Search results for ""author fred"

'Beguiling ... Limpidly written, effortlessly learned' William Boyd, TLS, Books of the YearIn November 1838 Frédéric Chopin, George Sand and her two children sailed to Majorca to escape the Parisian winter. They settled in an abandoned monastery at Valldemossa in the mountains above Palma, where Chopin finished what would eventually be recognised as one of the great and revolutionary works of musical Romanticism - his 24 Preludes. There was scarcely a decent piano on the island (these were still early days in the evolution of the modern instrument), so Chopin worked on a small pianino made by a local craftsman, which remained in their monastic cell for seventy years after he and Sand had left.This brilliant and unclassifiable book traces the history of Chopin's 24 Preludes through the instruments on which they were played, the pianists who interpreted them and the traditions they came to represent. Yet it begins and ends with the Majorcan pianino, which during the Second World War assumed an astonishing cultural potency as it became, for the Nazis, a symbol of the man and music they were determined to appropriate as their own.The unexpected hero of the second part of the book is the great keyboard player and musical thinker Wanda Landowska, who rescued the pianino from Valldemossa in 1913, and who would later become one of the most influential musical figures of the twentieth century. Kildea shows how her story - a compelling account based for the first time on her private papers - resonates with Chopin's, while simultaneously distilling part of the cultural and political history of Europe and the United States in the central decades of the century. Kildea's beautifully interwoven narratives, part cultural history and part detective story, take us on an unexpected journey through musical Romanticism and allow us to reflect freshly on the changing meaning of music over time.

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Imagine Fredric Jameson—the world’s foremost Marxist critic—kidnapped and taken on a joyride through the cultural ephemera, generational hype, and Cold War fallout of our post-post-contemporary landscape. In The Jamesonian Unconscious, a book as joyful as it is critical and insightful, Clint Burnham devises unexpected encounters between Jameson and alternative rock groups, new movies, and subcultures. At the same time, Burnham offers an extraordinary analysis of Jameson’s work and career that refines and extends his most important themes.In an unusual biographical move, Burnham negotiates Jameson’s major works—including Marxism and Form, The Political Unconscious, and Postmodernism, or, The Cultural Logic of Late Capitalism—by way of his own working-class, queer-ish, Gen-X background and sensibility. Thus Burnham’s study draws upon an immense range of references familiar to the MTV generation, including Reservoir Dogs, theorists Slavoj Zizek and Pierre Bourdieu, The Satanic Verses, Language poetry, the collapse of state communism in Eastern Europe, and the indie band Killdozer. In the process, Burnham addresses such Jamesonian questions as how to imagine the future, the role of utopianism in capitalist culture, and the continuing relevance of Marxist theory.Through its redefinition of Jameson’s work and compelling reading of the political present, The Jamesonian Unconscious defines the leading edge of Marxist theory. Written in a style by turns conversational, playful, and academic, this book will appeal to students and scholars of Marxism, critical theory, aesthetics, narratology, and cultural studies, as well as the wide circle of readers who have felt and understood Jameson’s influence.

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A dual biography crafted around the famous encounter between the French philosopher who wrote about power and the Russian empress who wielded it with great aplomb.In October 1773, after a grueling trek from Paris, the aged and ailing Denis Diderot stumbled from a carriage in wintery St. Petersburg. The century’s most subversive thinker, Diderot arrived as the guest of its most ambitious and admired ruler, Empress Catherine of Russia. What followed was unprecedented: more than forty private meetings, stretching over nearly four months, between these two extraordinary figures. Diderot had come from Paris in order to guide—or so he thought—the woman who had become the continent’s last great hope for an enlightened ruler. But as it soon became clear, Catherine had a very different understanding not just of her role but of his as well. Philosophers, she claimed, had the luxury of writing on unfeeling paper. Rulers had the task of writing on human skin, sensitive to the slightest touch.Diderot and Catherine’s series of meetings, held in her private chambers at the Hermitage, captured the imagination of their contemporaries. While heads of state like Frederick of Prussia feared the consequences of these conversations, intellectuals like Voltaire hoped they would further the goals of the Enlightenment.In Catherine & Diderot, Robert Zaretsky traces the lives of these two remarkable figures, inviting us to reflect on the fraught relationship between politics and philosophy, and between a man of thought and a woman of action.

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As Buckfast Abbey prepares to celebrate its millennium in 2018, this new book chronicles the remarkable history of this famous English abbey, today both home to a self-sufficient community of Benedictine monks and a site that welcomes some half a million visitors to south Devon each year. The first monastery was founded in 1018 and absorbed into the Cistercian order in 1147, but was dissolved during the Reformation. The site fell into disrepair, and in the early 19th century a Gothic-style mansion was built on the abbey ruins. A group of exiled French Benedictine monks settled at Buckfast in 1882 and eventually decided to rebuild the medieval abbey church themselves: the first stone was laid in 1907 and consecration took place in 1932. In this elegant, authoritative book, essays by a dozen distinguished historians explore, among other subjects, the history of the abbey from its Saxon origins to the Dissolution; the architecture of the medieval church; the abbey site without the monks; the Benedictine revival; the rebuilding of the abbey under the architect Frederick Walters; the abbey's silver and metalwork; the art and architecture of the Blessed Sacrament Chapel, built in 1968; and the recent redevelopment of the precinct. Generously illustrated throughout with not only plans, drawings and photographs gathered from the vast Buckfast archive but also new images of the abbey church, the plethora of other buildings on site and the meticulously tended grounds, Buckfast Abbey is a fitting tribute to a unique monastery and community.

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Something about your generation I've noticed, she said not unkindly once I had fallen silent, is that you give up very easily. Autumn 2018. A young woman starts a job as a research assistant at Oxford. But she can't shake the feeling that real life is happening elsewhere. Eight months later she finds herself in London. She's landed a temp contract at a society magazine and is paying £80 a week to sleep on a stranger's sofa. As the summer rolls on, tensions with her flatmate escalate. She is overworked and underpaid, spends her free time calculating the increasing austerity in England through the rising cost of Freddos. The prospects of a permanent job seem increasingly unlikely, until she finally asks herself: is it time to give up?**A NEW STATESMAN BOOK OF THE YEAR **________________________________PRAISE FOR THREE ROOMS'I was bowled over by this barbed, supple book...spiky, unsettling.' OLIVIA LAING'Cool, sharp and perceptive' Stylist'Crisp and resonant' New Statesman'A phenomenal achievement' The Times'One of the most candid and subtle explorations of class by an English novelist in recent years' TLS'A biting dissection of privilege, race, inequality and ideology in 21st century Britain' i'Jo Hamya is an exceptionally gifted writer...slowly but surely broke my heart' CLAIRE-LOUISE BENNETT'Intelligent, melancholy, funny and subtle' CHRIS POWER'Both spectral and steeped in contemporary reality' OLIVIA SUDJIC'Resigned to renting forever and feeling guilty every time you buy a cup of coffee? You'll want to read Jo Hamya's urgent and intelligent debut' EVENING STANDARD

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This volume is an important contribution to our understanding of global pandemics in general and Covid-19 in particular. It brings together the reflections of leading social and political scientists who are interested in the implications and significance of the current crisis for politics and society. The chapters provide both analysis of the social and political dimensions of the Coronavirus pandemic and historical contextualization as well as perspectives beyond the crisis. The volume seeks to focus on Covid-19 not simply as the terrain of epidemiology or public health, but as raising fundamental questions about the nature of social, economic and political processes. The problems of contemporary societies have become intensified as a result of the pandemic. Understanding the pandemic is as much a sociological question as it is a biological one, since viral infections are transmitted through social interaction. In many ways, the pandemic poses fundamental existential as well as political questions about social life as well as exposing many of the inequalities in contemporary societies. As the chapters in this volume show, epidemiological issues and sociological problems are elucidated in many ways around the themes of power, politics, security, suffering, equality and justice. This is a cutting edge and accessible volume on the Covid-19 pandemic with chapters on topics such as the nature and limits of expertise, democratization, emergency government, digitalization, social justice, globalization, capitalist crisis, and the ecological crisis. Contents Notes on Contributors Preface Gerard Delanty1. Introduction: The Pandemic in Historical and Global Context Part 1 Politics, Experts and the State Claus Offe2. Corona Pandemic Policy: Exploratory Notes on its ‘Epistemic Regime’ Stephen Turner3. The Naked State: What the Breakdown of Normality Reveals Jan Zielonka4. Who Should be in Charge of Pandemics? Scientists or Politicians? Jonathan White5. Emergency Europe after Covid-19 Daniel Innerarity6. Political Decision-Making in a Pandemic Part 2 Globalization, History and the Future Helga Nowotny7. In AI We Trust: How the COVID-19 Pandemic Pushes us Deeper into Digitalization Eva Horn8. Tipping Points: The Anthropocene and COVID-19 Bryan S. Turner9. The Political Theology of Covid-19: a Comparative History of Human Responses to Catastrophes Daniel Chernilo10. Another Globalisation: Covid-19 and the Cosmopolitan Imagination Frédéric Vandenberghe & Jean-Francois Véran11. The Pandemic as a Global Total Social Fact Part 3 The Social and Alternatives Sylvia Walby12. Social Theory and COVID: Including Social Democracy Donatella della Porta13. Progressive Social Movements, Democracy and the Pandemic Sonja Avlijaš14. Security for Whom? Inequality and Human Dignity in Times of the Pandemic Albena Azmanova15. Battlegrounds of Justice: The Pandemic and What Really Grieves the 99% Index

