Search results for ""university of california press""

"Beautiful Monsters" explores the ways in which 'classical' music made its way into late twentieth-century American mainstream culture - in pop songs, movie scores, and print media. Beginning in the 1960s, Michael Long's entertaining and illuminating book surveys a complex cultural field and draws connections between 'classical music' (as the phrase is understood in the United States) and selected 'monster hits' of popular music. Addressing such wide-ranging subjects as surf music, Yiddish theater, Hollywood film scores, Freddie Mercury, Alfred Hitchcock, psychedelic, rap, disco, and video games, Long proposes a holistic musicology in which disparate musical elements might be brought together in dynamic and humane conversation. "Beautiful Monsters" brilliantly considers the ways in which critical commonplaces like nostalgia, sentiment, triviality, and excess might be applied with greater nuance to musical media and media reception. It takes into account twentieth-century media's capacity to suggest visual and acoustical depth and the redemptive possibilities that lie beyond the surface elements of filmic narrative or musical style, showing us what a truly global view of late twentieth-century music in its manifold cultural and social contexts might be like.

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This lively and entertaining revisionist history of rock music after 1970 reconsiders the roles of two genres, heavy metal and punk. Instead of considering metal and punk as aesthetically opposed to each other, Steve Waksman breaks new ground by showing that a profound connection exists between them. Metal and punk enjoyed a charged, intimate relationship that informed both genres in terms of sound, image, and discourse. "This Ain't the Summer of Love" traces this connection back to the early 1970s, when metal first asserted its identity and punk arose independently as an ideal about what rock should be and could become, and upends established interpretations of metal and punk and their place in rock history.

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In a riveting first-person account, Todd Ramon Ochoa explores Palo, a Kongo-inspired 'society of affliction' that is poorly understood at the margins of Cuban popular religion. Narrated as an encounter with two teachers of Palo, the book unfolds on the outskirts of Havana as it recounts Ochoa's attempts to assimilate Palo praise of the dead. As he comes to terms with a world in which everyday events and materials are composed of the dead, Ochoa discovers in Palo unexpected resources for understanding the relationship between matter and spirit, for rethinking anthropology's rendering of sorcery, and for representing the play of power in Cuban society. The first fully detailed treatment of the world of Palo, "Society of the Dead" draws upon recent critiques of Western metaphysics as it reveals what this little known practice can tell us about sensation, transformation, and redemption in the Black Atlantic.

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In this highly original history of the world's most famous bicycle race, Christopher S. Thompson, mining previously neglected sources and writing with infectious enthusiasm for his subject, tells the compelling story of the Tour de France from its creation in 1903 to the present. Weaving the words of racers, politicians, Tour organizers, and a host of other commentators together with a wide-ranging analysis of the culture surrounding the event - including posters, songs, novels, films, and media coverage - Thompson links the history of the Tour to key moments and themes in French history. Examining the enduring popularity of Tour racers, Thompson explores how their public images have changed over the past century. A new preface explores the long-standing problem of doping in light of recent scandals.

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This magnificently produced atlas provides a unique visual survey of the profound economic, political, and social changes taking place in China, as well as their implications for the world at large. China has the world's fastest-growing economy and is the second-largest trading nation. With its pro-entrepreneurial outlook and population of 1.3 billion, it offers unique opportunities for domestic and overseas investors. This dynamic volume provides an abundance of information on China's new wealth, growing unemployment, mass migration to the cities, and trade disputes. The book is completely revised and updated: vivid full-color maps convey a wealth of information quickly and efficiently. It offers comprehensive information on China's population, employment, agriculture, industry, and economics.

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This book tells the story of the influential group of creative artists - Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin - who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco 'scene', the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center.

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Walt Disney (1901-1966) was one of the most significant creative forces of the twentieth century, a man who made a lasting impact on the art of the animated film, the history of American business, and the evolution of twentieth-century American culture. He was both a creative visionary and a dynamic entrepreneur, roles whose demands he often could not reconcile. In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects. A consummate storyteller, Barrier describes how Disney transformed himself from Midwestern farm boy to scrambling young businessman to pioneering artist and, finally, to entrepreneur on a grand scale.Barrier describes in absorbing detail how Disney synchronized sound with animation in "Steamboat Willie"; created in "Snow White and the Seven Dwarfs" sympathetic cartoon characters whose appeal rivaled that of the best live-action performers; grasped television's true potential as an unparalleled promotional device; and - not least - parlayed a backyard railroad into the Disneyland juggernaut. Based on decades of painstaking research in the Disney studio's archives and dozens of public and private archives in the United States and Europe, "The Animated Man" offers freshly documented and illuminating accounts of Disney's childhood and young adulthood in rural Missouri and Kansas City. It sheds new light on such crucial episodes in Disney's life as the devastating 1941 strike at his studio, when his ambitions as artist and entrepreneur first came into serious conflict.Beginning in 1969, two and a half years after Disney's death, Barrier recorded long interviews with more than 150 people who worked alongside Disney, some as early as 1922. Now almost all deceased, only a few were ever interviewed for other books. Barrier juxtaposes Disney's own recollections against the memories of those other players to great effect. What emerges is a portrait of Walt Disney as a flawed but fascinating artist, one whose imaginative leaps allowed him to vault ahead of the competition and produce work that even today commands the attention of audiences worldwide.

