Search results for ""connections""

Tinker Tailor Soldier Spy meets X-Men in a classic British espionage story. A young woman must go undercover and use her superpowers to discover a secret Nazi plot and stop an invasion of England.In 1936, there are paranormal abilities that have slowly seeped into the world, brought to the surface by the suffering of the Great War. The research to weaponize these abilities in England has lagged behind Germany, but now it’s underway at an ultra-secret site called Monkton Hall. Kim Tavistock, a woman with the talent of the spill—drawing out truths that people most wish to hide—is among the test subjects at the facility. When she wins the confidence of caseworker Owen Cherwell, she is recruited to a mission to expose the head of Monkton Hall—who is believed to be a German spy. As she infiltrates the upper-crust circles of some of England’s fascist sympathizers, she encounters dangerous opponents, including the charismatic Nazi officer Erich von Ritter, and discovers a plan to invade England. No one believes an invasion of the island nation is possible, not Whitehall, not even England’s Secret Intelligence Service. Unfortunately, they are wrong, and only one woman, without connections or training, wielding her talent of the spill and her gift for espionage, can stop it.

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How would your life change if you could show up as your true self?Do you sometimes feel so stuck in an endless cycle of meeting everyone else’s needs and expectations that you lose sight of your own? You want to give the best of yourself to others. But what happens when people hurt or take advantage of you? What happens when life doesn’t go your way, despite your best efforts?The Best of You reveals breakthrough strategies to discover your true self, find your voice, set wise limits, and still be a loving person. For over twenty years, Dr. Alison Cook has brought together faith and psychology to help thousands of women reclaim their confidence, find their purpose, and develop the authentic connections they crave. Her unique wisdom will help you answer these tough questions: How do I put a stop to painful patterns that keep recurring in my life? How do I find my voice and speak up for myself? What if other people respond with anger, blame, or a guilt trip? How do I trust myself to make wise decisions even in difficult circumstances? You don’t have to stay stuck, overwhelmed, or defeated. The Best of You gives you the path to the life and relationships that God designed for you to enjoy.

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A woman not only needs a room of her own, as Virginia Woolf wrote, but also the freedom to leave it and return to it at will; for a room without that right becomes a prison cell. The privilege of self-directed movement, the power to pick up and go as one pleases, has not been a traditional ""right"" of Iranian women. This prerogative has been denied them in the name of piety, anatomy, chastity, class, safety, and even beauty. It is only during the last 160 years that the spell has been broken and Iranian women have emerged as a moderating, modernizing force. Women writers have been at the forefront of this desegregating movement and renegotiation of boundaries. Words, Not Swords explores the legacy of sex segregation and its manifestations in Iranian literature and film and in notions of beauty and the erotics of passivity. Milani expands her argument beyond Iranian culture, arguing that freedom of movement is a theme that crosses frontiers and dissolves conventional distinctions of geography, history, and religion. She makes bold connections between veiling and foot binding, between Cinderella and Barbie, between the figures of the female Gypsy and the witch. In so doing, she challenges cultural hierarchies that divert attention from key issues in the control of women across the globe.

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President John F. Kennedy established the Peace Corps on March 1, 1961. In the fifty years since, nearly 200,000 Americans have served in 139 countries, providing technical assistance, promoting a better understanding of American culture, and bringing the world back to the United States.In Voices from the Peace Corps: Fifty Years of Kentucky Volunteers, Angene Wilson and Jack Wilson, who served in Liberia from 1962 to 1964, follow the experiences of volunteers as they make the decision to join, attend training, adjust to living overseas and the job, make friends, and eventually return home to serve in their communities. They also describe how the volunteers made a difference in their host countries and how they became citizens of the world for the rest of their lives. Among many others, the interviewees include a physics teacher who served in Nigeria in 1961, a smallpox vaccinator who arrived in Afghanistan in 1969, a nineteen-year-old Mexican American who worked in an agricultural program in Guatemala in the 1970s, a builder of schools and relationships who served in Gabon from 1989 to 1992, and a retired office administrator who taught business in Ukraine from 2000 to 2002.Voices from the Peace Corps emphasizes the value of practical idealism in building meaningful cultural connections that span the globe.

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In this provocative collection of memoirs, eight acclaimed writers go about the risky business of telling their own secrets. Collectively, they provide what amounts to a psychic map of American life, from the streets of New York’s East Village–where Peter Trachtenberg’s affair with a fragile ex-prostitute becomes entwined with scenes from an imaginary film noir, to the trailer parks of southern California–where, in a last-ditch bid for affection, Terminator dresses in drag and seduces his abusive mother’s boyfriend. in between, Jane Creighton has an affair with her gentle, sickly brother; Lois Gould recalls Businessman–the flamboyant gentleman who had a string of red-haired mistresses and who, incidentally, was her father; Philip Lopate views his pathologically schlumpy dad in a nursing home; Laurie Stone searches for the connections between her creativity and her addiction to sex; Jerry Stahl remembers his rock-bottom days doing crack in Los Angeles; and Catherine Texier, an accomplished adult, meets her father for the first time in the south of France. In her introduction, award-winning critic Laurie Stone gives the genre an incisive once-over and explores the question: Why is memoir so dominant on the literary scene? These stories–filled with harrowing self-knowledge, as antic as they are haunting–go a long way toward answering that question.

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Flat World Navigation introduces the new future of work in the 'flattened world' of the new digital attention-based economy, where real connections can be made in seconds across departments, businesses, cultures and countries. Combining the best elements of networking, social media outreach and collaborative techniques, flat world navigation is an essential capability to build and maintain relationships between colleagues, customers and partners. Employees who can transform themselves into flat world navigators, experts in mediating these powerful relationships and bringing the customer into the conversation, will mean the difference between success and failure in business. Flat World Navigation includes exclusive insights and interviews with international business leaders who successfully use flat world navigation skills, such as the Emmy-winning former NBC and Wall Street Journal reporter Kare Anderson, Sandy Carter at IBM, Gordon Feller at CISCO Systems, Aria Finger at DoSomething.org, Louise Guido at ChangeCorp, Jeffrey A. Finkle at the International Economic Development Council and Carolyn Lawrence, CEO of Women of Influence. This book is grounded in real-world experience with insights and advice to build your skills base and empower the next generation of business people. Additionally, it is of great use to business owners and managers looking to effectively leverage the skills of these flat world navigators, whose critical role brings attention to ideas, products and services and, as such, must be part of a successful business strategy.