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'You do not lead by hitting people over the head-that's assault, not leadership.' - Dwight D. Eisenhower What would George Washington think of today's 24-hour news cycle? While the Founding Fathers were strong proponents of a free press, they may have been unnerved at seeing their every gaffe mocked on Twitter. Why not take a break from breaking news and spend a moment revisiting the words of some of the greatest leaders the world has known? The Essential Wisdom of the World's Greatest Leaders gathers hundreds of quotations from more than two hundred leaders. Within these pages you'll find presidents, scholars, and philanthropists; jurists, generals, and activists; saints, scientists, and students. The selections are arranged thematically and illuminate the intellect, character, determination, and particular genius of these remarkable men and women. In this book: Abraham Lincoln extols the value of freedom and truth. Winston Churchill ponders the strength that comes from suffering. Frederick Douglass speaks passionately about the evils of inequality. Hillary Clinton advocates for the primacy of human rights. Malala Yousafzai offers insight into the precious gift of education. The Essential Wisdom of the World's Greatest Leaders is a powerful and thought-provoking collection that invites us to put down our phones and spend some quality time with the extraordinary women and men who have each left an indelible mark on our world.

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The USS Monitor famously battled the CSS Virginia (the armored and refitted USS Merrimack) at Hampton Roads in March 1862. This updated edition of David A. Mindell's classic account of the ironclad warships and the human dimension of modern warfare commemorates the 150th anniversary of this historic encounter. Mindell explores how mariners-fighting "blindly", below the waterline-lived in and coped with the metal monster they called the "iron coffin". He investigates how the ironclad technology, new to war in the nineteenth century, changed not only the tools but also the experience of combat and anticipated today's world of mechanized, pushbutton warfare. The writings of William Frederick Keeler, the ship's paymaster, inform much of this book, as do the experiences of everyman sailor George Geer, who held Keeler in some contempt. Mindell uses their compelling stories, and those of other shipmates, to recreate the thrills and dangers of living and fighting aboard this superweapon. Recently, pieces of the Monitor wreck have been raised from their watery grave, and with them, information about the ship continues to be discovered. A new epilogue describes the recovery of the Monitor turret and its display at the USS Monitor Museum in Newport News, Virginia. This sensitive and enthralling history of the USS Monitor ensures that this fateful ship, and the men who served on it, will be remembered for generations to come.

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Farah Jasmine Griffin has taken to her heart the phrase “read until you understand,” a line her father, who died when she was nine, wrote in a note to her. She has made it central to this book about love of the majestic power of words and love of the magnificence of Black life. Griffin has spent years rooted in the culture of Black genius and the legacy of books that her father left her. A beloved professor, she has devoted herself to passing these works and their wisdom on to generations of students. Here, she shares a lifetime of discoveries: the ideas that inspired the stunning oratory of Frederick Douglass and Malcolm X, the soulful music of Marvin Gaye and Stevie Wonder, the daring literature of Phillis Wheatley and Toni Morrison, the inventive artistry of Romare Bearden and many more. Exploring these works through such themes as justice, rage, self-determination, beauty, joy and mercy allows her to move from her aunt’s love of yellow roses to Gil Scott-Heron’s “Winter in America”. Griffin entwines memoir, history and art while she keeps her finger on the pulse of the present, asking us to grapple with the continuing struggle for Black freedom and the ongoing project that is American democracy. She challenges us to reckon with our commitment to all the nation’s inhabitants and our responsibilities to all humanity.

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In baseball history, no decade is more critical than the 1880s—a time of urban growth when sports stories began to fill the pages of newspapers and supporting the home teams became a hallmark of civic duty. Larry Bowman narrates the trials and triumphs of baseball's early championships, illuminating the complex circumstances that led to baseball's meteoric rise in popularity. The first World's Championship Series arose in an ad hoc manner when the Providence Grays faced the New York Metropolitans in 1884. Seeking to maximize profits, team owners promoted postseason baseball to ensure that one team could bill itself as the world's best. Bowman traces the history of seven championship series, recounting the frenzied negotiations and media hoopla that often preceded events. He also analyzes the emergence of mascots, the evolution of the game's rules, and the impact of America's explosive urban growth on baseball's popularity. Before the World Series brings to life colorful figures—from baseball magnates such as Albert Spalding, Christian Von der Ahe, and Frederick Stearns to legendary Hall of Famers like the fearsome Cap Anson, Charles Comiskey, and baseball's first union organizer, John Montgomery Ward. The story of Moses Walker, a black major leaguer 63 years before Jackie Robinson, sheds light on African Americans' early involvement in baseball. Spirited and engaging, this illustrated account of baseball's first championships offers a fresh perspective on the development of America's national pastime.

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Visitors may wonder how Niagara Falls came to be the site of magnificent bridges, a famous cereal factory, and a picturesque New York state reservation, designed by Frederick Law Olmsted. Although many have always admired the natural splendor of the Falls, William Irwin explains that it was not until the mid-1800s that Niagara truly captured the American imagination. With the coming of John Roebling's railway suspension bridge in 1855 came the promise of a "new" Niagara, one in which nature and technology could flourish in harmony. Although some saw the transformation of Niagara Falls as a national shame, for many others it stimulated utopian visions of a great modern America. Tourists flocked to a place that showcased both the beauty of nature and the marvels of technology. Companies such as Shredded Wheat (later absorbed by Nabisco) fed on the public's expectations of novel and revolutionary progress at Niagara. The Shredded Wheat factory and the Niagara Power Company became tourist attractions in their own right. Some developers went so far as to claim that their works exceeded Niagara's natural beauty. It was not until the 1920s that failed expectations revealed the scope of the blighted landscape.By taking us back to a period when Niagara Falls was appreciated as much for its utopian promise as for its natural beauty, The New Niagara reveals America's remarkable romance with technology and its faith in human mastery of the environment.

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Theodore Roosevelt (1857–1919) was the most literary of American Presidents, writing scores of books, including Through the Brazilian Wilderness and African Game Trails. He was also the most active of American writers. In little more than six decades, Roosevelt was, among many of his activities, a rancher, historian, reformer, New York City Police Commissioner, renowned hunter, New York State Governor, conservationist, Vice President of the United States, and 26th President of the United States. What is less known is that Roosevelt was also one of the great epistolary writers, penning more than 100,000 letters. This collection brings together over 1,000 of Roosevelt's most engaging and revealing letters, ones that fully illuminate the private man and the public figure. Herein, Roosevelt corresponds with family, friends, colleagues, and political opponents. He discusses private matters, politics, military strategy, conservation, diplomacy, higher education, women's rights, literature, and football. The list of addresses is formidable, including: Jefferson Davis, Francis Parkman, Frederick Jackson Turner, John Muir, Andrew Carnegie, Jane Addams, Henry Ford, Franklin Delano Roosevelt, John J. Pershing, Woodrow Wilson, Rudyard Kipling, and Oliver Wendell Holmes. The Selected Letters of Theodore Roosevelt, superbly edited by H. W. Brands, allows Roosevelt to speak in his own inimitable voice. These letters capture the verve and sheer joy of life that was Roosevelt's signature.

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How being “nice” in school and university settings works to reinforce racialized, gendered, and (dis)ability-related inequities in education and society Being nice is difficult to critique. Niceness is almost always portrayed and felt as a positive quality. In schools, nice teachers are popular among students, parents, and administrators. And yet Niceness, as a distinct set of practices and discourses, is not actually good for individuals, institutions, or communities because of the way it maintains and reinforces educational inequity. In The Price of Nice, an interdisciplinary group of scholars explores Niceness in educational spaces from elementary schools through higher education to highlight how this seemingly benign quality reinforces structural inequalities. Grounded in data, personal narrative, and theory, the chapters show that Niceness, as a raced, gendered, and classed set of behaviors, functions both as a shield to save educators from having to do the hard work of dismantling inequity and as a disciplining agent for those who attempt or even consider disrupting structures and ideologies of dominance. Contributors: Sarah Abuwandi, Arizona State U; Colin Ben, U of Utah; Nicholas Bustamante, Arizona State U; Aidan/Amanda J. Charles, Northern Arizona U; Jeremiah Chin, Arizona State U; Sally Campbell Galman, U of Massachusetts; Frederick Gooding Jr., Texas Christian U; Deirdre Judge, Tufts U; Katie A. Lazdowski; Román Liera, U of Southern California; Sylvia Mac, U of La Verne; Lindsey Malcolm-Piqueux, California Institute of Technology; Giselle Martinez Negrette, U of Wisconsin–Madison; Amber Poleviyuma, Arizona State U; Alexus Richmond, Arizona State U; Frances J. Riemer, Northern Arizona U; Jessica Sierk, St. Lawrence U; Bailey B. Smolarek, U of Wisconsin–Madison; Jessica Solyom, Arizona State U; Megan Tom, Arizona State U; Sabina Vaught, U of Oklahoma; Cynthia Diana Villarreal, U of Southern California; Kristine T. Weatherston, Temple U; Joseph C. Wegwert, Northern Arizona U; Marguerite Anne Fillion Wilson, Binghamton U; Jia-Hui Stefanie Wong, Trinity College; Denise Gray Yull, Binghamton U.

