Search results for ""Author Dan"

​Dieses Fachbuch gibt einen Einstieg in die Grundlagen des Personal Performance Managements, der persönlichen Leistungssteuerung. Es handelt von den verschiedenen inneren Antrieben, die uns dazu bewegen, etwas erreichen zu wollen. Die grundlegenden menschlichen Motive Macht, Anschluss und Leistung und deren Bedeutung für das Personal Performance Management werden vorgestellt. Diese Motive werden immer wieder durch kurzfristige Motivation überlagert. Die Kenntnis über die psychologischen Mechanismen kann uns dabei unterstützen, Motivation besser zu verstehen und für unsere Zwecke einzusetzen. Im beruflichen Kontext setzen wir oder andere uns häufig Ziele: Manchmal stimmen sie mit unseren Motiven überein, dann fällt es uns leicht sie zu verfolgen. Stehen sie im Widerspruch, wird es schwierig für uns. Das Verhältnis der definierten Ziele auf Übereinstimmung mit unseren wenig bekannten oder unterbewussten Motiven zu prüfen, ist eine wesentliche Kompetenz des Personal Performance Management.Das Buch richtet sich an alle, die Interesse an Selbstentwicklung und der persönlichen Leistungssteuerung haben, insbesondere an Fach- und Führungskräfte. Die vermittelten Grundlagen helfen, das eigene Handeln zu reflektieren und bewusster zu steuern. Reflexionsfragen zu Beginn jedes Themenschwerpunktes unterstützen bei der eigenen Standortbestimmung und geben Anregungen für das eigene Personal Performance Management.Der Inhalt Performance Management, Leistung und Motivation Grundlegende Motive menschlichen Handelns: Macht, Anschluss, Leistung Motivation und Emotionen Flow und Selbstbestimmung im Personal Performance Management Das Verhältnis von Zielen und Motiven

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Integrale Organisationsentwicklung - bewusst, integral und wirkungsvoll! Der Ruf nach agileren, flexibleren Organisationen, die sinnstiftend tätig sind, wird immer lauter. Nachhaltigkeit, Corporate Social Responsibility und dergleichen mehr bedingen ein neues Verständnis von Organisation. Die alten Modelle sind überholt und es braucht eine neue Form von Orientierung. Hier braucht es dringend ein pragmatisches und trotzdem entwicklungsförderliches Modell, ein Modell, welches den Prozess in den Vordergrund stellt. Die Integrale Organisationsentwicklung stellt ein Modell für die Beschreibung, Gestaltung und Reflexion von Prozessen zur Verfügung. Wenn Sie mehr über Integrale Organisationsentwicklung erfahren und Ihre Kompetenz erweitern möchten, dann ist das Buch von Heiko Veit genau das Richtige für Sie! Das Praxishandbuch Integrale Organisationsentwicklung beschreibt eine Landkarte für die gesamte Komplexität von Entwicklungsprozessen in Organisationen. Es zeigt, wie man sich selbst sowie die Organisation in dieser Landkarte verortet und wie man Wege finden kann, wenn man in der Realität etwas verändern möchte. Das Buch betont die Rolle der eigenen Entwicklungsstufe, wenn man sich mit Organisationsentwicklung beschäftigt. Darüber hinaus enthält es viele Denkmodelle auf dem Weg zu einer integralen Organisation. Es zeigt, wie man eine gesunde Basis schaffen kann, um eine sinnvolle Weiterentwicklung von evolutionären Prinzipien hin zu mehr Komplexität, Sinn, Ordnung, Erkenntnis und Vertrauen im Business-Kontext zu erreichen.

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A veteran freedom fighter and friend of Mandela is forced to break all his loyalties and oppose the ruling ANC party - a party he's been a member of all his life - to confront corruption and venality at the very top. As he faces political attacks and sinister threats from a faction in the SA security services the ageing veteran finds his life is now endangered. Recognising the need for help, he recruits a young 'Born Free' idealist to assist him. She too is soon drawn into danger as together they stumble upon a clandestine plot at the highest level of government to poach and kill rhino and export their lucrative horns to South East Asia. Intent on catching the poachers and exposing the trade, they manage to install a GPS tracking device inside a perfect replica of a horn which they follow through a diplomatic bag into Vietnam. Anxious that intimidation by the security services will prevent them from exposing the truth, they decide to break cover in UK using a sympathetic British MP to reveal all they know in a House of Commons speech, under parliamentary privilege. But first they must establish the truth. Will they be able to do so, or will they be killed before they can? The stakes are high. Has Mandela's 'rainbow nation' been irretrievably betrayed by political corruption and cronyism? Can the country's ancient rhino herd be saved from extinction by poachers supported from the very top of the state

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The twisty-turny sequel to the bestselling Last Chance Hotel – perfect for fans of Harry Potter and Robin Stevens! 'A cleverly constructed combination of mystery and magic that deliversa compelling read.' PARENTS IN TOUCH 'This fantastical story has rich, descriptive text, an interesting cast of magical and non-magical characters and so many plot twists ... one of the best books I have read this year' BOOKS FOR TOPICS In solving the mystery of the Last Chance Hotel, Seth has discovered a bewildering new world of magic. Swept up in the new MagiCon case investigating ghostly goings-on at the remote Snakesmouth Lighthouse, he is determined to prove himself. But when eccentric owner Mina Mintencress is murdered, Seth realizes danger lurks around every corner. With the help of his cat, Nightshade, Seth must put his new-found magic to the test. Can they unmask a sinister sorcerer … before it’s too late? The thrilling sequel to The Last Chance Hotel, a magical murder mystery for young readers Readers will love guessing whodunnit with the novel’s fantastic ensemble cast, grounded by the brilliantly relatable Seth and his magical cat, Nightshade The Seth Seppi Mysteries continue in book 3, The Cut-Throat Café Nightshade the cat becomes the star of her very own adventure in the first book Nicki Thornton's new series, The Howling Hag Mystery!

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After his walk from Hook of Holland to Istanbul, Jeremy Cameron was at something of a loose end. Various suggestions were made for his future, but they tended toward the dangerous, undignified or embarrassing. He resorted instead to the obvious solution of walking round all the places in England beginning with the letter Q. There are forty-five of them. The plan was to walk to a Q, return home then come back to the same spot and carry on. It might take a couple of years to reach them all. For a while all went well. Then, visiting the doctor for an ingrowing toenail, he was diagnosed with Parkinson's Disease. This was very inconvenient. A year or two later, his heart went wrong again as well. This further reduced his progress. When moral turpitude was added into the mix, he was down to a few miles per day. Confronted by risk-filled roads, steep hills, foul weather and an innate ability to get lost, Cameron persisted, ticking off the Qs from Cornwall to County Durham and everywhere in between. By the time he finished, he was five years older. This slowed him down even more. But he eventually reached Quaking Houses, the last of the forty-five, and now he is fulfilled, though still a grumpy old git. Quite Quintessential tells the story of a journey as epic as it was arbitrary and casts light on the strange world of obsessive walking.

