Search results for ""Author Dick"

In Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page.Broken Ground also presents the latest run of Logan’s infamous poetry chronicles and reviews, which for twenty-five years have bedeviled American verse. Logan believes that poetry criticism must be both adventurous and forthright—and that no reader should settle for being told that every poet is a genius. Among the poets under review by the “preeminent poet-critic of his generation” and “most hated man in American poetry” are Anne Carson, Jorie Graham, Paul Muldoon, John Ashbery, Geoffrey Hill, Louise Glück, John Berryman, Marianne Moore, Frederick Seidel, Les Murray, Yusef Komunyakaa, Sharon Olds, Johnny Cash, James Franco, and the former archbishop of Canterbury.Logan’s criticism stands on the broken ground of poetry, soaked in history and soiled by it. These essays and reviews work in the deep undercurrents of our poetry, judging the weak and the strong but finding in weakness and strength what endures.

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A dozen years into austerity, statistical warning lights are flashing to suggest a return to types of deprivation we once imagined we had consigned to history. In the decade up to the pandemic, the official count of rough sleepers and recorded malnutrition in hospital patients both doubled, while recourse to food banks rocketed by an order of magnitude. And yet it has never been statistics but rather individual human stories - from the fictionalised accounts of Dickens to the faithful reporting of Orwell and Priestley - that have seared the reality of hard times into the public imagination. In Broke, Tom Clark assembles today's masters of social reportage to go deep into the communities so often ignored by politicians, introducing us to those at the hardest end of the poverty crisis. Contributions from Jem Bartholomew, Cal Flyn, Dani Garavelli, Frances Ryan, Samira Shackle, Daniel Trilling and Jennifer Williams, and a foreword by Kerry Hudson, unflinchingly reveal the contemporary experience of cold, hunger, homelessness, disease, debt, disability, punishing work and an immigration system that makes people destitute by design. With Joel Goodman's photography bringing the characters to life, and some of the writers having had first-hand experience of the issues raised, Broke blends powerful human stories with analysis of the policies that have led us to this point - and the reforms we urgently need. All royalties will be donated to Leeds Asylum Seekers' Support Network

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Night Boat to New York: Steamboats on the Connecticut, 1824-1931, is a portrait of the vanished steamboat days–when a procession of stately sidewheelers plied between Hartford and New York City, docking at Peck’s Slip on the East River in the shadow of the Brooklyn Bridge. At one time, Hartford could boast two thousand steamboat arrivals and departures in a year. Altogether, some thirty-five large steamboats were in service on the Connecticut River in these years, largely on the Hartford to New York City route. These Long Island Sound steamers, unlike the tubby, wedding cake dowagers of Western waters, were long, sleek craft, with sharp prows cutting a neat wake as they cruised along. Departing each afternoon from State Street or Talcott Street wharf in Hartford, the “night boats” reached New York at daybreak, inaugurating a pattern of city commuting that continues to this day. Steamboating not only brought people and goods—Colt’s firearms and Essex’s pianos—down river to New York for export to world markets, but also helped America’s inland “spa Culture” transplant itself to the seashore, making steamboating not just convenient transportation but also a social phenomenon noted by such writers as Charles Dickens and Mark Twain. No wonder crowds wept in the fall of 1931, when the last steamboats, made obsolete by the automobile, churned away from the dock and headed downriver—never to return.

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A Washington Post 2021 Non-Fiction Book of the Year New York Times Review of Books Editors' Choice Non-Fiction Title Longlisted for the 2022 PEN / Jacqueline Bograd Weld Award for Biography 'Beautifully told. It is high time Elizabeth Barrett Browning and Aurora Leigh were once again household names.' Mail on Sunday 'How do I love thee? Let me count the ways,' Elizabeth Barrett Browning famously wrote, shortly before defying her family by running away to Italy with Robert Browning. But behind the romance of her extraordinary life stands a thoroughly modern figure, who remains an electrifying study in self-invention. Elizabeth was born in 1806, a time when women could neither attend university nor vote, and yet she achieved lasting literary fame. She remains Britain's greatest woman poet, whose work has inspired writers from Emily Dickinson to George Eliot and Virginia Woolf. This vividly written biography, the first full study for over thirty years, incorporates recent archival discoveries to reveal the woman herself: a literary giant and a high-profile activist for the abolition of slavery who believed herself to be of mixed heritage; and a writer who defied chronic illness and long-term disability to change the course of cultural history. It holds up a mirror to the woman, her art - and the art of biography itself.

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Wrap up warm and explore the breath-taking beauty of a remote Scottish island and an old house waiting to unlock enchanting family secrets. Fans of Jill Mansell and Milly Johnson will love this irresistible new winter novel from Jo Thomas. Do you need to find out where you've come from before you can know what the future holds?Ruby's singing career is on the verge of hitting the big time, when her voice breaks. Fearing her career is over, she signs up for a retreat in Tenerife to recover.But an unexpected call from a stranger on a remote Scottish island takes her on a short trip to sort out some family business. It's time to go and see the grandfather she's never met.City girl Ruby knows she will be happy to leave the windswept beaches behind as quickly as she can, especially as a years-old family rift means she knows she won't be welcome at Teach Mhor.But as she arrives at the big house overlooking the bay, she finds things are not as straightforward as she might have thought. There's an unexpected guest in the house and he's not planning on going anywhere any time soon ...Praise for Jo Thomas:'Magically romantic...best read in front of a crackling log fire' Milly Johnson'The characters went straight to my heart' Katie Fforde'A sparkling, heartwarming hug of a story' Miranda Dickinson'Like the best kind of holiday' Lucy Diamond

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Clerkenwell and Islington are two of London’s most historic districts; areas where radicalism once thrived and heavy industry flourished, and where poverty and lawlessness were commonplace. This diverse and colourful history can be traced in the area’s many pubs. The ancient parish of Clerkenwell, located just outside the City of London’s walls, was historically the home of the Knights Hospitallers of St John of Jerusalem. Later, it became famous for its watchmaking and printing industry. Dickens knew Clerkenwell, and it features in Oliver Twist, while it was here that Vladimir Lenin sowed the nascent seeds of Communism and in Little Italy Garibaldi was welcomed as a hero. But revolution and picking pockets is thirsty work, and the area’s pubs were plentiful and varied. Islington, further north, was once a country retreat far away from the noise and industry of the city, but today this once solidly working-class area, now favoured by the rich and the famous, is boisterous and busy and boasts a mixture of traditional hostelries, gastropubs and craft beer bars. Clerkenwell and Islington Pubs takes an historical, and sometimes contemporary, look at some of the area’s most interesting watering holes; drinking destinations that down the years have played host to a varied cast of characters that includes the likes of Samuel Pepys, Joe Orton, The Clash, U2, George Orwell and even James I.

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Do your sentences sag? Could your paragraphs use a pick-me-up? If so, The Writer’s Diet is for you! It’s a short, sharp introduction to great writing that will help you energize your prose and boost your verbal fitness. Helen Sword dispenses with excessive explanations and overwrought analysis. Instead, she offers an easy-to-follow set of writing principles: use active verbs whenever possible; favor concrete language over vague abstractions; avoid long strings of prepositional phrases; employ adjectives and adverbs only when they contribute something new to the meaning of a sentence; and reduce your dependence on four pernicious “waste words”: it, this, that, and there. Sword then shows the rules in action through examples from William Shakespeare, Emily Dickinson, Martin Luther King Jr., John McPhee, A. S. Byatt, Richard Dawkins, Alison Gopnik, and many more. A writing fitness test encourages you to assess your own writing and get immediate advice on addressing problem areas. While The Writer’s Diet is as sleek and concise as the writing ideals contained within, this slim volume packs a powerful punch. With Sword’s coaching writers of all levels can strengthen and tone their sentences with the stroke of a pen or the click of a mouse. As with any fitness routine, adhering to the rules requires energy and vigilance. The results, however, will speak for themselves.

