Search results for ""author judith"

Bringing together 21 years and 475 projects in one book is a mammoth task. Especially when it involves the influential work of two icons of the design field. With their firm AAS, Pierre Jorge Gonzalez and Judith Haase quickly made design history. Their purist yet offbeat style has left its mark on built spaces across the globe, from large-scale art installations to retail stores and luxurious private dwellings. They focus in particular on a skillfully staged choreography of space and light. The distinctiveness of their style is also expressed in this magnificent illustrated publication. Committed to the aesthetics of social media, the book functions like a stream of fascinating impressions and experiments with exciting image breaks. True to their own style and always daring the new, the book shows and is a typical AAS project.

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Nick Sharman - at last - is living a life of married bliss with his new partner (and ex-stripper) Dawn. The bad boy has settled down, and the booze and the drugs and the guns are but a happy memory - unlike his ex-wife Laura, now married to respectability. Laura's quite capable of shattering the idyll, but this time it's serious - their fifteen-year-old daughter Judith, the real love of Sharman's life, has gone missing. The police are looking, but have no leads. Laura fears the worst. Sharman still has his own skills. But Laura's call catapults him back into a world he should have left behind. And when he decides to right some wrongs in his own way, domestic bliss becomes a thing of the past - and Sharman, once again, finds himself playing for keeps.

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Hannah Pick-Goslar, known as Hanneli to her friends and as 'Lies Goosens' in her dear friend Anne Frank's diary, was born in Berlin 1928, as the eldest child of Jewish parents, Hans Goslar and Ruth Judith Klee. In 1933, after the election of Adolf Hitler and the Nazi Party, the Goslars moved to Amsterdam. After the Nazi occupation of Europe intensified, in 1943, Hannah and her family were arrested and sent to Westerbork transit camp, before being transported to Bergen-Belsen. Hannah survived 14 months of horrific conditions and hardship before the camp was liberated in 1945. She emigrated to British Mandate Palestine in 1947 and trained as a nurse. Once retired, Hannah enjoyed the company of her children, grandchildren and great grandchildren. She passed away in 2022 at the age of 93.

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Judith Krawelitzki zeigt in dieser Studie, dass die explizite Rede von Gottes Macht im Psalter nicht nur ihren Schwerpunkt, sondern auch ihren Ursprung hat. Dort lassen sich drei eng miteinander verbundene Aspekte erkennen, unter denen Gottes Macht wahrgenommen worden ist: Macht als Wesenseigenschaft Gottes, Macht als Anteilgabe an den Menschen sowie Gottes Handeln in der Welt und am Menschen als Erweis seiner Macht. Entscheidend ist, dass Gottes Macht dem Wesen nach immer Rettungsmacht ist und darin Ausdruck seiner Liebe. Diese im Psalter ausgebildete Theologie hat die übrigen Schriften des Alten Testaments geprägt. Dabei ist eine deutliche Rückbindung an die Gebetssprache erhalten geblieben. Offenkundig hat Macht als Verstehens- und Deutungsrahmen für Gottes Wesen und Wirken nachhaltig erschließende Kraft gehabt.

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The intellectual radicalism of the 1960s spawned a new set of questions about the role and nature of "the political" in social life, questions that have since revolutionized nearly every field of thought, from literary criticism through anthropology to the philosophy of science. Michel Foucault in particular made us aware that whatever our functionally defined "roles" in society, we are constantly negotiating questions of authority and the control of the definitions of reality. Such insights have led theorists to challenge concepts that have long formed the very underpinnings of their disciplines. By exploring some of the most debated of these concepts--"culture," "power," and "history"--this reader offers an enriching perspective on social theory in the contemporary moment. Organized around these three concepts, Culture/ Power/History brings together both classic and new essays that address Foucault's "new economy of power relations" in a number of different, contestatory directions. Representing innovative work from various disciplines and sites of study, from taxidermy to Madonna, the book seeks to affirm the creative possibilities available in a time marked by growing uncertainty about established disciplinary forms of knowledge and by the increasing fluidity of the boundaries between them. The book is introduced by a major synthetic essay by the editors, which calls attention to the most significant issues enlivening theoretical discourse today. The editors seek not only to encourage scholars to reflect anew on the course of social theory, but also to orient newcomers to this area of inquiry. The essays are contributed by Linda Alcoff ("Cultural Feminism versus Post-Structuralism"), Sally Alexander ("Women, Class, and Sexual Differences in the 1830s and 1840s"), Tony Bennett ("The Exhibitionary Complex"), Pierre Bourdieu ("Structures, Habitus, Power"), Nicholas B. Dirks ("Ritual and Resistance"), Geoff Eley ("Nations, Publics, and Political Cultures"), Michel Foucault (Two Lectures), Henry Louis Gates, Jr. ("Authority, [White] Power and the [Black] Critic"), Stephen Greenblatt ("The Circulation of Social Energy"), Ranajit Guha ("The Prose of Counter-Insurgency"), Stuart Hall ("Cultural Studies: Two Paradigms"), Susan Harding ("The Born-Again Telescandals"), Donna Haraway ("Teddy Bear Patriarchy"), Dick Hebdige ("After the Masses"), Susan McClary ("Living to Tell: Madonna's Resurrection of the Fleshly"), Sherry B. Ortner ("Theory in Anthropology since the Sixties"), Marshall Sahlins ("Cosmologies of Capitalism"), Elizabeth G. Traube ("Secrets of Success in Postmodern Society"), Raymond Williams (selections from Marxism and Literature), and Judith Williamson ("Family, Education, Photography").

