Search results for ""author roberto"

This book investigates Stevenson's literary collaborations with family and friends as he travelled Scotland, America and the South Pacific.

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Featuring the full contents of Robert Frost's first three volumes of poetry—A Boy's Will, North of Boston, and Mountain Interval—this unparalleled collection is a testament to the beauty of the master’s writing. It gathers more than 100 of Frost’s most renowned poems, including “Mending Wall” and “The Road Not Taken.” With illustrations by Thomas Nason, it will be a treasured addition to any home library.

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The first major book to consider the life and work of Robert Arneson, "A Troublesome Subject" tells the fascinating story of how a high school art teacher transformed himself into an artist of international stature and ambition. Representing the full scope of Arneson's career in a rich survey of color reproductions, this book is at once a study of the trajectory of contemporary culture, the work of Robert Arneson, and the relationship between the two. It shows how Arneson's work articulated the crisis of narcissism that has defined American culture since 1970. Jonathan Fineberg develops his ongoing work toward a psychosocial history of art as he proceeds through Arneson's career - chronicling his early life, the formation of a personal style, and finding a unique subject matter in his famous post - 1970 turn to self-portraiture.

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Robert Nozick's Anarchy, State and Utopia is one of the works which dominates contemporary debate in political philosophy. Drawing on traditional assumptions associated with individualism and libertarianism, Nozick mounts a powerful argument for a minimal `nightwatchman' state and challenges the views of many contemporary philosophers, most notably John Rawls. Jonathan Wolff's new book is the first full-length study of Nozick's work and of the debates to which it has given rise. He situates Nozick's work in the context of current debates and examines the traditions which have influenced his thought. He then critically reconstructs the key arguments of Anarchy, State and Utopia, focusing on Nozick's Doctrine of Rights, his Derivation of the Minimal State, and his Entitlement Theory of Justice. The book concludes by assessing Nozick's place in contemporary political philosophy.

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This is a new biography of two great British engineering pioneers, who did much to develop the world we now live in. George and Robert Stephenson, were at the forefront of early railways and were at the cutting edge of modern engineering history. Industrial historian Anthony Burton looks into these two giants of the late Georgian and early Victorian age, who were responsible for the development of much of the early railway map in both Britain and other parts of the world. The work examines the lives of the two men and their ability to overcome some of the most pressing engineering problems of their time. This is a new work, with newly researched material published here for the first time, which take a fresh look at both pioneering engineers and their achievements.

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Harvard professor Robert Langdon receives an urgent late-night phone call while on business in Paris: the elderly curator of the Louvre has been brutally murdered inside the museum. Alongside the body, police have found a series of baffling codes. As Langdon and a gifted French cryptologist, Sophie Neveu, begin to sort through the bizarre riddles, they are stunned to find a trail that leads to the works of Leonardo Da Vinci - and suggests the answer to a mystery that stretches deep into the vault of history.Unless Langdon and Neveu can decipher the labyrinthine code and quickly assemble the pieces of the puzzle, a stunning historical truth will be lost forever...Origin, the spellbinding new Robert Langdon thriller from Dan Brown, is out now

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Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring Robert John Thornton: Tulips. Robert John Thornton’s New Illustration of the Sexual System of Carolus von Linnaeus (1799–1807) was comprised of three parts: a dissertation on the reproductive cycle of plants, an explanation of Linnaeus’ plant system, and The Temple of Flora. This third and final part was the most ambitious and has become instantly recognizable. Lavishly illustrated with large-format plates of floral portraits, mostly engraved by Thomas Medland (c. 1765 – 1833) from paintings by Philip Reinagle (1749–1833), the exquisitely detailed works remain an astounding achievement in botanical illustration and continue to be revered and adored across the world.

