Search results for ""author richard""

A History of American Poetry presents a comprehensive exploration of the development of American poetic traditions from their pre-Columbian origins to the present day. Offers a detailed and accessible account of the entire range of American poetry Situates the story of American poetry within crucial social and historical contexts, and places individual poets and poems in the relevant intertextual contexts Explores and interprets American poetry in terms of the international positioning and multicultural character of the United States Provides readers with a means to understand the individual works and personalities that helped to shape one of the most significant bodies of literature of the past few centuries

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How short sellers profit from disasters that afflict individuals, markets, and nations The Most Dangerous Trade serves up tales from the dark side of the world marketplace to reveal how traders profit from the failure and, often, the financial ruin of others. In this book Richard Teitelbaum profiles more than a dozen short sellers to reveal how they employ the tactics, strategies, and various styles to zero in on their target, get the needed financing, and see their investment through to its ultimate conclusion. The short sellers profiled will include stories of both their successful investments as well as their disastrous ventures. The book will examine the different styles, strategies, and tactics utilized, looking at how each short seller researches his or her targets, obtains financing, puts on a trade, and sees the investment through to fruition—or failure. With the appeal of a well-written adventure novel, The Most Dangerous Trade reveals how these investors seek publicity to help drive down a stock and shows the often bitter and controversial battles that ensue. Includes profiles of well-know short sellers such as Jim Chanos, Steve Eisman, Manuel Ascencio, Doug Kass, and many more Discover how short sellers make the "puts" that make them billions Uncover the short selling controversies that make headlines Written by award-winning journalist Richard Teitelbaum Discover what motivates investors who wager against the stock market and how they often profit from the misery of others.

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Just as everyone must die, almost everyone will deal with death among close friends or loved ones. This collection explores the often difficult issues of human relationships with the dying, as well as the many stresses and burdens faced by the survivors.

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Essays explore the transformation in leisure activity and its effects on class relations in American society

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All the available court records for an important part of medieval Durham, presented with notes and apparatus. The borough of Crossgate formed a large section of the medieval city of Durham. It corresponded to the chapelry, later the parish, of St Margaret, and was subject to the lordship of Durham Priory, in whose archives these documents have survived, dating chiefly from the 1390s and to the years 1498-1531. The records offer a sharp focus on the local administration of justice, as well as containing graphic detail concerning other aspects of urban society in the late middle ages. They are printed here with a detailed rental of the borough from the year 1500, which allows individual properties to be located and mapped, while the apparatus is designed both to illuminate the record and to serve as an introduction to historians needing to consult other urban records.

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The last twenty years has seen a proliferation of the term "tourist destination". Improbable places, such as industrial cities and isolated rural environments have become legitimate places to visit. At the same time, traditional tourist destinations such as coastal resorts have declined in popularity. There is a shift from "old" to "new" tourism. These case histories examine these issues.The book is divided into three sections, dealing with political, economic and sociocultural reasons for change.