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Pericles, Greece's greatest statesman and the leader of its Golden Age, created the Parthenon and championed democracy in Athens and beyond. Centuries of praise have endowed him with the powers of a demigod, but what did his friends, associates, and fellow citizens think of him? In "Pericles: A Sourcebook and Reader", Stephen V. Tracy visits the fifth century B.C. to find out. Tracy compiles and translates the scattered, elusive primary sources relating to Pericles. He brings Athens' political atmosphere to life with archaeological evidence and the accounts of those close to Pericles, including Thucydides, Aristophanes, Herodotus, Protagoras, Sophocles, Lysias, Xenophon, Plato, and Plutarch. Readers will discover Pericles as a formidable politician, a persuasive and inspiring orator, and a man full of human contradictions.

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'Big things are happening secretly all around,' says Jack London's prescient hero Ernest Everhard in the 1908 novel "The Iron Heel," excerpted in this timely anthology of London's writings about war and revolution. Besides illuminating his surprising literary range, "The Radical Jack London" establishes the iconic American author as both a product of his own era and a significant voice for ours. The book features works by London that have been unavailable for decades. In his insightful introduction, editor Jonah Raskin lays out the social, economic, and political contexts for London's polemical writings and shows London to be America's leading revolutionary writer at the turn of the twentieth century.

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This groundbreaking volume, written entirely by women, examines the vastly misunderstood and multilayered world of the veil. Veiling - of women, of men, and of sacred places and objects - has existed in countless cultures and religions from time immemorial. Today, veiling is a globally polarizing issue, a locus for the struggle between Islam and the West and between contemporary and traditional interpretations of Islam. But veiling was a practice long before Islam and still extends far beyond the Middle East. This book explores and examines the cultures, politics, and histories of veiling. Twenty-one gifted writers and scholars, representing a wide range of societies, religions, ages, locations, races, and accomplishments, here elucidate, challenge, and/or praise the practice. Expertly organized and introduced by Jennifer Heath, who also writes on male veiling, the essays are arranged in three parts: the veil as an expression of the sacred; the veil as it relates to the emotional and the sensual; and, the veil in its sociopolitical aspects. This unique, dynamic, and insightful volume is illustrated throughout. It brings together a multiplicity of thought and experience, much of it personal, to make readily accessible a difficult and controversial subject. The contributors include Kecia Ali, Michelle Auerbach, Sarah C. Bell, Barbara Goldman Carrel, Eve Grubin, Roxanne Kamayani Gupta, Jana M. Hawley, Jasbir Jain, Mohja Kahf, Laurene Lafontaine, Shireen Malik, Maliha Masood, Marjane Satrapi, Aisha Shaheed, Rita Stephan, Pamela K. Taylor, Ashraf Zahedi, Dinah Zeiger, and Sherifa Zuhur.

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This book develops a theory and framework to describe how archaeology can contribute to a more humane world. Recognizing that archaeology is an inherently political activity, Randall H. McGuire builds on the history of archaeological theory and Marxist dialectical theory to point out how archaeologists can use their craft to evaluate interpretations of the real world, construct meaningful histories for communities, and challenge the persistent legacies of colonialism and class struggle. McGuire bases his discussion on his own extensive fieldwork in the United States and Mexico, citing fascinating case studies to develop the idea of archaeology as a class-based endeavor.

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"The Decline of Sentiment" seeks to characterize the radical shifts in taste that transformed American film in the jazz age. Based upon extensive reading of trade papers and the popular press of the day, Lea Jacobs documents the films and film genres that were considered old-fashioned, as well as those dubbed innovative and up-to-date, and looks closely at the works of filmmakers such as Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, and Monta Bell, among many others. Her analysis - focusing on the influence of literary naturalism on the cinema, the emergence of sophisticated comedy, and the progressive alteration of the male adventure story and the seduction plot - is a comprehensive account of the modernization of classical Hollywood film style and narrative form.

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Many writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In "Moby-Dick," he not only ventured to fashion a grand new inverted Bible in which biblical rebels and outcasts assume center stage, but also aspired to comment on every imaginable mode of biblical interpretation, calling for a radical reconsideration of the politics of biblical reception. In "Melville's Bibles," Pardes traces Melville's response to a whole array of nineteenth-century exegetical writings -literary scriptures, biblical scholarship, Holy Land travel narratives, political sermons, and women's bibles. She shows how Melville raised with unparalleled verve the question of what counts as Bible and what counts as interpretation.

