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**THE DEFINITIVE, UP-TO-DATE BIOGRAPHY OF FREDDIE MERCURY**'An outstanding biography. . .a fitting testament to the creative genius' -- Daily Mail'Touches all manner of intriguing rock 'n' roll debauchery. . .fascinating reading' -- Time OutThis fascinating biography of Freddie Mercury has received outstanding acclaim from Queen and rock fans worldwide -- now revised and updated to coincide with the release of the film about his life, Bohemian Rhapsody.Born Farrokh Bulsara on the island of Zanzibar, Freddie Mercury rose to worldwide stardom as the lead singer of Britain's biggest music act of all time. In this bestselling biography, Laura Jackson reveals the reality behind Queen's flamboyant frontman and lead singer, as she looks behind his unique brand of showmanship to discover who Freddie Mercury really was. Featuring exclusive interviews with some of those closest to Freddie right up until his tragic death, original Queen members and many others -- including new and intimate stories from Tim Rice, Richard Branson, Cliff Richard, Bruce Dickinson, Mike Moran, Wayne Eagling, Zandra Rhodes and Susannah York -- this is the definitive biography of one of rock's greatest legends.

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Before phonographs and moving pictures, live performances dominated American popular entertainment. Carnivals, circuses, dioramas, magicians, mechanical marvels, musicians, and theatrical troupes-all visited rural fairgrounds, small-town opera houses, and big-city palaces around the country, giving millions of people an escape from their everyday lives for a dime or a quarter. In From Traveling Show to Vaudeville, Robert M. Lewis has assembled a remarkable collection of nineteenth- and early twentieth-century primary sources that document America's age of theatrical spectacle. In eight parts, Lewis explores, in turn, dime museums, minstrelsy, circuses, melodramas, burlesque shows, Wild West shows, amusement parks, and vaudeville. Included in this compendium are biographies, programs, ephemera produced by theatrical entrepreneurs to lure audiences to their shows, photographs, scripts, and song lyrics as well as newspaper accounts, reviews, and interviews with such figures as P. T. Barnum and Buffalo Bill Cody. Lewis also gives us reminiscences about and reactions to various shows by members of audiences, including such prominent writers as Mark Twain, William Dean Howells, Nathaniel Hawthorne, Carl Sandburg, Walt Whitman, Louisa May Alcott, Charles Dickens, O. Henry, and Maxim Gorky. Each section also includes a concise introduction that places the genre of spectacle into its historical and cultural context and suggests major interpretive themes. The book closes with a bibliographic essay that identifies relevant scholarly works. Many of the pieces collected here have not been published since their first appearance, making From Traveling Show to Vaudeville an indispensable resource for historians of popular culture, theater, and nineteenth-century American society.

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This is the tenth part of the facsimile reprint series of the leading English newspaper published in Yokohama throughout the Meiji era. It represents a complete collection, provided by the Yokohama Archives of History and other institutions. Playing an important role for Meiji Japan’s exchange with western society, the journal contains articles on politics, commerce, and economics, and also on the cultural activities of early Japanologists and the Asiatic Society of Japan. Contributors include George Aston, Ernest Satow, Basil Hall Chamberlain, F. V. Dickins, Henry Dyer, William Anderson, Lafcadio Hearn and many others. It is an indispensable primary source for any scholar of Modern Japan.The Japan Weekly Mail published during this period is in particular important for its coverage of Japanese foreign activities following the Anglo-Japanese Treaty. The collection is a vital primary source for all scholars and students seeking to make sense of Japan’s military movements in the early twentieth century.

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Red Kite, Blue Sky, the debut poetry collection from Madeleine May Kunin, celebrates life and the natural world, occasioned by the birth of grand-children, the memories of friendship and past birthdays/Bar Mitzvahs, a gift of plum-colored gloves from the poet’s daughter, the Sicilian sun which “melts my argument against myself," with sharp observations and humor. Like Emily Dickinson before her, Kunin does not shy away from death; rather she embraces the anticipation “before death drags me deep,” the gap in her life when her beloved husband dies, the fear of immigration to America during World War II with “an H for Hebrew, I found out later,” and the sadness of being isolated as an older woman living alone during the pandemic. For years Kunin was caught in the tempo of politics—as governor, as a federal official, and as an ambassador—but as she eased into retirement from public life, she found a door that opened for her to explore the multi-layered language of poetry.

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“1789 April: Just before sun-rising, Mr. Christian, with the master at arms, gunner’s mate, and Thomas Burket, seaman, came into my cabin while I was asleep, and seizing me, tied my hands with a cord behind my back and threatened me with instant death if I spoke or made the least noise.” So began William Bligh’s explanation of the infamous mutiny aboard the Bounty. His account of his capture and his phenomenal navigation of a small boat filled with men desperate to survive is one of the greatest sailing stories ever told. It is just one account readers will find in Astounding Sea Stories—many that have been sitting unread for decades. Some are from master writers whose deserved fame rests on works and characters who lived far from the sea. Here are sea stories from Jack London, his first published work, written miles from the frozen north that he loved and wrote about often—and from Charles Dickens without Scrooge, Victor Hugo far from Paris, and Arthur Conan Doyle on the deck of a ship without Sherlock or Watson. All are hidden gems that make you wish they had written and the sea and ships. Here also are marquee names like Melville and Richard Henry Dana, the official report of the sinking of the Titanic, a first-person account of the wreck of the Medusa, and a story by an unknown captain written after his ship was sunk by a whale. Imagine that. This eclectic collection will not disappoint any armchair seafarer.

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Alice Fulton reimagines the great lyric subjects—time, death, love—and imbues them with fresh urgency and depth. Barely Composed unveils the emotional devastations that follow trauma or grief—extreme states that threaten psyche and language with disintegration. With rare originality, the poems illuminate the deepest suffering and its aftermath of hypervigilance and numbness, the "formal feeling" described by Emily Dickinson. Elegies contemplate temporal mysteries—the brief span of human/animal life, the nearly eternal existence of stars and nuclear fuel, the enduring presence of the arts—and offer unsparing glimpses of personal loss and cultural suppressions of truth. Under the duress of silencing, whether chosen or imposed, language warps into something uncanny, rich, and profoundly moving. Various forms of inscription—coloring book to redacted document—enact the combustible power of the unsaid. Though "anguish is the universal language," there also is joy in the reciprocity of gifts and creativity, intellect and intimacy. Gorgeous vintage rhetorics merge with incandescent contemporary registers, and this recombinant linguistic mix gives rise to poems of disarming power. Visionaries—truth tellers, revelators, beholders—offer testimony as beautiful as it is unsettling. Shimmering with the "good strangeness of poetry," Barely Composed bears witness to love’s complexities and the fragility of existence. In the midst of cruelty, a world in which “the pound is by the petting zoo,” Fulton’s poems embrace the inextinguishable search for goodness, compassion, and "the principles of tranquility."