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Despite Warner Brothers Records' conviction that it had mid-wifed the American equivalent of Sgt. Pepper's Lonely Hearts Club Band, "Song Cycle" wasn't rock music, and it didn't sell like rock music. The album's arrangements taxed the storage capacity of multi-track tape and its lyrics allowed enquiring minds to follow a Joycean snakes-and-ladders path through multiple meanings, allusive wordplay and puns. "Van Dyke Parks' Song Cycle" is an intelligent take on a classic left-field album. For good and for ill, the full arsenal of bouquets and brickbats available to music writers has been tossed at Van Dyke Parks during his tenure of forty years and more in the music business. The Mississippi native has been hailed as a great American original - Charles Ives in Groucho Marx's pajamas, was Rolling Stone's pull quote - and derided as a charlatan. He was among the first to achieve the questionable status of cult artist; defended by a vocal few, dismissed or ignored by the greater audience. His career arc, and indeed his own life invite parallel consideration with another maverick who made his name in Hollywood, the film director and actor Orson Welles. Both were immediately recognized as child prodigies and took full advantage of the status conferred upon them. Each had the mantle of genius conferred upon them; in both cases, the mantle was worn with increasing difficulty as the years progressed. Both men, perhaps unfairly, have been accused of never bettering their artistic debuts. The compounded triumph and debacle of Welles' Citizen Kane is the stuff of a crammed shelf of film history books. In Van Dyke Parks' case, his calling card and his bete noir both fit within the same cardboard sleeve, the one containing "Song Cycle". The album was released on Warner Brothers Records in 1968. It cost more than any recording made prior to that time (Warners would ultimately recoup its costs sometime in the early 90s). No one can say that the label didn't get its money's worth: "Song Cycle"'s arrangements taxed the storage capacity of multi-track tape and its lyrics allowed enquiring minds to follow a Joycean snakes-and-ladders path through multiple meanings, allusive wordplay and puns. Said lyrics were sung by their author, his piping tenor swathed in a galactic fog of studio effects. The rhythms veered from Broadway to box step, little or none cut from the cloth of psychedelic, blues-based turbulence that dominated the landscape of the late 60s. 'A growing Alexandria of rock criticism' - "Los Angeles Times", 2008. 'Ideal for the rock geek who thinks liner notes just aren't enough' - "Rolling Stone". 'One of the coolest publishing imprints on the planet' - "Bookslut". 'A brilliant series...each one a word of real love" - "NME" (UK). For more information on the series and on individual titles in the series, check out our blog.

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"Considers the common functions of managers, such as effective planning and decision-making, organizational design and staffing, directing and controlling, and delegating. Offers methods to strengthen and enhance personal leadership stule, communication skills, and workplace motivation and involvement to improve individual and organizational productivity and increase business revenues."

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A provocative re-reading of Stanley Kubrick’s work and its focus on masculine desire The work of Stanley Kubrick amounts to a sustained reflection on the male condition: past, present, and future. The persistent theme of his filmmaking is less violence or sex than it is the pressurized exertion of masculinity in unusual or extreme circumstances, where it may be taxed or exaggerated to various effects, tragic and comic—or metamorphosed, distorted, and even undone. The stories that Kubrick’s movies tell range from global nuclear politics to the unpredictable sexual dynamics of a marriage; from a day in the life of a New York City prizefighter preparing for a nighttime bout to the evolution of humankind. These male melodramas center on sociality and asociality. They feature male doubles, pairs, and rivals. They explore the romance of men and their machines, and men as machines. They figure intensely conflicted forms of male sexual desire. And they are also very much about male manners, style, taste, and art. Examining the formal, thematic, and theoretical affiliations between Kubrick’s three bodies of work—his photographs, his documentaries, and his feature films—Kubrick’s Men offers new vantages on to the question of gender and sexuality, including the first extended treatment of homosexuality in Kubrick’s male-oriented work.

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When we read best-selling books, go to movies, visit art museums, go dancing, take in a game, we customarily ignore the political economy that hammers these features of culture into shape; normally, at such times, we’re not thinking about corporate board room votes, lobbyists, public funding for the arts, the end of the Cold War, stock swaps, intellectual property, or the class divisions of public space. This book aims to change that by offering readers a number of ways to link cultural experience to political economy-to become aware of the ways in which political and economic realities and decisions determine the outlines of spaces and activities in everyday life.Unsettling and provocative, Culture Works tears down the imaginary walls separating culture, economics, and politics. Writing across the established borders between anthropology, sociology, art history, economics, communication and media studies, political theory, and performance, the authors seek to show how particular economies and power relations work in familiar and central cultural experiences: art, beer, advertising, dance, sport, shopping, the Web, and media. Their essays provide a series of lucid, critical accounts of various aspects of the political economy of culture and its attendant issues of production, consumption, corporatization, and the struggle for meaning. A refreshing example of a politics of writing and critical thinking that cultural studies and political economic analysis can produce when working together, the result will change the ways in which readers experience, consider, and understand culture works.Contributors: David L. Andrews, U of Maryland; Michael Curtin, Indiana U; Susan G. Davis, U of Illinois; Danielle Fox; Chad Raphael, Santa Clara U; Anna Beatrice Scott, U of California, Riverside; Ben Scott; Inger L. Stole, U of Illinois; Thomas Streeter, U of Vermont.Cultural Politics Series, volume 18

