Search results for ""milan""

Consonant with its commitment to publish seminal works in the field of canon law, St. Augustine's Press is pleased to make available the first volume in a series that will undoubtedly endure as a masterpiece of scholarship. Carlos José Errázuriz, Professor of Canon Law at the Pontifical University of the Holy Cross (Rome) has provided a comprehensive and insightful treatment of rights, justice, and law in the Catholic Church, beginning with the most basic questions regarding the essence of these realities. His responses exhibit the perspective of that which is just in the Church, which consists of ecclesial juridical goods: the Word of God, the sacraments, the freedom of the children of God, and sacred potestas. This work vindicates the institution of law, but also addresses the "spontaneity" of just freedom proper to what has been instituted by Christ. Errázuriz presents more than the current Code of Canon Law. He instills a realistic perspective of right and law in the Church, and in so doing fills a massive gap in English scholarship. No introduction to canon law available in English rivals Errázuriz's description of justice in the Church and its relationship with communion and sacramentality. Volume I is comprised of the first three chapters of the original, Corso fondamentale sul diritto nella Chiesa (in two volumes, Giuffrè: Milan, 2009 and 2017): "Rights, Justice and Law in the Church," "Canon Law in History," and "The Configuration of Rights and Law in the Church."

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Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as Domus and Casabella, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers' cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers' vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the “Modern Project.” The book also discusses Roger's willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time. With a foreword by Kenneth Frampton.

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Naomi Rosenblum (1925–2021) was the leading historian of photography in her lifetime. Her two major books, A World History of Photography and A History of Women Photographers, furthered the recognition of photography as a central art form of the 20th century, and one in which women played a critical role. Rosenblum’s deep knowledge and remarkable eye are evident in the collection of photography that she and her family built in her lifetime. This beautifully designed volume, conceived by Naomi and her daughters, Nina and Lisa, marks the first publication of the family’s exceptional collection, which is focused on work that combines aesthetic considerations with humanist values. The photographers represented range from pioneers like Alfred Stieglitz, Margaret Bourke-White, Dorothea Lange, Lewis Hine, Paul Strand (the subject of Naomi Rosenblum’s doctoral dissertation), and her husband, Walter Rosenblum, to acclaimed contemporary practitioners including Mary Ellen Mark, Ming Smith, and Sebastião Salgado. The collection is intergenerational and also includes important examples of 20th century sculpture by such artists as Lynn Chadwick and Barry Flanagan. Essays by several distinguished contributors - including artist and scholar Deborah Willis; curator Barbara Tannenbaum; Milan-based curator and writer Enrica Viganò; and editor and writer Diana C. Stoll - celebrate and elucidate Naomi Rosenblum’s life and career. A Humanist Vision is both a fitting tribute to a path breaking scholar and a contribution to the photographic literature in its own right.

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The return of the famous shared-world superhero books created and edited by George R. R. Martin, author of the A Song of Ice and Fire series. The American Triad Series #1: Mississippi Roll #2: Low Chicago #3: Texas Hold 'Em WILD CARDS, MEET WILD WEST Following World War II, the Earth’s population was devastated by a terrifying alien virus. Those who survived were changed forever. Some, known as Jokers, were cursed with bizarre mental and physical abnormalities; others, granted superhuman abilities, are the lucky few known as Aces. San Antonio, home of the Alamo, is also host to the USA’s top high school jazz competition, and the musicians at Xavier Desmond High are excited to outplay their rivals. But they are also Jokers: kids with superabilties and looks that make them stand out. On top of that, well, they are teenagers – prone to mischief, mishaps, and romantic misunderstandings. Michelle Pond, aka The Amazing Bubbles, thinks that her superhero know-how has prepared her to chaperone the event. But little does she know the true meaning of the saying, "Don't mess with Texas." Edited by #1 New York Times bestselling author George R.R. Martin, Texas Hold ’Em features the writing talents of David Anthony Durham, Max Gladstone, Victor Milan, Diana Rowland, Walton Simons, Caroline Spector, and William F. Wu. Praise for Wild Cards ‘GREAT’ – The Guardian ‘A complex, intricately imagined universe’ The Telegraph

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A moving reflection on motherhood, friendship, and women making their mark on the world of food from the author of Feast. Food writer Hannah Howard is at a pivotal moment in her life when she begins searching out her fellow food people—women who’ve carved a place for themselves in a punishing, male-dominated industry. Women whose journeys have inspired and informed Hannah’s own foodie quests. On trips that take her from Milan to Bordeaux to Oslo and then always back again to her home in New York City, Hannah spends time with these influential women, learning about the intimate paths that led them each toward fulfilling careers. Each chef, entrepreneur, barista, cheesemaker, barge captain, and culinary instructor expands our long-held beliefs about how the worldwide network of food professionals and enthusiasts works. But amid her travels, Hannah finds herself on a heart-wrenching private path. Her plans to embark on motherhood bring her through devastating lows and unimaginable highs. Hannah grapples with personal joy, loss, and a lifelong obsession with food that is laced with insecurity and darker compulsions. Looking to her food heroes for solace, companionship, and inspiration, she discovers new ways to appreciate her body and nourish her life. At its heart, this lovely and candid memoir explores food as a point of passion and connection and as a powerful way to create community, forge friendships, and make a family.

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This highly original and personal exploration of Tadao Ando's work, one of Japan's leading architects, traverses both the physical and spiritual world. In 2012, Philippe Se clier visited Tadao Ando's iconic Church of the Light, and was immediately compelled to journey around the world to further study the architect's buildings. This unique presentation of Ando's work is the result of what turned into a nine-year project to photograph 130 buildings. Walking around each structure, trying to find the proper framing, helped Se clier understand Ando's genius for siting and composition. Loosely organized by chronology, each building is represented in numerous black and white images, arranged like a mosaic on the page. These fragmented views correspond to Ando's own philosophy of the logic of structure and geometry. This "atlas" embraces not only the geographic but also thematic range of Ando's oeuvre-from transit stations in Tokyo and Kobe to art museums in Fort Worth, Texas and Provence, France; from an artists' retreat on the Mexican coast to the now-demolished Piccadilly Gardens in Manchester, England; from a theater in Milan, Italy, to an upscale restaurant in New York City. Se clier's photographs of Ando's numerous religious structures brilliantly illustrate his use of light and shadow to evoke spiritual depth and timelessness while his short texts offer concise observations of each building. A helpful appendix pinpoints the geographic diversity and range of Ando's oeuvre.

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I simply want to live in the place with the best food in the world. This dream led Eric Dregni to Italy, first to Milan and eventually to a small, fog-covered town to the north: Modena, the birthplace of balsamic vinegar, Ferrari, and Luciano Pavarotti. Never Trust a Thin Cook is a classic American abroad tale, brimming with adventures both expected and unexpected, awkward social moments, and most important, very good food.Parmesan thieves. Tortellini based on the shape of Venus's navel. Infiltrating the secret world of the balsamic vinegar elite. Life in Modena is a long way from the Leaning Tower of Pizza (the south Minneapolis pizzeria where Eric and his girlfriend and fellow traveler Katy first met), and while some Italians are impressed that "Minnesota" sounds like "minestrone," they are soon learning what it means to live in a country where the word "safe" doesn't actually exist-only "less dangerous." Thankfully, another meal is always waiting, and Dregni revels in uncorking the secrets of Italian cuisine, such as how to guzzle espresso "corrected" with grappa and learning that mold really does make a good salami great. What begins as a gastronomical quest soon becomes a revealing, authentic portrait of how Italians live and a hilarious demonstration of how American and Italian cultures differ. In Never Trust a Thin Cook, Eric Dregni dishes up the sometimes wild experiences of living abroad alongside the simple pleasures of Italian culture in perfect, complementary proportions.

