Search results for ""Author Frances"

Described by Christopher Marlowe as the 'She-Wolf of France', Isabella was one of the most notorious femme fatales in history. According to popular legend, her angry ghost can be glimpsed among church ruins, clutching the beating heart of her murdered husband. But how did Isabella aquire this reputation?Born in 1292 she married Edward II of England but was constantly humiliated by his relationships with male favourites and she lived adulterously with Roger Mortimer, 1st Earl of March. Had it not been for her unfaithfulness, history might have immortalised her as a liberator- the saviour who unshackled England from a weak and vicious monarch. Dramatic and startling this first full-length biography of Isabella will change the way we think of her and her world forever.

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On the nights of July 16 and 17, 1942, French police rounded up eleven-year-old Joseph Weismann, his family, and 13,000 other Jews. After being held for five days in appalling conditions in the Vélodrome d'Hiver stadium, Joseph and his family were transported by cattle car to the Beaune-la-Rolande internment camp and brutally separated: all the adults and most of the children were transported on to Auschwitz and certain death, but 1,000 children were left behind to wait for a later train. The French guards told the children left behind that they would soon be reunited with their parents, but Joseph and his new friend, Joe Kogan, chose to risk everything in a daring escape attempt. After eluding the guards and crawling under razor-sharp barbed wire, Joseph found freedom. But how would he survive the rest of the war in Nazi-occupied France and build a life for himself? His problems had just begun.Until he was 80, Joseph Weismann kept his story to himself, giving only the slightest hints of it to his wife and three children. Simone Veil, lawyer, politician, President of the European Parliament, and member of the Constitutional Council of France—herself a survivor of Auschwitz—urged him to tell his story. In the original French version of this book and in Roselyne Bosch's 2010 film La Rafle, Joseph shares his compelling and terrifying story of the Roundup of the Vél' d'Hiv and his escape. Now, for the first time in English, Joseph tells the rest of his dramatic story in After the Roundup.

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In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful. Charm Offensive explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization.

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Exploring the effects of military defeat and Nazi occupation on French articulations of gender in wartime France, this text uses such sources as governmental archives, historical texts, and propaganda. Miranda Pollard explores the ways in which Vichy politicians used gendered images of work, family, and sexuality to restore and maintain political and social order. She argues that Vichy wanted to return France to an illustrious and largely mythical past of harmony, where citizens all knew their places and fulfilled their responsibilities, where order prevailed. The National Revolution, according to Pollard, replaced the ideals of liberty, equality and fraternity with work, family and fatherland, making the acceptance of traditional masculine and feminine roles a key priority. The author shows how Vichy's policies promoted the family as the most important social unit of a new France and elevated married mothers to a new social status - even as their educational, employment, and reproductive rights were strictly curtailed.

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The Franco-Prussian War did not end with the catastrophic French defeat at Sedan on 1 September 1870 when an entire French army surrendered, the Emperor Napoleon III was captured and his regime collapsed. The war went on for another five agonizing months, and resolved itself into a contest for Paris - for while Paris held out, France was undefeated. The story of this dramatic final phase of the war is the subject of Douglas Fermers masterly account, the sequel to his Sedan 1870. He weaves this story of military victory and defeat into a gripping narrative and it sets the extraordinary events of nearly 150 years ago in the wider context of European history.

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From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792–1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict.

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The early "publishing industry" examined through the prism of the Grail legend. The Grail is one of the most enduring literary motifs in publishing history. In spite of an ever-changing world, the reading public has maintained a fascination for this enigmatic object, as well as the various adventures and characters associated with it. But the nature and reception of the Grail have not remained static. Thanks to the fact that the first known author of a Grail story, Chrétien de Troyes, died c.1180-90 before completing his tale and revealing the meaning of the Grail, authors and publishers across history have reimagined, reinterpreted and re-packaged Grail literature so as to appeal to the developing tastes and interests of their target audiences. This bookanalyses the developing publication practices associated with French Grail literature in medieval and Renaissance France. Arguing for pre-print book production as constituting an early incarnation of a publishing trade, it discusses such matters as the disclosure of authorship and patronage, and the writing and formatting of blurbs, as well as tactics of compilation and production techniques that bear evidence of common commercial motivations between pre-and post-print publication. The distinctive investigation of manuscript and early-print evidence brings medieval and early-modern publishers and their concepts of both product and market into focus. Leah Tether is Reader in Medieval Literature and Digital Cultures, and Co-Director of the Centre for Medieval Studies at the University of Bristol. She is the author of The Continuations of Chrétien's Perceval: Content and Construction, Extensionand Ending (D.S. Brewer, 2012).