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This assessment of the statesmanship, principles, and policies of Robert F. Kennedy places him "in the stream of history," to assess what came before his time in political life, what happened during that time, and what happened to his legacy after his assassination. Terrence Edward Paupp evaluates the themes and issues RFK confronted, responded to, and for which he provided visionary solutions.Paupp first chronicles the influence of Franklin D. Roosevelt's legacy as a prologue to the New Frontier and Great Society. During Robert F. Kennedy's time in power—both in his brother's administration and on his own in the US Senate—he struggled with striking a balance between power and purpose. In the years after John F. Kennedy's assassination, RFK emphasized the need to unite power and purpose, national and international concerns, ideals and practice. Much of this has been ignored, Paupp argues, by what C. Wright Mills called "the power elite."In assessing RFK's statesmanship, Paupp examines his commitments to human and civil rights, which linked themes and ideals within the US to those struggles taking place outside the country. Robert F. Kennedy brought zeal and passion to these problems by discussing the moral necessity of honouring human dignity while articulating practical solutions, policies, and programs to structural injustice. His legacy remains a beacon of light, intelligence, and hope in today's world.

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Excellence in Publishing Award, Association of Catholic Publishers Honorable Mention, Catholic Press Association Book Award Finalist, Washington State Book Award Pure Act tells the story of poet Robert Lax, whose quest to live a true life as both an artist and a spiritual seeker inspired Thomas Merton, Jack Kerouac, William Maxwell and a host of other writers, artists and ordinary people. Known in the U.S. primarily as Merton’s best friend and in Europe as a daringly original avant-garde poet, Lax left behind a promising New York writing career to travel with a circus, live among immigrants in post-war Marseilles and settle on a series of remote Greek islands where he learned and recorded the simple wisdom of the local people. Born a Jew, he became a Catholic and found the authentic community he sought in Greek Orthodox fishermen and sponge divers. In his early life, as he alternated working at The New Yorker, writing screenplays in Hollywood and editing a Paris literary journal with studying philosophy, serving the poor in Harlem and living in a sanctuary high in the French Alps, Lax pursued an approach to life he called pure act―a way of living in the moment that was both spontaneous and practiced, God-inspired and self-chosen. By devoting himself to simplicity, poverty and prayer, he expanded his capacity for peace, joy and love while producing distinctive poetry of such stark beauty critics called him “one of America’s greatest experimental poets” and “one of the new ‘saints’ of the avant-garde.” Written by a writer who met Lax in Greece when he was a young seeker himself and visited him regularly over fifteen years, Pure Act is an intimate look at an extraordinary but little-known life. Much more than just a biography, it’s a tale of adventure, an exploration of friendship, an anthology of wisdom, and a testament to the liberating power of living an uncommon life.

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On April 4, 1968, Senator Robert F. Kennedy, Jr., arrived in Indiana to campaign for the Indiana Democratic presidential primary. As Kennedy boarded his flight from an appearance in Muncie to Indianapolis, he learned that civil rights leader Dr. Martin Luther King, Jr., had been shot outside his hotel in Memphis, Tennessee. While on the plane, Kennedy heard the news that King had died. Despite warnings from Indianapolis police that they could not guarantee Kennedy's safety, and brushing off concerns from his own staff, Kennedy decided to proceed with plans to address an outdoor rally to be held in the heart of the city's African American community. On that cold and windy evening, Kennedy broke the news of King's death in an impassioned, extemporaneous speech on the need for compassion in the face of violence. It has proven to be one of the great speeches in American political history. This compelling book reveals what brought the politician to Indiana that day and explores the characters and events of the 1968 Indiana Democratic presidential primary in which the underdog Kennedy had a decisive victory.

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Samuel N. Rosenberg, one of the premier translators of Old French, presents in this volume the first modern English-language version of the thirteenth-century French romance Robert le Diable, a tale of supernatural birth and spiritual redemption.Robert is born after his mother, a childless noblewoman, secretly calls upon Satan to help her conceive. His wicked behavior as a boy and, later, as a destructive young man is so brutal that one day Robert prevails upon his mother to reveal the secret of his birth and thus the source of his wickedness. Upon learning the truth, he leaves his privileged home in Normandy to seek salvation. Robert’s lengthy penance—under the aegis of the Pope and a pious hermit—begins with his acting as a mute fool in the Roman Emperor’s court and ends with his sainthood. In between he plays the hero’s role in defeating the Turks in battle and turns down the hand of the Emperor’s daughter in marriage, choosing instead to return to the hermit’s abode.The legend of Robert le Diable was extraordinarily influential in the seven hundred years after its creation, generating new versions and adaptations in various languages, ranging from sixteenth-century English adaptations by Wynken de Worde and Thomas Lodge to Giacomo Meyerbeer’s esteemed 1831 opera. Framed by a thoughtful introduction and thorough bibliography, this accessible translation renders the original octosyllabic rhymed couplets of the metrical Old French romance in energetic free verse.