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The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong

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Thinking between Deleuze and Merleau-Ponty is the first book-length examination of the relation between these two major thinkers of the twentieth century. Questioning the dominant view that the two have little of substance in common, Judith Wambacq brings them into a compelling dialogue to reveal a shared, historically grounded concern with the transcendental conditions of thought. Both Merleau-Ponty and Deleuze propose an immanent ontology, differing more in style than in substance. Wambacq’s synthetic treatment is nevertheless critical; she identifies the limitations of each thinker’s approach to immanent transcendental philosophy and traces its implications—through their respective relationships with Bergson, Proust, Cézanne, and Saussure—for ontology, language, artistic expression, and the thinking of difference. Drawing on primary texts alongside current scholarship in both French and English, Thinking between Deleuze and Merleau-Ponty is comprehensive and rigorous while remaining clear, accessible, and lively. It is certain to become the standard text for future scholarly discussion of these two major influences on contemporary thought.

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In Passing Fancies in Jewish American Literature and Culture Judith Ruderman takes on the fraught question of who passes for Jewish in American literature and culture. In today's contemporary political climate, religious and racial identities are being reconceived as responses to culture and environment, rather than essential qualities. Many Jews continue to hold conflicting ideas about their identity—seeking, on the one hand, deep engagement with Jewish history and the experiences of the Jewish people, while holding steadfastly, on the other hand, to the understanding that identity is fluid and multivalent. Looking at a carefully chosen set of texts from American literature, Ruderman elaborates on the strategies Jews have used to "pass" from the late 19th century to the present—nose jobs, renaming, clothing changes, religious and racial reclassification, and even playing baseball. While traversing racial and religious identities has always been a feature of America's nation of immigrants, Ruderman shows how the complexities of identity formation and deformation are critically relevant during this important cultural moment.

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This volume offers a broad reflection on women's engagement in ritual and liturgy. The Central Theme section opens with a multi-faith dialogue on women and ritual. Denise J.J. Dijk discusses the Feminist Liturgical Movement in the Netherlands and the US. Teresa Berger explores the implications of the ancient axiom "lex orandi, lex credendi" for women's liturgical practice. Brigitte Enzner-Probst considers the role of the body in worship. Annette Esser encourages dynamic dialogue between women artists and women engaged in liturgy. Gabriella Lettini examines the concept of syncretism in the light of the relationship between gospel and culture. The Forum focuses on translation: Judith Hartenstein and Silke Petersen highlight the problems of inclusive-language translation of St John's Gospel, while Caroline Vander Stichele presents recent discussions of the Dutch translation of JHWH. In Women's Traditions, Rosine Lambin traces the adoption of the veiling of women in the early church. Bettina Kratz-Ritter discusses the decline and modern renewal of ancient Jewish women's birth rites intended to protect the newborn child. From the countries, Angela Berlis tracks the evolution of the German Old Catholic 'Women's Sunday' service from 1920 to the present. Charlotte Methuen reflects on issues of power and authority raised by women's presidency at the Eucharist. Finally, the Book Market lists recently-published works as well as reviews.

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Paksenarrion—Paks for short—was somebody special. Never could she have followed her father's orders and married the pig farmer down the road. Better a soldier's life than a pig farmer's wife, and so, though she knew that she could never go home again, Paks ran away to be a soldier. And so began an adventure destined to transform a simple Sheepfarmer's Daughter into a hero fit to be chosen by the gods. Features an all-new introduction by the author! About Elizabeth Moon: “Excellent plotting and characters support the utterly realistic action sequences: swift, jolting, confusing, and merciless. It’s a corker!”—Kirkus Reviews “Moon has created a richly imagined universe of different cultures, replete with intriguing characters and the sense of unlimited possibility that characterizes the most appealing science fiction.”—School Library Journal “Rip-roaring action and intriguing science and tactics . . . [a] grand space opera tour de force.”—Publishers Weekly "[T]he first work of high heroic fantasy I've seen that has taken the work of Tolkien, assimilated it totally and deeply and absolutely, and produced something altogether new and yet incontestably based on the master... [Moon's] military knowledge is impressive, her picture of life in a mercenary company most convincing. I'm deeply impressed."—Judith Tarr

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Throughout his adventurous life, Ralph Rumney was in constant flight from the wreckage of postwar Europe. Crossing paths with every avant-garde of the past fifty years, he was one of the founding members of the Situationist International. Rumney’s traveling companions — Guy Debord, Pegeen Guggenheim, Asger Jorn, Michèle Berstein, Bernard Kops, Yves Klein, Marcel Duchamp, Georges Bataille, William Burroughs, Félix Guattari, E.P. Thompson, Victor Brauner, and many others — are recalled in the oral history with sharp intelligence and dry wit.Profusely illustrated with Rumney’s own photos, paintings, and collages and other documentary materials."The Consul regains that magnificent freedom that a handful of people enjoyed and shared with artists, writers and others, in a world whose password was total, unfailing rejection of the world." —Judith Brouste, Art Press". . . fine compendium of the most poetic of political writings, albeit still a partial measure for fans, followers and future revolutionaries awaiting the complete translations of the journal Situationist Internationale." —Publishers WeeklyRalph Rumney (1934 - 2002), was the sole member of the London Psychogeographical Society, a founding organization of the Situationist International (1957). He is the author of The Leaning Tower of Venice, a fabled psychogeographical exploration of that city.Malcolm Imrie is a literary agent and translator whose translations include Guy Debord's Comments on the Society of the Spectacle and Josè Pierre's Investigating Sex: Surrealist Discussions 1928 - 1932.

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Worldwide bestselling author Wilbur Smith will take you on an incredible journey on the thrashing seas off the coast of Africa in this glorious return to the series that made him who he is: The Courtney series. East African Coast, 1670. In a time of brave and brutal adventure, one man will journey across land and sea to pursue his greatest enemy … The Golden Bough, captained by Henry ‘Hal’ Courtney, is running south from Ethiopia to Zanzibar. Below deck, both his crew and his lover, the fearless warrior Judith Nazet, sleep. As the moon glints through clouds, Hal sights a ship passing close by. Although there is an uneasy truce between the warring English and Dutch, Hal scents danger. When the Bough is boarded, the crew must go hand to hand to defend their ship and their lives. But soon Hal will face even graver danger, as he discovers his mortal enemy still lives and is hell-bent on revenge. he must pursue his nemesis across desert savannah, through the seedy underbelly of Zanzibar’s slave markets and shark-infested waters, imperilling his own life at every turn. But it will take more than a slave’s shackles to hold Hal Courtney… A thrilling blend of extraordinary drama and epic storytelling, Golden Lion sees Wilbur Smith return in triumphant form to the adventures of his beloved and bestselling Courtney family.