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Before phonographs and moving pictures, live performances dominated American popular entertainment. Carnivals, circuses, dioramas, magicians, mechanical marvels, musicians, and theatrical troupes-all visited rural fairgrounds, small-town opera houses, and big-city palaces around the country, giving millions of people an escape from their everyday lives for a dime or a quarter. In From Traveling Show to Vaudeville, Robert M. Lewis has assembled a remarkable collection of nineteenth- and early twentieth-century primary sources that document America's age of theatrical spectacle. In eight parts, Lewis explores, in turn, dime museums, minstrelsy, circuses, melodramas, burlesque shows, Wild West shows, amusement parks, and vaudeville. Included in this compendium are biographies, programs, ephemera produced by theatrical entrepreneurs to lure audiences to their shows, photographs, scripts, and song lyrics as well as newspaper accounts, reviews, and interviews with such figures as P. T. Barnum and Buffalo Bill Cody. Lewis also gives us reminiscences about and reactions to various shows by members of audiences, including such prominent writers as Mark Twain, William Dean Howells, Nathaniel Hawthorne, Carl Sandburg, Walt Whitman, Louisa May Alcott, Charles Dickens, O. Henry, and Maxim Gorky. Each section also includes a concise introduction that places the genre of spectacle into its historical and cultural context and suggests major interpretive themes. The book closes with a bibliographic essay that identifies relevant scholarly works. Many of the pieces collected here have not been published since their first appearance, making From Traveling Show to Vaudeville an indispensable resource for historians of popular culture, theater, and nineteenth-century American society.

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Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This knowledge rests not only on the recordings of seismographs, but also on the observations of eyewitnesses to destruction. During the nineteenth century, a scientific description of an earthquake was built of stories - stories from as many people in as many situations as possible. Sometimes their stories told of fear and devastation, sometimes of wonder and excitement. In "The Earthquake Observers", Deborah R. Coen acquaints readers not only with the century's most eloquent seismic commentators, including Alexander von Humboldt, Charles Darwin, Mark Twain, Charles Dickens, Karl Kraus, Ernst Mach, John Muir, and William James, but also with countless other citizen-observers, many of whom were women. Coen explains how observing networks transformed an instant of panic and confusion into a field for scientific research, turning earthquakes into natural experiments at the nexus of the physical and human sciences. Seismology abandoned this project of citizen science with the introduction of the Richter Scale in the 1930s, only to revive it in the twenty-first century in the face of new hazards and uncertainties. "The Earthquake Observers" tells the history of this interrupted dialogue between scientists and citizens about living with environmental risk.

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We most often think of the Victorian female offender in her most archetypal and stereotypical roles; the polite lady shoplifter, stowing all manner of valuables beneath her voluminous crinolines, the tragic street waif of Dickensian fiction or the vicious femme fatale who wreaked her terrible revenge with copious poison. Yet the stories in popular novels and the 'Penny Dreadfuls' of the day have passed down to us only half the story of these women and their crimes. From the everyday street scuffles and pocket pickings of crowded slums, to the sensational trials that dominated national headlines; the women of Victorian England were responsible for a diverse and at times completely unexpected level of deviance. This book takes a closer look at women and crime in the Victorian period. With vivid real-life stories, powerful photos, eye-opening cases and wider discussions that give us an insightful illustration of the lives of the women responsible for them. This history of brawlers, thieves, traffickers and sneaks shows individuals navigating a world where life was hard and resources were scarce.Their tales are of poverty, opportunism, violence, hope and despair; but perhaps most importantly, the story of survival in the ruthless world of the past.

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A study of the journalistic and academic reception of the writings of one of the great American writers of the late twentieth century. When John Updike died in 2009, tributes from the literary establishment were immediate and fulsome. However, no one reading reviews of Updike's work in the late 1960s would have predicted that kind of praise for a man who was known then as a brilliant stylist who had nothing to say. What changed? Why? And what is likely to be his legacy? These are the questions that Becoming John Updike pursues by examining the journalistic and academic response tohis writings. Several things about Updike's career make a reception study appropriate. First, he was prolific: he began publishing fiction and essays in 1956, published his first book in 1958, and from then on, brought out atleast one new book each year. Second, his books were reviewed widely - usually in major American newspapers and magazines, and often in foreign ones as well. Third, Updike quickly became a darling of academics; the first book about his work was published in 1967, less than a decade after his own first book. More than three dozen books and hundreds of articles of academic criticism have been devoted to Updike. The present volume will appeal to the continuing interest in Updike's writing among academics and general readers alike. Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson,and Matthew Arnold for Camden House's Literary Criticism in Perspective series.

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Traces Hemingway's critical fortunes over the ninety years of his prominence, telling us something about what we value in literature and why scholarly reputations rise and fall. Hemingway burst on the literary scene in the 1920s with spare, penetrating short stories and brilliant novels. Soon he was held as a standard for modern writers. Meanwhile, he used his celebrity to create a persona like the stoic,macho heroes of his fiction. After a decline during the 1930s and 1940s, he came roaring back with The Old Man and the Sea in 1952. Two years later he received the Nobel Prize. While his popularity waxed and waned during his lifetime, Hemingway's reputation among scholars remained strong as long as traditional scholarship dominated. New approaches beginning in the 1960s brought a sea change, however, finding grave fault with his work and making him a figure ripe for vilification. Yet during this time scholarship on him continued to appear. His works still sell well, and several are staples on high-school and college syllabi. A new scholarly edition of his letters is drawing prominent attention, and there is a resurgence in scholarly attention to - and approbation for - his work. Tracing Hemingway's critical fortunes tells us something about what we value in literature and why reputations rise and fall as scholars find new ways to examine and interpret creative work. Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson, Updike,and Matthew Arnold for Camden House's Literary Criticism in Perspective series.

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The Ethics of Mourning dramatically shifts the critical discussion of the lyric elegy from psychological economy to ethical responsibility. Beginning from a reevaluation of famously inconsolable mourners such as Niobe and Hamlet, R. Clifton Spargo discerns the tendency of all grief to depend at least temporarily upon the refusal of consolation. By disrupting the traditional social and psychological functions of grief, resistant mourners transform mourning into a profoundly ethical act. Spargo finds such examples of ethical mourning in opposition to socially acceptable expressions of grief throughout the English and American elegiac tradition. Drawing on the work of Paul Ricoeur, Bernard Williams, and Emmanuel Levinas, his book explores the ethical dimensions of anti-consolatory grief through astute readings of a wide range of texts-including treatments of Hamlet, Milton, and Renaissance elegists, extended readings of Dickinson, Shelley, and Hardy, and final chapters on American Holocaust elegies by Sylvia Plath and Randall Jarrell. Spargo argues that, to the extent that elegies are melancholic, to the extent that they resist the history of consolation and the strategies of commemoration implicit in elegiac conventions, they make an extraordinary ethical demand on us, asking that we remain in relationship to the other, even past the point of all usefulness. In the wake of the atrocities of the twentieth century, particularly the Holocaust, Spargo finds the crisis in the project of commemoration to be an event already inscribed with ethical meaning. He argues for the particular capacity of literature to undertake an imaginative risk on behalf of another that seems the very ground of ethics itself.

