places once considered non-Chinese into familiar parts of the empire and thereby helped to naturalize Qing expansionism.By viewing Taiwan-China relations as a product of the history of Qing expansionism, the author contributes to our understanding of current political events in the region.

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Whether you want to take in the view from the Space Needle, sample world-class coffee and cuisine, or hike in Washington's national parks, the local Fodor's travel experts in Seattle are here to help! Fodor's Seattle guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos.Fodor's Seattle travel guide includes: AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and do MULTIPLE ITINERARIES to effectively organize your days and maximize your time 16 DETAILED MAPS to help you navigate confidently COLOR PHOTOS throughout to spark your wanderlust! HONEST RECOMMENDATIONS FROM LOCALS on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and more PHOTO-FILLED “BEST OF” FEATURES on “Seattle's Best Cafes,” “Seattle's Best Music Venues,” and “Seattle's Best Parks” TRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and money HISTORICAL AND CULTURAL INSIGHTS providing rich context on the local art, architecture, cuisine, music, geography and more SPECIAL FEATURES on “Seattle's Sipping Culture” and “Pike Place Market” LOCAL WRITERS to help you find the under-the-radar gems UP-TO-DATE COVERAGE ON: Downtown Seattle, Belltown, South Lake Union, Queen Anne, Pioneer Square, the International District-Chinatown, First Hill, Capitol Hill, Madison Park, Fremont, Phinney Ridge, Greenwood, Ballard, Wallingford, Green Lake, the University District, West Seattle, Mt. St. Helens, the Puget Sound Islands, Mt. Rainier, Olympic National Park, the San Juan Islands, Pike Place Market, and more Planning on visiting San Francisco, Portland, or even more of the surrounding region? Check out Fodor's San Francisco, Fodor's Inside Portland, and Fodor's Pacific Northwest.*Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition.ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor's has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us!

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Entertainment and profit constitute the driving force behind popular representations of women in correctional facilities. But the creative influence of film and television also generates legal meaning. The women-in-prison (WIP) genre can leave viewers feeling both empathetic toward the women portrayed in these representations and troubled about the crimes for which they have been convicted.Focusing on five exemplary WIP films and a television series – Ann Vickers, Caged, Caged Heat, Stranger Inside, Civil Brand, and Orange Is the New Black – Women, Film, and Law asks how fictional representations explore, shape, and refine beliefs about women who are incarcerated. From melodrama to exploitation, and from theatre screenings to on-demand film, television programs, and music videos, these texts bring into view the legal, economic, and political structures that criminalize women differently from men, and that target those women who are already marginalized.Women, Film, and Law convincingly argues that popular depictions of women’s imprisonment can illuminate the multiple forms of social exclusion and oppression experienced by criminalized women.

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Death descends on the New Forest in Ann Granger's gripping eighth Victorian mystery featuring Scotland Yard's Inspector Ben Ross and his wife Lizzie.It is Spring 1871 when Lizzie Ross accompanies her formidable Aunt Parry on a restorative trip to the south coast. Lizzie's husband, Ben, is kept busy at Scotland Yard and urges his wife to stay out of harm's way. But when Lizzie and her aunt are invited to dine with other guests at the home of wealthy landowner Sir Henry Meager, and he is found shot dead in his bed the next morning, no one feels safe.On Lizzie's last visit to the New Forest, another gruesome murder took place, and the superstitious locals now see her as a bad omen. But Lizzie suspects that Sir Henry had a number of bitter enemies, many of whom might have wanted him dead. And once Ben arrives to help with the investigation, he and Lizzie must work together to expose Sir Henry's darkest secrets and a ruthless killer intent on revenge...

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Although slavery was legally abolished in 1981 in Mauritania, its legacy lives on in the political, economic, and social discrimination against ex-slaves and their descendants. Katherine Ann Wiley examines the shifting roles of Muslim arāīn (ex-slaves and their descendants) women, who provide financial support for their families. Wiley uses economic activity as a lens to examine what makes suitable work for women, their trade practices, and how they understand and assert their social positions, social worth, and personal value in their everyday lives. She finds that while genealogy and social hierarchy contributed to status in the past, women today believe that attributes such as wealth, respect, and distance from slavery help to establish social capital. Wiley shows how the legacy of slavery continues to constrain some women even while many of them draw on neoliberal values to connect through kinship, friendship, and professional associations. This powerful ethnography challenges stereotypical views of Muslim women and demonstrates how they work together to navigate social inequality and bring about social change.

