Search results for ""New Directions Publishing""

Generally acclaimed as one of China's greatest poets, Po Chü?-i (772-846 C.E.) practiced a poetry of everyday human concerns and clear plain-spoken language. In spite of his preeminent stature, this is the first edition of Po Chü?-i's poetry to appear in the West. It encompasses the full range of his work, from the early poems of social protest to the later recluse poems, whose spiritual depths reflect both his life-long devotion to Taoist and Ch'an (Zen) Buddhist practice. David Hinton's translations of ancient Chinese poetry have earned wide acclaim for creating compelling English texts that have altered our conception of Chinese poetry. Among his books published by New Directions are The Selected Poems of Tu Fu, and The Selected Poems of Li Po. His work has been supported by fellowships from The National Endowment for the Arts and The National Endowment for the Humanities.

Read more less

“What a clear, insistent health there is here––as if the so-called world were seriously the point, which it is, and we could actually live in it, which we do. Truly this is the best How To book I've read in years. Bernadette Mayer makes a various world of real people in real times and places, a fact of love and loving use. She has impeccable insight and humor. She is a consummate poet no matter what’s for supper or who eats it. Would that all genius were as generous.” —Robert Creeley

Read more less

So that readers could more fully understand the extent of Williams' radical simplicity, all of his published poetry, excluding Paterson, was reissued in two definite volumes, of which this is the first.

Read more less

Immigrants in Our Own Land & Selected Early Poems is a new, expanded edition of Jimmy Santiago Baca's best-selling first book of poetry (originally published by Louisiana State University Press in 1979). A number of poems from early, now unavailable chapbooks have also been included so that the reader can at last have an overview of Baca's remarkable literary development. The voice of Immigrants will be familiar to readers of the widely praised Martín & Meditations on the South Valley and Black Mesa Poems (New Directions, 1987 and 1989), but the territory may not be. Most of the poems in this collection were written while the author was in prison, where he taught himself to read and write. All the poems are concerned with the incarcerated or the disenfranchised; they all communicate the sting from the backhand of the American promise. As Denise Levertov has noted, Baca "is far from being a naive realist," but of poverty and prejudice, of material that is truly raw, he "writes in unconcealed passion."

Read more less

Fiercely moving, the two long narrative poems of Martín & Meditations on the South Valley revolve around the semi-autobiographical figure of Martin, a mestizo or "detribalized Apache." Abandoned as a child and a long time on the hard path to building his own family, Martin at last finds his home in the stubborn and beautiful world of the barrio. Jimmy Santiago Baca "writes with unconcealed passion," Denise Levertov states in her introduction, “but he is far from being a naive realist; what makes his writing so exciting to me is the way in which it manifests both an intense lyricism and that transformative vision which perceives the mythic and archetypal significance of life-events."

Read more less

The Theatre of Tennessee Williams brings together in matching format the plays of one of America’s most persistently influential and innovative dramatists. Arranged in chronological order, this ongoing series includes the original cast listings and production notes for all full-length plays. Now available as a New Directions paperbook, Volume VII: In the Bar of a Tokyo Hotel and Other Plays, contains Williams’s shorter plays of the late ’50s and ’60s, many of them published in Dragon Country in 1970. In “dragon country… this country of endured but unendurable pain,” the bar, the hotel lobby, the boarding house, the nursing home or “retirement village” are microcosms of the human condition where we are never, but always, alone. To the plays of Dragon Country are added Now the Cats with Jewelled Claws, Lifeboat Drill, and This Is the Peaceable Kingdom. This is an essential collection for all students and fans of the great playwright.

Read more less

The three sequences in the book—"Logging," "Hunting," "Burning"—show the remarkable cohesiveness in Snyder's writings over the years, for we find the poet absorbed, then as now, with Buddhist and Amerindian lore and other interconnections East and West, but above all with the premedical devotion to the land and work.

Read more less

The Theatre of Tennessee Williams brings together in matching format the plays of one of America’s most persistently influential and innovative dramatists. Arranged in chronological order, this ongoing series includes the original cast listings and production notes for all full-length plays. Now available as a New Directions Paperbook, Volume IV contains a wonderfully diverse collection of Williams’s works. Sweet Bird of Youth (1959) is a dramatic study of a fading Hollywood actress, who tries to recapture her youth through a young drifter half her age. In a lighter mood, Period of Adjustment (1960) tells of the marital troubles of two “Middle American couples, a departure for the playwright who himself labeled it a ’serious comedy.’” The Night of the Iguana (1961), in sharp contrast, tells of human frailty and redemptive strength on the West Coast of Mexico.

