Search results for ""Author Fred"

Winner of the Caughey Western History PrizeWinner of the Robert G. Athearn AwardWinner of the Lawrence W. Levine AwardWinner of the TCU Texas Book AwardWinner of the NACCS Tejas Foco Nonfiction Book AwardWinner of the María Elena Martínez PrizeFrederick Jackson Turner Award Finalist“A page-turner…Haunting…Bravely and convincingly urges us to think differently about Texas’s past.”—Texas MonthlyBetween 1910 and 1920, self-appointed protectors of the Texas–Mexico border—including members of the famed Texas Rangers—murdered hundreds of ethnic Mexicans living in Texas, many of whom were American citizens. Operating in remote rural areas, officers and vigilantes knew they could hang, shoot, burn, and beat victims to death without scrutiny. A culture of impunity prevailed. The abuses were so pervasive that in 1919 the Texas legislature investigated the charges and uncovered a clear pattern of state crime. Records of the proceedings were soon filed away as the Ranger myth flourished.A groundbreaking work of historical reconstruction, The Injustice Never Leaves You has upended Texas’s sense of its own history. A timely reminder of the dark side of American justice, it is a riveting story of race, power, and prejudice on the border.“It’s an apt moment for this book’s hard lessons…to go mainstream.”—Texas Observer“A reminder that government brutality on the border is nothing new.”—Los Angeles Review of Books

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No one captures the border-its history and imagination, its danger, contradiction, and redemption-like Fernando A. Flores, whose stories reimagine and reinterpret the region's existence with peerless style. In his immersive, uncanny borderland, things are never what they seem: a world where the sun is both rising and setting, and where conniving possums efficiently take over an entire town and rewrite its history. The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frédéric Chopin stumbles through Ciudad Juárez in the aftermath of his mother's death, attempting to recover his beloved piano that was seized at the border, while a muralist is taken on a psychedelic journey by an airbrushed Emiliano Zapata T-shirt. A woman is engulfed by a used-clothing warehouse with a life of its own, and a grieving mother breathlessly chronicles the demise of a town decimated by violence. In two separate stories, queso dip and musical rhythms are bottled up and sold for mass consumption. And in the final tale, Flores pieces together the adventures of a young Lee Harvey Oswald as he starts a music career in Texas. Swinging between satire and surrealism, grief and joy, Valleyesque is a boundary- and border-pushing collection from a one-of-a-kind stylist and voice. With the visceral imagination that made his debut novel, Tears of the Trufflepig, a cult classic, Flores brings his vision of the border to life-and beyond.

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This volume is an important contribution to our understanding of global pandemics in general and Covid-19 in particular. It brings together the reflections of leading social and political scientists who are interested in the implications and significance of the current crisis for politics and society. The chapters provide both analysis of the social and political dimensions of the Coronavirus pandemic and historical contextualization as well as perspectives beyond the crisis. The volume seeks to focus on Covid-19 not simply as the terrain of epidemiology or public health, but as raising fundamental questions about the nature of social, economic and political processes. The problems of contemporary societies have become intensified as a result of the pandemic. Understanding the pandemic is as much a sociological question as it is a biological one, since viral infections are transmitted through social interaction. In many ways, the pandemic poses fundamental existential as well as political questions about social life as well as exposing many of the inequalities in contemporary societies. As the chapters in this volume show, epidemiological issues and sociological problems are elucidated in many ways around the themes of power, politics, security, suffering, equality and justice. This is a cutting edge and accessible volume on the Covid-19 pandemic with chapters on topics such as the nature and limits of expertise, democratization, emergency government, digitalization, social justice, globalization, capitalist crisis, and the ecological crisis. Contents Notes on Contributors Preface Gerard Delanty1. Introduction: The Pandemic in Historical and Global Context Part 1 Politics, Experts and the State Claus Offe2. Corona Pandemic Policy: Exploratory Notes on its ‘Epistemic Regime’ Stephen Turner3. The Naked State: What the Breakdown of Normality Reveals Jan Zielonka4. Who Should be in Charge of Pandemics? Scientists or Politicians? Jonathan White5. Emergency Europe after Covid-19 Daniel Innerarity6. Political Decision-Making in a Pandemic Part 2 Globalization, History and the Future Helga Nowotny7. In AI We Trust: How the COVID-19 Pandemic Pushes us Deeper into Digitalization Eva Horn8. Tipping Points: The Anthropocene and COVID-19 Bryan S. Turner9. The Political Theology of Covid-19: a Comparative History of Human Responses to Catastrophes Daniel Chernilo10. Another Globalisation: Covid-19 and the Cosmopolitan Imagination Frédéric Vandenberghe & Jean-Francois Véran11. The Pandemic as a Global Total Social Fact Part 3 The Social and Alternatives Sylvia Walby12. Social Theory and COVID: Including Social Democracy Donatella della Porta13. Progressive Social Movements, Democracy and the Pandemic Sonja Avlijaš14. Security for Whom? Inequality and Human Dignity in Times of the Pandemic Albena Azmanova15. Battlegrounds of Justice: The Pandemic and What Really Grieves the 99% Index

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Political Philosophy: Government and Human Nature features the writing of some of the greatest political philosophers from ancient times to the present, along with concise introductions that highlight and explain the major points of each selection.Readers are introduced to the ideas of Socrates and Plato, Aristotle's writing on politics and ethics, and the meditations of Marcus Aurelius. They become familiar with Jean Jacques Rousseau's view of the social contract, and Immanuel Kant's work on the categorical imperative and perpetual peace. The work of Mary Wollstonecraft addresses the rights of women, and Martin Luther King's Letter from a Birmingham Jail provides insight into more contemporary issues of race and society. Additionally, students explore the philosophies of Thomas Hobbes, John Locke, Jeremy Bentham, John Stuart Mill, and Karl Marx and Frederick Engels, whose manifesto on communism changed systems of economics and governments. An excellent, accessible introduction to the ideas that have both recorded and shaped history, Political Philosophy: Government and Human Nature is suitable for undergraduate political philosophy courses.

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In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

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In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

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From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustrations, documentary films, and photography as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside styling products or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.