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Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel’s orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather’s poetry seems to guide her home. Nell’s mother, Carmel McDaragh, knows the magic of her Daddo’s poetry too well—the kind of magic that makes women in their nighties slip outside for a kiss and then elope, as her mother Terry had done. In his poems to Carmel, Phil envisions his daughter as a bright-eyed wren ascending in escape from his hand. But it is Phil who departs, abandoning his wife and two young daughters. Carmel struggles to reconcile “the poet” with the father whose desertion scars her life, along with that of her fiercely dutiful sister and their gentle, cancer-ridden mother. To distance herself from this betrayal, Carmel turns inward, raising Nell, her daughter, and one trusted love, alone. The Wren, the Wren brings to life three generations of McDaragh women who must contend with inheritances—of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home. Their other, stronger inheritance is a sustaining love that is “more than a strand of DNA, but a rope thrown from the past, a fat twisted rope, full of blood.” In sharp prose studded with crystalline poetry, Anne Enright masterfully braids a family story of longing, betrayal, and hope.

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Anne of Green Gables meets Diana Wynne Jones in this whimsical fantasy adventure perfect for teen readers. I don’t know who you are, or why you need me, but you hurt her again and I will make you pay… Alice has lived in the forest on the fringes of Alder Vale ever since her parents abandoned her. Alone, exiled, and feared by all. All except Lily. Nature has always been Lily’s tonic, and she never feels more alive than when she’s amidst the trees. It was Alice who first called them the sisters of shadow, Lily the sunshine to her moonlight, for neither can exist without the other. But something is stirring beyond the mountains. Whispers of spectres stalking the moors, women of unfathomable power luring children into a cult that has haunted local lore for a generation. When Alice disappears, Lily knows she must rescue her or risk losing her forever. Because the rumours were true all along… Exile. Monster. Witch. Here’s what readers are saying: ‘Hot freaking damn guys. Sisters of Shadow was so good! Beyond addicting. I honestly couldn’t put the book down until I reached the very last page’ Alaina, NetGalley ‘Full of raw, dripping magic… characters that are complex, something that I would expect to come from V E Schwab… I cannot get it out of my head. I need more, MORE, from Livesey’ Dalton, NetGalley ‘I was hooked from the beginning’ Lara, NetGalley ‘This was a gripping read, full of love, friendship, working together to overcome fears and the battle of good vs evil… should definitely be added to your TBR’ Ronni, NetGalley ‘I thoroughly enjoyed this book. The world the author created was brilliant and so immersive’ Amy, NetGalley ‘I suspect this book will have a certain Tik-Tok generation appeal… A gentle, whimsical fantasy story of best friends, first love and witches!’ Rebecca, NetGalley ‘The young adults in this book are so fierce and full of action’ Kelly, NetGalley ‘This book didn’t disappoint’ Natàlia, NetGalley

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For centuries, the Stagnant Protocol has been forgotten by the universe: an empire populated by a race that can never advance... a race the Master seeks to seize control of. Unfortunately for him, he has a rival - Calantha - and she understands how to manipulate the system better than he could ever hope. His only chance of defeating her lies in the hands of some old acquaintances, whether they realise it or not. One thing, however, is certain. Whichever of them may win, the Stagnant Protocol is destined to lose...Contains four stories; 6.1 The Sincerest Form of Flattery by James Goss. 6.2 A Quiet Night In by Lou Morgan.6.3 The Orphan by Lou Morgan. 6.4 Unfinished Business by Lisa McMullin. CAST: Derek Jacobi (The Master), Katy Manning (Jo Jones), Sarah Sutton (Nyssa), Alexandria Riley (Calantha), Ian Abeysekera (Valmont), Timothy Blore (Earl), Doña Croll (The Empress), Laura Doddington (Lady Sutlumu), Sarah Douglas (Mrs Mevel), Raj Ghatak (Second Vizier), Glen McCready (First Vizier), Francois Pandolfo (Officiencier), Prasanna Puwanarajah (Prince Gardam), Mali Ann Rees (Varnomium Computer), Harley Viveash (Waiter), Fanos Xenofós (Professor Merc-Hodden). Other parts played by members of the cast.

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This book identifies and interprets the longstanding ideological and aesthetic dialogue between the literary imaginations of Anglo-Ireland and the Anglo-American South. It offers a rich comparative examination of nineteenth- and twentieth-century Irish and American Southern plantation literatures and their respective representations of race and nation, gender and sexuality, region and landscape, and the gothic imagination. Pairing major writers from both traditions, including Maria Edgeworth, William Faulkner, Oscar Wilde, Katherine Anne Porter and Elizabeth Bowen, the book shows how this transatlantic dialogue coalesced around questions of power, supremacy, and gentility: writers in Anglo-Irish and Anglo-Southern literary traditions recognized and spoke to each other through the discourse of aristocracy. As the book demonstrates, from the early nineteenth-century onwards, Irish and Anglo-Southern writers conducted a sustained exploration into constructions of aristocracy through the figure of the dissipated, deviant gentleman (or lady): the dandy. By augmenting literary analysis with a variety of historical, biographical, archival and visual materials, including nineteenth-century trade cards, original letters, and twentieth-century photographic portraits, the book offers readers a wide-ranging, interdisciplinary illumination of transatlantic modernism.