Read more less

They are full of the perception of life as it is, and the passion for life as it ought to be, which have made The Glass Menagerie and A Streetcar Named Desire classics of the American theater. Only one of these plays (The Purification) is written in verse, but in all of them the approach to character is by way of poetic revelation. Whether Williams is writing of derelict roomers in a New Orleans boarding house (The Lady of Larkspur Lotion) or the memories of a venerable traveling salesman (The Last of My Solid Gold Watches) or of delinquent children (This Property is Condemned), his insight into human nature is that of the poet. He can compress the basic meaning of life—its pathos or its tragedy, its bravery or the quality of its love—into one small scene or a few moments of dialogue. Mr. Williams's views on the role of the little theater in American culture are contained in a stimulating essay, "Something wild...," which serves as an introduction to this collection.

Read more less

The prose poems of the great French Symbolist, Arthur Rimbaud (1854-1891), have acquired enormous prestige among readers everywhere and have been a revolutionary influence on poetry in the twentieth century. They are offered here both in their original texts and in superb English translations by Louise Varèse. Mrs. Varèse first published her versions of Rimbaud’s Illuminations in 1946. Since then she has revised her work and has included two poems which in the interim have been reclassified as part of Illuminations. This edition also contains two other series of prose poems, which include two poems only recently discovered in France, together with an introduction in which Miss Varèse discusses the complicated ins and outs of Rimbaldien scholarship and the special qualities of Rimbaud’s writing. Rimbaud was indeed the most astonishing of French geniuses. Fired in childhood with an ambition to write, he gave up poetry before he was twenty-one. Yet he had already produced some of the finest examples of French verse. He is best known for A Season in Hell, but his other prose poems are no less remarkable. While he was working on them he spoke of his interest in hallucinations––"des vertiges, des silences, des nuits." These perceptions were caught by the poet in a beam of pellucid, and strangely active language which still lights up––now here, now there––unexplored aspects of experience and thought.

Read more less

Nine of Yukio Mishima’s finest stories were selected by Mishima himself for translation in this book; they represent his extraordinary ability to depict a wide variety of human beings in moments of significance. Often his characters are sophisticated modern Japanese who turn out to be not so liberated from the past as they had thought.

Read more less

The social function of the creative personality is a recurrent theme with Henry Miller, and this book is perhaps his most poignant and concentrated analysis of the artist's dilemma.

Read more less

The long poems of Starting From San Francisco present a new, quieter, more profound aspect of the poet. His original lyricism and caustic humor have been confronted, as it were, with the real presence of evil and death. "Starting from Paumanok... I strike up for a New World" wrote Walt Whitman in 1860. Starting from San Francisco, a hundred years later, Ferlinghetti roved back across the country (this "cradle we rocked out of") then turned south of the border to visionary conclusions in that lost horizon symbolized by Machu Picchu, the Inca city the Spaniards never found. These poems of voyage are autobiographical in that they grew out of Ferlinghetti’s travels in South America and Europe, but there are also poems on other themes, including several long "broadsides," which the author identifies as "satirical tirades––poetry admittedly corrupted by the political, itself irradiated by the Thing it attacks." Commenting on this paperbook edition, to which two important poems, "Berlin" and "The Situation in The West" have been added, Ferlinghetti wrote: "These poems represent to me a kind of halfway house in the ascent of a mountain I hardly knew existed until I stopped and looked back at the flatlands below. Like a Zen fool lost in the woods who laughs and lies face down on the earth to find his way."

Read more less

But it would be unfair to the reader to reveal what happens when a gang of professional crooks gets wind of the scheme and moves to muscle in on this bettors' dream of a long-odds situation. Worked out with all the meticulous detail, terror, and suspense of a nightmare, the tale is, on one level, comparable to a Graham Greene thriller; on another, it explores a group of people, their relationships fears, and loves. For as Leslie A. Fiedler says in his introduction, "John Hawkes.. . makes terror rather than love the center of his work, knowing all the while, of course, that there can be no terror without the hope for love and love's defeat . . . ."