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In recent years, short-term therapies have increasingly gained a following among therapists looking for innovative treatments for patients. At a time in which traditional, open-ended psychotherapy is attacked as costly and inefficient, short-term therapy has naturally found new followers. This collection of essays form an essential reference book for therapists who practice short-term therapy and those considering this form of treatment. The aim of this volume is to provide a way for therapists to consider short-term therapy, evaluate it for individual patients, and plan appropriate courses of treatment. The book is divided into four sections that highlight the characteristic elements of short-term dynamic therapy: brevity, focus, therapist activity, and patient selection. The book features papers by Franz Alexander; S. H. Budman and A. S. Gurman; James Mann; Mardi J. Horowitz; Gerald L. Klerman, Myrna M. Weissman, Bruce Rounsaville, and Eve S. Chevron; Eric Berne, Claude M. Steiner, and John M. Dusay; Thomas E. Schacht, Jeffrey L. Binder, and Hans H. Strupp; George A. Kelly; Aaron T. Beck and Ruth L. Greenberg; Allen Frances and Samuel Perry; Hans H. Strupp; Leston L. Havens; H. Davanloo; Robert Langs; D. M. Malan; P. E. Sifneos; Miguel A. Leibovich; Allen Frances and John F. Clarkin; David H. Malan, E. Sheldon Heath, Howard A. Bacal, and Frederick H. G. Balfour; Sigmund Freud; and D. W. Winnicott.

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Chicago - whose motto is "City in a Garden" - is currently at the forefront of a global movement to end the division between town and country. In "Chicago's Urban Nature", Sally A. Kitt Chappell provides a beautifully illustrated guide to the city's stunning blend of nature and architecture. At the heart of this new urban concept is the idea of connection, bringing buildings and landscapes, culture and nature, commerce and leisure into energetic harmony. With "Chicago's Urban Nature" in hand, you'll see those connections woven through the fabric of the city. Chappell provides new insights into such historic Chicago sites as Jens Jensen's Garfield Park Conservatory, Frederick Law Olmsted's Jackson Park, and Alfred Caldwell's Lily Pond, then takes us to innovative contemporary green spaces, including City Hall's rooftop garden, the North Lawndale Green Youth Farm, and Chicago's heralded new Millennium Park. These beautiful green spaces, with their unprecedented melding of art, architecture, and ecology, have become far more than places of escape for Chicagoans - they're now fully integrated into the urban scene, an essential part of the cultural life of the modern city. Packed with maps and recommended tours as well as splendid photos, this is an essential guidebook for day-trippers, lifelong Chicago residents, and professionals in landscape architecture, urbanism, and design.

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Water features have always been among the most important design elements in gardens, but the fountains and streams that rippled so sweetly were dependent on a technical masterpiece for their time. In the 19th century, the steam pump-house beside Neustadt Havelbucht supplied the water features in Sanssouci Park. The most charming as well as the strangest building in Potsdam, it is a remarkable example of early 19th-century industrial, functional architecture. Frederick William IV had the only pump-house in the Moorish style built by Ludwig Persius in 1841-43. The building, still visible from Sanssouci Palace at that time, created a picturesque architectural highlight in Potsdam’s cultural landscape. Unique building in Moorish style

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"A beguiling tale of espionage and double-dealing in the years leading up to World War II. ... Strap in for a narrative that demands a suspension of disbelief—and richly rewards it." —Kirkus Reviews (starred review); Best Books of February SelectionThe untold story of the World War I hero who became a fixture of high society in Golden Age Hollywood—all while acting as a double agent for the Japanese Empire as it prepared to attack Pearl HarborFrederick Rutland’s story is a rags-to-riches coup for the ages—a lower-class boy from England bootstraps his way up the ranks of the British military, becoming a World War I pilot, father of the modern aircraft carrier, cosmopolitan businessman, and Hollywood A-list insider. He oversaw this small empire from his mansion on the fabled Bird Streets of Beverly Hills. Snubbed for promotion in the Royal Air Force due to little more than jealousy and class politics, Rutland—to all appearances—continued to spin gold from straw, living an enviably lavish lifestyle that included butlers, wild parties, private clubs, and newswor­thy living . . .. . . and it was all funded by the Japanese Empire.Beverly Hills Spy reveals the story of Rutland’s life of espi­onage on behalf of the Axis, selling secrets about fleet and aircraft design to the Japanese Imperial Navy that would be instrumental in its ability to attack Pearl Harbor, while col­lecting a salary ten times larger than the best-paid Japanese admirals. Based on recently declassified FBI files and until-now untranslated documents from Japanese intelligence, Ronald Drabkin brings the scope of this unforgettable tale into full focus for the first time. Rutland hides in plain sight, rubbing elbows with Amelia Earhart and hosting galas and fundraisers with superstars like Charlie Chaplin and Boris Karloff, while simultaneously passing information to Japan through spy networks across North and Central America. Countless opportunities to catch Rutland in the act are squandered by the FBI, British Intelligence, and US Naval Intelligence alike as he uses his cunning and charm to mis­direct and cast shadows of doubt over his business dealings, allowing him to operate largely unfettered for years.In the end, whether he fully intends to or not, Rutland sets in motion world events that are so monumental, their consequences are still being felt today.Beverly Hills Spy is a masterpiece of research on spy craft, a shocking narrative about an unknown but pivotal figure in history, and brings new information to light that helps us understand how Pearl Harbor happened—and how it could have been prevented.