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This 3-volume work forms the second in a series of monographs by Henry Noltie documenting the more important collections of Indian botanical drawings in the Library of the Royal Botanic Garden Edinburgh. Book 1, The Life and Work of Robert Wight, provides the definitive biography of Wight. Book 2, Botanical Drawings by Rungia & Govindoo: the Wight Collection. Book 3, Journeys in Search of Robert Wight, describes the author's travels as he carried out the research that underpins his work.

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Robert W. Clower has had a profound effect on the theory and practice of economics. The distinguished group of contributors to this book celebrates his seminal contribution to economic methodology and theory by providing key accounts of important themes in the area of money, markets and method.The volume begins with a number of papers dealing with Robert Clower's work and his views on methodology. The contributors then discuss Keynes's General Theory and its relationship to conventional Keynesian macroeconomic theory as well as the origins of the General Theory itself, a subject that has been central to Clower's writings. The analysis is then expanded to concentrate on how institutions matter in thin markets. Finally, the authors analyse ways in which adaptive behaviour influences the stability of markets in the context of trading relationships, repeated games and retail stores.

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From 1992 to 2004, Dia Art Foundation presented the Robert Lehman Lectures on Contemporary Art, in which a distinguished array of scholars, critics and cultural historians engaged in cross-disciplinary critical discourse around Dia's exhibition program. The lectures were subsequently collected into a related series of publications, providing a valuable record and extending the debate on contemporary artistic practice and theory. This fifth and final volume focuses on analyses of the work of internationally recognized artists Jo Baer, Pierre Huyghe, Vera Lutter, Gerhard Richter, Rosemarie Trockel and Robert Whitman.

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Research in the History of Economic Thought and Methodology Volume 37C features a symposium celebrating the centenary of the influential economist and historian of economic thought Robert Heilbroner. Luca Fiorito, Harald Hagemann, Edward Nell, and Steven Pressman contribute to the symposium. The volume also features original general-research contributions from Samuel Hollander and Luca Fiorito, as well as a new discovery of material made by Maxime Desmarais-Tremblay and Marianne Johnson from the archives of Richard A. Musgrave.

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Volume IV contains: A Blot in the ’Scutcheon Colombe’s Birthday Dramatic Romances and Lyrics; and Luria As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

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From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914–2008) and the Trappist monk and writer Thomas Merton (1915–1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy. These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

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The life and influential career of neurologist Robert J. Joynt, MD, PhD., who in 1996 became the first chair of the Department of Neurology at the University of Rochester. In this stirring collection of essays, author Nancy Bolger leads the reader through the extraordinary life of Robert J. Joynt, MD, PhD, one of the most influential neurologists of the last half century. The story begins on the small-town streets of Iowa and takes us through military service and medical school, down the wedding aisle, and ultimately to a long and successful career at the University of Rochester, where Dr. Joynt became the first chair of thenewly created Department of Neurology in 1966. Along the way, we accompany Dr. Joynt on his travels to India, Canada, Ireland, London and Cambridge in England, and many other places, including a much-loved lakeside retreat in Minnesota where the family vacationed year after year. These pages tell of not only Dr. Joynt's life but also of those who inspired him, and how he in turn became a remarkable inspiration to others. Nancy W. Bolger is a writer and editor for the University of Rochester Medical Center. In 1992 she received the Robert G. Fenley Award of Distinction for Medical Science Writing from the Association of American Medical Colleges.