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Clear, comprehensive, and well-balanced, this unique assessment takes the measure of what is arguably the most important geopolitical change in today's world: the growth of China's power. In the only book on the subject to be based on extensive interviews with elite political leaders, diplomats, and others in China, the United States, and countries on China's periphery, David M. Lampton investigates the military, economic, and intellectual dimensions of China's growing influence.His account provides a fresh perspective from which to assess China - how its strengths are changing, where vulnerabilities and uncertainties lie, and how the rest of the world, not least the United States, should view it. Lampton gives a valuable historical framework by discussing how the Chinese have thought about state power for over 2,500 years, and he asks how they are thinking about the future use of power through instruments such as their space program. He also provides broad suggestions for policy toward China in light of the 2008 elections in the United States and China's hosting of the Olympic Games, in a book that is essential reading for understanding one of the most significant developments of the twenty-first century.

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In "Who Is Knowledgeable Is Strong", Cyrus Schayegh tells two intertwined stories: how, in early twentieth-century Iran, an emerging middle class used modern scientific knowledge as its cultural and economic capital, and how, along with the state, it employed biomedical sciences to tackle presumably modern problems like the increasing stress of everyday life, people's defective willpower, and demographic stagnation. The book examines the ways by which scientific knowledge allowed the Iranian modernists to socially differentiate themselves from society at large and, at the very same time, to intervene in it. In so doing, it argues that both class formation and social reform emerged at the interstices of local Iranian and Western-dominated global contexts and concerns.

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A quiet revolution in knowledge separated the early modern period in Japan from all previous time. After 1600, self-appointed investigators used the model of the land and cartographic surveys of the newly unified state to observe and order subjects such as agronomy, medicine, gastronomy, commerce, travel, and entertainment. They subsequently circulated their findings through a variety of commercially printed texts: maps, gazetteers, family encyclopedias, urban directories, travel guides, official personnel rosters, and instruction manuals for everything from farming to lovemaking. In this original and gracefully written book, Mary Elizabeth Berry considers the social processes that drove the information explosion of the 1600s. Inviting readers to examine the contours and meanings of this transformation, Berry provides a fascinating account of the conversion of the public from an object of state surveillance into a subject of self-knowledge. "Japan in Print" shows how, as investigators collected and disseminated richly diverse data, they came to presume in their audience a standard of cultural literacy that changed anonymous consumers into an 'us' bound by common frames of reference. This shared space of knowledge made society visible to itself and in the process subverted notions of status hierarchy. Berry demonstrates that the new public texts projected a national collectivity characterized by universal access to markets, mobility, sociability, and self-fashioning.

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When "The Dinosauria" was first published more than a decade ago, it was hailed as 'the best scholarly reference work available on dinosaurs' and 'an historically unparalleled compendium of information.' This second, fully revised edition continues in the same vein as the first but encompasses the recent spectacular discoveries that have continued to revolutionize the field. A state-of-the-science view of current world research, the volume includes comprehensive coverage of dinosaur systematics, reproduction, and life history strategies, biogeography, taphonomy, paleoecology, thermoregulation, and extinction. Its internationally renowned authors - forty-four specialists on the various members of the Dinosauria - contribute definitive descriptions and illustrations of these magnificent Mesozoic beasts. The first section of "The Dinosauria" begins with the origin of the great clade of these fascinating reptiles, followed by separate coverage of each major dinosaur taxon, including the Mesozoic radiation of birds. The second part of the volume navigates through broad areas of interest. Here we find comprehensive documentation of dinosaur distribution through time and space, discussion of the interface between geology and biology, and the paleoecological inferences that can be made through this link. This new edition will be the benchmark reference for everyone who needs authoritative information on dinosaurs.

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Since the late 1980s, queer studies and theory have become vital to the intellectual and political life of the United States. This has been due, in no small degree, to the influence of Eve Kosofsky Sedgwick's critically acclaimed "Epistemology of the Closet". Working from classic texts of European and American writers - including Melville, James, Nietzsche, Proust, and Wilde -Sedgwick analyzes a turn-of-the-century historical moment in which sexual orientation became as important a demarcation of personhood as gender had been for centuries. In her preface to this updated edition Sedgwick places the book both personally and historically, looking specifically at the horror of the first wave of the AIDS epidemic and its influence on the text.

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"The Argonautika", the only surviving epic of the Hellenistic era, is a retelling of the tale of Jason and the Golden Fleece, probably the oldest extant Greek myth. Peter Green's lively, readable verse translation captures the swift narrative movement of Apollonios' epic Greek. This expanded paperback edition contains Green's incisive commentary, introduction, and glossary. Alternate spelling: Argonautica, Apollonius Rhodius.