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Amid the disintegration of the Kingdom of Italy in the eleventh and twelfth centuries, a new form of collective government--the commune--arose in the cities of northern and central Italy. Sleepwalking into a New World takes a bold new look at how these autonomous city-states came about, and fundamentally alters our understanding of one of the most important political and cultural innovations of the medieval world. Chris Wickham provides richly textured portraits of three cities--Milan, Pisa, and Rome--and sets them against a vibrant backcloth of other towns. He argues that, in all but a few cases, the elites of these cities and towns developed one of the first nonmonarchical forms of government in medieval Europe, unaware that they were creating something altogether new. Wickham makes clear that the Italian city commune was by no means a democracy in the modern sense, but that it was so novel that outsiders did not know what to make of it. He describes how, as the old order unraveled, the communes emerged, governed by consular elites "chosen by the people," and subject to neither emperor nor king. They regularly fought each other, yet they grew organized and confident enough to ally together to defeat Frederick Barbarossa, the German emperor, at the Battle of Legnano in 1176. Sleepwalking into a New World reveals how the development of the autonomous city-state took place, which would in the end make possible the robust civic culture of the Renaissance.

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"In Abroad for Her Country, Jean M. Wilkowski shares the story of her extraordinary career in the U.S. Foreign Service during the last half of the twentieth century. Born in an era when few women sought professional careers, Wilkowski graduated from Saint Mary-of-the-Woods College and the University of Wisconsin and then rose through the ranks at the Department of State, from Vice Consul to the first woman U.S. Ambassador to an African country and the first woman acting U.S. Ambassador in Latin America. During her thirty-five-year diplomatic career, Wilkowski was sent first as a vice consul to the Caribbean during World War II, when the Department of State was "even taking in 4-Fs and women." She moved on to more challenging assignments in Latin America and Europe. For much of her career, she specialized in protecting and promoting U.S. trade and investment interests in such posts as Paris, Milan, Rome, Santiago, and Geneva. She also served during a revolution in Bogotá, attacks on the U.S. Embassy in Tegucigalpa, and the war between El Salvador and Honduras, when she called in U.S. humanitarian aid for 50,000 war-displaced persons. In 1977 she became coordinator of the U.S. preparation for the 1979 United Nations Conference on Science and Technology in Vienna. She worked closely with Notre Dame president Theodore Hesburgh, head of the U.S. delegation, and accompanied the delegation on its fact-finding visit to the Peoples' Republic of China.

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The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. The decoration of the room, which was never completed, is historically tied to the name of Leonardo da Vinci by a letter written in April 1498 by Gualtiero da Bascapé, the secretary of Ludovico il Moro, to the duke of Milan, explaining that Lunedì si desarmarà la camera grande da le Asse c[i]oè da la tore. Magistro Leonardo promete finirla per tuto Septembre. The room was subjected to radically changing fortunes over the centuries, and was later the object of two complex restoration campaigns, the first carried out between 1893 and 1902 by Luca Beltrami and the second between 1955 and 1956 by Costantino Baroni. This volume provides an account of the result of these restorations. It describes the complex diagnostic research and the technical assessments that form the foundations of a broader project for the conservation of the painted area. Text in English and Italian.

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Rediscover this deep, practical anatomy of the novel from 'the strongest ... literary critic we have' (New York Review of Books) in this new revised 10th anniversary edition.What do we mean when we say we 'know' a fictional character? What constitutes a 'telling' detail? When is a metaphor successful? Is realism realistic? Why do most endings of novels disappoint?In the tradition of E. M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a study of the main elements of fiction, such as narrative, detail, characterization, dialogue, realism, and style. In his first full-length book of criticism, one of the most prominent critics of our time takes the machinery of story-telling apart to ask a series of fundamental questions. Wood ranges widely, from Homer to Beatrix Potter, from the Bible to John Le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, it incisively sums up two decades of bold, often controversial, and now classic critical work, and will be enlightening to writers, readers, and anyone interested in what happens on the page.'Should find a place on every novel-lover's shelf. It has the quality all useful works of criticism should have: refined taste, keen observation, and the ability to make the reader argue, passionately, with it' Financial Times

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A Globe and Mail Top 100 SelectionHamilton Reads 2021 SelectionA Writers' Trust of Canada Best Book of the YearA 49th Shelf Books of the Year (Fiction) SelectionOne of "20 books you need to read this winter," Maclean's For those who loved Barbara Kingsolver's Flight Behavior comes a new climate-themed, Shakespeare-inspired novel from bestselling author Catherine Bush.The time is now or an alternate near now, the world close to our own. A Category Five hurricane sweeps up the eastern seaboard of North America, leaving devastation in its wake, its outer wings brushing over tiny Blaze Island. During this wild night, a stranger washes up on the doorstep of the isolated house where Milan Wells lives with his daughter Miranda.A climate scientist whose career was destroyed by climate change deniers, Wells has fled to this remote island with his daughter years before, desperate to protect her from the world's worsening weather.Seemingly safe in her father's realm, Miranda walks the island's rocky shores, helping her father with his daily weather records. But the stranger's arrival breaks open Miranda's world, stirs up memories of events of long ago and compels her to wonder what her father is up to with his mysterious weather experiments. In the aftermath of the storm, she finds herself in a world altered so quickly that she hardly knows what has happened or what the unpredictable future will bring.

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“The classic of all Europe.” —T. S. EliotVirgil (Publius Vergilius Maro) was born in 70 BC near Mantua and was educated at Cremona, Milan, and Rome. Slow in speech, shy in manner, thoughtful in mind, weak in health, he went back north for a quiet life. Influenced by the group of poets there, he may have written some of the doubtful poems included in our Virgilian manuscripts. All his undoubted extant work is written in his perfect hexameters. Earliest comes the collection of ten pleasingly artificial bucolic poems, the Eclogues, which imitated freely Theocritus’ idylls. They deal with pastoral life and love. Before 29 BC came one of the best of all didactic works, the four books of Georgics on tillage, trees, cattle, and bees. Virgil’s remaining years were spent in composing his great, not wholly finished, epic the Aeneid, on the traditional theme of Rome’s origins through Aeneas of Troy. Inspired by the Emperor Augustus’ rule, the poem is Homeric in metre and method but influenced also by later Greek and Roman literature, philosophy, and learning, and deeply Roman in spirit. Virgil died in 19 BC at Brundisium on his way home from Greece, where he had intended to round off the Aeneid. He had left in Rome a request that all its twelve books should be destroyed if he were to die then, but they were published by the executors of his will. The Loeb Classical Library edition of Virgil is in two volumes.