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Harvard professor Robert Langdon receives an urgent late-night phone call while on business in Paris: the elderly curator of the Louvre has been brutally murdered inside the museum. Alongside the body, police have found a series of baffling codes. As Langdon and a gifted French cryptologist, Sophie Neveu, begin to sort through the bizarre riddles, they are stunned to find a trail that leads to the works of Leonardo Da Vinci - and suggests the answer to a mystery that stretches deep into the vault of history.Unless Langdon and Neveu can decipher the labyrinthine code and quickly assemble the pieces of the puzzle, a stunning historical truth will be lost forever...Origin, the spellbinding new Robert Langdon thriller from Dan Brown, is out now

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The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumiere brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain's most important early innovator in film, to his rightful place. From improving upon Edison's Kinetoscope to cocreating the first movie camera in Britain to building England's first film studio and launching the country's motion-picture industry, Paul played a key part in the history of cinema worldwide. It's not only Paul's story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siecle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.

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Robert Gober rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. In the years since, his reputation has continued to grow, commensurate with the rich and complex body of work he has produced. Published in conjunction with the first comprehensive large-scale survey of the artist’s career to take place in the United States, this publication presents his works in all mediums, including individual sculptures and immersive sculptural environments, as well as a distinctive selection of drawings, prints, and photographs. Prepared in close collaboration with the artist, it traces the development of a remarkable body of work, highlighting themes and motifs that emerged in the early 1980s and continue to inform the artist’s work today. An essay by Hilton Als, and an in-depth chronology with extensive input from the artist himself, foregrounds images from Gober’s archives, including many neverbefore- published photographs of works in progress.

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"He wants to sit and visit at the kitchen table, and he can hardly wait to get on the road again." —From Chapter 1 Robert Kroetsch, one of Canada's most important writers, was a fierce regionalist with a porous yet resilient sense of "home." Although his criticism and fiction have received extensive attention, his poetry remains underexplored. This exuberantly polyvocal text, insightfully written by dennis cooley—who knew Kroetsch and worked with him for decades—seeks to correct that imbalance. The Home Place offers a dazzling, playful, and intellectually complex conversation drawing together personal recollections, Kroetsch's archival materials, and the international body of Kroetsch scholarship. For literary scholars and anyone who appreciates Canadian literature, The Home Place will represent the standard critical evaluation of Kroetsch's poetry for years to come.

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During a few years in the late 1940s and early 1950s Robert Longden took a remarkable set of photographs of the narrow boat community at Hawkesbury Stop - the main meeting point for those who worked the Midlands canals. The images are of a close community and represent its members in a very intimate way, at work, at play, in their domestic affairs, and as they lived on the paired and single colourful narrow boats. They illustrate the close relationship between all ages and types within the community, and the dramatic boat shapes and infrascape of this rural and industrial area. Sonia Rolt, who herself worked the canals during the period and knew the photographer, provides an introduction, which details how Robert Longden came to this passionate involvement. It also sets the photographs in the context of their time, the last period when the narrow boats could be said to play a serious part in transporting goods in quantity. Informative captions identify the scenes before you. Providing a rare insight into the community who worked the waterways when it was still a way of life for many, this book will appeal not only to canal enthusiasts, but to anyone interesting in Britain's social and industrial heritage.

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Look Behind You’ tells the utterly gripping story of how a single act of unthinking anger leads to a savage accidental killing. Although the killer is soon identified, in his attempt to evade capture, he commits other crimes that will make your blood run cold. Robert Steele the detective, pursues the psychopathic killer across three countries. There is a astonishing twist in the middle of the story, and an even more surprising one at the end. Look Behind You is a gripping and highly original study in pure evil. After spending thirty years as graphic designer and technical writer, Barry turned his hand to writing short stories, before creating a crime trilogy about his favourite detective Robert Steele. ‘Look Behind You’ is the second book in the trilogy of Robert Steele detective stories.