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In France, both political culture and theatrical performances have drawn upon melodrama. This "melodramatic thread" helped weave the country’s political life as it moved from monarchy to democracy. By examining the relationship between public ceremonies and theatrical performance, James R. Lehning sheds light on democratization in modern France. He explores the extent to which the dramatic forms were present in the public performance of political power. By concentrating on the Republic and the Revolution and on theatrical performance, Lehning affirms the importance of examining the performative aspects of French political culture for understanding the political differences that have marked France in the years since 1789.

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WINNER OF THE 2022 FRENCH HERITAGE SOCIETY BOOK AWARD The profound emotion felt around the world upon seeing images of Notre-Dame in flames opens up a series of questions: Why was everyone so deeply moved? Why does Notre-Dame so clearly crystallise what our civilisation is about? What makes ‘Our Lady of Paris’ the soul of a nation and a symbol of human achievement? What is it that speaks so directly to us today? In answer, Agnès Poirier turns to the defining moments in Notre-Dame’s history. Beginning with the laying of the corner stone in 1163, she recounts the conversion of Henri IV to Catholicism, the coronation of Napoleon, Victor Hugo’s nineteenth-century campaign to preserve the cathedral, Baron Haussmann’s clearing of the streets in front of it, the Liberation in 1944, the 1950s film of The Hunchback of Notre-Dame, starring Gina Lollobrigida and Anthony Quinn, and the state funeral of Charles de Gaulle, before returning to the present. The conflict over Notre-Dame’s reconstruction promises to be fierce. Nothing short of a cultural war is already brewing between the wise and the daring, the sincere and the opportunist, historians and militants, the devout and secularists. It is here that Poirier reveals the deep malaise – gilet jaunes and all – at the heart of the France.

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A study of the ways landscape was perceived in nineteenth-century Britain and France, this book draws on evidence from poetry, landscape gardens, spectacular public entertainments, novels and scientific works as well as paintings in order to develop its basic premise that landscape and the processes of perceiving it cannot be separated. Vision embraces panoramic seeing from high places, but also the seeing of ghosts and spectres when madness and hallucination impinge upon landscape. The rise of geology and the spread of empires upset the existing comfortable orders of comprehension of landscape. Reverie and imagination produced powerful interpretive actions, while landscape in French culture proved central to the rejection of conservative classicism in favour of perceptual questioning of experience. The experience of subjectivity proved central to the perception of landscape while the visual culture of landscape became of paramount importance to modernity during the period in question.

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Savoir-Faire: A History of Food in France is a comprehensive account of France's rich culinary history. Not just the story of haute cuisine, the book is seasoned with myths and stories from a wide variety of times and places; from snail hunting in Burgundy to beermakers in Paris, who gave us leavened bread, and from cheese appreciation in Roman Gaul to bread debates in the Middle Ages. French cuisine has always featured bread, wine and cheese, but Savoir-Faire shows that it also includes chestnuts, couscous and oysters. The book examines French food in literature and film, the influence of France's overseas territories on the shape of French cuisine today, and includes historical recipes that the reader can make at home.

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The perfect pesto. The best bouillabaisse. The purest paella. A river of gold flows through western Italy, southern France and eastern Spain. It's the olive oil that links three great cuisines, along with a love of garlic, anchovies, peppers, fresh herbs and seasonal vegetables. In stories and recipes, and beautiful location photography, Coastline explores the legacy of the ancient Greeks, the Romans, the Arabs and the Vikings, who left the gift of a 'cuisine of the sun', flavoured with generosity and conviviality.

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This book sets out to analyse the schism in French public opinion during the Spanish Civil War that was to end in the tragic collapse of French national unity. It makes no claim to being a new history of the conflict, or even of the international events surrounding it. It touches only cursorily upon the events in Spain proper. It considers only tangentially French public opinion in regard to the two Spains. Instead, it examines how the French people viewed their position in the international imbroglio swirling around the Spanish question, and how news was manipulated as never before. And since opinion polls were inexistent and radio commentary had little influence, almost the only means of gauging public opinion is the press. Mainstream historical fact is presented merely as the skeleton on which French press reportage is grafted. Included in the historical material is the author's research in the archives of all five of the French departements bordering on Spain. Within the press, four areas predominate: editorial opinion; propaganda; French correspondents in Spain; and collateral events in France (frontier incidents, arms supplies, foreign volunteers, and espionage activities). The work is divided into two parts, the chronological hiatus coming in December 1936. This division is explained by the policy formulated by the democracies that went through no appreciable change; a policy sufficiently strong, perhaps, to deter the Axis powers from all-out intervention in Spain, but weak enough to allow them to pursue with impunity a victory by attrition. The periodic opening and closing of the French frontier played no decisive part in the outcome, since French aid to the Spanish Republic never came close to what the Axis provided the Nationalists. The book ends with the agony of the Republican exodus. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