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Hailed by some as the Eighth Wonder of the World when it opened in 1883, the Brooklyn Bridge is one of the world’s most recognizable and beloved icons. For over one hundred years it has excited and fascinated with stories of ingenuity and heroism, and it has been endorsed as a flawless symbol of municipal improvement and a prime emblem of American technological progress. Despite its impressive physical presence, however, Brooklyn’s grand old bridge is much more than a testament of engineering and architectural achievement. As Richard Haw shows in this first of its kind cultural history, the Brooklyn Bridge owes as much to the imagination of the public as it does to the historical events and technical prowess that were integral to its construction. Bringing together more than sixty images of the bridge that, over the years, have graced postcards, magazine covers, and book jackets and appeared in advertisements, cartoons, films, and photographs, Haw traces the diverse and sometimes jarring ways in which this majestic structure has been received, adopted, and interpreted as an American idea. Haw’s account is not a history of how the bridge was made, but rather of what people have made of the Brooklyn Bridge—in film, music, literature, art, and politics—from its opening ceremonies to the blackout of 2003. Classic accounts from such writers and artists as H. G. Wells, Charles Reznikoff, Hart Crane, Lewis Mumford, Joseph Pennell, Walker Evans, and Georgia O’Keeffe, among many others, present the bridge as a deserted, purely aestheticized romantic ideal, while others, including Henry James, Joseph Stella, Yun Gee, Ernest Poole, Alfred Kazin, Paul Auster, and Don DeLillo, offer a counter-narrative as they question not only the role of the bridge in American society, but its function as a profoundly public, communal place. Also included are never-before-published photographs by William Gedney and a discussion of Alexis Rockman’s provocative new mural Manifest Destiny. Drawing on hundreds of cultural artifacts, from the poignant, to the intellectual, to the downright quirky, The Brooklyn Bridge sheds new light on topics such as ethnic and foreign responses to America, nationalism, memory, parade culture, commemoration, popular culture, and post-9/11 America icons. In the end, we realize that this impressive span is as culturally remarkable today as it was technologically and physically astounding in the nineteenth century.

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Richard Moser uses interviews and personal stories of Vietnam veterans to offer a fundamentally new interpretation of the Vietnam War and the antiwar movement. Although the Vietnam War was the most important conflict of recent American history, its decisive battle was not fought in the jungles of Vietnam, or even in the streets of the United States, but rather in the hearts and minds of American soldiers. To a degree unprecedented in American history, soldiers and veterans acted to oppose the very war they waged. Tens of thousands of soldiers and veterans engaged in desperate conflicts with their superiors and opposed the war through peaceful protest, creating a mass movement of dissident organizations and underground newspapers.Moser shows how the antiwar soldiers lived out the long tradition of the citizen soldier first created in the American Revolution and Civil War. Unlike those great upheavals of the past, the Vietnam War offered no way to fulfill the citizen-soldier's struggle for freedom and justice. Rather than abandoning such ideals, however, tens of thousands abandoned the war effort and instead fulfilled their heroic expectations in the movements for peace and justice. According to Moser, this transformation of warriors into peacemakers is the most important recent development of our military culture.The struggle for peace took these new winter soldiers into America rather than away from it. Collectively these men and women discovered the continuing potential of American culture to advance the values of freedom, equality, and justice on which the nation was founded.

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From accounts of the Holocaust, to representations of AIDS, to predictions of environmental disaster; from Hal Lindsey's fundamentalist 1970s bestseller The Late Great Planet Earth, to Francis Fukuyama's The End of History and the Last Man in 1992, the sense of apocalypse is very much with us. In Postmodern Apocalypse, Richard Dellamora and his contributors examine apocalypse in works by late twentieth-century writers, filmmakers, and critics.