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In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does. In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass. Reading black print culture as a space where citizenship was both theorized and practiced, Spires reveals the degree to which concepts of black citizenship emerged through a highly creative and diverse community of letters, not easily reducible to representative figures or genres. From petitions to Congress to Frances Harper's parlor fiction, black writers framed citizenship both explicitly and implicitly, the book demonstrates, not simply as a response to white supremacy but as a matter of course in the shaping of their own communities and in meeting their own political, social, and cultural needs.

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In January 1890, journalist T. Thomas Fortune stood before a delegation of African American activists in Chicago and declared, "We know our rights and have the courage to defend them," as together they formed the Afro-American League, the nation's first national civil rights organization. Over the next two decades, Fortune and his fellow activists organized, agitated, and, in the process, created the foundation for the modern civil rights movement. An Army of Lions: The Civil Rights Struggle Before the NAACP traces the history of this first generation of activists and the organizations they formed to give the most comprehensive account of black America's struggle for civil rights from the end of Reconstruction to the formation of the National Association for the Advancement of Colored People in 1909. Here a host of leaders neglected by posterity—Bishop Alexander Walters, Mary Church Terrell, Jesse Lawson, Lewis G. Jordan, Kelly Miller, George H. White, Frederick McGhee, Archibald Grimké—worked alongside the more familiar figures of Ida B. Wells-Barnett, W. E. B. Du Bois, and Booker T. Washington, who are viewed through a fresh lens. As Jim Crow curtailed modes of political protest and legal redress, members of the Afro-American League and the organizations that formed in its wake—including the Afro-American Council, the Niagara Movement, the Constitution League, and the Committee of Twelve—used propaganda, moral suasion, boycotts, lobbying, electoral office, and the courts, as well as the call for self-defense, to end disfranchisement, segregation, and racial violence. In the process, the League and the organizations it spawned provided the ideological and strategic blueprint of the NAACP and the struggle for civil rights in the twentieth century, demonstrating that there was significant and effective agitation during "the age of accommodation."

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Tracing the development of progressive Catholic approaches to political and economic modernization, Catholic Intellectuals and the Challenge of Democracy disputes standard interpretations of the Catholic response to democracy and modernity in the English-speaking world—particularly the conventional view that the Church was the servant of right-wing reactionaries and authoritarian, patriarchal structures. Starting with the writings of Bishop Wilhelm von Ketteler of Germany, the Frenchman Frédérick Ozanam, and England’s Cardinal Henry Edward Manning, whose pioneering work laid the foundation of the Catholic "third way," Corrin reveals a long tradition within Roman Catholicism that championed social activism. These visionary writers were the forerunners of Pope John XXIII’s aggiornamento, a call for Catholics to broaden their historical perspectives and move beyond a static theology fixed to the past. By examining this often overlooked tradition, Corrin attempts to confront the perception that Catholicism in the modern age has invariably been an institution of reaction that is highly suspicious of liberalism and progressive social reform. Catholic Intellectuals and the Challenge of Democracy charts the efforts of key Catholic intellectuals, primarily in Britain and the United States, who embraced the modern world and endeavored to use the legacies of their faith to form an alternative, pluralistic path that avoided both socialist collectivism and capitalism. In this sweeping volume, Corrin discusses the influences of Cecil and G. K. Chesterton, H. A. Reinhold, Hilaire Belloc, and many others on the development of Catholic social, economic, and political thought, with a special focus on Belloc and Reinhold as representatives of reactionary and progressive positions, respectively. He also provides an in-depth analysis of Catholic Distributists’ responses to the labor unrest in Britain prior to World War I and later, in the 1930s, to the tragedy of the Spanish Civil War and the forces of fascism and communism.

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Few Canadians realize how close the colony of Nova Scotia came to joining the American Revolutionary War in 1775. Many Nova Scotians were immigrants from New England, including the Planters who, some twenty years earlier, had taken over the farms of the expelled Acadians. Between family ties and unrestrained privateering, there was much sympathy in Nova Scotia for the American Patriots. In Hope Restored, Robert Dallison tells the story of how the British raised two regiments and sent their members to the area that, as a result, became New Brunswick, thus overcoming the groundswell and fending off Patriot attacks. These soldiers had two jobs: to fight the Americans, and to settle the land as a bulwark against invasion. Spem reduxit (hope restored) became their motto and the motto of the province they founded. As well as telling the story of the Loyalist regiments, Hope Restored describes many Loyalist and Revolutionary War sites, some of which can be visited today. Among them are the Loyalist Encampment and Cemetery in Fredericton, Saint John's Fort Howe, and the MacDonald Farm Provincial Historic Park in Northumberland County.Hope Restored is the second book in the New Brunswick Military Heritage Series published by Goose Lane Editions in collaboration with the New Brunswick Military Heritage Project. Written by historians and military personnel, the books in this series will explore subjects ranging from New Brunswick's pivotal role in the American Revolution to one veteran's account of caring for World War I cavalry horses. All of the volumes will be fully illustrated with modern and archival maps, photos, and works of art and are available at all bookstores in New Brunswick.

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A powerful new account of what a group of nineteenth- and twentieth-century African American activists, intellectuals, and artists can teach us about democracyCould the African American political tradition save American democracy? African Americans have had every reason to reject America’s democratic experiment. Yet African American activists, intellectuals, and artists who have sought to transform the United States into a racially just society have put forward some of the most original and powerful ideas about how to make America live up to its democratic ideals. In The Darkened Light of Faith, Melvin Rogers provides a bold new account of African American political thought through the works and lives of individuals who built this vital tradition—a tradition that is urgently needed today.The book reexamines how figures as diverse as David Walker, Frederick Douglass, Anna Julia Cooper, Ida B. Wells, W.E.B. Du Bois, Billie Holiday, and James Baldwin thought about the politics, people, character, and culture of a society that so often dominated them. Sharing a light of faith darkened but not extinguished by the tragic legacy of slavery, they resisted the conclusion that America would always be committed to white supremacy. They believed that democracy is always in the process of becoming and that they could use it to reimagine society. But they also saw that achieving racial justice wouldn’t absolve us of the darkest features of our shared past, and that democracy must be measured by how skillfully we confront a history that will forever remain with us.An ambitious account of the profound ways African Americans have reimagined democracy, The Darkened Light of Faith offers invaluable lessons about how to grapple with racial injustice and make democracy work.

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The Habsburg Empire’s grand strategy for outmaneuvering and outlasting stronger rivals in a complicated geopolitical worldThe Empire of Habsburg Austria faced more enemies than any other European great power. Flanked on four sides by rivals, it possessed few of the advantages that explain successful empires. Its army was not renowned for offensive prowess, its finances were often shaky, and its populace was fragmented into more than a dozen ethnicities. Yet somehow Austria endured, outlasting Ottoman sieges, Frederick the Great, and Napoleon. The Grand Strategy of the Habsburg Empire tells the story of how this cash-strapped, polyglot empire survived for centuries in Europe's most dangerous neighborhood without succumbing to the pressures of multisided warfare.Taking readers from the War of the Spanish Succession in the early 1700s to the Austro-Prussian War of 1866, A. Wess Mitchell argues that the Habsburgs succeeded not through offensive military power or great wealth but by developing strategies that manipulated the element of time in geopolitical competition. Unable to fight all their enemies at once, the Habsburgs learned to use the limited tools at their disposal—terrain, technology, and treaty allies—to sequence and stagger their conflicts, drive down the costs of empire, and concentrate scarce resources against the greatest threat of the moment. Rarely holding a grudge after war, they played the "long game" in geopolitics, corralling friend and foe alike into voluntarily managing the empire's lengthy frontiers and extending a benign hegemony across the turbulent lands of middle Europe.A study in adaptive statecraft, The Grand Strategy of the Habsburg Empire offers lessons on how to navigate a messy geopolitical map, stand firm without the advantage of military predominance, and prevail against multiple rivals.

