Search results for ""carnival""

What child isn’t excited to get the baby in the king cake? But it’s not all fun in games for third grader, Miley. After finding the baby in her slice of cake, she is crowned Queen of her classroom and quickly learns her new power comes with responsibility.As Queen, it’s Miley’s job to bring the next king cake to class, and she wants to make her friends happy by bringing the perfect one. Which king cake should she choose? New Orleans has hundreds of different kinds and everyone has a different opinion about what makes Louisiana’s favorite confection special! But with some advice from her dad and the help of a four-and-a-half-foot-tall plastic baby and a team of talking pastries, Miley tries to get to the bottom of Mardi Gras’ most pressing question once and for all: who makes the best king cake?From Matt Haines, author of mega-hit The Big Book of King Cake, comes the children’s book adaptation of Matt’s very own king cake story. The Little Book of King Cake is brought to life through Matt’s expert storytelling and the marvelous art of Louisiana illustrator Aileen Bennett. It’s a great addition to the library of anyone who loves The Big Book of King Cake, as well as the perfect holiday or Carnival season gift for the little king cake lovers in your life.

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Locked together in an affectionate sibling rivalry, Minneapolis and its twin city St.Paul are constantly growing and changing. Minneapolis-St.Paul Then and Now shows how Minnesota’s two largest cities have expanded along the banks of the Mississippi river and merged over the last 150 years. (Although if St. Paul had stuck with its original name it would be Minneapolis-Pig’s Eye Landing, the name came from a notorious whiskey runner.) The long and cold Minnesota winters and humid summers have spawned an architecture to feat the weather with indoor shopping malls, domed stadia, skyways and a whole host of sports and celebrations that thrive in this climate. The St. Paul Winter Carnival is the oldest winter celebration in North America. Using archive photos pairing vintage photos from the nineteenth and twentieth centuries with their modern-day viewpoint, local author Bill Lindeke shows how the Twin Cities have developed from simple trading posts on the banks of the Mississippi in “the land of 10,000 lakes.” Sites include: Forum Cafeteria, Lumber Exchange Building, Foshay Tower, City Hall, Pillsbury ‘A’ Mill, Milwaukee Depot, Metropolitan Building, Huber H. Humphye Metrodome, Triangle Bar, Loring Park, Basilica of St. Mary, University of Minnesota, Northrup Auditorium, Swedish Institute, Minneapolis Institute of Art, Hennepin and Lake, Lake Calhoun, Lake Harriet, Minnehaha Falls, Fort Snelling, Seven Corners, Landmark Center, Mickey’s Diner, First State Capitol Building. Third State Capitol, Science Museum, St.Paul Union Depot and Castle Royal.

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Provides vivid accounts of commercial and leisure spaces that captivated the public imagination in the past but have since been destroyed, forgotten, or refurbished. Monsoon Marketplace uncovers the entangled vernacular cultures of capitalist modernity, mass consumption, and media spectatorship in two understudied postcolonial Asian cities across three crucial historical moments. Juxtaposing Manila and Singapore, it analyzes print and audiovisual representations of popular commercial and leisure spaces during the colonial occupation in the 1930s, national development in the 1960s, and neoliberal globalization in the 2000s. Engaging with the work of creators including Nick Joaquin, Kevin Kwan, and P. Ramlee, it discusses figures of female shoppers in 1930s Manila, languid expatriates in 1930s Singapore, street hawkers in 1960s Singapore, youthful activists in 1960s Manila, call center agents in 2000s Manila, and super-rich investors in 2000s Singapore. Looking at the historical transformation of Calle Escolta, Avenida Rizal, Raffles Place, and Orchard Road, it focuses on Crystal Arcade, the Manila Carnival, the Great World and New World Amusement Parks, and Change Alley, all of which had once captivated the public imagination but have since vanished from the cityscape. Instead of treating capitalism, media, and modernity as overarching systems or processes, the book examines how their configurations and experiences are contingent, variable, pluralistic, and archipelagic. Diverging from critical theories and cultural studies that see consumerism and spectatorship as sources of alienation, docility, and fantasy, it explores how they create new possibilities for agency, collectivity, and resistance.

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Welcome to I Spy Island: the unmissable new series from multi-million copy bestsellers Sue Hendra and Paul Linnet‘Sunny, silly and ideal for reading aloud’Sunday Express ‘It’s a blast of sunshine in book form’The Observer In the middle of the ocean, miles from anywhere is a happy little island who loves to play I Spy... Join Island, and friends Glove, Banana, Bird and Bottle as they investigate the curious case of what's just washed up on Island's chin... What can it be? And what adventures lie in store? This terrific tale of fun, friendship and sunshine is brought to you by the brilliant brains behind such bestselling and beloved characters as Supertato, Barry the Fish with Fingers, Norman the Slug with the Silly Shell and No-Bot the Robot with No Bottom.ALSO BY SUE HENDRA & PAUL LINNET: Supertato series:Supertato Supertato: Veggies Assemble Supertato: Run, Veggies, Run! Supertato: Evil Pea Rules Supertato: Veggies in the Valley of Doom Supertato: Carnival Catastro-PeaSupertato: Bubbly Troubly! (coming March 2021)Other Supertato books:Supertato Sticker Activity BookSupertato Super Squad Supertato Sticker Skills (coming May 2021)Selected other titles by Sue Hendra & Paul Linnet:Barry the Fish with Fingers Norman the Slug with the Silly Shell Keith the Cat with the Magic Hat Doug the Bug that went Boing! I Need a Wee! No-Bot the Robot with No Bottom No-Bot the Robot's New Bottom

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In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean?Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure.The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.

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In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean?Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure.The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.

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Help Supertato gather his squad to teach the Evil Pea a lesson in this boldly illustrated and tactile shaped board book! Perfect for existing Supertato fans, and due to it's baby-friendly board book format, Supertato Super Squad is a brilliant starting point for younger readers, too. Supertato has enlisted his Super Squad – Pineapple, Carrot, Broccoli and Cucumber – in his plan to stop the Evil Pea from being so naughty. He's going to need a box, some string and some – cupcakes? What on Earth is Supertato up to? This hilarious mini adventure (which has an important message about kindness) is perfect for younger readers, with bold artwork, a shorter text and a sturdy board book format. From much-loved picture book duo, Sue Hendra and Paul Linnet, whose books have sold over 1.6 million copies to date!Look out for Supertato's bestselling story adventures:Supertato Supertato: Veggies Assemble Supertato: Run, Veggies, Run! Supertato: Evil Pea Rules! Supertato: Veggies in the Valley of Doom Supertato: Carnival Catastro-PeaAlso by Sue Hendra and Paul Linnet:No-Bot: The Robot with No Bottom No-Bot: The Robot's New Bottom Barry the Fish with Fingers Barry the Fish with Fingers and the Hairy Scary Monster Norman the Slug with the Silly Shell Norman the Slug Who Saved Christmas Keith the Cat with the Magic Hat Gordon's Great Escape Doug the Bug that Went Boing I Need a Wee Alan the Bear: Party Time Alan the Bear: Bedtime

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From a master chronicler of legal and financial misconduct, a magnificent investigation nine years in the making, this book traces the political intrigue and inner workings of the Catholic Church. Decidedly not about faith, belief in God, or religious doctrine, this book is about the church's accumulation of wealth and its byzantine entanglements with financial markets across the world. Told through 200 years of prelates, bishops, cardinals, and the Popes who oversee it all, Gerald Posner uncovers an eyebrow-raising account of money and power in perhaps the most influential organization in the history of the world. God's Bankershas it all: a rare exposé and an astounding saga marked by poisoned business titans, murdered prosecutors, mysterious deaths of private investigators, and questionable suicides; a carnival of characters from Popes and cardinals, financiers and mobsters, kings and prime ministers; and a set of moral and political circumstances that clarify not only the church's aims and ambitions, but reflect the larger dilemmas of the world's more recent history. And Posner even looks to the future to surmise if Pope Frances can succeed where all his predecessors failed: to overcome the resistance to change in the Vatican's Machiavellian inner court and to rein in the excesses of its seemingly uncontrollable financial quagmire. Part thriller, part financial tell-all, this book shows with extraordinary precision how the Vatican has evolved from a foundation of faith to a corporation of extreme wealth and power.