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A nutritional whodunit that takes readers from Greenland to Africa to Israel, "The Queen of Fats" gives a fascinating account of how we have become deficient in a nutrient that is essential for good health: the fatty acids known as omega-3s. Writing with intelligence and passion, Susan Allport tells the story of these vital fats, which are abundant in greens and fish, among other foods. She describes how scientists came to understand the role of omega-3s in our diet, why commercial processing has removed them from the food we eat, and what the tremendous consequences have been for our health. In many Western countries, epidemics of inflammatory diseases and metabolic disorders have been traced to omega-3 deficiencies. "The Queen of Fats" provides information for every consumer who wants to reduce the risk of heart disease, cancer, arthritis, and obesity and to improve brain function and overall health. This important and compelling investigation into the discovery, science, and politics of omega-3s will transform our thinking about what we should be eating. It: includes steps you can take to add omega-3s to your diet; shows why eating fish is not the only way, or even the best way, to increase omega-3s; provides a new way to understand the complex advice about the role and importance of fats in the body; explains how and why the food industry has created a deadly imbalance of fats in our foods; and, shows how omega-3s can be reintroduced to our diet through food enrichment and changes in the feeding of livestock.

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An unprecedented passion for saving lives swept through late Ming society, giving rise to charitable institutions that transcended family, class, and religious boundaries. Analyzing lecture transcripts, administrative guidelines, didactic tales, and diaries, Joanna Handlin Smith abandons the facile explanation that charity was a response to poverty and social unrest and examines the social and economic changes that stimulated the fervor for doing good. With an eye for telling details and a finesse in weaving the voices of her subjects into her narrative, Smith brings to life the hard choices that five men faced when deciding whom to help, how to organize charitable distributions, and how to balance their communities' needs against the interests of family and self.She thus shifts attention from tired questions about whether the Chinese had a tradition of charity (they did) to analyzing the nature of charity itself. Skillfully organized and engaging, "The Art of Doing Good" moves from discussions about moral leadership and beliefs to scrutiny of the daily operation of soup kitchens and medical dispensaries, and from examining local society to generalizing about the just use of resources and the role of social networks in charitable giving. Smith's work will transform our thinking about the boundaries between social classes in late imperial China and about charity in general.

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Looking at painting and sculpture from the fourteenth through the eighteenth centuries, this provocative work focuses on the symbolism of the female breast to open a dazzling interpretive view of Western European history over four centuries. Margaret R. Miles finds that while in 1350 the Virgin's bare breast represented nourishment and loving care - God's provision for the Christian - by 1750, artistic representations of the breast were either erotic or medical. The breast had lost its meaning as a religious symbol. But how did the breast, and nakedness more generally, lose the ability to represent human bodies as site and symbol of religious subjectivity and commitment? To explore this phenomenon, Miles engages in a wide-ranging investigation of the social, cultural, and religious circumstances within which a religious symbol came to be thoroughly "mastered" by erotic and medical meanings. What emerges is a nuanced understanding of the location of power in early modern Western Europe, of how the lives of women changed over this period, of how art reveals and helps to construct religious meaning, and of how modern Christianity's attitude toward bodies was shaped.

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Featuring more than two hundred in-depth winery profiles, this definitive guide is the best single source of information on world-renowned pinot noirs from California and Oregon. Drawing on his encyclopedic knowledge of a grape variety considered by many to produce the ultimate food wine, John Winthrop Haeger offers this expanded, updated companion volume to his award-winning "North American Pinot Noir". Here, with three times the number of winery profiles, he focuses exclusively on what he calls the Pacific Pinot Zone, stretching from the mouth of the Columbia River in Oregon to Santa Barbara in California and extending up to thirty miles inland.An introductory essay provides an indispensable view of pinot noir in the United States - including the dramatic effect that the movie Sideways has had on its sales and production. "Pacific Pinot Noir" features: detailed descriptive tasting notes and selected vertical tastings; at-a-glance graphics conveying information on tasting rooms, prices, and production for each winery; regional maps showing key viticultural areas; and, contact information for each winery.

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Ronnie Gilbert had a long and colorful career as a singer, actor, playwright, therapist, and independent woman. Her lifelong work for political and social change was central to her role as a performer. Raised in Depression-era New York City by leftist, working-class, secular Jewish parents, Gilbert is best known as a member of the Weavers, the quartet of the 1950s and '60s that survived the blacklist and helped popularize folk music in America. Her joyous contralto and vibrant stage presence enriched the celebrated group and propelled Gilbert into a second singing career with Holly Near in the 1980s and '90s. As an actor, Gilbert explored developmental theater with Joseph Chaikin and Peter Brook and wrote and performed in ensemble and solo productions across the United States and Canada. Ronnie Gilbert brings the political, artistic, and social issues of the era alive through song lyrics and personal stories, traversing sixty years of collaborations in life and art that span the folk revival, the Cold War blacklist, primal therapy, the back-to-the-land movement, and a rich, multigenerational family story. Much more than a memoir, Ronnie Gilbert is a unique and engaging historical document for readers interested in music, theater, American politics, the women's movement, and left-wing activism.