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In a valley in the eastern foothills of the central Peruvian Andes, a wealth of cocaine once flowed. From the mid-1970s to the mid-1990s, this valley experienced abrupt rises in fortune, reckless corruption, and the brutality of those who sought to impress their own brand of order. When this era of cocaine came to a close, the legacy of its violence continued to mold people's perceptions of time through local storytelling practices. Coca's Gone examines the tense, depressed social terrain of Peru's Upper Huallaga Valley in the wake of a twenty-year cocaine boom. This compelling book conveys stories of the lived reality of jolted social worlds and weaves a fascinating meditation on the complex interrelationships between violence, law, and time.

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Houses in Motion: The Experience of Place and the Problem of Belief in Urban Malaysia is about the transformation of urban space and the reordering of the demographic character of Brickfields, one of the oldest neighborhoods in Kuala Lumpur. Baxstrom offers an ethnographic account of the complex attempts on the part of the state and the community to reconcile techno-rational conceptions of law, development, and city planning with local experiences of place, justice, relatedness, and possibilities for belief in an aggressively changing world. The book combines classic methods of anthropological research and an engagement with the work of theorists such as Gilles Deleuze and Henri Lefebvre, and moves beyond previous studies of Southeast Asian cities by linking larger conceptual issues of ethics, belief, and experience to the concrete trajectories of everyday urban life in the region.

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Seven eminent authors, all known for their work in deconstruction, address the millennial issue of our “futures,” “promises,” “prophecies,” “projects,” and “possibilities”—including the possibility that there may be no “future” at all. Speculative in every sense, these essays are marked by a common concern for the act of reading as it is practiced in the work of Jacques Derrida. The contributors—Geoffrey Bennington, Paul Davies, Peter Fenves, Werner Hamacher, Jean-Michel Rabaté, Elisabeth Weber, and Jacques Derrida himself—study a range of authors, including Pascal, Kant, Hegel, Leibniz, Marx, Benjamin, Koyré, Arendt, and Lacan. These readings are neither prescriptive, definitive, nor definitional. Each essay seeks out, in the work it studies, those moments that pronounce or propose futures that enable speculation, moments in which the speculator has to make promises. As Derrida says in his essay, “Between lying and acting, acting in politics, manifesting one’s own freedom through action, transforming facts, anticipating the future, there is something like an essential affinity. . . . The lie is the future.” Or, in the words of Werner Hamacher, “The futurity of language, its inherent promising capacity, is the ground—but a ground with no solidity whatever—for all present and past experiences, meanings, and figures which could communicate themselves in it.” These essays, though arising from deconstruction, point out the ways in which deconstruction has yet to occur, and they do so by scanning the unattainable horizons marked off by thinkers at the forefront of our modern era.

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What do biologists study when they study "life" today? Drawing on tools from rhetoric and poststructuralist theory, the author argues that the ascent of molecular biology, with its emphasis on molecules such as DNA rather than organisms, was enabled by crucial rhetorical "softwares." Metaphors such as the genetic "code" made possible a transformation of the very concept of life, a transformation that often casts organisms as information systems. With careful readings of key texts from the history of molecular biology—such as those of Erwin Schrödinger, George Gamow, Jacques Monod, and François Jacob—the author maps out the complex relations between the practices of rhetoric and the technoscientific triumphs they accompanied, triumphs that bolstered a "postvital" biology that increasingly elides and questions the boundary between organisms and machines. There have been many popular books, and a few academic ones, on the Human Genome Initiatives. On Beyond Living is a genealogy of these initiatives, a map of how we have come to equate human beings with "information." Melding contemporary theory with scientific discourse, it is certain to provoke discussion (and controversy) in the fields of cultural studies, theory, and science with its penetrating inquiries into the relations between rhetoric and technoscience.