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On the night of April 15, 1990, Jill Bialosky's twenty-one-year-old sister Kim came home from a bar in downtown Cleveland. She argued with her boyfriend on the phone. Then she took her mother's car keys, went into the garage, and closed the garage door. Her body was found the next morning. Those are the simple facts, but the act of suicide is far from simple. For twenty years, Bialosky has lived with the grief, guilt, questions, and confusion unleashed by Kim's suicide. Now, in a remarkable work of literary non-fiction, she recreates with unsparing honesty her sister's inner life, and the events and emotions that led her to take her life on this particular night. In doing so, she opens a window on the nature of suicide itself, our own reactions and responses to it - especially the impact a suicide has on those who remain behind. Drawing on the works of doctors and psychologists as well as a range of writers from Herman Melville and Emily Dickinson to Sylvia Plath and Wallace Stevens, Bialosky gives us a haunting exploration of human fragility and strength. She juxtaposes the story of Kim's death with the challenge of becoming a mother and her own experience of raising a son. This is a book that explores the families we are born into, the families circumstances give us, and the tender and enduring bonds that keep us connected to the people we love, even after they have left us.

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When Jack the Ripper first prowled the streets of London, an evening newspaper commented that his crimes were as ghastly as those committed by Eliza Grimwood’s murderer fifty years earlier. Hers is arguably the most infamous and brutal of all nineteenth-century London killings. Eliza was a high-class prostitute, and on 26 May 1838, following an evening at the theatre, she brought a ‘client’ back to her home in Waterloo Road. The morning after, she was found with her throat cut and her abdomen viciously ‘ripped’. The client was nowhere to be seen. The ensuing murder investigation was convoluted, with suspects ranging from an alcoholic bricklayer to a royal duke. Londoners from all walks of life followed the story with a horror and fascination – among them Charles Dickens, who took inspiration from Eliza’s death when he wrote the murder of Nancy in Oliver Twist. Despite this feverish interest, the case was left unsolved, becoming the subject of ‘penny dreadfuls’ and urban legend. Unusually for a crime of this early period, the diary of the police officer leading the investigation has been preserved for posterity, and Jan Bondeson takes full advantage of this unique access to a Victorian murder inquiry. Skilfully dissecting what evidence remains, he links this murder with a series of other opportunist early Victorian slayings, and, in putting forward a credible new suspect, concludes that the Ripper of Waterloo Road was, in fact, a serial killer claiming as many as four victims.

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How do we understand Christmas? What does it mean? This book is a lively introduction to the study of popular culture through one central case study. It explores the cultural, social and historical contexts of Christmas in the UK, USA and Australia, covering such topics as fiction, film, television, art, newspapers and magazines, war, popular music and carols. Chapters explore the ways in which the production of meaning is mediated by the social and cultural activities surrounding Christmas (watching Christmas films, television, listening or engaging with popular music and carols), its relationship to a set of basic values (the idealised construct of the family), social relationships (community), and the ways in which ideological discourses are used and mobilised, not least in times of conflict, terrorism and war. Packed with examples ranging from Charles Dickens' seminal text, A Christmas Carol, Coca-colonisation and Santa Claus, Victorian cartoons and Christmas cards, to Dr Who, The Office, 'A Fairy Tale of New York', 'Happy Christmas (War is Over)', and such dystopian films as Jingle All the Way and All I Want For Christmas, the case studies offer an incisive account of the ways in which Christmas relates to social change, and how such recent events as 9/11 and the continuing conflict in Iraq focus attention on traditional themes of community and family. Christmas, Ideology and Popular Culture offers students and scholars alike an opportunity to explore the hidden agendas of the world's most popular festival and what it means to the outsider looking in.

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In the winter of 1939 in the cold snow of no-man's-land, two loners met and began an extraordinary journey together, one that would bind them for the rest of their lives. One was an orphaned puppy, abandoned by his owners as they fled the approaching Nazi forces. The other, a lost soul of a different sort - a Czech airman, flying for the French Air Force but soon to be bound for the RAF and the country that he would call home.Airman Robert Bozdech stumbled across the tiny German Shepherd after being shot down during a daring mission over enemy lines. Unable to desert his charge, he hid the dog inside his flying jacket as he made his escape. In the months that followed the pair would save each other's lives countless times as they fled France and flew together with Bomber Command; the puppy - which Robert named Ant - becoming the Squadron mascot along the way. Wounded repeatedly in action, shot, facing crash-landings and parachute bailouts, Ant was eventually grounded due to injury. Even then he refused to abandon his duty, waiting patiently beside the runway for his master's return from every sortie.By the end of the war Robert and Ant had become very British war heroes, and Ant was justly awarded the Dickin Medal, the 'Animal VC'. Thrilling and deeply moving, their story will touch the heart of anyone who understands the bond that exists between one man and his dog.

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What did Charles Dickens savour in punch, Thomas Jefferson eat in omelettes, Queen Victoria sip in navy grog, and the Kamehameha Kings of Hawaii drink straight? What helped spark the American Revolution, was used as currency in Australia, was targeted by the Temperance Movement, and is still a sacramental offering among voodoo worshippers? The answer is rum, whose colourful, secret history is described in Rum: A Global History. This book chronicles the evolution of rum, from a raw spirit concocted for slaves five hundred years ago, to a beverage savoured by connoisseurs. It charts the history of the drink, showing how this once-humble spirit has become a worldwide phenomenon over the last five hundred years. Rum: A Global History shows how rum has left its mark on religious rituals, popular songs and other cultural landmarks, describing a far more varied and interesting history of the drink than is commonly known. Also included in the book are recipes for sweet and savoury rum dishes, obscure but delicious rum drinks, and illustrations of rum memorabilia from the earliest days to the tiki craze of the 1950s. Costing less than a bottle of good rum, Rum: A Global History will provide satisfaction for far longer, with none of the hangover, guaranteed. The book will delight all who enjoy the beverage and wish to learn more of its heritage, as well as those who enjoy a fast-paced, well-written history of food.

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Perfect reading for fans of Katie Flynn, Margaret Dickinson and Ellie Dean! Meet the Gunner Girls - three women with one shared ambition: to join the ATS and do their bit for King and country.Bea has grown up part of a large, boisterous Kent family. But she hasn't heard from her soldier sweetheart in months and her mother is controlling her life. She needs to take charge of her future.Edie inhabits a world of wealth and privilege, but knows only too well that money can't buy happiness. She wants to be like Winston Churchill's daughter, Mary, to make a difference.Joan can't remember anything of her past or her family, and her home has been bombed in the Blitz. Desperate, she needs a refuge. Each one is a Gunner Girl: three very different women, one remarkable wartime friendship of shared hopes, lost loves and terrible danger. 'Will delight all those who love a good wartime story' Dilly Court 'An irresistible tale of friendship, love and heartache during WW2 that had me enthralled' Kate Furnivall 'Heart-warming, enjoyable and full of surprises, I loved The Gunner Girl' Elizabeth Chadwick 'Clare Harvey is an exceptional new talent. The Gunner Girl offers a stunningly realistic vision of the WW2 era, through the intertwined lives and loves of three very different women. The story is brought to life by razor sharp dialogue, an eye for period details and a taut plot which never becomes sentimental' Kate Rhodes