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Looking up at mountains, people now see bare, dark rock where white snow and ice once stood - dramatic evidence of the accelerating pace of glacier retreat due to climate change. This groundbreaking work is the first to provide an integrated, multidisciplinary, global exploration of the scientific, social, and economic dimensions of this phenomenon. Bringing together contributors from five continents, "Darkening Peaks" discusses the ways that scientists have observed and modeled glaciers, tells how climate change is altering their size and distribution, and looks closely at their effect on human life.

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This multi-layered history of a horrific famine that took place in late-nineteenth-century China focuses on cultural responses to trauma. The massive drought/famine that killed at least ten million people in north China during the late 1870s remains one of China's most severe disasters and provides a vivid window through which to study the social side of a nation's tragedy. Kathryn Edgerton-Tarpley's original approach explores an array of new source materials, including songs, poems, stele inscriptions, folklore, and oral accounts of the famine from Shanxi Province, its epicenter. She juxtaposes these narratives with central government, treaty-port, and foreign debates over the meaning of the events and shows how the famine, which occurred during a period of deepening national crisis, elicited widely divergent reactions from different levels of Chinese society.

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This original and compelling book places the body at the center of cinema's first decade of emergence and challenges the idea that for early audiences, the new medium's fascination rested on visual spectacle for its own sake. Instead, as Jonathan Auerbach argues, it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, Auerbach begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display - both exceptional figures, such as 1896 presidential candidate William McKinley, and ordinary people caught by the movie camera in their daily routines. The result is a sharp, unique, and groundbreaking way to consider the turn-of-the-twentieth-century American incarnation of cinema itself.

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From his stunning discovery of Tyrannosaurus rex one hundred years ago to the dozens of other important new dinosaur species he found, Barnum Brown led a remarkable life (1873-1963), spending most of it searching for fossils - and sometimes oil - in every corner of the globe. One of the most famous scientists in the world during the middle of the twentieth century, Brown - who lived fast, dressed to the nines, gambled, drank, smoked, and was known as a ladies' man - became as legendary as the dinosaurs he uncovered. Barnum Brown brushes off the loose sediment to reveal the man behind the legend. Drawing on Brown's field correspondence and unpublished notes, and on the writings of his daughter and his two wives, it discloses for the first time details about his life and travels - from his youth on the western frontier to his spying for the U.S. government under cover of his expeditions. This absorbing biography also takes full measure of Brown's extensive scientific accomplishments, making it the definitive account of the life and times of a singular man and a superlative fossil hunter.

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How and why is Christianity's center of gravity shifting to the developing world? To understand this rapidly growing phenomenon, Donald E. Miller and Tetsunao Yamamori spent four years traveling the globe conducting extensive on-the-ground research in twenty different countries in Africa, Asia, Latin America, and Europe. The result is this vividly detailed book and accompanying online material, which together contain the most comprehensive information available on Pentecostalism, the fastest-growing religion in the world. Rich with scenes from everyday life, Miller and Yamamori dispel many stereotypes about this religion as they build a wide-ranging, nuanced portrait of a major new social movement. The online ancillary material features footage of Pentecostal religious worship, testimony, and social activism, and includes interviews with Pentecostal pastors and leaders from around the world.

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This groundbreaking book presents a global perspective on the history of forced migration over three centuries and illuminates the centrality of these vast movements of people in the making of the modern world. Highly original essays from renowned international scholars trace the history of slaves, indentured servants, transported convicts, bonded soldiers, trafficked women, and coolie and Kanaka labor across the Pacific, Indian, and Atlantic Oceans. They depict the cruelty of the captivity, torture, terror, and death involved in the shipping of human cargo over the waterways of the world, which continues unabated to this day. At the same time, these essays highlight the forms of resistance and cultural creativity that have emerged from this violent history. Together, the essays accomplish what no single author could provide: a truly global context for understanding the experience of men, women, and children forced into the violent and alienating experience of bonded labor in a strange new world. This pioneering volume also begins to chart a new role of the sea as a key site where history is made.