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Great Irish Speeches contains 50 of the most stirring and memorable speeches in Irish history. From the political oratories of Charles Stewart Parnell, Michael Collins and Eamon De Valera to emotive addresses by the nation's celebrated poets, writers and musicians, all of the included speeches have had a remarkable impact on the course of Irish and world history. Each speech is preceded by an introduction, which places the address in context and underlines its historical significance, as well as an iconic photograph of the speaker. Presented chronologically, the collection provides tremendous insight into Irish history. Includes the following speeches: Eamon de Valera 'That Ireland which we dreamed of', Eamon de Valera 'The abuse of a people who have done him no wrong', John F. Kennedy 'Ireland's hour has come', Jack Lynch 'The Irish government can no longer stand by' Liam Cosgrave 'Mongrel foxes', Charles J. Haughey 'We are living away beyond our means' Joe Connolly 'People of Galway - we love you', John Hume 'Sit down and negotiate our future with us', Mary Robinson 'Come dance with me in Ireland' Maire Geoghegan-Quinn 'A necessary development of human rights' Seamus Heaney 'The achievement of Irish poets', David Trimble 'A cold house for Catholics' Joe Higgins 'Ansbacher Man', Gerry Adams 'Now there is an alternative', Ian Paisley 'A Northern Ireland in which all can live together in peace', Bertie Ahern 'This is what Ireland can give to the world'.

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'This magnificent, monumental portrait at a stroke makes all others redundant, and re-establishes Lawrence as one of the most extraordinary figures of the 20th century' Sunday Times Michael Korda’ s Hero is an epic biography of the mysterious Englishman whose daring exploits made him an object of intense fascination, known the world over as Lawrence of Arabia. An Oxford Scholar and archaeologist, one of five illegitimate sons of a British aristocrat who ran away with his daughters' governess, T.E. Lawrence was sent to Cairo as an intelligence officer in 1916, vanished into the desert in 1917, and re-emerged as one of the most remarkable and controversial figures of the First World War. He united and led the Arab tribes to defeat the Turks and eventually capture Damascus, an adventure he recorded in the classic Seven Pillars of Wisdom. A born leader, utterly fearless and seemingly impervious to pain and danger, he remained modest, and retiring. Farsighted diplomat, brilliant military strategist, the first media celebrity, and acclaimed writer, Lawrence was a visionary whose achievements transcended his time: had his vision for the modern Middle East been carried through, the hatred and bloodshed that have since plagued the region might have prevented. The democratic reforms he would have implemented as British High Commissioner of Egypt, are those the Egyptians are now demanding, 91 years later. Ultimately, as this magisterial work demonstrates, Lawrence remains the paradigm of the hero in modern times.

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Brooklyn's toughest female detective takes on Dallas in this 'violent, sexy, and completely absorbing' novel (Kirkus), the final book in the acclaimed Betty Rhyzyk series. Things are looking up for Detective Betty Rhyzyk. She's settled into a happy marriage and been promoted to Sergeant in the Dallas Police Department. But when a hostage stand-off puts her on the phone with legendary cartel leader The Knife, things take a turn. A rival is making a play for the Knife's territory: none other than Evangeline Roy. The matriarch of a ruthless cult, Evangeline also holds a personal vendetta against Betty. So who better to draw Evangeline out of hiding? Betty's got two weeks to catch her. Or else. With the drug dealers of Dallas donning strange red wigs and delivering cryptic messages, Betty's in a race for answers. As the clock ticks down, it will take everything she's got to finally put an end to Evangeline's reign of terror, and to keep her beloved Dallas – and her own family – safe at last. Reviewers on The Pledge: 'The terrific adrenaline punch you'd expect for the grand finale of Kathleen Kent's Edgar-nominated trilogy.' Julia Heaberlin 'A thrilling last dance with the formidable Betty Rhyzyk.' Steph Cha? 'Detective Betty is one of my favorite queer characters in crime fiction.' Kristen Lepionka 'Satisfying and action-packed.' Publishers Weekly

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Tony Brooks was unique. He was barely out of school when recruited in 1941 by the Special Operations Executive (SOE), the wartime secret service established by Churchill to 'set Europe ablaze'. After extensive training he was parachuted into France in July 1942 - being among the first (and youngest) British agents sent to support the nascent French Resistance. Brook's success was primarily due to his exceptional qualities as a secret agent, although he was aided by large and frequent slices of luck. Among much else, he survived brushes with a British traitor and a notorious double agent; the Gestapo's capture of his wireless operator and subsequent attempts to trap Brooks; brief incarceration in a Spanish concentration camp; injuries resulting from a parachute jump into France; and even capture and interrogation by the Gestapo - although his cover story held and he was released.In an age when we so often take our heroes from the worlds of sport, film, television, music, fashion, or just 'celebrity', it is perhaps salutary to be reminded of a young man who ended the war in command of a disparate force of some 10,000 armed resistance fighters, and decorated with two of this country's highest awards for gallantry, the DSO and MC. At the time, he was just twenty-three years old.This remarkable, detailed and intimate account of a clandestine agent's dangerous wartime career combines the historian's expert eye with the narrative colour of remembered events. As a study in courage, it has few, if any, equals.

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A heartwarming saga of secrets, friendships and wartime spirit at the height of World War 2. For fans of Daisy Styles, Sheila Newberry and Lyn AndrewsA young German girl finds friendship, camaraderie and even love while working on Hampshire's south coast ferries - but will her new friends desert her if her nationality comes to light?'A gripping story packed with darkness and light, love and friendship, greed and betrayal' Lancashire Evening Post on The Factory GirlsVee Smith is 22 when she starts work on Gosport's ferries, taking a job left vacant by the men gone off to war. She soon makes friends with the other women workers, and together they enjoy nights out dancing in Gosport - keeping their spirits up despite the hard work, rationing and heavy bombing. Vee even feels herself falling for Sam, the skipper of the ferry and her unhappily married boss. But Vee has a secret: her real name is Violetta Schmidt, and she is half-German. If her true nationality is discovered, she and her mother could find themselves interned as enemy aliens - if their German-hating neighbours, or worse, Eddie, the man Vee ran away from after he got her false papers, don't hurt them first.Will Vee be able to keep her secret safe, and find some peace with Sam and her friends even in the midst of war?

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A feverish vision of McCarthy-era Hollywood...Los Angeles, 1950. Over the course of a single day, two friends grapple with the moral and professional uncertainties of the escalating Communist witch-hunt in Hollywood. Director John Marsh races to convince his actress wife not to turn informant for the House Committee on Un-American Activities, while leftist screenwriter Desmond Frank confronts the possibility of exile to live and work without fear of being blacklisted. As Marsh and Frank struggle to complete shooting on their film She Turned Away, which updates the myth of Orpheus to the gritty noir underworld of post-war Los Angeles, the chaos of their private lives pushes them towards a climactic confrontation with complicity, jealousy, and fear. Night for Day conjures a feverish vision of one of the country's most notorious periods of national crisis, illuminating the eternal dilemma of both art and politics: how to make the world anew. At once a definitively American novel, echoing Philip Roth and Raymond Chandler, it also nods to the mythic landscapes of Dante and the iconoclastic playfulness of James Joyce. With as much to say about the early years of the Cold War as about the political and social divisions that continue to divide the country today, Night for Day is expansive in scope and yet tenderly intimate, exploring the subtleties of belonging and the enormity of exile-not only from one's country but also from one's self.