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Diane France loves bones. Why? Because they talk to her. Every skeleton she meets whispers secrets about the life?and death?of its owner. Diane France can hear those secrets because she's a forensic anthropologist, a bone detective. She has the science skills and know-how to examine bones for clues to a mystery: Who was this person and how did he or she die? Bones tell Diane about the life and times of famous people in history, from a Russian royal family to American outlaws and war heroes. They speak to her about murders, mass disasters, and fatal accidents. One day she's collecting skeletal evidence at a crime scene. A phone call later she's jetting to the site of a plane crash or other unexpected tragedy to identify victims. Young readers will be captivated by the thrilling real-life story of this small-town girl full of curiosity and mischief who became a world-famous bone detective. This title aligns to Common Core standards: Interest Level Grades 6 - 8; Reading Level Grade level Equivalent: 7.1: Lexile Measure: 1080L; DRA: Not Available; Guided Reading: Z Table of ContentsSample Chapter 1: Diane France's Brain

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The end of a journey, the beginning of a new life.—I’m Syrian, and I got here from Turkey.—Whoaaa! That’s a hell of a trip!—You could say that . . . I left home almost three years ago.After being rescued from the Mediterranean, Hakim and his son reach European soil, full of hope. But before they can get to France, they face a new series of challenges: overcrowded detention centers, run-ins with border police, and a persistent xenophobia that seems to follow them almost everywhere they go. Will Hakim’s determination and the kindness of strangers be enough to carry him to the end of his journey and reunite his family?By turns heart-warming and heart-wrenching, this final installment in the Hakim’s Odyssey trilogy follows Hakim and his son as they make their way from Macedonia to the south of France. Based on true events, it lays bare the tremendous effects that the policies of wealthy countries and the attitudes of their people have on the lives of the displaced and dispossessed.

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By the end of the eighteenth century, the French dominated the world of science. And although science and politics had little to do with each other directly, there were increasingly frequent intersections. This is a study of those transactions between science and state, knowledge and power--on the eve of the French Revolution. Charles Gillispie explores how the links between science and polity in France were related to governmental reform, modernization of the economy, and professionalization of science and engineering.

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Now in paperback!Organists and Organ Playing in Nineteenth-Century France and Belgium Orpha OchseFrom the catastrophes of the French Revolution to a Golden Age of organ culture."[O]ne simply must recommend this highly coherent and well-illustrated book. . . ."—L'Orgue"Even the well-informed reader will find a number of surprises. Who knows, for example, that Fryderyk Chopin played the organ for a funeral service and that Lefébure-Wély, in turn, played the great pianist and composer's Préludes for his funeral at the Madeleine? The abundance of details, we should add, does nothing to obscure the architectural clarity of this book." —La Flûte harmonique"Now Ms. Ochse has succeeded in producing still another landmark work. . . . Although the work is extraordinarily well documented, the prose retains a narrative quality throughout, at times even taking on the character of good storytelling." —The American OrganistOrpha Ochse, Professor Emerita at Whittier College, is author of The History of the Organ in the United States (Indiana University Press). She is well known as a teacher, lecturer, recitalist, and church musician.

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This work takes a look at the human impact of World War I by examining the ways in which the French remembered their veterans and war dead after the armistice. Arguing that memory is more than just a record of experience, this cultural history offers a perspective on how commemoration of World War I helped to shape post-war French society and politics. Daniel Sherman shows how a wartime visual culture saturated with images of ordinary foot soldiers, together with contemporary novels, memoirs and tourist literature, promoted a distinctive notion of combat experience. The contrast between battlefield and home front, soldier and civilian was the basis for memory and collective gratitude. Post-war commemoration, however, also grew directly out of the search for the remains of hundreds of thousands of missing soldiers, and the sometimes contentious debates over where to bury them. For this reason, the local monument, with its inscribed list of names and its functional resemblance to tombstobes, emerged as the focal point of commemorative practice. Sherman traces every step in the process of monument building as he analyzes commemoration's competing goals - to pay tribute to the dead, to console the bereaved and to incorporate mourner's individual memories into a larger political discourse.

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In 1983—as France struggled with race-based crimes, police brutality, and public unrest—youths from Vénissieux (working-class suburbs of Lyon) led the March for Equality and Against Racism, the first national demonstration of its type in France. As Abdellali Hajjat reveals, the historic March for Equality and Against Racism symbolized for many the experience of the children of postcolonial immigrants. Inspired by the May '68 protests, these young immigrants stood against racist crimes, for equality before the law and the police, and for basic rights such as the right to work and housing. Hajjat also considers the divisions that arose from the march and offers fresh insight into the paradoxes and intricacies of movements pushing toward sweeping social change. Translated into English for the first time, The Wretched of France contemplates the protest's lasting significance in France as well as its impact within the context of larger and comparable movements for civil rights, particularly in the US.