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This volume is an important contribution to our understanding of global pandemics in general and Covid-19 in particular. It brings together the reflections of leading social and political scientists who are interested in the implications and significance of the current crisis for politics and society. The chapters provide both analysis of the social and political dimensions of the Coronavirus pandemic and historical contextualization as well as perspectives beyond the crisis. The volume seeks to focus on Covid-19 not simply as the terrain of epidemiology or public health, but as raising fundamental questions about the nature of social, economic and political processes. The problems of contemporary societies have become intensified as a result of the pandemic. Understanding the pandemic is as much a sociological question as it is a biological one, since viral infections are transmitted through social interaction. In many ways, the pandemic poses fundamental existential as well as political questions about social life as well as exposing many of the inequalities in contemporary societies. As the chapters in this volume show, epidemiological issues and sociological problems are elucidated in many ways around the themes of power, politics, security, suffering, equality and justice. This is a cutting edge and accessible volume on the Covid-19 pandemic with chapters on topics such as the nature and limits of expertise, democratization, emergency government, digitalization, social justice, globalization, capitalist crisis, and the ecological crisis. Contents Notes on Contributors Preface Gerard Delanty1. Introduction: The Pandemic in Historical and Global Context Part 1 Politics, Experts and the State Claus Offe2. Corona Pandemic Policy: Exploratory Notes on its ‘Epistemic Regime’ Stephen Turner3. The Naked State: What the Breakdown of Normality Reveals Jan Zielonka4. Who Should be in Charge of Pandemics? Scientists or Politicians? Jonathan White5. Emergency Europe after Covid-19 Daniel Innerarity6. Political Decision-Making in a Pandemic Part 2 Globalization, History and the Future Helga Nowotny7. In AI We Trust: How the COVID-19 Pandemic Pushes us Deeper into Digitalization Eva Horn8. Tipping Points: The Anthropocene and COVID-19 Bryan S. Turner9. The Political Theology of Covid-19: a Comparative History of Human Responses to Catastrophes Daniel Chernilo10. Another Globalisation: Covid-19 and the Cosmopolitan Imagination Frédéric Vandenberghe & Jean-Francois Véran11. The Pandemic as a Global Total Social Fact Part 3 The Social and Alternatives Sylvia Walby12. Social Theory and COVID: Including Social Democracy Donatella della Porta13. Progressive Social Movements, Democracy and the Pandemic Sonja Avlijaš14. Security for Whom? Inequality and Human Dignity in Times of the Pandemic Albena Azmanova15. Battlegrounds of Justice: The Pandemic and What Really Grieves the 99% Index

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The American Civil War is often called the first “modern war.” Sandwiched between the Napoleonic Wars and World War I, it spawned a host of “firsts” and is considered a precursor to the larger and more deadly 20th century wars. Confederate Gen. James Longstreet made overlooked but profound modern contributions to the art of war. Retired Lt. Col. Harold M. Knudsen explains what Longstreet did and how he did it in James Longstreet and the American Civil War: The Confederate General Who Fought the Next War now released in paperback.Initially, commanders on both sides extensively utilized Napoleonic tactics that were obsolete because of the advent of the rifled musket and better artillery. Some professional army officers worked to improve tactics, operations, and strategies. On the Confederate side, a careful comparison of Longstreet’s body of work in the field to modern military doctrine reveals several large-scale innovations.Longstreet understood early that the tactical defense was generally dominant over the offense, which was something few grasped in 1862. Longstreet’s thinking demonstrated a clear evolution that began on the field at First Manassas in July 1861, developed through the bloody fighting of 1862, and culminated in the brilliant defensive victory at Fredericksburg that December. The lethality with which his riflemen and artillery mowed down repeated Union assaults hinted at what was to come in World War I. Longstreet’s ability to launch and control powerful offensives was on display at Second Manassas in August 1862. His assault plan at Chickamauga in Georgia the following September was similar, if not the forerunner to, World War II tactical-level German armored tactics. Other areas show progressive applications with artillery, staff work, force projection, and operational-level thinking.Longstreet was not the sole agent of modern change away from the Napoleonic method, but his contributions were significant and executed on a large scale. They demonstrated that he was a modern thinker unparalleled in the Confederate Army.Unfortunately, many Civil War students have a one-sided view of Longstreet, whose legacy fell victim to bitter postwar Southern politics when “Old Pete” supported Reconstruction bills, accepted postings with the Grant Administration, and criticized Robert E. Lee. Many modern writers continue to skew the general’s legacy.This book draws heavily upon 20th century U.S. Army doctrine, field training, staff planning, command, and combat experience and is the first serious treatment of Longstreet’s generalship vis-a-vis modern warfare. Not everyone will agree with Knudsen’s conclusions, but it will now be impossible to write about the general without referencing this important study.

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In the Footsteps of OrpheusThe Life and Times of Miklós RadnótiZsuzsanna OzsváthA powerful account of the life, art, and tragic death of a 20th-century Hungarian Jewish poet."Zsuzsanna Ozsváth bring[s] forth Radnóti's life, his thought, and his passion with a depth of insight that is rare in a scholar. Brilliant, penetrating, and passionate, Ozsváth's book sets a new standard of excellence in Holocaust studies. It is a must for anyone who would approach the dark flame that burns at the core of the Event." —David Patterson, University of Memphis Miklós Radnóti, a young Hungarian Jewish poet, was shot by Hungarian soldiers guarding him while on a forced march from Yugoslavia back to Hungary during the final days of World War II. When his body was discovered and exhumed nearly two years later, a small book of poems was found in his coat pocket. These poems, together with the rest of Radnóti's work, solidified his reputation as one of Hungary's greatest poets. Radnóti shared the experience of many Jewish artists and intellectuals in Central Europe during the early part of the 20th century, but his poetry brings out a particular and personal view of the Holocaust in Hungary. His work plays a unique role in the history of Central European culture as some of the most beautiful poems ever written in Hungarian, as a voice against the rise of totalitarianism, and as testimony to the destruction of Europe's Jews. Zsuzsanna Ozsváth places Radnóti within the context of the political and intellectual history of interwar Hungary, situating him as an artist who is both a Jew and a Hungarian patriot. Her sensitive translations from the Hungarian lend poignancy to this tragic and forcefully told story. This account of Radnóti's life and work explores the sources of the poet's inspiration and imagery and restores it to its extreme times and places.Zsuzsanna Ozsváth is Professor of Literature and the History of Ideas at the University of Texas at Dallas, where she is also Director of the Holocaust Studies Program. She is coeditor and cotranslator (with Frederick Turner) of Foamy Sky: The Major Poems of Miklós Radnóti and Attila Jozsef's The Iron-Blue Vault: Selected Poetry.Jewish Literature and Culture—Alvin H. Rosenfeld, editorContentsMyth and ConsciousnessPoetic Images: Socialist Art and Political CommitmentThe Pull of Contraries: Making of the PastVisions of Destruction, Lyrics of ResistanceIn Extremis: 1944

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A London Affair Kate leaves the countryside for a job in a posh London deli and is soon surrounded by croissants and cappuccinos as she finds herself at the centre of a delicatessen dating adventure. Along with the job come new flat-mates, including the fun, exasperating Imogen and her long-suffering boyfriend, Freddy. Kate thinks she's doomed to early spinsterhood, but Immy has other ideas and sends her friend out into dating land with unexpected consequences for them all. This is a fun romance that takes the reader from the King's Road to Cornwall with an eclectic bunch of characters including an old hippy, a Russian property magnate and an ex-boyfriend who doesn't know when to give up. French Kisses When Rachel Thompson moved to France in her early twenties, little did she suspect she would stay, become a successful artist and marry Michael, the love of her life. Life in France is peachy until Michael hits 40, discovers his inner love-rat and runs off with the kids' young, skinny, dance teacher. Determined to rebuild her life, Rachel recruits friends, neighbours and her children to help her transform the family home into a cosy guest house, and soon attracts an eclectic collection of visitors - and two quite different admirers.