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Edited by SPLIA’s former director, Dr. Robert B. MacKay, Gardens of Eden is an exploration of a distinct type of suburban development that proliferated across the region before zoning regulations were developed to manage land use in New York City and its environs. While the onset of suburbia on Long Island is often believed to be a post-World War II phenomena, it actually began a half century earlier when greater affluence, improved railroad service, and new methods of financing made the dream of country living a greater reality for a growing urban middle class. Luminaries such as Grosvenor Atterbury, Charles W. Leavitt Jr., and Frederick Law Olmsted designed dozens of high-end, carefully conceived communities on New York’s Long Island. Touted as an antidote to the complexities of urban living, these “residential parks” were characterized by significant investment in landscaping and infrastructure and employed concepts introduced by the Garden City movement in England. Gardens of Eden covers the history and development of more than twenty of these remarkable communities and the colorful, at times unscrupulous personalities behind them—like Plandome, designed “for teachers only,” and the Metropolitan Museum’s Munsey Park, where all the streets were named for artists—with writings from their most knowledgeable historians. Other featured communities include: Garden City, Forest Hills Gardens, Long Beach, Great Neck Estates, Brightwaters, Montauk Beach, Prospect Park South in Brooklyn, and many more. About the Society for the Preservation of Long Island Antiquities SPLIA is a not-for-profit organization dedicated to understanding, celebrating, and preserving Long Island’s cultural heritage. Founded in 1948, SPLIA engages its mission through a variety of activities that include interpreting historic houses, creating exhibitions and educational programs, providing preservation advisory services, and publishing works that explore the history of architecture and design on Long Island.

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Architecture in Context analyzes the work of contemporary international architects through the presentation of projects that exemplify their architectural vision and their connection with the spaces with which they work. It explains how the interaction between architecture and landscape is a pivotal aspect, and it describes the design strategies that architects use to insert buildings into the landscape with minimal environmental impact. At the center of designers' work, we find an attention to the identity of the place and the environment, consideration of cultural and social values, and observation of the intrinsic characteristics of the local site and materials. Presenting projects of different scales and sizes, from airports to museums, schools, private houses, public buildings, hotels, and industrial sites, this volume offers up a wide array of the most significant architectural projects by the most respected contemporary architects around the world. Projects: Azerbaijan: Autoban, Heydar Aliyev International Airport (Baku). China: Li Xiaodong Atelier, Liyuan Library (Beijing). Chile: Cazu Zegers Arquitectura, Tierra Patagonia Hotel (Torres del Paine); Rodrigo Duque Motta, Elqui Domos Astronomical Hotel (Pisco Elqui, Paihuano). Colombia: El Equipo Mazzanti, Parque Biblioteca Espana (Medellin). Denmark: 3XN, Frederiksberg Courthouse (Copenhagen). France: 5+1AA Alfonso Femia Gianluca Peluffo, Renovation of Les Docks (Marseille). Italy: Diverserighestudio, Opificio Golinelli (Bologna); Pietro Carlo Pellegrini Architetto, Secondary School (Riccione); MCA Mario Cucinella Architects, Municipal Nursery School (Guastalla); Enzo Eusebi + Partners, Salpi Plant (Preci). Portugal: ANDRE, Casa do Vigario (Paredes). Senegal: Toshiko Mori Architect, Thread Artist Residency and Cultural Center (Sinthian). South Africa: Peter Rich Architects, Mapungubwe Interpretation Centre (Limpopo). The Netherlands: Neutelings Riedijk Architects, Rozet Cultural Center (Arnhem). UK: Steven Holl Architects, Reid Building, Glasgow School of Art (Glasgow). USA: Diller Scofidio + Renfro, The Roy and Diana Vagelos Education Center (New York); Michael Maltzan Architecture, Star Apartments (Los Angeles); Thomas Phifer and Partners, Corning Museum of Glass Extension (Corning).

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The gripping new Ben Hope thriller from the Sunday Times bestseller. THEY THOUGHT HE WAS AN EASY TARGET. THEY THOUGHT WRONG. It’s a snowy, peaceful Christmas at Le Val, the rural haven that is home to ex-SAS soldier Ben Hope and his associates. With most of the team away for the festive holiday, Ben, recovering from an accident, is one of the skeleton crew guarding the compound. That’s when a ruthless Corsican crime gang, knowing that Ben is injured and out of action, target the location for a violent raid. With help from his faithful canine companion, Storm, Ben thwarts the attack – but not before the raiders claim several victims among his best friends. Now he must embark on a personal revenge mission to catch the sole remaining killer, the psychopathic Petru Navarro. Ben’s quest takes him across France into the lawless gangland of Corsica, his only real lead a priceless historic gold cross that is now in Navarro’s hands. If Ben can find it, he’ll find his enemy. But taking down this murderous psycho is another matter . . . People can’t get enough of the Ben Hope series: ‘Compelling from the first page until the last, Mariani and his fabulous protagonist Ben Hope entertain in a gripping tale that will have you turning the pages well into the night’ Mark Dawson ‘Thrilling. Scott Mariani is at the top of his game’ Andy McDermott ‘A high level of realism … the action scenes come thick and fast. Like the father of the modern thriller, Frederick Forsyth, Mariani has a knack for embedding his plots in the fears and preoccupations of their time’ Shots Magazine ‘James Bond meets Jason Bourne meets The Da Vinci Code’ J. L. Carrell ‘History, action, devious scheming and eye-opening detail. Mariani delivers a twisting storyline’ David Leadbeater 'Non-stop action – this book delivers’ Steve Berry

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As a Man Thinketh is James Allen's third book, first published in 1903. In it, he details how man is the creator and shaper of his destiny by the thoughts which he thinks. He rises and falls in exact accordance with the character of the thoughts which he entertains. His environment is the result of what he has thought and done in the past, and his circumstances in the future are being shaped and built by his present desires, aspirations, thoughts and actions. He therefore who chooses and pursues a particular line of thought, consciously builds his own destiny. Part of the New Thought Movement, Allen reveals the secrets to having the most fulfilling existence possible, and it’s easier than any of us could have imagined. The title for the essay comes from the Bible: “As a man thinketh in his heart, so is he,” Proverbs, chapter 23, verse 7. In more than a century, As A Man Thinketh has become an inspirational classic, selling millions of copies worldwide and bringing faith, inspiration, and self healing to all who have encountered it. In this new edition of As A Man Thinketh, readers will be enthralled by James Allen’s thoughts and direction to take charge of their own destiny, as it has for over 100 years. In the series Classic Thoughts and Thinkers, explore some of the most influential texts of our time along with the inner workings of its greatest thinkers. With works from great American figures such as Theodore Roosevelt and Emily Dickinson and seminal documents including the Constitution of the Unites States, this series focuses on the most reflective and thought-provoking writings of the last two centuries. These beautiful hardcovers are the perfect historical perspective for meeting the challenges of the modern world. Other titles in this series include: Autobiography of Benjamin Franklin, Collected Poems of Robert Frost, Common Sense, Constitution of the United States with the Declaration of Independence, Helen Keller, Narrative of the Life of Frederick Douglass, Selected Poems of Emily Dickinson, and Theodore Roosevelt’s Words of Wit and Wisdom.

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Jane Austen’s Persuasion is now available in an exclusive collector’s edition featuring a delicate laser-cut jacket on a textured book with foil stamping and ribbon marker, ideal for fiction lovers and book collectors alike.The Persuasion Jane Austen Collection Edition: Presents Jane Austen’s final fully completed novel, viewed by many literary scholars as her most maturely written work; its 1817 posthumous publication helped established Austen’s iconic place in literature’s pantheon of great writers Explores such important themes as social mobility, class rigidity, the gender-centric skills required to navigate between public life and domestic life, and the ramifications of remaining true to one’s convictions vs being open to the suggestions of others Is ideal for special-edition book collectors, Jane Austen aficionados, fans of literary fiction and classic literature, and people who love both the book and the movies it inspires Whether you’re buying this as a gift or for yourself, this remarkable limited edition features: Beautiful hardcover with a distinctive one-of-a-kind, high-end/high-treatment laser-cut jacket, perfect for standing out on any discerning fiction lover’s bookshelf Decorative interior pages featuring pull quotes distributed throughout Part of a 6-volume Jane Austen series including Northanger Abbey, Pride and Prejudice, Sense and Sensibility, Mansfield Park, and Emma At twenty-seven, Anne Elliot is no longer considered young enough for worthy romantic prospects. Eight years earlier, she had been persuaded by her friend Lady Russell to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What transpires when they encounter each other again is movingly told in Jane Austen's last completed novel. A brilliant satire of vanity and pretension, Persuasion is, above all, a love story tinged with the heartache of missed opportunities.Persuasion by Jane Austen is one of six titles completing the Jane Austen collection, which includes Emma, Sense and Sensibility, Pride and Prejudice, Mansfield Park, and Northanger Abbey.

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In a remarkable deed of original scholarly research and detailed detective work, Anne Weise recreates sketches of a lost life - of one of the millions of forgotten souls whose lives came to a violent end in the Holocaust. Her focus is Alfred Bergel (1902-1944), an artist and teacher from Vienna who was a close associate of Karl Koenig - the founder of the Camphill Movement for people with special needs - who wrote of Bergel in his youthful diaries as his best friend 'Fredi'. After the annexation of Austria, Alfred Bergel found himself unable to escape the horror of the National Socialist regime. Subsequently, in 1942 he was deported to the Theresienstadt camp. Imprisoned there, he produced numerous artistic works of the inmates of the ghetto and taught drawing, art history and art appreciation - sometimes in collaboration with the Bauhaus artist Friedl Dicker-Brandeis. During this period, he was also forced by the Nazis to produce forgeries of classic art works. One of the central figures of cultural life in the Theresienstadt ghetto, Bergel was eventually transported to the Auschwitz concentration camp in 1944 where, tragically, he was murdered. His name and his work are largely forgotten today, even amongst Holocaust researchers, but Weise succeeds in honouring the life of the Jewish artist by lovingly piecing together his biography, based on numerous personal testimonies by friends and contemporaries and supplemented with documents and many dozens of photos and colour reproductions of Bergel's artistic works. This invaluable recreation of a life provides insight not only into the desperate plight of a single individual, but also illustrates the human will and determination to survive in the context of one of the darkest periods of recent history.