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This is the first modern scholarly biography of Blanche of Castile, whose identity has until now been subsumed in that of her son, the saintly Louis IX. A central figure in the politics of medieval Europe, Blanche was a sophisticated patron of religion and culture. Through Lindy Grant’s engaging account, based on a close analysis of Blanche’s household accounts and of the social and religious networks on which her power and agency depended, Blanche is revealed as a vibrant and intellectually questioning personality.

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Heresy and inquisition in France, 1200–1300 is an invaluable collection of primary sources in translation, aimed at students and academics alike. It provides a wide array of materials on both heresy (Cathars and Waldensians) and the persecution of heresy in medieval France. The book is divided into eight sections, each devoted to a different genre of source material. It contains substantial material pertaining to the setting up and practice of inquisitions into heretical wickedness, and a large number of translations from the registers of inquisition trials. Each source is introduced fully and is accompanied by references to useful modern commentaries. The study of heresy and inquisition has always aroused considerable scholarly debate; with this book, students and scholars can form their own interpretations of the key issues, from the texts written in the period itself.

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From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragedie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera's political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule, but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What's more, opera's creators dispersed sovereign-like dignity and powers well beyond the genre's larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre's distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienregime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.

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Robert O. Paxton's classic study of the aftermath of France's sudden collapse under Nazi invasion utilizes captured German archives and other contemporary materials to construct a strong and disturbing account of the Vichy period in France. With a new introduction and updated bibliography, Vichy France demonstrates that the collaborationist government of Marshal Petain did far more than merely react to German pressures. The Vichy leaders actively pursued their own double agenda-internally, the authoritarian and racist "national revolution," and, externally, an attempt to persuade Hitler to accept this new France as a partner in his new Europe.

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Collecting diverse critical perspectives on the topic of play—from dolls, bilboquets, and lotteries, to writing itself—this volume offers new insights into how play was used to represent and reimagine the world in eighteenth-century France. In documenting various modes of play, contributors theorize its relation to law, religion, politics, and economics. Equally important was the role of “play” in plays, and the function of theatrical performance in mirroring, and often contesting, our place in the universe. These essays remind us that the spirit of play was very much alive during the “Age of Reason,” providing ways for its practitioners to consider more “serious” themes such as free will and determinism, illusions and equivocations, or chance and inequality. Standing at the intersection of multiple intellectual avenues, this is the first comprehensive study in English devoted to the different guises of play in Enlightenment France, certain to interest curious readers across disciplinary backgrounds.

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This is a political biography of the French industrialist and political activist Jacques Lemaigre Dubreuil (1894-1955), president of the Taxpayers' Federation in the 1930s, entrepreneur in wartime France and Africa, organizer of the 'Group of Five' in Algiers which prepared for the Allied landings in North Africa (November 1942), 'inventor' of General Henri Giraud as a candidate for the leadership of liberated North and West Africa, negotiator of the Murphy-Giraud Agreements and the Anfa Memorandum with President Roosevelt (1942 and 1943), political writer on the postwar future of France in Morocco and the owner of the liberal newspaper Maroc-Presse. He was assassinated in Casablanca by French counter-terrorists in June 1955, a 'turning point' event which pushed the French government to grant independence to Morroco. Was he a rabble-rouser, a demagogue, a betrayer of French interests at home and overseas or a reformer, a patriot, a hero of the anti-German resistance, and a champion of Franco-Moroccan solidarity?

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Sets the 2013 race in the context of the event's history, stretching back to July 1903. Combining research with a pacy narrative style, the author penetrates the mystique of the race and paints a picture of the men whose exploits have given the Tour enduring universal appeal.

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Plunges students into the intellectual and political currents that surged through revolutionary Paris in the summer of 1791. As members of the National Assembly gather to craft a constitution for a new France, students wrestle with the threat of foreign invasion, political and religious power struggles, and questions of liberty and citizenship.

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In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements.