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Before Black Lives Matter and Hamilton, there were abolitionist poets, who put pen to paper during an era when speaking out against slavery could mean risking your life. Indeed, William Lloyd Garrison was dragged through the streets by a Boston mob before a planned lecture, and publisher Elijah P. Lovejoy was fatally shot while defending his press from rioters. Since poetry formed a part of the cultural, political, and emotional lives of readers, it held remarkable persuasive power. Yet antislavery poems have been less studied than the activist editorials and novels of the time. In Lyrical Liberators, Monica Pelaez draws on unprecedented archival research to recover these poems from the periodicals—Garrison’s Liberator, Frederick Douglass’s North Star, and six others—in which they originally appeared. The poems are arranged by theme over thirteen chapters, a number that represents the amendment that finally abolished slavery in 1865. The book collects and annotates works by critically acclaimed writers, commercially successful scribes, and minority voices including those of African Americans and women. There is no other book like this. Sweeping in scope and passionate in its execution, Lyrical Liberators is indispensable for scholars and teachers of American literature and history, and stands as a testimony to the power of a free press in the face of injustice.

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Slavery is not a crime confined to the far reaches of history. It is an injustice that continues to entrap twenty-seven million people across the globe. Laura Murphy offers close to forty survivor narratives from Cambodia, Ghana, Lebanon, Macedonia, Mexico, Russia, Thailand, Ukraine, and the United States, detailing the horrors of a system that forces people to work without pay and against their will, under the threat of violence, with little or no means of escape. Representing a variety of circumstances in diverse contexts, these survivors are the Frederick Douglasses, Sojourner Truths, and Olaudah Equianos of our time, testifying to the widespread existence of a human rights tragedy and the urgent need to address it. Through storytelling and firsthand testimony, this anthology shapes a twenty-first-century narrative that many believe died with the end of slavery in the Americas. Organized around such issues as the need for work, the punishment of defiance, and the move toward activism, the collection isolates the causes, mechanisms, and responses to slavery that allow the phenomenon to endure. Enhancing scholarship in women's studies, sociology, criminology, law, social work, and literary studies, the text establishes a common trajectory of vulnerability, enslavement, captivity, escape, and recovery, creating an invaluable resource for activists, scholars, legislators, and service providers.

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The Society for Psychical Research was established in 1882 to further the scientific study of consciousness, but it arose in the surf of a larger cultural need. Victorians were on the hunt for self-understanding. Mesmerists, spiritualists, and other romantic seekers roamed sunken landscapes of entrancement, and when psychology was finally ready to confront these altered states, psychical research was adopted as an experimental vanguard. Far from a rejected science, it was a necessary heterodoxy, probing mysteries as diverse as telepathy, hypnosis, and even séance phenomena. Its investigators sought facts far afield of physical laws: evidence of a transcendent, irreducible mind. The New Prometheans traces the evolution of psychical research through the intertwining biographies of four men: chemist Sir William Crookes, depth psychologist Frederic Myers, ether physicist Sir Oliver Lodge, and anthropologist Andrew Lang. All past presidents of the society, these men brought psychical research beyond academic circles and into the public square, making it part of a shared, far-reaching examination of science and society. By layering their papers, textbooks, and lectures with more intimate texts like diaries, letters, and literary compositions, Courtenay Raia returns us to a critical juncture in the history of secularization, the last great gesture of reconciliation between science and sacred truths.

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The Society for Psychical Research was established in 1882 to further the scientific study of consciousness, but it arose in the surf of a larger cultural need. Victorians were on the hunt for self-understanding. Mesmerists, spiritualists, and other romantic seekers roamed sunken landscapes of entrancement, and when psychology was finally ready to confront these altered states, psychical research was adopted as an experimental vanguard. Far from a rejected science, it was a necessary heterodoxy, probing mysteries as diverse as telepathy, hypnosis, and even séance phenomena. Its investigators sought facts far afield of physical laws: evidence of a transcendent, irreducible mind. The New Prometheans traces the evolution of psychical research through the intertwining biographies of four men: chemist Sir William Crookes, depth psychologist Frederic Myers, ether physicist Sir Oliver Lodge, and anthropologist Andrew Lang. All past presidents of the society, these men brought psychical research beyond academic circles and into the public square, making it part of a shared, far-reaching examination of science and society. By layering their papers, textbooks, and lectures with more intimate texts like diaries, letters, and literary compositions, Courtenay Raia returns us to a critical juncture in the history of secularization, the last great gesture of reconciliation between science and sacred truths.

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'The short play – very traditional to Irish theatre – is a little jewel of a structure, a lightning flash on a different world, the illumination made all the more acute by brevity' Deirdre Kinahan Deirdre Kinahan is an award-winning playwright and member of Aosdána, Ireland's elected organisation of outstanding artists. This volume brings together five of her short plays, taken from the full span of her writing career, each of them shining a light into a forgotten corner of our humanity, giving voice to irrepressible characters that the world has done its best to overlook. In Bé Carna (Tall Tales, 1999), five women reflect on their lives as prostitutes on the streets of Dublin, a dark tale inspired by true-life stories, reverberating with humanity, warmth and comic humour. In Hue & Cry (Tall Tales/Bewley's Café Theatre, 2007), two Dublin cousins, Damian and Kevin, are reunited for a family funeral in a highly charged encounter full of disillusion, denial and dark laughter. In Bogboy (Tall Tales/Solstice Arts Centre, 2010), originally written as a radio play for RTÉ, two lost souls – a young heroin addict and a reclusive middle-aged farmer – discover a budding friendship in the bogs of Meath, until a terrible secret comes to light. Wild Notes (Solas Nua, Washington D.C., 2018) explores the impact of colonialism through a meeting between Frederick Douglass, the escaped slave and abolitionist who visited Ireland in the 1840s, and a young Irishwoman hoping to emigrate to the country he's running from. An Old Song, Half Forgotten (Abbey Theatre, 2023) opens a window into the life and soul of an older actor who is living in care with Alzheimer's disease, rebuilding a man just as he begins to crack and fade.