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**SPECTATOR BOOKS OF THE YEAR 2020****TIMES BOOKS OF THE YEAR 2020****SUNDAY EXPRESS BOOKS OF THE YEAR 2020**'A new perspective on "Lilibet" as she fell for her future husband' Sunday Express, Books of the Year'For a glimpse into the lives of the young princesses these diaries are riveting' Daily Mail'A must if you love The Crown' Good Housekeeping'A wonderful book' A. N. Wilson, Spectator, Books of the Year'Funny, astute, poignant and historically fascinating' The Times'A compelling and revealing insight into the teenage life of the then Princess Elizabeth and her sister Princess Margaret' Richard Kay, Daily Mail'I loved reading this, so reminiscent of my own childhood' Anne Glenconner, author of Lady in Waiting'Fascinating insight into Elizabeth as a teenager' OK! Magazine************************The Windsor Diaries are the never-before-seen diaries of Alathea Fitzalan Howard, who lived alongside the young Princesses Elizabeth and Margaret at Windsor Castle during the Second World War. Alathea's home life was an unhappy one. Her parents had separated and so during the war she was sent to live with her grandfather, Viscount Fitzalan of Derwent, at Cumberland Lodge in Windsor Great Park. There Alathea found the affection and harmony she craved as she became a close friend of the two princesses, visiting them often at Windsor Castle, enjoying parties, balls, cinema evenings, picnics and celebrations with the Royal Family and other members of the Court.Alathea's diary became her constant companion during these years as day by day she recorded every intimate detail of life with the young Princesses, often with their governess Crawfie, or with the King and Queen. Written from the ages of sixteen to twenty-two, she captures the tight-knit, happy bonds between the Royal Family, as well as the aspirations and anxieties, sometimes extreme, of her own teenage mind. These unique diaries give us a bird's eye view of Royal wartime life with all of Alathea's honest, yet affectionate judgments and observations - as well as a candid and vivid portrait of the young Princess Elizabeth, known to Alathea as 'Lilibet', a warm, self-contained girl, already falling for her handsome prince Philip, and facing her ultimate destiny: the Crown.

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The Tyrone Guthrie Centre in Annaghmakerrig celebrates a quarter of a century this year and marks this important milestone with the launch of a beautiful volume, ‘Annaghmakerrig‘. The Centre is an artists’ retreat set amid the lakes and drumlins of County Monaghan. An eclectic and varied list of poets, musicians, actors, directors and visual artists use the space to develop what we see on stages, pages and gallery walls throughout the country. The book is a collection and a collage that captures the essence and history of the centre, as well as the stories of its fascinating and somewhat eccentric families, not to mention the creativity of the five thousand artists who have spent time there since it was opened by Brian Friel in 1981. In the book. Eugene McCabe remembers Tony Guthrie the theatre director, while Joseph Hone provides a touching and powerful childhood memoir. Other contributors include Colm Toibin, John Banville, Gerald Barry, Anne Enright, Joseph O’Connor, Paul Muldoon, Patrick Scott, Alice Maher, Rosita Boland, Tim Robinson and Claire Keegan. The book is edited by SHEILA PRATSCHKE, Director of Annaghmakerrig, with works selected by RUAIRI O CUIV (visual art) and EVELYN CONLON (literature).

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Latest research on the chivalric ethos of western Europe,10c-15c, from the practical (houses, armour) to the intellectual [conceptof holy war, loyalty, etc.]. The Strawberry Hill conferences on medieval knighthood, from which these volumes spring, aim to bring together historians and literary scholars whose interests focus on medieval chivalry, to bridge the gulf between the two areas of specialisation and explore matters of common interest. Eight papers cover a wide area, both territorially and chronologically,but common themes emerge. One group of essays deals with the embellishments of lordship, both architectural and heraldic, studying residences and also developments in armour. A second group concerns ideals which motivated the aristocracy of western Europe, from the late 10th to the 15th centuries: romances, the Peace movement ofAquitaine, holy war, and loyalty; concentration on rationalism and free will in thewritings of the cultural circle which revolved around Sir John Fastolfis identified as an important element in the development of the EnglishRenaissance. Professor CHRISTOPHER HARPER-BILL teaches in the Department of History, University of East Anglia; Dr RUTH HARVEY is lecturer in French at Royal Holloway, University of London. Contributors: ADRIAN AILES, JEFFREY ASHCROFT, CHARLES COULSON,JONATHAN HUGHES, JANE MARTINDALE, PETER NOBLE, MATTHEW STRICKLAND,ANN WILLIAMS.