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Cells to Civilizations is the first unified account of how life transforms itself--from the production of bacteria to the emergence of complex civilizations. What are the connections between evolving microbes, an egg that develops into an infant, and a child who learns to walk and talk? Award-winning scientist Enrico Coen synthesizes the growth of living systems and creative processes, and he reveals that the four great life transformations--evolution, development, learning, and human culture--while typically understood separately, actually all revolve around shared core principles and manifest the same fundamental recipe. Coen blends provocative discussion, the latest scientific research, and colorful examples to demonstrate the links between these critical stages in the history of life. Coen tells a story rich with genes, embryos, neurons, and fascinating discoveries. He examines the development of the zebra, the adaptations of seaweed, the cave paintings of Lascaux, and the formulations of Alan Turing. He explores how dogs make predictions, how weeds tell the time of day, and how our brains distinguish a Modigliani from a Rembrandt. Locating commonalities in important findings, Coen gives readers a deeper understanding of key transformations and provides a bold portrait for how science both frames and is framed by human culture. A compelling investigation into the relationships between our biological past and cultural progress, Cells to Civilizations presents a remarkable story of living change.

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Principles of Ad Hoc Networking presents a systematic introduction to the fundamentals of ad hoc networks. An ad-hoc network is a small network, especially one with wireless or temporary plug-in connections. Typically, some of the network devices are part of the network only for the duration of a communications session or, in the case of mobile or portable devices, while in some close proximity to the rest of the network. These networks can range from small and static systems with constrained power resources to larger-scale dynamic and mobile environments. Wireless ad hoc networks facilitate numerous and diverse applications for establishing survivable dynamic systems in emergency and rescue operations, disaster relief and intelligent home settings. Principles of Ad Hoc Networking: Introduces the essential characteristics of ad hoc networks such as: physical layer, medium access control, Bluetooth discovery and network formation, wireless network programming and protocols. Explains the crucial components involved in ad-hoc networks in detail with numerous exercises to aid understanding. Offers key results and merges practical methodologies with mathematical considerations. Principles of Ad Hoc Networking will prove essential reading for graduate students in Computer Science, Electrical Engineering, Applied Mathematics and Physics as well as researchers in the field of ad hoc networking, professionals in wireless telecoms, and networking system developers. Check out www.scs.carleton.ca/~barbeau/pahn/index.htm for further reading, sample chapters, a bibliography and lecture slides!

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Life ashore may once again be the undoing of Jack Aubrey in The Yellow Admiral, Patrick O'Brian's best-selling novel and eighteenth volume in the Aubrey/Maturin series. Aubrey, now a considerable though impoverished landowner, has dimmed his prospects at the Admiralty by his erratic voting as a Member of Parliament; he is feuding with his neighbor, a man with strong Navy connections who wants to enclose the common land between their estates; he is on even worse terms with his wife, Sophie, whose mother has ferreted out a most damaging trove of old personal letters. Even Jack's exploits at sea turn sour: in the storm waters off Brest he captures a French privateer laden with gold and ivory, but this at the expense of missing a signal and deserting his post. Worst of all, in the spring of 1814, peace breaks out, and this feeds into Jack's private fears for his career. Fortunately, Jack is not left to his own devices. Stephen Maturin returns from a mission in France with the news that the Chileans, to secure their independence, require a navy, and the service of English officers. Jack is savoring this apparent reprieve for his career, as well as Sophie's forgiveness, when he receives an urgent dispatch ordering him to Gibraltar: Napoleon has escaped from Elba.

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This book covers various forms of the production of girmitiya culture and literature. One of the main objectives is to conceptualize the idea of girmitya, girmitology, and girmitiya literature, culture, history, and identity in both colonial and postcolonial contexts. This book aims to document the history, experiences, culture, assimilation, and identity of girmitiya community. It also critically analyses the articulation, projection, and production of their experiences of migration and being immigrant, their narratives, tradition, culture, religion, and memory. It also explores how this labour community formulated into a diaspora community and reconnected/created the home (land) and continues to do so in the wake of globalization and Information and Communication Technology (ICT). This book is an attempt to bring the intriguing neglected diverse historical heritage of colonial labour migration and their narratives into the mainstream scholarly debates and discussions in the humanities and the social sciences through the trans- and interdisciplinary perspectives. This book assesses the routes of migration of old diaspora, and it explains the nuances of cultural change among the generations. Although, they have migrated centuries back, absorbed and assimilated, and got citizenships of respective countries of destinations but still their longing for roots, culture, identities, “home”, and the constant struggle is to retain connections with their homeland depicted in their cultural practices, arts, music, songs, folklore and literary manifestations.

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From the Preface: Srinivasa Varadhan began his research career at the Indian Statistical Institute (ISI), Calcutta, where he started as a graduate student in 1959. His first paper appeared in Sankhyá, the Indian Journal of Statistics in 1962. Together with his fellow students V. S. Varadarajan, R. Ranga Rao and K. R. Parthasarathy, Varadhan began the study of probability on topological groups and on Hilbert spaces, and quickly gained an international reputation. At this time Varadhan realised that there are strong connections between Markov processes and differential equations, and in 1963 he came to the Courant Institute in New York, where he has stayed ever since. Here he began working with the probabilists Monroe Donsker and Marc Kac, and a graduate student named Daniel Stroock. He wrote a series of papers on the Martingale Problem and Diffusions together with Stroock, and another series of papers on Large Deviations together with Donsker. With this work Varadhan's reputation as one of the leading mathematicians of the time was firmly established. Since then he has contributed to several other areas of probability, analysis and physics, and collaborated with numerous distinguished mathematicians. Varadhan was awarded the Abel Prize in 2007. These Collected Works contain all his research papers over the half-century spanning 1962 to early 2012.Volume III includes the papers on large deviations. ​​

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From the Preface: Srinivasa Varadhan began his research career at the Indian Statistical Institute (ISI), Calcutta, where he started as a graduate student in 1959. His first paper appeared in Sankhyá, the Indian Journal of Statistics in 1962. Together with his fellow students V. S. Varadarajan, R. Ranga Rao and K. R. Parthasarathy, Varadhan began the study of probability on topological groups and on Hilbert spaces, and quickly gained an international reputation. At this time Varadhan realised that there are strong connections between Markov processes and differential equations, and in 1963 he came to the Courant Institute in New York, where he has stayed ever since. Here he began working with the probabilists Monroe Donsker and Marc Kac, and a graduate student named Daniel Stroock. He wrote a series of papers on the Martingale Problem and Diffusions together with Stroock, and another series of papers on Large Deviations together with Donsker. With this work Varadhan's reputation as one of the leading mathematicians of the time was firmly established. Since then he has contributed to several other areas of probability, analysis and physics, and collaborated with numerous distinguished mathematicians. Varadhan was awarded the Abel Prize in 2007. These Collected Works contain all his research papers over the half-century spanning 1962 to early 2012. Volume I includes the introductory material, the papers on limit theorems and review articles.