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'A riotous delve into the dark medical world of Restoration London' - S.G. MACLEAN 'An infectious read, packed with atmosphere and colourful characters' - OSCAR DE MURIEL 'A gripping whodunnit with a sinister twist' - JENNIFER RYAN ________________________________________ WHO WOULD MURDER THE DYING... London, 1665. Hidden within the growing pile of corpses in his churchyard, Rector Symon Patrick discovers a victim of the pestilence unlike any he has seen before: a young woman with a shorn head, covered in burns, and with pieces of twine delicately tied around each wrist and ankle. Desperate to discover the culprit, Symon joins a society of eccentric medical men who have gathered to find a cure for the plague. Someone is performing terrible experiments upon the dying, hiding their bodies amongst the hundreds that fill the death carts. Only Penelope - a new and mysterious addition to Symon's household - may have the skill to find the killer. Far more than what she appears, she is already on the hunt. But the dark presence that enters the houses of the sick will not stop, and has no mercy... This hugely atmospheric and entertaining historical thriller will transport readers to the palaces and alleyways of seventeenth-century London. Perfect for fans of Laura Shepherd-Robinson, Andrew Taylor and C.J. Sansom. ________________________________________ 'A sickening, desperate London, wonderfully evoked. A terrific read!' - ALIX NATHAN 'A rollicking, roistering tale with humour horror and human decency at its dark heart' - KATE GRIFFIN 'Brilliantly convincing and thrillingly infectious' - S.W. PERRY 'A gorgeous, darkly witty novel that transports readers to the London of Charles II' - MARIAH FREDERICKS 'Dark, haunting and unexpectedly witty' - SUSAN ELIA MACNEAL

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An authoritative account of the long battle between exclusionary and inclusive versions of the American story Was the United States founded as a Christian nation or a secular democracy? Neither, argues Philip Gorski in American Covenant. What the founders actually envisioned was a prophetic republic that would weave together the ethical vision of the Hebrew prophets and the Western political heritage of civic republicanism. In this ambitious book, Gorski shows why this civil religious tradition is now in peril--and with it the American experiment. Gorski traces the historical development of prophetic republicanism from the Puritan era to the present day. He provides close readings of thinkers such as John Winthrop, Thomas Jefferson, Frederick Douglass, W.E.B. Du Bois, and Hannah Arendt, along with insightful portraits of recent and contemporary religious and political leaders such as Jerry Falwell, Pat Robertson, Ronald Reagan, George W. Bush, and Barack Obama. Gorski shows how the founders' original vision for America is threatened by an internecine struggle between two rival traditions, religious nationalism and radical secularism. Religious nationalism is a form of militaristic hyperpatriotism that imagines the United States as a divine instrument in the final showdown between good and evil. Radical secularists fervently deny the positive contributions of the Judeo-Christian tradition to the American project and seek to remove all traces of religious expression from the public square. Gorski offers an unsparing critique of both, demonstrating how half a century of culture war has drowned out the quieter voices of the vital center. American Covenant makes the compelling case that if we are to rebuild that vital center, we must recover the civil religious tradition on which the republic was founded.

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Winner of the Frederick Jackson Turner AwardWinner of the George Perkins Marsh PrizeWinner of the John Brinckerhoff Jackson Book Prize“A major work of history that brings together African-American history and environmental studies in exciting ways.”—Davarian L. Baldwin, Journal of Interdisciplinary HistoryBetween 1915 and 1940, hundreds of thousands of African Americans left the rural South to begin new lives in the urban North. In Chicago, the black population quintupled to more than 275,000. Most historians map the integration of southern and northern black culture by looking at labor, politics, and popular culture. An award-winning environmental historian, Brian McCammack charts a different course, considering instead how black Chicagoans forged material and imaginative connections to nature.The first major history to frame the Great Migration as an environmental experience, Landscapes of Hope takes us to Chicago’s parks and beaches as well as to the youth camps, vacation resorts, farms, and forests of the rural Midwest. Situated at the intersection of race and place in American history, it traces the contours of a black environmental consciousness that runs throughout the African American experience.“Uncovers the untold history of African Americans’ migration to Chicago as they constructed both material and immaterial connections to nature.”—Teona Williams, Black Perspectives“A beautifully written, smart, painstakingly researched account that adds nuance to the growing field of African American environmental history.”—Colin Fisher, American Historical Review“If in the South nature was associated with labor, for the inhabitants of the crowded tenements in Chicago, nature increasingly became a source of leisure.”—Reinier de Graaf, New York Review of Books

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Les collections d'œuvres d'art racontent des histoires qui reflètent les intérêts du collectionneur et de son époque. Chefs-d'œuvre de la Galerie d'art Beaverbrook relate la vie rocambolesque de sir William Maxwell (Max) Aitken, aussi connu sous le nom de lord Beaverbrook, magnat de la presse multimillionnaire, éditeur de journaux arrogant, habile politicien, maître de la propagande, auteur et grand philanthrope.En 1959, sir Max Aitken inaugure À Fredericton, au Nouveau-Brunswick, la Galerie d'art Beaverbrook pour abriter une collection exemplaire de tableaux. Constitué par lord Beaverbrook lui-même et son entourage de conservateurs et de collègues, ce noyau initial d'œuvres deviendra l'une des plus belles et des plus importantes collections d'art britannique en Amérique du Nord. Il comprend notamment des œuvres de J.M.W. Turner, Lucian Freud, Graham Sutherland et Walter Sickert, ainsi que des tableaux représentatifs de Thomas Gainsborough, John Constable, John Singleton Copley, Eugène Delacroix, Joshua Reynolds et Salvador Dalí, qui témoignent du caractère distinctif et de la qualité de la remarquable collection de la Galerie.Ces œuvres importantes sont réunies pour la première fois dans cette publication luxueuse comprenant plus de 75 reproductions en couleur, ainsi que des essais sur l'histoire de la collection et les chefs-d'œuvre, signés par six critiques renommés?: Elliott H. King, historien de l'art et spécialiste de Dalí James Hamilton, auteur de Turner: A Life; Richard Calvocoressi, directeur de la fondation Henry Moore; l'auteur et conservateur Angus Stewart; l'historienne de l'art Katharine Eustace; ainsi que Terry Graff, conservateur de la Galerie d'art Beaverbrook et principal auteur de cet ouvrage.Pour clore l'ouvrage, le journaliste Marty Klinkenberg et le directeur général de la Galerie d'art Beaverbrook, Bernard Riordon, retracent les péripéties du différend opposant le musée et les deux fondations Beaverbrook.

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Beloved Saturday Night Live alum Kevin Nealon shares original full-color caricatures and insightful personal essays about his famous friendsIn I Exaggerate, famed comedian and actor Kevin Nealon pairs his artwork with sweet, funny, and endearing stories about the subjects he paints. From reminiscences about Saturday Night Live hosts to an excerpt from the eulogy he gave at his dear friend Garry Shandling’s funeral, the writing in this book is warm and nostalgic, and the list of subjects Kevin wants to cover is everyone you could hope for. In addition to Nealon’s paintings, the book includes doodles on SNL scripts, early artwork drafts, and insights into his relationship with art, which he likens to his relationship to comedy. This is a charming project from a comedy all-star. Subjects include: Budd Friedman, Robin Williams, Johnny Carson, David Letterman, Andy Kaufman, Jim Carey, Buzz Aldrin, Tilda Swinton, Dana Carvey, Lorne Michaels, Steve Martin, Chris Farley, Chris Rock, Daisy Edgar Jones, Timothée Chalamet, James Taylor, Arnold Schwarzenegger, Christopher Walken, Lauren Bacall, Humphrey Bogart, Howard Stern, Carrie Fisher, Elizabeth Taylor, Eddie Vedder, Kurt Cobain, Billie Eilish, John Travolta, Harry Dean Stanton, The Pointer Sisters, Garry Shandling, Tom Petty, Tiffany Haddish, Peyton Manning, Eli Manning, Emma Stone, Prince Rogers Nelson, Maggie Gyllenhaal, Freddie Mercury, Brian May, Robert Plant, Rami Malik, Jennifer Aniston, Matt LeBlanc, Dave Chappelle, Lady Gaga, Jeff Daniels, Norm MacDonald, Arnold Palmer, Brad Paisley, Ken Jeong, Ruth Bader Ginsberg, Joaquin Phoenix, Anya-Taylor Joy, Lin-Manuel Miranda, Whitney Houston, and Anthony Bourdain.