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Katrina Kim may be broke, the black sheep of her family, and slightly unhinged, but she isn't a stalker. Her obsession with her co-worker, Kurt, is just one of many coping mechanisms-like her constant shape and number rituals, or the way scenes from her favorite children's book bleed into her vision whenever she feels anxious or stressed.But when Katrina finds a cryptic message from Kurt that implies he's aware of her surveillance, her tenuous hold on a normal life crumbles. Driven by compulsion, she enacts the most powerful ritual she has to reclaim control-a midnight visit to the Cayatoga Bridge-and arrives just in time to witness Kurt's suicide. Before he jumps, he slams her with a devastating accusation: his death is all her fault.Horrified, Katrina combs through the clues she's collected about Kurt over the last three years, but each revelation uncovers a menacing truth: for every moment she was watching him, he was watching her. And the past she thought she'd left behind? It's been following her more closely than she ever could have imagined.A gripping page-turner, as well as a sensitive exploration of mental health, Liar, Dreamer, Thief is an intimate portrayal of life in all its complexities-and the dangers inherent in unveiling people's most closely guarded secrets.

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In Viral, an electrifying medical thriller from New York Times bestseller Robin Cook, a family’s exposure to a rare yet deadly virus puts them at the centre of a terrifying new danger to mankind – and pulls back the curtain on a health care system powered by greed and corruption. Brian Murphy and his family are enjoying a relaxing summer vacation when his wife, Emma, comes down with mild flu-like symptoms. Their leisurely return home to New York City quickly turns into a race to the ER when her condition dramatically deteriorates. At the hospital, she is diagnosed with Eastern Equine Encephalitis, a rare and highly lethal mosquito-borne viral disease caught during one of their evening cookouts. Worse still, Brian and Emma’s young daughter exhibits alarming signs of the same illness. An already harrowing hospital stay turns even more fraught when Brian receives a staggering hospital bill that his insurer refuses to pay out on, citing dubious clauses in his policy. Forced to choose between the health of his family and bills he can’t afford, and furious at both an indifferent healthcare system and the lack of public awareness about a virus that poses a growing threat, Brian vows to seek justice. As he uncovers the dark side of a historically ruthless industry that preys on the sick and defenceless, it becomes clear he must take his revenge against those responsible by whatever means necessary . . .

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‘I was on a train, and a German soldier began shouting at me and poking me in the ribs with his machine gun. I just thought that was it, the game was up . . .’Downed airman Bob Frost faced danger at every turn as he was smuggled out of France and over the Pyrenees. Prisoner of war Len Harley went on the run in Italy, surviving months in hiding and then a hazardous climb over the Abruzzo mountains with German troops hot on his heels. These are just some of the stories told in heart-stopping detail as Monty Halls takes us along the freedom trails out of occupied Europe, from the immense French escape lines to lesser-known routes in Italy and Slovenia. Escaping Hitler features spies and traitors, extraordinary heroism from those who ran the escape routes and offered shelter to escapees, and great feats of endurance. The SAS in Operation Galia fought for forty days behind enemy lines in Italy and then, exhausted and pursued by the enemy, exfiltrated across the Apennine mountains. And in Slovenia Australian POW Ralph Churches and British Les Laws orchestrated the largest successful Allied escape of the entire war.Mixing new research, interviews with survivors and his own experience of walking the trails, Monty brings the past to life in this dramatic and gripping slice of military history.

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This book traces American writers' contributions and responses to the War on Poverty. Its title comes from the 1964 Opportunity Act, which established a network of federally funded Community Action Agencies that encouraged "maximum feasible participation" by the poor. With this phrase, the Johnson administration provided its imprimatur for an emerging model of professionalism that sought to eradicate boundaries between professionals and their clients—a model that appealed to writers, especially African Americans and Chicanos/as associated with the cultural nationalisms gaining traction in the inner cities. These writers privileged artistic process over product, rejecting conventions that separated writers from their audiences. "Participatory professionalism," however, drew on a social scientific conception of poverty that proved to be the paradigm's undoing: the culture of poverty thesis popularized by Oscar Lewis, Michael Harrington, and Daniel Moynihan. For writers and policy experts associated with the War on Poverty, this thesis described the cultural gap that they hoped to close. Instead, it eventually led to the dismantling of the welfare state. Ranging from the 1950s to the present, the book explores how writers like Jack Kerouac, Amiri Baraka, Gwendolyn Brooks, Oscar Zeta Acosta, Alice Walker, Philip Roth, and others exposed the War on Poverty's contradictions during its heyday and kept its legacy alive in the decades that followed.

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Sherman Coolidge’s (1860–1932) panoramic life as survivor of the Indian Wars, witness to the maladministration of the reservation system, mediator between Native and white worlds, and ultimate defender of Native rights and heritage made him the embodiment of his era in American Indian history. Born to a band of Northern Arapaho in present-day Wyoming, Des-che-wa-wah (Runs On Top) endured a series of harrowing tragedies against the brutal backdrop of the nineteenth-century Indian Wars. As a boy he experienced the merciless killings of his family in vicious raids and attacks, surviving only to be given up by his starving mother to U.S. officers stationed at a western military base. Des-che-wa-wah was eventually adopted by a sympathetic infantry lieutenant who changed his name and set his life on a radically different course. Over the next sixty years Coolidge inhabited western plains and eastern cities, rode in military campaigns against the Lakota, entered the Episcopal priesthood, labored as missionary to his tribe on the Wind River Reservation, fomented dangerous conspiracies, married a wealthy New York heiress, met with presidents and congressmen, and became one of the nation’s most prominent Indigenous persons as leader of the Native-run reform group the Society of American Indians. Coolidge’s fascinating biography is essential for understanding the myriad ways Native Americans faced modernity at the turn of the century.

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Rodrigo Moya is a prominent Mexican documentary photographer who began as a photojournalist in 1955. He covered the convulsive period that shook Latin America during the 1950s and 1960s, including the guerrilla movement in Guatemala, the invasion of Santo Domingo, and the Cuban Revolution, producing the iconic images “Guerillas in the Mist” and “Melancholy Che.” Since the 1960s, Moya’s work has broadened to encompass more of Mexico and Latin America—the land and sea, people both famous and anonymous, religious processions, the streets of Mexico, laborers, and cultural events involving theatre and dance. Moya’s photography is receiving renewed attention and acclaim in the twenty-first century, including the Espejo de Luz for his photographic career at the VI Bienal Mexicana de Fotoperiodismo and the Medal of Photography Merit from the Sistema Nacional de Fototecas (Instituto Nacional de Antropología y Historia).Rodrigo Moya: Photography and Conscience/Fotografía y conciencia is the first English-Spanish bilingual retrospective of the photographer’s career. It presents over one hundred striking images grouped into seven thematic suites, each briefly introduced by Moya. Distinguished historian Ariel Arnal provides an essay describing Moya’s impact as a documentary photographer, while Moya writes about his journey to become a photographer in the volume’s introduction, “El nacimiento de las imágenes/The Origin of the Images.” Including photographs that have never been published before, Rodrigo Moya adds an important new chapter to the history of twentieth-century Mexican photography.