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In the 1960s United Kingdom, as Swinging London is underway, the existence of fairies is exposed to the light of day. Is humanity ready? It’s the Swinging Sixties in the UK, and fairies have revealed themselves to the world! Now, as the fairies integrate into society, the question on everyone’s mind is… is humanity ready? This brand new anthology series touches on themes of love, racism and xenophobia, and societal change through a supernatural lens that will appeal to fans of Carnival Row and other fantastical fiction! This first volume contains two stories. First, we meet Annan, a young faerie drawn by the lights of Swinging London, who leaves the forest to pursue her dreams of stardom! She encounters the beautiful Stella and immediately falls in love. But her happiness is cut short when her lover disappears, revealing the truth beneath the glamour -- Rejection may be only a small part of what awaits her... Next, a brand new story by Jul Maroh (Blue is the Warmest Color)! When she arrives in London to investigate a strange rite that's linked to people going missing, Ailith is happy to accept help from a childhood friend, Elliott, who is a police officer with some serious hate for faeries. Her investigation will lead her to the heart of the forest, where she'll question everything she knows about faeries and make discoveries that will change her life!

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Provides vivid accounts of commercial and leisure spaces that captivated the public imagination in the past but have since been destroyed, forgotten, or refurbished. Monsoon Marketplace uncovers the entangled vernacular cultures of capitalist modernity, mass consumption, and media spectatorship in two understudied postcolonial Asian cities across three crucial historical moments. Juxtaposing Manila and Singapore, it analyzes print and audiovisual representations of popular commercial and leisure spaces during the colonial occupation in the 1930s, national development in the 1960s, and neoliberal globalization in the 2000s. Engaging with the work of creators including Nick Joaquin, Kevin Kwan, and P. Ramlee, it discusses figures of female shoppers in 1930s Manila, languid expatriates in 1930s Singapore, street hawkers in 1960s Singapore, youthful activists in 1960s Manila, call center agents in 2000s Manila, and super-rich investors in 2000s Singapore. Looking at the historical transformation of Calle Escolta, Avenida Rizal, Raffles Place, and Orchard Road, it focuses on Crystal Arcade, the Manila Carnival, the Great World and New World Amusement Parks, and Change Alley, all of which had once captivated the public imagination but have since vanished from the cityscape. Instead of treating capitalism, media, and modernity as overarching systems or processes, the book examines how their configurations and experiences are contingent, variable, pluralistic, and archipelagic. Diverging from critical theories and cultural studies that see consumerism and spectatorship as sources of alienation, docility, and fantasy, it explores how they create new possibilities for agency, collectivity, and resistance.

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In 1859, the S.S. Great Eastern departed from England on her maiden voyage. She was a remarkable wonder of the nineteenth century: an iron city longer than Trafalgar Square, taller than Big Ben's tower, heavier than Westminster Cathedral. Her paddles were the size of Ferris wheels; her decks could hold four thousand passengers bound for America, or ten thousand troops bound for the Raj. Yet she ended her days as a floating carnival before being unceremoniously dismantled in 1889. Steamships like the Great Eastern occupied a singular place in the Victorian mind. Crossing oceans, ferrying tourists and troops alike, they became emblems of nationalism, modernity, and humankind's triumph over the cruel elements. Throughout the nineteenth century, the spectacle of a ship's launch was one of the most recognizable symbols of British social and technological progress. Yet this celebration of the power of the empire masked overconfidence and an almost religious veneration of technology. Equating steam with civilization had catastrophic consequences for subjugated peoples around the world. Engines of Empire tells the story of the complex relationship between Victorians and their wondrous steamships, following famous travelers like Mark Twain, Charles Dickens, and Jules Verne as well as ordinary spectators, tourists, and imperial administrators as they crossed oceans bound for the colonies. Rich with anecdotes and wry humor, it is a fascinating glimpse into a world where an empire felt powerful and anything seemed possible—if there was an engine behind it.

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She would appear in more than thirty films and be named after a Road Atlas by Cecil B Demille. A football play would be named after her. She would appear on To Tell the Truth. She would be arrested six times in one day for indecency. She would be immortalized in the final scene of The Right Stuff, cartoons, popular culture, and live on as the iconic symbol of the Chicago World’s Fair of 1933. She would pave the way for every sex symbol to follow from Marilyn Monroe to Lady Gaga. She would die penniless and in debt. In the end, Sammy Davis Jr. would write her a $10,000 check when she had nothing left. Her name was Sally Rand. Until now, there has not been a biography of Sally Rand. But you can draw a line from her to Lana Turner, Marilyn Monroe, Raquel Welch, Ann Margret, Madonna, and Lady Gaga. She broke the mold in 1933, by proclaiming the female body as something beautiful and taking it out of the strip club with her ethereal fan dance. She was a poor girl from the Ozarks who ran away with a carnival, then joined the circus, and finally made it to Hollywood where Cecil B Demille set her on the road to fame with silent movies. When the talkies came her career collapsed, and she ended up in Chicago, broke, sleeping in alleys. Two ostrich feathers in a second-hand store rescued her from obscurity.

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A flash card set to accompany the Key Words series, from Ladybird.The bestselling Key Words with Peter and Jane reading scheme has been used successfully by parents and teachers all over the world for more than 45 years. This flash card pack contains the 100 key words that make up 50 per cent of those we read, write and speak every day. It is ideal for building reading confidence and using alongside the Key Words with Peter and Jane reading books. Use the cards and the helpful parent guide included inside the pack to help your child recognize words, build sentences and play games.The Ladybird Key Words with Peter and Jane series:Play With Us; Reading with Sounds; Boys and Girls; Read and Write; Fun and Games; Mountain Adventure; The Carnival; Books are Exciting; Happy Holiday; Jump from the Sky; I Like to Write; We like to Help; The Big House; The Mystery on the Island; Adventure at the Castle; Sunny Days; Out in the Sun; More Sounds to Say; Learning is Fun; Say the Sound; Enjoying Reading; The Open Door to Reading; Easy to Sound; Let me Write; Adventure on the Island; Boxset; Fun with Sounds; Games We Like; Have a Go; Fun at the Farm; Where we Go; The Holiday Camp Mystery; Our Friends; We have Fun; Things We Like; Things We Do; Look at This; Flash Cards

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From Twelfth Night to Mardi Gras, follow Phoebe, a tiny bulldog on a tail-wagging adventure through the streets of New Orleans in search of a parade just for dogs!"Beads, bouncy balls, and blinky rings...You can catch so many things.So many things to see and do!Throw me something I can chew!"Phoebe Cakes The Bulldog is a sturdy, 24-page board book that engages children with interactive search-and-find flaps on every spread. The dynamic illustrations and clever rhyming verses guide readers to discover the sights and sensations of Mardi Gras in New Orleans.Join Phoebe Cakes, a special needs bulldog, as she searches for a Mardi Gras parade just for dogs. Ring in carnival season with a “Twelfth Night” celebration ride on the historic St. Charles Avenue streetcar. Tour New Orleans neighborhoods and discover the spectacular house floats of Yardi Gras that began during the pandemic but are surely here to stay. Take time to savor all the King Cake flavors and just maybe you’ll find the baby!Don’t forget to yell, “Throw me something mister, Throw me something sister!” and catch beads and other “throws” at every parade around the city. When Fat Tuesday comes to an end, yell “amen”! We’ll do it all again…next year!This colorful book features flaps on every spread that engage children with a question and then reveal a surprise as they open the flap.