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‘A page-turning literary gem’ THE TIMES, BEST BOOKS OF 2020 From the highly acclaimed author of The Photographer of the Lost, a BBC Radio 2 Book Club Pick, comes a beautiful and compelling story based on true events, perfect for fans of Maggie O'Farrell and Helen Dunmore.One Great War soldier with no memory. Three women who claim him as their own. 1918. A soldier is arrested in Durham Cathedral in the last week of the First World War, but he has no memory of who he is or how he came to be there. He is given the name Adam and transferred to a rehabilitation institution in the Lake District where Doctor James Haworth is determined to uncover his identity. But, unwilling to relive the trauma of war, Adam has locked his memory away, seemingly for good. Then a newspaper publishes a feature about Adam, and three women come forward, each claiming that he is someone she lost in the war. But without memory, how do you know who to believe?Based on true events, When I Come Home Again is a beautiful and compelling story about love, loss and longing in the aftermath of war, perfect for fans of Maggie O'Farrell and Helen Dunmore.Praise for When I Come Home Again: ‘A superb and quietly devastating novel about grief, hope and the horrific aftershocks of war’ The Times, Book of the Month 'Scott unravels her haunting tale in unpretentious but persuasive prose' Sunday Times ‘When I Come Home Again is a heartbreaking read which reveals the far-reaching tragedies of war. My heart ached for the three women and for Adam… I highly recommend it – and I very much look forward to Caroline Scott’s next novel’ Anita Frank, author of The Lost Ones ‘Atmospheric descriptions of the Lake District contrast with the horrors of war in this poignant and breathtaking exploration of loss, love and precious memories’ My Weekly, Pick of the Month ‘A powerful story that’s achingly moving and most beautifully written. Readers of Maggie O’Farrell and Helen Dunmore are likely to enjoy’ Rachel Hore, author of The Love Child ‘This beautiful book packs a huge emotional punch’ Fabulous ‘Captivating, heartbreaking and uplifting. This beautiful and moving book drew me in from the first line and held me enthralled until the very end' Fiona Valpy, author of The Dressmaker's Gift ‘Caroline Scott’s quietly devastating second novel insightfully explores the impact of the Great War on returning soldiers and the families that waited… Scott skillfully unspools their heartbreaking stories while uncovering the source of Adam's fear’ Daily Mail ‘A compulsive, heart-wrenching read, beautifully and painfully evoking the toxic mix of grief and guilt suffered by survivors and the bereaved following WWI’ Liz Trenow, author of Under a Wartime Sky ‘In this powerful psychological novel, Scott explores the mental health of everyone involved in the soldier’s life. A carefully, nuanced, complex story’ Woman & Home ‘I absolutely loved it. It was page turning, mysterious, engrossing and compelling. I thought so many times I had it all figured out and I was wrong every time. I couldn’t get to the end fast enough and finished it at 1 am feeling bereft' Lorna Cook, author of The Forbidden Promise ‘A carefully nuanced, complex story’ Woman’s Weekly ‘A haunting novel with loss at its heart - the loss of self, loved ones and the lives that should have been. Caroline Scott evokes the damage and desolation of the Great War with aching authenticity, and her writing is exquisite' Iona Grey, author of The Glittering Hour 'A poignant story about love and loss’ Best 'Wonderful and evocative . . . it is so much more subtle and complex than being just the journey to discover who Adam really is. It is not only about memory and identity, it's about the repercussions and tragedy of war, reaching out across vast swathes of society' Suzanne Goldring, author of Burning Island ‘Based on true events, this is a powerful story’ Bella ‘A beautifully written novel – immersive, poignant, intricately woven’ Judith Kinghorn, author of The Echo of Twilight ‘An evocative read’ heat ‘Outstanding… The story left me breathless. Powerful, heartrending, and oh so tender. A whirlwind of emotions that will not allow us to forget’ Kate Furnivall, author of The Guardian of Lies ‘Scott’s tense and compelling mystery – with so many broken lives at its centre – ­is a timely reminder that the repercussions of war are lasting, painful and tragic’ Lancashire Post ‘Scott litters her tale with clues and red herrings in the best mystery-writer way so we are kept guessing as to where the truth really lies’ The BookBag

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National Bestseller. Named a Best Book of 2024 (so far) by NPR, Harper''s Bazaar, W, and Esquire, and a Most Anticipated Book of 2024 by The New York Times, The Washington Post, Time, Los Angeles Times, ELLE, Cosmopolitan, Kirkus, Literary Hub, Autostraddle, The Millions, Electric Literature, and them. A profoundly urgent intervention. Naomi Klein A timely must-read for anyone actively invested in re-imagining collective futurity. Claudia RankineFrom a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world. Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on gender that have become central to right-wing movements today. Global networks have formed anti-gender ideology movements that are dedicated to circulat