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Peering through the windows of private homes and Assembly Rooms alike, this book shines a new light on the middle classes during the long eighteenth century. Enlightenment thinking - the drive for order, organisation and rationality - was an underlying motive force in England's eighteenth century, influencing middle class thinking with regard to the running and improvement of business.In the same way, it shaped their choice of leisure activities. As many turned their backs on blood sports, they found that music, conversation and cards embodied rational enjoyment and exercise of human intellect and ability. For the middle classes, card play made use of skills they had in hand and could be justified on the basis of teaching the young their numbers and the importance of accounting for money lost and won. The careful score-keeping, the accounting for sums won and lost, and the order and discipline of these players' favourite card games echoed and suited their tidy lives. As important participants in polite society on the strength of their new wealth and theirincreasing social prominence, the middle classes embraced the agreeable pastimes of gentility while rejecting its dangerous extremes. Card play became a means of forming and reinforcing social and commercial bonds within complex webs of family and business circles. As they tugged the fashionable activity of gaming onto their own playing-field from the high-risk arena of the aristocracy, the middle classes were imposing order on disorder, subjecting a reckless activity to new restraints. Drawing on the personal papers of the commercial and professional classes of eighteenth-century England, A Sixpence at Whist tells the stories of these men and women at play. JANETE. MULLIN is Lecturer in History at St. Thomas University and the University of New Brunswick, both in Fredericton, N.B., Canada.

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How white advocates of emancipation abandoned African American causes in the dark days of Reconstruction, told through the stories of four Minnesotans White people, Frederick Douglass said in a speech in 1876, were “the children of Lincoln,” while black people were “at best his stepchildren.” Emancipation became the law of the land, and white champions of African Americans in the state were suddenly turning to other causes, regardless of the worsening circumstances of black Minnesotans. Through four of these “children of Lincoln” in Minnesota, William D. Green’s book brings to light a little known but critical chapter in the state’s history as it intersects with the broader account of race in America.In a narrative spanning the years of the Civil War and Reconstruction, the lives of these four Minnesotans mark the era’s most significant moments in the state, the Midwest, and the nation for the Republican Party, the Baptist church, women’s suffrage, and Native Americans. Morton Wilkinson, the state’s first Republican senator; Daniel Merrill, a St. Paul business leader who helped launch the first Black Baptist church; Sarah Burger Stearns, founder and first president of the Minnesota Woman Suffragist Association; and Thomas Montgomery, an immigrant farmer who served in the Colored Regiments in the Civil War: each played a part in securing the rights of African Americans and each abandoned the fight as the forces of hatred and prejudice increasingly threatened those hard-won rights. Moving from early St. Paul and Fort Snelling to the Civil War and beyond, The Children of Lincoln reveals a pattern of racial paternalism, describing how even “enlightened” white Northerners, fatigued with the “Negro Problem,” would come to embrace policies that reinforced a notion of black inferiority. Together, their lives—so differently and deeply connected with nineteenth-century race relations—create a telling portrait of Minnesota as a microcosm of America during the tumultuous years of Reconstruction.

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The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.

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A showcase of Britain's most extraordinary gardens and landscapes from the twentieth century to present day. 100 20th-Century Gardens and Landscapes highlights the evolution of gardens and landscapes over the past century, tracing how these distinctive creations complemented buildings of their period. Entries in this book are grouped in chronological periods, documenting changing styles and techniques in a visual timeline. The examples chosen take the story from the Arts and Crafts garden and the garden city, through the landscapes created for mid-century housing and the new towns, to the low-maintenance gardens of the 1980s and contemporary trends for community and wildlife gardens. Designed landscapes were often integral to the conception of twentieth-century developments; the inclusion of a handful of particularly successful landscapes for memorial gardens, offices, industry, transport and parks demonstrate a changing attitude to public green space during the century and its increasing importance as private gardens have become ever smaller. Designers and architects such as Piet Oudolf, Charles Jencks, Frederick Gibberd, Geoffrey Jellicoe, Vita Sackville-West and Gertrude Jekyll are all featured, alongside more detailed essays on the history of gardens, planting styles, the importance of modern landscapes, and the career of Geoffrey Jellicoe. The text is written by architectural, landscape and garden historians including Elain Harwood, Barbara Simms and Alan Powers. Beautifully illustrated throughout with photography, illustrations and garden plans, this book is ideal for gardeners and landscape lovers alike.

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Sir Ronald Harwood (1934-2020) was one of the most prolific playwrights and screenwriters of his generation. His acclaimed play, The Dresser, has been constantly revived since its premiere in 1980 and has been adapted for both cinema and television, most recently the 2015 BBC production starring Sir Anthony Hopkins and Sir Ian McKellen. Harwood’s other notable film adaptations included Roman Polanski’s haunting depiction of life in the Warsaw Ghetto, The Pianist (2002), Baz Luhrmann’s frontier epic, Australia (2008), and Dustin Hoffman’s poignant celebration of old age, Quartet (2012). His many awards included an Oscar for The Pianist and a BAFTA for The Diving Bell and the Butterfly (2007). Speak Well of Me turns the focus onto Harwood himself. Based on extensive interviews with the playwright during his final years, the biography recounts Harwood’s gradual transformation from lacklustre South African schoolboy to doyen of theatreland and Hollywood. While dissecting each of his major works, the book candidly explores Harwood’s friendships with the likes of Harold Pinter, J. B. Priestley, André Previn, Sir Donald Wolfit (who inspired The Dresser) and, most controversially, Roman Polanski. The result is a biography as gripping and morally complex as one of Harwood’s own dramas. This new paperback edition includes memoirs and assessments of Harwood by Gyles Brandreth, Sir Tom Courtenay, Lady Antonia Fraser, Frederic Raphael, Sir Antony Sher and the playwright’s oldest friend, Gerald Masters.

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Lonely Planet: The world's number one travel guide publisher* Durable and waterproof, with a handy slipcase and easy-fold format, Lonely Planet's Copenhagen City Map helps you navigate with ease. Get more from your map and your trip with images and information about top city attractions, walking tour routes, transport maps, itinerary suggestions, extensive street and site index, and practical travel tips and directory. With this easy-to-use, full-colour map in your back pocket, you can truly get to the heart of Copenhagen. Durable and waterproof Easy-fold format and convenient size Handy slipcase Full colour and easy to use Extensive street and site index Images and information about top city attractions Handy transport maps Walking tour routes Practical travel tips and directory Itinerary suggestions Covers Christianshavn, Frederiksberg, Latin Quarter, Nyhavn, Nørrebro, Nørreport, Østerport, Slotsholmen, Strøget, Tivoli, Vesterbro Looking for more extensive coverage? Check out Lonely Planet Pocket Copenhagen, our handy-sized guide featuring the best sights and experiences for a short break or weekend away. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. TripAdvisor Travelers' Choice Awards 2012, 2013, 2014, 2015 and 2016 winner in Favourite Travel Guide category 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *Source: Nielsen BookScan: Australia, UK, USA, 5/2016-4/2017

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****PRE-ORDER THE NEW CAROLINE SCOTT NOVEL, GREENFIELDS, COMING FEBRUARY 2025**** England, 1932, and the country is in the grip of the Great Depression. To lift the spirits of the nation, Stella Douglas is tasked with writing a history of food in England. It’s to be quintessentially English and will remind English housewives of the old ways, and English men of the glory of their country. The only problem is –much of English food is really from, well, elsewhere . . .Good taste is in the eye of the beholder... So, Stella sets about unearthing recipes from all corners of the country, in the hope of finding a hidden culinary gem. But what she discovers is rissoles, gravy, stewed prunes and lots of oatcakes. Longing for something more thrilling, she heads off to speak to the nation’s housewives. But when her car breaks down and the dashing and charismatic Freddie springs to her rescue, she is led in a very different direction . . . Full of wit and vim, Good Taste is a story of discovery, of English nostalgia, change and challenge, and one woman’s desire to make her own way as a modern woman.Praise for Good Taste & Caroline Scott: 'A delicious treat of a book! The book sings with gorgeous period details that take the reader into 1930s England, and stir a sense of nostalgia. Lively, poignant, witty and beautifully written, and all driven by a wonderful character in Stella Douglas, I couldn't stop turning the pages.' Hazel Gaynor ‘A fascinating, immersive, and delicious treat of a book’ heat (book of the week) ‘Evocatively written and laugh-out-loud funny, it’s guaranteed to make you smile’ Woman’s Weekly ‘Beautifully written, this sparkling novel is packed with wit and warmth’ S Magazine ‘Scott has done an amazing job of drawing on real stories to craft a powerful novel’ Good Housekeeping ‘. . . the perfect antidote to these darker days when the news is bleak and the weather bleaker . . . This is a nicely paced yarn shot through with nostalgia but with themes which nevertheless resonate today... A tasty treat' Mirror, The Friday Book Club ‘A fun, colourful read . . . laugh-out-loud funny, it’s guaranteed to make you smile’ Woman & Home 'Wonderful on nostalgia, doing things your own way and maintaining faith. I raced through it' Daily Mail