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Let Secret Mexico guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Mexico travel guide book and let our local experts show you the well-hidden treasures of an amazing city. Ideal for local inhabitants, curious visitors and armchair travellers alike. The places included in our guides are unusual and unfamiliar, allowing one to step off the beaten track. Secret Milan features 185+ secret and unusual locations. Inside Secret Mexico City: The forgotten cafe where Fidel Castro and Che Guevara used to meet, a tribute to the city's ghosts, a mammoth in the metro, a cave transformed into a shrine, an underground parking lot with mosaics dating from 1930, a Baroque altarpiece made from papier mache, a village based on the principles of Thomas More's Utopia, secret masterpieces of colonial art in rooms only open around two hours a week, the largest roof garden in Latin America, the photo on which the Oscar statuette is modelled, the first building in the world faced with a material that can trap urban smog, a road surface designed for praying as you walk... Far from the crowds and the usual cliches, Mexico City is filled with hidden treasures revealed only to the residents and visitors who leave the beaten path. An indispensable guide for those who thought they knew Mexico City well or for those wishing to discover another facet of the city.

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From the bestselling, Booker-shortlisted writer of Italian Ways and Europa, a classic novel about a man's emotional reckoning in a changed world far from homeFrank's reclusive existence in a leafy part of London is shattered when he is summoned to Milan for the funeral of an old friend. Preoccupied by this sudden intrusion of his past, he flies, oblivious, into the epicentre of a crisis he has barely registered on the news.It is spring, his luxury hotel offers every imaginable comfort; perhaps he will be able to weather the situation and return home unscathed? What Frank doesn't know is that he's about to make a discovery that will change his heart and his mind.The arresting new novel from Booker Prize-shortlisted Tim Parks, Hotel Milano is a universal story from a unique moment in recent history: a book about the kindness of strangers, and about a complicated man who, faced with the possibility of saving a life, must also take stock of his own.Praise for In Extremis:'Parks's prose brings us closer to the pressures and rhythms of a lived life than the work of any other contemporary writer I can think of'Mike McCormack, New Statesman Books of the Year'Head and shoulders above so many of the books turned out by similar writers... A wonderfully written novel'Kirsty Gunn, Guardian'Tim Parks is a hugely talented writer'Sunday Times

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Italian architecture has long exerted a special influence on the evolution of architectural ideas elsewhere - from the Beaux-Arts academy’s veneration of Rome, to modernist and postmodern interest in Renaissance proportion, Baroque space, and Mannerist ambiguity. This book critically examines this enduring phenomenon, exploring the privileged position of Italian architects, architecture, and cities in the architectural culture of the past century. Questioning the deep-rooted myth of Italy within architectural history, the book presents case studies of Italy’s powerful yet problematic position in 20th-century architectural ideologies, at a time when established Eurocentric narratives are rightly being challenged. It reconciles the privileged position of Italian architecture and design with the imperative to write history across a more global, diverse, heterogenous cultural geography. Twenty chapters from distinguished international scholars cover subjects and architects ranging from Alberti to Gio Ponti, Aldo Rossi, Manfredo Tafuri, Vittorio Gregotti; cities from Rome and Venice to Milan; and an array of international architects, movements, and architectural ideas influenced by Italy. The chapters each question where, how, and why the disciplinary edifice of 20th-century architecture—its canon of built, visual, textual, and conceptual works—relied on Italian foundations, examining where and how those foundations have become insecure. Indispensable for students and scholars of both Italian and global architectural history, Italian Imprints on Twentieth-Century Architecture provides an opportunity to consider the architectural and urban landscape of Italy from substantially new points of view.

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The ocean is a big, mysterious place. With the magic three-colour lens included in Illuminoceans, shed some light on the darkest depths of our watery world, and encounter the creatures, seascapes and surprising underwater features of all of Earth's oceans. From the mighty Pacific to the polar seas, Illuminoceans takes readers on a journey of discovery through the most mysterious environments known to science. Meet majestic mammals like blue whales, orcas and dolphins, shoals of colourful fish, and whole oceans full of weird and wonderful reptiles, plants and tentacled titans. With your lens in hand, explore the worlds of wonder hidden just below the surface. Your red lens will uncover the fish from each habitat, from the beautiful but deadly lionfish to the gentle giant, the whale shark. Use your blue lens to meet the other creatures that call the oceans home, including the elusive giant squid and fearsome leopard seal. The green lens sheds light on the environments in which these animals live, revealing majestic coral reefs and kelp forests. Continent by continent, ocean by ocean, and layer by layer of the sea, Illuminoceans is an undersea odyssey like you've never experienced before. With expert insight from author Barbara Taylor and innovative, eye-popping interactive art from Milan-based design duo Carnovsky, Illuminoceans is sure to delight any budding marine biologist looking to while away hours in a nature book like no other.

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A moving reflection on motherhood, friendship, and women making their mark on the world of food from the author of Feast. Food writer Hannah Howard is at a pivotal moment in her life when she begins searching out her fellow food people—women who’ve carved a place for themselves in a punishing, male-dominated industry. Women whose journeys have inspired and informed Hannah’s own foodie quests. On trips that take her from Milan to Bordeaux to Oslo and then always back again to her home in New York City, Hannah spends time with these influential women, learning about the intimate paths that led them each toward fulfilling careers. Each chef, entrepreneur, barista, cheesemaker, barge captain, and culinary instructor expands our long-held beliefs about how the worldwide network of food professionals and enthusiasts works. But amid her travels, Hannah finds herself on a heart-wrenching private path. Her plans to embark on motherhood bring her through devastating lows and unimaginable highs. Hannah grapples with personal joy, loss, and a lifelong obsession with food that is laced with insecurity and darker compulsions. Looking to her food heroes for solace, companionship, and inspiration, she discovers new ways to appreciate her body and nourish her life. At its heart, this lovely and candid memoir explores food as a point of passion and connection and as a powerful way to create community, forge friendships, and make a family.

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Schöffer's Cantiones tell a fascinating story of South-North, Catholic-Protestant co-operation. The Cantiones quinque vocum selectissimæ (Strasbourg: Peter Schöffer the Younger, 1539) are a collection of 28 Latin five-voice motets by composers including Gombert, Willaert, and Jacquet of Mantua. This was Schöffer's first book of Latin motets as well as his last ever musical publication; he was granted an imperial privilege to print it by King Ferdinand I. The pieces had been sent to Schöffer by Hermann Matthias Werrecore, the choirmaster of the Duomo of Milan. However, this was at a time when no liturgical Latin choral singing took place in Strasbourg, following one of the harshest reformations - musically-speaking - across Europe. This book comprises a critical study of the anthology in terms of the circumstances of its assemblage and printing, its confessional significance, and the music itself. It considers the nature of the connection between Schöffer and Werrecore, and why a Protestant publisher based in Protestant Germany would try to sell Latin music that was endorsed by a Catholic monarch and emphatically had no chance of being performed in church in its place of publication. In addition, the monograph includes considerations of the motets themselves, brief biographical details of the composers - including the lesser-known ones (e.g. Ferrariensis, Sarton, Billon) - and a full list of all concordant sources. It will be of interest to performers and scholars alike, combining elements of historical research, musical criticism and - via the transcriptions hosted online - performance.