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From windmills and airplanes to dollhouses and spinning tops, now parents and children can create homemade toys reminiscent of years gone by. Simple diagrams and easy-to-follow instructions will inspire you and your children to tackle projects in a range of difficulty. Children will take great pride in their homemade toys, and parents will love the classic toys of their own childhood—and finally, a break from TV and video games! Learn how to: Design a floor plan and build a three-story dollhouse—and all the furniture to go inside! Make a toy car, complete with driver, out of the interior of an old clock. Build a carriage and cradle for a favorite doll. Create a clockwork carnival, with a Ferris wheel, circus tent, merry-go-round, and more. Make your own Malay tailless kite or box kite—and in the process, pick up handy tips on how to best fly your new kite. And construct dozens more timeless, exciting toys! Younger children will love working with parents to create beautiful toys; older children will be eager to build toys all by themselves with a few basic tools. Even adults will want to take a stab at recreating these classic toys made from wood, cardboard, simple electronics, and other easily affordable materials! Packed with exciting activities to do individually and with family and friends, this book is a fantastic gift for children of all ages.

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Following the chance discovery of certain documents, a historian sets out to unravel the mystery of a murder committed in his childhood Mexico City home in the autumn of 1942. Mexico had just declared war on Germany, and its capital had recently become a colorful cauldron of the most unusual and colorful of the European ilk: German communists, Spanish republicans, Trotsky and his disciples, Balkan royalty, agents of the most varied secret services, opulent Jewish financiers, and more. As the historian-turned-detective begins his investigation, he introduces us to a rich and eccentric gallery of characters, the media of politics, the newly installed intelligentsia, and beyond. Identities are crossed, characters are confounded; Pitol constructs a novel that turns on mistaken identities, blurred memories, and conflicting interests, and whose protagonist is haunted by the ever-looming possibility of never uncovering the truth. At the same time a fast-paced detective investigation and an uproarious comedy of errors, this novel cemented Pitol’s place as one of Latin America’s most important twentieth-century authors. Winner of the Herralde Prize in 1984, The Love Parade is the first installment of what Pitol would later dub his Carnival Triptych. “This novel is not only the best that Pitol has written, but one of the best novels in Mexican literature.” —Sergio González Rodríguez, La Jornada “Sergio Pitol in the splendor of his mastery. A great novel.” —Florian Borchmeyer, Frankfurter Allgemeine Zeitung

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A The Telegraph and Observer Book of the Year. This prose and poetry tour de force of storytelling has the narrative punch of a novel. It is a new departure for the poet, and for poetry itself. It takes the reader into the not-too-distant future: an artificial intelligence rules the world, and a working-class family use their wits to live off the land. William Letford blends prose and his inimitable poetry: sci-fi and hunter-gatherer are merged into a coherent story in the pages of a stonemason's journal. 'You won't see the best of a Macallum until you put something in their fist,' says Letford, introducing the family. 'Joiner, nurse, stonemason, hairdresser, plumber, gardener. Lorna even repairs vintage watches. That's the quantum mechanics of manual labour.' We join the Macallum family as they combine their skills to reconnect with the land in a world where the empowered are hell-bent on creating a new utopia. Joe, the stonemason, records in his journal the struggles and successes of a carnival of characters. They hurl grace and humour at a future that is being shaped by a single, powerful entity. Letford's storytelling is gritty and beautiful. 'A Macallum, it seems to me now, is made to move, to think on the run. The sofas in our houses were sinkholes. The actors on a fifty-two-inch flat screen - shadows on a cave wall.'

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"If there's anyone doing sports who is even close, I haven't read him."—Mike Royko. Ira Berkow's stories in the sports pages of the New York Times transcend what we know as "sportswriting." Mr. Berkow has a clear understanding of the games he reports, but he also has a sharp eye for the lives of the players, an appreciation of the larger social context, and–not least–an affinity for the well-turned phrase. The Minority Quarterback contains thirty-eight examples of his craft. His subjects have often been touched, transformed, enriched, or, in some cases, destroyed by circumstances that may have nothing to do with their sports connection. The centerpiece of the book is Mr. Berkow's widely admired story of a white quarterback who chose to play football at an all-black college in Baton Rouge, Louisiana, and what happened to him. Like most of his stories, it offers a surprising perspective and is certain to provoke. But Mr. Berkow can also capture the playfulness of Muhammad Ali, the dignity of Arthur Ashe, the intensity of Michael Jordan, or the buffoonery of Marge Schott. He can report engagingly on lunch at Lutéce with Chuck Norris, or describe the carnival atmosphere of Jake La Motta's wedding in Las Vegas. The Minority Quarterback is a book for anyone who loves good writing; for sports lovers especially, these pieces are candy treats–but without soft centers.

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A gripping historical fiction friendship story that will grab everyone by the heartstrings and never let go.A giant, a dwarf, and three doomed circus animals . . .By her fourteenth birthday, Babe Killingsworth measures 6ʹ9ʺ and weighs 342 pounds. In 1896, what other options does a giant have but to join a carnival?Her only real talent is handling animals: “Critters is folks to me.” The cheap outfit her feckless father sells her off to offers critters galore; an escape from Neal, Idaho; and a bit of fame. It also opens the doorway to exploitation and neglect.But Babe’s love for Euclid (a chimp) and Jupiter (a bear) keeps her anchored, and in Professor Renoir’s Collection of Oddities, Curiosities, and Delights, she is among her own kind.Enter Carlotta Jones, billed as the world’s smallest girl, whose elephant act leaves much to be desired. At thirty inches tall, Carlotta is beautiful, spoiled, and demanding and has very little talent—Egypt, her elephant, dances better than she does.How can a giant like Babe and a dwarf like Carlotta ever see eye to eye? They don’t at first, but soon they understand that a common enemy can bring anyone together—even a giant and a dwarf."Platt proves again she is unafraid to tackle intensely emotional issues for young readers in this beautifully written piece. Like its title, it inspires both curiosity and delight.” —Booklist

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When Malaika finds out she is going to have a new baby brother or sister, she worries that her mother will forget about her. But a surprise arrives on Malaika’s birthday that gives her more reason to celebrate her family’s love. It’s summertime, and Malaika and Adèle are enjoying playing carnival in their bright costumes, dancing and laughing in the sunshine. But when Mummy announces that they will soon have a new baby brother or sister, Malaika is unsure how to feel about another change in her family. Will Mummy forget about me? Back at school, Malaika is excited to see her teacher and classmates, and makes friends with a new girl who has recently arrived from a faraway country, just like Malaika. Then on her birthday, a surprise arrives to remind Malaika of the importance of family, and the story ends with a celebration of her family’s love. Malaika’s Surprise is filled with the same warmth and charm as the first two books in the series, with Nadia L. Hohn’s enchanting prose, written in a blend of standard English and Caribbean patois, and Irene Luxbacher’s colorful collage illustrations. Key Text Features glossary key text features Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.4 Ask and answer questions about unknown words in a text. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges.