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The unlivable is the most extreme point of human suffering and injustice. But what is it exactly? How do we define the unlivable? And what can we do to prevent and repair it? These are the intriguing questions Judith Butler and Frédéric Worms discuss in a captivating dialogue situated at the crossroads of contemporary life and politics. Here, Judith Butler criticizes the norms that make life precarious and unlivable, while Frédéric Worms appeals to a “critical vitalism” as a way of allowing the hardship of the unlivable to reveal what is vital for us. For both Butler and Worms, the difference between the livable and the unlivable forms the critical foundation for a contemporary practice of care. Care and support, in all their aspects, make human life livable, that is, “more than living.” To understand it, we must draw on the concrete practices of humans who are confronted with the unlivable: the refugees of today and the witnesses and survivors of past violations and genocide. They teach us what is intolerable but also undeniable about the unlivable, and what we can do to resist it. Crafted with critical rigor, mutual respect, and lively humor, the compelling dialogue transcribed and translated in this book took place at the École Normale Supérieure (ENS) on April 11, 2018, at a time when close to two thousand migrants were living in nearby makeshift camps in northern Paris. The Livable and the Unlivable showcases this 2018 dialogue in the context of Butler’s and Worms’s ongoing work and the evolution of their thought, as presented by Laure Barillas and Arto Charpentier in their equally engaging introduction. It concludes with a new afterword that addresses the crises unfolding in our world and the ways a philosophically rigorous account of life must confront them. While this book will be of keen interest to readers of philosophy and cultural criticism, and those interested in vitalism, new materialism, and critical theory, it is a far from merely academic text. In the conversation between Butler and Worms, we encounter questions we all grapple with in confronting the distress and precarity of our times, marked as it is by types of survival that are unlivable, from concentration camps to prisons to environmental toxicity, to forcible displacement, to the Covid pandemic. The Livable and the Unlivable at once considers longstanding philosophical questions around why and how we live, while working to retrieve a philosophy of life for today’s Left.

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In 1878, in London, a woman served a prison sentence for deserting two of her children, a charge she denied. Almost nothing else is known of her life or that of her husband, a dealer in 'foreign birds and curiosities', who was himself a migrant. The two children vanished from the record. This is where Fleet begins, with elusive histories and lost voices. The title suggests imperial power, conquest, traffic in commodities (which in the nineteenth century included vast numbers of exotic birds). It is shadowed by other meanings: the fleeting glimpse and swift flight; floating memories, enigmatic and insistent. Judith Willson's second book of poems was written during years when migration and displacement have become central facts of the human condition. The collection works outwards from found text – historical documents, archive materials – into other places and times. In the silences of such records, their erasures and omissions, are stories that haunt our present.

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Novels began to incorporate literary theory in unexpected ways in the late twentieth century. Through allusion, parody, or implicit critique, theory formed an additional strand in fiction that raised questions about the nature of authorship and the practice of writing. Studying this phenomenon provides fresh insight into the recent development of the novel and the persistence of modern theory beyond the period of its greatest success. In this book, Judith Ryan opens these questions to a range of readers, drawing them into debates over the value of theory. Ryan investigates what prompted fiction writers to incorporate and respond to theory nearly thirty years ago. Designed for readers unfamiliar with the complexities of theory, Ryan's book introduces the discipline's major trends and controversies and notes the salient ideas of a carefully selected set of individual thinkers. Ryan follows novelists' adaptation to and engagement with arguments drawn from theory as they translate abstract ideas into language, structure, and fictional strategy. At the core of her book is a fascinating microstudy of French poststructuralism in its dialogue with narrative fiction. Investigating theories of textuality, psychology, and society in the work of Don DeLillo, Thomas Pynchon, J. M. Coetzee, Margaret Atwood, W. G. Sebald, and Umberto Eco, as well as Monika Maron, Alain Robbe-Grillet, Marguerite Duras, Marilynne Robinson, David Foster Wallace, and Christa Wolf, Ryan identifies subtle negotiations between author and theory and the richness this dynamic adds to texts. Resetting the way we think and learn about literature, her book reads current literary theory while uniquely tracing its shaping of a genre.

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This book examines the relations among nostalgia, gender, and foundational philosophies through a critique of the lost mother as a ground for thinking about sexual difference. More specifically, the author critiques the nostalgic tendencies of feminist theory, arguing that an emancipatory system of thought must move beyond a maternally oriented structure. Through close readings of works by Maurice Blanchot, Luce Irigaray, Julia Kristeva, and Nicole Brossard, the book elucidates the many dimensions of nostalgic paradigms—literary, psychoanalytic, epistemological, ontological, and sociopolitical. This critique ultimately confronts postmodernism, and especially the burgeoning field of performative theory, as an intellectual paradigm that claims to subvert systems of meaning. Analyzing the writings of J. L. Austin, Judith Butler, and Irigaray, the author argues that despite its antinostalgic structure, performative theory provides an inadequate model for understanding the connections among language, identity, and the social bonds that constitute the ethical and political sphere. Asserting, through the example of performative theory, that a critique is not enough, the book examines the possibility of a constructive model that is both non-nostalgic and informed by ethical constraints. One such model is offered through a reading of the Quebecois writer Nicole Brossard, which explores her work in relation to the question of lesbian writing. Demystifying nostalgia, Brossard not only uncovers and subverts the structures through which a concept of origins is produced, but also provides a different, visionary way of thinking about the relationship between subjectivity and language. Finally, the book argues for further feminist work on the relationship between narrative and ethics, a field whose future lies in the elaboration of a bridge between the moral commitments of ethical theory and the fractured realities that find their expression in literary forms.

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Visions of Belonging explores how beloved and still-remembered family stories-A Tree Grows in Brooklyn, I Remember Mama, Gentleman's Agreement, Death of a Salesman, Marty, and A Raisin in the Sun-entered the popular imagination and shaped collective dreams in the postwar years and into the 1950s. These stories helped define widely shared conceptions of who counted as representative Americans and who could be recognized as belonging. The book listens in as white and black authors and directors, readers and viewers reveal divergent, emotionally textured, and politically charged social visions. Their diverse perspectives provide a point of entry into an extraordinary time when the possibilities for social transformation seemed boundless. But changes were also fiercely contested, especially as the war's culture of unity receded in the resurgence of cold war anticommunism, and demands for racial equality were met with intensifying white resistance. Judith E. Smith traces the cultural trajectory of these family stories, as they circulated widely in bestselling paperbacks, hit movies, and popular drama on stage, radio, and television. Visions of Belonging provides unusually close access to a vibrant conversation among white and black Americans about the boundaries between public life and family matters and the meanings of race and ethnicity. Would the new appearance of white working class ethnic characters expand Americans'understanding of democracy? Would these stories challenge the color line? How could these stories simultaneously show that black families belonged to the larger "family" of the nation while also representing the forms of danger and discriminations that excluded them from full citizenship? In the 1940s, war-driven challenges to racial and ethnic borderlines encouraged hesitant trespass against older notions of "normal." But by the end of the 1950s, the cold war cultural atmosphere discouraged probing of racial and social inequality and ultimately turned family stories into a comforting retreat from politics. The book crosses disciplinary boundaries, suggesting a novel method for cultural history by probing the social history of literary, dramatic, and cinematic texts. Smith's innovative use of archival research sets authorial intent next to audience reception to show how both contribute to shaping the contested meanings of American belonging.