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First translation into English of a wide-ranging military treatise from the late middle ages. Pietro Monte's Collectanea is a wide-ranging treatise on the arts of knighthood, focusing on martial arts, athletics, arms and armour, and military practice, but touching on subjects as diverse as diet, zoology and the design of life preservers. Monte, a courtier, soldier and scholar who won the respect of men like Leonardo da Vinci and Baldesar Castiglione, wrote the work in Spanish in the late 1400s, and later produced an expanded Latin translation. The Latin version, published in Milan in 1509, forms the basis of this translation. Monte describes the techniques of personal combat with various weapons, including the two-handed and one-handed sword, pollaxe, and dagger, as well as wrestling, armored and mounted combat. He also documents the athletic activities used by knights to hone their physical abilities: running, jumping, throwing, and vaulting. Finally, the Collectanea is the solemedieval text to provide extensive discussion of the design of arms and armour. This translation includes an illustrated introduction to Monte and his technical subject-matter, as well as a translation of Book 5 of Monte's De Dignoscendis Hominibus (1492), which overlaps much of the technical content of the Collectanea. JEFFREY L. FORGENG is curator of Arms and Armour and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

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Winner of the Premio Selezione Campiello prize and the Premio Alessandro Manzoni award for best historical novel, The Watercolourist is the irresistible Italian bestseller from Beatrice Masini.Nineteenth-century Italy. A young woman arrives at a beautiful villa in the countryside outside Milan. Bianca, a gifted young watercolourist, has been commissioned to illustrate the plants in the magnificent grounds.Bianca settles into her grand new home, invited into the heart of the family by the eccentric poet Don Titta, his five children, his elegant and delicate wife and powerful, controlling mother. As the seasons pass, the young watercolourist develops her art - inspired by the landscape around her - and attracts many admirers. And while most of the household's servants view her with envy, she soon develops a special affection for one housemaid, who, she is intrigued to learn, has mysterious origins . . .But as Bianca's determination to unlock the secrets of the villa grows, she little notices the dangers that lie all around her. Who is the mysterious woman she has glimpsed in the gardens? What could Don Titta and his friends be whispering about so furtively? And while Bianca watches so carefully for clues, who is watching her?In The Watercolourist, set against the intoxicating background of an Italy on the cusp of change, a young woman's naive curiosity will take her far into the territory of hidden secrets, of untold truth and of love.

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The terms “capitalism” and “socialism” continue to haunt our political and economic imaginations, but we rarely consider their interconnected early history. Even the eighteenth century had its “socialists,” but unlike those of the nineteenth, they paradoxically sought to make the world safe for “capitalists.” The word “socialists” was first used in Northern Italy as a term of contempt for the political economists and legal reformers Pietro Verri and Cesare Beccaria, author of the epochal On Crimes and Punishments. Yet the views and concerns of these first socialists, developed inside a pugnacious intellectual coterie dubbed the Academy of Fisticuffs, differ dramatically from those of the socialists that followed.Sophus Reinert turns to Milan in the late 1700s to recover the Academy’s ideas and the policies they informed. At the core of their preoccupations lay the often lethal tension among states, markets, and human welfare in an era when the three were becoming increasingly intertwined. What distinguished these thinkers was their articulation of a secular basis for social organization, rooted in commerce, and their insistence that political economy trumped theology as the underpinning for peace and prosperity within and among nations.Reinert argues that the Italian Enlightenment, no less than the Scottish, was central to the emergence of political economy and the project of creating market societies. By reconstructing ideas in their historical contexts, he addresses motivations and contingencies at the very foundations of modernity.

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Arthur Casas has been one of the most prolic and innovative architects in Brazil since the late 1980s. His projects, the work of studios in both Sao Paulo and New York, can be seen in many of the world s capitals, including Paris, Tokyo, London, and Lisbon. Studio Arthur Casas has completed more than 500 projects in different areas, including residential and commercial architecture, public competitions, and interior and product design, in both Brazil and abroad. The firm has gained recognition over the years and received numerous national and international honours such as a World Architecture Festival Award 2015 for the Brazilian Pavilion at the Milan Expo. Born and raised in Sao Paulo, Casas is strongly influenced by the city s cosmopolitan spirit, something that inspires him to stay connected with the design community around the world. This ethos marks all of Casas s work, which is defined by a very eclectic and ever-changing creativity. Casas strongly believes that architecture and interior design are inextricably related: he visualizes and embraces the spaces he designs on the condition of including the furniture that was created or chosen for them. Being a craftsman himself, he aims to create simple designs freed from all unnecessary details, imbued with artisanal qualities. The book features works by internationally acclaimed photographers Filippo Bamberghi, Fernando Guerra, winner of the Architectural Photographer of the Year 2015, and Mauro Restie.

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Italian architecture has long exerted a special influence on the evolution of architectural ideas elsewhere - from the Beaux-Arts academy’s veneration of Rome, to modernist and postmodern interest in Renaissance proportion, Baroque space, and Mannerist ambiguity. This book critically examines this enduring phenomenon, exploring the privileged position of Italian architects, architecture, and cities in the architectural culture of the past century. Questioning the deep-rooted myth of Italy within architectural history, the book presents case studies of Italy’s powerful yet problematic position in 20th-century architectural ideologies, at a time when established Eurocentric narratives are rightly being challenged. It reconciles the privileged position of Italian architecture and design with the imperative to write history across a more global, diverse, heterogenous cultural geography. Twenty chapters from distinguished international scholars cover subjects and architects ranging from Alberti to Gio Ponti, Aldo Rossi, Manfredo Tafuri, Vittorio Gregotti; cities from Rome and Venice to Milan; and an array of international architects, movements, and architectural ideas influenced by Italy. The chapters each question where, how, and why the disciplinary edifice of 20th-century architecture—its canon of built, visual, textual, and conceptual works—relied on Italian foundations, examining where and how those foundations have become insecure. Indispensable for students and scholars of both Italian and global architectural history, Italian Imprints on Twentieth-Century Architecture provides an opportunity to consider the architectural and urban landscape of Italy from substantially new points of view.

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"Managing Cultural Differences" examines the cultural and organizational complexities which arise during mergers and acquisitions, joint ventures and alliances. More than 50 per cent of all corporate alliances fail, and those concluded across cultural divides are even less likely to succeed. These failures can be due to the executives concentrating on the financial strategic aspects of the deal at the expense of cultural, organizational and execution aspects. As a result of a 5-year research, Piero Morosini found that national cultural differences are not necessarily detrimental to cross-border mergers and alliances, but rather if handled effectively can actually enhance corporate performance. "Managing Cultural Differences" demonstrates that superior 'execution skills' can lead to the successful implementation of overseas alliances. It is based on rigorous research methods, backed up with indepth interviews with Senior Executives and real world case studies of leading multinationals. The book explains the strategic relationship between national cultural differences, execution and the performance of global and corporate alliances. The unique findings in this book are a reflection of the author's background that has combined academia and management. Piero Morosini is a Research Fellow at the Wharton Risk Management and Decision Process Center, USA and a Managing Consultant at Andersen Consulting Strategic Services Group in Milan. He was formerly a consultant for McKinsey & Co and has had extensive international experience with JP Morgan and Flemings. Morosini has published in leading academic journals such as European Management Journal and Journal of International Business Studies.