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It all started at the carnival. . . .That’s where Joey makes a new friend: a bright yellow balloon. Joey and his beloved balloon do everything together, until the balloon accidentally slips off Joey’s wrist and flies far, far away. What will Joey do without his special friend?Tiffany Papageorge has crafted a poignant tale of love, loss, and letting go that will serve as a comforting guide to children who are navigating the complicated emotions of grief. Rich, luminous illustrations by Erwin Madrid perfectly capture these timeless themes, making them accessible to even the youngest reader.Honest, unflinching, and ultimately reassuring, My Yellow Balloon will resonate with anyone who has endured the darkness of grief, while offering hope for brighter days ahead.Todo comenzó en el carnaval. . . .Ahí es donde Joey consigue un nuevo amigo: un brillante globo amarillo. Joey y su globo amado lo hacen todo juntos, hasta que el globo accidentalmente se desliza de la muñeca de Joey y vuela lejos, muy lejos. ¿Qué hará Joey sin su amigo especial?Tiffany Papageorge ha escrito un cuento conmovedor de amor, pérdida y desprendimiento que servirá como una guía reconfortante para los niños que están navegando las complicadas emociones de la pena y el duelo. Las ilustraciones ricas y luminosas de Erwin Madrid captan perfectamente estos temas atemporales, haciéndolos accesibles incluso al lector más joven.Honesta, inquebrantable y, en última instancia tranquilizadora, Mi globo amarillo resonará con cualquiera que haya soportado la oscuridad de la tristeza, mientras ofrece la esperanza de días más brillantes por delante.

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For two years British photographer Anna Fox documented holiday culture at the iconic Butlin’s resort in the seaside town of Bognor Regis, West - Sussex. This new book Resort 2 is the second part of the Resort project. Resort 1 , published in the Fall of 2013, looked at “Family Breaks” at this iconic holiday camp, providing a unique insight into contemporary British leisure culture. Resort 2 observes a very different kind of holi day, the themed adult breaks, taking place about once every six weeks inside this very British holiday camp. Butlin’s, famed for its family holidays since its creation in the mid - 1930’s, needed to rework it s branding from the 1970’s onwards. Cheap package holidays started to draw families away from this popular resort and several of the camps closed down. Having attracted tens of millions of holidaymakers since its creation in 1936, the popularity of Butlin’s was at stake an d after the rebranding of the “F a mily B reaks” came a new invention – the “Adult only Themed Weekends”. Steeped in a carnival atmosphere these raucous weekends bring out a range of fantastic characters from groups of imitation pop icons such as Amy Winehouse and Elvis to gangs of male fair ies. With various titles such as “Back to the 60’s” or “90’s Re - loaded” and the marvellous “Hot Summer Party”, these wee kends attract thousands of work - worn adults ready to try out exotic fancy dress and party hard for two days and three nights.

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Discover 100 life-changing travel experiences. Familiar faces from the world of travel, plus Lonely Planet writers, share their most remarkable, poignant and memorable experiences from the road - moments that changed them as individuals and reshaped their perspective on the world. Tales includes a Rwandan gorilla encounter, reincarnation on the Ganges, horse riding with Patagonian gauchos, witnessing Nelson Mandela's first free speech, watching a space shuttle launch, crossing the Gobi desert on foot, and a son journeying with his mother back to Alexandria, the city of her childhood. Destinations include Monument Valley Navajo Tribal Park in Utah, Cape Town, Gir National Park in India, the Western Wall in Jerusalem, Carnival in Rio de Janeiro, the Trans-Siberian Railway, Antarctica, Samburu National Reserve in Kenya, Samye Monastery in Tibet and Madagascan forests. With each story, you'll get a powerful account of how the experience unfolded and what it was like to be there, right at that moment. A 'Build Up' and 'Take Away' complete the story, detailing how the moment made a lasting impact on the contributor's life. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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Winner of the 2016 Religious Communication Association Book of the Year Award In God Mocks, Terry Lindvall ventures into the muddy and dangerous realm of religious satire, chronicling its evolution from the biblical wit and humor of the Hebrew prophets through the Roman Era and the Middle Ages all the way up to the present. He takes the reader on a journey through the work of Chaucer and his Canterbury Tales, Cervantes, Jonathan Swift, and Mark Twain, and ending with the mediated entertainment of modern wags like Stephen Colbert. Lindvall finds that there is a method to the madness of these mockers: true satire, he argues, is at its heart moral outrage expressed in laughter. But there are remarkable differences in how these religious satirists express their outrage.The changing costumes of religious satirists fit their times. The earthy coarse language of Martin Luther and Sir Thomas More during the carnival spirit of the late medieval period was refined with the enlightened wit of Alexander Pope. The sacrilege of Monty Python does not translate well to the ironic voices of Soren Kierkegaard. The religious satirist does not even need to be part of the community of faith. All he needs is an eye and ear for the folly and chicanery of religious poseurs. To follow the paths of the satirist, writes Lindvall, is to encounter the odd and peculiar treasures who are God’s mouthpieces. In God Mocks, he offers an engaging look at their religious use of humor toward moral ends.

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Launched at the 1982 Notting Hill Carnival, The Voice newspaper captured and addressed a generation figuring out what it meant to be Black and British. Written for and by Black people, the newspaper shone a light on systematic injustices as well as celebrating Black Britain's success stories. From hard hitting news reports covering the murder of Stephen Lawrence to championing the likes of Sir Lewis Hamilton and Idris Elba, the newspaper has campaigned, celebrated and educated people for the last forty years.As well as celebrating amazing successes in sport, politics and the arts, The Voice documented everyday life in the community, from the emergence of a Black middle class in the '90s and the achievements of Black entrepreneurs to how different facets of the community were explored in contemporary music and literature. Since its small beginnings in Hackney, The Voice has also become a fantastic training ground for prominent journalists and figures including former politician Trevor Phillips, broadcaster Rageh Omaar and writer Afua Hirsch. Today, The Voice is Britain's longest running and only Black newspaper.Told through news reports, editorials and readers' personal letters, this emotive book documents the social history of Black Britain over the last four decades. Each chapter is illustrated with amazing newspaper pages from The Voice's extensive archives as well as iconic and dramatic front covers from 1982 to the present day.With a foreword from Sir Lenny Henry and written by former and current Voice journalists, this powerful book is a celebration of the ground-breaking paper which gave a voice to the voiceless.