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This book examines the phenomenon of work suicides in France and asks why, at the present historical juncture, conditions of work can push individuals to take their own lives. During the 2000s, France experienced what commentators have described as a ‘suicide epidemic’, whereby increasing numbers of workers in the face of extreme pressures of work, chose to kill themselves. The book analyses a corpus of testimonial material linked to 66 suicide cases across three large French companies during the period from 2005 to 2015. It aims to consider what the extreme and subjective act of self-killing, narrated in suicide letters, can tell us about the contemporary economic order and its impact on flesh and blood bodies. What do rising work-related suicides reveal about conditions of human labour in the twenty-first century? Does neoliberal economics condition a desire for suicide? How do suicidal individuals describe the causes and motivations of their act? Combining critical perspectives from sociology, history, testimony studies, economics, cultural studies and public health, the book raises critical questions about the human costs of the shift to a finance-driven neoliberal order and its everyday effects within the French workplace.

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This original new work is the fascinating result of sociologist and documentary filmmaker Agnès De Féo’s ten-year exploration of the phenomenon of niqab wearing. It is at once a groundbreaking study and a series of compelling first-person accounts from French and Francophone women who wear or have worn the niqab in France’s Salafi communities. With the backdrop of the French government’s 2010 ban on full facial veiling in public spaces, which itself has shaped the phenomenon, De Féo draws on her subjects’ own words to show their agency, working against the clichés that often underlie public views of the niqab—that it is purely the result of masculine pressure, for example, or extreme religiosity or nationalism, or the submissive desire to disappear. Instead, she shows, the niqab is multivalent: women wear it for reasons that range from religious piety to the desire to rebel against mainstream society, family, or the rule of law. The reasons are complex, overdetermined, contradictory, or even inconsistent, but they are the women’s own. Despite being worn only by a small minority of Muslim women, the Islamic garment has nonetheless been a major source of intense political, religious, and cultural debate in France. Searching to understand, rather than speculate, De Féo chose to approach the people who wear the niqab, and to make them, rather the veil itself, the subject of her research. Her unprecedented study, based on more than 200 interviews, reveals the many factors—social, political, geopolitical, and psychological—underpinning a personal choice that is not always as religious as it seems. The book ends with sixteen captivating interviews giving voice to stories rarely heard. With finesse and discernment, the author debunks the myths surrounding the wearing of the niqab, and sheds light on a practice subject to misunderstanding and prejudice, offering the reader unique insight. Challenging our preconceived notions and stereotypes about women who wear any form of Islamic apparel, but particularly the niqab, The Niqab in France introduces a group of women each with her own life story, her own share of personal struggles, aspirations, and desires, and her own claim to a certain place in society. This work received support for excellence in publication and translation from Albertine Translation, a program created by Villa Albertine.

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The first book-length presentation of Roger Chartier's work in English, this volume provides a vivid example of the new directions of cultural history in France. These essays probe the impact of printing on all social classes of the ancien regime and reveal the surprising range of ways in which texts and pictures were used by audiences with different levels of literacy. Professor Chartier demonstrates that those who attempted to regulate behavior and thought on behalf of church or state, for example, were well aware of the wide influence of the printed word. He finds fascinating evidence of fundamental processes of social control in texts such as the guides to a good death or the treatises on norms of civility, rules that originated at court but that were eventually appropriated in various forms by society as a whole. Essays on the evolution on the fete, on the cahiers de doleances of 1789, and on the early paperback genre known as the Bibliotheque bleue complete the picture of what people read and why and of what was published and what influenced the publishers.These essays offer a critical reappraisal of the complex connections between the new culture of print and the oral and ritual-oriented forms of traditional culture. The reader will discover essential patterns of the cultural evolution of France from the sixteenth to the eighteenth centuries.Roger Chartier is Director of Studies, Ecole des Hautes Etudes en Sciences Sociales in Paris.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Involuntary Confessions of the Flesh in Early Modern France was inspired by the observation that small slips of the flesh (involuntary confessions of the flesh) are omnipresent in early modern texts of many kinds. These slips (which bear similarities to what we would today call the Freudian slip) disrupt and destabilize readings of body, self, and text—three categories whose mutual boundaries this book seeks to soften—but also, in their very messiness, participate in defining them. Involuntary Confessions capitalizes on the uncertainty of such volatile moments, arguing that it is instability itself that provides the tools to navigate and understand the complexity of the early modern world. Rather than locate the body within any one discourse (Foucauldian, psychoanalytic), this book argues that slips of the flesh create a liminal space not exactly outside of discourse, but not necessarily subject to it, either. Involuntary confessions of the flesh reveal the perpetual and urgent challenge of early modern thinkers to textually confront and define the often tenuous relationship between the body and the self. By eluding and frustrating attempts to contain it, the early modern body reveals that truth is as much about surfaces as it is about interior depth, and that the self is fruitfully perpetuated by the conflict that proceeds from seemingly irreconcilable narratives. Interdisciplinary in its scope, Involuntary Confessions of the Flesh in Early Modern France pairs major French literary works of the sixteenth and seventeenth centuries (by Marguerite de Navarre, Montaigne, Madame de Lafayette) with cultural documents (confession manuals, legal documents about the application of torture, and courtly handbooks). It is the first study of its kind to bring these discourses into thematic (rather than linear or chronological) dialog. In so doing, it emphasizes the shared struggle of many different early modern conversations to come to terms with the body’s volatility. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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Critical acclaim for Sisters in the Resistance "Often moving . . . always fascinating . . . women in the FrenchResistance is a key subject. Margaret Weitz has gathered personaltestimonies . . . and set them in an intelligible context thathelps us understand how all French people--men andwomen--experienced the Nazi occupation." --Robert Paxton, MellonProfessor of Social Sciences, Columbia University, and author ofVichy France: Old Guard and New Order, 1940-1944. "Compulsive reading . . . a valuable book which vividly portraysthe intricacies of resistance within France, written in an easy butserious style." --Times Literary Supplement (London). "An absolutely stunning and compelling chronicle of dauntlesscourage and unflagging patriotism." --Booklist. "[Margaret Collins Weitz's] well-researched, thoughtful study. . .has filled a gap in the history of World War II." --PublishersWeekly. "Balancing absorbing narrative and astute analysis, MargaretCollins Weitz has integrated the unsung achievements of women intothe history of the French Resistance." --Carole Fink, Professor ofHistory, The Ohio State University, and author of Marc Bloch: ALife in History. "Fifty years after the end of World War II, Sisters in theResistance renders homage to the courageous women of the FrenchResistance. It is high time for their contributions to be fullyacknowledged, and fortunate indeed that they have found such asympathetic, scholarly, and lucid chronicler in Margaret CollinsWeitz." --Marilyn Yalom, author of Blood Sisters: The FrenchRevolution in Women's Memory.