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The Roman poet Statius called the Via Appia "the Queen of Roads," and for nearly a thousand years that description held true, as countless travelers trod its path from the center of Rome to the heel of Italy. Today, the road is all but gone, destroyed by time, neglect, and the incursions of modernity; to travel the Appian Way today is to be a seeker, to walk in the footsteps of ghosts. Our guide to those ghosts - and the layers of history they represent - is Robert A. Kaster. In "The Appian Way", he brings a lifetime of studying Roman literature and history to his adventures along the ancient highway. A footsore Roman soldier pushing the imperial power south; craftsmen and farmers bringing their goods to the towns that lined the road; pious pilgrims headed to Jerusalem, using stage-by-stage directions we can still follow - all come to life once more as Kaster walks (and drives - and suffers car trouble) on what's left of the Appian Way. Other voices help him tell the story: Cicero, Goethe, Hawthorne, Dickens, James, and even Monty Python offer commentary, insight, and curmudgeonly grumbles, their voices blending like the ages of the road to create a telescopic, perhaps kaleidoscopic, view of present and past. To stand on the remnants of the Via Appia today is to stand in the pathway of history. With "The Appian Way", Kaster invites us to close our eyes and walk with him back in time, to the campaigns of Garibaldi, the revolt of Spartacus, and the glory days of Imperial Rome. No traveler will want to miss this fascinating journey.

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“The Nate series by Tim Federle is a wonderful evocation of what it’s like to be a theater kid. Highly recommended.” —Lin-Manuel Miranda, star and creator of the musical, Hamilton “An exceptional swan song for a beloved character.” —Kirkus Reviews (starred review) Third time’s a charm! Nate Foster returns home to Jankburg, Pennsylvania, to face his biggest challenge yet—high school—in this final novel in the Lambda Literary Award–winning Nate trilogy, which The New York Times calls “inspired and inspiring.”When the news hits that E.T.: The Musical wasn’t nominated for a single Tony Award—not one!—the show closes, leaving Nate both out of luck and out of a job. And while Nate’s cast mates are eager to move on (the boy he understudies already landed a role on a TV show!), Nate knows it’s back to square one, also known as Jankburg, Pennsylvania. Where horror (read: high school) awaits. Desperate to turn his life from flop to fabulous, Nate takes on a huge freshman English project with his BFF, Libby: he’s going to make a musical out of Charles Dickens’s Great Expectations. (What could possibly go…right?) But when Nate’s New York crush ghosts him, and his grades start to slip, he finds the only thing harder than being on Broadway is being a freshman — especially when you’ve got a secret you’re desperate to sing out about. This magical conclusion to Tim Federle’s beloved Nate series is a love letter to theater kids young and not-so-young—and for anyone who ever wondered if they could truly go home again. Especially when doing so means facing everything you thought you’d left behind.

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In a remarkable deed of original scholarly research and detailed detective work, Anne Weise recreates sketches of a lost life - of one of the millions of forgotten souls whose lives came to a violent end in the Holocaust. Her focus is Alfred Bergel (1902-1944), an artist and teacher from Vienna who was a close associate of Karl Koenig - the founder of the Camphill Movement for people with special needs - who wrote of Bergel in his youthful diaries as his best friend 'Fredi'. After the annexation of Austria, Alfred Bergel found himself unable to escape the horror of the National Socialist regime. Subsequently, in 1942 he was deported to the Theresienstadt camp. Imprisoned there, he produced numerous artistic works of the inmates of the ghetto and taught drawing, art history and art appreciation - sometimes in collaboration with the Bauhaus artist Friedl Dicker-Brandeis. During this period, he was also forced by the Nazis to produce forgeries of classic art works. One of the central figures of cultural life in the Theresienstadt ghetto, Bergel was eventually transported to the Auschwitz concentration camp in 1944 where, tragically, he was murdered. His name and his work are largely forgotten today, even amongst Holocaust researchers, but Weise succeeds in honouring the life of the Jewish artist by lovingly piecing together his biography, based on numerous personal testimonies by friends and contemporaries and supplemented with documents and many dozens of photos and colour reproductions of Bergel's artistic works. This invaluable recreation of a life provides insight not only into the desperate plight of a single individual, but also illustrates the human will and determination to survive in the context of one of the darkest periods of recent history.

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Passionfood is a feast of classic and contemporary love poems. There are a hundred flavours in this four-course celebration of love, passion and desire. Compiled by Staying Alive editor Neil Astley, its menu is distinctively different from that of other anthologies of love poetry. There are no broken hearts here. Passionfood is a celebration of true love - love that grows into love that lasts, love that fills every part of our lives, love that never leaves us. Passionfood opens with a starter selection of poems about attraction, desire and longing. Passion is the main course: the excitement of love, being and staying in love, including many of the greatest poems in our literature - by writers such as Shakespeare, John Donne, Elizabeth Barrett Browning, Emily Dickinson, Yeats and Auden. For dessert, the book offers deliciously saucy poems by leading contemporary poets. But like love, Passionfood is a feast which doesn't have to end. The fruit that follows dessert offers still more poetry to savour: poems about deepening love and friendship, love that never leaves us, poems celebrating closeness, trust and mutual understanding, poems of joy, wisdom and shared recognition. Passionfood is a book of positive, provocative and witty love poems for everyone whose life has been nourished and sustained by love, mixing passion with food for thought. It's also a book which holds out hope, and as such, a perfect gift for the person you love, for weddings and engagements, birthdays, anniversaries and Valentine's Day. This new edition is beautifully presented in a quarter-bound hardback gift format.

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The poetry of Edgar Allan Poe has had a rough ride in America, as Emerson’s sneering quip about “The Jingle Man” testifies. That these poems have never lacked a popular audience has been a persistent annoyance in academic and literary circles; that they attracted the admiration of innovative poetic masters in Europe and especially France—notably Baudelaire, Mallarmé, and Valéry—has been further cause for embarrassment. Jerome McGann offers a bold reassessment of Poe’s achievement, arguing that he belongs with Whitman and Dickinson as a foundational American poet and cultural presence.Not all American commentators have agreed with Emerson’s dim view of Poe’s verse. For McGann, a notable exception is William Carlos Williams, who said that the American poetic imagination made its first appearance in Poe’s work. The Poet Edgar Allan Poe explains what Williams and European admirers saw in Poe, how they understood his poetics, and why his poetry had such a decisive influence on Modern and Post-Modern art and writing. McGann contends that Poe was the first poet to demonstrate how the creative imagination could escape its inheritance of Romantic attitudes and conventions, and why an escape was desirable. The ethical and political significance of Poe’s work follows from what the poet takes as his great subject: the reader.The Poet Edgar Allan Poe takes its own readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics.

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The fascinating, true, story of baseball’s amateur origins. “Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat.”—Paul Dickson, The Wall Street JournalBaseball’s true founders don’t have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs — ordinary people — who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War.But that’s not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. You have read that baseball’s color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball’s first professional club. Not true. They weren’t the first professionals; they weren’t all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball’s first fans, the first ballpark, the first statistics—and modern pitching.Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren’t invited to the party; we crashed it. Professionalism wasn’t part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall.When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball’s amazing amateurs had already done that.Thomas W. Gilbert’s history is for baseball fans and anyone fascinating by history, American culture, and how great things began.

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What is the connection between citizenship and friendship in Victorian fiction? Why do Victorian writers use the portrayal of relations between mentor and protégé as a way of meditating on the possibilities of democratic governance? In Friendship's Bonds, Richard Dellamora revisits the classical and Victorian dream that a just society would be one governed by friends. In the actual struggle over who should or should not be eligible for the rights of citizenship, however, the ideal of fraternity was troubled by anxieties about the commingling of populations and the possible conversion of male intimacy into sexual anarchy. Focusing on the writings of Benjamin Disraeli as well as those of his leading political rival, William Gladstone, Dellamora considers how sodomitic intimations inflect debates on the enfranchisement of Jews as well as artisans, women, and the Irish during the period. Examining works as various as Karl Marx's essay on the Jewish Question, Victorian Bible commentaries, and novels by Dickens, George Eliot, Trollope, and Henry James, Dellamora further argues that the novel and other creative arts, such as portraiture and the theater, offered important sites for evoking and shaping the Victorians' imagination and experience of democratic possibilities. Systematically bringing together discourses on queer identities in Victorian England, Jewish identities in nineteenth-century literary and political culture, and the ways these powerful forms of otherness intersect, Friendship's Bonds offers an intriguing analysis of how the dream of a perfect sympathy between friends continually challenged Victorians' capacity to imagine into existence a world not of strangers or enemies but of fellow citizens.