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Writing the Black Diasporic City in the Age of Globalization theorizes the city as a generative, “semicircular” social space, where the changes of globalization are most profoundly experienced. The fictive accounts analyzed here configure cities as spaces where movement is simultaneously restrictive and liberating, and where life prospects are at once promising and daunting. In their depictions of the urban experiences of peoples of African descent, writers and other creative artists offer a complex set of renditions of twentieth- and twenty-first-century Black urban citizens’ experience in European or Euro-dominated cities such as Boston, London, New York, and Toronto, as well as Global South cities such as Accra, Kingston, and Lagos—that emerged out of colonial domination, and which have emerged as hubs of current globalization. Writing the Black Diasporic City draws on critical tools of classical postcolonial studies as well as those of globalization studies to read works by Ama Ata Aidoo, Amma Darko, Marlon James, Cecil Foster, Zadie Smith, Michael Thomas, Chika Unigwe, and other contemporary writers. The book also engages the television series Call the Midwife, the Canada carnival celebration Caribana, and the film series Small Axe to show how cities are characterized as open, complicated spaces that are constantly shifting. Cities collapse boundaries, allowing for both haunting and healing, and they can sever the connection from kin and community, or create new connections.

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At the threshold that divides the elemental and etheric worlds, Are Thoresen encounters two spiritual entities – Vidar and Balder, ‘guardians of the threshold’ – whose task is to protect the spiritual border from uninitiated intruders. Building on previous reports, Encounters with Vidar offers startling new esoteric teachings, gleaned – through processes of spiritual knowledge – from these enigmatic gods. Here, Vidar and Balder emphasize the importance of clairaudience as opposed to clairvoyance (the latter particularly being open to attack from adversary beings). Through the process of working with the communications, the author begins to experience a transformation of his head chakras, leading to an awakening of ‘spiritual ears’. Whilst clairvoyance is like reading the holy script, clairaudience is akin to hearing the holy script, he learns. --- Amongst the wealth of fresh insights revealed here are the ‘fourth aspect of the soul’ (or ‘time-karma-Christ’); the task of eurythmy today; the whereabouts of the contents of the School of Spiritual Science; and the work of ‘Vulcan beings’ and other planetary entities. Thoresen offers reflections on his travels to western England (with its connections to Troy) and southern Spain (with its legacy of Moorish occupation). His intention is not to create new dogmas or beliefs, but to testify to the living reality of metaphysical dimensions of reality – and humanity’s latent ability to access them.

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Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world's leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas.This Advanced Introduction provides a comprehensive guide to the vibrant and expanding global production network (GPN) approach. Neil M. Coe deftly explores the antecedents and theoretical underpinnings of GPN analysis, as well as debates and controversies surrounding the approach and its position in wider interdisciplinary discussions. He argues overall that, during a time of profound ongoing challenges within the global economic system, the need for a GPN framework has never been more pressing.Key features include: an up-to-date assessment of current debates in the literature an integrated perspective on how GPN thinking can aid understanding of capitalist uneven development a wide range of sectoral and geographical examples a thorough discussion of connections to cognate debates in the wider social sciences and business and management studies identification of future research challenges in the field. In short, Advanced Introduction to Global Production Networks is an ideal introductory book for students at both undergraduate and postgraduate levels in geography, economics and business looking to understand the organization and dynamics of the global economy.

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Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences and law, expertly written by the world's leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. This original Introduction presents nationalism as the most important social force shaping the ways modern men and women live their lives. It explains the formative influence of nationalism in the public spheres of politics and the economy, as well as in the most private ones of emotional life and mental illness. Along the way, it illuminates widely used but rarely clarified concepts, such as social institution, revolution, ideology, and totalitarianism, and introduces new ones, among them dignity capital and nationalism as the double-helix of modern politics. Basing its conclusions on over twenty-five years of original comparative historical research, this book bears the characteristic Liah Greenfeld imprint: fact-based discussion, logical rigor, unexpected connections, and an exceptionally wide range of issues weaved together to explain the way we live now.Key features include:- Discusses nationalism as an empirical phenomenon, not an object of speculation- Distils findings of over twenty-five years of original comparative historical research- Introduces original concepts of dignity capital and nationalism as the double-helix of modern politics.

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In Western tradition, St. George is known as the dragon slayer. In the Middle East, he is called Khidr (“Green One”), and in addition to being a dragon slayer, he is also somehow the prophet Elijah. In this book, Robert D. Miller II untangles these complicated connections and reveals how, especially in his Middle Eastern guise, St. George is a reincarnation of the Canaanite storm god Baal, another “Green One” who in Ugaritic texts slays dragons.Combining art history, theology, and archeology, this multidisciplinary study demystifies the identity of St. George in his various incarnations, laying bare the processes by which these identifications merged and diverged. Miller traces the origins of this figure in Arabic and Latin texts and explores the possibility that Middle Eastern shrines to St. George lie on top of ancient shrines of the Canaanite storm god Baal. Miller examines these holy places, particularly in modern Israel and around Mount Hermon on the Syrian-Lebanese-Israeli border, and makes the convincing case that direct continuity exists from the Baal of antiquity to the St. George/Khidr of Christian lore.Convincingly argued and thoroughly researched, this study makes a unique contribution to such diverse areas as ancient Near Eastern studies, Roman history and religion, Christian hagiography and iconography, Quranic studies, and Arab folk religion.

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When a modern woman inherits a Parisian apartment undisturbed since WWII, she discovers that it may hold the key to unraveling her cold great-grandmother's secret life -- a past of sacrifice during a mission to protect those she loved.1940, ParisAs the heiress to a wealthy Parisian family, Lise Allard grows up immensely privileged, but barely knowing her absentee parents. Instead, she finds her own sense of family among a close circle of friends. Yet when war breaks out and Paris is occupied, she sees her friends taken away one by one. Heartbroken, Lise vows that she will do whatever it takes to help defeat the Germans.2017, ParisWhen Aurelia Leclaire's great-grandmother passes away, the last thing Aurelia expects to inherit is a tiny Paris apartment untouched for over half of a century. But even more shocking is the massive collection of priceless jewelry and fine art secreted inside. When she discovers an unknown painting cherished by Lise, she realizes that it may be the key to unlocking her great-grandmother's story.Art appraiser Gabriel Seymour is contacted by a woman who claims to have found a painting by his great-great-grandfather. While unearthing its story, Gabriel and Aurelia discover a hidden cache of weapons, encrypted letters, and faded passport photos revealing intertwining family connections and betrayals from the past.