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"Traditional food production and food economies have changed drastically as a result of social, economic, and political influences. A decrease in subsistence production and consumption of country food and concomitant increase in imported and prepared food has brought increased health risks. But neither are country foods without risk, with impacts of contamination, climate, and cultural change. Contributions from a 5-year multi-disciplinary study examine the impacts of development and environmental change, conservation, co-management and quota systems, fur boycotts and anti-sealing lobbies, the disruption of traditional distribution networks, impacts of new technologies, transportation and infrastructure, the influence of wage economies, market forces, social policies, as well as legal and jurisdictional influences. Issues and their intensity vary between regions of the circumarctic, but many common themes emerge. Introduction by Gerard Duhaime and Nick Bernard. Chapters by: Sophie Theriault, Ghislain Otis, Gerard Duhaime, and Christopher Furgal; Gerard Duhaime, Eric Dewailly, Paule Halley, Christopher Furgal, Nick Bernard, Anne Godmaire, Carole Blanchet, Heather Myers, Stephanie Powell, Susie Bernier, and Jacques Grondin; Heather Myers, Stephanie Powell, and Gerard Duhaime; Heather Myers, Stephanie Powell, and Gerard Duhaime; Marcelle Chabot; Rasmus Ole Masmussen, Gerard Duhaime, Eric Dewailly, Christopher Furgal, Nick Bernard, Carole Blanchet, Peter Bjerregaard, and Alexandre Morin; Rasmus Ole Rasmussen; Josee Arsenault; Ludger Muller-Wille, Leo Granberg, Mika Helander, Lydia Heikkila, Anni-Siiri Lansman, Tuula Tuisku, and Delia Berrouard; Ludger Muller-Wille, Jorunn Eikjok, and Dietbert Thannheiser; Tuula Tuisku; Larissa Abrutina; Chris D. James Paci, Cindy Dickson, Scot Nikels, Hing Man Chan, and Christopher Furgal; and Gerard Duhaime and Nick Bernard. Poster presentations presented as plates by: Gerard Duhaime, Nick Bernard, and Alexandre Morin; Ghislain Otis and Sophie Theriault; Paule Halley and Genevieve Parent; Marcelle Chabot; Paule Halley; Marie-Josee Verreault and Paule Halley; Alexandre Morin and Gerard Duhaime; Veronique Belanger and Paul Halley; and Anne Godmaire and Gerard Duhaime. "

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A masterful synthesis of literary readings and poetic reflections, making profound contributions to our understanding of chronic painAt the intersection of queer theory and disability studies, acclaimed theorist Michael D. Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable. Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, Contingent Figure resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close readings of Herman Melville, Emily Dickinson, Henry James, and many others. Its juxtaposition of these readings with candid autobiographical accounts makes Contingent Figure an exemplary instance of literary theory as a practice of lyric attention.Thoroughly rigorous and anything but predictable, this stirring inquiry leaves the reader with a rich critical vocabulary indebted to the likes of Maurice Blanchot, Gilles Deleuze, D. O. Winnicott, and Eve Kosofsky Sedgwick. A master class in close reading’s inseparability from the urgency of lived experience, this book is essential for students and scholars of disability studies, queer theory, formalism, aesthetics, and the radical challenge of Emersonian poetics across the long American nineteenth century.

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A masterful synthesis of literary readings and poetic reflections, making profound contributions to our understanding of chronic painAt the intersection of queer theory and disability studies, acclaimed theorist Michael D. Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable. Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, Contingent Figure resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close readings of Herman Melville, Emily Dickinson, Henry James, and many others. Its juxtaposition of these readings with candid autobiographical accounts makes Contingent Figure an exemplary instance of literary theory as a practice of lyric attention.Thoroughly rigorous and anything but predictable, this stirring inquiry leaves the reader with a rich critical vocabulary indebted to the likes of Maurice Blanchot, Gilles Deleuze, D. O. Winnicott, and Eve Kosofsky Sedgwick. A master class in close reading’s inseparability from the urgency of lived experience, this book is essential for students and scholars of disability studies, queer theory, formalism, aesthetics, and the radical challenge of Emersonian poetics across the long American nineteenth century.

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Literary traditions of urban description in the nineteenth century revolve around the figure of the stroller, a man who navigates and observes the city streets with impunity. Whether the stroller appears as fictional character, literary persona, or the nameless, omnipresent narrator of panoramic fiction, he casts the woman of the streets in a distinctive role. She functions at times as a double for the walker's marginal and alienated self and at others as connector and contaminant, carrier of the literal and symbolic diseases of modern urban life. In Walking the Victorian Streets, Deborah Epstein Nord explores the way in which the female figure is used as a marker for social suffering, poverty, and contagion in texts by De Quincey, Lamb, Pierce Egan, and Dickens. What, then, of the female walker and urban chronicler? While the male spectator enjoyed the ability to see without being seen, the female stroller struggled to transcend her role as urban spectacle and her association with sexual transgression. In novels, nonfiction, and poetry by Elizabeth Gaskell1 Flora Tristan, Margaret Harkness, Amy Levy, Maud Pember Reeves, Beatrice Webb, Helen Bosanquet, and others, Nord locates the tensions felt by the female spectator conscious of herself as both observer and observed. Finally, Walking the Victorian Streets considers the legacy of urban rambling and the uses of incognito in twentieth-century texts by George Orwell and Virginia Woolf.

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If you are looking for the intersection of past practices, current thinking, and future insights into the ever-expanding world of Entrepreneurship education, then you will want to read and explore the third volume of the Annals of Entrepreneurship Education and Pedagogy. Prepared under the auspices of the United States Association for Small Business and Entrepreneurship (USASBE), this compendium covers a broad range of scholarly, practical, and thoughtful perspectives on a compelling range of entrepreneurship education issues.The third volume spans topics ranging from innovative practices in facilitating entrepreneurship teaching and learning inside and outside the classroom, learning innovation, model programs, to the latest research from top programs and thoughts leaders in Entrepreneurship. Moreover, the third volume builds on those previous as it continues to investigate critical issues in designing, implementing and assessing experiential learning techniques in the field of entrepreneurship.This updated volume provides insights and challenges in the development of entrepreneurship education for students, educators, mentors, community leaders, and more. Annals of Entrepreneurship Education and Pedagogy - 2018 is a must-have book for any entrepreneurship professor, scholar or program director dedicated to advancing entrepreneurship education in the U.S. and around the world.Contributors include: S. Ahluwalia, N. Alabduljader, S. Alpi, B. Aulet, C. Bandera, S.H. Barr, L. Berçot, T. Best, C. Bodnar, C. Brush, K. Byrd, J.C. Carr, B.J. Cowden, P. Dickson, M. Dominik, K. Ellborg, A. Eminet, Y.J. English, G. Gonzalez, B. Graham, L. Gundry, A. Hargadon, J. Hart, G. Hertz, T.R. Holcomb, B. Honig, A. Huang-Saad, J.A. Katz, E. Koester, S. Kogelen, P. Kreiser, A. Kukreti, Y. Lee, J. Libarkin, E. Liguori, R.V. Mahto, C.H. Matthews, W. McDowell, T.L. Michaelis, P. Mitra, K. Passerini, L. Pittaway, J.M. Pollack, K. Pon, R.S. Ramani, J. Reid, L. Ross, Y. Rubin, N. Sebra, S. Sen, L. Sheats, P. Shekhar, B.R. Smith, G.T. Solomon, S. Solomon, S. Terjesen, S.W. Thiel, B. Thomsen, O. Voula, M.K. Ward, A.H. Wrede, L.J. Zane, Y. Zhang, A. Zimbroff

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What are the future prospects for literary knowledge now that literary texts—and the material remains of authorship, publishing, and reading—are reduced to bitstreams, strings of digital ones and zeros? What are the opportunities and obligations for book history, textual criticism, and bibliography when literary texts are distributed across digital platforms, devices, formats, and networks? Indeed, what is textual scholarship when the "text" of our everyday speech is a verb as often as it is a noun? These are the questions that motivate Matthew G. Kirschenbaum in Bitstreams, a distillation of twenty years of thinking about the intersection of digital media, textual studies, and literary archives. With an intimate narrative style that belies the cold technics of computing, Kirschenbaum takes the reader into the library where all access to Toni Morrison's "papers" is mediated by digital technology; to the bitmapped fonts of Kamau Brathwaite's Macintosh; to the process of recovering and restoring fourteen lost "HyperPoems" by the noted poet William Dickey; and finally, into the offices of Melcher Media, a small boutique design studio reimagining the future of the codex. A persistent theme is that bits—the ubiquitous ones and zeros of computing—are never self-identical, but always inflected by the material realities of particular systems, platforms, and protocols. These materialities are not liabilities: they are the very bulwark on which we stake the enterprise for preserving the future of literary heritage.