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In her graceful account of the transformation of European attitudes toward the Ottoman empire during the sixteenth and seventeenth centuries, Lucette Valensi follows the genealogy of the concept of Oriental despotism. The Birth of the Despot examines a crucial moment in the long and ambiguous encounter between the Christian and Islamic worlds: the period after the fall of Constantinople to the Turks, when Venice's pursuit of its commercial and maritime interests brought two powerful protagonists—Venice and the Sublime Porte—face-to-face. Vivaldi's oratorio Juditha Triumphans, in which Judith liberates her besieged town by killing the Turk Holofernes, serves as the organizing metaphor in Valensi's study of how Venice's perceptions of its rival changed. Valensi shows how Venice's initial admiration for the sultan and his orderly empire metamorphosed into revulsion at a monstrous tyrant.

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In her graceful account of the transformation of European attitudes toward the Ottoman empire during the sixteenth and seventeenth centuries, Lucette Valensi follows the genealogy of the concept of Oriental despotism. The Birth of the Despot examines a crucial moment in the long and ambiguous encounter between the Christian and Islamic worlds: the period after the fall of Constantinople to the Turks, when Venice's pursuit of its commercial and maritime interests brought two powerful protagonists—Venice and the Sublime Porte—face-to-face. Vivaldi's oratorio Juditha Triumphans, in which Judith liberates her besieged town by killing the Turk Holofernes, serves as the organizing metaphor in Valensi's study of how Venice's perceptions of its rival changed. Valensi shows how Venice's initial admiration for the sultan and his orderly empire metamorphosed into revulsion at a monstrous tyrant.

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The nineteenth century was a time of unprecedented transformation, and nowhere was this more apparent than on the streets of London. In only a few decades, London grew from a Regency town to the biggest city the world had ever seen, with more than 6.5 million people and railways, street-lighting and new buildings at every turn.Charles Dickens obsessively walked London's streets, recording its pleasures, curiosities and cruelties. Now, Judith Flanders follows in his footsteps, leading us through the markets, transport systems, sewers, slums, cemeteries, gin palaces and entertainment emporia of Dickens' London. The Victorian City is a revelatory portrait of everyday life on the streets, bringing to life the Victorian capital in all its variety, vibrancy, and squalor. No one who reads it will view London in the same light again.

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Famous for her short fiction - most notably "The Yellow Wallpaper" - Charlotte Perkins Gilman also produced a vast body of nonfiction in tandem with her work as a Progressive-era feminist reformer. Rooted in groundbreaking research on Gilman's extensive correspondence, publications, and speeches, this keenly argued intellectual biography reconstructs her controversial output and the heady context in which she produced it. Judith Allen provides the first comprehensive assessment of Gilman's complicated feminism by exploring the renowned writer's theories of sexuality and evolutionary analyses of androcentric, or male-dominated, culture. These ideas, Allen shows, informed Gilman's many contributions to the suffrage movement, the fight to abolish regulated prostitution, and efforts to legalize birth control. Restoring a previously overlooked public intellectual to her preeminent place in Progressive-era politics and the history of feminism at home and abroad, Allen's landmark study provides the fullest account available of Gilman's consequential life and profoundly influential work.

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This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what 'messages' they transmitted and how the surrounding environment shaped their meaning. The book contains nearly five hundred illustrations (with over four hundred in colour), including specially commissioned photographs, maps, floorplans and reconstructions. Judith M. Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta figurines, reliefs, jewellery and wall paintings. Numerous text boxes, chapter summaries and timelines, complemented by a detailed glossary, support student learning.

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A bold new history of the rise and expansion of the Norman Dynasty across Europe from Byzantium to England In the eleventh century the climate was improving, population was growing, and people were on the move. The Norman dynasty ranged across Europe, led by men who achieved lasting fame, such as William the Conqueror and Robert Guiscard. These figures cultivated an image of unstoppable Norman success, and their victories make for a great story. But how much of it is true? In this insightful history, Judith Green challenges old certainties and explores the reality of Norman life across the continent. There were many soldiers of fortune, but their successes were down to timing, good luck, and ruthless leadership. Green shows the Normans’ profound impact, from drastic change in England to laying the foundations for unification in Sicily to their contribution to the First Crusade. Going beyond the familiar, she looks at personal dynastic relationships and the important part women played in what at first sight seems a resolutely masculine world.

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New York is a street art Mecca, boasting a vast outdoor gallery which encompasses walls, fences, sidewalks and just about any other available surface. Featured in this dynamic collection are approximately 200 images of works by artists such as New Yorkers Swoon, Judith Supine, Dan Witz, Skewville, WK Interact, L.A.'s Shepard Fairey, Brazil's Os Gemeos, Denmark's Armsrock, France's Space Invader, C215, Mr. Brainwash, Germany's Herakut, London's Nick Walker and the infamous Banksy. This book offers a compelling portrait of the development of urban art in the noughties in one of its most important and supportive communities.