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Before the idea of the Anthropocene, there was the angry planet How might we understand an earthquake as a complaint, or erosion as a form of protest—in short, the Earth as an angry planet? Many novels from the end of the millennium did just that, centering around an Earth that acts, moves, shapes human affairs, and creates dramatic, nonanthropogenic change.In Angry Planet, Anne Stewart uses this literature to develop a theoretical framework for reading with and through planetary motion. Typified by authors like Colson Whitehead, Octavia Butler, and Leslie Marmon Silko, whose work anticipates contemporary critical concepts of entanglement, withdrawal, delinking, and resurgence, angry planet fiction coalesced in the 1990s and delineated the contours of a decolonial ontology. Stewart shows how this fiction brought Black and Indigenous thought into conversation, offering a fresh account of globalization in the 1990s from the perspective of the American Third World, construing it as the era that first made connections among environmental crises and antiracist and decolonial struggles.By synthesizing these major intersections of thought production in the final decades of the twentieth century, Stewart offers a recent history of dissent to the young movements of the twenty-first century. As she reveals, this knowledge is crucial to incipient struggles of our contemporary era, as our political imaginaries grapple with the major challenges of white nationalism and climate change denial.

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Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s. Maghreb Noir dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.

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Decolonizing 1968 explores how activists in 1968 transformed university campuses across Europe and North Africa into sites of contestation where students, administrators, and state officials collided over definitions of modernity and nationhood after empire. Burleigh Hendrickson details protesters' versions of events to counterbalance more visible narratives that emerged from state-controlled media centers and ultimately describes how the very education systems put in place to serve the French state during the colonial period ended up functioning as the crucible of postcolonial revolt. Hendrickson not only unearths complex connections among activists and their transnational networks across Tunis, Paris, and Dakar but also weaves together their overlapping stories and participation in France's May '68. Using global protest to demonstrate the enduring links between France and its former colonies, Decolonizing 1968 traces the historical relationships between colonialism and 1968 activism, examining transnational networks that emerged and new human and immigrants' rights initiatives that directly followed. As a result, Hendrickson reveals that 1968 is not merely a flashpoint in the history of left-wing protest but a key turning point in the history of decolonization. Thanks to generous funding from Penn State and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

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Before Brooklyn rose to international fame there existed a vibrant borough of neighborhoods rich with connections and traditions. During the 1970s and 1980s, photographer Larry Racioppo, a South Brooklynite with roots three generations deep, recorded Brooklyn on the cusp of being the trendy borough we know today. In Brooklyn Before, Racioppo lets us see the vitality of his native Brooklyn, stretching from historic Park Slope to the beginnings of Windsor Terrace and Sunset Park. His black and white photographs pull us deep into the community, stretching our memories back more than forty years and teasing out the long-lost recollections of life on the streets and in apartment homes. Racioppo has the fascinating ability to tell a story in one photograph and, because of his native bona fides, he depicts an intriguing set of true Brooklyn stories from the inside, in ways that an outsider simply cannot. On the pages of, Brooklyn Before the intimacy and roughness of life in a working-class community of Irish American, Italian American, and Puerto Rican families is shown with honesty and insight. Racioppo's 128 photographs are paired with essays from journalist Tom Robbins and art critic and curator Julia Van Haaften. Taken together, the images and words of Brooklyn Before return us to pre-gentrification Brooklyn and immerse us in a community defined by work, family, and ethnic ties.

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Transnational Reproduction traces the relationships among Western aspiring parents, Indian surrogates, and egg donors from around the world. In the early 2010s India was one of the top providers of surrogacy services in the world. Drawing on interviews with commissioning parents, surrogates, and egg donors as well as doctors and family members, Daisy Deomampo argues that while the surrogacy industry in India offers a clear example of “stratified reproduction”—the ways in which political, economic, and social forces structure the conditions under which women carry out physical and social reproductive labor—it also complicates that concept as the various actors in this reproductive work struggle to understand their relationships to one another. The book shows how these actors make sense of their connections, illuminating the ways in which kinship ties are challenged, transformed, or reinforced in the context of transnational gestational surrogacy. The volume revisits the concept of stratified reproduction in ways that offer a more robust and nuanced understanding of race and power as ideas about kinship intersect with structures of inequality. It demonstrates that while reproductive actors share a common quest for conception, they make sense of family in the context of globalized assisted reproductive technologies in very different ways. In doing so, Deomampo uncovers the specific racial reproductive imaginaries that underpin the unequal relations at the heart of transnational surrogacy.

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A history of the activism that made public spaces in American cities more accessible to women. From the closing years of the nineteenth century, women received subtle—and not so subtle—messages that they shouldn’t be in public. Or, if they were, that they were not safe. Breaking the Gender Code tells the story of both this danger narrative and the resistance to it. Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space. Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women.

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From currency and maps to heavily censored newspapers and television programming, Art Systems explores visual forms of critique and subversion during the height of Brazilian dictatorship, drawing sometimes surprising connections between artistic production and broader processes of social exchange during a period of authoritarian modernization. Positioning the works beyond the prism of politics, Elena Shtromberg reveals subtle forms of subversion and critique that reinvented the artists’ political terrain.Analyzing key examples from Cildo Meireles, Antonio Manuel, Artur Barrio, Anna Bella Geiger, Sonia Andrade, Geraldo Mello, and others, the book offers a new framework for theorizing artistic practice. By focusing on the core economic, media, technological, and geographic conditions that circumscribed artistic production during this pivotal era, Shtromberg excavates an array of art systems that played a role in the everyday lives of Brazilians. An examination of the specific historical details of the social systems that were integrated into artistic production, this unique study showcases works that were accessed by audiences far outside the confines of artistic institutions. Proliferating during one of Brazil’s most socially and politically fraught decades, the works—spanning cartography to video art—do not conform to an easily identifiable style, form, material use, or medium. As a result of this breadth, Art Systems gives voice to the multifaceted forces at play in a unique chapter of Latin American cultural history.