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Here is a selection of paintings by artist Robert Geoghegan about his home city of Birmingham where he has lived for all his life. His work is full of the detail and colour of modern urban life, often combined with a nostalgia for old Birmingham. Some of the works portray ordinary everyday scenes like someone walking dogs, a lollipop man or getting on the bus with an off peak pass, while others show many of the city's landmarks such as Selfridges, Aston Hall and the Custard Factory but always with a comic twist. There's something here for everyone – from depictions of modern-day Goths in Pigeon Park to yesteryear's children hanging off the back of the old Corporation buses. There's football pictures about the Blues, Villa and West Brom – both tragic and comic! One about Jasper Carrott and of course King Kong has to make an appearance. Here the Birmingham buses are peopled by bears, Morris dancers, druids, Santa Claus and even the Royal Family. There's pictures of Birmingham's public statues: the Iron Man squaring up to a Cyberman, Bullie being harassed and the statue of Victorian reformer Thomas Attwood attracting the attention of the police. The Beatles, characters from Father Ted, Dracula, Daleks and the Peaky Blinders all make an appearance in this enthralling collection. Robert sells prints of his work at local art markets in Moseley, Kings Heath and the MAC as well as in the city centre before Christmas. His work is also available to purchase online at robspaintings.com. As well as being a practicing artist, Robert is an art tutor who has run art sessions in primary schools for many years and also teaches drawing and painting to adults.

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Robert Johnson is the subject of the most famous myth about the blues: he allegedly sold his soul at the crossroads in exchange for his incredible talent, and this deal led to his death at age 27. But the actual story of his life remains unknown save for a few inaccurate anecdotes. Up Jumped the Devil is the result of over 50 years of research. Gayle Dean Wardlow has been interviewing people who knew Robert Johnson since the early 1960s, and he was the person who discovered Johnson’s death certificate in 1967. Bruce Conforth began his study of Johnson's life and music in 1970 and made it his mission to fill in what was still unknown about him. In this definitive biography, the two authors relied on every interview, resource and document, most of it material no one has seen before. As a result, this book not only destroys every myth that ever surrounded Johnson, but also tells a human story of a real person. It is the first book about Johnson that documents his years in Memphis, details his trip to New York, uncovers where and when his wife Virginia died and the impact this had on him, fully portrays the other women Johnson was involved with, and tells exactly how and why he died and who gave him the poison that killed him. Up Jumped the Devil will astonish blues fans who thought they knew something about Johnson.

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The first full-scale biography of Robert Willis, the "founding father" of architectural history. WINNER of the Cambridge Association for Local History book award 2016 Robert Willis was the archetypal nineteenth-century polymath. Officially, as Jacksonian Professor of Natural and Experimental Philosophy at the University of Cambridge, he specialized in the study of mechanism, which he also taught at the Royal School of Mines in London. In the field of science he was an experimentalist, inventor and educational innovator. Meanwhile, in his spare time, he pursued his passion, pioneering the serious study of architectural history. Initially his work was aimed at architects - his role in providing an intellectual underpinning to the contemporary Gothic Revival was acknowledged by the award of the gold medal of the Royal Institute of British Architects in 1862. However his main contribution was more historical. Starting with Canterbury, in 1844, over the course of his career, he investigated almost every English cathedral and developed an approach, combining documentary and archaeological research, which remains in use today. His studies culminated in the monumental Architectural History of the University of Cambridge, still the definitive account of its subject. In this fascinating and lavishly illustrated intellectual biography, drawn from extensive archival and architectural research, the author sheds new light on the interconnections between Willis's varied fields of interest and his fundamental role in the creation of a discipline. ALEXANDRINA BUCHANAN is both an architectural historian and an archivist; her introduction to archives came throughcataloguing the papers of Robert Willis at the Cambridge University Library. She is now Lecturer in Archive Studies at the University of Liverpool.