Read more less

Wolfgang Borchert died in 1947––the twenty-six-year-old victim of a malaria-like fever contracted during World War II. This was just one day after the premier of his play, The Man Outside, which caused an immediate furor throughout his native Germany with its youthful, indeed revolutionary, vision against war and the dehumanizing effects of the police state. In a very real sense, Borchert was both the moral and physical victim of the Third Reich and the Nazi war machine. As a Wehrmacht conscript, he twice served on the Russian front, where he was wounded, and twice was imprisoned for his outspokenness. His voice speaks plainly and powerfully from out of the war’s carnage all the more poignantly for its being cut short at so young an age.

Read more less

A book-length poem by our best living literary essayist (Forrest Gander).

Read more less

Catullus was undoubtedly one of the most intimate, witty, vivid, and tender poets of antiquity. Perhaps his greatest gift was his ability to truthfully reveal the fleeting instants of his bare psyche: moments of erotic passion, of scorn and jealousy, of heartfelt devotion, of consuming love. The cycle of poems to his love, “Lesbia,” have entranced poets and translators across the centuries, enriching many different traditions in English-language poetry. This anthology of Catullus’s love poems showcases translations from many New Directions authors, including James Laughlin, Bernadette Mayer, Muriel Spark, and Louis and Celia Zukofsky, as well as beloved timeless translations, like those of Ben Jonson and Christopher Marlowe, and inimitable modern versions from the likes of Dorothy Parker and Horace Gregory. Also included are several newly commissioned translations from contemporary poets and writers.

Read more less

Now in paperback, The Employees chronicles the fate of the interstellar Six-Thousand Ship. The human and humanoid crew members complain about their daily tasks in a series of staff reports and memos. When the ship takes on a number of strange objects from the planet New Discovery, the crew becomes strangely and deeply attached to them, even as tensions boil toward mutiny, especially among the humanoids. Olga Ravn’s prose is chilling, crackling, exhilarating, and foreboding. The Employees probes into what makes us human, while delivering a hilariously stinging critique of life governed by the logic of productivity.

Read more less

Following the death of a renowned and eccentric collector—author of Stuff, a seminal philosophical work on the art of accumulation—the fate of the privately endowed museum he cherished falls to a peripatetic stranger who had been his fervent admirer. This peculiar institution (The Society for the Preservation of the Legacy of Dr Charles Alexander Morgan) is dedicated to the annihilation of hierarchy: peerless antiquities commune happily with the ignored, the discarded, the undervalued and the valueless. What transpires as the caretaker assumes dominion over this reliquary of voiceless objects and over its visitors is told in a manner at once obsessive and matter of fact, and in language both cocooning and expansive. A wry and haunting tale, The Caretaker, like the interplanetary crystal that is one of the museum’s treasures, is rare, glistening and of a compacted inwardness. Kafka or Shirley Jackson may come to mind, and The Caretaker may conjure up various genres—parables, ghost stories, locked-room mysteries—but Doon Arbus draws her phosphorescent water from no other writer's well.

Read more less

WINNER OF THE 2023 NATIONAL TRANSLATION AWARD IN PROSE An abandoned package is discovered in the Paris Metro: the subway workers suspect it’s a terrorist bomb. A Vietnamese woman sitting nearby, her son asleep on her shoulder, waits and begins to reflect on her life, from her constrained childhood in communist Hanoi, to a long period of study in Leningrad during the Gorbachev period, and finally to the Parisian suburbs where she now teaches English. Through everything runs her passion for Thuy, the father of her son, a writer who lives in Saigon’s Chinatown, and who, with the shadow of the China-Vietnam border war falling darkly between them, she has not seen for eleven years. Through her breathless, vertiginous, and deeply moving monologue from beside the subway tracks, the narrator attempts to once and for all face the past and exorcize the passion that haunts her.

Read more less

In 1949, Jean Cocteau spent twenty days in New York, and began composing on the plane ride home this essay filled with the vivid impressions of his trip. With his unmistakable prose and graceful wit, he compares and contrasts French and American culture: the different values they place on art, literature, liberty, psychology, and dreams. Cocteau sees the incredibly buoyant hopes in America’s promise, while at the same time warning of the many ills that the nation will have to confront—its hypocrisy, sexism, racism, and hegemonic aspirations—in order to realize this potential. Never before translated into English, Letter to the Americans remains as timely and urgent as when it was first published in France over seventy years ago.