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Big Finish picks up the events after Miracle Day, after Aliens Among Us with Torchwood: God Among Us. When a God comes to Cardiff, the world goes to Hell. 6.1 Future Pain by James Goss. Torchwood pick up the pieces and move on. After all, there’s a whole new set of alien threats to deal with. While Yvonne Hartman is asserting her authority as the new leader of Torchwood, Jack Harkness is hunting an alien god in the sewers – but what’s he really hiding from? 6.2 The Man Who Destroyed Torchwood by Guy Adams. Brent Hayden. To some he’s the darling of the alt-right, to others he’s a far-left crusader. A lot of people watch his videos, hang off his every word. Crisis actors? Conspiracies? Black Ops? Brent knows you deserve the truth. And Brent’s come to Cardiff, because he’s going to expose Torchwood. Don’t forget to Like and Subscribe. 6.3 See No Evil by John Dorney. Cardiff goes blind. There’s a hunter out there in the darkness. With no escape, and the screaming getting louder, Jack Harkness and Yvonne Hartman each set out to save the city in their own ways. 6.4 Night Watch by Tim Foley. The Black Sun has come through the Rift. When it visits, sleep comes with it. Orr is the guardian, appointed to watch over the city while it slumbers. What will they find as they wander the streets? Who are the lost souls, trapped with their demons? Who are the ones fighting even sleep? Who are the broken meeting their dreams?Torchwood has now been in existence for over 10 years from its debut in 2006 as a Doctor Who spin-off created by top TV producer and writer Russell T Davies and has appeared on both UK and US television, BBC radio productions, novels, a courtesy of Big Finish-in new audio plays. This release is the first of three brand new sets collectively created as a sixth series following on from the four series on TV and last year's Aliens Among Us, a full-cast audio series with Russell T Davies advising on the new arcs, storylines and characters. CAST: John Barrowman (Captain Jack Harkness),Tracy-Ann Oberman (Yvonne Hartman), Paul Clayton (Mr Colchester), Alexandria Riley (Ng), Samantha Béart (Orr), Jonny Green (Tyler Steele), Tom Price (Sergeant Andy Davidson), Rachel Atkins (Ro-Jedda), Ramon Tikaram (Colin Colchester-Price), Jacqueline King (Mourner), Tom Forrister (Brent), Dominic Thorburn (Chip), Adam Turns (Old Man), Connor Calland (David), Jonnie Smith (Tim), Justin Davies (Scott), Karen Elli (Brent's Mum), Laura Singleton (Celebrant), Melanie Stevens (Julia), Ri Richards (Shopper.) .

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THE ACCLAIMED TRANSLATION BY ROBIN ROBERTSON (FORWARD PRIZE, MAN BOOKER PRIZE SHORTLIST 2018)Euripides' Medea, the brutally powerful ancient Greek tragedy that reverberates down the centuries, has been brought to fresh and urgent life by one of our best modern poets.Medea has been betrayed. Her husband Jason has left her for a younger woman. He has forgotten all the promises he made and is even prepared to abandon their two sons. But Medea is not a woman to accept such disrespect passively. Strong-willed and fiercely intelligent, she turns her formidable energies to working out the greatest, and most horrifying, revenge possible...Suitable for the general reader as well as for students and performers.'In Robertson's lucid, free-running verse, Medea's power is released into the world, fresh and appalling, in words that seem spoken for the first time' Anne Enright'This version of Medea is vivid, strong, readable and brings triumphantly into modern focus the tragic sensibility of the ancient Greeks' John Banville'Robertson's achievement is to make the dialogue flow without losing the unsettling poetry of the original' Financial Times