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Spenser and the Discourses of Reformation England is a wide-ranging exploration of the relationships among literature, religion, and politics in Renaissance England. Richard Mallette demonstrates how one of the great masterpieces of English literature, Edmund Spenser’s The Faerie Queene, reproduces, criticizes, parodies, and transforms the discourses of England during that remarkable political and literary era. According to Mallette, The Faerie Queene not only represents Reformation values but also challenges, questions, and frequently undermines Protestant assumptions. Building upon recent scholarship, particularly new historicism, Protestant poetics, feminism, and gender theory, this ambitious study traces The Faerie Queene’s linkage of religion to political and social realms. Mallette’s study expands traditional theological conceptions of Renaissance England, showing how the poem incorporates and transmutes religious discourses and thereby tests, appraises, and questions their avowals and assurances. The book’s focus on religious discourses leads Mallette to examine how such matters as marriage, gender, the body, revenge, sexuality, and foreign policy were represented—in both traditional and subversive ways—in Spenser’s influential masterpiece. A bold and finely argued contribution to our understanding of Spenser, Reformation thought, and Renaissance literature and society, Mallette’s study will add to the ongoing reassessment of England during this important period.

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Current philosophies of art remain sadly dominated by visions of its end and lamentations of decline. Defining the very notions of art and the aesthetic as special products of Western modernity, they suggest that postmodern challenges to traditional high culture pose a devastating danger to art's future. Richard Shusterman's new book cuts through the seductive confusions of these views by tracing the earthy roots of aesthetic experience and showing how the recent flourishing of aesthetic forms outside modernity's sacralized realm of fine art evince the persistent presence of an artistic impulse far deeper and more durable than the modernist moment. Performing Live defends the abiding power of aesthetic experience by exploring its diverse roles, methods, and meanings, especially in fields marginal to traditional aesthetics but now most vibrantly alive in today's culture and new media. Ranging from rap, techno, and country music to cinema, cyberspace and urban design, Shusterman develops his radical theory of "somaesthetics," charting the complex network of bodily arts so prominent in contemporary life and self-styling. By blending concrete aesthetic analysis with insightful social critique, Shusterman, a well-known pragmatist philosopher, provides a rich menu and critical guide for today's pursuit of the art of living.

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Modernist writers, critics, and artists sparked a fresh and distinctive interpretation of Shakespeare's plays which has proved remarkably tenacious, as Richard Halpern explains in this lively and provocative book. The preoccupations of such high modernists as T. S. Eliot, Wyndham Lewis, and James Joyce set the tone for the critical reception of Shakespeare in the twentieth century. Halpern contends their habits of thought continue to dominate postmodern schools of criticism that claim to have broken with the modernist legacy. Halpern addresses such topics as imperialism and modernism's cult of the primitive, the rise of mass culture, modernist anti-semitism, and the aesthetic of the machine. His discussion considers figures as diverse as Orson Welles and Arnold Schwarzenegger, and Shakespeare critics including Northrop Frye, Cleanth Brooks, Stephen Greenblatt, and Stanley Cavell. Shakespeare's works have been subjected to a continuing process of historical reinterpretation in which every new era has imposed its own cultural and ideological presuppositions on the plays. The most enduring contribution of modernism, Halpern suggests, has been the juxtaposition of an awareness of historical distance and a mapping of Shakespeare's plays onto the present. Using modernist themes and approaches, he constructs new readings of four Shakespeare plays.

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How do historical and literary details contribute to a coherent theological witness to Jesus in the Gospel of John? A leading British evangelical New Testament scholar answers that question with studies on themes from messianism to monotheism, symbolic actions from foot-washing to fish-catching, literary contexts from Qumran to the Hellenistic historians, and figures from Nicodemus to "the beloved disciple" to Papias. Originally published in various journals and collections, these essays are now available for the first time in one affordable volume with a substantial new introduction that ties them all together. A must-have for serious students of the Fourth Gospel.

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As of 2017, more than 30 million Americans have diabetes. Another 84 million--more than 30% of the adult population--have elevated blood sugar levels that put them at risk for developing Type 2 diabetes. For most of us, it takes a medical emergency to get us to make vital changes to our eating, exercise habits, and weight control. At that point it is often too little, too late. The unfortunate reality is that 80% of diabetics will die of a heart attack. This book is the trigger for you to make lifestyle changes before any medical emergency ever occurs. In Winning Your Blood Sugar Battle, Dr. Richard Furman shows you the three essential steps to take in order to defeat diabetes before it defeats you. He carefully explains the latest medical literature, offers proven guidelines on what to eat (and what not to eat), and outlines an effective exercise program for keeping the heart healthy. Anyone who is diabetic, prediabetic, or overweight, as well as the loved one or caregiver who wants specific directions for supporting the diabetic in their life as they make vital lifestyle changes, will find this book a lifeline.