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This book takes a fascinating look at the iconic figure of the Native American in the British cultural imagination from the Revolutionary War to the early twentieth century, and examining how Native Americans regarded the British, as well as how they challenged their own cultural image in Britain during this period. Kate Flint shows how the image of the Indian was used in English literature and culture for a host of ideological purposes, and she reveals its crucial role as symbol, cultural myth, and stereotype that helped to define British identity and its attitude toward the colonial world.Through close readings of writers such as Charles Dickens, Elizabeth Gaskell, and D. H. Lawrence, Flint traces how the figure of the Indian was received, represented, and transformed in British fiction and poetry, travelogues, sketches, and journalism, as well as theater, paintings, and cinema. She describes the experiences of the Ojibwa and Ioway who toured Britain with George Catlin in the 1840s; the testimonies of the Indians in Buffalo Bill's Wild West Show; and the performances and polemics of the Iroquois poet Pauline Johnson in London. Flint explores transatlantic conceptions of race, the role of gender in writings by and about Indians, and the complex political and economic relationships between Britain and America.The Transatlantic Indian, 1776-1930 argues that native perspectives are essential to our understanding of transatlantic relations in this period and the development of transnational modernity.

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What we can learn about caregiving and community from the Victorian novelIn Communities of Care, Talia Schaffer explores Victorian fictional representations of care communities, small voluntary groups that coalesce around someone in need. Drawing lessons from Victorian sociality, Schaffer proposes a theory of communal care and a mode of critical reading centered on an ethics of care.In the Victorian era, medical science offered little hope for cure of illness or disability, and chronic invalidism and lengthy convalescences were common. Small communities might gather around afflicted individuals to minister to their needs and palliate their suffering. Communities of Care examines these groups in the novels of Jane Austen, Charlotte Brontë, Charles Dickens, George Eliot, Henry James, and Charlotte Yonge, and studies the relationships that they exemplify. How do carers become part of the community? How do they negotiate status? How do caring emotions develop? And what does it mean to think of care as an activity rather than a feeling? Contrasting the Victorian emphasis on community and social structure with modern individualism and interiority, Schaffer’s sympathetic readings draw us closer to the worldview from which these novels emerged. Schaffer also considers the ways in which these models of carework could inform and improve practice in criticism, in teaching, and in our daily lives.Through the lens of care, Schaffer discovers a vital form of communal relationship in the Victorian novel. Communities of Care also demonstrates that literary criticism done well is the best care that scholars can give to texts.

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'The equivalent of someone pouring Welsh honey into your heart' MILLY JOHNSON'Gorgeous characters, heart-breakingly real, warm and funny pitch-perfect story' MIRANDA DICKINSON'Uplifting and romantic, I couldn't put it down!' DEBBIE JOHNSON'Gorgeous and big-hearted, perfect to escape with this summer!' HOLLY MARTIN'Laura's writing is breathtakingly beautiful and packed with wit and warmth' CATHY BRAMLEY'Relatable, fun, perfect summer escapism!' HELEN ROLFEOne summer to change her life... Wanda Williams has always dreamed of leaving her wellies behind her and travelling the world! Yet every time she comes close to following her heart, life always seems to get in the way.So, when her mother ends up in hospital and her sister finds out she's pregnant with twins, Wanda knows that only she can save the crumbling campsite at the family farm.Together with her friends in the village, she sets about sprucing up the site, mowing the fields, replanting the allotment and baking homemade goodies for the campers.But when a long-lost face from her past turns up, Wanda's world is turned upside-down. And under a starry sky, anything can happen...Praise for Laura Kemp:'Witty, warm and wonderful. I loved it!' MILLY JOHNSON'Warm, funny, sweet...what a fab read' LUCY DIAMOND'A truly wonderful and heart-warming read' HEIDI SWAIN'An absolute joy' ISABELLE BROOM'I loved it' CLARE MACKINTOSH'An adorable life-affirming book' ROWAN COLEMAN

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Grantchester Mysteries 2 _______________ 'Runcie is emerging as Grantchester’s answer to Alexander McCall Smith. The book brings a dollop of Midsomer Murders to the Church of England, together with a literate charm of its own: civilized entertainment, with dog-collars' - Spectator 'A perfect accompaniment to a sunny afternoon, a hammock and a glass of Pimm's' - Guardian 'Totally English, beautifully written, perfectly in period and wryly funny. More, please!' - Leslie Geddes Brown, Country Life _______________ Grantchester is now a major, prime-time six-part series for ITV 1955. Canon Sidney Chambers, loveable priest and part-time detective, is back. Accompanied by his faithful Labrador, Dickens, and the increasingly exasperated Inspector Geordie Keating, Sidney is called to investigate the unexpected fall of a Cambridge don from the roof of King's College Chapel, a case of arson at a glamour photographer's studio and the poisoning of Zafar Ali, Grantchester's finest spin bowler. Alongside his sleuthing, Sidney has other problems. Can he decide between his dear friend, the glamorous socialite Amanda Kendall and Hildegard Staunton, the beguiling German widow? To make up his mind Sidney takes a trip abroad, only to find himself trapped in a web of international espionage just as the Berlin Wall is going up. _______________ 'The series has a charming quaintness and deftly turning plot twists but what renders it unique as detective fiction is its overtly Christian content' - Arifa Akbar, Independent 'It takes a first-class writer to put together a convincing storyline for such unlikely circumstances. James Runcie does it admirably … He is a good man in an imperfect world and we should welcome him to the ranks of classic detectives' - Daily Mail

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'Mollie Walton captures your attention from the very first page and doesn't let go!' Diney Costeloe'Beautiful ... I can't wait for the next instalment' Judy Summers'A tender tale of love and strength in the midst of war' Val Wood'Stays with you long after you have finished reading' Margaret Dickinson'A highly enjoyable, immersive read!' Sarah Sykes'Vivid, compulsive, and heart-rending. Had me hooked' Louisa Treger'A lively and heart-warming saga' People's Friend ___________North Yorkshire, September 1939.Rosina Calvert-Lazenby, the widowed matriarch of Raven Hall, must be strong for her five daughters as the war approaches. When the RAF come to stay, Rosina is intrigued by their charismatic – albeit young – sergeant. But is there time for love with the war looming?Grace Calvert-Lazenby is twenty-one years old and ready for a new adventure. Joining the Women's Royal Naval Service, she trades the safety of Raven Hall for exhausting drills and conflicting acts of secrecy. It's not easy, but Grace knows that everyone has a part to play in what's to come.With so much on the line, will Rosina and Grace have the courage to lead those around them into the unknown?This heartwarming, dramatic World War II saga is perfect for fans of Vicki Beeby, Kate Thompson and Rosie Clarke. ___________Reader reviews for A Mother’s War:⭐⭐⭐⭐⭐ 'LOVED IT! The layout and the research is stunning'⭐⭐⭐⭐⭐ 'A fabulous read'⭐⭐⭐⭐⭐ 'A definite 5 stars'⭐⭐⭐⭐⭐ 'Mollie Walton has done it again!'⭐⭐⭐⭐⭐ 'An excellent book by an outstanding writer'