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A fresh, provocative history that renews our understanding of France in the world through short, incisive essays ranging from prehistoric frescoes to Coco Chanel to the terrorist attacks of 2015. Bringing together an impressive group of established and up-and-coming historians, this bestselling history conceives of France not as a fixed, rooted entity, but instead as a place and an idea in flux, moving beyond all borders and frontiers, shaped by exchanges and mixtures. Presented in chronological order from 34,000 BC to 2015, each chapter covers a significant year from its own particular angle - the marriage of a Viking leader to a Carolingian princess proposed by Charles the Fat in 882, the Persian embassy's reception at the court of Louis XIV in 1715, the Chilean coup d'etat against President Salvador Allende in 1973 that mobilised a generation of French left-wing activists. France in the World combines the intellectual rigour of an academic work with the liveliness and readability of popular history. With a brand-new preface aimed at an international audience, this English-language edition will inspire Francophiles and scholars alike.

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Examining the intersection of Palestine solidarity movements and antiracist activism in France from the 1970s to the present For the pasty fifty years, the Palestinian question has served as a rallying cry in the struggle for migrant rights in postcolonial France, from the immigrant labor associations of the 1970s and Beur movements of the 1980s to the militant decolonial groups of the 2000s. In Natives against Nativism, Olivia C. Harrison explores the intersection of anticolonial solidarity and antiracist activism from the 1970s to the present.Natives against Nativism analyzes a wide range of texts—novels, memoirs, plays, films, and militant archives—that mobilize the twin figures of the Palestinian and the American Indian in a crossed critique of Eurocolonial modernity. Harrison argues that anticolonial solidarity with Palestinians and Indigenous Americans has been instrumental in developing a sophisticated critique of racism across imperial formations—in this case, France, the United States, and Israel.Serving as the first relational study of antiracism in France, Natives against Nativism observes how claims to indigeneity have been deployed in multiple directions, both in the ongoing struggle for migrant rights and racial justice, and in white nativist claims in France today.

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What distinguishes humans from nonhumans? Two common answers—free will and religion—are in some ways fundamentally opposed. Whereas free will enjoys a central place in our ideas of spontaneity, authorship, and deliberation, religious practices seem to involve a suspension of or relief from the exercise of our will. What, then, is agency, and why has it occupied such a central place in theories of the human?Automatic Religion explores an unlikely series of episodes from the end of the nineteenth century, when crucial ideas related to automatism and, in a different realm, the study of religion were both being born. Paul Christopher Johnson draws on years of archival and ethnographic research in Brazil and France to explore the crucial boundaries being drawn at the time between humans, “nearhumans,” and automata. As agency came to take on a more central place in the philosophical, moral, and legal traditions of the West, certain classes of people were excluded as less-than-human. Tracking the circulation of ideas across the Atlantic, Johnson tests those boundaries, revealing how they were constructed on largely gendered and racial foundations. In the process, he reanimates one of the most mysterious and yet foundational questions in trans-Atlantic thought: what is agency?