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The unique arts-and-crafts tradition of the American Southwest illuminates this economic and social history of colonial New Mexico, casting new light on the development of New Mexico's Hispanic community and its changing relationship with Pueblo Indians. Ross Frank's analysis of Pueblo Indian pottery, Pueblo and Spanish blankets, and Spanish religious images - or santos - links economic change to social and cultural change in this region. Using these cultural artifacts to gauge shifts in power and status, Frank charts the creation of a culturally innovative and dominating Hispanic settler - or vecino - community during the final decades of the eighteenth century. Contrary to previous views of this period as an economic backwater, Frank shows that Spanish New Mexico instead experienced growth that tied the region closely to colonial economic reforms of the Spanish empire. The resulting economic boom dramatically altered the balance of power between the Spanish settlers and the Pueblo Indians, giving the vecinos the incentive and the means to exploit their Pueblo Indian neighbors. Frank shows that the vecinos used different strategies to take control of the Pueblo textile and pottery trade. The Hispanic community began to define its cultural identity through the economic and social subordination of the Pueblo Indians. Connecting economic change to powerful cultural and social changes, Frank provides a new understanding of this 'borderlands' region of northern New Spain in relatoin to the Spanish colonial history of Mexico. At the same time, "From Settler to Citizen" recovers the previously unexplored history of an important Hispanic community.

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Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. His writing articulated the intent of the New York school - Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Franz Kline, Arshile Gorky, and others - during a period when their work was often reviled for its departure from traditional representation. As founder of the "Documents of Modern Art" series (later renamed the "Documents of Twentieth-Century Art"), Motherwell gave modern artists a voice at a time when very few people understood their theories or work. This authoritative new edition of the artist's writings about art includes public lectures, essays, and interviews. Impeccably edited, with an informative introductory essay and rigorous annotation, it is illustrated with black-and-white images that elucidate Motherwell's writings.

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In this provocative and lively addition to his acclaimed writings on food, Warren Belasco takes a sweeping look at a little-explored yet timely topic: humanity's deep-rooted anxiety about the future of food. People have expressed their worries about the future of the food supply in myriad ways, and here Belasco explores a fascinating array of material ranging over two hundred years - from futuristic novels and films to world's fairs, Disney amusement parks, supermarket and restaurant architecture, organic farmers' markets, debates over genetic engineering, and more. Placing food issues in this deep historical context, he provides an innovative framework for understanding the future of food today - when new prophets warn us against complacency at the same time that new technologies offer promising solutions. But will our grandchildren's grandchildren enjoy the cornucopian bounty most of us take for granted? This first history of the future to put food at the center of the story provides an intriguing perspective on this question for anyone - from general readers to policy analysts, historians, and students of the future - who has wondered about the future of life's most basic requirement.

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The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward.

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In this compelling study of machismo in Mexico City, Matthew Gutmann overturns many stereotypes of male culture in Mexico and offers a sensitive and often surprising look at how Mexican men see themselves, parent their children, relate to women, and talk about sex. This tenth anniversary edition features a new preface that updates the stories of the book's key protagonists.

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"Music Divided" explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary's most renowned twentieth-century composer, Bela Bartok. She shows how a tense period of political transition plagued Bartok's music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartok's reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions. "Music Divided" surveys Bartok's role in provoking negative reactions to 'accessible' music from Pierre Boulez, Hermann Scherchen, and Theodor Adorno. It considers Bartok's influence on the youthful compositions and thinking of Bruno Maderna and Karlheinz Stockhausen, and it outlines Bartok's legacy in the music of the Hungarian composers Andras Mihaly, Ferenc Szabo, and Endre Szervanszky. These details reveal the impact of local and international politics on the selection of music for concert and radio programs, on composers' choices about musical style, on government radio propaganda about music, on the development of socialist realism, and on the use of modernism as an instrument of political action.

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Clear, comprehensive, and well-balanced, this unique assessment takes the measure of what is arguably the most important geopolitical change in today's world: the growth of China's power. In the only book on the subject to be based on extensive interviews with elite political leaders, diplomats, and others in China, the United States, and countries on China's periphery, David M. Lampton investigates the military, economic, and intellectual dimensions of China's growing influence. His account provides a fresh perspective from which to assess China - how its strengths are changing, where vulnerabilities and uncertainties lie, and how the rest of the world, not least the United States, should view it.Lampton gives a valuable historical framework by discussing how the Chinese have thought about state power for over 2,500 years, and he asks how they are thinking about the future use of power through instruments such as their space program. He also provides broad suggestions for policy toward China in light of the 2008 elections in the United States and China's hosting of the Olympic Games, in a book that is essential reading for understanding one of the most significant developments of the twenty-first century.

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Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. "Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.

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Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as 'experience'. Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. "Songs of Experience" is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its sweeping historical reach and lucid comparative analysis - qualities that have made Martin Jay's previous books so distinctive and so successful - "Songs of Experience" explores Western discourse from the sixteenth century to the present, asking why the concept of experience has been such a magnet for controversy. Resisting any single overarching narrative, Jay discovers themes and patterns that transcend individuals and particular schools of thought and illuminate the entire spectrum of intellectual history. As he explores the manifold contexts for understanding experience - epistemological, religious, aesthetic, political, and historical - Jay engages an exceptionally broad range of European and American traditions and thinkers from the American pragmatists and British Marxist humanists to the Frankfurt School and the French poststructuralists, and he delves into the thought of individual philosophers as well, including Montaigne, Bacon, Locke, Hume and Kant, Oakeshott, Collingwood, and Ankersmit. Provocative, engaging, erudite, this key work will be an essential source for anyone who joins the ongoing debate about the material, linguistic, cultural, and theoretical meaning of 'experience' in modern cultures.