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This comprehensive anthology on disease management focuses onintegrating health behavior change strategies into diseasemanagement practices. Changing Patient Behavior offers a solid,systematic approach to developing and implementing strategies toinfluence the patient's behavior in the context of health anddisease management programs. Nationally known disease management authority Richard Pattersonhas assembled a stellar lineup of contirubtions from fifteen majorhealth experts, creating an indispensable guide to making thepatient integral to the management of his or her own health.RichardPatterson is executive vice president, director of development forHealthAnswers, Inc., a business-to-business health management andwellness services company.

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In 1971, authorities in Islamabad perpetrated mass atrocities in East Pakistan in an attempt to thwart a struggle for autonomy by terrorizing the local population into submission. The West and the Birth of Bangladesh explores the decision-making processes and ethical debates in Washington, Ottawa, and London during the crucial first few months of the crisis. US president Richard Nixon and his national security advisor, Henry Kissinger, favoured appeasement of Islamabad. The Canadian government was unwilling to hazard bilateral ties with Pakistan. Under public pressure, only the UK showed somewhat greater willingness to coerce Islamabad into ending its oppressive actions. Richard Pilkington analyzes the interplay of US, Canadian, and British responses toward East Pakistan, and the available policy options. This insightful book reveals how, even as human rights movements began to emerge in the West, blinkered government actors there remained too preoccupied with protecting national interests to take firm action during the crisis.

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Could there be a cuter way to learn colors and numbers? Announcing a new line of board books featuring the irresistible Teacup Pigs of Pennywell Farm. Small enough to hold in the palm of your hand, the Pennywell pigs are an adorable lot. They’re also naturals in front of the camera—especially the camera belonging to Richard Austin who, as their exclusive photographer, knows just how to capture their big personalities.The Pocket Piggies board books marry the inherent appeal of Teacup Pigs to the sweetness of the board book format. The photographs are full-color, full-page, and up-close. The subjects are classics: On each spread of Pocket Piggies Colors!, one of the beloved piggy models is paired with an object or animal of a different color—like a little piggy holding a red guitar or checking out a yellow chick.

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Could there be a cuter way to learn colors and numbers? Announcing a new line of board books featuring the irresistible Teacup Pigs of Pennywell Farm. Small enough to hold in the palm of your hand, the Pennywell pigs are an adorable lot. They’re also naturals in front of the camera—especially the camera belonging to Richard Austin who, as their exclusive photographer, knows just how to capture their big personalities. The Pocket Piggies board books marry the inherent appeal of Teacup Pigs to the sweetness of the board book format. The photographs are full-color, full-page, and up-close. The subjects are classics: Pocket Piggies Numbers! celebrates an ever-growing crowd of piggies, from one to ten, through a rhyming text that’s sweet and charming, to read again and again:1 Pocket Piggy in a boat, 2 Pocket Piggies in a cup, 3 Pocket Piggies in a basket, 4 Pocket Piggies with a pup!

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The Ossetes, a small nation inhabiting two adjacent states in the central Caucasus, are the last remaining linguistic and cultural descendants of the ancient nomadic Scythians who dominated the Eurasian steppe from the Balkans to Mongolia for well over one thousand years. A nominally Christian nation speaking a language distantly related to Persian, the Ossetes have inherited much of the culture of the medieval Alans who brought equestrian culture to Europe. They have preserved a rich oral literature through the epic of the Narts, a body of heroic legends that shares much in common with the Persian Book of Kings and other works of Indo-European mythology. This is the first book devoted to the little-known history and culture of the Ossetes to appear in any Western language. Charting Ossetian history from Antiquity to today, it will be a vital contribution to the fields of Iranian, Caucasian, Post-Soviet and Indo-European Studies.