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"How tame and manageable are the emotions of our bards, how placid and literary their allusions!" complained essayist T. W. Higginson in the Atlantic Monthly in 1870. "The American poet of passion is yet to come." He was, of course, unaware of the great erotic love poems such as "Wild Nights--Wild Nights!" and "Struck was I, nor yet by Lightning" being privately written by his reclusive friend Emily Dickinson.In a profound new analysis of Dickinson's life and work, Judith Farr explores the desire, suffering, exultation, spiritual rapture, and intense dedication to art that characterize Dickinson's poems, and deciphers their many complex and witty references to texts and paintings of the day. In The Passion of Emily Dickinson the poet emerges, not as a cryptic proto-modern or a victim of female repression, but as a cultivated mid-Victorian in whom the romanticism of Emerson and the American landscape painters found bold expression.Dickinson wrote two distinct cycles of love poetry, argues Farr, one for her sister-in-law Sue and one for the mysterious "Master," here convincingly identified as Samuel Bowles, a friend of the family. For each of these intimates, Dickinson crafted personalized metaphoric codes drawn from her reading. Calling books her "Kinsmen of the Shelf," she refracted elements of Jane Eyre, Antony and Cleopatra, Tennyson's Maud, De Quincey's Confessions, and key biblical passages into her writing. And, to a previously unexplored degree, Dickinson also quoted the strategies and subject matter of popular Hudson River, Luminist, and Pre-Raphaelite paintings, notably Thomas Cole's Voyage of Life and Frederic Edwin Church's Heart of the Andes. Involved in the delicate process of both expressing and disguising her passion, Dickinson incorporated these sources in an original and sophisticated manner.Farr's superb readings of the poems and letters call on neglected archival material and on magazines, books, and paintings owned by the Dickinsons. Viewed as part of a finely articulated tradition of Victorian iconography, Dickinson's interest in the fate of the soul after death, her seclusion, her fascination with landscape's mystical content, her quest for honor and immortality through art, and most of all her very human passions become less enigmatic. Farr tells the story of a poet and her time.

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Death is an inevitable fact of life. Throughout the centuries, humanity has sought to understand this sobering thought through art and ritual. The theme of memento mori informs medieval Danse Macabre, the Tibetan Book of the Dead, Renaissance paintings of dissected corpses and “anatomical Eves,” Gothic literature, funeral effigies, Halloween, and paintings of the Last Judgment. Deceased ancestors are celebrated in the Mexican Day of the Dead, while the ancient Egyptians mummified their dead to secure their afterlife. A volume of unprecedented breadth and sinister beauty, Death: A Graveside Companion examines a staggering range of cultural attitudes toward death. The book is organized into themed chapters: The Art of Dying, Examining the Dead, Memorializing the Dead, The Personification of Death, Symbolizing Death, Death as Amusement, and The Dead After Life. Each chapter begins with thought-provoking articles by curators, academics, and journalists followed by gallery spreads presenting a breathtaking variety of death-related imagery and artifacts. From skulls to the dance of death, statuettes to ex libris, memento mori to memorabilia, the majority of the images are of artifacts in the astonishing collection of Richard Harris and range from 2000 BCE to the present day, running the gamut of both high and popular culture. Essays: Death in Ancient and Present-Day Mexico, Eva Aridjis,The Power of Hair as Human Relic in Mourning Jewelry - Karen Bachmann, Medusa and the Power of the Severed Head, Laetitia Barbier, Anatomical Expressionism, Eleanor Crook, Poe and the Pathological Sublime, Mark Dery, Eros and Thanatos, Lisa Downing, Death-Themed Amusements, Joanna Ebenstein, The Nutshell Studies of Unexplained Death, Bruce Goldfarb, Theatre, Death and the Grand Guignol, Mel Gordon, Holy Spiritualism, Elizabeth Harper, Playing dead – A Gruesome Form of Amusement, Mervyn Heard, The Anatomy of Holy Transformation, Liselotte Hermes da Fonseca, Collecting Death, Evan Michelson, Art and Afterlife: Ethel le Rossignol and Georgiana Houghton, Mark Pilkington, The Dance of Death, Kevin Pyle, Art, Science and the Changing Conventions of Anatomical Representation, Michael Sappol, Spiritualism and Photography, Shannon Taggart, Playing with Dead Faces, John Troyer, Anatomy Embellished in the Cabinet of Frederik Ruysch, Bert van de Roemer 900 illustrations in color and black and white

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Presents a fully interdisciplinary approach with a stronger emphasis on polymers and composites than traditional materials books Materials science and engineering is an interdisciplinary field involving the properties of matter and its applications to various areas of science and engineering. Polymer materials are often mixed with inorganic materials to enhance their mechanical, electrical, thermal, and physical properties. Materials: Introduction and Applications addresses a gap in the existing textbooks on materials science. This book focuses on three Units. The first, Foundations, includes basic materials topics from Intermolecular Forces and Thermodynamics and Phase Diagrams to Crystalline and Non-Crystalline Structures. The second Units, Materials, goes into the details of many materials including Metals, Ceramics, Organic Raw Materials, Polymers, Composites, Biomaterials, and Liquid Crystals and Smart Materials. The third and final unit details Behavior and Properties including Rheological, Mechanical, Thermophysical, Color and Optical, Electrical and Dielectric, Magnetic, Surface Behavior and Tribology, Materials, Environment and Sustainability, and Testing of Materials. Materials: Introduction and Applications features: Basic and advanced Materials concepts Interdisciplinary information that is otherwise scattered consolidated into one work Links to everyday life application like electronics, airplanes, and dental materials Certain topics to be discussed in this textbook are more advanced. These will be presented in shaded gray boxes providing a two-level approach. Depending on whether you are a student of Mechanical Engineering, Electrical Engineering, Engineering Technology, MSE, Chemistry, Physics, etc., you can decide for yourself whether a topic presented on a more advanced level is not important for you—or else essential for you given your professional profile Witold Brostow is Regents Professor of Materials Science and Engineering at the University of North Texas. He is President of the International Council on Materials Education and President of the Scientific Committee of the POLYCHAR World Forum on Advanced Material (42 member countries). He has three honorary doctorates and is a Member of the European Academy of Sciences, Member of the National Academy of Sciences of Mexico, Foreign Member of the National Academy of Engineering of Georgia in Tbilisi and Fellow of the Royal Society of Chemistry in London. His publications have been cited more than 7200 times. Haley Hagg Lobland is the Associate Director of LAPOM at the University of North Texas. She is a Member of the POLYCHAR Scientific Committeee. She has received awards for her research presented at conferences in: Buzios, Rio de Janeiro, Brazil; NIST, Frederick, Maryland; Rouen, France; and Lviv, Ukraine. She has lectured in a number of countries including Poland and Spain. Her publications include joint ones with colleagues in Egypt, Georgia, Germany, India, Israel, Mexico, Poland, Turkey and United Kingdom.

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Discover, or return to, the world's greatest heroic fantasy artist, Frank Frazetta in this landmark art collection entitled, Fantastic Paintings of Frazetta. The New York Times said, "Frazetta helped define fantasy heroes like Conan, Tarzan and John Carter of Mars with signature images of strikingly fierce, hard-bodied heroes and bosomy, callipygian damsels" Frazetta took the sex and violence of the pulp fiction of his youth and added even more action, fantasy and potency, but rendered with a panache seldom seen outside of major works of Fine Art. Despite his fantastic subject matter, the quality of Frazetta’s work has not only drawn comparisons to the most brilliant of illustrators, Maxfield Parrish, Frederic Remington, Norman Rockwell, N.C. Wyeth but, even to the most brilliant of fine artists including Rembrandt and Michelangelo and, major Frazetta works sell for millions of dollars, breaking numerous records. This innovator’s work has not only inspired generations of artists, but also movies and directors including the Conan films, John Carter of Mars, the sensationally successful Lord of the Rings trilogy, Robert Rodriguez’ films including From Dusk Till Dawn, Ralph Bakshi films, the epic, award-winning Game of Thrones series, Tim Burton’s Sleepy Hollow, Disney’s animated Tarzan films, Francis Ford Coppola’s Apocalypse Now and George Lucas’ Star Wars series. The Forbes magazine article Schwarzenegger's Sargent led with the line, "Which artist helped make Arnold governor? Frank Frazetta, the Rembrandt of barbarians." J. David Spurlock started crafting this book by reviving the original million-selling 1970s mass market art book, Fantastic Art of Frank Frazetta. But, he expanded and revised to include twice as many images and, presents them at a much larger coffee-table book size of 10.5 x 14.625”! The collection is brimming with both classic and previously unpublished works of the subjects Frazetta is best remembered for including barbarians, beasts, and buxom beauties. Game of Thrones creator George R. R. Martin said, “Though he bears only a passing resemblance to the Cimmerian as Robert E. Howard described him, Frazetta’s covers of the Conan paperback collections became the definitive picture of the character… still is.” Schwarzenegger said, “I have not been intimidated that often in my life. But when I looked at Frazetta’s paintings, I tell you, it was intimidating.” Game of Thrones, Conan and Aquaman film star Jason Momoa said, “I am a huge Frank Frazetta fan. Both of my parents are painters, so I'd known Frazetta's paintings, that's what I wanted to bring to life.” See the revolutionary art that helped inspire Schwarzenegger, Momoa, the Lord of the Rings films and Game of Thrones: FRAZETTA!