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The true story of how federal law enforcement flipped the playbook and convicted a corrupt unit of Baltimore police.In 2015 and 2016, Baltimore was reeling after the death of Freddie Gray and the protests that followed. In the midst of this unrest, a violent, highly trained, and heavily armed criminal gang roamed the city. They robbed people, sold drugs and guns, and divided the loot and profit among themselves. They had been doing it for years. But these were not ordinary career criminals. They were the Baltimore Police Department's Gun Trace Task Force (GTTF). Formed in 2007 to get the guns and criminals responsible for Baltimore's high crime rates off the streets, they went rogue and abused their power to terrorize people throughout the city. On March 1, 2017, all members of the GTTF were arrested on federal racketeering charges. In Who Speaks for You?, Leo Wise, the lead federal prosecutor in the case, tells you how. Wise gives an inside look into the investigation and prosecution of this group of elite and corrupt cops. He shares the unbelievable twists and turns of the case, revealing not only what these officers did but how they were brought to justice. Wise dramatically recounts how his team put together their case, what happened during the trial and court proceedings, and how his team successfully prosecuted these extraordinary defendants. This is the firsthand story of a once-in-a-generation police corruption case told by the prosecutor who was intimately involved in every step of the investigation.

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Socially, politically, and artistically, the 1950s make up an odd interlude between the first half of the twentieth century-still tied to the problems and orders of the Victorian era and Gilded Age-and the pervasive transformations of the later sixties. In Revolution, Matthew Wilkens argues that postwar fiction functions as a fascinating model of revolutionary change. Uniting literary criticism, cultural analysis, political theory, and science studies, Revolution reimagines the years after World War II as at once distinct from the decades surrounding them and part of a larger-scale series of rare, revolutionary moments stretching across centuries. Focusing on the odd mix of allegory, encyclopedism, and failure that characterizes fifties fiction, Wilkens examines a range of literature written during similar times of crisis, in the process engaging theoretical perspectives from Walter Benjamin and Fredric Jameson to Bruno Latour and Alain Badiou alongside readings of major novels by Ralph Ellison, William Gaddis, Doris Lessing, Jack Kerouac, Thomas Pynchon, and others. Revolution links the forces that shaped postwar fiction to the dynamics of revolutionary events in other eras and social domains. Like physicists at the turn of the twentieth century or the French peasantry of 1789, midcentury writers confronted a world that did not fit their existing models. Pressed to adapt but lacking any obvious alternative, their work became sprawling and figurative, accumulating unrelated details and reusing older forms to ambiguous new ends. While the imperatives of the postmodern eventually gave order to this chaos, Wilkens explains that the same forces are again at work in today's fracturing literary market.

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This highly original, provocative, and poetic work explores the nexus of time, truth, and death in the symbolic world of medieval kabbalah. Demonstrating that the historical and theoretical relationship between kabbalah and western philosophy is far more intimate and extensive than any previous scholar has ever suggested, Elliot R. Wolfson draws an extraordinary range of thinkers such as Frederic Jameson, Martin Heidegger, Franz Rosenzweig, William Blake, Julia Kristeva, Friedrich Schelling, and a host of kabbalistic figures into deep conversation with one another. Alef, Mem, Tau also discusses Islamic mysticism and Buddhist thought in relation to the Jewish esoteric tradition as it opens the possibility of a temporal triumph of temporality and the conquering of time through time. The framework for Wolfson's examination is the rabbinic teaching that the word emet, 'truth,' comprises the first, middle, and last letters of the Hebrew alphabet, alef, mem, and tau, which serve, in turn, as semiotic signposts for the three tenses of time - past, present, and future. By heeding the letters of emet we discern the truth of time manifestly concealed in the time of truth, the beginning that cannot begin if it is to be the beginning, the middle that re/marks the place of origin and destiny, and the end that is the figuration of the impossible disclosing the impossibility of figuration, the finitude of death that facilitates the possibility of rebirth. The time of death does not mark the death of time, but time immortal, the moment of truth that bestows on the truth of the moment an endless beginning of a beginningless end, the truth of death encountered incessantly in retracing steps of time yet to be taken - between, before, beyond.

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A thoroughly updated and substantially expanded edition of an acclaimed anthologyThis is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings—including essays, book excerpts, speeches, and other documents—that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader. A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thought Features a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner Müller Includes brief introductions for each thinker

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Praise for the Fifth Edition of The Responsible Administrator "Cooper's fifth edition is the definitive text for students and practitioners who want to have a successful administrative career. Moral reasoning, as Cooper so adeptly points out, is essential in today's rapidly changing and complex global environment."—Donald C. Menzel, president, American Society for Public Administration, and professor emeritus, public administration, Northern Illinois University "The Responsible Administrator is at once the most sophisticated and the most practical book available on public sector ethics. It is conceptually clear and jargon-free, which is extraordinary among books on administrative ethics."—H. George Frederickson, Stone Distinguished Professor of Public Administration, University of Kansas "Remarkably effective in linking the science of what should be done with a prescriptive for how to actually do it, the fifth edition of Cooper's book keeps pace with the dynamic changes in the field, both for those who study it and those who practice it. The information presented in these pages can be found nowhere else, and it is information we cannot ethically afford to ignore."—Carole L. Jurkiewicz, John W. Dupuy Endowed Professor, and Woman's Hospital Distinguished Professor of Healthcare Management, Louisiana State University, E. J. Ourso College of Business Administration, Public Administration Institute

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Renowned photographer Julia Margaret Cameron is famous for her evocative portraits of eminent Victorians, including John Herschel, Alfred Tennyson, Henry Taylor, George Frederic Watts, Ellen Terry and Julia Stephen. This study of her work reveals how deeply she was convinced of the poetic possibilities of her medium, particularly its capacity for suggestive rather than literal meaning. She did not get it right on all counts, and her practice violated the aesthetic orthodoxy of the day. But the blurring of the ‘real’ subject before her lens created unparalleled possibilities for a broader pursuit of the sublime and beautiful. Drawing on over 100 items from the photographic collections at the Bodleian Library and Ashmolean Museum at the University of Oxford, as well as comparative works of art, this book celebrates a collection that illustrates the aesthetic development of the photographer from her earliest pictures to her most poetic photographs. It also includes her own poetry and the key images she created for her extraordinary Illustrations to Tennyson’s Idylls of the King, and Other Poems, demonstrating her fascination with the artistic connection between poetry and photography.