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The brilliant new fantasy novel from the acclaimed and multi-award winning author of City of Lies . . . 'Marvellous . . . will leave you reading late into the night.' SFX'Poisoners, deceit and treachery . . . will surely keep readers entranced.' TERRY BROOKS'One of the standout debuts - and books - of the year.' THE FANTASY HIVE'Absolutely loved this . . . a wonderful read.' JOHN GWYNNE'One of the best new fantasies I've seen in a long time.' ADRIAN TCHAIKOVSKY'A bold new fantasy voice.' LAURA LAM_____________________________________________You never get used to poisoning a child . . . Two years after a devastating siege tore the country apart, Silasta has recovered. But to the frustration of poison-taster siblings Jovan and Kalina, sworn to protect the Chancellor, the city has grown complacent in its new-found peace and prosperity. And now, amid the celebrations of the largest carnival the continent has ever seen, it seems a mysterious enemy has returned.The death of a former adversary sets Jovan on the trail of a cunning killer, while Kalina negotiates the treacherous politics of visiting dignitaries, knowing that this vengeful mastermind may lurk among the princes and dukes, noble ladies and priests. But their investigations uncover another conspiracy which now threatens not just Silasta and the Chancellor but also their own family. Assassins, witches and a dangerous criminal network are all closing in. And brother and sister must once more fight to save their city - and everyone they hold dear - from a patient, powerful enemy determined to tear it all down . . .

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In a career that spanned half a century, Caroline Durieux, a master lithographer, created prints that chronicled the beauty and absurdity of academia, New Orleans's famed Carnival season, characters observed from everyday life, and more. Caroline Durieux: Lithographs of the Thirties and Forties brings together fifty-eight images that reveal her keen understanding of both the comic and tragic aspects of satire. These remarkable works, with accompanying text by art historian Richard Cox, establish her place within the tradition of American satirical art. A new foreword by art historian Sally Main and archivist Susan Tucker considers Durieux's life and influence from her main periods of activity through the present day.Born in New Orleans in 1896, Durieux spent several years with her husband in Cuba before the two settled in Mexico City for a decade, and Latin American settings inspired some of her earliest forays into lithography. Her time in Mexico also brought her into contact with Diego Rivera, whose enthusiasm for her work brought her national and international attention. When Durieux returned to the United States in 1936, she taught art classes and held several positions with the Works Progress Administration (WPA), where she championed local artists and oversaw the creation of an index of Louisiana art and numerous public art projects. The prints collected in this volume showcase the artist's humor as well as her keen eye for the scenes and people she encountered in Louisiana and abroad.Originally published in 1977 and long unavailable, Caroline Durieux: Lithographs of the Thirties and Forties finally returns to print.

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Join travellers Cat and Bird as they explore the world in this fun search-and-find book. With every turn of the page, there's a new busy city scene to discover - a colourful carnival in Rio, a funfair in Paris, a treasure-filled souk in Morocco. Our intrepid duo have spent all year planning their amazing trip: a city-hopping tour around the globe! They've packed their bags and are ready to go, but they need your help... In each city there are all kinds of things to spot, from tasty festival food and traditional hats to a famous landmark, a unique souvenir and a local animal or two. You'll need to hunt high and low, peep inside buildings and search among the crowds. And don't forget to look for Cat and Bird in every city too. About Lonely Planet Kids: Lonely Planet Kids - an imprint of the world's leading travel authority Lonely Planet - published its first book in 2011. Over the past 45 years, Lonely Planet has grown a dedicated global community of travellers, many of whom are now sharing a passion for exploration with their children. Lonely Planet Kids educates and encourages young readers at home and in school to learn about the world with engaging books on culture, sociology, geography, nature, history, space and more. We want to inspire the next generation of global citizens and help kids and their parents to approach life in a way that makes every day an adventure. Come explore!

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In Playful Pictures, Chriscinda Henry explores the rise of private art collection in Renaissance Venice as a diporto, or pastime, practiced within a kaleidoscopic matrix of domestic leisure that encompassed the recitation of poetry and tales, games, music making, amateur theatrical activity, and the conversational arts.Between around 1490 and 1550, a new class of pictures emerged in Venice. These images—primarily paintings but also drawings, prints, book illustrations, and historiated architectural elements—feature quotidian, festive, allusive, and performative subjects that catered to the cultural and intellectual interests of avant-garde patrons and collectors. Several generations of Venetian artists, including Vittore Carpaccio, Giorgione, Titian, Sebastiano del Piombo, Giovanni Cariani, Bernardino Licinio, and Paris Bordon, rose to meet the demand of modern collectors seeking entertaining artworks that could speak to their personal values and taste. Playful Pictures connects painting and the graphic arts with other art forms engaged in the home: vernacular literature and the novella tradition; pastoral music, verse, and theater; urban dialect comedies; and carnival and ludic culture. Taking an interdisciplinary approach that treats these pursuits as linked forms of creative practice, Henry argues that they served as dynamic forms of personal and collective expression for patrons, collectors, artists, and other virtuosi seeking to express a new set of secular values and a contingent notion of selfhood.Incorporating fresh evidence from archival sources, this book expands the discourse on Renaissance art by situating it within the growing, and increasingly nuanced, scholarly understanding of Renaissance leisure and entertainment culture.

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A tragic accident . . . or was it?Emperor Domitian has been awarded (or rather, has demanded) yet another Triumph to celebrate two so-called victories. Preparations are going smoothly until one of the men overseeing arrangements for the celebration accidentally falls to his death from a cliff on the symbolic Capitoline Hill. But Flavia Albia suspects there's more to the incident than meets the eye, as there are plenty of people who would have been delighted to be rid of the overseer. He was an abusive swine who couldn't organise a booze-up in a winery and was caught up in a number of scams, including one surrounding the supply of imperial purple dye and a family of shellfish-boilers. As Flavia finds herself drawn into a theatrical world of carnival floats, musicians, incense and sacrificial beasts, can she see to the heart of the matter and catch those responsible for the unpopular man's untimely death?*************Praise for Lindsey Davis and the Flavia Albia series'Lindsey Davis has seen off all her competitors to become the unassailable market leader in the 'crime in Ancient Rome' genre . . . Davis's squalid, vibrant Rome is as pleasurable as ever' - Guardian'Davis's prose is a lively joy, and Flavia's Rome is sinister and gloriously real' - The Times on Sunday'For fans of crime fiction set in the ancient world, this one is not to be missed' - Booklist'Davis's books crackle with wit and knowledge . . . She has the happy knack of making the reader feel entirely immersed in Rome' - The Times

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A GRANTA BEST OF YOUNG BRITISH NOVELIST 2023'Hallucinogenic, electric and sharp.' JESSICA ANDREWS'Will make most readers howl with laughter and/or shut their eyes in horror.' GUARDIAN**Pre-order Eliza Clark's next novel, PENANCE, now**Irina is in a rut. She obsessively takes explicit photographs of average-looking men she scouts from the streets of Newcastle while her dead-end bar job slips away; she's more interested in drugs, alcohol, and extreme cinema. When she's offered an exhibition at a fashionable London gallery which promises to revive her career in the art world, it should feel like an escape. But the news triggers a self-destructive tailspin, drawing in her obsessive best friend and a shy young man from her local supermarket who has attracted her attention . . .BOY PARTS is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboos of sexuality and gender roles in the twenty-first century.'Smart, stylish, and very funny.' LARA WILLIAMS'Boundaries are for breaking and if anyone can crash through and reinterpret the fear of our time, Eliza Clark can.' MSLEXIA'A carnival funhouse ride: terrifying, feverish, hilarious.' JULIA ARMFIELDWHAT READERS ARE SAYING:'A dark, funny, nasty book. Brilliantly written, annoyingly good.' 5* reader review'I am obsessed.' 5* reader review'Both shocking and darkly funny, this razor-sharp debut is unlike anything I've read before.' 5* reader review'I loved this, properly loved it!!' 5* reader review'Left me both in awe and totally disturbed. Wow.' 5* reader review

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Winner of the 2022 OCM Bocas Prize for Fiction.Shortlisted for the Society of Authors' McKitterick Prize 2022.Finalist of the 2022 Firecracker Award in Fiction.Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.