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The Best American Magazine Writing 2023 offers a selection of outstanding journalism on timely topics, including inequalities and injustices pressuring families, especially mothers. Rozina Ali tells the story of a U.S. marine who unlawfully adopted an Afghan girl and her family’s efforts to bring her home (New York Times Magazine). A Mother Jones exposé confronts the imprisonment of women for failing to protect their children from their abusive partners. “The Landlord and the Tenant” juxtaposes the lives of a poor single mother convicted for her children’s deaths in a fire and the man who owned the fatal property (ProPublica with Milwaukee Journal Sentinel). Caitlin Dickerson investigates the history of the U.S. government’s family-separation policy (The Atlantic). Jia Tolentino’s New Yorker commentary considers abortion in a post-Roe world.The anthology features pieces on a wide range of subjects, such as Nate Jones on the “Nepo Baby” and Allison P. Davis’s essay about a decade on Tinder (New York). Natalie So recounts how her mother’s small computer chip company became the target of a Silicon Valley crime ring (The Believer). Clint Smith asks what Holocaust memorials in Germany can teach the United States about our reckoning with slavery (The Atlantic). Esquire’s Chris Heath examines the FBI’s involvement in a plot to kidnap the governor of Michigan. Courtney Desiree Morris takes a queer psychedelic ramble through New Orleans (Stranger’s Guide). Namwali Serpell reflects on representations of sex workers (New York Review of Books). An ESPN Digital investigation uncovers Penn State’s other serial sexual predator before Jerry Sandusky. Profiles of the acclaimed actress Viola Davis (New York Times Magazine) and the self-taught artist Matthew Wong (New Yorker), as well as Michelle de Kretser’s short story “Winter Term” (Paris Review), round out the volume.

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The Best American Magazine Writing 2023 offers a selection of outstanding journalism on timely topics, including inequalities and injustices pressuring families, especially mothers. Rozina Ali tells the story of a U.S. marine who unlawfully adopted an Afghan girl and her family’s efforts to bring her home (New York Times Magazine). A Mother Jones exposé confronts the imprisonment of women for failing to protect their children from their abusive partners. “The Landlord and the Tenant” juxtaposes the lives of a poor single mother convicted for her children’s deaths in a fire and the man who owned the fatal property (ProPublica with Milwaukee Journal Sentinel). Caitlin Dickerson investigates the history of the U.S. government’s family-separation policy (The Atlantic). Jia Tolentino’s New Yorker commentary considers abortion in a post-Roe world.The anthology features pieces on a wide range of subjects, such as Nate Jones on the “Nepo Baby” and Allison P. Davis’s essay about a decade on Tinder (New York). Natalie So recounts how her mother’s small computer chip company became the target of a Silicon Valley crime ring (The Believer). Clint Smith asks what Holocaust memorials in Germany can teach the United States about our reckoning with slavery (The Atlantic). Esquire’s Chris Heath examines the FBI’s involvement in a plot to kidnap the governor of Michigan. Courtney Desiree Morris takes a queer psychedelic ramble through New Orleans (Stranger’s Guide). Namwali Serpell reflects on representations of sex workers (New York Review of Books). An ESPN Digital investigation uncovers Penn State’s other serial sexual predator before Jerry Sandusky. Profiles of the acclaimed actress Viola Davis (New York Times Magazine) and the self-taught artist Matthew Wong (New Yorker), as well as Michelle de Kretser’s short story “Winter Term” (Paris Review), round out the volume.

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Would you marry a stranger to live the life of your dreams?'A fun and refreshing read! I couldn't put it down!' HEIDI SWAIN'The best book I've read in 2021. I LOVED it, it made me smile so much. Fresh, funny and utterly wonderful' HOLLY MARTIN'Original, funny and so, so romantic, The Wedding Pact is a breath of fresh air that you should add to your summer reading list immediately' CRESSIDA MCLAUGHLINAugust Anderson needs somewhere to live. Dumped by her boyfriend who would rather be alone than move in with her, she has almost given up on happiness. Until she notices that the beautiful Georgian townhouse she's long admired (ahem, *obsessed over*) is looking for a new tenant, and suddenly it seems like things might be looking up . . .There's just one catch - the traditional, buttoned-up landlord is only willing to rent to a stable, married couple and August, quite frankly, is neither. Competition for the house is fierce and August knows she'll have to come up with a plan or risk losing her last shot at her happy ending.Enter Flynn, the handsome, charming and somewhat unsuspecting gentleman who August accidentally spills her coffee over. Flynn is new to the area and is looking for somewhere to live, and August thinks she knows just the place, but only if he's willing to tell a little white lie . . .The perfect feel-good summer read from reader favourite Lisa Dickenson, writing as Isla Gordon. Perfect for fans of Heidi Swain, Sarah Morgan and Anna Bell Don't miss the brand-new hilarious and heart-warming romcom from Isla Gordon, A New York Winter, available to pre-order now!Praise for ISLA GORDON:'Heart-warming and full of hope. I loved it' HEIDI SWAIN'The most beautiful, heart-warming story. Gorgeously cosy, uplifting . . . utterly lovely book' HOLLY MARTIN'Sunday afternoon bliss!' FABULOUS magazine

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What are the future prospects for literary knowledge now that literary texts—and the material remains of authorship, publishing, and reading—are reduced to bitstreams, strings of digital ones and zeros? What are the opportunities and obligations for book history, textual criticism, and bibliography when literary texts are distributed across digital platforms, devices, formats, and networks? Indeed, what is textual scholarship when the "text" of our everyday speech is a verb as often as it is a noun? These are the questions that motivate Matthew G. Kirschenbaum in Bitstreams, a distillation of twenty years of thinking about the intersection of digital media, textual studies, and literary archives. With an intimate narrative style that belies the cold technics of computing, Kirschenbaum takes the reader into the library where all access to Toni Morrison's "papers" is mediated by digital technology; to the bitmapped fonts of Kamau Brathwaite's Macintosh; to the process of recovering and restoring fourteen lost "HyperPoems" by the noted poet William Dickey; and finally, into the offices of Melcher Media, a small boutique design studio reimagining the future of the codex. A persistent theme is that bits—the ubiquitous ones and zeros of computing—are never self-identical, but always inflected by the material realities of particular systems, platforms, and protocols. These materialities are not liabilities: they are the very bulwark on which we stake the enterprise for preserving the future of literary heritage.

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The long shadow of Covid 19 kept many of the worlds mountaineers close to home in 2020, but there were still extraordinary achievements further afield including the first winter ascent of K2 and a remarkable first ascent on Baruntse from the bold Czechs Mara Holecek and Radoslav Groh. Those unable to reach the Greater Ranges found plenty to explore in the Alps, which saw the largest number of new routes in recent years. This years Alpine Journal has reports on all of it. The year was also marked with the loss of two giants of British mountaineering, Doug Scott and Hamish McInnes, both honorary members of the Alpine Club, as well as controversial Italian legend Cesare Maestri, recalled by Alan Heppenstall. Peter Foster describes the climbing life of C F Meade, Leo Dickinson shares his picturesque life of as a documentary filmmaker and Nicholas Hurndall Smith takes on the mantle of the illustrious Leslie Stephen. With mountains increasingly under the media spotlight as climate change alters their very fabric, Julian Attwood has a detailed prescription for how the mountains of Wales could be returned to their former glory, locking up carbon and improving biodiversity. Alton Byers reports on how another mountain environment has done better than you might imagine. With reports, reviews, art and comment from around the globe, the Alpine Journal has everything the dedicated alpinist needs to inspire and reflect.