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On the nights of July 16 and 17, 1942, French police rounded up eleven-year-old Joseph Weismann, his family, and 13,000 other Jews. After being held for five days in appalling conditions in the Vélodrome d'Hiver stadium, Joseph and his family were transported by cattle car to the Beaune-la-Rolande internment camp and brutally separated: all the adults and most of the children were transported on to Auschwitz and certain death, but 1,000 children were left behind to wait for a later train. The French guards told the children left behind that they would soon be reunited with their parents, but Joseph and his new friend, Joe Kogan, chose to risk everything in a daring escape attempt. After eluding the guards and crawling under razor-sharp barbed wire, Joseph found freedom. But how would he survive the rest of the war in Nazi-occupied France and build a life for himself? His problems had just begun.Until he was 80, Joseph Weismann kept his story to himself, giving only the slightest hints of it to his wife and three children. Simone Veil, lawyer, politician, President of the European Parliament, and member of the Constitutional Council of France—herself a survivor of Auschwitz—urged him to tell his story. In the original French version of this book and in Roselyne Bosch's 2010 film La Rafle, Joseph shares his compelling and terrifying story of the Roundup of the Vél' d'Hiv and his escape. Now, for the first time in English, Joseph tells the rest of his dramatic story in After the Roundup.

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These essays examine the thought and works of a series of writers on political thought, religion, historiography and literature, from the 16th century to the 19th. Throughout, the author is concerned to situate individual thinkers in the context of their times and, in many of the essays, to illuminate the links between intellectual currents in France and England. Particular topics include Gallicanism, Neostoicism, the historical novel, and constitutionalism, while the figures dealt with range from Bodin and Hotman in the Renaissance, to Descartes and La Rochefoucauld in the Grand Siècle and Condorcet and Diderot in the Enlightenment. Less familiar figures include the Oxford historian, Degory Wheare, and the French constitutional theorist, Henrion de Pansey. Among the topics treated in the Romantic era are comparisons between the French and English revolutions, and the French obsession with Oliver Cromwell.

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André Siegfried (1875–1959) was a leading figure in French academic and cultural life for over five decades. A world traveller who trained as a geographer, Siegfried became a leading political scientist and prominent newspaper columnist. As a long-time professor at Sciences Po, he shaped generations of his country’s elite. France in the World explores the life and career of André Siegfried. An innovator in the field of political science, he established himself as France’s leading interpreter of the English-speaking world. Often likened to Alexis de Tocqueville, Siegfried published influential studies of the United States, Canada, Great Britain, and New Zealand, striving to understand France’s place in a changing global context. Siegfried was a cosmopolitan promoter of liberalism and individual freedom. But at the same time he perceived France to be the core of a Western civilization whose leadership and values were threatened by Americanization, anti-imperial nationalism, and non-white immigration. By following Siegfried’s long career and examining the breadth of his writings, Sean Kennedy shows how his racial and ethnic essentialism was a unifying aspect of his life’s work. That these ideas were considered unremarkable for most of his lifetime offers a powerful illustration of how racist thinking permeated mainstream French republicanism.Exploring the many facets of Siegfried’s career, France in the World examines the entanglement of liberal and racist thinking during an era that witnessed political extremism and a rapidly changing international order.

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There are many books about cheese, but this one features the professional knowledge and passion of a French master fromager who shares his expertise on making sense of the many cheese varieties crumbly, creamy, buttery, mouldy for which France is famous. From farms in the pastoral French countryside and cheese caves in a medieval Alpine monastery to the dairy scientists and affineurs who comprise the world of modern French cheese, no other book that covers the entire cheese spectrum. The book begins with answers to 70 commonly heard questions from why there are crusts on some cheese to why is mimolette orange and why cheeses do not all smell alike - and sections explaining the basics of cheese-making and ripening, the nuances of cow, sheep, and goat milk, and the alchemy of essential probiotics used as starter cultures. The main part of the book pays tribute to France s 45 A.O.P. cheeses - such as Brie de Meaux, Maroilles, Morbier, Munster, Rocquefort, Valencay - which have been granted the appellation d origine protegee guaranteeing origin and type. Each profile features a full-page photographic portrait with detailed text about terroir and origin, selection, tasting, presentation, serving, and wine pairing.