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England's economy between 1050 and 1550 mirrored that of much of continental Europe in its growing dependence upon trade over both short distances and long. The essays in this collection are the fruit of forty years of research into the complex and interrelated issues involved. Describing this change can be achieved in part through quantitative indices, such as the number and size of towns, markets and fairs, and the volume of monetary circulation. A full account also requires a discussion of widespread changes of work experience, customary practices and moral values as households became more dependent upon markets. In addition, the evidence of transformative commercial growth in the medieval period gives rise to numerous questions concerning its relationship to more modern times. Modern economic growth and modern capitalism have often been contrasted starkly with medieval economic stagnation and traditionalism, but recent research implies a more continuous process of economic development than that implied by these older stereotypes. Many of the items in this collection are also relevant to this more discursive aspect of medieval commercialisation.

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The rural has long been regarded as an important site of geographical inquiry even if our understanding of it has not always been treated as conceptually different from the urban. That said, rural research has pursued a number of distinct empirical agendas ranging from the operation and impacts of agribusiness, to local resistance to global food supply chains, to differing representations of the rural. In doing so, rural geographers have critically examined the relevance and significance of ideas drawn from numerous traditions including political economy, ecological modernization and cultural theory, amending them as appropriate, in their search to understand the nature and trajectory of rural areas. Up until the 1980s, attention remained largely focused upon agriculture as the primary land-use but increasingly new forms of rural consumption - housing, recreation, nature conservation - have taken centre stage as the primacy of local agricultures has been undermined by reduced state protection and 'new' rural populations which have migrated out from the city. More recently, research has been dominated by the 'cultural turn' with particular emphases upon society-nature relations, interpretations of landscape, marginalised others, and analyses of the relations between representation and practice. In the last decade, a more holistic view of the rural, bringing together different aspects of the two previous themes, has emerged through more politically-oriented studies of rural governance concerned with the functioning of interest groups, participation, protest and the allocation and management of resources. The volume is thus structured into three sections concerned with agriculture and food, the rural, and rural governance. The great majority of the selected papers combine both empirical material - often highly informative case studies - and important conceptual arguments about change in the rural condition that can be linked to ideas being employed elsewhere in Geography and the Social Sciences more generally. These critical reflections have been drawn very largely from research conducted in advanced economies which at least provide some commonality of experience allowing the transfer of ideas between what otherwise might be seen as very differing geographical contexts.

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Like many young men of the time, the boys of King Edward VI School saw the outbreak of the First World War as an opportunity for bravery and excitement. By the time the Armistice was signed in late 1918, thirty-one old boys and one Master had been killed. For such a small grammar school the cost was significant, as too were the number of awards for gallantry, including a Victoria Cross. Set against Stratford-upon-Avon and the boys’ schooldays, this intriguing book details the boys’ war and their involvement in the major battles on the Western Front, in Italy, Salonika, Macedonia, Gallipoli, Bulgaria and Russia. Ultimately a tragic and moving account, it captures the heart of a small community and represents the sense of adventure with which young men went to war.

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Few kings deserve more than David I the reputation as ‘maker’ of his kingdom. Although overshadowed in popular memory by his descendant, the later ‘saviour’ of Scotland, Robert Bruce, it was David who laid the foundations of the medieval Scottish monarchy and set in train the changes that created the kingdom that vied with England for mastery of the British Isles. In a reign spanning nearly three decades, David moved his kingdom from the periphery towards the heart of European civilisation.

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Widely regarded as the most beautiful of Scotland's ruined abbeys, Dryburgh has one of the most completely surviving monastic ranges. Surprisingly, however, this is the first full-length study of Scotland's premier Premonstratensian abbey which goes back to the thirteenth and fourteenth centuries, a particularly important time in the history of the Scottish church.The authors of Melrose Abbey again collaborate to produce a rounded architectural and historical account of one of Scotland's most important and imposing historic buildings.

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The history of landmarks such as the Lockgate sculpture in Ferrara Quay, the copperworkers' township Hafod and the Whitford Point lighthouse - the only wave-washed cast-iron lighthouse in Britain - is recorded in this A-Z of the people, buildings, industries and events that have shaped the city and county of Swansea.