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The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair, fidelity, solitude, beauty, mortality. Over time these associations entwined with myth and legend, with religious symbolism, folk and herbal lore. By the early 19th century the 'Language of Flora' had become increasingly refined, especially in England and America, where sentimental flower books listing flower meanings and illustrating them with verse were perennial bestsellers. The Everyman Language of Flowers without sacrificing the charm of its Victorian predecessors aims to provide extended, updated and rather more robust floral anthology for the 21st century, presenting poetry from ancient Greece to contemporary Britain and America, and spanning the world from Cuba to Korea, Russia to Zimbabwe. Here are Rumi and Rilke on the rose; Herrick and Louise Glück on the lily; Chaucer, Emily Dickinson and Jon Silkin on the daisy; Mary Robinson and Ted Hughes on the snowdrop; Lorenzo de Medici, John Clare and Alice Oswald on the violet; Hugo and Roethke on carnations; Ovid and Goethe on poppies; Blake and Eugenio Montale on the sunflower; Christina Rossetti on heartsease and forget-me-nots; Emily Brontë on harebells and heather, Seamus Heaney on lupins, Pasternak on night-scented stock... Eastern cultures, rich in flower associations, are well represented: there are Tang poems celebrating chrysanthemums and peonies, Zen poems about orchids and lotus flowers, poems about jasmine and marigolds from India, roses, tulips and narcissi from Persia, the Ottoman empire and the Arabic world. Flowers are arranged by season, with roses and lilies in a section of their own. In a final section poets comment directly or indirectly on the language of flowers itself. The book concludes with a selected glossary drawn from several celebrated Victorian collections.

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In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.

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Half of the world’s population today lives in coastal regions lapped by tidal waters. But the tide rises and falls according to rules that are a mystery to almost all of us. In The Tide, celebrated science writer Hugh Aldersey-Williams weaves together centuries of scientific thinking with the literature and folklore the tide has inspired to explain the power and workings of this most remarkable force. Here is the epic story of the long search to understand the tide: from Aristotle, who is said to have drowned himself in his efforts to figure out the Greek tides, to the pioneering investigations into the role of the moon by Galileo and Newton, to the quest to understand and even control the tide in our own time. Throughout, Aldersey-Williams whisks the reader along on his travels in search of the most remarkable tidal phenomena. He visits the Bay of Fundy in Nova Scotia, where the tides are the strongest in the world; arctic Norway, home of the raging tidal whirlpool known as the maelstrom; and Venice, to investigate efforts to defend the city against flooding caused by the famed acqua alta. Along the way, Aldersey-Williams delves into classic literary portrayals of the tide from Shakespeare to Dickens, Melville to Jules Verne. And he reveals the tidal truths behind the Homeric tale of Scylla and Charybdis, the biblical story of Moses parting the Red Sea, the conquests of Julius Caesar, the Boston Tea Party, and the D-Day landings in Normandy.

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'Show me another pleasure like dinner which comes every day and lasts an hour.' – Talleyrand 'He was a bold man that first ate an oyster.' – Jonathan Swift ‘There is no love sincerer than the love of food’ wrote George Bernard Shaw in 1903. Poets, novelists, chefs and gourmands before and after him would seem to agree. Collected in this anthology is a mouth-watering selection of excerpts on the subject of eating, drinking, cooking and serving food, guaranteed to whet every reader’s appetite. Themed sections group together poetry and prose on grapes and bottles, the ideal cuisine, hangover cures and vivid vignettes of dinner-party behaviour, including Mrs Gaskell eating peas with a knife. There are stories about food fit for kings, a duchess’s ‘rumblings abdominal’, fine dining, eating abroad, cooking at home and gastronomic excesses. A section on food and travel features Edmund Hillary’s meal at the summit of Everest, Ernest Shackleton’s dish of penguin in the Antarctic and Joshua Slocum on the unfortunate effects of cheese and plums while sailing solo around the world. Also on the menu are limericks, short-tempered cooks, recipes, fantasy food, special feasts, iron rations, tips on opening oysters and the uses and abuses of coffee. Featuring writers as diverse as Brillat-Savarin, Edward Lear, John Keats, Collette, Charles Dickens, Maria Edgeworth and Marcel Proust and interspersed with a generous helping of cartoons, this is a perfect gift for foodies, chefs, picnickers and epicurean explorers.

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In 1859, the S.S. Great Eastern departed from England on her maiden voyage. She was a remarkable wonder of the nineteenth century: an iron city longer than Trafalgar Square, taller than Big Ben's tower, heavier than Westminster Cathedral. Her paddles were the size of Ferris wheels; her decks could hold four thousand passengers bound for America, or ten thousand troops bound for the Raj. Yet she ended her days as a floating carnival before being unceremoniously dismantled in 1889. Steamships like the Great Eastern occupied a singular place in the Victorian mind. Crossing oceans, ferrying tourists and troops alike, they became emblems of nationalism, modernity, and humankind's triumph over the cruel elements. Throughout the nineteenth century, the spectacle of a ship's launch was one of the most recognizable symbols of British social and technological progress. Yet this celebration of the power of the empire masked overconfidence and an almost religious veneration of technology. Equating steam with civilization had catastrophic consequences for subjugated peoples around the world. Engines of Empire tells the story of the complex relationship between Victorians and their wondrous steamships, following famous travelers like Mark Twain, Charles Dickens, and Jules Verne as well as ordinary spectators, tourists, and imperial administrators as they crossed oceans bound for the colonies. Rich with anecdotes and wry humor, it is a fascinating glimpse into a world where an empire felt powerful and anything seemed possible—if there was an engine behind it.

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‘Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time. It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.’ Simon SchamaSir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world’s foremost publishers, broadsheet newspapers, periodicals and magazines. His commissioned subjects over the years have been numerous and wide ranging – from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama’s tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world’s most respected publications - the Times, the Guardian, the New Yorker, Harper’s Bazaar and Rolling Stone magazine. Wordy is a celebration of one of the world’s foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

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Biles' first-rate primer on the state's history will be a useful resource for anyone curious about a state whose residents have played crucial roles in almost every major episode in the nation's history.―Chicago Tribune Featuring 67 illustrations, Illinois will captivate readers of all ages and interests. Crossroads of the continent, Land of Lincoln, hub of commerce—or, as Charles Dickens viewed it, a landscape "oppressive in its barren monotony"—Illinois boasts a rich and varied past. In this far-reaching but compact history, Roger Biles provides a much-needed, up-to-date account of the state's development, from the early native settlements to the present. Focusing on Illinois' demographic changes over time, he highlights the key figures who contributed to the state's government, economy, culture, and the arts. While devoting attention to the touchstones of history, Illinois illuminates also the achievements of ordinary people, including the women, the African Americans, and the other minorities who—along with the politicians, the captains of industry, and the military heroes—contributed to the state's growth and prosperity. National events shaped the state as well, and Biles explores the impact of such crises as the Civil War and World War II on the people of Illinois. No history of Illinois can ignore the state's largest city, the dynamic metropolis on Lake Michigan—Chicago. Drawing on extensive research, Biles illuminates Chicago's past—its outbursts of labor unrest and racial tensions as well as the splendors of two world's fairs and an artistic renaissance—while at the same time relating Chicago to the larger story of Illinois and its people. Connecting lesser-known stories with the main events of the state's past, Biles writes in an accessible style that is at once entertaining and enlightening.

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An entertaining mathematical exploration of the heat equation and its role in the triumphant development of the trans-Atlantic telegraph cableHeat, like gravity, shapes nearly every aspect of our world and universe, from how milk dissolves in coffee to how molten planets cool. The heat equation, a cornerstone of modern physics, demystifies such processes, painting a mathematical picture of the way heat diffuses through matter. Presenting the mathematics and history behind the heat equation, Hot Molecules, Cold Electrons tells the remarkable story of how this foundational idea brought about one of the greatest technological advancements of the modern era.Paul Nahin vividly recounts the heat equation’s tremendous influence on society, showing how French mathematical physicist Joseph Fourier discovered, derived, and solved the equation in the early nineteenth century. Nahin then follows Scottish physicist William Thomson, whose further analysis of Fourier’s explorations led to the pioneering trans-Atlantic telegraph cable. This feat of engineering reduced the time it took to send a message across the ocean from weeks to minutes. Readers also learn that Thomson used Fourier’s solutions to calculate the age of the earth, and, in a bit of colorful lore, that writer Charles Dickens relied on the trans-Atlantic cable to save himself from a career-damaging scandal. The book’s mathematical and scientific explorations can be easily understood by anyone with a basic knowledge of high school calculus and physics, and MATLAB code is included to aid readers who would like to solve the heat equation themselves.A testament to the intricate links between mathematics and physics, Hot Molecules, Cold Electrons offers a fascinating glimpse into the relationship between a formative equation and one of the most important developments in the history of human communication.