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This splendidly illustrated book brings to life the ancient Romans whom modern scholarship has largely ignored: slaves, ex-slaves, foreigners, and the freeborn working poor. Though they had no access to the upper echelons of society, ordinary Romans enlivened their world with all manner of artworks. Discussing a wide range of art in the late republic and early empire--from familiar monuments to the obscure Caupona of Salvius and little-studied tomb reliefs--John R. Clarke provides a tantalizing glimpse into the lives of ordinary Roman people. Writing for a wide audience, he illuminates the dynamics of a discerning and sophisticated population, overturning much accepted wisdom about them, and opening our eyes to their astounding cultural diversity. Clarke begins by asking: How did emperors use monumental displays to communicate their policies to ordinary people? His innovative readings demonstrate how the Ara Pacis, the columns of Trajan and of Marcus Aurelius, and the Arch of Constantine announced each dynasty's program for handling the lower classes. Clarke then considers art commissioned by the non-elites themselves--the paintings, mosaics, and reliefs that decorated their homes, shops, taverns, and tombstones. In a series of paintings from taverns and houses, for instance, he uncovers wickedly funny combinations of text and image used by ordinary Romans to poke fun at elite pretensions in art, philosophy, and poetry. In addition to providing perceptive readings of many works of Roman art, this original and entertaining book demonstrates why historians must recognize, rather than erase, complexity and contradiction and asks new questions about class, culture, and social regulation that are highly relevant in today's global culture.

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Monitoring changes in the intertidal zone of rocky shores has never been more critical. This sensitive habitat at the interface of land and ocean may well be the marine equivalent of the canary in a coal mine as we advance into an era of global climate change. This handbook describes effective methods and procedures for monitoring the ecological and environmental status of these areas. Written by three collaborating authors with extensive field experience, it provides critical discussions and evaluation of the various sampling techniques and field procedures for studies of intertidal macroinvertebrates, seaweeds, and seagrasses. Rather than prescribing standard protocols or procedures, the authors break down the decision-making process into various elements so investigators can become aware of the advantages and disadvantages of choosing a particular method or approach. Chapters discuss topics such as site selection, field sampling layouts and designs, selection of sampling units, nondestructive and destructive methods of quantifying abundance, and methods for measuring age, growth rates, size, structure, and reproductive condition.

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In 1935, a Chinese woman by the name of Shi Jianqiao murdered the notorious warlord Sun Chuanfang as he prayed in a Buddhist temple. This riveting work of history examines this well-publicized crime and the highly sensationalized trial of the killer. In a fascinating investigation of the media, political, and judicial records surrounding this cause celebre, Eugenia Lean shows how Shi Jianqiao planned not only to avenge the death of her father, but also to attract media attention and galvanize public support. Lean traces the rise of a new sentiment - "public sympathy" - in early twentieth-century China, a sentiment that ultimately served to exonerate the assassin. The book sheds new light on the political significance of emotions, the powerful influence of sensational media, modern law in China, and the gendered nature of modernity.

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In this powerful and evocative narrative, Gail Lee Bernstein vividly re-creates the past three centuries of Japanese history by following the fortunes of a prominent Japanese family over fourteen generations. The first of its kind in English, this book focuses on Isami, the eleventh generation patriarch and hereditary village head. Weaving back and forth between Isami's time in the first half of the twentieth century and his ancestors' lives in the Tokugawa and Meiji eras, Bernstein uses family history to convey a broad panoply of social life in Japan since the late 1600s. As the story unfolds, she provides remarkable details and absorbing anecdotes about food, famines, peasant uprisings, agrarian values, marriage customs, child-rearing practices, divorces, and social networks. Isami's House describes the role of rural elites, the architecture of Japanese homes, the grooming of children for middle-class life in Tokyo, the experiences of the Japanese in Japan's wartime empire and on the homefront, the aftermath of the country's defeat, and, finally, the efforts of family members to rebuild their lives after the Occupation. The author's forty-year friendship with members of the family lends a unique intimacy to her portrayal of their history. Readers come away with an inside view of Japanese family life, a vivid picture of early modern and modern times, and a profound understanding of how villagers were transformed into urbanites and what was gained, and lost, in the process.