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Robert Hatch's critical life spanned five decades. Starting in 1947 and continuing until 1984, he wrote about drama (and film) for The New Republic, The Nation, Theatre Arts, The Reporter, and Horizon. Along with John Simon, Robert Brustein, Richard Gilman, and Stanley Kauffmann, Hatch was one of the most potent, influential authors in the New York school of twentieth-century American arts criticism. With style and erudition Open Hatch discusses plays and productions from the following countries: England, the United States, France, Russia, Ireland, Germany, Switzerland, Italy, Czechoslovakia, Norway, Greece, and Australia. Among the many works discussed are The Master Builder, by Henrik Ibsen; The Three Sisters, by Anton Chekhov; Cat on a Hot Tin Roof, by Tennessee Williams; The Bourgeois Gentleman, by Molière; The Iceman Cometh, by Eugene O'Neill; Measure for Measure, by William Shakespeare; The Good Woman of Setzuan, by Bertolt Brecht; Exiles, by James Joyce; Endgame, by Samuel Beckett; The Blacks, by Jean Genet; The Caretaker, by Harold Pinter; Who's Afraid of Virginia Woolf?, by Edward Albee; Dutchman, by LeRoi Jones; and Leonce and Lena, by Georg Büchner. Also included in Open Hatch are articles on the following subjects: the idea of repertory; the Living Theatre; the Actors' Studio; Broadway and Off-Broadway; melodrama; and scene design. In addition, one may find in this rich collection bio-critical pieces on such figures as Tyrone Guthrie, Orson Welles, and John Arden. The precision, wit, and wisdom of Hatch's writing chime in Open Hatch, as he reveals his sense of cultural mission - and love of all the arts - by applying to theater and drama the same high standards that are applied to fiction, poetry, art, and music.

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Examines an under-analysed period of Robert Altman's career.

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Covert-One agents must trace the source of a deadly disease - and stop the outbreak of a Third World War.A once-great nation is determined to rebuild its shattered empire, and lightning military strikes against its neighbours are planned. But first they must sow confusion and fear in the ranks of their enemies. They turn to one of the world's wealthiest and most powerful men. He has control over an undetectable and incurable bio-weapon, the perfect assassin's tool. Created using a strand of each victim's own DNA, it is the ultimate precision-guided silent killer. Lt Col. Jon Smith and his Covert-One operatives take orders from the US President: their mission is to stop this murderous conspiracy - and thwart the leaders who are seeking to restore their country to her former power...

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The fourth instalment in the COVERT-ONE series from the master of the thriller genre.On the dark waterside docks of Shanghai, a photographer records cargo being secretly loaded. He's brutally killed and his camera destroyed. Two weeks later on the dangerous high seas, the US Navy covertly tracks a Chinese ship rumoured to carry tons of chemicals to create biological weapons of mass destruction. The President cannot let the ship reach its destination - a rogue Middle East nation. But he doesn't want the navy to attack and board it either, because decades of negotiations with China have at long last yielded a landmark human rights agreement that China is willing to sign. Covert-One operative Jon Smith is brought in to find solid proof of what the Chinese ship is ferrying. Then an agent is murdered and vital evidence destroyed. Smith must find the truth about the ship, a truth that probes the deepest secrets of the Chinese ruling party...

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Most people in the United States have been trained to recognize fascism in movements such as Germany’s Third Reich or Italy’s National Fascist Party, where charismatic demagogues manipulate incensed, vengeful masses. We rarely think of fascism as linked to the essence of monopoly-finance capitalism, operating under the guise of American free-enterprise. But, as Michael Joseph Roberto argues, this is exactly where fascism’s embryonic forms began gestating in the United States, during the so-called prosperous 1920s and the Great Depression of the following decade. Drawing from a range of authors who wrote during the 1930s and early 1940s, Roberto examines how the driving force of American fascism comes, not from reactionary movements below, but from the top, namely, Big Business and the power of finance capital. More subtle than its earlier European counterparts, writes Roberto, fascist America’s racist, top-down quashing of individual liberties masqueraded as “real democracy,” “upholding the Constitution,” and the pressure to be “100 Percent American.” The Coming of the American Behemoth is intended as a primer, to forge much-needed discourse on the nature of fascism, and its particular forms within the United States. The book focuses on the role of the capital-labor relationship during the period between the two World Wars, when the United States became the epicenter of the world-capitalist system. Concentrating on specific processes, which he characterizes as terrorist and non-terrorist alike, Roberto argues that the interwar period was a fertile time for the incubation of a protean form of tyranny – a fascist behemoth in the making, whose emergence has been ignored or dismissed by mainstream historians. This book is a necessity for anyone who fears America tipping ever closer, in this era of Trump, to full-blown fascism.

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