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Applying a broad geographical approach to comparative Latino literary and cultural studies, Continental Shifts illuminates how the discursive treatment of Latinos changed dramatically following the enactment of NAFTA—a shift exacerbated by 9/11. While previous studies of immigrant representation have focused on single regions (the US/Mexico border in particular), specific genres (literature vs. political rhetoric), or individual groups, Continental Shifts unites these disparate discussions in a provocative, in-depth examination.Bringing together a wide range of groups and genres, this intercultural study explores novels by Latin American and Latino writers, a border film by Tommy Lee Jones and Guillermo Arriaga, “viral” videos of political speeches, popular television programming (particularly shows that feature incarceration and public shaming), and user-generated YouTube videos. These cultural products reveal the complexity of Latino representations in contemporary discourse. While tropes of Latino migrants as threatening, diseased foreign bodies date back to the nineteenth century, Continental Shifts marks the more pernicious, recent images of Latino laborers (legal and not) in a variety of contemporary media. Using vivid examples, John Riofrio demonstrates the connections between rhetorical and ideological violence and the physical and psychological violence that has more intensely plagued Latino communities in recent decades. Culminating with a consideration of the “American” identity, this eye-opening work ultimately probes the nation’s ongoing struggle to uphold democratic ideals amid dehumanizing multiethnic tension.

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Deliver engaging, enquiry-driven lessons and help pupils gain a coherent chronological understanding of and across periods studied with this complete offering for Key Stage 3 History. Designed for the 2014 National Curriculum this supportive learning package makes history fun and inspiring to learn. Making Sense of History consists of four Pupil's Books with accompanying Dynamic Learning Teaching and Learning resources. Structured around big picture overviews and in-depth enquiries on different topics, the course develops pupils understanding of history and their ability to ask and explore valid historical questions about the past.- Help pupils come to a sound chronological understanding of the past and identify the most significant events, connections and patterns of change and continuity with specifically tailored big pictures of the period and of the topics within it.- Develop pupils' enquiry skills and help them become motivated and curious to learn about the past with purposeful and engaging enquiries and a focus on individuals' lives.- Ensure pupils' progress in their historical thinking through clear and balanced targeted coverage of the main second order concepts in history.- Support and stretch your pupils with differentiated material, including writing frames to support literacy and ideas for more challenge provided in the Dynamic Learning Teaching and Learning Resources.- Make assessment become a meaningful and manageable process through bespoke mark schemes for individual pieces of work.

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We have all experienced disappointment in relationships. Sometimes we wonder if it's even possible to have enduring, positive relationships in our homes, our work, and our communities.In The Connection Code, trusted Bible teacher O. S. Hawkins digs deep into the biblical book of Philemon to give us a blueprint for building life-giving relationships in every sphere of our lives. This tiny book in the New Testament is a letter the apostle Paul wrote to a wealthy businessman named Philemon on behalf of his escaped bond servant, Onesimus. Containing only 22 sentences, the book of Philemon unlocks the code to forging interpersonal connections that stand the test of time.With the practical and thoughtful Bible teaching he's known for, Dr. Hawkins reflects on every verse in Philemon in light of our relationships today. Following the style of the bestselling Code Series, The Connection Code explores: The three critical relationships each of us need How to let others know we believe in them Why a win-win perspective is crucial for friendships How true commitment always includes forgiveness Why finding our self-worth in Christ empowers us to love others well If you long for deep, authentic friendships in a superficial world, discover what God's plan has always been for building relationships that last in The Connection Code.

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Contemporary African American writing negotiates the twinned crises of anthropogenic climate change and anti-Black violence by thinking in new ways about scale Uses Black Studies and African American literature to intervene in humanistic accounts of the epoch we now know as the Anthropocene A comprehensive overview of the myriad ways in which scale has been taken up in contemporary literary criticism, the environmental humanities, and Black Studies Brings together public policy and literature to argue for the causal role that literature plays in shaping a more sustainable and equitable future The history of the contemporary is a history of crisis most centrally, the twinned crises of environmental destruction and anti-Black violence. Transscalar Critique argues that contemporary Black literature navigates this crisis by taking a transscalar approach, understanding crisis as working on multiple scales simultaneously, from the molecular to the geological, from the economic to the aesthetic. As a consequence, this book proposes transscalar critique as a mode of literary criticism. Organized around specific crises and authors, Transscalar Critique argues that crisis offers a window into how competing analytical, artistic, and planetary frameworks collide. In a moment of crisis, questions of race, geology, politics, epistemology, and ontology are brought into focus in surprising and unexpected ways and Transscalar Critique uses the literary, critical, and public policy responses to these events to reveal connections between the human and nonhuman worlds.

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Radical Skepticism and the Shadow of Doubt brings something new to epistemology both in content and style. At the outset we are asked to imagine a person named Vatol who grows up in a world containing numerous people who are brains-in-vats and who hallucinate their entire lives. Would Vatol have reason to doubt whether he himself is in contact with reality? If he does have reason to doubt, would he doubt, or is it impossible for a person to have such doubts? And how do we ourselves compare to Vatol? After reflection, can we plausibly claim that Vatol has reason to doubt, but we don’t? These are the questions that provide the novel framework for the debates in this book. Topics that are treated here in significantly new ways include: the view that we ought to doubt only when we philosophize; epistemological “dogmatism”; and connections between radical doubt and “having a self.” The book adopts the innovative form of a “dialogue/play.” The three characters, who are Talmud students as well as philosophers, hardly limit themselves to pure philosophy, but regale each other with Talmudic allusions, reminiscences, jokes, and insults. For them the possibility of doubt emerges as an existential problem with potentially deep emotional significance. Setting complex arguments about radical skepticism within entertaining dialogue, this book can be recommended for both beginners and specialists.

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Wisdom that's been inspiring, motivating, and guiding teachers for two decades The Courage to Teach speaks to the joys and pains that teachers of every sort know well. Over the last 20 years, the book has helped countless educators reignite their passion, redirect their practice, and deal with the many pressures that accompany their vital work. Enriched by a new Foreword from Diana Chapman Walsh, the book builds on a simple premise: good teaching can never be reduced to technique. Good teaching comes from the identity and integrity of the teacher, that core of self where intellect, emotion, and spirit converge—enabling 'live encounters' between teachers, students, and subjects that are the key to deep and lasting learning. Good teachers love learners, learning, and the teaching life in a way that builds trust with students and colleagues, animates their daily practice, and keeps them coming back tomorrow. Reclaim your own vision and purpose against the threat of burn-out Understand why good teaching cannot be reduced to technique alone Explore and practice the relational traits that good teachers have in common Learn how to forge learning connections with your students and "teach across the gap" Whether used for personal study, book club exploration, or professional development, The Courage to Teach is rich with time-honored wisdom, and contemporary clarity about the ancient arts of teaching and learning.