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The first collection of essays devoted to Hollywood director William CastleOften described as 'the Master of Gimmicks', William Castle is best known for the outrageous publicity stunts that characterised his genre films in the 1950s and '60s, including offers for an insurance policy against death by fright, vibrating seats, a skeleton that flew over the audience, and a 'punishment poll' to determine a film's conclusion. But far from being 'the world's craziest filmmaker', Castle was also a dependable studio director who made more than 50 films between 1944 and 1974, and who produced films for Orson Welles and Roman Polanski. 'ReFocus: The Films of William Castle' assembles fourteen essays on the full sweep of Castle's career, including his horror films, westerns, film noirs and more. With an influence felt on directors like Joe Dante, Robert Zemeckis and John Waters, this volume reappraises Castle's legacy as an innovator as much as a showman.ContributorsHugh S. Manon (Clark University)Zachary Rearick (Georgia State University)Anthony Thomas McKenna (Shanghai Jiao Tong University)Murray Leeder (University of Calgary)Beth Kattelman (Ohio State University)Eliot Bessette (University of California, Berkeley)Alexandra Heller-Nicholas (University of Melbourne) Steffen Hantke (Sogang University)Michael Brodski (University of Mainz) Caroline Langhorst (University of Mainz)Michael Petitti (University of Southern California)Peter Marra (Wayne State University)Kate J. Russell (University of Toronto)

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A mysterious and rarely seen beast, the Scottish Wildcat is Britain’s rarest mammal, and one of the most endangered carnivores in the world. Over the centuries, one by one, Britain’s most formidable wild animals have fallen to the thoughtless march of humankind. A war on predators put paid to our lynxes, wolves and bears, each hunted relentlessly until the last of them was killed. Only our wildcats lived on. The Scottish wildcat’s guile and ferocity are the stuff of legend. No docile pet cat, this, but a cunning and shadowy animal, elusive to the point of invisibility, but utterly fearless when forced to fight for its life. Those who saw one would always remember its beauty – the cloak of dense fur marked with bold tiger stripes, the green-eyed stare and haughty sneer, and the broad, banded tail whisking away into the forest’s gloom. Driven to the remnants of Scotland’s wilderness, the last few wildcats now face the most insidious danger of all as their domesticated cousins threaten to dilute their genes into oblivion. However, the wildest of cats has friends and goodwill behind it. This book tells the story of how the wildcat of the wildwood became the endangered Scottish wildcat, of how it once lived and lives now, and of how we - its greatest enemy - are now striving to save it in its darkest hour.

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*** LONGLISTED FOR THE THEAKSTONS OLD PECULIER CRIME NOVEL OF THE YEAR 2017 *** *** LONGLISTED FOR THE McILVANNEY PRIZE 2017 *** 'I can't recommend this book highly enough' MARTINA COLE The first commuter train of the morning slowly rumbles away from platform seven of Queen St station. And then, as the train emerges from a tunnel, the screaming starts. Hanging from the bridge ahead of them is a body. Placed neatly on the ground below him are the victim's clothes. Why? Detective Inspector Narey is assigned the case and then just as quickly taken off it again. Winter, now a journalist, must pursue the case for her. The line of questioning centres around the victim's clothes - why leave them in full view? And what did the killer not leave, and where might it appear again? Everyone has a hobby. Some people collect death. To find this evil, Narey must go on to the dark web, and into immense danger ... 'Takes the reader on a wickedly entertaining ride through a fascinatingly sinister world' Sunday Mirror 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY

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All of Earth’s oceans, from the equator to the poles, are a single engine powered by sunlight, driving huge flows of energy, water, life, and raw materials. In The Blue Machine, physicist and oceanographer Helen Czerski illustrates the mechanisms behind this defining feature of our planet, voyaging from the depths of the ocean floor to tropical coral reefs, estuaries that feed into shallow coastal seas, and Arctic ice floes. Through stories of history, culture, and animals, she explains how water temperature, salinity, gravity, and the movement of Earth’s tectonic plates all interact in a complex dance, supporting life at the smallest scale—plankton—and the largest—giant sea turtles, whales, humankind. From the ancient Polynesians who navigated the Pacific by reading the waves, to permanent residents of the deep such as the Greenland shark that can live for hundreds of years, she introduces the messengers, passengers, and voyagers that rely on interlinked systems of vast currents, invisible ocean walls, and underwater waterfalls. Most important, however, Czerski reveals that while the ocean engine has sustained us for thousands of years, today it is faced with urgent threats. By understanding how the ocean works, and its essential role in our global system, we can learn how to protect our blue machine. Timely, elegant, and passionately argued, The Blue Machine presents a fresh perspective on what it means to be a citizen of an ocean planet.

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The Professional Guinea Pig documents the emergence of the professional research subject in Phase I clinical trials testing the safety of drugs in development. Until the mid-1970s Phase I trials were conducted on prisoners. After that practice was outlawed, the pharmaceutical industry needed a replacement population and began to aggressively recruit healthy, paid subjects, some of whom came to depend on the income, earning their living by continuously taking part in these trials. Drawing on ethnographic research among self-identified “professional guinea pigs” in Philadelphia, Roberto Abadie examines their experiences and views on the conduct of the trials and the risks they assume by participating. Some of the research subjects he met had taken part in more than eighty Phase I trials. While the professional guinea pigs tended to believe that most clinical trials pose only a moderate health risk, Abadie contends that the hazards presented by continuous participation, such as exposure to potentially dangerous drug interactions, are discounted or ignored by research subjects in need of money. The risks to professional guinea pigs are also disregarded by the pharmaceutical industry, which has become dependent on the routine participation of experienced research subjects. Arguing that financial incentives compromise the ethical imperative for informed consent to be freely given by clinical-trials subjects, Abadie confirms the need to reform policies regulating the participation of paid subjects in Phase I clinical trials.

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This volume examines the political ideas behind the construction of the presidency in the U.S. Constitution, as well as how these ideas were implemented by the nation's early presidents. The framers of the Constitution disagreed about the scope of the new executive role they were creating, and this volume reveals the ways the duties and power of the office developed contrary to many expectations.Here, leading scholars of the Early Republic examine principles from European thought and culture that were key to establishing the conceptual language and institutional parameters for the American executive office. Unpacking the debates at the 1787 Constitutional Convention, these essays describe how the Constitution left room for the first presidents to set patterns of behavior and establish a range of duties to make the office functional within a governmental system of checks and balances. Contributors explore how these presidents understood their positions and fleshed out their full responsibilities according to the everyday operations required to succeed.As disputes continue to surround the limits of executive power today, this volume helps identify and explain the circumstances in which limits can be imposed on presidents who seem to dangerously exceed the constitutional parameters of their office. Political Thought and the Origins of the American Presidency demonstrates that this distinctive, time-tested role developed from a fraught, historically contingent, and contested process.