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In Bad Language, Naked Ladies, and Other Threats to the Nation, Anne Rubenstein examines how comic books—which were overwhelmingly popular but extremely controversial in post-revolutionary Mexico—played an important role in the development of a stable, legitimate state. Studying the relationship of the Mexican state to its civil society from the 1930s to the 1970s through comic books and their producers, readers, and censors, Rubenstein shows how these thrilling tales of adventure—and the debates over them—reveal much about Mexico’s cultural nationalism and government attempts to direct, if not control, social change.Since their first appearance in 1934, comic books enjoyed wide readership, often serving as a practical guide to life in booming new cities. Conservative protest against the so-called immorality of these publications, of mass media generally, and of Mexican modernity itself, however, led the Mexican government to establish a censorship office that, while having little impact on the content of comic books, succeeded in directing conservative ire away from government policies and toward the Mexican media. Bad Language, Naked Ladies, and Other Threats to the Nation examines the complex dynamics of the politics of censorship occasioned by Mexican comic books, including the conservative political campaigns against them, government and industrial responses to such campaigns, and the publishers’ championing of Mexican nationalism and their efforts to preserve their publishing empires through informal influence over government policies. Rubenstein’s analysis suggests a new Mexican history after the revolution, one in which negotiation over cultural questions replaced open conflict and mass-media narrative helped ensure political stability.This book will engage readers with an interest in Mexican history, Latin American studies, cultural studies, and popular culture.

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Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally. Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten

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Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally. Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten

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** Sunday Times Crime Book of the Month **The exhilarating new Inspector Adamsberg novel from France's multi-million-copy bestselling crime fiction star**A NEW STATESMAN BOOK OF THE YEAR 2020**'Adamsberg is one of my favourite detectives... I so enjoyed This Poison Will Remain' ANN CLEEVESAfter three elderly men are bitten by spiders, everyone assumes that their deaths are tragic accidents. But at police headquarters in Paris, Inspector Adamsberg begins to suspect that the case is far more complex than first appears.It isn't long before Adamsberg is investigating a series of rumours and allegations that take him to the south of France. Decades ago, at La Miséricorde orphanage, shocking events took place involving the same species of spider: the recluse.For Adamsberg, these haunting crimes hold the key to proving that the three men were targeted by an ingenious serial killer. His team, however, is not convinced. He must put his reputation on the line to trace the murderer before the death toll rises..._______________________PRAISE FOR THIS POISON WILL REMAIN:'Absorbing... Full of twists and spiced with Vargas's characteristic wit and style' PETER ROBINSON'Vargas is an addictive writer whose surreal touches create a curiously solid world' INDEPENDENT'Vargas's books are...cunning, corkscrew murder mysteries' A.J. FINN

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WITH A NEW INTRODUCTION BY THE AUTHORWhen Pearl Tull’s husband, Beck, abandons her she pours her energies into preserving normality. Only gradually do her three children realise their father is gone for good. Now, as Pearl lies on her deathbed, the impact of Beck’s abrupt departure unspools: on Cody who can’t overcome his anger, on mild Ezra who must always keep the peace, and on bright, errant Jenny. And so the secrets, memories and anguish of the Tull family begin to surface.

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Susan Sontag (1933-2004) spoke of the promiscuity of art and literature--the willingness of great artists and writers to scandalize their spectators through critical frankness, complexity, and beauty. Sontag's life and thought were no less promiscuous. She wrote deeply and engagingly about a range of subjects--theater, sex, politics, novels, torture, and illness--and courted celebrity and controversy both publicly and privately. Throughout her career, she not only earned adulation but also provoked scorn. Her living was the embodiment of scandal. In this collection, Terry Castle, Nancy K. Miller, Wayne Koestenbaum, E. Ann Kaplan, and other leading scholars revisit Sontag's groundbreaking life and work. Against Interpretation, "Notes on Camp," Letter from Hanoi, On Photography, Illness as Metaphor, I, Etcetera, and The Volcano Lover--these works form the center of essays no less passionate and imaginative than Sontag herself. Debating questions raised by the thinker's own images and identities, including her sexuality, these works question Sontag's status as a female intellectual and her parallel interest in ambitious and prophetic fictional women; her ambivalence toward popular culture; and her personal and professional "scandals." Paired with rare photographs and illustrations, this timely anthology expands our understanding of Sontag's images and power.

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Global governance is here--but not where most people think. This book presents the far-reaching argument that not only should we have a new world order but that we already do. Anne-Marie Slaughter asks us to completely rethink how we view the political world. It's not a collection of nation states that communicate through presidents, prime ministers, foreign ministers, and the United Nations. Nor is it a clique of NGOs. It is governance through a complex global web of "government networks." Slaughter provides the most compelling and authoritative description to date of a world in which government officials--police investigators, financial regulators, even judges and legislators--exchange information and coordinate activity across national borders to tackle crime, terrorism, and the routine daily grind of international interactions. National and international judges and regulators can also work closely together to enforce international agreements more effectively than ever before. These networks, which can range from a group of constitutional judges exchanging opinions across borders to more established organizations such as the G8 or the International Association of Insurance Supervisors, make things happen--and they frequently make good things happen. But they are underappreciated and, worse, underused to address the challenges facing the world today. The modern political world, then, consists of states whose component parts are fast becoming as important as their central leadership. Slaughter not only describes these networks but also sets forth a blueprint for how they can better the world. Despite questions of democratic accountability, this new world order is not one in which some "world government" enforces global dictates. The governments we already have at home are our best hope for tackling the problems we face abroad, in a networked world order.