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"From the inspiring chapter quotes, to relevant historical and current research, to practical clinical directions, Primer on Posttraumatic Growth takes a giant step toward both grounding us and moving us ahead with strong hope for adjustment and growth in the post-trauma/loss world. This is a comprehensive, practical, and readable work that should be at hand for any mental health clinician, pastoral care professional, or student preparing for these professions." —J. Shep Jeffreys, EdD, FT, author of Helping Grieving People—When Tears Are Not Enough: A Handbook for Care Providers, Second Edition A guide for helping your clients overcome negative events, based on the latest research on posttraumatic growth Drawing on the growing empirical and theoretical material on posttraumatic growth—an outgrowth of the positive psychology movement—Primer on Posttraumatic Growth provides insight, depth, and treatment recommendations for both the clinicians who work with those who have experienced dramatic negative events in their lives and for other professionals who support victims of trauma and extreme stress. This essential primer examines: The connections between meaning and growth The impact of cognitive processing on posttraumatic growth Positive emotion and posttraumatic growth Posttraumatic growth and an "open" personality The human drive to be in positive and important interpersonal relationships Forgiveness: can it be extended towards all areas of posttraumatic growth? Posttraumatic growth and religious and spiritual variables Wisdom and posttraumatic growth

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Delia Mohammed gives Mr. Ni Win two bags for safe keeping. In them he finds her story of escape from the suffocations of her father and Caribbean island life into the nightmarish world of an illegal immigrant in America. Abandoned at customs by her lover, Trinidad, who turns out to be not at all what he seems, Delia is forced to fend for herself. She brings to the task both an acute intelligence and a naievety born of her greater familiarity with literature than with life. But if literature is no guide to the hazards of migrant life, it provides Delia with meaning and psychic protection, and the resonances, with King Lear for instance, give the novel a wholly convincing depth.When Delia fails to return for her bags, Mr Ni Win becomes the editor of her story. As editor he is moved by her refusal to be a victim and her determination to recreate herself in a hazardous and unfamiliar environment. Stalled in his own life, he is re-energised by her intense involvement with life and with literature, and his reflections on his role create a further important dimension with relation to the connections between writing and gender.N.D. Williams is Guyanese and lives in New York. In 1976 his novel Ikael Torass won the prestigious Casa de las Americas prize.

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Exterranean concerns the extraction of stuff from the Earth, a process in which matter goes from being sub- to exterranean. By opening up a rich archive of nonmodern texts and images from across Europe, this work offers a bracing riposte to several critical trends in ecological thought. By shifting emphasis from emission to extraction, Usher reorients our perspective away from Earthrise-like globes and shows what is gained by opening the planet to depths within. The book thus maps the material and immaterial connections between the Earth from which we extract, the human and nonhuman agents of extraction, and the extracted matter with which we live daily. Eschewing the self-congratulatory claims of posthumanism, Usher instead elaborates a productive tension between the materially-situated homo of nonmodern humanism and the abstract and aggregated anthropos of the Anthropocene. In dialogue with Michel Serres, Bruno Latour, and other interdisciplinary work in the environmental humanities, Usher shows what premodern material can offer to contemporary theory. Examining textual and visual culture alike, Usher explores works by Ronsard, Montaigne, and Rabelais, early scientific works by Paracelsus and others, as well as objects, engravings, buildings, and the Salt Mines of Wieliczka. Both historicist and speculative in approach, Exterranean lays the groundwork for a comparative ecocriticism that reaches across and untranslates theoretical affordances between periods and languages.

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In Buena Vista in the Club, Geoffrey Baker traces the trajectory of the Havana hip hop scene from the late 1980s to the present and analyzes its partial eclipse by reggaetón. While Cuban officials initially rejected rap as “the music of the enemy,” leading figures in the hip hop scene soon convinced certain cultural institutions to accept and then promote rap as part of Cuba’s national culture. Culminating in the creation of the state-run Cuban Rap Agency, this process of “nationalization” drew on the shared ideological roots of hip hop and the Cuban nation and the historical connections between Cubans and African Americans. At the same time, young Havana rappers used hip hop, the music of urban inequality par excellence, to critique the rapid changes occurring in Havana since the early 1990s, when the Soviet Union fell, its subsidy of Cuba ceased, and a tourism-based economy emerged. Baker considers the explosion of reggaetón in the early 2000s as a reflection of the “new materialism” that accompanied the influx of foreign consumer goods and cultural priorities into “sociocapitalist” Havana. Exploring the transnational dimensions of Cuba’s urban music, he examines how foreigners supported and documented Havana’s growing hip hop scene starting in the late 1990s and represented it in print and on film and CD. He argues that the discursive framing of Cuban rap played a crucial part in its success.

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Through an innovative approach that combines years of ethnographic research with British imperial archival sources, this book reveals how cultural heritage has been negotiated by colonial, independent state, and community actors in Belize from the late nineteenth century to the present. Alicia McGill explores the heritage of two African-descendant Kriol communities as seen in the contexts of archaeology and formal education.McGill demonstrates that in both spheres, Belizean institutions have constructed and used heritage places and ideologies to manage difference, govern subjects and citizens, and reinforce development agendas. In the communities studied here, ancient Maya cities and legacies have been prized while Kriol histories have been marginalized and racial and ethnic inequalities have endured. Yet McGill shows that at the same time, Belizean teachers and children resist, maintaining their Kriol identity through storytelling, subsistence practices, and other engagements with ecological resources. They also creatively identify connections between themselves and the ancient cultures that once lived in their regions.Exploring heritage as a social construct, McGill provides examples of the many ways people construct values, meanings, and customs related to it. Negotiating Heritage through Education and Archaeology is a richly informed study that emphasizes the importance of community-based engagement in public history and heritage studies.A volume in the series Cultural Heritage Studies, edited by Paul A. Shackel

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One of the major ambitions of medieval alchemists was to discover the elixir of life, a sovereign remedy capable not only of healing the body but of transforming it. Given the widespread belief that care for the body came at the cost of care for the soul, it might seem surprising that any Franciscan would pursue the elixir, but those who did were among its most outspoken and optimistic advocates. They believed they could distill a substance that would purify, transmute, and ennoble the human body as well as the soul. In an age when Christians across Europe were seeking material evidence for their faith and corporeal means of practicing their devotion, alchemy, and the elixir in particular, offered a way to bridge the terrestrial and the celestial. Framed as a history around science, Franciscans and the Elixir of Life focuses on alchemy as a material practice and investigates the Franciscan discourses and traditions that shaped the pursuit of the elixir, providing a rich examination of alchemy and religiosity. Zachary A. Matus makes new connections between alchemy, ritual life, apocalypticism, and the particular commitment of the Franciscan Order to the natural world, shedding new light on the question of why so many people claimed to have made, seen, or used alchemical compounds that could never have existed.