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Ecological restoration, the attempt to guide damaged ecosystems back to a previous, usually healthier or more natural, condition, is rapidly gaining recognition as one of the most promising approaches to conservation. In this book, William R. Jordan III, who coined the term "restoration ecology", and who is widely respected as an intellectual leader in the field, outlines a vision for a restoration-based environmentalism that has emerged from his work over twenty-five years. Drawing on a provocative range of thinkers, from anthropologists Victor Turner, Roy Rappaport, and Mary Douglas to literary critics Frederick Turner, Leo Marx, and R.W.B. Lewis, Jordan explores the promise of restoration, both as a way of reversing environmental damage and as a context for negotiating our relationship with nature. Exploring restoration not only as a technology but also as an experience and a performing art, Jordan claims that it is the indispensable key to conservation. At the same time, he argues, restoration is valuable because it provides a context for confronting the most troubling aspects of our relationship with nature. For this reason, it offers a way past the essentially sentimental idea of nature that environmental thinkers have taken for granted since the time of Emerson and Muir.

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Telepathy, thought transference, unconscious communication. While some important early psychological theorists such as William James, Frederic W. H. Myers and Sigmund Freud all agreed that the phenomenon exists, their theoretical approaches to it were very different. James's and Myers's interpretations of and experimental investigations into telepathy or thought transference were an inextricable part of their psychical researches. Freud's insistence on the reality of thought transference had nothing to do with psychical research or paranormal phenomena, which he largely repudiated. Thought transference for Freud was located in a theory of the unconscious that was radically different from the subliminal mind embraced by James and Myers. Today thought transference is most commonly described as unconscious communication but was largely ignored by subsequent generations of psychoanalysts until most recently. Nonetheless, the recognition of unconscious communication has persisted as a subterranean, quasi-spiritual presence in psychoanalysis to this day. As psychoanalysis becomes more interested in unconscious communication and develops theories of loosely boundaried subjectivities that open up to transcendent dimensions of reality, it begins to assume the features of a religious psychology. Thus, a fuller understanding of how unconscious communication resonates with mystical overtones may be more deeply clarified, articulated and elaborated in contemporary psychoanalysis in an explicit dialogue with psychoanalytically literate scholars of religion. In Legacies of the Occult Marsha Aileen Hewitt argues that some of the leading theorists of unconscious communication represent a 'mystical turn' that is infused with both a spirituality and a revitalized interest in paranormal experience that is far closer to James and Myers than to Freud.

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A captivating historical novel set in Gilded Age New York City about an immigrant daughter’s ascent from a miserable tenement to the heights of haute couture, driven by an insatiable hunger for a place in society and secrets she must not betray.When Rivkah Milmanovitch arrives at Ellis Island, her husband is not waiting for her as promised. Alone and pregnant, she makes her way to the Lower East Side tenement of an old friend. Lottie Aarons, whose husband went out for a newspaper and never returned, takes Rivkah in and they work side-by-side in dispiriting sweatshops. Rivkah gives birth to a daughter, Mimi, determined that her child will have a better life in America.Frederick Winthrop, slum landlord, lives in one of Fifth Avenue‘s sumptuous mansions—and preys on young girls. When he serendipitously meets fifteen-year-old Mimi, who dreams of silks, satins and velvets, imagines costumes and ball gowns, she is easily seduced, and her life takes an unexpected turn. To avoid scandal, the Winthrop family offers Mimi a rare opportunity. While Lottie, now a bookkeeper in the employ of the Winthrops, wisely advises her, Mimi knows exactly what she wants. But as she rises to international fame, she must struggle with the secrets of her past and protect those she loves.Part history, part romance, with a twist of gothic, The Winthrop Agreement is a spellbinding tale of a determined heroine who will entrance Bridgerton and all historical fiction fans.

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In 1947, the American School of Classical Studies at Athens commissioned a colour movie (Triumph over Time) to accompany its fundraising campaign. Directed by the archaeologist Oscar Broneer and produced by numismatist Margaret Thompson with the aid of staff from Fox Studios, the documentary shows Greece rebounding from the horrors of World War II and the staff of the American School hard at work preparing archaeological sites for presentation to post-war tourists. Footage of excavations at the Athenian Agora and ancient Corinth are mixed with scenes from everyday agricultural life. Famous people in the history of the School and Greece move in and out of the film's frames: King Paul and Queen Frederica attend a public lecture; the Librarian of the Gennadius Library, Shirley H. Weber, shows donor Helene Stathatou some of its priceless manuscripts; Homer A. Thompson, newly appointed Director of the Agora Excavations, displays treasures from the site. Such scenes from the American School's academic and social year show an institution at the forefront of Greece's march back to normality after almost a decade of unrest. In an accompanying essay, Natalia Vogeikoff-Brogan, the American School's Archivist, describes the making of the movie, the historical background to its production, and its place in both the institutional history of the ASCSA and the political history of Greece. She presents fascinating excerpts from previously unpublished correspondence and memoirs, as well as contemporary photographs. (This is the North American edition, with NTSC format DVD.)