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Gender roles have been tested, challenged, and redefined everywhere during the past thirty years, but perhaps nowhere more dramatically than in film. Screening Genders is a lively and engaging introduction to the evolving representations of masculinity, femininity, and places once thought to be "in between." The book begins with a general introduction that traces the movement of gender theory from the margins of film studies to its center. The ten essays that follow address a range of topics, including screen stars; depictions of gay, straight, queer, and transgender subjects; and the relationship between gender and genre. Widely respected scholars, including Robert T. Eberwein, Lucy Fischer, Chris Holmlund, E. Ann Kaplan, Kathleen Rowe Karlyn, David Lugowski, Patricia Mellencamp, Jerry Mosher, Jacqueline Reich, and Chris Straayer, focus on the radical ideological advances of contemporary cinema, as well as on those groundbreaking films that have shaped our ideas about masculinity and femininity, not only in movies but in American culture at large. The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.

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Developed by fashion designer and teacher Dominique Pellen, the patternmaking method is explained in this book in a simple, clear, precise, highly detailed manner, and covers the information necessary for creating every style of skirt one could imagine. This bookcontains the perfect method for creating skirts, explained in a simple, clear, precise, highly detailed manner. It covers the information necessary for drafting flat patterns for just about every style there is, and can easily be adapted to all skill levels. Flat-pattern drafting is the process of creating volume from a 2-D surface by outlining a pattern on paper, using specific body measurements to which ease is added according to the desired look of thegarment. Developed by fashion designer and teacher Dominique Pellen after countless years of experience in the studio and in the classroom, the method for the creation and adaptation of flat patterns contained here in is suitable for avast audience, including professionals, students and simply anyone who loves to sew. The book has already been used at professional schools and institutes, where Pellen's method has proven to be reliable and foolproof. This expandedand updated volume on skirts, which includes QR codes linking to explanatory videos, is the first in a series of guides that will explore the exciting world of garment-making, a gateway that is designed to help clothiers understand and design patterns on their own. AUTHOR: Passionate aboutthe arts, Dominique Pellen began his career with studies in drawing and painting, focusing his artistic career on fashionillustration, design and patternmaking. He has alternated collaborations with different international couturiers and brands with consulting, teaching and lectures on styling, design and patternmaking at one of the world's most respected fashion institutions, the exclusive Chambre Syndicale de la Couture Parisienne (the Haute Couture Trade Association of Paris, France, whose membersinclude most emblematic brands, such as Dior, Lanvin, Balmain, Mandel and Anne Valérie Hash), known today as the Institut Français de la Mode. SELLING POINTS: . Pellen's method has been developed to explore the fundamentals of how clothing is made by flat pattern drafting, explaining step-by-step and in detail the making of clothing, from the simplest styles to the most complex . From one chapter to the next, readers will learn the fundamental skills necessary to master the essentials of constructing women's skirts . This book includes QR codes for video explanations . The instructions are easy to follow and each step is explained in detail and clearly illustrated 350 illustrations

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The first collection of plays from Booker Prize and Orange Prize finalist and author of international bestseller Room, Emma Donoghue. Contains the plays Kissing the Witch, Don’t Die Wondering, Trespasses, Ladies and Gentlemen, and I Know My Own Heart KISSING THE WITCH Adapted from her book of thirteen revisionist fairy tales of the same name, this play interweaves four classic plots – Beauty and the Beast, Donkeyskin, the Goose Girl, the Little Mermaid – with an invented one about a desperate girl going to a witch for help. Kissing the Witch finds the gritty in the fantastical, and excavates magic to find what’s really going on. TRESPASSES Set over three days in 1661, Trespasses is inspired by the judge’s own account of one of the tiny handful of witch trials that ever took place in Ireland. It asks why a servant girl who fell into fits would have put the blame on an old beggarwoman – but also, more timeless questions about the clashing cultures that have to share a small island country. Trespasses is about faith and superstition, politics and class, sadism and love. LADIES AND GENTLEMEN This play with songs, set mostly in the dressing rooms of busy vaudeville theatres all over North America, was inspired by a real same-sex wedding that took place in Grand Rapids, Michigan, in 1886. It resurrects a ragtag troupe of emigrants - most notably, male impersonator Annie Hindle, ‘a man’s widow and a woman’s widower’, as the tabloids called her. With a light touch, Ladies and Gentleman explores the ways we perform our roles, both on and off stage. I KNOW MY OWN HEART Inspired by the secret coded diaries of Yorkshire gentlewoman Anne Lister, this play subverts all the conventions of Regency romance. Teasing out the entangled lives of mannish, arrogant Lister (nicknamed 'Gentleman Jack') and three of her many lovers, I Know My Own Heart explores the different choices women made in a time of limits and prohibitions. DON’T DIE WONDERING When a restaurant cook loses her job because of a homophobic customer, she mounts a one-woman picket in protest. The police officer assigned to protect her is her nemesis from schooldays. This one-act comedy, set in a fictional small town, stages a battle between old and new elements of Irish culture.