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Synonymous with high-octane glamour, opulent sexuality, and fearless fashion, Tom Ford is an iconic designer whose namesake label has devout followers across the globe, from Milan and New Delhi to Shanghai and New York. Seventeen years after his best-selling debut book Tom Ford (2004), which detailed his time as creative director for the Italian label Gucci, this second volume is a visual ode to Ford s eponymous brand created in 2005 and encompasses cosmetics, eyewear, menswear, and his critically acclaimed womenswear line. The revered designer not only catapulted his brand to the highest echelons of the fashion world receiving accolades from the Council of Fashion Designers of America and Time magazine s Best Designer of the Year but also commanded the attention of Hollywood by featuring loyal A-list fans such as Julianne Moore, Lauren Hutton, Pat Cleveland, Beyonce, and Nicholas Hoult in his runway shows and advertising campaigns. This gorgeous slipcased volume includes dazzling imagery of Ford s clothing and accessories designs, fashion editorials featuring top models such as Gigi Hadid, Joan Smalls, Mica Arganaraz, and Jon Kortajarena, and his signature sexually-charged advertising campaigns by photographers such as Inez & Vinoodh, Nick Knight, Steven Meisel, and Mert & Marcus. This volume, printed with Forest Stewardship Council approved materials and edited by Ford personally, reflects his exceptional taste and unapologetic sensual aesthetic and is a true collector s item for his devotees and connoisseurs of fashion, style, and design.

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From the bestselling, Booker-shortlisted writer of Italian Ways and Europa, a classic novel about a man's emotional reckoning in a changed world far from homeFrank's reclusive existence in a leafy part of London is shattered when he is summoned to Milan for the funeral of an old friend. Preoccupied by this sudden intrusion of his past, he flies, oblivious, into the epicentre of a crisis he has barely registered on the news.It is spring, his luxury hotel offers every imaginable comfort; perhaps he will be able to weather the situation and return home unscathed? What Frank doesn't know is that he's about to make a discovery that will change his heart and his mind.The arresting new novel from Booker Prize-shortlisted Tim Parks, Hotel Milano is a universal story from a unique moment in recent history: a book about the kindness of strangers, and about a complicated man who, faced with the possibility of saving a life, must also take stock of his own.Praise for In Extremis:'Parks's prose brings us closer to the pressures and rhythms of a lived life than the work of any other contemporary writer I can think of'Mike McCormack, New Statesman Books of the Year'Head and shoulders above so many of the books turned out by similar writers... A wonderfully written novel'Kirsty Gunn, Guardian'Tim Parks is a hugely talented writer'Sunday Times

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Winner of the 2016 British Fantasy Society Award for Best NewcomerShortlisted for the 2016 British Fantasy Society Award for Best Novel Shortlisted for the 2016 Locus First Novel Award'An enchanting cross between Georgette Heyer and Susanna Clarke, full of delights and surprises' – Naomi Novik, author of Uprooted'Inventive, dangerous, brilliant, unsettling . . . Historical Britain will never be the same again' – Courtney MilanHugo-Award winning author Zen Cho's Sorcerer to the Crown is a Regency romp with a pinch of fairyland.In Regency London, Zacharias Wythe is England's first African Sorcerer Royal. He leads the eminent Royal Society of Unnatural Philosophers, but a malicious faction seeks to remove him by fair means or foul. Meanwhile, the Society is failing its vital duty – to keep stable the levels of magic within His Majesty's lands. The Fairy Court is blocking its supply, straining England's dangerously declining magical stores. And now the government is demanding to use this scarce resource in its war with France. Ambitious orphan Prunella Gentleman is desperate to escape the school where she's drudged all her life, and a visit by the beleaguered Sorcerer Royal seems the perfect opportunity. For Prunella has just stumbled upon English magic's greatest discovery in centuries - and she intends to make the most of it.At his wits' end, the last thing Zachariah needs is a female magical prodigy! But together, they might just change the nature of sorcery, in Britain and beyond.

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Soon to be a major television event from Pascal Pictures, starring Tom Holland. Based on the true story of a forgotten hero, the USA Today and #1 Amazon Charts bestseller Beneath a Scarlet Sky is the triumphant, epic tale of one young man’s incredible courage and resilience during one of history’s darkest hours. Pino Lella wants nothing to do with the war or the Nazis. He’s a normal Italian teenager—obsessed with music, food, and girls—but his days of innocence are numbered. When his family home in Milan is destroyed by Allied bombs, Pino joins an underground railroad helping Jews escape over the Alps, and falls for Anna, a beautiful widow six years his senior. In an attempt to protect him, Pino’s parents force him to enlist as a German soldier—a move they think will keep him out of combat. But after Pino is injured, he is recruited at the tender age of eighteen to become the personal driver for Adolf Hitler’s left hand in Italy, General Hans Leyers, one of the Third Reich’s most mysterious and powerful commanders. Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share. Fans of All the Light We Cannot See, The Nightingale, and Unbroken will enjoy this riveting saga of history, suspense, and love.

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Though the Qatar 2022 FIFA Men's World Cup is for many a symbol of long-standing corruption and human rights problems, the event may actually represent something entirely new. Megasports are now demonstrating a capacity to leave what this book calls a human rights and anti-corruption legacy: norms, practices, policies, or laws that have application beyond sport, are likely to endure after the event, and the implementation of which is accelerated by hosting the event. In the 2010s, Brazil's hosting of the FIFA Men's World Cup and Summer Olympics, and then South Korea's hosting of the Winter Olympics, left what this book calls reactive, accidental, and one-dimensional anti-corruption legacies. Most would be shocked to find that Qatar now moves this legacy concept forward, undertaking to create megasports' first intentional and proactive human rights legacy. The first and perhaps best opportunity to build a proactive, intentional, and two-dimensional human rights and anti-corruption legacy lies in France, as it prepares to host the 2024 Paris Summer Olympics while implementing new landmark anti-corruption and human rights laws. The concept may still advance in Australia and New Zealand (2023 FIFA Women's World Cup) and Italy (2026 Milan Cortina Winter Olympics). However, the United Bid of Canada, the United States, and Mexico has promised the first proactive, intentional, and two-dimensional legacy around the 2026 FIFA Men's World Cup. The book analyzes existing megasport policies and practices, then suggests reforms to acknowledge and support these new legacies.

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Soon to be a major television event from Pascal Pictures, starring Tom Holland. Based on the true story of a forgotten hero, the USA Today and #1 Amazon Charts bestseller Beneath a Scarlet Sky is the triumphant, epic tale of one young man’s incredible courage and resilience during one of history’s darkest hours. Pino Lella wants nothing to do with the war or the Nazis. He’s a normal Italian teenager—obsessed with music, food, and girls—but his days of innocence are numbered. When his family home in Milan is destroyed by Allied bombs, Pino joins an underground railroad helping Jews escape over the Alps, and falls for Anna, a beautiful widow six years his senior. In an attempt to protect him, Pino’s parents force him to enlist as a German soldier—a move they think will keep him out of combat. But after Pino is injured, he is recruited at the tender age of eighteen to become the personal driver for Adolf Hitler’s left hand in Italy, General Hans Leyers, one of the Third Reich’s most mysterious and powerful commanders. Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share. Fans of All the Light We Cannot See, The Nightingale, and Unbroken will enjoy this riveting saga of history, suspense, and love.