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The perfect introduction to poetry, The Poetry Book offers a fascinating exploration of more than 90 of the world's greatest poetic works.Discover poems in all their many guises, from the epics of the ancient world through Renaissance sonnets to modernist masterpieces such as The Waste Land, and the key works of the last 50 years, including And Still I Rise by Maya Angelou and Derek Walcott's Omeros.Using the Big Ideas series' trademark combination of clear explanation, witty infographics, and inspirational quotes, The Poetry Book unlocks the key ideas, themes, imagery, and structural techniques behind even the most complex of poems, in clear and simple terms, setting each work in its historical, social, cultural, and literary context. Dive into the passionate world of poetry to discover:COMPREHENSIVE: Brings together a curated selection of the most celebrated and important poems ever written, majoring on English-language poetryANALYTICAL: Provides critical analysis of form, structure, and style, exploring the trademark themes and subjects of the poets who wrote them, and using each poem as a route into wider literary trends, poetic movements and schools, and related poetsGRAPHIC APPROACH: Combines creative typography, graphics, and clear text to explore the world's most famous and important poems, and the people behind them, in a unique wayEYE-CATCHING: Thought-provoking graphics and flow-charts explore form and structure, and the central concepts behind each work QUOTATIONS: Features insightful and inspiring quotes from the featured poems, the poets behind them, and leading writers and criticsREFERENCE: Features a glossary section of poetic termsDelve into the works of Dante, Baudelaire, Rumi, Dickinson, Eliot, and Li Bai with in-depth literary analysis and fascinating biographies. Find out what odes, ballads, and allegories are. Trace recurring motifs, explore imagery, and discover how rhyme and rhythm work. From Homer's Odyssey to Seamus Heaney's Casualty, The Poetry Book is essential reading for lovers of poetry and aspiring poets alike.

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'In the Research Handbook of Expatriates, Yvonne McNulty and Jan Selmer have created a seminal work that should be on the bookshelf of all social scientists who work in the field of expatriation. More senior scholars will appreciate the ''deep dive'' each chapter takes into the literature, each one acting as a reservoir they can draw from to powerfully inform their future research efforts. Doctoral students and newly minted PhDs will find this book to be especially valuable - the final chapter of the book alone provides inestimable career and ''how-to-publish'' guidance for them in the field of expatriation. The coverage of the history, construct, milieu, research methodologies, and issues is the best I have come across in a single volume in over 30 years of working in the field. In short, this is a monumental contribution to the study of expatriates and global mobility.'- Mark E. Mendenhall, University of Tennessee'McNulty and Selmer's edited volume does a wonderful job of consolidating and integrating everything we know about expatriates and their different types. This long-overdue Handbook, featuring chapters by top researchers, lays a trail for scholars to further advance the study of expatriates.'- Joyce Osland, San Jose State University'McNulty and Selmer's edited book of readings on virtually all aspects of expatriates deserves a prominent place in the library of researchers and practitioners interested in this subject. The Handbook provides a historical overview as well as the latest trends in expatriate studies and concludes with useful guidelines on how to conduct as well as improve the quality of research in this field.'- Rosalie L. Tung, Simon Fraser University, CanadaConstituting a comprehensive and carefully designed collection of contributions, the Research Handbook of Expatriates provides a nuanced and up-to-date discussion of expatriates. Theoretically broad and groundbreaking, it offers important and contemporary insights into emerging areas of research warranting future consideration.Drawing upon a range of perspectives from the field’s most distinguished academics, contributions review the history of the literature in relation to expatriates, from the development of the expatriate construct through to the current state of research on business expatriates. Subsequent chapters progress into detailed examinations of the various types of business expatriates including LGBT, self-initiated expatriates, female assignees, inpatriates, international business travellers and commuters, and millennials. Other themes include expatriate performance, adjustment, expatriates to and from developing countries, global talent management, and expatriates’ safety and security. The Research Handbook also covers expatriates in diverse communities such as education, military, missionary, sports and ‘Aidland’, and provides additional commentaries relating to methodological issues, research with practitioners, case studies, biculturals and ATCKs, and global families. The Research Handbook concludes with publishing advice for PhD and early career researchers.Stimulating insightful new areas of study, this collection is a must read for academics and scholars in the field of expatriate research, international management, global human resource management and business administration. It also offers a wealth of guidance for executives and recruiters along with expatriates and professionals who may expatriate.Contributors: M. Andresen, C. Brewster, L. Care, J.-L. Cerdin, L. Clarke, D.G. Collings, M. Collins, A. Corbin, M. Crowley-Henry, M. Dickmann, H. Dolles, R. Donohue, C. Doss, B. Egilsson, A. Fee, K.L. Fisher, K.J. Hanek, A. Haslberger, T. Hippler, K. Hutchings, M. Isichei, J. Lauring, L. Mäkelä, R. McPhail, S. Michailova, M. Moeller, B. Oberholster

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When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.” The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor. It considers how the Victorian inheritance has been represented in literature, politics, film, and visual culture; the ways in which modernists and progressives have sought to differentiate themselves from an image of the Victorian; and how conservatives (and some liberals) have sought to revive elements of nineteenth-century life. Nostalgic and critical impulses combine to fix an understanding of the Victorians in the popular imagination. Simon Joyce examines heritage culture, contemporary politics, and the “neo-Dickensian” novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today’s politics and culture. Although more than one hundred years have passed since the death of Queen Victoria, the impact of her time is still fresh. The Victorians in the Rearview Mirror speaks to diverse audiences in literary and cultural studies, in addition to those interested in visual culture and contemporary politics, and situates detailed close readings of literary and cinematic texts in the context of a larger argument about the legacies of an era not as distant as we might like to think.

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The Offenses Against the Person Act of 1828 opened magistrates’ courts to abused working-class wives. Newspapers in turn reported on these proceedings, and in this way the Victorian scrutiny of domestic conduct began. But how did popular fiction treat “private” family violence? Bleak Houses: Marital Violence in Victorian Fiction traces novelists’ engagement with the wife-assault debates in the public press between 1828 and the turn of the century. Lisa Surridge examines the early works of Charles Dickens and reads Dombey and Son and Anne Brontë’s The Tenant of Wildfell Hall in the context of the intense debates on wife assault and manliness in the late 1840s and early 1850s. Surridge explores George Eliot’s Janet’s Repentance in light of the parliamentary debates on the 1857 Divorce Act. Marital cruelty trials provide the structure for both Wilkie Collins’s The Woman in White and Anthony Trollope’s He Knew He Was Right. Locating the New Woman fiction of Mona Caird and the reassuring detective investigations of Sherlock Holmes in the context of late-Victorian feminism and the great marriage debate in the Daily Telegraph, Surridge illustrates how fin-de-siècle fiction brought male sexual violence and the viability of marriage itself under public scrutiny. Bleak Houses thus demonstrates how Victorian fiction was concerned about the wife-assault debates of the nineteenth century, debates which both constructed and invaded the privacy of the middle-class home.