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A New York Times Book Review "New & Noteworthy Poetry" Selection A Library Journal "Poetry Title to Watch 2021" A Chicago Review of Books "Poetry Collection to Read in 2021 A Reader's Digest "14 Amazing Black Poets to Know About Now" Selection A Books Are Magic "Recommended Reading" Selection “Sometimes,” writes Michael Kleber-Diggs writes in this winner of the Max Ritvo Poetry Prize, “everything reduces to circles and lines.” In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor. But Worldly Things refuses to “offer allegiance” to this centuries-old status quo. With uncompromising candor, Kleber-Diggs documents the many ways America systemically fails those who call it home while also calling upon our collective potential for something better. “Let’s create folklore side-by-side,” he urges, asking us to aspire to a form of nurturing defined by tenderness, to a kind of community devoted to mutual prosperity. “All of us want,” after all, “our share of light, and just enough rainfall.” Sonorous and measured, the poems of Worldly Things offer needed guidance on ways forward—toward radical kindness and a socially responsible poetics.

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In 1947, the American School of Classical Studies at Athens commissioned a colour movie (Triumph over Time) to accompany its fundraising campaign. Directed by the archaeologist Oscar Broneer and produced by numismatist Margaret Thompson with the aid of staff from Fox Studios, the documentary shows Greece rebounding from the horrors of World War II and the staff of the American School hard at work preparing archaeological sites for presentation to post-war tourists. Footage of excavations at the Athenian Agora and ancient Corinth are mixed with scenes from everyday agricultural life. Famous people in the history of the School and Greece move in and out of the film's frames: King Paul and Queen Frederica attend a public lecture; the Librarian of the Gennadius Library, Shirley H. Weber, shows donor Helene Stathatou some of its priceless manuscripts; Homer A. Thompson, newly appointed Director of the Agora Excavations, displays treasures from the site. Such scenes from the American School's academic and social year show an institution at the forefront of Greece's march back to normality after almost a decade of unrest. In an accompanying essay, Natalia Vogeikoff-Brogan, the American School's Archivist, describes the making of the movie, the historical background to its production, and its place in both the institutional history of the ASCSA and the political history of Greece. She presents fascinating excerpts from previously unpublished correspondence and memoirs, as well as contemporary photographs. (This is the European edition, including a PAL format DVD.)

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Jane Austen's?Persuasion?is now available in a fine exclusive collector's edition featuring beautiful cover art from artist Laci Fowler and distinctive interior treatments, making it ideal for fiction lovers and book collectors alike. Each collectible volume will be the perfect addition to any well-appointed library.The Harper Muse Classics: Painted Edition of?Persuasion?is perfect for special-edition book collectors, Jane Austen lovers, fans of literary fiction and classic literature, and people who love both the book and the cinematic adaptations it inspired.Persuasion?is Austen's final completed novel, published six months after her death in 1817. The story revolves around Anne Elliot who at 27 is no longer considered young enough for worthy romantic prospects. Eight years earlier, she had been persuaded to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What transpires when they reunite is movingly told in this remarkable love story tinged with the heartache of missed opportunities.Whether you're buying this as a gift or for yourself, this remarkable edition features: A beautiful high-end hardcover featuring Laci Fowler's distinctive hand-painted art, perfect for standing out on any discerning fiction-lover's bookshelf Embossed cover art and gold foiling? Decorative interior pages featuring pull quotes distributed throughout Matching ribbon marker and gold page edges Part of a 4-volume collection including?Jane Eyre, Little Women,?and?The Mysterious Affair at Styles. Persuasion?by Jane Austen?is a title in the Harper Muse Classics: Painted Editions collection and is being released alongside?Jane Eyre?(Charlotte Brontë),?Little Women?(Louisa May Alcott), and?The Mysterious Affair at Styles?(Agatha Christie).

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**THE TRUE STORY BEHIND MAJOR ITV DRAMA WHITE HOUSE FARM, NOW ON NETFLIX**'An extraordinary book . . . both deeply moving and quietly inspiring' FREDDIE FOX'A beautiful, very moving book' CRESSIDA BONASIn 1985, the shocking murder of a family of five in a quiet country house in Essex rocked the nation. The victims were Nevill and June Bamber; their adopted daughter Sheila Caffell, divorced from her husband Colin; and Sheila and Colin's twin sons, Nicholas and Daniel. Only one survivor remained: the Bamber's other adopted child, Jeremy Bamber. Following his lead, the police - and later the press - blamed the murders on Sheila, who, so the story went, then committed suicide.Written by Sheila's ex-husband Colin and originally published in 1994, In Search of the Rainbow's End is the first and only book about the White House Farm murders to have been written by a family member. It is the inside story of two families into whose midst the most monstrous events erupted. When Jeremy Bamber is later convicted on all five counts of murder, Colin is left to pick up the pieces of his life after not only burying his ex-wife, two children and parents-in-law, but also having to cope with memories of Sheila almost shattered by a predatory press hungry for stories of sex, drugs and the high life. Colin's tale is not just a rare insider's picture of murder, but testimony to the strength and resilience of one man in search of healing after trauma: he describes his process of recovery, a process that led to his working in prisons, helping to rehabilitate,among others, convicted murderers. By turns emotive, terrifying, and inspiring, Colin Caffell's account of mass murder and its aftermath will not fail to move and astonish.

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To all the wonderful early career teachers in our sector…You have entered a career in which you are paid to transform the lives of the most incredible children. What a privilege! You are so determined to make a difference and the education sector is full of inspiring colleagues who will guide and support you along the way. Every school has them. Every school needs them. In this book we introduce you to some of them. Written by the Academy Transformation Trust family and friends, this book is a collection of letters by teachers to their ‘NQT self.’ In their letters, teachers recount tales of successes and challenges in their first year of teaching, offering practical tips to support you to thrive in your early years of teaching.We hope you enjoy the book as much as we enjoyed writing it. Enjoy embarking on a journey of lifelong learning whilst serving the learning of others. From the Academy Transformation Trust family and friends.Contributors: Abby Bayford, Alicia Rickards, Amy Bills, Amy Staniforth, Andy Smith, Asha Kailey, Ben Manley, Cat Rushton, Charlotte Tuck, Craig Battrick, David Hicks, Debbie Clinton, Dr Kulvarn Atwal, Evo Hannan, Emma Turner, Freddie Hughes, Haider Abbas, Jon Burrows, Jorge Pashler, Laura Bradley, Lizzie Poole, Lucy Dawes, Lucy Wharton, Luke Taylor, Mary Myatt, Neil Harding, Neil Smith, Nicola Powling, Phillipa Harris, Roma Dhameja, Sarah Lee, Sharifah Lee, Shuaib Khan, Stephanie Badham, Tanya Kempson, Tom Reynolds, Zoe Enser.