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This book is a treasure trove of English oddities, crammed with the most curious stories, remarkable facts and unexpected goings-on from the country’s long and convoluted history. From frogs’ legs at Stonehenge to knicker elastic in the Blitz, this is England – the unauthorised biography.

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Ensuring marketers and advertisers are aware of the laws and regulations of advertising is now more important than ever. If a campaign is found to be potentially offensive, harmful, or misleading, it can 'go viral' in just the click of a mouse, and the implications of breaching those laws are likely to be both damaging and costly to a brand's reputation, its creative work, and the strategic planning behind it. Now offering level-headed advice on everyday questions encountered when designing and running promotional campaigns, Ad Law, the new book from the Institute of Practitioners in Advertising (IPA), is the ultimate handbook to the law and regulation of advertising and marketing communications. Containing guidance based on real-world experiences from media and advertising lawyers and the IPA legal team, this book expertly leads readers through the most applicable laws and regulations, common pitfalls and the practicalities behind them, such as the new industry-standard client/agency agreement. Covering issues such as intellectual property, privacy and defamation, plus the self-regulatory framework, Ad Law is the ideal companion for any advertising and marketing professional, or lawyer working within these sectors.

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A comprehensive survey of Muslim Spain from 711-1492. This introduction to Muslim Spain covers the period from 711 to1492, giving readers a substantial overview of what it was that made it a unique and successful society, and of its powerful legacy in the formation of modern Spain. Using a chronological framework and pushing the main historical developments to the forefront, the author keeps in view the shifting social patterns caused by the changing balance between town and country, major and minor dynasties, foreign groupings and repeated invasions from North Africa. He also includes discussion of topics such as inter-faith relations, multi-ethnic competing groups, and how intellectual life was enriched by pluralism and influence from abroad.

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Regarded by many critics as Britain's best sitcom, Dick Clement and Ian La Frenais' tales of life inside Slade Prison first hit the screens in 1973 and ran until 1977. But it has never faded from the nation's consciousness. Ronnie Barker as Fletch the old lag and Richard Beckinsale as Godber the naive first-time offender are comic creations as fine as any in the history of television. Now, for the first time, Richard Webber has brought together the original scripts from all three series of PORRIDGE to make this the essential souvenir for all the many fans of this much-loved classic comedy.

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Sociology began as a historical discipline, created by Marx, Weber and others, to explain the emergence and consequences of rational, capitalist society. Today, the best historical sociology combines precision in theory-construction with the careful selection of appropriate methodologies to address ongoing debates across a range of subfields. This innovative book explores what sociologists gain by treating temporality seriously, what we learn from placing social relations and events in historical context. In a series of chapters, readers will see how historical sociologists have addressed the origins of capitalism, revolutions and social movements, empires and states, inequality, gender and culture. The goal is not to present a comprehensive history of historical sociology; rather, readers will encounter analyses of exemplary works and see how authors engaged past debates and their contemporaries in sociology, history and other disciplines to advance our understanding of how societies are created and remade across time. This illuminating book is designed for use in graduate and advanced undergraduate courses as an introduction to historical sociology and as a guide to employing historical analysis across the discipline.

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Globalization has been contested in recent times. Among the critical perspectives is cosmopolitanism. Yet, with the exception of normative theory, international relations as a field has ignored cosmopolitan thinking. This book redresses this gap and develops a dialogue between cosmopolitanism and international relations. The dialogue is structured around three debates between non-universalist theories of international relations and contemporary cosmopolitan thought. The theories chosen are realism, (post-)Marxism and postmodernism. All three criticize liberalism in the international domain, and, therefore, cosmopolitanism as an offshoot of liberalism. In the light of each school's respective critique of universalism, the book suggests both the importance and difficulty of the cosmopolitan perspective in the contemporary world. Beardsworth emphasizes the need for global leadership at nation-state level, re-embedding of the world economy, a cosmopolitan politics of the lesser violence, and cosmopolitan political judgement. He also suggests research agendas to situate further contemporary cosmopolitanism in international relations theory. This book will appeal to all students of political theory and international relations, especially those who are seeking more articulation of the main issues between cosmopolitanism and its critics in international relations.

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