Read more less

In a shuttered bedroom in ancient Italy, the sleepless Pliny the Elder lies in bed obsessively dictating new chapters of his Natural History to his slave Diocles. Fat, wheezing, imperious, and prone to nosebleeds, Pliny does not believe in spending his evenings in repose: No—to be awake is to be alive. There’s no time to waste if he is to classify every element of the natural world in a single work. By day Pliny the Elder carries out his many civic duties and gives the occasional disastrous public reading. But despite his astonishing ambition to catalog everything from precious metals to the moon, as well as a collection of exotic plants sourced from the farthest reaches of the world, Pliny the Elder still takes immense pleasure in the common rose. After he rushes to an erupting Mount Vesuvius and perishes in the ash, his nephew, Pliny the Younger, becomes custodian of his life’s work. But where Pliny the Elder saw starlight, Pliny the Younger only sees fireflies. In masterfully honed prose, Voetmann brings the formidable Pliny the Elder (and his pompous nephew) to life. Awake is a comic delight about one of history’s great minds and the not-so-great human body it was housed in.

Read more less

Each hymn in Nathaniel Tarn’s new collection The Hölderliniae is a love song to the Poet of Poets, Friedrich Hölderlin?— the German Romantic poet-philosopher who spent the last thirty-six years of his life sequestered in a carpenter’s tower in the south of Germany. Tarn speaks through Hölderlin and Hölderlin speaks through Tarn in an act of spiritual and lyric possession unlike anything else in contemporary poetry. The French Revolution—which Hölderlin supported passionately until the Reign of Terror—illuminates our war-torn, ecologically precarious age, as the failures of our age recall past tragedies. Line after line carries Hölderlin’s hope in an ideal of a poetry that can englobe all the mind’s disciplines and make a universe of its own.

Read more less

By one of Greece’s foremost contemporary poets, Cicada is Phoebe Giannisi’s second collection in English. The cicada signifies metamorphosis in this breathtaking, lyrical book, which evokes the spirits of Archilochus, Plato, Empedocles, and Heraclitus. As the translator Brian Sneeden remarks: “The ‘I’ in Giannisi’s poetry is never static, never a fixed point, but part of a process of rebodying the ambient.” Yet, despite the fluid, mythic nature of Giannisi’s poems, they are also exquisitely rooted in the everyday: the sea heard through a window, the murmur of a distant mechanical crane, a damp wind, a photo of John and Yoko. Giannisi is a poet internationally known for her idiosyncratic eco-poetics, as well as her poetic multimedia works and performances, and most of all for her brilliant vision glowing at the borders of language, voice, place, and memory.

Read more less

Empathy, first published by Station Hill Press in 1989, marked a turning point in Mei-mei Berssenbrugge’s poetry, her lines lengthening across the page like so many horizons, tuned intimately to the natural world and its human relations, at once philosophical, lush, and rhythmic. As she writes in the new note for this edition, “I started to feel my way toward an intuited subliminal wholeness of composition.” In these poems, empathy not only becomes the space of one person inside another, but of one element (water, or fog), one place (tundra or desert mesa), one animal (the swan) as the locus of human illumination and desire.

Read more less

In 1506, Michelangelo—a young but already renowned sculptor—is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, along with an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: “You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.” Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II—whose commission he leaves unfinished—and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings, and Elephants—constructed from real historical fragments—is a thrilling page-turner about why stories are told, why bridges are built, and how seemingly unmatched fragments, seen from the opposite sides of civilization, can mirror one another.

Read more less

Like those of Kafka, Poe, Leonora Carrington, or Shirley Jackson, Amparo Dávila’s stories are terrifying, mesmerizing, and expertly crafted—you’ll finish each one gasping for air. With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

Read more less

Although The Book of Hours is the work of Rilke’s youth, it contains the germ of his mature convictions. Written as spontaneously received prayers, these poems celebrate a God who is not the Creator of the Universe but rather humanityitself and, above all, that most intensely conscious part of humanity, the artist. Babette Deutsch’s classic translations—born from “the pure desire to sing what thepoet sang” (Ursula K. Le Guin)—capture the rich harmony and suggestive imagery of the originals, transporting the reader to new heights of inspiration and musicality.

Read more less

Benjamin, on the verge of becoming a father, discovers a tragic family secret involving patrimony and determines to get to the root of. Those most immediately involved are all dead, but their three closest confidantes are still alive—Isabel, his grandmother; Haroldo, his grandfather’s friend; and Raul, his father’s friend—and each will tell him a different version of the facts. By collecting these shards of memories, which offer personal glimpses into issues of class and politics in Brazil, Benjamin will piece together the painful puzzle of his family history. Like a Faulkner novel, Beatriz Bracher’s brilliant Antonioshows the expansiveness of past events and the complexity of untangling long-buried secrets.