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A deeply textured and compelling biography of comedy giant Mel Brooks, covering his rags-to-riches life and triumphant career in television, films, and theater, from Patrick McGilligan, the acclaimed author of Young Orson: The Years of Luck and Genius on the Path to Citizen Kane and Alfred Hitchcock: A Life in Darkness and Light.Oscar, Emmy, Tony, and Grammy award–winner Mel Brooks was behind (and sometimes in front the camera too) of some of the most influential comedy hits of our time, including The 2,000 Year Old Man, Get Smart, The Producers, Blazing Saddles, and Young Frankenstein. But before this actor, writer, director, comedian, and composer entertained the world, his first audience was his family.The fourth and last child of Max and Kitty Kaminsky, Mel Brooks was born on his family’s kitchen table in Brooklyn, New York, in 1926, and was not quite three-years-old when his father died of tuberculosis. Growing up in a household too poor to own a radio, Mel was short and homely, a mischievous child whose birth role was to make the family laugh. Beyond boyhood, after transforming himself into Mel Brooks, the laughs that came easily inside the Kaminsky family proved more elusive. His lifelong crusade to transform himself into a brand name of popular humor is at the center of master biographer Patrick McGilligan’s Funny Man. In this exhaustively researched and wonderfully novelistic look at Brooks’ personal and professional life, McGilligan lays bare the strengths and drawbacks that shaped Brooks’ psychology, his willpower, his persona, and his comedy. McGilligan insightfully navigates the epic ride that has been the famous funnyman’s life story, from Brooks’s childhood in Williamsburg tenements and breakthrough in early television—working alongside Sid Caesar and Carl Reiner—to Hollywood and Broadway peaks (and valleys). His book offers a meditation on the Jewish immigrant culture that influenced Brooks, snapshots of the golden age of comedy, behind the scenes revelations about the celebrated shows and films, and a telling look at the four-decade romantic partnership with actress Anne Bancroft that superseded Brooks’ troubled first marriage. Engrossing, nuanced and ultimately poignant, Funny Man delivers a great man’s unforgettable life story and an anatomy of the American dream of success.Funny Man includes a 16-page black-and-white photo insert.

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The New Deal left a host of political, institutional, and economic legacies. Among them was the restructuring of the government into an administrative state with a powerful executive leader and a large class of unelected officials. This "leviathan" state was championed by the political left, and its continued growth and dominance in American politics is seen as a product of liberal thought—to the extent that "Big Government" is now nearly synonymous with liberalism. Yet there were tensions among liberal statists even as the leviathan first arose. Born in crisis and raised by technocrats, the bureaucratic state always rested on shaky foundations, and the liberals who built and supported it disagreed about whether and how to temper the excesses of the state while retaining its basic structure and function. Debating the American State traces the encounter between liberal thought and the rise of the administrative state and the resulting legitimacy issues that arose for democracy, the rule of law, and individual autonomy. Anne Kornhauser examines a broad and unusual cast of characters, including American social scientists and legal academics, the philosopher John Rawls, and German refugee intellectuals who had witnessed the destruction of democracy in the face of a totalitarian administrative state. In particular, she uncovers the sympathetic but concerned voices—commonly drowned out in the increasingly partisan political discourse—of critics who struggled to reconcile the positive aspects of the administrative state with the negative pressure such a contrivance brought on other liberal values such as individual autonomy, popular sovereignty, and social justice. By showing that the leviathan state was never given a principled and scrupulous justification by its proponents, Debating the American State reveals why the liberal state today remains haunted by programmatic dysfunctions and relentless political attacks.