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'Incredibly moving' Daily Mail'To Siri with Love is a beautifully honest and illuminating love letter to Gus, your typical atypical nonneurotypical human.' Jon Stewart'A moving and witty memoir with a big heart.' Nigella Lawson'An uncommonly riotous and moving book [that] will make readers laugh - yes, out loud - before sweeping them, finally, into a soul-spilling high tide . . . Technology's great promise may in fact be to summon, capture and display our most human qualities, both the darkness and the light, to pave avenues of deepened connections with others.' New York TimesWriter Judith Newman never had any illusions that her family was 'normal'. She and her husband keep separate apartments-his filled with twin grand pianos as befits a former opera singer; hers filled with the clutter and chaos of twin adolescent boys conceived late in life. And one of those boys is Gus, her sweet, complicated, autistic 13-year-old.With refreshing honesty, To Siri With Love chronicles one year in the life of Gus and the family around him -- a family with the same crazy ups and downs as any other. And at the heart of the book lies Gus's passionate friendship with Siri, Apple's 'intelligent personal assistant'. Unlike her human counterparts, Siri always has the right answers to Gus's incessant stream of questions about the intricacies of national rail schedules, or box turtle varieties, and she never runs out of patience. She always makes sure Gus enunciates and even teaches him manners by way of her warm yet polite tone and her programmed insistence on civility.Equal parts funny and touching, this is a book that will make your heart brim, and then break it. Warm, wise and always honest, Judith Newman shows us a new world where artificial intelligence is beginning to meet emotional intelligence -- a world that will shape our children in ways both wonderful and unexpected.

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This unique book-and-audio program brings together some of the country's most beloved meditation teachers. Each contributor presents a short written teaching along with an audio recording of a guided practice. Quiet Mind features:    • Sakyong Mipham on shamatha, the practice of tranquillity    • Larry Rosenberg on vipassana, the practice of clear seeing    • Edward Espe Brown on zazen, the practice of freedom    • Sharon Salzberg on metta, the practice of lovingkindness   • Judith Lief on tonglen, the practice of transformation    • Tulku Thondup on healing the body and mind through meditation    • Yoga teacher Richard Faulds on the link between yoga and meditation Includes a 78-minute CD.

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Deontology brings together some of the most significant philosophical work on ethics, presenting canonical essays on core questions in moral philosophy. Edited and introduced by Stephen Darwall, these readings are essential for anyone interested in normative theory. With a helpful introduction by Stephen Darwall, examines key topics in deontological moral theory. Includes seven essays which respond to the classic sources. Includes classic excerpts by key figures such Kant, Richard Price and W. D. Ross; and recent reactions to this work by philosophers, including Robert Nozick, Thomas Nagel, Stephen Darwall, Judith Thomson, Frances Kamm, Warren Quinn, and Christine Korsgaard.

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Build your child’s reading confidence at home with books at the right level Here comes the fearless granny gang,The youngest eighty-two.They leap down from their granny van,And there’s nothing they can’t do! A gleeful celebration of why grannies are great! Through wonderfully rhythmical writing and exquisite illustrations, Judith Kerr OBE shows us that there is a lot more to this gang of grey-haired grannies than meets the eye! A summary on pages 34 and 35 of each granny and her skill supports children in recapping the story, providing plenty of speaking and listening opportunities. Lime/Band 11 books have longer sentence structures and a greater use of literary language. Ideas for reading at the back of the book provide practical support and stimulating activities.

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In Volume 2 of Women's History in Global Perspective, Bonnie G. Smith curates more essays by pioneering thinkers on issues that have shaped the history of women, this time with a focus on particular places and particular eras. The collection examines women from prehistory to ancient civilizations in Egypt, Israel, India, and beyond; a survey of women history in China, Japan, and Korea; women and gender in South and South East Asia; medieval women; women and gender in Colonial Latin America; and the history of women in the United States to 1865. Inclusive and wide-ranging, Women's History in Global Perspective, Volume 2, offers an invaluable collection of feminist scholarship on overlooked and marginalized topics. Contributors: Judith M. Bennett, Kathleen Brown, Brady Hughes, Sarah Shaver Hughes, Susan Mann, Barbara N. Ramusack, and Ann Twinam.

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MPT's new look Spring issue Strange Tracks focuses on Dutch poetry, with a selection of new poems by three of the Netherlands most exciting poets: Toon Tellegen, Ester Naomi Perquin and Menno Wigman and an interview with Tellegen and his English translator Judith Wilkinson about their prize-winning collaboration Raptors. The issue also features poems from around the world: Zhang Zao, Luis Felipe Fabre's poems about the drug wars in Mexico, Argentinian poet Fabian Casas and French poet Valerie Rouzeau. There are also new translations of Baudelaire by Australian poet Jan Owen and some fresh new versions of poems and riddles from The Exeter Book. We're also launching a new design for MPT and some commissioned cover artwork. For the best in world poetry read MPT.

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Foreword by Anya Hindmarch Decade by decade, the lavishly illustrated Vintage Handbags recounts over 100 years of handbag history, from Elsa Schiaparelli's mesh bags for Whiting & Davis in the 1920s through the Hermès Kelly bag in the 1950s to the Fendi Baguette of the 1990s.Accompanied by archive images, fashion photography and specially commissioned photographs of period pieces, the most collectible and beautiful handbags are showcased. An invaluable and visually stunning reference, the book explores the key designers, technical developments and cultural influences that shaped handbag design, revealing exquisite and groundbreaking work from such luminaries as Salvatore Ferragamo, Coco Chanel, Hermès, Fendi, Bonnie Cashin and Judith Leiber.

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Beyond Good and Evil is one of the most scathing and powerful critiques of philosophy, religion, science, politics and ethics ever written. In it, Nietzsche presents a set of problems, criticisms and philosophical challenges that continue both to inspire and to trouble contemporary thought. In addition, he offers his most subtle, detailed and sophisticated account of the virtues, ideas, and practices which will characterize philosophy and philosophers of the future. With his relentlessly energetic style and tirelessly probing manner, Nietzsche embodies the type of thought he wants to foster, while defining its historical role and determining its agenda. This edition offers a new and readable translation, by Judith Norman, of one of the most influential texts in the history of philosophy, together with an introduction by Rolf-Peter Horstmann that sets it in its historical and philosophical context.