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When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations.The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman.Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.

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The Best American Magazine Writing 2023 offers a selection of outstanding journalism on timely topics, including inequalities and injustices pressuring families, especially mothers. Rozina Ali tells the story of a U.S. marine who unlawfully adopted an Afghan girl and her family’s efforts to bring her home (New York Times Magazine). A Mother Jones exposé confronts the imprisonment of women for failing to protect their children from their abusive partners. “The Landlord and the Tenant” juxtaposes the lives of a poor single mother convicted for her children’s deaths in a fire and the man who owned the fatal property (ProPublica with Milwaukee Journal Sentinel). Caitlin Dickerson investigates the history of the U.S. government’s family-separation policy (The Atlantic). Jia Tolentino’s New Yorker commentary considers abortion in a post-Roe world.The anthology features pieces on a wide range of subjects, such as Nate Jones on the “Nepo Baby” and Allison P. Davis’s essay about a decade on Tinder (New York). Natalie So recounts how her mother’s small computer chip company became the target of a Silicon Valley crime ring (The Believer). Clint Smith asks what Holocaust memorials in Germany can teach the United States about our reckoning with slavery (The Atlantic). Esquire’s Chris Heath examines the FBI’s involvement in a plot to kidnap the governor of Michigan. Courtney Desiree Morris takes a queer psychedelic ramble through New Orleans (Stranger’s Guide). Namwali Serpell reflects on representations of sex workers (New York Review of Books). An ESPN Digital investigation uncovers Penn State’s other serial sexual predator before Jerry Sandusky. Profiles of the acclaimed actress Viola Davis (New York Times Magazine) and the self-taught artist Matthew Wong (New Yorker), as well as Michelle de Kretser’s short story “Winter Term” (Paris Review), round out the volume.

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The Best American Magazine Writing 2023 offers a selection of outstanding journalism on timely topics, including inequalities and injustices pressuring families, especially mothers. Rozina Ali tells the story of a U.S. marine who unlawfully adopted an Afghan girl and her family’s efforts to bring her home (New York Times Magazine). A Mother Jones exposé confronts the imprisonment of women for failing to protect their children from their abusive partners. “The Landlord and the Tenant” juxtaposes the lives of a poor single mother convicted for her children’s deaths in a fire and the man who owned the fatal property (ProPublica with Milwaukee Journal Sentinel). Caitlin Dickerson investigates the history of the U.S. government’s family-separation policy (The Atlantic). Jia Tolentino’s New Yorker commentary considers abortion in a post-Roe world.The anthology features pieces on a wide range of subjects, such as Nate Jones on the “Nepo Baby” and Allison P. Davis’s essay about a decade on Tinder (New York). Natalie So recounts how her mother’s small computer chip company became the target of a Silicon Valley crime ring (The Believer). Clint Smith asks what Holocaust memorials in Germany can teach the United States about our reckoning with slavery (The Atlantic). Esquire’s Chris Heath examines the FBI’s involvement in a plot to kidnap the governor of Michigan. Courtney Desiree Morris takes a queer psychedelic ramble through New Orleans (Stranger’s Guide). Namwali Serpell reflects on representations of sex workers (New York Review of Books). An ESPN Digital investigation uncovers Penn State’s other serial sexual predator before Jerry Sandusky. Profiles of the acclaimed actress Viola Davis (New York Times Magazine) and the self-taught artist Matthew Wong (New Yorker), as well as Michelle de Kretser’s short story “Winter Term” (Paris Review), round out the volume.

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Would you marry a stranger to live the life of your dreams?'A fun and refreshing read! I couldn't put it down!' HEIDI SWAIN'The best book I've read in 2021. I LOVED it, it made me smile so much. Fresh, funny and utterly wonderful' HOLLY MARTIN'Original, funny and so, so romantic, The Wedding Pact is a breath of fresh air that you should add to your summer reading list immediately' CRESSIDA MCLAUGHLINAugust Anderson needs somewhere to live. Dumped by her boyfriend who would rather be alone than move in with her, she has almost given up on happiness. Until she notices that the beautiful Georgian townhouse she's long admired (ahem, *obsessed over*) is looking for a new tenant, and suddenly it seems like things might be looking up . . .There's just one catch - the traditional, buttoned-up landlord is only willing to rent to a stable, married couple and August, quite frankly, is neither. Competition for the house is fierce and August knows she'll have to come up with a plan or risk losing her last shot at her happy ending.Enter Flynn, the handsome, charming and somewhat unsuspecting gentleman who August accidentally spills her coffee over. Flynn is new to the area and is looking for somewhere to live, and August thinks she knows just the place, but only if he's willing to tell a little white lie . . .The perfect feel-good summer read from reader favourite Lisa Dickenson, writing as Isla Gordon. Perfect for fans of Heidi Swain, Sarah Morgan and Anna Bell Don't miss the brand-new hilarious and heart-warming romcom from Isla Gordon, A New York Winter, available to pre-order now!Praise for ISLA GORDON:'Heart-warming and full of hope. I loved it' HEIDI SWAIN'The most beautiful, heart-warming story. Gorgeously cosy, uplifting . . . utterly lovely book' HOLLY MARTIN'Sunday afternoon bliss!' FABULOUS magazine

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The fascinating, true, story of baseball’s amateur origins. “Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat.”—Paul Dickson, The Wall Street JournalBaseball’s true founders don’t have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs — ordinary people — who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War.But that’s not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. You have read that baseball’s color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball’s first professional club. Not true. They weren’t the first professionals; they weren’t all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball’s first fans, the first ballpark, the first statistics—and modern pitching.Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren’t invited to the party; we crashed it. Professionalism wasn’t part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall.When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball’s amazing amateurs had already done that.Thomas W. Gilbert’s history is for baseball fans and anyone fascinating by history, American culture, and how great things began.

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What is the connection between citizenship and friendship in Victorian fiction? Why do Victorian writers use the portrayal of relations between mentor and protégé as a way of meditating on the possibilities of democratic governance? In Friendship's Bonds, Richard Dellamora revisits the classical and Victorian dream that a just society would be one governed by friends. In the actual struggle over who should or should not be eligible for the rights of citizenship, however, the ideal of fraternity was troubled by anxieties about the commingling of populations and the possible conversion of male intimacy into sexual anarchy. Focusing on the writings of Benjamin Disraeli as well as those of his leading political rival, William Gladstone, Dellamora considers how sodomitic intimations inflect debates on the enfranchisement of Jews as well as artisans, women, and the Irish during the period. Examining works as various as Karl Marx's essay on the Jewish Question, Victorian Bible commentaries, and novels by Dickens, George Eliot, Trollope, and Henry James, Dellamora further argues that the novel and other creative arts, such as portraiture and the theater, offered important sites for evoking and shaping the Victorians' imagination and experience of democratic possibilities. Systematically bringing together discourses on queer identities in Victorian England, Jewish identities in nineteenth-century literary and political culture, and the ways these powerful forms of otherness intersect, Friendship's Bonds offers an intriguing analysis of how the dream of a perfect sympathy between friends continually challenged Victorians' capacity to imagine into existence a world not of strangers or enemies but of fellow citizens.