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During the course of her fieldwork in Paris, anthropologist Kimberly Arkin heard what she thought was a surprising admission. A French-born, North African Jewish (Sephardi) teenage girl laughingly told Arkin she was a racist. When asked what she meant by that, the girl responded, "It means I hate Arabs." This girl was not unique. She and other Sephardi youth in Paris insisted, again and again, that they were not French, though born in France, and that they could not imagine their Jewish future in France. Fueled by her candid and compelling informants, Arkin's analysis delves into the connections and disjunctures between Jews and Muslims, religion and secular Republicanism, race and national community, and identity and culture in post-colonial France. Rhinestones argues that Sephardi youth, as both "Arabs" and "Jews," fall between categories of class, religion, and culture. Many reacted to this liminality by going beyond religion and culture to categorize their Jewishness as race, distinguishing Sephardi Jews from "Arab" Muslims, regardless of similarities they shared, while linking them to "European" Jews (Ashkenazim), regardless of their differences. But while racializing Jewishness might have made Sephardi Frenchness possible, it produced the opposite result: it re-grounded national community in religion-as-race, thereby making pluri-religious community appear threatening. Rhinestones thus sheds light on the production of race, alienation, and intolerance within marginalized French and European populations.

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This is a highly original book about the connections between historical moment, social structure, technology, communications systems, and what is said and thought using these systems - notably literature. The author focuses on the differences between "discourse networks" in 1800 and 1900, in the process developing a new analysis of the shift from romanticism to modernism. The work might be classified as a German equivalent to the New Historicism of American literary scholars, both in the intellectual influences to which Kittler responds and in his concern to ground literature in the most concrete details of historical reality. The artful structure of the book begins with Goethe's Faust and ends with Valery's Faust. In the 1800 section, the author discusses how language was learned, the emergence of the modern university, the associated beginning of the interpretation of contemporary literature, and the canonization of literature. Among the writers and works Kittler analyzes in addition to Geothe's Faust are Schlegel, E.T.A. Hoffmann's "The Golden Pot," and Goethe's Tasso. The 1900 section argues that the new discourse network in which literature is situated in the modern period is characterized by new technological media - film, the photograph, and the typewritten page - and the crisis that these caused for literary production. Along the way, the author discusses the work of Nietzsche, Getrude Stein, Mallarme, Bram Stoker, the Surrealists, Rilke, Kafka, and Freud, among others.

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By the end of the twentieth century, Mexican multimedia conglomerate Televisa stood as one of the most powerful media companies in the world. Most scholars have concluded that the company’s success was owed in large part to its executives who walked in lockstep with the government and the Partido Revolucionario Institucional (PRI), which ruled for seventy-one years. At the same time, government decisions regulating communications infrastructure aided the development of the television industry. In one of the first books to be published in English on Mexican television, Celeste González de Bustamante argues that despite the cozy relationship between media moguls and the PRI, these connections should not be viewed as static and without friction.Through an examination of early television news programs, this book reveals the tensions that existed between what the PRI and government officials wanted to be reported and what was actually reported and how. Further, despite the increasing influence of television on society, viewers did not always accept or agree with what they saw on the air. Television news programming played an integral role in creating a sense of lo mexicano (that which is Mexican) at a time of tremendous political, social, and cultural change. At its core the book grapples with questions about the limits of cultural hegemony at the height of the PRI and the cold war.

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For Nancy Lord, what began as a yearning for adventure and a childhood fascination with a wild and distant land culminated in a move to Alaska in the early 1970s. Here she discovered the last place in America “big and wild enough to hold the intact landscapes and the dreams that are so absent today from almost everywhere else.” In Rock, Water, Wild, Lord takes readers along as she journeys among salmon, sea lions, geese, moose, bears, glaciers, and indigenous languages and ultimately into a new understanding, beyond geographic borders, of our intricate and intimate connections to the natural world. Vast and beautiful, and much more than a mere place, Alaska is nonetheless inescapably a land of natural extremes and exquisite subtleties. In Lord’s explorations, “the country” of Alaska evokes reflections on the importance of place and space in our lives; arguments over roads carved in the wilderness; musings on the role of location and landscape in the Dena’ina Athabascan language; accounts of sport fishing in the Russian Far East in the first days of perestroika and of climbing in the Arrigetch Peaks of Alaska’s Brooks Range; and considerations of the politics of whaling. In the tradition of naturalists John Muir and John Burroughs, Lord proves an excellent guide to the challenges and pleasures of making oneself at home on this Earth.

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Virtual America traces the complex relationship between Americans, technology, and their environment as it has unfolded over the past several centuries. Throughout history Americans have constructed mental pictures of unique places, such as the American West, that have taken on more authority than the actual gritty landscapes. This disconnect from reality is magnified by the new world of virtual realities on the computer screen, where personal immersion in interactive simulations becomes the “default” environment. Virtual America identifies the connections (or lack thereof) between our individual selves, an American identity, and the geography “out there.” John Opie examines what he calls First Nature (the natural world), Second Nature (metropolitan infrastructure/built environment), and Third Nature (virtual reality in cyberspace). He also explores how Americans have historically dreamed about a better life in daily, ordinary existence and then fulfilled it through the Engineered America of our built environment, the Consumer America of material well-being, and the Triumphal America of our conviction that we are the world’s exceptional model. But these dream worlds have also encouraged placelessness and thus indifference to our dwelling in home ground. Finally, Opie explores Last Nature (a sense of place) and argues that when we identify an authentic place, we can locate authenticity of self—a reification of place and self—by their connectedness.