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In 1966 twelve-year-old Fan Shen, a newly minted Red Guard, plunged happily into China’s Cultural Revolution. Disillusion soon followed, then turned to disgust and fear when Shen discovered that his compatriots had tortured and murdered a doctor whose house he’d helped raid and whose beautiful daughter he secretly adored. A story of coming of age in the midst of monumental historical upheaval, Shen’s Gang of One is more than a memoir of one young man’s harrowing experience during a time of terror. It is also, in spite of circumstances of remarkable grimness and injustice, an unlikely picaresque tale of adventure full of courage, cunning, wit, tenacity, resourcefulness, and sheer luck—the story of how Shen managed to scheme his way through a hugely oppressive system and emerge triumphant. Gang of One recounts how Shen escaped, again and again, from his appointed fate, as when he somehow found himself a doctor at sixteen and even, miraculously, saved a few lives. In such volatile times, however, good luck could quickly turn to misfortune: a transfer to the East Wind Aircraft Factory got him out of the countryside and into another terrible trap, where many people were driven to suicide; his secret self-education took him from the factory to college, where friendship with an American teacher earned him the wrath of the secret police. Following a path strewn with perils and pitfalls, twists and surprises worthy of Dickens, Shen’s story is ultimately an exuberant human comedy unlike any other.Purchase the audio edition.

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Garrett Stewart begins The Deed of Reading with a memory of his first hesitant confrontation, as a teenager, with poetic density. In that early verbal challenge he finds one driving force of literature: to make language young again in its surprise, coming alive in each new event of reading. But what exactly happens in the textual encounter to make literary phrasing resonate so deeply with readers? To take the measure of literary writing, The Deed of Reading convenes diverse philosophic commentary on the linguistics of literature, with stress on the complementary work of Stanley Cavell and Giorgio Agamben. Sympathetic to recent ventures in form-attentive analysis but resisting an emphasis on so-called surface reading, Stewart explores not some new formalism but the internal pressures of language in formation, registering the verbal infrastructure of literary prose as well as verse. In this mode of "contextual" reading, the context is language itself. Literary phrasing, tapping the speech act’s own generative pulse, emerges as a latent philosophy of language in its own right, whereby human subjects, finding no secure place to situate themselves within language, settle for its taking place in, through, and between them. Stewart watches and hears this dynamics of wording played out in dozens of poems and novels over two centuries of English literary production—from Wordsworth and Shelley to Browning and Hopkins, from Poe and Dickens through George Eliot, Conrad, James, and on to Toni Morrison. The Deed of Reading offers a revisionary contribution to the ethic of verbal attention in the grip of "deep reading."

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'Astoundingly good. Brave, wickedly funny and profoundly affecting. Wow!' Miranda Dickinson'An emotional punch-packer of a book. Be prepared for it to swallow you whole' Milly Johnson'A big-hearted, funny, hugely emotional and uplifting novel - I loved it!' Rachael Lucas'Such a beautifully written book with characters that will linger in your head and heart' Sarah J Naughton****You don't need talent to join this group of actors. The ability to remember lines or stay awake throughout a performance is appreciated, but not essential. The only mandatory is a terminal diagnosis. But Adam Campbell is less than enthusiastic about this eccentric form of group therapy. He has under one year to live, and a heck of lot to get done. Like explaining mortality to his six-year-old daughter. And making amends with the woman who should have been his wife.The last thing Adam needs is a part in an amateur production of 'Shakespeare's Greatest Deaths'. But help and hope can be found where we least expect them. And perhaps camaraderie, and a shared purpose, will turn out to be the best medicine after all. As Shakespeare, didn't quite put it: Shuffling off this mortal coil is a drag; but it's no reason to stop living.The Cancer Ladies' Running Club meets The One Hundred Years of Lenni and Margot, The Last Act of Adam Campbell is a warm, poignant and wise tale about love, friendship, and making the most of every minute of life that we're granted.

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"From a historical point of point, the book is fascinating... From a literary point of view, it’s eloquent ... If you’re a Bordeaux wine collector with deep pockets and a large cellar, it’s invaluable." —Tamlyn Currin, Jancis Robinson "Associations and societies such as the Bordeaux Club are the very acme of civilization. Botticelli and Bach were engaged in the eternal quest for truth and beauty in painting and music, and the Bordeaux Club did the same for viniculture." — Andrew Roberts "For lovers of claret - indeed, all wine - this can only be described as a drool-inducing book." — World of Fine Wine The story of 12 friends who gathered to share and celebrate the extraordinary wines of Bordeaux. Like-minded in their love of wine, they differed wildly (often alarmingly!) in their personal wealth, life and circumstances – their opinions, always voiced, had the power to ignite anger and divide friendships just as easily as they bound them together. Neil McKendrick, member and minute-taker for 57 of the Club’s 70 extraordinary years, weaves the tale of this convivial group with the rigour of a Cambridge academic (he is ex-Master of Gonville and Caius) and the humour of a born raconteur. Alongside the likes of Hugh Johnson, Steven Spurrier and Michael Broadbent, he celebrates the beauty of top-class Bordeaux and the splendour of each setting – from glorious country park to rickety Dickensian boardroom – in which these men were lucky enough to dine, serving up memories of vintages the like of which we will never see again.

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'Original and pacy' CLARE MACKINTOSH'Fresh, wonderful and unexpected' LISA JEWELL'My debut of the year. Kate Helm is an exceptional story teller' C. L. TAYLOR*****IN HER EYES, NO ONE IS INNOCENTGeorgia Sage has a gift: she can see evil in people. As a courtroom artist she uses her skills to help condemn those who commit terrible crimes. After all, her own brutal past means she knows innocence is even rarer than justice. But when she is drawn back into the trial that defined her career - a case of twisted family betrayal - she realises that her own reckless pursuit of justice may have helped the guilty go free.As Georgia gets closer to the truth behind that case, something happens that threatens not only her career, but even her sanity. At first, she fears her guilt around the events of her terrible childhood is finally coming back to haunt her. But the truth turns out to be even more terrifying . . . *****IF YOU LIKE YOUR THRILLERS ORIGINAL, TWISTY, EXCITING AND FRESH, THEN YOU WILL LOVE THE SECRETS YOU HIDE - perfect for fans of Anatomy of a Scandal and Let Me Lie. Every layer, every twist, every revelation makes you question the very characters you thought you could trust, and rethink a plot you thought you were beginning to unravel . . .'I read the whole thing in on huge unstoppable whoosh' JILL MANSELL'Clever concept so brilliantly executed' ARAMINTA HALL'Terrifying and disorienting, shocking and completely original' MIRANDA DICKINSON'Brilliant, original and shocking' CAZ FREAR

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'Mollie Walton captures your attention from the very first page and doesn't let go!' Diney Costeloe'Beautiful ... I can't wait for the next instalment' Judy Summers'A tender tale of love and strength in the midst of war' Val Wood'Stays with you long after you have finished reading' Margaret Dickinson'A highly enjoyable, immersive read!' Sarah Sykes'Vivid, compulsive, and heart-rending. Had me hooked' Louisa Treger'A lively and heart-warming saga' People's Friend ___________North Yorkshire, September 1939.Rosina Calvert-Lazenby, the widowed matriarch of Raven Hall, must be strong for her five daughters as the war approaches. When the RAF come to stay, Rosina is intrigued by their charismatic – albeit young – sergeant. But is there time for love with the war looming?Grace Calvert-Lazenby is twenty-one years old and ready for a new adventure. Joining the Women's Royal Naval Service, she trades the safety of Raven Hall for exhausting drills and conflicting acts of secrecy. It's not easy, but Grace knows that everyone has a part to play in what's to come.With so much on the line, will Rosina and Grace have the courage to lead those around them into the unknown?This heartwarming, dramatic World War II saga is perfect for fans of Vicki Beeby, Kate Thompson and Rosie Clarke. ___________Reader reviews for A Mother’s War:⭐⭐⭐⭐⭐ 'LOVED IT! The layout and the research is stunning'⭐⭐⭐⭐⭐ 'A fabulous read'⭐⭐⭐⭐⭐ 'A definite 5 stars'⭐⭐⭐⭐⭐ 'Mollie Walton has done it again!'⭐⭐⭐⭐⭐ 'An excellent book by an outstanding writer'

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