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This book takes a fascinating look at the iconic figure of the Native American in the British cultural imagination from the Revolutionary War to the early twentieth century, and examining how Native Americans regarded the British, as well as how they challenged their own cultural image in Britain during this period. Kate Flint shows how the image of the Indian was used in English literature and culture for a host of ideological purposes, and she reveals its crucial role as symbol, cultural myth, and stereotype that helped to define British identity and its attitude toward the colonial world.Through close readings of writers such as Charles Dickens, Elizabeth Gaskell, and D. H. Lawrence, Flint traces how the figure of the Indian was received, represented, and transformed in British fiction and poetry, travelogues, sketches, and journalism, as well as theater, paintings, and cinema. She describes the experiences of the Ojibwa and Ioway who toured Britain with George Catlin in the 1840s; the testimonies of the Indians in Buffalo Bill's Wild West Show; and the performances and polemics of the Iroquois poet Pauline Johnson in London. Flint explores transatlantic conceptions of race, the role of gender in writings by and about Indians, and the complex political and economic relationships between Britain and America.The Transatlantic Indian, 1776-1930 argues that native perspectives are essential to our understanding of transatlantic relations in this period and the development of transnational modernity.

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What we can learn about caregiving and community from the Victorian novelIn Communities of Care, Talia Schaffer explores Victorian fictional representations of care communities, small voluntary groups that coalesce around someone in need. Drawing lessons from Victorian sociality, Schaffer proposes a theory of communal care and a mode of critical reading centered on an ethics of care.In the Victorian era, medical science offered little hope for cure of illness or disability, and chronic invalidism and lengthy convalescences were common. Small communities might gather around afflicted individuals to minister to their needs and palliate their suffering. Communities of Care examines these groups in the novels of Jane Austen, Charlotte Brontë, Charles Dickens, George Eliot, Henry James, and Charlotte Yonge, and studies the relationships that they exemplify. How do carers become part of the community? How do they negotiate status? How do caring emotions develop? And what does it mean to think of care as an activity rather than a feeling? Contrasting the Victorian emphasis on community and social structure with modern individualism and interiority, Schaffer’s sympathetic readings draw us closer to the worldview from which these novels emerged. Schaffer also considers the ways in which these models of carework could inform and improve practice in criticism, in teaching, and in our daily lives.Through the lens of care, Schaffer discovers a vital form of communal relationship in the Victorian novel. Communities of Care also demonstrates that literary criticism done well is the best care that scholars can give to texts.

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'The equivalent of someone pouring Welsh honey into your heart' MILLY JOHNSON'Gorgeous characters, heart-breakingly real, warm and funny pitch-perfect story' MIRANDA DICKINSON'Uplifting and romantic, I couldn't put it down!' DEBBIE JOHNSON'Gorgeous and big-hearted, perfect to escape with this summer!' HOLLY MARTIN'Laura's writing is breathtakingly beautiful and packed with wit and warmth' CATHY BRAMLEY'Relatable, fun, perfect summer escapism!' HELEN ROLFEOne summer to change her life... Wanda Williams has always dreamed of leaving her wellies behind her and travelling the world! Yet every time she comes close to following her heart, life always seems to get in the way.So, when her mother ends up in hospital and her sister finds out she's pregnant with twins, Wanda knows that only she can save the crumbling campsite at the family farm.Together with her friends in the village, she sets about sprucing up the site, mowing the fields, replanting the allotment and baking homemade goodies for the campers.But when a long-lost face from her past turns up, Wanda's world is turned upside-down. And under a starry sky, anything can happen...Praise for Laura Kemp:'Witty, warm and wonderful. I loved it!' MILLY JOHNSON'Warm, funny, sweet...what a fab read' LUCY DIAMOND'A truly wonderful and heart-warming read' HEIDI SWAIN'An absolute joy' ISABELLE BROOM'I loved it' CLARE MACKINTOSH'An adorable life-affirming book' ROWAN COLEMAN

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Grantchester Mysteries 2 _______________ 'Runcie is emerging as Grantchester’s answer to Alexander McCall Smith. The book brings a dollop of Midsomer Murders to the Church of England, together with a literate charm of its own: civilized entertainment, with dog-collars' - Spectator 'A perfect accompaniment to a sunny afternoon, a hammock and a glass of Pimm's' - Guardian 'Totally English, beautifully written, perfectly in period and wryly funny. More, please!' - Leslie Geddes Brown, Country Life _______________ Grantchester is now a major, prime-time six-part series for ITV 1955. Canon Sidney Chambers, loveable priest and part-time detective, is back. Accompanied by his faithful Labrador, Dickens, and the increasingly exasperated Inspector Geordie Keating, Sidney is called to investigate the unexpected fall of a Cambridge don from the roof of King's College Chapel, a case of arson at a glamour photographer's studio and the poisoning of Zafar Ali, Grantchester's finest spin bowler. Alongside his sleuthing, Sidney has other problems. Can he decide between his dear friend, the glamorous socialite Amanda Kendall and Hildegard Staunton, the beguiling German widow? To make up his mind Sidney takes a trip abroad, only to find himself trapped in a web of international espionage just as the Berlin Wall is going up. _______________ 'The series has a charming quaintness and deftly turning plot twists but what renders it unique as detective fiction is its overtly Christian content' - Arifa Akbar, Independent 'It takes a first-class writer to put together a convincing storyline for such unlikely circumstances. James Runcie does it admirably … He is a good man in an imperfect world and we should welcome him to the ranks of classic detectives' - Daily Mail

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'Mollie Walton captures your attention from the very first page and doesn't let go!' Diney Costeloe'Beautiful ... I can't wait for the next instalment' Judy Summers'A tender tale of love and strength in the midst of war' Val Wood'Stays with you long after you have finished reading' Margaret Dickinson'A highly enjoyable, immersive read!' Sarah Sykes'Vivid, compulsive, and heart-rending. Had me hooked' Louisa Treger'A lively and heart-warming saga' People's Friend ___________North Yorkshire, September 1939.Rosina Calvert-Lazenby, the widowed matriarch of Raven Hall, must be strong for her five daughters as the war approaches. When the RAF come to stay, Rosina is intrigued by their charismatic – albeit young – sergeant. But is there time for love with the war looming?Grace Calvert-Lazenby is twenty-one years old and ready for a new adventure. Joining the Women's Royal Naval Service, she trades the safety of Raven Hall for exhausting drills and conflicting acts of secrecy. It's not easy, but Grace knows that everyone has a part to play in what's to come.With so much on the line, will Rosina and Grace have the courage to lead those around them into the unknown?This heartwarming, dramatic World War II saga is perfect for fans of Vicki Beeby, Kate Thompson and Rosie Clarke. ___________Reader reviews for A Mother’s War:⭐⭐⭐⭐⭐ 'LOVED IT! The layout and the research is stunning'⭐⭐⭐⭐⭐ 'A fabulous read'⭐⭐⭐⭐⭐ 'A definite 5 stars'⭐⭐⭐⭐⭐ 'Mollie Walton has done it again!'⭐⭐⭐⭐⭐ 'An excellent book by an outstanding writer'