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Chemical Alterations presents a photographic series by Doug Fogelson (b. 1970) that reflects the range of impacts caused by climate change around the planet. Using a process that combines traditional landscape photography with a chemical bath of toxic cleaning products to alter the original analogue film, Fogelson illustrates what are often invisible changes to the environment. Such changes culminate as disastrous events like fire, flood, drought, increasingly powerful storms, and overall global warming. Images of natural spaces that include mountains, deserts, volcanoes, jungles, oceans, rivers, and forests become represented in a state of flux. Through the processing of the film, traces such as bubbles, crystals, fingerprints, and dust are integrated into the images, probing the borderline of abstraction. The Chemical Alterations series has been in-progress over a decade and exhibited through various iterations internationally at both galleries and museums including: The Royal Geographic Society, United Kingdom, Museum Belvedere, Netherlands, The Museum of Contemporary Photography, Chicago, Alpenium Produzentengalerie, Luzern, SFO Museum, San Francisco, The University of Michigan Museum of Art, Ann Arbor, Sasha Wolf Projects, NYC, Klompching Gallery, NYC, The Arts Club of Chicago and others. It has been covered by The Brooklyn Rain, Humble Arts Foundation, Ain’t Bad, The OD Review, Great Lakes Writers Corps, and others.

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Overcoming app now available via iTunes and the Google Play Store.Depression and low mood affect a significant portion of the general public. Sadly, those with depression often experience other problems such as low self-esteem, relationship problems and sleeping problems. Cognitive Behavioural Therapy (CBT) is an extremely effective treatment for depression and low mood and is used widely in the NHS. The companion book to the popular Complete CBT Guide for Anxiety, this practical self-help book contains essential information about the nature of depression and covers a range of topics including insomnia, relationships, bipolar disorder and postnatal depression. It also provides information on some of the latest treatments such as Mindfulness, Behavioural Activation and Compassion-Focused Therapy. The chapters on individual techniques or problem areas are written by the leading experts in that field. Includes individual chapters on: Low self-esteem by Melanie Fennell Insomnia and sleep problems by Colin Espie Rumination by Ed Watkins Relationship problems by Donald Baucom Bipolar Disorder by Warren Mansell Depression in the elderly - Ken Laidlaw Postnatal Depression - Peter Cooper & Lynne Murray Depression and ill health - Stirling Moorey Behavioural Activation by David Richards Compassion - Paul Gilbert Mindfulness - Willem Kuyken & Halley Cohen Imagery - Ann Hackmann & Jon Wheatley

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Women's history emerged as a genre in the waning years of the eighteenth century, a period during which concepts of nationhood and a sense of belonging expanded throughout European nations and the young American republic. Early women's histories had criticized the economic practices, intellectual abilities, and political behavior of women while emphasizing the importance of female domesticity in national development. These histories had created a narrative of exclusion that legitimated the variety of citizenship considered suitable for women, which they argued should be constructed in a very different way from that of men: women's relationship to the nation should be considered in terms of their participation in civil society and the domestic realm. But the throes of the Revolution and the emergence of the first woman's rights movement challenged the dominance of that narrative and complicated the history writers' interpretation of women's history and the idea of domestic citizenship. In Citizenship and the Origins of Women's History in the United States, Teresa Anne Murphy traces the evolution of women's history from the late eighteenth century to the time of the Civil War, demonstrating that competing ideas of women's citizenship had a central role in the ways those histories were constructed. This intellectual history examines the concept of domestic citizenship that was promoted in the popular writing of Sarah Josepha Hale and Elizabeth Ellet and follows the threads that link them to later history writers, such as Lydia Maria Child and Carolyn Dall, who challenged those narratives and laid the groundwork for advancing a more progressive woman's rights agenda. As woman's rights activists recognized, citizenship encompassed activities that ranged far beyond specific legal rights for women to their broader terms of inclusion in society, the economy, and government. Citizenship and the Origins of Women's History in the United States demonstrates that citizenship is at the heart of women's history and, consequently, that women's history is the history of nations.

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The book first discusses auditory processing disorders are, specifically how auditory processing problems can affect children with autism spectrum disorders, and appropriate evidence-based treatments. The authors highlight the challenges associated with making a dual diagnosis, and discuss specific anatomical differences in the central auditory pathway and brain. Also highlighted is the need for improved research on intervention programs and the important service needs for families and children with autism spectrum disorders. A study is presented wherein pediatric volition among children with autism spectrum disorders participating in the Holland Bloorview (HB) FIRST® robotics program is measured. A review is carried out in order to describe the main neurotransmitters in autism spectrum condition patients. Among the studied neurotransmitters, increased serotonin and glutamate as well as decreased levels of gamma-aminobutyric acid N-Acetylaspartate and oxytocin appear to have the most empirical evidence. The authors assess the relationship between autism spectrum disorder symptomatology, theory of mind, and other individual factor on children's responses through a study attempting to determine the factors that contribute to the complexity of the emotion of embarrassment. The closing study addresses that with respect to dietary issues, awareness of the eating habits and feeding problems experienced by autism spectrum disorder children needs to be emphasized among parents and guardians.

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