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The authoritative guide to planning, organising, managing and delivery events of all sizeAnyone responsible for organising a voluntary or public event will want to do it safely and well, complying with the legislation relating to different aspects of their event. This book will help you to research, plan, organise, manage and deliver any event, match, show, tournament or function that will be attended by more than a handful of people. You may be running a gymkhana, fete, fun run, steam fayre, half marathon, carnival, school sports day, jumble sale, tennis tournament, car boot sale, model aircraft show or even a huge pop festival or Formula 1 car race. Whatever it is, the principles are the same. As event manager you will need to research, plan, liaise with authorities, obtain permissions and licences, comply with legal requirements and then deliver the event to the public.Contents: 1. Introduction; 2. The event manager; 3. The event objective; 4. Planning the event; 5. Health & safety; 6. Type of event; 7. When to run the event; 8. Defining your target audience; 9. Audience size; 10. Advertising; 11. Event attractions; 12. Event requirements; 13. Accommodation and services; 14. Event site; 15. Traffic management; 16. Sign posting; 17. Permissions; 18. Car parking; 19. Radio communications; 20. Staffing; 21. First aid; 22. Security; 23. Insurance; 24. Emergency and normal procedures; 25. Formal presentation; 26. Event manager's manual; 27. Money; 28. Accounts; 29. Video diary/evidence; 30. Setting up; 31. Site maintenance; 32. Strip down/clear up; 33. Final debrief &; 34. Final report; 35. Conclusion; Annex A; Annex B; Index.

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Parade Magazine's “20 New LGBTQ+ Books We're Loving This Year”Women.com's “10 LGBTQ Must-Reads for Pride Month”She Knows.com's “10 Books Featuring Mother-Child Relationships & All Their Beautiful Complexity”In 1967, Fay Stonewell, a water tank escape artist in Florida, leaves for Vietnam to join the Amazing Humans—a jerry-rigged carnival there to entertain the troops—abandoning her disabled teenage son, Dickie, to the care of an abusive boyfriend. Months after Fay’s departure, Dickie’s troubled home life ends in a surprising act of violence that forces him to run away. He soon lands in Manhattan, where he’s taken in by eccentric artist Laurence Jones. Fay, meanwhile, is also facing dangerous threats. From the night her plane jolts onto a darkened Saigon runway, she is forced to confront every bad decision she’s ever made as she struggles to return to her son. But the Humans owner is hell-bent on keeping her in Vietnam, performing only for war-injured children at a hospital, daily reminders of the son she’s left behind. Decades later, Dickie is forty, living in a Massachusetts coastal town with a man who’s dying of AIDS, and doing everything he can to escape his past. But although Spin may be giving Dickie what he’s always wanted—a home without wheels—it seems that the farther Dickie runs, the tighter the past clings to him. Ultimately, What We Give, What We Take is a deeply moving story of second chances and rising above family circumstances, however dysfunctional they may be.

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All aboard for an exciting new Shifty McGifty and Slippery Sam escapade!When Shifty and Sam are asked to bake on board the Pawrient Express, travelling to Venice for Carnival night, they find themselves caught up in a robbery. A sneaky thief has stolen the posh passengers' gems and she's making her escape in a getaway gondola! The doggy detectives are hot on her tail, but can they unmask that kitty-cat criminal and save the day?Tracey Corderoy is a multi-award-winning author and has written over 70 books for children including collaborations with Rosalind Beardshaw and Sarah Massini. Steven Lenton has created many books with Tracey Corderoy and also illustrates books by David Baddiel, Frank Cottrell-Boyce and Peter Bently. His books have won awards such as the Sainsbury's Children's Book Award and have been selected for the WHSmith Children's Book of the Year and Tom Fletcher Book Club. Read all the Shifty and Sam picture book adventures: Shifty McGifty and Slippery Sam Shifty McGifty and Slippery Sam: The Cat Burglar Shifty McGifty and Slippery Sam: The Diamond ChaseShifty McGifty and Slippery Sam: The Missing MasterpieceShifty McGifty and Slippery Sam: Santa's Stolen SleighShifty McGifty and Slippery Sam: Pirates Ahoy!Have you read Shifty and Sam's two-colour early readers? Shifty McGifty and Slippery Sam: Jingle Bells! Shifty McGifty and Slippery Sam: Up, Up and Away! Shifty McGifty and Slippery Sam: The Spooky School Shifty McGifty and Slippery Sam: The Aliens Are Coming!

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The first book in the bestselling SUPERTATO series - now in a new cased board book format! Meet Supertato! He's always there for you when the chips are down. He's the superhero with eyes everywhere - but now there's a pea on the loose. A very, very naughty pea. Has Supertato finally met his match? The fabulous new character from Sue Hendra and Paul Linnet, the bestselling, award-winning creators of Barry the Fish with Fingers, I Need a Wee and Norman the Slug with the Silly Shell.Perfect for fans of Oi Frog!Praise for Supertato: 'Hilarious... One of the funniest picture books this year - read it and laugh out loud!' Creative Steps Magazine 'Hendra introduces another very silly but irresistible creation in the grand tradition of Barry, Norman, Keith et al.' BooksellerPraise for Norman the Slug with the Silly Shell: 'Lovely glittery illustrations and simple text make this a must for pre-schoolers' The Daily MailPraise for No-Bot the Robot with No Bottom: 'Fabulously funny and wonderfully warm' Liverpool Echo 'Fans of Barry, Norman and Keith will absolutely adore this new wonderfully eccentric new character' MumsnetOther titles in the Supertato series:Supertato: Veggies AssembleSupertato: Run Veggies RunSupertato: Evil Pea RulesSupertato: Veggies in the Valley of DoomSupertato: Carnival CatastropeaSupertato: Books Are Rubbish (WBD)Supertato Sticker BookSupertato: Bubbly Troubly Supertato Sticker Skills Supertato: Night of the Living Veg Supertato: The Great Eggscape Supertato: Presents Jack and the Beanstalk Supertato: Mean Green Time Machine

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Trinidad is known for its vibrant musical traditions, which reflect the island’s ethnic diversity. The annual Carnival, far and away the biggest event in Trinidad, is filled with soca and calypso music. Soca is a dance music derived from calypso, a music with African antecedents. In parang, a Venezuelan and Spanish derived folk music that dominates Trinidadian Christmas festivities, groups of singers and musicians progress from house to house, performing for their neighbors. Chutney is also an Indo-Caribbean music. In Bacchanalian Sentiments, Kevin K. Birth argues that these and other Trinidadian musical genres and traditions not only provide a soundtrack to daily life on the southern Caribbean island; they are central to the ways that Trinidadians experience and navigate their social lives and interpret political events.Birth draws on fieldwork he conducted in one of Trinidad’s ethnically diverse rural villages to explore the relationship between music and social and political consciousness on the island. He describes how Trinidadians use the affective power of music and the physiological experience of performance to express and work through issues related to identity, ethnicity, and politics. He looks at how the performers and audience members relate to different musical traditions. Turning explicitly to politics, Birth recounts how Trinidadians used music as a means of making sense of the attempted coup d’état in 1990 and the 1995 parliamentary election, which resulted in a tie between the two major political parties. Bacchanalian Sentiments is an innovative ethnographic analysis of the significance of music, and particular musical forms, in the everyday lives of rural Trinidadians.