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The perfect introduction to poetry, The Poetry Book offers a fascinating exploration of more than 90 of the world's greatest poetic works.Discover poems in all their many guises, from the epics of the ancient world through Renaissance sonnets to modernist masterpieces such as The Waste Land, and the key works of the last 50 years, including And Still I Rise by Maya Angelou and Derek Walcott's Omeros.Using the Big Ideas series' trademark combination of clear explanation, witty infographics, and inspirational quotes, The Poetry Book unlocks the key ideas, themes, imagery, and structural techniques behind even the most complex of poems, in clear and simple terms, setting each work in its historical, social, cultural, and literary context. Dive into the passionate world of poetry to discover:COMPREHENSIVE: Brings together a curated selection of the most celebrated and important poems ever written, majoring on English-language poetryANALYTICAL: Provides critical analysis of form, structure, and style, exploring the trademark themes and subjects of the poets who wrote them, and using each poem as a route into wider literary trends, poetic movements and schools, and related poetsGRAPHIC APPROACH: Combines creative typography, graphics, and clear text to explore the world's most famous and important poems, and the people behind them, in a unique wayEYE-CATCHING: Thought-provoking graphics and flow-charts explore form and structure, and the central concepts behind each work QUOTATIONS: Features insightful and inspiring quotes from the featured poems, the poets behind them, and leading writers and criticsREFERENCE: Features a glossary section of poetic termsDelve into the works of Dante, Baudelaire, Rumi, Dickinson, Eliot, and Li Bai with in-depth literary analysis and fascinating biographies. Find out what odes, ballads, and allegories are. Trace recurring motifs, explore imagery, and discover how rhyme and rhythm work. From Homer's Odyssey to Seamus Heaney's Casualty, The Poetry Book is essential reading for lovers of poetry and aspiring poets alike.

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The Tooth that Nibbles at the Soul brings together Marshall Brown’s new and previously published writings on literature and music. These essays engage questions that are central to the development of literature, music, and the arts in the period from Romanticism at the end of the eighteenth century to the avant-garde movements of the early twentieth, a period in which the modern evolution of the arts is coupled with a rise in the significance of music as artistic form. With a special focus on lyric poetry and canonical composers including Mozart, Bach, Beethoven, Brahms, and Schubert, Brown ties the growing prominence of music in this period to the modernist principle of abstraction. Music, as Brown provocatively notes, conveys meaning without explicitly saying anything. This principle of abstraction could be taken as the overriding formula for modernist art in general; and it explains why in this period music becomes the model to which all the other arts, in particular painting and literature, aspire. Brown’s title, taken from a poem by Emily Dickinson, reminds us that abstraction -- musical and artistic – is anything but toothless; indeed, it “nibbles at the soul” in subtle and enduring ways. Throughout his wide-ranging and erudite analysis, Brown’s goal is to pinpoint the nature of music’s bite and to illuminate the shared elements of literature and music. While there are many previous comparisons of music and poetry, few are systematic or based on a solid knowledge of both literary criticism and musicology. Brown’s essays can be enjoyed by a general, well-read public not trained in either music or eighteenth-century literature, as well as by an audience steeped in sophisticated (if not technical) musical analysis.

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'Richly entertaining... impressively well-researched' Daily Mail, Biography of the YearThe Sunday Times bestselling biography of the glamorous couple behind the modern royal family, the aunt and uncle of Prince Philip.DICKIE MOUNTBATTEN: A major figure behind his nephew Philip's marriage to Queen Elizabeth II and instrumental in the Royal Family taking the Mountbatten name, he was Supreme Allied Commander of South East Asia during World War II and the last Viceroy of India.EDWINA MOUNTBATTEN: Once the richest woman in Britain and a playgirl who enjoyed numerous affairs, she emerged from World War II as a magnetic and talented humanitarian worker loved around the­ world.From British high society to the South of France, from the battlefields of Burma to the Viceroy's House, The Mountbattens is a rich and filmic story of a powerful partnership, revealing the truth behind a carefully curated legend.Was Mountbatten one of the outstanding leaders of his generation, or a man over-promoted because of his royal birth, high-level connections, film-star looks and ruthless self-promotion? What is the true story behind controversies such as the Dieppe Raid and Indian Partition, the love affair between Edwina and Nehru, and Mountbatten's assassination in 1979?Based on over 100 interviews, research from dozens of archives and new information released under Freedom of Information requests, prize-winning historian Andrew Lownie sheds new light on­ this remarkable couple.'Painstakingly researched... genuinely enthralling' Observer'A page-turner which is also a carefully researched work of history' Spectator'A compelling new biography...superbly researched' Daily Express'Incisive... strongly recommend' The Times

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'In the Research Handbook of Expatriates, Yvonne McNulty and Jan Selmer have created a seminal work that should be on the bookshelf of all social scientists who work in the field of expatriation. More senior scholars will appreciate the ''deep dive'' each chapter takes into the literature, each one acting as a reservoir they can draw from to powerfully inform their future research efforts. Doctoral students and newly minted PhDs will find this book to be especially valuable - the final chapter of the book alone provides inestimable career and ''how-to-publish'' guidance for them in the field of expatriation. The coverage of the history, construct, milieu, research methodologies, and issues is the best I have come across in a single volume in over 30 years of working in the field. In short, this is a monumental contribution to the study of expatriates and global mobility.'- Mark E. Mendenhall, University of Tennessee'McNulty and Selmer's edited volume does a wonderful job of consolidating and integrating everything we know about expatriates and their different types. This long-overdue Handbook, featuring chapters by top researchers, lays a trail for scholars to further advance the study of expatriates.'- Joyce Osland, San Jose State University'McNulty and Selmer's edited book of readings on virtually all aspects of expatriates deserves a prominent place in the library of researchers and practitioners interested in this subject. The Handbook provides a historical overview as well as the latest trends in expatriate studies and concludes with useful guidelines on how to conduct as well as improve the quality of research in this field.'- Rosalie L. Tung, Simon Fraser University, CanadaConstituting a comprehensive and carefully designed collection of contributions, the Research Handbook of Expatriates provides a nuanced and up-to-date discussion of expatriates. Theoretically broad and groundbreaking, it offers important and contemporary insights into emerging areas of research warranting future consideration.Drawing upon a range of perspectives from the field’s most distinguished academics, contributions review the history of the literature in relation to expatriates, from the development of the expatriate construct through to the current state of research on business expatriates. Subsequent chapters progress into detailed examinations of the various types of business expatriates including LGBT, self-initiated expatriates, female assignees, inpatriates, international business travellers and commuters, and millennials. Other themes include expatriate performance, adjustment, expatriates to and from developing countries, global talent management, and expatriates’ safety and security. The Research Handbook also covers expatriates in diverse communities such as education, military, missionary, sports and ‘Aidland’, and provides additional commentaries relating to methodological issues, research with practitioners, case studies, biculturals and ATCKs, and global families. The Research Handbook concludes with publishing advice for PhD and early career researchers.Stimulating insightful new areas of study, this collection is a must read for academics and scholars in the field of expatriate research, international management, global human resource management and business administration. It also offers a wealth of guidance for executives and recruiters along with expatriates and professionals who may expatriate.Contributors: M. Andresen, C. Brewster, L. Care, J.-L. Cerdin, L. Clarke, D.G. Collings, M. Collins, A. Corbin, M. Crowley-Henry, M. Dickmann, H. Dolles, R. Donohue, C. Doss, B. Egilsson, A. Fee, K.L. Fisher, K.J. Hanek, A. Haslberger, T. Hippler, K. Hutchings, M. Isichei, J. Lauring, L. Mäkelä, R. McPhail, S. Michailova, M. Moeller, B. Oberholster