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For Nancy Lord, what began as a yearning for adventure and a childhood fascination with a wild and distant land culminated in a move to Alaska in the early 1970s. Here she discovered the last place in America “big and wild enough to hold the intact landscapes and the dreams that are so absent today from almost everywhere else.” In Rock, Water, Wild, Lord takes readers along as she journeys among salmon, sea lions, geese, moose, bears, glaciers, and indigenous languages and ultimately into a new understanding, beyond geographic borders, of our intricate and intimate connections to the natural world. Vast and beautiful, and much more than a mere place, Alaska is nonetheless inescapably a land of natural extremes and exquisite subtleties. In Lord’s explorations, “the country” of Alaska evokes reflections on the importance of place and space in our lives; arguments over roads carved in the wilderness; musings on the role of location and landscape in the Dena’ina Athabascan language; accounts of sport fishing in the Russian Far East in the first days of perestroika and of climbing in the Arrigetch Peaks of Alaska’s Brooks Range; and considerations of the politics of whaling. In the tradition of naturalists John Muir and John Burroughs, Lord proves an excellent guide to the challenges and pleasures of making oneself at home on this Earth.

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The historian as biographer must resolve questions that reflect the dual challenge of telling history and telling lives: How does the biographer sort out the individual’s role within the larger historical context? How do biographical studies relate to other forms of history? Should historians use different approaches to biography, depending on the cultures of their subjects? What are the appropriate primary sources and techniques that scholars should use in writing biographies in their respective fields? In Writing Biography, six prominent historians address these issues and reflect on their varied experiences and divergent perspectives as biographers. Shirley A. Leckie examines the psychological and personal connections between biographer and subject; R. Keith Schoppa considers the pervasive effect of culture on the recognition of individuality and the presentation of a life; Retha M. Warnicke explores past context and modern cultural biases in writing the biographies of Tudor women; John Milton Cooper Jr. discusses the challenges of writing modern biographies and the interplay of the biographer’s own experiences; Nell Irvin Painter looks at the process of reconstructing a life when written documents are scant; and Robert J. Richards investigates the intimate relationship between life experiences and new ideas. Despite their broad range of perspectives, all six scholars agree on two central points: biography and historical analysis are inextricably linked, and biographical studies offer an important tool for analyzing historical questions.

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This volume provides new historical and literary insights into the Harlem Renaissance, returning attention to it not only as a broad expression of artistic work but also as a movement that found catharsis in art and hope in resistance. By examining such major figures of the era as Jessie Fauset, Paul Robeson, and Zora Neale Hurston, the contributors reframe our understanding of the interplay of art, politics, culture, and society in 1920s Harlem. The fourteen essays explore the meaning and power of Harlem theater, literature, and art during the period; probe how understanding of racial, provincial, and gender identities originated and evolved; and reexamine the sociopolitical contexts of this extraordinary black creative class. Delving into these topics anew, The Harlem Renaissance Revisited reconsiders the national and international connections of the movement and how it challenged cliched interpretations of sexuality, gender, race, and class. The contributors show how those who played an integral role in shattering stereotypes about black creativity pointed the way toward real freedom in the United States, in turn sowing some of the seeds of the Black Power movement. A fascinating chapter in the history of the African American experience and New York City, the cultural flowering of the Harlem Renaissance reverberates today. This thought-provoking combination of social history and intellectual art criticism opens this powerful moment in history to renewed and dynamic interpretation and sharper discussion.

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Men and women in early modern Europe experienced their bodies very differently from the ways in which contemporary men and women do. In this challenging and innovative book, Gail Kern Paster examines representations of the body in Elizabethan-Jacobean drama in the light of humoral medical theory, tracing the connections between the history of the visible social body and the history of the subject's body as experienced from within. Focusing on specific bodily functions and on changes in the forms of embarrassment associated with them, Paster extends the insights of such critics and theorists as Mikhail Bakhtin, Norbert Elias, and Thomas Laqueur. She first surveys comic depictions of incontinent women as "leaky vessels" requiring patriarchal management and then considers the relation between medical bloodletting practices and the gender implications of blood symbolism. Next she relates the practice of purging to the theme of shame and assays ideas about pregnancy, childbirth, and nursing in medical and other nonliterary texts. Paster then turns to the use of reproductive processes in the plot structures of key Shakespeare plays and in Dekker's, Ford's, and Rowley's Witch of Edmonton. Including twelve vivid illustrations, The Body Embarrassed will be fascinating reading for students and scholars in the fields of Renaissance studies, gender studies, literary theory, the history of drama, and cultural history.

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Why do ordinary people engage in corruption? In Corruption as a Last Resort, Kelly M. McMann contends that bureaucrats, poverty, and culture do not force individuals in Central Asia to pay bribes, use connections, or sell political support. Rather, corruption is a last resort when relatives, groups in society, the market, and formal government programs cannot provide essential goods and services. Using evidence from her long-term research in Kazakhstan and Kyrgyzstan, McMann shows that Islamic institutions, secular charities, entrepreneurs, and banks cannot provide the jobs and credit people need. This drives individuals to illicitly seek employment and loans from government officials. A leading cause of this resource scarcity is market reform, as demonstrated by McMann’s analysis of these countries as well as of Uzbekistan and global data. Market reform without supporting institutions, such as credit registries and antimonopoly measures, limits the resources available from the market and societal groups. McMann finds that in these circumstances only those individuals who have affluent relatives have an alternative to corruption. By focusing on ordinary people, McMann offers a new understanding of corruption. Previously, our knowledge was largely restricted to government officials’ role in illicit exchanges. From her novel approach comes a useful policy insight: supplying ordinary people with alternatives to corruption is a fundamental and important anticorruption strategy.

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In Lovesick Japan, Mark D. West explores an official vision of love, sex, and marriage in contemporary Japan. A comprehensive body of evidence—2,700 court opinions—describes a society characterized by a presupposed absence of physical and emotional intimacy, affection, and personal connections. In compelling, poignant, and sometimes horrifying court cases, West finds that Japanese judges frequently opine on whether a person is in love, what other emotions a person is feeling, and whether those emotions are appropriate for the situation. Sometimes judges’ views about love, sex, and marriage emerge from their presentation of the facts of cases. Among the recurring elements are abortions forced by men, compensated dating, late-life divorces, termination fees to end affairs, sexless couples, Valentine’s Day heartbreak, "soapland" bath-brothels, and home-wrecking hostesses. Sometimes the judges’ analysis, decisions, and commentary are as revealing as the facts. Sex in the cases is a choice among private "normal" sex, which is male-dominated, conservative, dispassionate, or nonexistent; commercial sex, which caters to every fetish but is said to lead to rape, murder, and general social depravity; and a hybrid of the two, which commodifies private sexual relationships. Marriage is contractual; judges express the ideal of love in marriage and proclaim its importance, but virtually no one in the court cases achieves it. Love usually appears as a tragic, overwhelming emotion associated with jealousy, suffering, heartache, and death.

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