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Concerned about sanitation during a severe bout of plague in Milan, Leonardo da Vinci designed an ideal, clean city. Leonardo was far from alone among his contemporaries in thinking about personal and public hygiene, as Douglas Biow shows in The Culture of Cleanliness in Renaissance Italy. A concern for cleanliness, he argues, was everywhere in the Renaissance. Anxieties about cleanliness were expressed in literature from humanist panegyrics to bawdy carnival songs, as well as in the visual arts. Biow surveys them all to explain why the topic so permeated Renaissance culture. At one level, cleanliness, he documents, was a matter of real concern in the Renaissance. At another, he finds, issues such as human dignity, self-respect, self-discipline, social distinction, and originality were rethought as a matter of artistic concern. The Culture of Cleanliness in Renaissance Italy moves from the clean to the unclean, from the lofty to the base. Biow first examines the socially elevated, who defined and distinguished themselves as clean, pure, and polite. He then turns to soap, an increasingly common commodity in this period, and the figure of the washerwoman. Finally he focuses on latrines, which were universally scorned yet functioned artistically as figures of baseness, creativity, and fun in the works of Dante and Boccaccio. Paralleling this social stratification is a hierarchy of literary and visual artifacts, from the discourse of high humanism to filthy curses and scatological songs. Deftly bringing together high and low-as well as literary and visual-cultures, this book provides a fresh perspective on the Italian Renaissance and its artistic legacy.

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In the midst of the feuds and famine of Tipperary, Ireland in 1846, Jim Donnelly and Johannah McGee fall passionately in love. She is the beautiful daughter of an affluent estate manager, he the rebellious son of dispossessed peasants. With her father’s men in pursuit and a sizable price on Jim’s head, they board a ship set for Canada to start a new life and put the troubles of the old country behind them. Thousands of miles away in rural Ontario, they find the feuds and vendettas of Ireland are very much alive. Jim must make a place for his young family not just with his back, but with his fists. Fifteen years later, the Donnelly family have become one of the most powerful in Lucan Township, loved by some and hated by others. Jim and Johannah’s sons are notorious as both fighters and lovers and torment the townspeople, swinging shillelaghs, burning barns and seducing daughters. But certain citizens of Lucan have had enough. At midnight on February 3, 1880, a mob of thirty armed men in women’s clothing and carnival masks ride out for the Donnelly farm. Sustained by whisky and the blessings of the local priest, their goal is to wipe the Donnelly family from the face of the earth. Yet there is an eye witness and during the trial that follows, it becomes clear that in small town Ontario of the late 1800s, order is valued above truth. Eventful and conveyed with cinematic detail, Cursed! Blood of the Donnellys is an engaging and historically enlightening read.

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Winner of the 2022 OCM Bocas Prize for Fiction.Shortlisted for the Society of Authors' McKitterick Prize 2022.Finalist of the 2022 Firecracker Award in Fiction.Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.

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From the vantage point of later middle life, Ian McDonald's collection looks into the heart of time passing: the coming death of ageing parents, the old men, the 'archive' of a disappearing Guyana who die one by one, the sight of 'my own lines of age' and the loss of pleasure in the glittering carnival of the senses. There are rich blessings of the arrival of a new child coming unexpected at this stage of life; and the consolations from books and in the power of art to preserve - at least for a time. But the very joys are made more piquant by the inescapable sense of the transitoriness of all things.Poems of moving domestic intimacy and humour ('To alarm their father's half to death / New-born babies hold their breath'), valedictory requiems for the characters who have given Georgetown life its flavour and regret for the country's loss of civility during its darkest recent years and songs in praise of nature are all part of a vision which looks into the darkness but says, 'Yes, it is as you say, / But let us get just one thing straight: / There is beauty in the world / ... And the star-tree blossoms in the night, / Night that will have an end' and asserts, 'Between silence and silence, there should be only praise.'Ian McDonald is Trinidadian by birth and Guyanese by long residence and adoption. He is the author of the recently filmed The Hummingbird Tree, four collections of poetry and a play. He edits Kyk-over-Al.

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In The Book of Fun, Polygon co-founder Russ Frushtick divulges the hidden backstories and fascinating facts about your favorite video games, theme parks, festivals, sports, and more. With 80+ digestible, entertaining entries, it's not just fodder for your next dinner party -- you might also discover your next great pastime, be it jousting, stunt acting, cheese rolling, or Swedish Bunny Hopping.For fans of pop-history, pop-science, and the many things mankind has invented to waste time, The Book of Fun explores:* Board Games: The world's oldest tabletop games (Senet, Go, Chess) and its most enduringly popular (Monopoly, Dungeons & Dragons, Settlers of Catan)* Toys: The history of your favorite playthings, like Barbie, Beanie Babies, Slinky, Furby, and LEGO* Video Games: The console wars of the '90s, the birth of game streaming, and unexpected Pokémon Go consequences* Theme Parks: Stories behind Coney Island's Cyclone, Disneyland's opening-day woes, and the bizarre parks built in a nuclear power plant and a Soviet bunker* Sports: The most fascinating athletic endeavors across the globe, from gladiatorial battles to Lucha Libre, pumpkin boat racing, and sumo wrestling* Stunts: Harry Houdini, Evel Knievel, Jackie Chan, and the incredible stunt artists you may not know* Festivals: From Carnival celebrations around the world to the stories of Woodstock, Burning Man, and a Spanish baby-jumping festival* Dressing Up: The origins of jesters, Halloween, cosplay, drag queen style, and more.* Roadside Attractions: Wacky spectacles like the 65-foot-tall Lucy the Elephant in New Jersey, the Mystery Hole in West Virginia, and the Cabazon Dinosaurs in California

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All aboard for an exciting new Shifty McGifty and Slippery Sam escapade!When Shifty and Sam are asked to bake on board the Pawrient Express, travelling to Venice for Carnival night, they find themselves caught up in a robbery. A sneaky thief has stolen the posh passengers' gems and she's making her escape in a getaway gondola! The doggy detectives are hot on her tail, but can they unmask that kitty-cat criminal and save the day?Tracey Corderoy is a multi-award-winning author and has written over 70 books for children including collaborations with Rosalind Beardshaw and Sarah Massini. Steven Lenton has created many books with Tracey Corderoy and also illustrates books by David Baddiel, Frank Cottrell-Boyce and Peter Bently. His books have won awards such as the Sainsbury's Children's Book Award and have been selected for the WHSmith Children's Book of the Year and Tom Fletcher Book Club. Read all the Shifty and Sam picture book adventures: Shifty McGifty and Slippery Sam Shifty McGifty and Slippery Sam: The Cat Burglar Shifty McGifty and Slippery Sam: The Diamond ChaseShifty McGifty and Slippery Sam: The Missing MasterpieceShifty McGifty and Slippery Sam: Santa's Stolen SleighShifty McGifty and Slippery Sam: Pirates Ahoy!Have you read Shifty and Sam's two-colour early readers? Shifty McGifty and Slippery Sam: Jingle Bells! Shifty McGifty and Slippery Sam: Up, Up and Away! Shifty McGifty and Slippery Sam: The Spooky School Shifty McGifty and Slippery Sam: The Aliens Are Coming!