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What are the future prospects for literary knowledge now that literary texts—and the material remains of authorship, publishing, and reading—are reduced to bitstreams, strings of digital ones and zeros? What are the opportunities and obligations for book history, textual criticism, and bibliography when literary texts are distributed across digital platforms, devices, formats, and networks? Indeed, what is textual scholarship when the "text" of our everyday speech is a verb as often as it is a noun? These are the questions that motivate Matthew G. Kirschenbaum in Bitstreams, a distillation of twenty years of thinking about the intersection of digital media, textual studies, and literary archives. With an intimate narrative style that belies the cold technics of computing, Kirschenbaum takes the reader into the library where all access to Toni Morrison's "papers" is mediated by digital technology; to the bitmapped fonts of Kamau Brathwaite's Macintosh; to the process of recovering and restoring fourteen lost "HyperPoems" by the noted poet William Dickey; and finally, into the offices of Melcher Media, a small boutique design studio reimagining the future of the codex. A persistent theme is that bits—the ubiquitous ones and zeros of computing—are never self-identical, but always inflected by the material realities of particular systems, platforms, and protocols. These materialities are not liabilities: they are the very bulwark on which we stake the enterprise for preserving the future of literary heritage.

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The long shadow of Covid 19 kept many of the worlds mountaineers close to home in 2020, but there were still extraordinary achievements further afield including the first winter ascent of K2 and a remarkable first ascent on Baruntse from the bold Czechs Mara Holecek and Radoslav Groh. Those unable to reach the Greater Ranges found plenty to explore in the Alps, which saw the largest number of new routes in recent years. This years Alpine Journal has reports on all of it. The year was also marked with the loss of two giants of British mountaineering, Doug Scott and Hamish McInnes, both honorary members of the Alpine Club, as well as controversial Italian legend Cesare Maestri, recalled by Alan Heppenstall. Peter Foster describes the climbing life of C F Meade, Leo Dickinson shares his picturesque life of as a documentary filmmaker and Nicholas Hurndall Smith takes on the mantle of the illustrious Leslie Stephen. With mountains increasingly under the media spotlight as climate change alters their very fabric, Julian Attwood has a detailed prescription for how the mountains of Wales could be returned to their former glory, locking up carbon and improving biodiversity. Alton Byers reports on how another mountain environment has done better than you might imagine. With reports, reviews, art and comment from around the globe, the Alpine Journal has everything the dedicated alpinist needs to inspire and reflect.

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Fracking - tar-sand runoff - dirty oil extraction. This is the language of our oil-addicted 21st century society: incredibly invasive, blatant in its purpose, and richly embedded in mythological and archetypal symbolism. The ultimate goal of the industry: To core the underworld.Endangered Hydrocarbons, Lesley Battler's first full-length collection of poetry, shows that the language of hydrocarbon extraction, with its blend of sexual imagery, archetype, science, pseudoscience and the purely speculative, can be as addictive as the resource it pursues.Using pastiche and wordplay, Battler shines a floodlight on the absurdity and pervasiveness of production language in all areas of human life in the oil fields, including art, culture and politics. Incorporating texts generated by a multinational oil company, and spliced with a variety of found material (video games, home decor magazines, works by Henry James and Carl Jung), Battler deliberately tampers with her found material, treating it as crude oil--excavating, mixing, and drilling these texts to emulate extraction processes used by the industry.With traces of Dennis Lee's Testament, Larissa Lai's Automaton Biographies, and Adam Dickinson's The Polymers, this lively and refreshing take on a polarizing topic will resonate with readers of contemporary poetry who connect with environmental issues and capitalist critique.

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In a fascinating blend of biography and history, Joseph Tartakovsky tells the epic and unexpected story of our Constitution through the eyes of ten extraordinary individuals—some renowned, like Alexander Hamilton and Woodrow Wilson, and some forgotten, like James Wilson and Ida B. Wells-Barnett. Tartakovsky brings to life their struggles over our supreme law from its origins in revolutionary America to the era of Obama and Trump. Sweeping from settings as diverse as Gold Rush California to the halls of Congress, and crowded with a vivid Dickensian cast, Tartakovsky shows how America’s unique constitutional culture grapples with questions like democracy, racial and sexual equality, free speech, economic liberty, and the role of government.Joining the ranks of other great American storytellers, Tartakovsky chronicles how Daniel Webster sought to avert the Civil War; how Alexis de Tocqueville misunderstood America; how Robert Jackson balanced liberty and order in the battle against Nazism and Communism; and how Antonin Scalia died warning Americans about the ever-growing reach of the Supreme Court. From the 1787 Philadelphia Convention to the clash over gay marriage, this is a grand tour through two centuries of constitutional history as never told before, and an education in the principles that sustain America in the most astonishing experiment in government ever undertaken.

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How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontes, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

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Pawfect Love combines adorable photos of unlikely animal pairs with affectionate quotes to share with the one you love--differences and all! With over 150 pages of fur-cuteness, grown-ups and kids will love this coffee table book. From a bunny snuggling with a duck to a kitty playing with a deer to a puppy having fun with a hamster, these furry pairs remind us that not being exactly the same is part of what makes a relationship great.Spotlighting topics such as commitment, happiness, and togetherness, the quotes are by an array of beloved writers, such as: C.S. Lewis, Katharine Hepburn, and Donald Miller Charles Dickens, Charlotte Bronte, Oscar Wilde, and many more Delightful photos from the mother-son photography team Warren Photographic humorously communicate the lighter side of your heart's affection in this fun and unique gift book. Pawfect Love is a fun gift for: couples on their engagement, wedding day, or anniversary a significant other on Valentine's Day, a birthday, or any ordinary day people who love animals and animal photography One of the best things about love is enjoying each other's uniqueness. Our animal friends have discovered this already! So here's to our differences! We wouldn't want it any other way--paws down.

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Especially evident in Victorian-era writings is a rhetorical tendency to liken adults to children and children to adults. Claudia Nelson examines this literary phenomenon and explores the ways in which writers discussed the child-adult relationship during this period. Though far from ubiquitous, the terms "child-woman", "child-man", and "old-fashioned child" appears often enough in Victorian writings to prompt critical questions about the motivations and meanings of such generational border crossings. Nelson carefully considers the use of these terms and connects invocations of age inversion to developments in post - Darwinian scientific thinking and attitudes about gender roles, social class, sexuality, power, and economic mobility. She brilliantly analyzes canonical works of Charles Dickens, Charlotte Bronte, William Makepeace Thackeray, Bram Stoker, and Robert Louis Stevenson alongside lesser - known writings to demonstrate the diversity of literary age inversion and its profound influence on Victorian culture. By considering the full context of Victorian age inversion, "Precocious Children and Childish Adults" illuminates the complicated pattern of anxiety and desire that creates such ambiguity in the writings of the time. Scholars of Victorian literature and culture, as well as readers interested in children's literature, childhood studies, and gender studies, will welcome this excellent work from a major figure in the field.