Read more less

Gennady Aygi’s longtime translator and friend Peter France has compiled this moving collection of tributes dedicated to some of the writers and artists who sustained him while living in the Moscow “underground.” Written in a quiet intensely expressive poetic style, Aygi’s inventive essays blend autobiography with literary criticism, social commentary, nature writing, and enlightening homage. He addresses such literary masters as Pasternak, Kafka, Mayakovsky, Celan, and Tomas Tranströmer, along with other writers from the Russian avant-garde and his native Chuvashia. Related poems by Aygi are also threaded between the essays. Reminiscent of Mandelstam’s elliptical travel musings and Kafka’s intensely spiritual jottings in his notebooks, Time of Gratitude glows with the love and humanity of a sacred vocation. “These leaves of paper," Aygi says, 'are swept up by the whirlwind of festivity; everything whirls—from Earth to Heaven—and perhaps the Universe too begins to swirl. Everything flows together in the rainbow colors and lights of the infinite world of Poetry.'

Read more less

Originating in 1916 with the avant-garde Dada movement at the famous Café Voltaire in Zurich, surrealism aimed to unleash the powers of the creative act without thinking. Max Ernst, André Breton, Tristan Tzara, Paul Éluard, Philippe Soupault, and Louis Aragon created a movement that spread wildly to all corners of the globe, inspiring not only poetry but also artists like Joan Miro and René Magritte and cinematic works by Antonin Artaud, Luis Bunuel, and Salvador Dalí. As the editor, Mary Ann Caws, says, “Essential to surrealist behavior is a constant state of openness, of readiness for whatever occurs, whatever marvelous object we might come across, manifesting itself against the already thought, the already lived.” Here are the gems of this major, mind-bending aesthetic, political, and humane movement: writers as diverse as Aragon, Breton, Dalí, René Char, Robert Desnos, Mina Loy, Paul Magritte, Alice Paalen, Gisele Prassinos, Man Ray, Kay Sage, and Elsa von Freytag-Loringhoven are included here, providing a grand picture of this revolutionary movement that shocked the world.

Read more less

A collection in five parts, Susan Howe’s electrifying new book opens with a preface by the poet that lays out some of Debths’ inspirations: the art of Paul Thek, the Isabella Stewart Gardner collection, and early American writings; and in it she also addresses memory’s threads and galaxies, “the rule of remoteness,” and “the luminous story surrounding all things noumenal.” Following the preface are four sections of poetry: “Titian Air Vent,” “Tom Tit Tot” (her newest collage poems), “Periscope,” and “Debths.” As always with Howe, Debths brings “a not-being-in-the-no.”

Read more less

What does northness sound like? The music of Iceland, Greenland, the Svalbard archipelago. Songs of birds and ice and wind. In Lesley Harrison’s Blue Pearl, her first collection to appear in the United States, northern landscapes come alive through an intimacy of language that forms a collective sense of place through weather, history, local myths and customs, and childhood fairy tales. Dogs on the shale, eels in the current, a ship strains as it’s pulled up by a needle, a whaler unwinds the skin—Harrison’s poems voyage forth with visible breath, “as snow falls as light is in paper.”

Read more less

Drawing from his experience as a translator, Forrest Gander includes in the first, powerfully elegiac section a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the U.S. border with Mexico. The poems of the third section—a moving transcription of Gander’s efforts to address his mother dying of Alzheimer’s—rise from the page like hymns, transforming slowly from reverence to revelation. Gander has been called one of our most formally restless poets, and these new poems express a characteristically tensile energy and, as one critic noted, “the most eclectic diction since Hart Crane.”