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Benjamin Franklin, writes Douglas Anderson in his preface, is "no one's contemporary...Blending elements of the fifteenth-century spiritual discipline of Thomas a Kempis with the journalistic energy of Daniel Defoe, the urbane reason of Lord Shaftesbury with the scientific initiative of Thomas Edison, Franklin places exceptional demands on the historical imagination of his readers-demands that are inevitably slighted by writers who emphasize only one set of interests or one facet of a complex temperament." In The Radical Enlightenments of Benjamin Franklin Anderson takes a fresh look at the intellectual roots of one of the most engaging and multifaceted of America's founders. Anderson begins by tracing the evolution of young Franklin's theology of works between the letters of Silence Dogood (1722) and his impassioned defense of the heterodox Irish clergyman Samuel Hemphill in 1735. He places the twenty-five-year production of Poor Richard's Almanac in the context of early eighteenth-century moral and educational psychology. He examines the broad intellectual continuities uniting Franklin's 1726 journal of his return voyage to Philadelphia with successive editions of his Experiments and Observations on Electricity, first published in 1751. And he offers a careful examination of Franklin's seminal, and controversial, 1751 essay "Observations Concerning the Increase of Mankind." The Radical Enlightenments of Benjamin Franklin brings us a much fuller understanding of Franklin's intellectual and literary roots and his later influence among common readers.

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As the nineteenth century became the twentieth and the dangers of rampant nationalism became more evident, people throughout the world embraced the idea that a new spirit of internationalism might be fostered by better communication and understanding among notions. Cultural internationalism came into its own after the end of World War I, when intellectuals and artists realized that one way of forging a stable and lasting international peace was to encourage international cultural exchange and cooperation. In Cultural Internationalism and World Order, noted historian Akira Iriye shows how widespread and serious a following this idea had. He describes a surprising array of efforts to foster cooperation, from the creation of an international language to student exchange programs, international lecture circuits, and other cultural activities. But he does not overlook the tensions the movement encountered with the real politics of the day, including the militarism that led up to the World War I, the rise of extreme strains of nationalism in Germany and Japan before World War II, and the bipolar rivalries of the Cold War. Iriye concludes that the effort of cultural internationalism can only be appreciated only in the context of world politics. A lasting and stable world order, he argues, cannot rely just on governments and power politics; it also depends upon the open exchange of cultures among peoples in pursuing common intellectual and cultural interests.

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For the last two decades, Sidney Tarrow has explored "contentious politics"—disruptions of the settled political order caused by social movements. These disruptions range from strikes and street protests to riots and civil disobedience to revolution. In War, States, and Contention, Tarrow shows how such movements sometimes trigger, animate, and guide the course of war and how they sometimes rise during war and in war's wake to change regimes or even overthrow states. Tarrow draws on evidence from historical and contemporary cases, including revolutionary France, the United States from the Civil War to the anti–Vietnam War movement, Italy after World War I, and the United States during the decade following 9/11.In the twenty-first century, movements are becoming transnational, and globalization and internationalization are moving war beyond conflict between states. The radically new phenomenon is not that movements make war against states but that states make war against movements. Tarrow finds this an especially troublesome development in recent U.S. history. He argues that that the United States is in danger of abandoning the devotion to rights it had expanded through two centuries of struggle and that Americans are now institutionalizing as a "new normal" the abuse of rights in the name of national security. He expands this hypothesis to the global level through what he calls "the international state of emergency."

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For the last two decades, Sidney Tarrow has explored "contentious politics"—disruptions of the settled political order caused by social movements. These disruptions range from strikes and street protests to riots and civil disobedience to revolution. In War, States, and Contention, Tarrow shows how such movements sometimes trigger, animate, and guide the course of war and how they sometimes rise during war and in war's wake to change regimes or even overthrow states. Tarrow draws on evidence from historical and contemporary cases, including revolutionary France, the United States from the Civil War to the anti–Vietnam War movement, Italy after World War I, and the United States during the decade following 9/11.In the twenty-first century, movements are becoming transnational, and globalization and internationalization are moving war beyond conflict between states. The radically new phenomenon is not that movements make war against states but that states make war against movements. Tarrow finds this an especially troublesome development in recent U.S. history. He argues that that the United States is in danger of abandoning the devotion to rights it had expanded through two centuries of struggle and that Americans are now institutionalizing as a "new normal" the abuse of rights in the name of national security. He expands this hypothesis to the global level through what he calls "the international state of emergency."

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Now a major motion picture, starring Jessica Chastain and Daniel Brühl, based on a remarkable true story of bravery and sanctuary during World War II - out in Spring 2017.When Germany invades Poland, Luftwaffe bombers devastate Warsaw and the city's zoo along with it. With most of their animals killed, or stolen away to Berlin, zookeepers Jan and Antonina Zabinski begin smuggling Jews into the empty cages.As the war escalates Jan becomes increasingly involved in the anti-Nazi resistance. Ammunition is buried in the elephant enclosure and explosives stored in the animal hospital. Plans are prepared for what will become the Warsaw uprising. Through the ever-present fear of discovery, Antonina must keep her unusual household afloat, caring for both its human and animal inhabitants - otters, a badger, hyena pups, lynxes - as Europe crumbles around them.Written with the narrative drive and emotional punch of a novel, The Zookeeper's Wife is a remarkable true story. It shows us the human and personal impact of war - of life in the Warsaw Ghetto, of fighting in the anti-Nazi resistance. But more than anything it is a story of decency and sacrifice triumphing over terror and oppression. Jan and Antonina saved over 300 people from the death camps of the Holocaust. It has already been acclaimed by Jonathan Safran Foer: 'I can't imagine a better story or storyteller. The Zookeeper's Wife will touch every nerve you have.'

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At a recent meeting of the World Economic Forum in Davos, it was reported that a ghost was haunting the deliberations of the assembled global elite - that of the renowned social scientist and economic historian, Karl Polanyi. In his classic work, The Great Transformation, Polanyi documented the impact of the rise of market society on western civilization and captured better than anyone else the destructive effects of the economic, political and social crisis of the 1930s. Today, in the throes of another Great Recession, Polanyi’s work has gained a new significance. To understand the profound challenges faced by our democracies today, we need to revisit history and revisit his work. In this new collection of unpublished texts - lectures, draft essays and reports written between 1919 and 1958 - Polanyi examines the collapse of the liberal economic order and the demise of democracies in the inter-war years. He takes up again the fundamental question that preoccupied him throughout his work - the place of the economy in society - and aims to show how we might return to an economy anchored in society and its cultural, religious and political institutions. For anyone concerned about the danger to democracy and social life posed by the unleashing of capital from regulatory control and the dominance of the neoliberal ideologies of market fundamentalism, this important new volume by one of the great thinkers of the twentieth century is a must-read.

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Security is meant to make the world safer. Yet despite living in the most secure of times, we see endangerment everywhere. Whether it is the threat of another devastating terrorist attacks, a natural disaster or unexpected catastrophe, anxieties and fears define the global political age. While liberal governments and security agencies have responded by advocating a new catastrophic topography of interconnected planetary endangerment, our desire to securitize everything has rendered all things potentially terrifying. This is the fateful paradox of contemporary liberal rule. The more we seek to secure, the more our imaginaries of threat proliferate. Nothing can therefore be left to chance. For everything has the potential to be truly catastrophic. Such is the emerging state of terror normality we find ourselves in today.This illuminating book by Brad Evans provides a critical evaluation of the wide ranging terrors which are deemed threatening to advanced liberal societies. Moving beyond the assumption that liberalism is integral to the realisation of perpetual peace, human progress, and political emancipation on a planetary scale, it exposes how liberal security regimes are shaped by a complex life-centric rationality which directly undermines any claims to universal justice and co-habitation. Through an incisive and philosophically enriched critique of the contemporary liberal practices of making life more secure, Evans forces us to confront the question of what it means to live politically as we navigate through the dangerous uncertainty of the 21st Century.