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The political upheaval in Nicaragua, El Salvador, and Guatemala had a devastating human toll at the end of the twentieth century. A quarter of a million people died during the period 1974-1996. Many of those who survived the wars chose temporary refuge in neighboring countries such as Honduras and Costa Rica. Others traveled far north, to Mexico, the United States, and Canada in search of safety. Over two million of those who fled Central America during this period settled in these three countries. In this incisive book, Maria Cristina Garcia tells the story of that migration and how domestic and foreign policy interests shaped the asylum policies of Mexico, the United States, and Canada. She describes the experiences of the individuals and non-governmental organizations - primarily church groups and human rights organizations - that responded to the refugee crisis, and worked within and across borders to shape refugee policy.These transnational advocacy networks collected testimonies, documented the abuses of states, re-framed national debates about immigration, pressed for changes in policy, and ultimately provided a voice for the displaced. Garcia concludes by addressing the legacies of the Central American refugee crisis, especially recent attempts to coordinate a regional response to the unique problems presented by immigrants and refugees - and the challenges of coordinating such a regional response in the post-9/11 era.

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Written as a cultural weapon and a call to arms, Howl touched a raw nerve in Cold War America and has been controversial from the day it was first read aloud nearly fifty years ago. This first full critical and historical study of Howl brilliantly elucidates the nexus of politics and literature in which it was written and gives striking new portraits of Allen Ginsberg, Jack Kerouac, and William Burroughs. Drawing from newly released psychiatric reports on Ginsberg, from interviews with his psychiatrist, Dr. Philip Hicks, and from the poet's journals, "American Scream" shows how Howl brought Ginsberg and the world out of the closet of a repressive society. It also gives the first full accounting of the literary figures - Eliot, Rimbaud, and Whitman - who influenced Howl, definitively placing it in the tradition of twentieth-century American poetry for the first time. As he follows the genesis and the evolution of Howl, Jonah Raskin constructs a vivid picture of a poet and an era. He illuminates the development of Beat poetry in New York and San Francisco in the 1950s - focusing on historic occasions such as the first reading of Howl at Six Gallery in San Francisco in 1955 and the obscenity trial over the poem's publication. He looks closely at Ginsberg's life, including his relationships with his parents, friends, and mentors, while he was writing the poem and uses this material to illuminate the themes of madness, nakedness, and secrecy that pervade Howl. A captivating look at the cultural climate of the Cold War and at a great American poet, "American Scream" finally tells the full story of Howl--a rousing manifesto for a generation and a classic of twentieth-century literature.

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Wendy Kline's lucid cultural history of eugenics in America emphasizes the movement's central, continuing interaction with popular notions of gender and morality. Kline shows how eugenics could seem a viable solution to problems of moral disorder and sexuality, especially female sexuality, during the first half of the twentieth century. Its appeal to social conscience and shared desires to strengthen the family and civilization sparked widespread public as well as scientific interest. Kline traces this growing public interest by looking at a variety of sources, including the astonishing "morality masque" that climaxed the 1915 Panama Pacific International Exposition; the nationwide correspondence of the influential Human Betterment Foundation in Pasadena, California; the medical and patient records of a "model" state institution that sterilized thousands of allegedly feebleminded women in California between 1900 and 1960; the surprising political and popular support for sterilization that survived initial interest in, and then disassociation from, Nazi eugenics policies; and a widely publicized court case in 1936 involving the sterilization of a wealthy young woman deemed unworthy by her mother of having children. Kline's engaging account reflects the shift from "negative eugenics" (preventing procreation of the "unfit") to "positive eugenics," which encouraged procreation of the "fit," and it reveals that the "golden age" of eugenics actually occurred long after most historians claim the movement had vanished. The middle-class "passion for parenthood" in the '50s had its roots, she finds, in the positive eugenics campaign of the '30s and '40s. Many issues that originated in the eugenics movement remain controversial today, such as the use of IQ testing, the medical ethics of sterilization, the moral and legal implications of cloning and genetic screening, and even the debate on family values

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This innovative volume is the first collective effort by archaeologists and ethnographers to use concepts and models from human behavioral ecology to explore one of the most consequential transitions in human history: the origins of agriculture. Carefully balancing theory and detailed empirical study, and drawing from a series of ethnographic and archaeological case studies from eleven locations - including North and South America, Mesoamerica, Europe, the Near East, Africa, and the Pacific - the contributors to this volume examine the transition from hunting and gathering to farming and herding using a broad set of analytical models and concepts. These include diet breadth, central place foraging, ideal free distribution, discounting, risk sensitivity, population ecology, and costly signaling. An introductory chapter both charts the basics of the theory and notes areas of rapid advance in our understanding of how human subsistence systems evolve. Two concluding chapters by senior archaeologists reflect on the potential for human behavioral ecology to explain domestication and the transition from foraging to farming.

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In one of the most thorough studies ever prepared of a California language, Hill's grammar reviews the phonology, morphology, syntax and discourse features of Cupeno, a Uto-Aztecan (takic) language of California. Cupeno exhibits many unusual typological features, including split ergativity, that require linguists to revise our understanding of the development of the Uto-Aztecan family of languages in historical and areal perspective.

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