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When journalist Paddy Agnew and his girlfriend Dympna touched down in Rome in 1985 in search of adventure, sunshine and the soul of Italian football (well, Paddy was looking for that), they were travelling into the uncharted terrain of a country they did not know and a language they did not speak.It soon became clear that neither Italy nor Italian football would be boring. In that first week in Italy, Michel Platini and Juventus won the Intercontinental Cup, whilst just days later the PLO killed 13 people in a random shooting at Rome's Fiumicino airport. Paddy covered both stories. The coming years saw the rise of TV tycoon Silvio Berlusconi, as he became owner of AC Milan and then Prime Minister of Italy, naming his political party 'Forza Italia' after a football chant. In that same period, Argentine Diego Maradona became the uncrowned King of Naples, leading Napoli to a first ever Scudetto title in 1987, notwithstanding a hectic, Hollywood-esque lifestyle that mixed footballing genius with off-the-field excess.Forza Italia is a fascinating tale of inspired players, skilled coaches, rich tycoons, glitzy media coverage, Mafia corruption, allegations of drug taking and fan power - culminating in the 2006 World Cup victory that delighted a nation and a match-fixing scandal that shocked the world. It is also a personalised reflection on the consistent and continuing excellence of Italian football throughout a period of huge social, political and economic upheaval, offering a unique insight into a society where football has always been much more than just a game.

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Best-selling: A new product from best-selling photographer Gerrard Gethings, (Do You Look Like Your Dog, 2018)and best-selling author Greg Bailey, (Alright Darling, 2018) Spot the similarities between the people and their drag personas - can you match the day-to-day faces with their fabulous constructed characters? Celebrates the incredible transformation of drag with striking before/after photographs, and celebrating inclusion within the Drag community Boxed Gift featuring 25 artists in before and after looks across 50 cards, packaged within a stylish foiled box Includes a booklet with text about each artist. Some currently featured in Ru-Paul's Drag Race.Featuring:Courtney ActJoe BlackLawrence ChaneyAwhoraBimoniCrystal (UK Drag Race season 1 contestant)Minerael WatersCybil WarCazelionBaby LameFreida SlavesLick Von DykeMiss JakeMocha Drag QueenDaisy PullerTete BangVanity MilanHolestarLuke SkylaKyran ThraxOre-HoSigi MoonlightTaste My CaramellePrinx SilverPair up the queens and kings with their out-of-drag looks in this fabulous new card game.It is much harder than you think, as the transformation is so complete! 50 cards depict stunning before and after photos of the glamorous drag transformation, and texts by Greg Bailey of Alright Darling are included in the accompanying booklet to give an insight into the incredible character creations and the people behind the make-up.Play as a memory game with the cards face down for an added level of difficulty. Collect the most pairs to win! This is the perfect gift for fans of Drag Race.

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A bold new history of the rise of the medieval Italian communeAmid the disintegration of the Kingdom of Italy in the eleventh and twelfth centuries, a new form of collective government—the commune—arose in the cities of northern and central Italy. Sleepwalking into a New World takes a bold new look at how these autonomous city-states came about, and fundamentally alters our understanding of one of the most important political and cultural innovations of the medieval world.Chris Wickham provides richly textured portraits of three cities—Milan, Pisa, and Rome—and sets them against a vibrant backcloth of other towns. He argues that, in all but a few cases, the elites of these cities and towns developed one of the first nonmonarchical forms of government in medieval Europe, unaware that they were creating something altogether new. Wickham makes clear that the Italian city commune was by no means a democracy in the modern sense, but that it was so novel that outsiders did not know what to make of it. He describes how, as the old order unraveled, the communes emerged, governed by consular elites "chosen by the people," and subject to neither emperor nor king. They regularly fought each other, yet they grew organized and confident enough to ally together to defeat Frederick Barbarossa, the German emperor, at the Battle of Legnano in 1176.Sleepwalking into a New World reveals how the development of the autonomous city-state took place, which would in the end make possible the robust civic culture of the Renaissance.

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Alda Merini is one of Italy's most important, and most beloved, living poets. She has won many of the major national literary prizes and has twice been nominated for the Nobel Prize--by the French Academy in 1996 and by Italian PEN in 2001. In Love Lessons, the distinguished American poet Susan Stewart brings us the largest and most comprehensive selection of Merini's poetry to appear in English. Complete with the original Italian on facing pages, a critical introduction, and explanatory notes, this collection gathers lyrics, meditations, and aphorisms that span fifty years, from Merini's first books of the 1950s to an unpublished poem from 2001. These accessible and moving poems reflect the experiences of a writer who, after beginning her career at the center of Italian Modernist circles when she was a teenager, went silent in her twenties, spending much of the next two decades in mental hospitals, only to reemerge in the 1970s to a full renewal of her gifts, an outpouring of new work, and great renown. Whether she is working in the briefest, most incisive lyric mode or the complex time schemes of longer meditations, Merini's deep knowledge of classical and Christian myth gives her work a universal, philosophical resonance, revealing what is at heart her tragic sense of life. At the same time, her ironic wit, delight in nature, and affection for her native Milan underlie even her most harrowing poems of suffering. In Stewart's skillful translations readers will discover a true sibyl of the twentieth and twenty-first centuries.

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'The master of historical fiction' SUNDAY TIMESSharpen your sword and prepare for battle...1367: Europe stands on the brink of total war.Political alliances are beginning to rupture, and no state is immune: England, France, the Holy Roman Empire, Milan Genoa, Venice, Constantinople . . . Every mercenary knight must sharpen his sword and prepare for battle.But Sir William Gold has other problems. Just to reach Europe, he must capture its most unassailable fortress. He must also protect his liege lord, the Green Count, from assassins hell-bent on his death.The balance of power in the West will change. William Gold must trust in hope, and his men, that he lands on the winning side...Praise for Christian Cameron:'A storyteller at the height of his powers' HISTORICAL NOVEL SOCIETY'Superb' THE TIMES'One of THE finest writers of historical fiction in the world' BEN KANE'A sword-slash above the rest' IRISH EXAMINERReaders love SWORD OF JUSTICE and the Chivalry series:'I can't recommend this too highly to any fan of historical fiction' 5 STARS'You get to experience what it must have been like to be a knight' 5 STARS'Brilliantly authentic' 5 STARS'One of the finest historical series I have ever encountered.... Outstanding' 5 STARS'I have a big issue with Christian Cameron... I read his books faster than he can write them!!!' 5 STARS'Historical saga at its best!' 5 STARSIF YOU'VE READ AND LOVED SWORD OF JUSTICE, DON'T MISS THE BRAND NEW BOOK IN THE CHIVALRY SERIES, HAWKWOOD'S SWORD.

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Shows how postwar writers in Austria and Yugoslavia re-imagined the concept of Mitteleuropa, Central Europe, as a cultural space between nostalgia and totalitarianism. The German term Mitteleuropa, or Central Europe, was never just a geographical concept: it connoted extending German influence to the east. In the 1980s, the eastern European dissident writers György Konrád, Czesław Miłosz, and Milan Kundera revived the concept to counter a perceived Cold War memory vacuum, aligning themselves with the multiethnic and multilingual legacy of the Habsburg Empire. Their observations gave rise to a protracted public debate that posited literature against politics. This debate was both anticipated and expanded upon in postwar literary works by Ingeborg Bachmann, Peter Handke, and Christoph Ransmayr in Austria, and Danilo Kiš, Aleksandar Tišma, and Dubravka Ugrešić in (the former) Yugoslavia, all of whom questioned notions of geographic identity and national allegiance by imagining Mitteleuropa as a cultural space between nostalgia and totalitarianism. Yvonne Zivkovic draws on space and memory studies to show how Mitteleuropa emerged as an alternate memory discourse that reveals deep ties between the Second Austrian Republic and the Socialist Federal Republic of Yugoslavia. The writers discussed address the major themes of the 1980s debate - traumatic memory, geographic displacement, and transnationalism - but also share a literary aesthetics that privileges the intersections of prose fiction and the essay, the literary fragment, and intertextuality. Zivkovic's book shows the persistence of Mitteleuropa as a literary network and as a cultural collective that examines civic values against public tendencies of memory manipulation.