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Security is meant to make the world safer. Yet despite living in the most secure of times, we see endangerment everywhere. Whether it is the threat of another devastating terrorist attacks, a natural disaster or unexpected catastrophe, anxieties and fears define the global political age. While liberal governments and security agencies have responded by advocating a new catastrophic topography of interconnected planetary endangerment, our desire to securitize everything has rendered all things potentially terrifying. This is the fateful paradox of contemporary liberal rule. The more we seek to secure, the more our imaginaries of threat proliferate. Nothing can therefore be left to chance. For everything has the potential to be truly catastrophic. Such is the emerging state of terror normality we find ourselves in today.This illuminating book by Brad Evans provides a critical evaluation of the wide ranging terrors which are deemed threatening to advanced liberal societies. Moving beyond the assumption that liberalism is integral to the realisation of perpetual peace, human progress, and political emancipation on a planetary scale, it exposes how liberal security regimes are shaped by a complex life-centric rationality which directly undermines any claims to universal justice and co-habitation. Through an incisive and philosophically enriched critique of the contemporary liberal practices of making life more secure, Evans forces us to confront the question of what it means to live politically as we navigate through the dangerous uncertainty of the 21st Century.

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In the years between the Revolutionary War and the drafting of the Constitution, American gentlemen--the merchants, lawyers, planters, and landowners who comprised the independent republic's elite--worked hard to maintain their positions of power. Gentlemen Revolutionaries shows how their struggles over status, hierarchy, property, and control shaped the ideologies and institutions of the fledgling nation. Tom Cutterham examines how, facing pressure from populist movements as well as the threat of foreign empires, these gentlemen argued among themselves to find new ways of justifying economic and political inequality in a republican society. At the heart of their ideology was a regime of property and contract rights derived from the norms of international commerce and eighteenth-century jurisprudence. But these gentlemen were not concerned with property alone. They also sought personal prestige and cultural preeminence. Cutterham describes how, painting the egalitarian freedom of the republic's "lower sort" as dangerous licentiousness, they constructed a vision of proper social order around their own fantasies of power and justice. In pamphlets, speeches, letters, and poetry, they argued that the survival of the republican experiment in the United States depended on the leadership of worthy gentlemen and the obedience of everyone else. Lively and elegantly written, Gentlemen Revolutionaries demonstrates how these elites, far from giving up their attachment to gentility and privilege, recast the new republic in their own image.

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Volume 103 of Harvard Studies in Classical Philology includes the following contributions: Renaud Gagné, “Winds and Ancestors: The Physika of Orpheus”; Jonas Grethlein, “The Poetics of the Bath in the Iliad”; Daniel Turkeltaub, “Perceiving Iliadic Gods”; Ruth Scodel, “The Gods’ Visit to the Ethiopians in Iliad 1”; Alberto Bernabé, “The Derveni Theogony: Many Questions and Some Answers”; Herbert Granger, “The Theologian Pherecydes of Syros and the Early Days of Natural Philosophy”; Olga Levaniouk, “The Toys of Dionysos”; Filippomaria Pontani, “Shocks, Lies, and Matricide: Some Thoughts on Aeschylus Choephoroi 653–718”; David Wolfsdorf, “φιλία in Plato’s Lysis”; Vayos Liapis, “How to Make a Monostichos: Strategies of Variation in the Sententiae Menandri”; Stanley Hoffer, “The Use of Adjective Interlacing (Double Hyperbaton) in Latin Poetry”; Alan Cameron, “The Imperial Pontifex”; Llewelyn Morgan, “Neither Fish nor Fowl? Metrical Selection in Martial’s Xenia”; Christina Kokkinia, “A Rhetorical Riddle: The Subject of Dio Chrysostom’s First Tarsian Oration”; Andrew Turner, “Frontinus and Domitian: Laus principis in the Strategemata”; Miriam Griffin, “The Younger Pliny’s Debt to Moral Philosophy”; Gregory Hays, “Further Notes on Fulgentius”; Wayne Hankey, “Re-evaluating E. R. Dodds’ Platonism”; Seán Hemingway and Henry Lie, “A Copper Alloy Cypriot Tripod at the Harvard University Art Museums”; and Maura Giles-Watson, “Odysseus and the Ram in Art and (Con)text: Arthur M. Sackler Museum 1994.8 and the Hero’s Escape from Polyphemos.”

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Everyone hopes for a letter - to attend the Estuary, the Glades, the Meadows. These are the special places where only the best and brightest go to burn even brighter. When Eleanor is accepted at the Meadows, it means escape from her hardscrabble life by the sea, in a country ravaged by climate disaster. But despite its luminous facilities, endless fields, and pretty things, the Meadows keeps dark secrets: its purpose is to reform students, to condition them against their attractions, to show them that one way of life is the only way to survive. And maybe Eleanor would believe them, except then she meets Rose. Four years later, Eleanor and her friends seem free of the Meadows, changed but not as they’d hoped. Eleanor is an adjudicator, her job to ensure her former classmates don’t stray from the lives they’ve been trained to live. But Eleanor can’t escape her past . . . or thoughts of the girl she once loved. As secrets unfurl, Eleanor must wage a dangerous battle for her own identity and the truth of what happened to the girl she lost, knowing, if she’s not careful, Rose’s fate could be her own. A raw and timely masterwork of speculative fiction, The Meadows will sink its roots into you. This is a novel for our times and for always - not to be missed.

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Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years. In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits. In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity.

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In the stratosphere, ozone performs a vital role by absorbing ultraviolet (UV) radiation and acting as a protective layer for life on Earth. Ultraviolet Reflections: Life Under a Thinning Ozone Layer examines the effects of increasing UV radiation on people, plants and animals. It takes the reader on a journey from the Antarctic ozone hole to the Arctic birch forest, to see how plankton and plants will fare against increasing UV radiation. We know the dangers for skin cancer, but this book also raises intriguing questions about the evolution of our immune system and uncovers scientific controversy in the discussion of eye disease. The accessible style of this book gives readers at all levels an insight into the complexities of how life has evolved to deal with the destructive power of the sun. Moreover, it gives the reader a chance to follow international policy, as well as current research in the field. The book is aimed at those who do not have time to follow the scientific literature in all the fields, but who are not satisfied with simple answers: science teachers trying to convey basic ideas about the environment, students who want to know things that you cannot find in the text books, environmentalists and policy makers needing more than statements of scientific consensus. Most of all it is written for anyone ready to reflect on one of the major environmental issues of today.