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Two best friends follow their flights of fancy in this charming early reader graphic novel. Best friends Willa and Wade really want to fly. Sure, Willa’s an ostrich and Wade’s a penguin. But there must be something they can think of that will get them off the ground! The two thorough thinkers try different ways - from pirouettes to pogo sticks - to catch some air. But while they do a lot of trying, it doesn’t lead to any flying! Will the friends ever find a way to reach their lofty goal? Judith Henderson’s graphic novel series for early readers features two lovable characters with an adventurous spirit and loads of heart. What the pair learn here is that, while ingenuity and effort can sometimes bring great results, having your best friend beside you to enjoy the experience is what really matters. Sara Sarhangpour’s expressive illustrations, just a few per spread, supply just the right amount of humor and sweetness. With a lighthea

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Is queer theory dead? Through its increasing entanglement with capitalism, James Penney, controversially argues that queer theory has run its course. However, the 'end of queer' should not signal the death of liberatory sexual politics; rather, it presents the occasion to rethink the relation between sexuality and politics. The book makes a critical return to Marxism and psychoanalysis, via Freud and Lacan, and conducts a critical examination of queer theory's most famous proponents, including Judith Butler and Eve Kosofsky Sedgwick. In doing so, Penney insists that the way to implant sexuality in the field of political antagonism is - paradoxically - to abandon the exhausted premise of a politicised sexuality. He argues that by wresting sexuality from the dead end of identity politics, it can be opened up to a universal emancipatory struggle beyond the reach of capitalism's powers of commodification.

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Sherlock Holmes was the most famous detective to stride through the pages of late Victorian and Edwardian fiction, but he was not the only one. He had plenty of rivals. Some of the most memorable of these were women: they were 'Sherlock's Sisters'. This exciting, unusual anthology gathers together 15 stories written by women or featuring female detectives. They include Dorcas Dene, Lady Molly of Scotland Yard, Hagar the Gypsy, Judith Lee and Madelyn Mack. Editor Nick Rennison has already compiled several highly entertaining collections of stories from what he considers a golden age of crime fiction, including The Rivals of Sherlock Holmes, More Rivals of Sherlock Holmes and Supernatural Sherlocks. His latest anthology turns the spotlight on the women detectives who could more than match their male counterparts.

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The obese' female body has often been portrayed as the other' to the slender body. However, this process of othering', or viewing as different, has created a repressive discourse, where excess' has increasingly come to be studied as a physical abnormality' or a signifier of a personality defect' in contemporary Western society. This book engages with the multifarious re-imaginings of the excessive' embodiment in contemporary women's writing, drawing specifically on the construction of this form of embodiment in the works of Fay Weldon, Jeanette Winterson, Margaret Atwood, Claude Tardat, and Judith Moore, whose texts offer a distinct literary response to the rigidly homogeneous and limiting representations of fatness, while prompting heterogeneous approaches to reading the excessive' female embodiment.

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An entertaining and mischievous tribute to motherhood - the perfect present for every mother for every occasion.There is no one quite like your mother - but along with the unconditional love and understanding, this also means that there is no one else who always knows when you're fibbing, or where you keep your diary, or the terribly amusing thing you once said at a family wedding when you were five.In an affectionate, amusing and mischievous book, Judith Holder's tribute to motherhood covers everything from mothers through the ages (it's not only the Virgin Mary who we wish had had an immaculate conception) to maternal anxiety and those little things she says and why she says them: 'You're not going out like that', 'What are you doing inside on a lovely day like today?', and the classic 'because I said so.'Using interviews and testimonies from mothers and daughters of all ages, this is a humorous look at motherhood and everything that goes with it, with beautifully illustrated and funny line drawings integrated into the text.

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This new, revised, and expanded edition of the popular Academic’s Handbook is an essential guide for those planning or beginning an academic career. Faculty members, administrators, and professionals with experience at all levels of higher education offer candid, practical advice to help beginning academics understand matters including:— The different kinds of institutions of higher learning and expectations of faculty at each.— The advantages and disadvantages of teaching at four-year colleges instead of research universities.— The ins and outs of the job market.— Alternatives to tenure-track, research-oriented positions.— Salary and benefits.— The tenure system.— Pedagogy in both large lecture courses and small, discussion-based seminars.— The difficulties facing women and minorities within academia.— Corporations, foundations, and the federal government as potential sources of research funds.— The challenges of faculty mentoring.— The impact of technology on contemporary teaching and learning.— Different types of publishers and the publishing process at university presses.— The modern research library.— The structure of university governance.— The role of departments within the university.With the inclusion of eight new chapters, this edition of The Academic’s Handbook is designed to ease the transition from graduate school to a well-rounded and rewarding career.Contributors. Judith K. Argon, Louis J. Budd, Ronald R. Butters, Norman L. Christensen, Joel Colton, Paul L. Conway, John G. Cross, Fred E. Crossland, Cathy N. Davidson, A. Leigh DeNeef, Beth A. Eastlick, Matthew W. Finkin, Jerry G. Gaff, Edie N. Goldenberg, Craufurd D. Goodwin, Stanley M. Hauerwas, Deborah L. Jakubs, L. Gregory Jones, Nellie Y. McKay, Patrick M. Murphy, Elizabeth Studley Nathans, A. Kenneth Pye, Zachary B. Robbins, Anne Firor Scott, Sudhir Shetty, Samuel Schuman, Philip Stewart, Boyd R. Strain, Emily Toth, P. Aarne Vesilind, Judith S. White, Henry M. Wilbur, Ken Wissoker

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With the economy of a proverb and the psychological insight of a novel, Toon Tellegen's acclaimed sequence Raptors depicts the dynamics of a family held hostage by the mood-swings and histrionics of a father, a figure both comic and terrifying, grotesque and pathetic. Tellegen's mercurial imagination evokes the dark archetypes of European folklore and reanimates them with a sophisticated sense of the endless fluidity of relationships, the instability of interpretation. An improvisation on a theme, circling back to 'my father' at the start of each poem, Raptors builds to a story without narrative, its extravagant imaginative leaps into absurdity held within a framework of tender observation. Toon Tellegen's translator Judith Wilkinson has worked closely with the poet to create English poems that capture the startling clarity and inventiveness of the original Dutch. Raptors has the rewarding intensity of a modern classic.