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Concerned about sanitation during a severe bout of plague in Milan, Leonardo da Vinci designed an ideal, clean city. Leonardo was far from alone among his contemporaries in thinking about personal and public hygiene, as Douglas Biow shows in The Culture of Cleanliness in Renaissance Italy. A concern for cleanliness, he argues, was everywhere in the Renaissance. Anxieties about cleanliness were expressed in literature from humanist panegyrics to bawdy carnival songs, as well as in the visual arts. Biow surveys them all to explain why the topic so permeated Renaissance culture. At one level, cleanliness, he documents, was a matter of real concern in the Renaissance. At another, he finds, issues such as human dignity, self-respect, self-discipline, social distinction, and originality were rethought as a matter of artistic concern. The Culture of Cleanliness in Renaissance Italy moves from the clean to the unclean, from the lofty to the base. Biow first examines the socially elevated, who defined and distinguished themselves as clean, pure, and polite. He then turns to soap, an increasingly common commodity in this period, and the figure of the washerwoman. Finally he focuses on latrines, which were universally scorned yet functioned artistically as figures of baseness, creativity, and fun in the works of Dante and Boccaccio. Paralleling this social stratification is a hierarchy of literary and visual artifacts, from the discourse of high humanism to filthy curses and scatological songs. Deftly bringing together high and low-as well as literary and visual-cultures, this book provides a fresh perspective on the Italian Renaissance and its artistic legacy.

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Between June 1940 and August 1943, RAF Bomber Command undertook a little-known strategic bombing campaign in Europe. The target was Mussolini’s Italy. This air campaign was a key part of the strategic policy of Britain from 1940 to 1943, which aimed at securing Italy’s early surrender. However, it posed unique challenges, not least of which was Italy's natural defences of distance and the Alps. The bombing campaign against Italy can be divided into a number of phases, with each one having its own specific goals such as affecting Italian war production or hindering the Italian Navy’s war in the Mediterranean. However, each also furthered the ultimate aim of forcing Italy’s final capitulation, demonstrating that the tactic of area-bombing was not just about the destruction of an enemy’s cities, as it could also fulfil wider strategic and political objectives. Indeed, the intensity and frequency of attack was greatly controlled, and the heavy bombing of Italy was only ever sanctioned by Britain’s civilian war leaders to achieve both military and political goals. The issue of target-selection was also subject to a similar political restriction; cities and ports like Milan, Turin, Genoa and La Spezia were sanctioned under an official Directive, but other places, such as Verona, Venice, Florence and, above all, Rome, remained off-limits. This fascinating title from British strategic and military history expert Dr Richard Worrall explores the political, motivational and strategic challenges of the campaign in full. His thorough analysis and meticulous research is supported by specially commissioned artwork, maps, and contemporary photographs.

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This is the story of streetwear. King ADZ and Wilma Stone recount how a long line of subcultural movements have been incorporated into a multi-billion-dollar global industry and taken over both the high street and high-end fashion. Starting from the building blocks of repurposed sportswear, workwear and combat-wear, they explain just how it is that a revolutionary sartorial trend has evolved to encompass a vast range of disparate tribes, offering a powerful sense of belonging and identity to all. The story begins in 1972, in Jersey City, USA, with the birth of the first ever streetwear shop, Trash and Vaudeville. The journey then encompasses punk, Ivy League preppies, the hip-hop kings and queens of Harlem, the dresser/casual movement born out of British football culture, the skater scene of California, the paninari scooter-brats of Milan, and much more. We are shown how streetwear, worn with integrity and swagger, has transcended culture, race, gender and age to become a lasting worldwide phenomenon. Whether focusing on major brands such as Stüssy, Carhartt, Tommy Hilfiger and SHUT or today’s up-and-comers from South African townships or downtown Seoul, this dynamic study surveys the scene. It also takes a look at how the Internet era has changed the ways streetwear is sold and consumed, and how the field may evolve in the future. Packed with profiles of industry pioneers, Q&As with key figures and over 300 illustrations, this is the complete history of fashion’s fastest-growing and most influential movement.

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Through historical coincidence that almost takes on a mythical character, 'Michelangelo' was the given name not only of the Florentine sculptor, but also of the painter who grew up in Caravaggio, a provincial town in Lombardy, about 25 miles east of Milan. Michelangelo Merisi da Caravaggio, commonly called by reference to his hometown, produced revolutionary paintings whose impact was as great — at the beginning of the 1600s — as the other Michelangelo’s art had been a century earlier. In this book, author Bette Talvacchia explores the significant, but little-discussed, connection between the 'two Michelangelos'. She exposes the dynamic relationship between their work through looking at the ways in which Caravaggio creatively responded to the art of his namesake from the start of his youthful arrival in Rome. In addition, she suggests how Michelangelo’s overwhelming achievement was a model that helped to drive the young Caravaggio’s powerful ambition and shape his identity as an artist.With lucid and intelligent prose, this fascinating book sheds light on the similar 'artistic temperament' constructed in the biographies of each artist — glorifying their rebellious, anti-social behaviour and uncompromising artistic principles — examined both in its historical and contemporary configurations. Why does our culture find these two artists so compelling, and how were they seen in their time and in the intervening centuries until our own day? Linking the past to the present, Talvacchia encourages readers to appreciate more fully the individual works discussed, and to reflect upon the continuing relevance of these two artists to the culture of the present day.

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A new adventure for Sylvester McCoy as the Seventh Doctor, alongside Bonnie Langford and Sophie Aldred as 1980s companions Melanie Bush and Ace. Decades ago, the mysterious time-travelling Doctor and his cheerful companion Mel became the toast of the planet Prosper, when they brokered a peace between the native Mogera and humans from the colony ship The Duke of Milan. But when the TARDIS at last returns to Prosper, the Doctor, Mel and their associate Ace find only a warzone. The burrowing Mogera have become brutal monsters, dominated by their terrifying leader Caliban - and it's all the Doctor's fault! Big Finish's main range of Doctor Who stories began in 1999, and has featured television Doctors Peter Davison, Colin Baker, Sylvester McCoy and Paul McGann across its 216 tales. Sylvester McCoy originally played the Doctor in 1987 - 1989, (then again in 1996) while his other work includes Radagast the Brown in Peter Jackson's epic The Hobbit films and is currently winning hearts in The Real Marigold Hotel. Companion Mel Bush is played by Bonnie Langford - a popular actor of stage and screen, currently featuring in BBC's top hit EastEnders.Companion Ace, as played by Sophie Aldred, is popularly regarded as the prototype for the modern companions in the Doctor Who revival which returned to screens from 2005. CAST: Sylvester McCoy (The Doctor), Bonnie Langford (Mel), Sophie Aldred (Ace), Andrew Hall (Alonso/Caliban/Gonzalo), Lucy Briggs-Owen (Miranda), Rachel Atkins (Juno), Ewan Goddard (Talpa), Aaron Neil (Stephano/Klossi/Trink/Setebos).