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What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read.

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Focusing on Shakespeare's Hamlet as foremost a study of grief, Alexander Welsh offers a powerful analysis of its protagonist as the archetype of the modern hero. For over two centuries writers and critics have viewed Hamlet's persona as a fascinating blend of self-consciousness, guilt, and wit. Yet in order to understand more deeply the modernity of this Shakespearean hero, Welsh first situates Hamlet within the context of family and mourning as it was presented in other revenge tragedies of Shakespeare's time. Revenge, he maintains, appears as a function of mourning rather than an end in itself. Welsh also reminds us that the mourning of a son for his father may not always be sincere. This book relates the problem of dubious mourning to Hamlet's ascendancy as an icon of Western culture, which began late in the eighteenth century, a time when the thinking of past generations--or fathers--represented to many an obstacle to human progress. Welsh reveals how Hamlet inspired some of the greatest practitioners of modernity's quintessential literary form, the novel. Goethe's Wilhelm Meister's Apprenticeship, Scott's Redgauntlet, Dickens's Great Expectations, Melville's Pierre, and Joyce's Ulysses all enhance our understanding of the play while illustrating a trend in which Hamlet ultimately becomes a model of intense consciousness. Arguing that modern consciousness mourns for the past, even as it pretends to be free of it, Welsh offers a compelling explanation of why Hamlet remains marvelously attractive to this day.

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In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to--and substantially shifts--that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Bront , Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling--more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies.

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'If Mr Pickering had done his job well and taught me the right syllabus, maybe I would have studied English at university. He didn't and now I'm a full time drummer who loves Pride and Prejudice. I guess it worked out in the end' - Femi Koleoso, drummer (Gorillaz and The Ezra Collective) 'An infallible guide to the pleasures and pitfalls of teaching the strange canon of texts selected for this annual trial by ordeal. Sharp critical insights combine with hilarious anecdotes... Highly recommended' - Professor David Duff, Queen Mary University of London What Page, Sir? records the hilarious and sometimes painful experience of an English teacher as he struggles through some very familiar literary texts with some very unenthusiastic teenagers. Alongside the comedy that a teacher could really live without, is a fresh and irreverent look at the stalwarts of the school curriculum. Featuring An Inspector Calls, Lord of the Flies, Of Mice and Men, plus the obvious works by Jane Austen, Dickens and Shakespeare – texts that seem to have been the staple for secondary schools forever, and, in some cases, remain a drag for everyone involved. But beneath the buffoonery in the classroom, this book makes a more serious point about the education we are serving up for our children and whether it's finally time for change.

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Mother Goose has been charming readers for centuries, and this Classic Treasury of Nursery Rhymes features many beloved poems as well as some new favorites. Sit with little Miss Muffet on her tuffet, climb the hill with Jack and Jill, and baa with the black sheep in this timeless classic.This beautifully illustrated collection brings all of your favorite nursey rhymes to life for story time. A treasury of nostalgic tales from Mother Goose, this collection will encourage even the youngest of readers to laugh and giggle as you read aloud some fun and sometimes silly rhymes.The Classic Treasury of Nursery Rhymes: Features a beautiful fold out illustration for children to be immersed in the story Charming illustrations from Gina Baek Is a great family read aloud or bedtime fairy tale Makes a wonderful gift for new parents, baby showers, or holiday gift giving such as Christmas Rediscover old favorites such as: Tweedle-dum and Tweddle-Dee Humpty Dumpty The Man in the Moon The Cat and the Fiddle The Old Woman Under a Hill Hickory, Dickory, Dock Mary Had a Little Lamb Strengthen your bond with your child and build a lifelong love of reading as children recognize sounds, syllables, and rhythms in this classic collection.

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A stunning gift book containing 150 bold, brave and beautiful poems by women – from classic, well loved poets to innovative and bold modern voices. From suffragettes to school girls, from spoken word superstars to civil rights activists, from aristocratic ladies to kitchen maids, these are voices that deserve to be heard. Collected by anthologist Ana Sampson She is Fierce: Brave, Bold and Beautiful Poems by Women contains an inclusive array of voices, from modern and contemporary poets. Immerse yourself in poems from Maya Angelou, Nikita Gill, Wendy Cope, Ysra Daley-Ward, Emily Bronte, Carol Ann Duffy, Fleur Adcock, Liz Berry, Jackie Kay, Hollie McNish, Imtiaz Dharker, Helen Dunmore, Emily Dickinson, Mary Oliver, Christina Rossetti, Margaret Atwood and Dorothy Parker, to name but a few!Featuring short biographies of each poet, She is Fierce is a stunning collection and an essential addition to any bookshelf.The anthology is divided into the following sections:Roots and Growing UpFriendshipLoveNatureFreedom, Mindfulness and JoyFashion, society and body imageProtest, courage and resistanceEndings'Covering everything from love and freedom to protest and body images, dip in and embrace words of beauty on a daily basis.' – Stylist'Women sometimes get overlooked in poetry anthologies, but She is Fierce more than makes up for it.' – Independent

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"Among America's greatest poets, a true minimalist who can weave awesome poems from remarkably few words." -Richard Kostelanetz, New York Times Book Review Every generation of poets seems to harbor its own hidden genius, one whose stature and brilliance come to light after his talent has already been achieved and exercised. The same drama of obscurity and nuance that attended the discovery of Emily Dickinson and Wallace Stevens is suggested by the career of Robert Lax. An expatriate American whose work to date — more than forty books — has been published mostly in Europe, this 85-year-old poet built a following in the U.S. among figures as widespread as Mark Van Doren, e. e. cummings, Jack Kerouac, and Sun Ra. The works in Love Had a Compass represent every stage of Lax's development as a poet, from his early years in the 1940s as a staff writer for The New Yorker to his present life on the Greek Island of Patmos. An inveterate wanderer, Lax's own sense of himself as both exile and pilgrim is carefully evoked in his prose journals and informs the pages of the Marseille Diaries, published here for the first time. Together with the poems, they provide the best portrait available to date of one of the most striking and original poets of our age.

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One hundred of the most evocative modern poems on joy, selected by an award-winning contemporary poet“Bursting with energy and surprising locutions. . . . Even the most familiar poets seem somehow new within the context of Joy.”—David Skeel, Wall Street Journal “Wiman takes readers through the ostensible ordinariness of life and reveals the extraordinary.”—Adrianna Smith, The Atlantic Christian Wiman, a poet known for his meditations on mortality, has long been fascinated by joy and by its relative absence in modern literature. Why is joy so resistant to language? How has it become so suspect in our times? Manipulated by advertisers, religious leaders, and politicians, joy can seem disquieting, even offensive. How does one speak of joy amid such ubiquitous injustice and suffering in the world? In this revelatory anthology, Wiman takes readers on a profound and surprising journey through some of the most underexplored terrain in contemporary life. Rather than define joy for readers, he wants them to experience it. Ranging from Emily Dickinson to Mahmoud Darwish and from Sylvia Plath to Wendell Berry, he brings together diverse and provocative works as a kind of counter to the old, modernist maxim “light writes white”—no agony, no art. His rich selections awaken us to the essential role joy plays in human life.

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