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The virulent new brand of Islamic extremism threatening the West In November 2015, ISIS terrorists massacred scores of people in Paris with coordinated attacks on the Bataclan concert hall, cafes and restaurants, and the national sports stadium. On Bastille Day in 2016, an ISIS sympathizer drove a truck into crowds of vacationers at the beaches of Nice, and two weeks later an elderly French priest was murdered during morning Mass by two ISIS militants. Here is Gilles Kepel's explosive account of the radicalization of a segment of Muslim youth that led to those attacks--and of the failure of governments in France and across Europe to address it. It is a book everyone in the West must read. Terror in France shows how these atrocities represent a paroxysm of violence that has long been building. The turning point was in 2005, when the worst riots in modern French history erupted in the poor, largely Muslim suburbs of Paris after the accidental deaths of two boys who had been running from the police. The unrest--or "French intifada"--crystallized a new consciousness among young French Muslims. Some have fallen prey to the allure of "war of civilizations" rhetoric in ways never imagined by their parents and grandparents. This is the highly anticipated English edition of Kepel's sensational French bestseller, first published shortly after the Paris attacks. Now fully updated to reflect the latest developments and featuring a new introduction by the author, Terror in France reveals the truth about a virulent new wave of jihadism that has Europe as its main target. Its aim is to divide European societies from within by instilling fear, provoking backlash, and achieving the ISIS dream--shared by Europe's Far Right--of separating Europe's growing Muslim minority community from the rest of its citizens.

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For much of the twentieth century, France recruited colonial subjects from sub-Saharan Africa to serve in its military, sending West African soldiers to fight its battles in Europe, Southeast Asia, and North Africa. In this exemplary contribution to the “new imperial history,” Gregory Mann argues that this shared military experience between France and Africa was fundamental not only to their colonial relationship but also to the reconfiguration of that relationship in the postcolonial era. Mann explains that in the early twenty-first century, among Africans in France and Africa, and particularly in Mali—where Mann conducted his research—the belief that France has not adequately recognized and compensated the African veterans of its wars is widely held and frequently invoked. It continues to animate the political relationship between France and Africa, especially debates about African immigration to France.Focusing on the period between World War I and 1968, Mann draws on archival research and extensive interviews with surviving Malian veterans of French wars to explore the experiences of the African soldiers. He describes the effects their long absences and infrequent homecomings had on these men and their communities, he considers the veterans’ status within contemporary Malian society, and he examines their efforts to claim recognition and pensions from France. Mann contends that Mali is as much a postslavery society as it is a postcolonial one, and that specific ideas about reciprocity, mutual obligation, and uneven exchange that had developed during the era of slavery remain influential today, informing Malians’ conviction that France owes them a “blood debt” for the military service of African soldiers in French wars.

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For much of the twentieth century, France recruited colonial subjects from sub-Saharan Africa to serve in its military, sending West African soldiers to fight its battles in Europe, Southeast Asia, and North Africa. In this exemplary contribution to the “new imperial history,” Gregory Mann argues that this shared military experience between France and Africa was fundamental not only to their colonial relationship but also to the reconfiguration of that relationship in the postcolonial era. Mann explains that in the early twenty-first century, among Africans in France and Africa, and particularly in Mali—where Mann conducted his research—the belief that France has not adequately recognized and compensated the African veterans of its wars is widely held and frequently invoked. It continues to animate the political relationship between France and Africa, especially debates about African immigration to France.Focusing on the period between World War I and 1968, Mann draws on archival research and extensive interviews with surviving Malian veterans of French wars to explore the experiences of the African soldiers. He describes the effects their long absences and infrequent homecomings had on these men and their communities, he considers the veterans’ status within contemporary Malian society, and he examines their efforts to claim recognition and pensions from France. Mann contends that Mali is as much a postslavery society as it is a postcolonial one, and that specific ideas about reciprocity, mutual obligation, and uneven exchange that had developed during the era of slavery remain influential today, informing Malians’ conviction that France owes them a “blood debt” for the military service of African soldiers in French wars.

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An encyclopedic introduction to French Jewish literature as it has emerged since the late 1960s. This book provides a wide-ranging analysis of French Jewish authors born after the Shoal and traces the development of the rich agenda of jeune litterature juive (young Jewish writing) from its beginnings in the late 1970s, into the 1980s and 1990s, when it gained intense momentum. Thomas Nolden uses a wealth of biographical information to expound on his central thesis: the abrupt interruption of transmission of the Jewish heritage by assimilation, migration, and near-extermination required these writers to reinvent themselves their past, and their memories as Jews. Nolden provides concise readings of the fiction of more than two dozen writers of both Sephardic and Ashkenazi background living in present-day France. He demonstrates how contemporary Jewish writing has responded historically, culturally, politically, and aesthetically to developments in French society and in Jewish culture. His critical analysis of the major themes, concerns, and stylistic features of the authors' work connects Jewish writing in France to the traditions of Jewish writing both during the diaspora and in Israel.

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