Read more less

Helen DeWitt’s 2000 debut, The Last Samurai, was “destined to become a cult classic” (Miramax). The enterprising publisher sold the rights in twenty countries, so “Why not just, ‘destined to become a classic?’” (Garth Risk Hallberg) And why must cultists tell the uninitiated it has nothing to do with Tom Cruise? Sibylla, an American-at-Oxford turned loose on London, finds herself trapped as a single mother after a misguided one-night stand. High-minded principles of child-rearing work disastrously well. J. S. Mill (taught Greek at three) and Yo Yo Ma (Bach at two) claimed the methods would work with any child; when these succeed with the boy Ludo, he causes havoc at school and is home again in a month. (Is he a prodigy, a genius? Readers looking over Ludo’s shoulder find themselves easily reading Greek and more.) Lacking male role models for a fatherless boy, Sibylla turns to endless replays of Kurosawa’s masterpiece Seven Samurai. But Ludo is obsessed with the one thing he wants and doesn’t know: his father’s name. At eleven, inspired by his own take on the classic film, he sets out on a secret quest for the father he never knew. He’ll be punched, sliced, and threatened with retribution. He may not live to see twelve. Or he may find a real samurai and save a mother who thinks boredom a fate worse than death.

Read more less

Sensual and glimmering, Lorenzo Chiera’s elliptical fragments evoke nights of bawdy excess in Trastevere (“City made of Roman ruins . . . / what a whorehouse!”), translated here by one of the most renowned poets of our time. In his preface, Lawrence Ferlinghetti describes the experience of reading Chiera for the first time: “We soon realize we are in the presence of a savage erotic consciousness, as if the lust-driven senses were suddenly awakened out of a hoary sleep of a thousand years, a youth shaken awake by a rude medieval hand, senses still reeling, drunk in the hold of some slave ship, not knowing night from day nor sight from sound, the eye and the ear and the nose confounding each other, not yet knowing which function each was to take up in the quivering dawn.”

Read more less

In this classic, groundbreaking exploration of early American literature, Susan Howe reads our intellectual inheritance as a series of civil wars, where each text is a wilderness in which a strange lawless author confronts interpreters and editors eager for settlement. Howe approaches Anne Hutchinson, Mary Rowlandson, Cotton Mather, Hawthorne, Emerson, Melville and Emily Dickinson as a fellow writer—her insights, fierce and original, are rooted in her seminal textural scholarship in examination of their editorial histories of landmark works. In the process, Howe uproots settled institutionalized roles of men and women as well as of poetry and prose—and of poetry and prose. The Birth-mark, first published in 1993, now joins the New Directions canon of a dozen Susan Howe titles.

Read more less

Nathaniel Mackey’s sixth collection of poems, Blue Fasa, carries forward what the New Yorker has described as the “mythological conception” and “descriptive daring” of his two intertwined serial poems. A long song that's one and more than one, this collection takes its title from two related black musical traditions, a West African griot epic as told by the Fasa, a clan in ancient Ghana, and trumpeter Kenny Dorham’s hard bop classic “Blue Bossa,” influenced by the emergence of Brazilian bossa nova. The book opens with the catch of the heart and the call of romance, as it follows a band of travelers, refugees from history, on their incessant migrations through time, place, and polity toward a truer sense of being and belonging.

Read more less

In this selection of stories and essays, Henry Miller elucidates, revels, and soars, showing his command over a wide range of moods, styles, and subject matters. Writing “from the heart,” always with a refreshing lack of reticence, Miller involves the reader directly in his thoughts and feelings. “His real aim,” Karl Shapiro has written, “is to find the living core of our world whenever it survives and in whatever manifestation, in art, in literature, in human behavior itself. It is then that he sings, praises, and shouts at the top of his lungs with the uncontainable hilarity he is famous for.” Here are some of Henry Miller’s best-known writings: an essay on the photographer Brassai; “Reflections on Writing,” in which Miller examines his own position as a writer; “Seraphita” and “Balzac and His Double,” on the works of other writers; and “The Alcoholic Veteran,” “Creative Death,” “The Enormous Womb,” and “The Philosopher Who Philosophizes.”

Read more less

Inspired by one of the finest lyrics in the English language, the anonymous, pre-Shakespearean “Tom o’Bedlam” (“By a knight of ghosts and shadows / I summoned am to tourney / Ten leagues beyond the wide world’s end / Methinks it is no journey…”), Kenneth Patchen sets off on an allegorical journey to the furthest limits of love and murder, madness and sex. While on this disordered pilgrimage to H. Roivas (Heavenly Savior), various characters offer deranged responses, conveying an otherworldly, imaginative madness. A chronicle of violent fury and compassion, written when Surrealism was still vigorous and doing battle with psychotic “reality,” The Journal of Albion Moonlight is an American monument to engagement.