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A hard-hitting look at achieving financial freedom by avoiding excessive borrowing and spending If you don't actively resist America's culture of debt, you'll end up precisely where the government, banks, and big business want you to be: indentured servitude. The mistakes people make with their money are basic, and avoidable, and unless you understand what they are, you're probably going to repeat them. What you need is someone who can shed light on the obstacles we face and show you how to avoid getting tripped up by them. Financially Stupid People Are Everywhere shows how society is rigged to take as much of your wealth as possible, and simple ways you can resist. It investigates, explains, and offers advice for all those who have fallen into debt, taken a second mortgage, been trapped by credit cards, or found themselves unable to get ahead. Discusses what you can do to stop the destructive cycle of borrowing and spending Illustrates the four major tenets of getting money right Highlights how to avoid the many ways that government, banks, and big business try to trap you with debt To secure your financial future, you must break the dangerous cycle of borrowing and spending, and learn how to guard your wealth against corporate ploys. Financially Stupid People Are Everywhere leads you down the only proven path to financial freedom.

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In The Corrosion of Character, Richard Sennett, "among the country's most distinguished thinkers . . . has concentrated into 176 pages a profoundly affecting argument" (Business Week) that draws on interviews with dismissed IBM executives, bakers, a bartender turned advertising executive, and many others to call into question the terms of our new economy. In his 1972 classic, The Hidden Injuries of Class (written with Jonathan Cobb), Sennett interviewed a man he called Enrico, a hardworking janitor whose life was structured by a union pay schedule and given meaning by his sacrifices for the future. In this new book-a #1 bestseller in Germany-Sennett explores the contemporary scene characterized by Enrico's son, Rico, whose life is more materially successful, yet whose work lacks long-term commitments or loyalties. Distinguished by Sennett's "combination of broad historical and literary learning and a reporter's willingness to walk into a store or factory [and] strike up a conversation" (New York Times Book Review), this book "challenges the reader to decide whether the flexibility of modern capitalism . . . is merely a fresh form of oppression" (Publishers Weekly, starred review). Praise for The Corrosion of Character: "A benchmark for our time."—Daniel Bell "[A]n incredibly insightful book."—William Julius Wilson "[A] remarkable synthesis of acute empirical observation and serious moral reflection."—Richard Rorty "[Sennett] offers abundant fresh insights . . . illuminated by his concern with people's struggle to give meaning to their lives."—[Memphis] Commercial Appeal

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Join your favorite hippo, Fiona, the adorable internet sensation from the Cincinnati Zoo and Botanical Gardens, as she visits her zoo friends and celebrates how love makes the world more beautiful. Learn with Fiona as she discovers how different animals show their affection and love. Fiona, Love at the Zoo is another addition to the wildly successful Fiona the Hippo series of books, created by New York Times bestselling illustrator Richard Cowdrey.Love is in the air as Fiona the hippo sees all the zoo animals expressing their affection for each other. Whether it’s the red pandas cuddling up close or the swans dancing across the water, Fiona knows there are many ways to say I Love You.Fiona, Love at the Zoo is: A perfect way to tell someone you love them Great for fans of Fiona the Hippo and all zoo animals For children ages 4-8, and readers young and old A beautiful gift for Valentine’s Day, birthdays, and more, featuring a cover that shimmers and shines with foil and gloss Love Fiona the Hippo? Don’t miss out on the other titles in the Fiona series: Fiona the Hippo Happy Birthday, Fiona A Very Fiona Christmas Fiona Helps a Friend Fiona Saves the Day Fiona, It's Bedtime Fiona's Train Ride Fiona Goes to School Fiona and the Rainy Day

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Women have always been the muses who inspire the creativity of men, but how do women become the creators of art themselves? This was the challenge faced by Latin American women who aspired to write in the 1920s and 1930s. Though women's roles were opening up during this time, women writers were not automatically welcomed by the Latin American literary avant-gardes, whose male members viewed women's participation in tertulias (literary gatherings) and publications as uncommon and even forbidding. How did Latin American women writers, celebrated by male writers as the "New Eve" but distrusted as fellow creators, find their intellectual homes and fashion their artistic missions? In this innovative book, Vicky Unruh explores how women writers of the vanguard period often gained access to literary life as public performers. Using a novel, interdisciplinary synthesis of performance theory, she shows how Latin American women's work in theatre, poetry declamation, song, dance, oration, witty display, and bold journalistic self-portraiture helped them craft their public personas as writers and shaped their singular forms of analytical thought, cultural critique, and literary style. Concentrating on eleven writers from Argentina, Brazil, Cuba, Mexico, Peru, and Venezuela, Unruh demonstrates that, as these women identified themselves as instigators of change rather than as passive muses, they unleashed penetrating critiques of projects for social and artistic modernization in Latin America.

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The ubiquity of friendship in human culture contributes to the fallacy that ideas about friendship have not changed and remained consistent throughout history. It is only when we begin to inquire into the nature and significance of the concept in specific contexts that we discover how complex it truly is. Covering the vast expanse of Jewish tradition, from ancient Israel to the twenty-first century, this collection of essays traces the history of the beliefs, rituals, and social practices surrounding friendship in Jewish life.Employing diverse methodological approaches, this volume explores the particulars of the many varied forms that friendship has taken in the different regions where Jews have lived, including the ancient Near East, the Greco-Roman world, Europe, and the United Sates. The four sections—friendship between men, friendship between women, challenges to friendship, and friendships that cross boundaries, especially between Jews and Christians, or men and women—represent and exemplify universal themes and questions about human interrelationships. This pathbreaking and timely study will inspire further research and provide the groundwork for future explorations of the topic.In addition to the editor, the contributors are Martha Ackelsberg, Michela Andreatta, Joseph Davis, Glenn Dynner, Eitan P. Fishbane, Susannah Heschel, Daniel Jütte, Eyal Levinson, Saul M. Olyan, George Savran, and Hava Tirosh-Samuelson.

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Art history as we know it would not exist without Vasari, and Barolsky shows us that something of the same claim should be made for literary history. He demonstrates the ways in which a literary approach to Vasari's book deepens our understanding of its historical, art-historical, and imaginative character. Why Mona Lisa Smiles discusses Vasari's shrewd, witty, intimate awareness of Dante, Petrarch, and Boccaccio and relates the Lives to the works of Castiglione, Aretino, Cellini, and Rabelais. Barolsky reveals the unexpected fantasy of Vasari, who imagined and then invented artists and works of art, totally fabricating the lives of artists about whom he knew little or nothing. Barolsky traces the myth of Pygmalion through the Lives, demonstrating that Vasari was himself a Pygmalion in words and showing how he wittily played on the names of artists, revealing these poetical fantasies as part of the very iconography of Renaissance art. By approaching the Lives as a combination of genres—biography, history, novella, autobiography, novel, and literary banquet—Barolsky connects Vasari's highly fictionalized history to the modern historical novel. The fictional character of Vasari's book should not be ignored or dismissed by art historians, Barolsky insists, since it is itself a historical document—the record of how a painter and writer of extraordinary sensibility beheld works of art at a particular moment in history. Barolsky's unique approach to the Lives makes this study a valuable contribution to the history of the reception of art.