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This book is about lives lived out on the borderlands, lives for which the central interpretative devices of the culture don't quite work. It has a childhood at its centre - my childhood, a personal past - and it is about the disruption of that fifties childhood by the one my mother had lived out before me, and the stories she told about it.'Intricate and inspiring, this unusual book uses autobiographical elements to depict a mother and her daughter and two working-class childhoods (Burnley in the 1920s, South London in the 1950s) and to find a place for their stories in history and politics, in psychoanalysis and feminism.'Provocative and quite dazzling in its ambitions. . . Beautifully written, intellectually compelling' Judith Walkowitz

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Birds of Rhode Island documents the status and distribution of birds in the state since the late nineteenth century. Based on comprehensive fieldwork and research by Richard L. Ferren and edited by Richard R. Veit, this book describes the habitats and locations of more than four hundred species of birds along with data on the seasons of their occurrence.This volume features:- An introductory section that includes a history of ornithology in Rhode Island, descriptions of the state''s most important bird habitats and biogeographical regions, and an overview of factors affecting species populations- Species accounts with information on changes in abundance and distribution as well as conservation and management methods- An eighty-year history of banding and migration watching at Block Island, seventy years of seabird migration quantification at Point Judith, a detailed history of the state''s seabird colonies, and multiple surveys of the st

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Feminism and liberalism need each other, argues Judith Baer. Her provocative book, Feminist Post-Liberalism, refutes both conservative and radical critiques. To make her case, she rejects classical liberalism in favor of a welfare—and possibly socialist—post-liberalism that will prevent capitalism and a concentration of power that reinforces male supremacy. Together, feminism and liberalism can better elucidate controversies in American politics, law, and society.Baer emphasizes that tolerance and self-examination are virtues, but within both feminist and liberal thought these virtues have been carried to extremes. Feminist theory needs liberalism's respect for reason, while liberal theory needs to incorporate emotion. Liberalism focuses too narrowly on the individual, while feminism needs a dose of individualism.Feminist Post-Liberalism includes anthropological foundations of male dominance to explore topics ranging from crime to cultural appropriation. Baer develops a theory that is true to the principles of both feminist and liberal ideologies.

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At Passiontide 2004, Judith von Halle received the stigmata - the duplication on her body of the wounds of Christ. Following a period of careful consideration, she eventually decided to share this intimate occurrence with a small group in Berlin in Michaelmas of that year. The phenomenon of the stigmata is usually either seen as a sheer miracle or is simply denied. In contrast, in her first lectures here, she attempts to arrive at a clear understanding of it - based on the spiritual scientific knowledge of Rudolf Steiner - and its significance for one's personal destiny. As a consequence of receiving the stigmata, von Halle began to experience the events of the life of Christ in full, sensory detail. In addition, she has explored these events by means of spiritual-scientific research methods - sometimes referred to as 'continuity of consciousness'. In the further five lectures of this volume, she offers a commentary to the "Mystery of Golgotha", the turning-point in world history. Her intention is to stimulate the reader to reflect patiently and repeatedly upon this great Mystery, and to enter into an ever closer relationship to Christ.

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From Obstacle to Ally explores the evolution of the theory and practice of psychoanalysis through an investigation of historical examples of clinical practice. Beginning with Freud's experience of the problem of transference, this book is shaped around a series of encounters in which psychoanalysts have managed effectively to negotiate such obstacles and on occasion, convert them into allies. Judith Hughes succeeds in bringing alive the ideas, clinical struggles and evolving practices of some of the most influential psychoanalysts of the last century including Sandor Ferenczi, Anna Freud, Melanie Klein, Wilfred Bion, Betty Joseph and Heinz Kohut. Through an examination of the specific obstacles posed by particular diagnostic categories, it becomes evident that it is often when treatment fails or encounters problems that major advances in psychoanalytic practice are prompted. As well as providing an excellent introduction to the history of fundamental psychoanalytic concepts, From Obstacle to Ally offers an original approach to the study of the processes that have shaped psychoanalytic practice as we know it today and will fascinate practising psychoanalysts and psychotherapists.

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This collection of papers-all but one previously unpublished-presents the results of recent field research in the disciplines of history, political science, anthropology, sociology, and economics. The chief emphasis here is on change: on viewing African women as agents of change from the first arrival of Europeans to the present; and on seeking to change the perspective from which African women have been studied in the past. The papers encompass settings as diverse as eighteenth-century Senegal and contemporary Mozambique. Politically and socially, too, the local settings are various, including an Igbo village, the marketplaces of Abidjan and Accra, a development scheme in rural Tanzania, the churches of Freetown, and the streets of Mombasa. The contributors are Iris Berger, James L. Brain, George E. Brooks, Jr., Margaret Jean Hay, Barbara C. Lewis, Leith Mullings, Kamene Okonjo, Claire Robertson, Filomina Chioma Steady, Margaret Strobel, and Judith VanAllen.

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Donna and Howard Stone, two of Chicago’s premier art patrons, have collected works of art in all media for more than 30 years, building one of the most distinguished private collections of contemporary art in the country. Much of what they have acquired relates to advanced Minimalism and Conceptualism in the art of the 1960s and 1970s, and the various kinds of artistic practices that these movements inspired in contemporary art. Contemporary Collecting is a compelling and detailed look at the entire collection and highlights pieces included in the exhibit, which features works by artists Dan Flavin, Felix Gonzalez-Torres, Ellsworth Kelly, Sol LeWitt, Gerhard Richter, Robert Ryman, and Franz West. Included in the catalogue are an introduction to the impressive collection by James Rondeau, an essay by Judith Russi Kirshner on notable works in the collection, and an in-depth interview with Donna and Howard Stone about their history as collectors.Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago(06/25/10-09/19/10)

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