Read more less

In this quiet and devastating novel about the rise of fascism, Siggi Jepsen, incarcerated as a juvenile delinquent, is assigned to write a routine German lesson on the “The Joys of Duty.” Overfamiliar with these joys, Siggi sets down his life since 1943, a decade earlier, when as a boy he watched his father, a constable, doggedly carry out orders from Berlin to stop a well-known Expressionist artist from painting and to seize all his “degenerate” work. Soon Siggi is stealing the paintings to keep them safe from his father. “I was trying to find out,” Lenz says, “where the joys of duty could lead a people.” Translated from the German by Ernst Kaiser and Eithne Wilkins

Read more less

Lawrence Ferlinghetti’s Blasts contains blasts, blessings, and curses in the vortex of today, taking its cues from the original little magazine, Blast, published by Wyndham Lewis with Ezra Pound in 1914–15 that helped create the modernist movement in literature and the visual arts. In these fearless new poems, Ferlinghetti, America’s everyman bard, speaks for the poor, the forgotten, the beaten, and the bombed.

Read more less

In the course of compiling his highly acclaimed three-volume biography of Kafka, while foraying to libraries and archives from Prague to Israel, Reiner Stach made one astounding discovery after another: unexpected photographs, inconsistencies in handwritten texts, excerpts from letters, and testimonies from Kafka’s contemporaries that shed surprising light on his personality and his writing. Is that Kafka? presents the crystal granules of the real Kafka: he couldn’t lie, but he tried to cheat on his high-school exams; bitten by the fitness fad, he avidly followed the regime of a Danish exercise guru; he drew beautifully; he loved beer; he read biographies voraciously; he made the most beautiful presents, especially for children; odd things made him cry or made him furious; he adored slapstick. Every discovery by Stach turns on its head the stereotypical version of the tortured neurotic—and as each one chips away at the monolithic dark Kafka, the keynote, of all things, becomes laughter. For Is that Kafka? Stach has assembled 99 of his most exciting discoveries, culling the choicest, most entertaining bits, and adding his knowledge-able commentaries. Illustrated with dozens of previously unknown images, this volume is a singular literary pleasure.

Read more less

Young Dr. Bromgard has come to a small country town to assume a new practice. No sooner has he arrived than he receives word that a colleague, Dr. Polyakov, has fallen gravely ill. Before Bromgard can go to his friend’s aid, Polyakov is brought to his practice in the middle of the night with a self-inflicted gunshot wound, and, barely conscious, gives Bromgard his journal before dying. What Bromgard uncovers in the entries is Polyakov’s uncontrollable and merciless descent into morphine addiction — his first injection to ease his back pain, the thrill of the drug as it overtakes him, the looming signs of addiction, and the feverish final entries before his death.

Read more less

"An aura of legendary prestige surrounds the work of Alejandra Pizarnik," writes César Aira. Her last collection to be published before her suicide in 1972, A Musical Hell is the first book of poems by Pizarnik to be published in its entirety in the U.S. Pizarnik writes at the edge of poetic impossibility, opening with a blues singer, expanding into silence, and closing into a theater of shadows and songs of the drowned.

Read more less

Near to the Wild Heart, published in Rio de Janeiro in 1943, introduced Brazil to what one writer called “Hurricane Clarice”: a twenty-three-year-old girl who wrote her first book in a tiny rented room and then baptized it with a title taken from Joyce: “He was alone, unheeded, near to the wild heart of life.” The book was an unprecedented sensation — the discovery of a genius. Narrative epiphanies and interior monologue frame the life of Joana, from her middle-class childhood through her unhappy marriage and its dissolution to transcendence, when she proclaims: “I shall arise as strong and comely as a young colt.”

Read more less

Robert Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper, covered with tiny ant-like pencil markings a millimeter high, came to light only after the author’s death in 1956.At first considered random restless pencil markings or a secret code, the microscripts were in time discovered to be a radically miniaturized form of antique German script: a whole story was deciphered on the back of a business card. These twenty-five short pieces address schnapps, rotten husbands, small town life, elegant jaunts, the radio, swine, jealousy, and marriage proposals.

Read more less

In a small, exquisite clothbound format resembling the early Swiss and German editions of Walser’s work, Thirty Poems collects famed translator Christopher Middleton’s favorite poems from the more than five hundred Walser wrote. The illustrations range from an early poem in perfect copperplate handwriting, to one from a 1927 Czech-German newspaper, to a microscript.

Read more less