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The poems in Auto/Body are an inexhaustible engine—sometimes a body, sometimes flesh—a sensual exploration of what it means to repair, to remake, to keep going even when rebuilding feels impossible. From the greased-up engines of auto body shops to the innumerable points of light striking the dance floor of a queer nightclub, Auto/Body, winner of the Ernest Sandeen Prize in Poetry, connects the vulnerability of the narrating queer body to the language of auto mechanics to reveal their shared decadence. Behind the wheel of this book is an insistent, humorous voice whose experiences have lent themselves to a deep, intimate knowledge of survival, driven by the pursuit of joy and exalted pleasure. Raised in and near auto body shops, Vickie Vértiz remembers visiting them to elevate the family car to examine what’s underneath, to see what’s working and what’s not. The poetry in this book is also a body shop, but instead we take our bodies, identities, desires, and see what’s firing. In this shop we ask: What needs changing? How do our bodies transcend ways of being we have received so that we may become more ourselves? From odes to drag, to pushing back on the tyranny of patriarchy, to loving too hard and too queer, to growing up working-class in a time of incessant border violence and incarceration, this collection combusts with blood and fuel. In other words, Vértiz writes to dissolve a colonial engine and reconstruct a new vessel with its remains.

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On the coast of Washington and British Columbia sit the misty forests and towering mountains of Cascadia. With archipelagos surrounding its shores and tidal surges of the Salish Sea trundling through the interior, this bioregion has long attracted loggers, fishing fleets, and land developers, each generation seeking successively harder to reach resources as old-growth stands, salmon stocks, and other natural endowments are depleted. Alongside encroaching developers and industrialists is the presence of a rich environmental movement that has historically built community through musical activism. From the Wobblies' Little Red Songbook (1909) to Woody Guthrie's Columbia River Songs (1941) on through to the Raging Grannies' formation in 1987, Cascadia's ecology has inspired legions of songwriters and musicians to advocate for preservation through music.In this book, Mark Pedelty explores Cascadia's vibrant eco-musical community in order to understand how environmentalist music imagines, and perhaps even creates, a more sustainable conception of place. Highlighting the music and environmental work of such various groups as Dana Lyons, the Raging Grannies, Idle No More, Towers and Trees, and Irthlingz, among others, Pedelty examines the divergent strategies—musical, organizational, and technological—used by each musical group to reach different audiences and to mobilize action. He concludes with a discussion of "applied ecomusicology," considering ways this book might be of use to activists and musicians at the community level.

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In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948—The Great McGinty, The Lady Eve, Sullivan’s Travels, The Palm Beach Story, and The Miracle of Morgan’s Creek among them—all from screenplays he alone had written. Cynical and sophisticated, romantic and sexually frank, crazily breakneck and endlessly witty, his movies continue to influence filmmakers and remain popular to this day. Yet despite this acclaim, Sturges’s achievements remain underappreciated: he is too often categorized as a dialogue writer and plot engineer more than a director, or belittled as an irresponsible spinner of laughs.In Crooked, but Never Common, Stuart Klawans combines a critic’s insight and a fan’s enthusiasm to offer deeper ways to think about and enjoy Sturges’s work. He provides an in-depth appreciation of all ten of the writer-director’s major movies, presenting Sturges as a filmmaker whose work balanced slapstick and social critique, American and European traditions, and cynicism and affection for his characters. Tugging at loose threads—discontinuities, puzzles, and allusions that have dangled in plain sight—and putting the films into a broader cultural context, Klawans reveals structures, motives, and meanings underlying the uproarious pleasures of Sturges’s movies. In this new light, Sturges emerges at last as one of the truly great filmmakers—and funnier than ever.

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What happens when the avant-garde grows old? Examining a group of writers and artists who continued the modernist experiment into later life, Scott Herring reveals how their radical artistic principles set out a new path for creative aging.Aging Moderns provides portraits of writers and artists who sought out or employed unconventional methods and collaborations up until the early twenty-first century. Herring finds Djuna Barnes performing the principles of high modernism not only in poetry but also in pharmacy orders and grocery lists. In mystery novels featuring Gertrude Stein and Alice B. Toklas along with modernist souvenir collections, the gay writer Samuel Steward elaborated a queer theory of aging and challenged gay male ageism. The Harlem Renaissance dancer Mabel Hampton dispelled stereotypes about aging through her queer of color performances at the Lesbian Herstory Archives. Herring explores Ivan Albright’s magic realist portraits of elders, Tillie Olsen’s writings on the aging female worker, and the surrealistic works made by Charles Henri Ford and his caregiver Indra Bahadur Tamang at the Dakota apartment building in New York City.Showcasing previously unpublished experimental art and writing, this deeply interdisciplinary book unites new modernist studies, American studies, disability studies, and critical age studies. Aging Moderns rethinks assumptions about literary creativity, the depiction of old age, and the boundaries of modernism.

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There are two menus in a Beijing restaurant, Rachel DeWoskin writes in the title poem, "the first of excess, / second, scarcity." DeWoskin invites us into moments shaped by dualities, into spaces bordered by the language of her family (English) and that of her new country (Chinese), as well as the liminal spaces between youth and adulthood, safety and danger, humor and sorrow. This collection works by building and demolishing boundaries and binaries, sliding between their edges in movements that take us from the familiar to the strange and put us face-to-face with our assumptions and confusions. Through these complex and interwoven poems, we see how a self is never singular. Rather, it is made up of shifting--and sometimes colliding--parts. DeWoskin crosses back and forth, across languages and nations, between the divided parts in each of us, tracing overlaps and divergences. The limits and triumphs of translation, the slipperiness of relationships, and movements through land and language rise and fall together. The poems in Two Menus offer insights into the layers of what it means to be human, to reconcile living as multiple selves. DeWoskin dives into the uncertain spaces, showing us how a life lived between walls is murky, strange, and immensely human. These poems ask us how to communicate across the boundaries that threaten to divide us, to measure and close the distance between who we are, were, and want to be.

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Though the word “sociology” was coined in Europe, the field of sociology grew most dramatically in America. Despite that disproportionate influence, American sociology has never been the subject of an extended historical examination. To remedy that situation—and to celebrate the centennial of the American Sociological Association—Craig Calhoun assembled a team of leading sociologists to produce Sociology in America.Rather than a story of great sociologists or departments, Sociology in America is a true history of an often disparate field—and a deeply considered look at the ways sociology developed intellectually and institutionally. It explores the growth of American sociology as it addressed changes and challenges throughout the twentieth century, covering topics ranging from the discipline’s intellectual roots to understandings (and misunderstandings) of race and gender to the impact of the Depression and the 1960s. Sociology in America will stand as the definitive treatment of the contribution of twentieth-century American sociology and will be required reading for all sociologists. Contributors: Andrew Abbott, Daniel Breslau, Craig Calhoun, Charles Camic, Miguel A. Centeno, Patricia Hill Collins, Marjorie L. DeVault, Myra Marx Ferree, Neil Gross, Lorine A. Hughes, Michael D. Kennedy, Shamus Khan, Barbara Laslett, Patricia Lengermann, Doug McAdam, Shauna A. Morimoto, Aldon Morris, Gillian Niebrugge, Alton Phillips, James F. Short Jr., Alan Sica, James T. Sparrow, George Steinmetz, Stephen Turner, Jonathan VanAntwerpen, Immanuel Wallerstein, Pamela Barnhouse Walters, Howard Winant

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