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The Sunday Times no.1 bestselling memoir from Harry Redknapp‘From kicking a ball as a kid under the street lamps of Poplar and standing on Highbury's North Bank with my dad, to my first game at West Ham, I was born head over heels in love with football. It saved me, and 50 years on that hasn't changed one bit - I'd be lost without it…’Harry is the manager who has seen it all - from a dismal 70s Portakabin at Oxford City and training pitches with trees in the middle to the unbeatable highs of the Premiership, lifting the FA Cup and taking on Real Madrid in the Champions League. With his much loved, no-nonsense delivery, Harry brings us a story filled with passion and humour that takes you right inside every drama of his career.Harry finally tells the full story of all the controversial ups and downs - the pain and heartache of his court case, the England job, his love for Bobby Moore, his adventures at Portsmouth with Milan Mandaric, the Southampton debacle, Tottenham and Daniel Levy, and not forgetting his years at West Ham or the challenges at his current club QPR.It’s the epic journey of one of the great managers and, along the way, the story of the British game itself over the last five decades. In an era now dominated by foreign coaches Harry is the last of an old-fashioned breed of English football man - one who has managed to move with the times and always come out fighting.

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‘Human zoos’, forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these ‘anthropo-zoological’ exhibitions, ‘exotic’ individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo… Through Barnum’s freak shows, Hagenbeck’s ‘ethnic shows’ (touring major European cities from their German base), French-style villages nègres, as well as the great universal and colonial exhibitions, the West invented the ‘savage’, exhibited the ‘peoples of the world’, whilst in many cases preparing for or contributing to their colonization… This first mass contact between ‘us’ and ‘them’, between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the ‘spectacularization’ of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.

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A visionary scientist, a supreme painter, a man of eccentricity and ambition: Leonardo da Vinci had many lives. Born from a fleeting affair between a country girl and a young notary, Leonardo was never legitimized by his father and received no formal education. While this freedom from the routine of rigid and codified learning may have served to stimulate his natural creativity, it also caused many years of suffering and an insatiable need to prove his own worth. It was a striving for glory and an obsessive thirst for knowledge that prompted Leonardo to seek the protection and favour of the most powerful figures of his day, from Lorenzo de’ Medici to Ludovico Sforza, from the French governors of Milan to the pope in Rome, where he could vie for renown with Michelangelo and Raphael. In this revelatory account, Antonio Forcellino draws on his expertise – both as historian and as restorer of some of the world’s greatest works of art – to give us a more detailed view of Leonardo than ever before. Through careful analyses of his paintings and compositional technique, down to the very materials used, Forcellino offers fresh insights into Leonardo’s artistic and intellectual development. He spans the great breadth of Leonardo’s genius, discussing his contributions to mechanics, optics, anatomy, geology and metallurgy, as well as providing acute psychological observations about the political dynamics and social contexts in which Leonardo worked. Forcellino sheds new light on a life all too often overshadowed and obscured by myth, providing us with a fresh perspective on the personality and motivations of one of the greatest geniuses of Western culture.

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In this welcome new book Marcia L. Colish offers the only monograph-length study of the patriarch treatises of Ambrose of Milan (c. 340-397), in which he develops, for the first time in the patristic period, an ethics for the laity. Ambrose the ethicist has been viewed primarily as the author of advice to those with special callings in the church, such as priests, widows, and consecrated virgins. His views have been characterized as advocating asceticism and promoting a Platonic view of human nature, in which the body is a moral problem. Ambrose's patriarch treatises, argues Colish, are instead aimed at lay people who did not have special callings in the church, but who led active lives in the world as spouses, parents, heads of households, professionals, and citizens. These treatises reveal a different side of Ambrose and show that he developed an ethics of moderation based on an Aristotelian and Stoic anthropology, which he modified in the light of biblical ethics and St. Paul's view of human nature. Colish’s analysis sharply revises previous estimates of Ambrose the ethicist through a careful consideration of the patriarch treatises in their historical context, as Lenten sermons delivered by Ambrose to the catechumens in his Milanese church whom he was preparing during Lent for their coming Easter baptism. The pastoral context and intended audience of these treatises have largely been ignored in previous scholarship. Colish contends that when the treatises are read as Ambrose intended for them to be received, as a corpus of works aimed at the conversion of pagan Roman adults to Christianity, Ambrose’s vision of a Christian ethics for the common man emerges.

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A 2019 Outstanding Science Trade Book for Students: K–12 (National Science Teachers Association and the Children's Book Council).An anatomy lesson like no other! Look inside the human body with the magic three-color lens and x-ray from head to toe to discover how your body works. Use the red lens to reveal the skeleton, the green to see the muscles working and x-ray your organs with the blue lens to find out what they do day and night to keep you alive. Uncover the secrets of the human body and explore how its different systems work in this stunning follow-up to the internationally bestselling Illuminature. Jam-packed with detailed illustrations and full of facts and information, this innovative encyclopedia from from Milan-based design duo Carnovsky will make you see the human body in a whole new light. With every illustration containing three separate layers to pore over, this book will reward rereading again and again, providing hours of independent entertainment and education for young readers. See 3 images in 1 with the eye-boggling Illumi series, featuring magic-lens artwork from creative design duo Carnovsky. Dinosaurs, animals, the human body and even ghosts are envisioned like never before in this groundbreaking series. The explosions of colour on each page are in fact three distinct layers of illustrations, each exploring a different aspect of a fascinating subject. Use the three-colour lens to reveal the hidden details on each one, then read all about the topic on in-depth fact pages. There’s always something new to discover in Illumi! Also available: Illuminatlas, Illuminightmare, Illuminature and Illumisaurus.

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The exclusive world of one of the twentieth century's most glamorous and alluring women, as seen through her private homes and gardens. Nicknamed The Swan by Richard Avedon when he photographed her iconic portrait in 1953, Marella Agnelli is not only one of the great beauties of the last century, but also the most elegant and cultured of that exclusive club. Born the Neapolitan princess Marella Caracciolo di Castagneto, she became Marella Agnelli with her marriage to Gianni Agnelli, the Fiat industrialist. However, her innate style dates back to her New York internship with photographer Erwin Blumenfeld, and she was a Vogue contributor in the 1950s and '60s as well as appearing in its pages. One of the most photographed women of the jet-set society, she was captured by Avedon as well as Irving Penn, Henry Clarke, Horst, and Robert Doisneau, among others. Agnelli collaborated with the best artists and designers of her day, with her many residences as their palette. From Italian interior design legend Renzo Mongiardino-who worked on her New York apartment alongside a young Peter Marino-to Gae Aulenti, the important Italian architect, who built her homes in Turin and Marrakech, Agnelli created a series of extraordinary houses and gardens, full of timeless elegance, invaluable art, and ground-breaking decorating ideas. With ten residences spread throughout Turin, Rome, Milan, New York, St. Moritz, and Marrakech, ranging from regally classic villas to ultramodern apartments, her impeccable taste shines through in these gorgeous interiors and gardens. One of the famous modern fairy tales of love, glamour, and heartbreak, Marella Agnelli has become an icon of our times.

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