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The rediscovery of a pivotal figure in Black history and his importance and influence in the struggle against slavery and discrimination “A masterful biography. . . . Ward’s struggles to find freedom, equality, peace, and belonging are still shared by many African Americans today.”—Kellie Carter Jackson, The Nation Born on the Eastern Shore of Maryland, Samuel Ringgold Ward (1817–c. 1869) escaped enslavement and would become a leading figure in the struggle for Black freedom, citizenship, and equality. He was extolled by his contemporary Frederick Douglass for his “depth of thought, fluency of speech, readiness of wit, logical exactness.” Until now, his story has been largely untold. Ward, a newspaper editor, Congregational minister, and advocate for the temperance movement, was considered one of the leading orators of his time. After the passage of the Fugitive Slave Act of 1850 he fled to Canada, where he lectured widely to improve conditions for formerly enslaved people who had settled there. Ward then went to Britain as an agent of the Canadian Antislavery Society and published his influential book Autobiography of a Fugitive Negro. He never returned to the United States, and he died in obscurity in Jamaica. Despite Ward’s prominent role in the abolitionist movement, his story has been lost because of the decades he spent in exile. In this book, R. J. M. Blackett brings light to Ward’s life and his important role in the struggle against slavery and discrimination, and to the personal price he paid for confronting oppression.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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A MOVEMENT IN WORDS AND IMAGESAward-winning photographer Devin Allen has devoted the last six years to documenting the protests of the Black Lives Matter movement, from its early days in Baltimore, Maryland, up to the present day. The riveting images in No Justice, No Peace provide a lens on the resistance that has empowered Black lives generation after generation. Allen's signature black-and-white photos bear witness to the profound history of African Americans and allies in the fight for social justice and portray the collective action over decades in stunning, timeless portraits.Allen's remarkable photos of today's Black Lives Matter protests, which have been featured in the New York Times, the Washington Post, and twice on the cover of Time magazine, were inspired by Gordon Parks of the Civil Rights Movement, and create a vision of the past and future of Black activism and leadership in America. With contributions from twenty-six bestselling and influential writers and activists of today such as Clint Smith, DeRay Mckesson, D. Watkins, Jacqueline Woodson, Emmanuel Acho, Keeanga-Yamahtta Taylor, and more, alongside the words of past writers and activists such as Martin Luther King Jr, Frederick Douglass, Malcolm X, Maya Angelou, and John Lewis, No Justice, No Peace is a reminder of the moral responsibility of Americans to break unjust laws and take direct action.In words and pictures, No Justice, No Peace honors the connection between activism today and that of the past. If indeed hindsight is 20/20, this artistic look back is a lens on history that enlarges our understanding of the lasting predicament of racism in the United States of America. At once deeply intimate and profoundly uplifting, No Justice, No Peace is a visual tribute to Black resistance and a stern missive on the tough, but necessary, road that lies ahead.

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The edge-of-your-seat thriller from the #1 bestseller. ‘A gripping tale that will have you turning the pages well into the night’ MARK DAWSON A DEADLY TERROR PLOT. A RACE AGAINST THE CLOCK. WILL EVIL PREVAIL? Following a chance encounter with a terrified young woman in the streets of Paris, former SAS soldier Ben Hope finds himself hurled into a violent new mission involving murder, international terrorism and stolen historic artifacts. A mission made even more perilous by the reappearance of an old enemy from Ben’s military past. A man he knew and fought years ago. A man he thought was dead. Teaming up with the enigmatic ex-Delta Force warrior Tyler Roth, Ben travels from the seedy underworld of Paris to the islands of the Caribbean in his quest to piece together the puzzle. As the death toll quickly mounts, he unmasks a vicious terror plot that could bring about the slaughter of millions of innocent people. Mass destruction seems just a hair’s breadth away … and only Ben Hope can prevent the unthinkable. ‘Thrilling. Scott Mariani is at the top of his game’ ANDY MCDERMOTT ‘A high level of realism … the action scenes come thick and fast. Like the father of the modern thriller, Frederick Forsyth, Mariani has a knack for embedding his plots in the fears and preoccupations of their time’ SHOTS MAGAZINE ‘House of War has it all – history, action, devious scheming and eye-opening detail. Mariani delivers a twisting storyline and raises the terrifying question: how would we survive if this really happened?’ DAVID LEADBEATER A gripping must-read for fans of the Jack Reacher and John Milton books. Whilst the Ben Hope thrillers can be read in any order, this is the twentieth book in the series.

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The best-selling look at how American cities can promote racial equity, end redlining, and reverse the damaging health- and wealth-related effects of segregation.Winner of the IPPY Book Award Current Events II by the Independent PublisherThe world gasped in April 2015 as Baltimore erupted and Black Lives Matter activists, incensed by Freddie Gray's brutal death in police custody, shut down highways and marched on city streets. In The Black Butterfly—a reference to the fact that Baltimore's majority-Black population spreads out like a butterfly's wings on both sides of the coveted strip of real estate running down the center of the city—Lawrence T. Brown reveals that ongoing historical trauma caused by a combination of policies, practices, systems, and budgets is at the root of uprisings and crises in hypersegregated cities around the country. Putting Baltimore under a microscope, Brown looks closely at the causes of segregation, many of which exist in current legislation and regulatory policy despite the common belief that overtly racist policies are a thing of the past. Drawing on social science research, policy analysis, and archival materials, Brown reveals the long history of racial segregation's impact on health, from toxic pollution to police brutality. Beginning with an analysis of the current political moment, Brown delves into how Baltimore's history influenced actions in sister cities such as St. Louis and Cleveland, as well as Baltimore's adoption of increasingly oppressive techniques from cities such as Chicago. But there is reason to hope. Throughout the book, Brown offers a clear five-step plan for activists, nonprofits, and public officials to achieve racial equity. Not content to simply describe and decry urban problems, Brown offers up a wide range of innovative solutions to help heal and restore redlined Black neighborhoods, including municipal reparations. Persuasively arguing that, since urban apartheid was intentionally erected, it can be intentionally dismantled, The Black Butterfly demonstrates that America cannot reflect that Black lives matter until we see how Black neighborhoods matter.

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Stop, look, and discover—the streets and parks of Manhattan are filled with beautiful historic monuments that will entertain, stimulate, and inspire you. Among the 54 monuments in this volume are major figures in American history: Washington, Lincoln, Lafayette, Horace Greeley, and Gertrude Stein; more obscure figures: Daniel Butterfield, J. Marion Sims, and King Jagiello; as well as the icons of New York: Atlas, Prometheus, and the Firemen's Memorial. The monuments represent the work of some of America's best sculptors: Augustus Saint Gaudens’ Farragut and Sherman, Daniel Chester French’s Four Continents, and Anna Hyatt Huntington’s José Martí and Joan of Arc. Each monument, illustrated with black-and-white photographs, is located on a map of Manhattan and includes easy-to-follow directions. All the sculptures are considered both as historical mementos and as art. We learn of furious General Sherman court-martialing a civilian journalist, and also of exasperated Saint Gaudens’ proposing a hook-and-spring device for improving his assistants' artistic acuity as they help model Sherman. We discover how Lincoln dealt with a vociferous Confederate politician from Ohio, and why the Lincoln in Union Square doesn't rank as a top-notch Lincoln portrait. Sidebars reveal other aspects of the figure or event commemorated, using personal quotes, poems, excerpts from nineteenth-century periodicals (New York Times, Harper's Weekly), and writers ranging from Aeschylus, Washington Irving, and Frederic-Auguste Bartholdi to Mark Twain and Henryk Sienkiewicz. As a historical account, Outdoor Monuments of Manhattan: A Historical Guide is a fascinating look at figures and events that changed New York, the United States and the world. As an aesthetic handbook it provides a compact method for studying sculpture, inspired by Ayn Rand’s writings on art. For residents and tourists, and historians and students, who want to spend more time viewing and appreciating sculpture and New York history, this is the start of a unique voyage of discovery.

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American constitutionalism rests on premises of popular sovereignty, but serious questions remain about how the "people" and their rights and powers fit into the constitutional design. In a book that will radically reorient thinking about the Constitution and its place in the polity, Wayne Moore moves away from an exclusive focus on courts and judges and considers the following queries: Who is included among the people? How are the people politically configured? How may the people act? And how do the people relate to government and other representative structures? Going beyond though not excluding relevant discussions of specific constitutional texts (such as the preamble, articles V and VII, and the ninth, tenth, and fourteenth amendments), Moore examines historical material from the antebellum period, such as the opinions of U.S. Supreme Court justices in the notorious Dred Scott case and significantly different perspectives from the writings and speeches of Frederick Douglass. He also looks at influential thinking from the founding period and examines precedents set during prominent controversies involving the establishment of a national bank, regulations of the economy, and efforts to limit sexual and reproductive choices. The penultimate chapter explores issues raised by claims of state interpretive autonomy, and the conclusion models various dimensions of the constitutional order as a whole. The book offers fresh insights into central problems of constitutional history, theory, and law. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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