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With its archaeological sites, colonial architecture, pristine beaches, and alluring cities, Mexico has long been an attractive destination for travelers. The tourist industry ranks third in contributions to Mexico’s gross domestic product and provides more than 5 percent of total employment nationwide. Holiday in Mexico takes a broad historical and geographical look at Mexico, covering tourist destinations from Tijuana to Acapulco and the development of tourism from the 1840s to the present day. Scholars in a variety of fields offer a complex and critical view of tourism in Mexico by examining its origins, promoters, and participants. Essays feature research on prototourist American soldiers of the mid-nineteenth century, archaeologists who excavated Teotihuacán, business owners who marketed Carnival in Veracruz during the 1920s, American tourists in Mexico City who promoted goodwill during the Second World War, American retirees who settled San Miguel de Allende, restaurateurs who created an “authentic” cuisine of Central Mexico, indigenous market vendors of Oaxaca who shaped the local tourist identity, Mayan service workers who migrated to work in Cancun hotels, and local officials who vied to develop the next “it” spot in Tijuana and Cabo San Lucas. Including insightful studies on food, labor, art, diplomacy, business, and politics, this collection illuminates the many processes and individuals that constitute the tourism industry. Holiday in Mexico shows tourism to be a complicated set of interactions and outcomes that reveal much about the nature of economic, social, cultural, and environmental change in Greater Mexico over the past two centuries.Contributors. Dina Berger, Andrea Boardman, Christina Bueno, M. Bianet Castellanos, Mary K. Coffey, Lisa Pinley Covert, Barbara Kastelein, Jeffrey Pilcher, Andrew Sackett, Alex Saragoza, Eric M. Schantz, Andrew Grant Wood

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Honorable Mention for the 2008 Robert Park Outstanding Book Award given by the ASA’s Community and Urban Sociology Section Mardi Gras, jazz, voodoo, gumbo, Bourbon Street, the French Quarter—all evoke that place that is unlike any other: New Orleans. In Authentic New Orleans, Kevin Fox Gotham explains how New Orleans became a tourist town, a spectacular locale known as much for its excesses as for its quirky Southern charm. Gotham begins in the aftermath of Hurricane Katrina amid the whirlwind of speculation about the rebuilding of the city and the dread of outsiders wiping New Orleans clean of the grit that made it great. He continues with the origins of Carnival and the Mardi Gras celebration in the nineteenth century, showing how, through careful planning and promotion, the city constructed itself as a major tourist attraction. By examining various image-building campaigns and promotional strategies to disseminate a palatable image of New Orleans on a national scale Gotham ultimately establishes New Orleans as one of the originators of the mass tourism industry—which linked leisure to travel, promoted international expositions, and developed the concept of pleasure travel. Gotham shows how New Orleans was able to become one of the most popular tourist attractions in the United States, especially through the transformation of Mardi Gras into a national, even international, event. All the while Gotham is concerned with showing the difference between tourism from above and tourism from below—that is, how New Orleans’ distinctiveness is both maximized, some might say exploited, to serve the global economy of tourism as well as how local groups and individuals use tourism to preserve and anchor longstanding communal traditions.

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Keep your swearing as fresh as a f*cking daisy with The Little Book of Profanities. There's nothing better than that perfect swear word. In a battle of wits, it can make all the difference. And, like all things in life, variety is the spice of swear words. Why call someone a d*ck, when a choad is so much more – satisfying. Stuffed with 100 of the obscene, offensive and outrageous swear words known to construction workers all over the world, The Little Book of Profanities encourages you to flex and stretch your foul-mouthed muscles so when that awesome opportunity to use a big, hairy curse word arises you're not hoisted by your own petard. In these uncertain and challenging times of political and social chaos, when all you want to do is shout obscenities at the world for being crap, The Little Book of Profanities is here to help you survive the day in style. Swearing – it's big, it's clever and anyone who thinks otherwise can f*ck off. 'The sort of twee person who thinks swearing is in any way a sign of a lack of education or a lack of verbal interest is just a f*cking lunatic.' Stephen Fry on the joy of swearing, as seen on theguardian.com, 20 August 2007, by Sam Wollaston. Fact: The word's etymology can be traced back to around 450AD when scite (dung), scitte (diarrhoea) and scitan (to defecate) were all thrown about. Sh*t evolved millennia later into schitte (excrement) and shiten (to defecate). Example: 'Life is a crap carnival with sh*t prizes.' - Stephen King.

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A mesmerizing novel of unfolding dystopia amid the effects of climate change in a world very like our own, for readers of Emily St. John Mandel's Station Eleven and Margaret Atwood's The Year of the Flood. In this prequel to Eric Barnes's acclaimed cli-fi novel The City Where We Once Lived, six sets of characters move through a landscape and a country just beginning to show the signs of cataclysmic change. A father and his young children fleeing a tsunami after a massive earthquake in the Gulf. A woman and her husband punishing themselves without relent for the loss of both their sons to addiction, while wildfires slowly burn closer to their family home. A brilliant investor, assessing opportunity in the risk to crops, homes, cities, industries, and infrastructure, working in the silent comfort of her office sixty floors up in the scorching air. A doctor and his wife stuck in a refugee camp for immigrants somewhere in a southern desert. Two young men working the rides for a roadside carnival, one escaping a brutal past, the other a racist present. The manager of a chain of nondescript fast-food restaurants in a city ravaged by the relentless wind.. While every night the news alternates images of tsunami destruction with the baseball scores, the characters converge on a city where the forces of change have already broken—a city half abandoned, with one part left to be scavenged as the levee system protecting it slowly fails—until, in their vehicles on the highway that runs through it, they witness the approach of what looks to be just one more violent storm.

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Honorable Mention for the 2008 Robert Park Outstanding Book Award given by the ASA’s Community and Urban Sociology Section Mardi Gras, jazz, voodoo, gumbo, Bourbon Street, the French Quarter—all evoke that place that is unlike any other: New Orleans. In Authentic New Orleans, Kevin Fox Gotham explains how New Orleans became a tourist town, a spectacular locale known as much for its excesses as for its quirky Southern charm. Gotham begins in the aftermath of Hurricane Katrina amid the whirlwind of speculation about the rebuilding of the city and the dread of outsiders wiping New Orleans clean of the grit that made it great. He continues with the origins of Carnival and the Mardi Gras celebration in the nineteenth century, showing how, through careful planning and promotion, the city constructed itself as a major tourist attraction. By examining various image-building campaigns and promotional strategies to disseminate a palatable image of New Orleans on a national scale Gotham ultimately establishes New Orleans as one of the originators of the mass tourism industry—which linked leisure to travel, promoted international expositions, and developed the concept of pleasure travel. Gotham shows how New Orleans was able to become one of the most popular tourist attractions in the United States, especially through the transformation of Mardi Gras into a national, even international, event. All the while Gotham is concerned with showing the difference between tourism from above and tourism from below—that is, how New Orleans’ distinctiveness is both maximized, some might say exploited, to serve the global economy of tourism as well as how local groups and individuals use tourism to preserve and anchor longstanding communal traditions.

Read more less