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This volume celebrates the life and work of Robin Fox and the idea of a biosocial science. From his early studies of kinship, primates, the brain, evolution, the incest taboo, and aggression, to his later work on literature, politics, civilization, law, the Bible, Shakespeare, and the history of ideas, Robin Fox inspired many with an evolutionary vision of humanity that goes beyond narrow disciplinary boundaries and embraces the "universal history of mankind." Fox's work represents an independent "biosocial science" stream of thinking that accepts the Darwinian mandate while avoiding reductionism by recognizing culture as a natural phenomenon.The essays cover Fox's life and his contributions, and address topics as diverse as the meaning and function of laughter; the unforgiving discipline of writing popular anthropology; extreme drinking rituals among young men training for the British army; Darwin and close-cousin marriage; the universal essence of the epic form as a super-attractor; anthropologists' autobiographies; the conflict between science and anti-science; and the decline of British imperial education.This engaging collection on a "mainstream maverick" has been edited by Michael Egan. It includes essays by Sir Antony Jay, Lionel Tiger, Howard Bloom, Michael McGuire, Kate Fox, Melvin Konner, Alan Macfarlane, Adam Kuper, Dieter Steklis, Alexandra Maryanski, Bernard Chapais, Jonathan Turner, Linda Stone, Charles Macdonald, Anne Fox, David Jenkins, Frederick Turner, Robert Trivers, and an essay by Robin Fox himself.

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The Seventh Crusade, led by King Louis IX of France, was the last major expedition for the recovery of the Holy Land actually to reach the Near East. The failure of his invasion of Egypt (1249-50), followed by his four-year stay in Palestine in order to retrieve the disaster, had a profound impact on the Latin West. In addition, Louis's operations in the Nile delta indirectly precipitated the Mamluk coup d'état, which ended the rule of the Ayyubids, Saladin's dynasty, in Egypt and began the transfer of power there to a military elite that would prove to be a far more formidable enemy to the Franks of Syria and Palestine. This volume comprises translations of the principal documents and of extracts from narrative sources - both Muslim and Christian - relating to the crusade, and includes many texts, notably the account of Ibn Wasil, not previously available in English. The themes covered include: the preparations and search for allies; the campaign in the Nile delta; the impact on recruitment of the simultaneous crusade against the emperor Frederick II; the Mamluk coup and its immediate consequences in the Near East; Western reactions to the failure in Egypt; and the popular 'crusade' of the Pastoureaux in France (1251), which aimed originally to help the absent king, but which degenerated into violence against the clergy and the Jews and had to be suppressed by force.

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"Isn't it … particularly difficult to 'speak' of your work?" Frédéric-Yves Jeannet asks Hélène Cixous in this fascinating book of interviews. "[I]t's only in writing, on paper, … that I reach the most unknown, the strangest, the most advanced part of me for me. I feel closer to my own mystery in the aura of writing it," Cixous responds. These conversations, which took place over three years and cover the creative process behind Cixous’s fictional writing, illuminate the genesis and particular genius of one of France’s most original writers. Cixous muses on her "coming to writing," from her first publications to her recent acclaim for a series of fictional texts that spring, as, she insists all true writing does, from her life: the loss of her father when she was a child, and her relationship with her mother, now in her tenth decade, as well as with such friends as Jacques Derrida and Jacques Lacan. The conversations delve into Cixous’s career as an academic in Paris and abroad, her summer retreats to the Bordeaux region to write uninterrupted for two months, her work with Ariane Mnouchkine’s Théàtre du Soleil, her political engagements and her dreams. Readers and writers who have followed Cixous’s path-blazing career as a fiction writer who crosses boundaries of genre and gender while posing essential questions about the nature of narrative and life will find this a book that cannot be put down.

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Documentary films are the rock and roll of our times. Why are they made? Who are in the tribe of documentary film-makers? Do their films really change the world? Eighteen years ago, Nick Fraser created BBC Storyville, producing films that won Oscars, BAFTAs, and Peabody Awards. He found film-makers from all across the world covering important subjects in documentaries. In Say What Happened he describes the frenzied, intense world of documentary film-making, tracing its history back to the early pioneers, such as Dziga Vertov and his ground-breaking Man with a Movie Camera. The book deals with the British documentary tradition founded by John Grierson, and discusses the work of American masters such as the Maysles brothers, Frederick Wiseman and D.A. Pennebaker, as well as Europeans such as Marcel Ophuls, Claude Lanzmann, Chris Marker, and Werner Herzog. He interviews acclaimed documentary film-makers and discusses the work of Ken Burns, Errol Morris, and Joshua Oppenheimer, among others across the globe, as well as listing his top one-hundred documentaries, and where readers can watch them.In a world beset with 'fake news', he argues documentaries are better at getting at the verities about life and death and that the new journalism will come from films made using new technology.

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Everywhere today, we are urged to “connect.” Literary critics celebrate a new “honesty” in contemporary fiction or call for a return to “realism.” Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing—E. M. Forster’s “Only connect . . .” and Fredric Jameson’s “Always historicize!”—helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era—and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile?This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls “free indirect,” in which the novel’s refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today.

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Representing a new generation of theorists reaffirming the radical dimensions of art, Gail Day launches a bold critique of late twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of "critical postmodernism" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical. She also challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought and social process: T. J. Clark, Manfredo Tafuri, Fredric Jameson, Benjamin H. D. Buchloh, and Hal Foster, among others. She maps the tension between radical dialectics and left nihilism and assesses the interpretation and internalization of negation in art theory. Chapters confront the claim that exchange and equivalence have subsumed the use value of cultural objects--and with it critical distance-- and interrogate the proposition of completed nihilism and the metropolis put forward in the politics of Italian operaismo. Day covers the debates on symbol and allegory waged within the context of 1980s art and their relation to the writings of Walter Benjamin and Paul de Man. She also examines common conceptions of mediation, totality, negation, and the politics of anticipation. A necessary unsettling of received wisdoms, Dialectical Passions recasts emancipatory reflection in aesthetics, art, and architecture.

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For nearly 60 years, King George III reigned over a tumultuous kingdom. His health and realm were in turmoil, whilst family life held challenges of its own. From the corpulent Prinny and the Grand Old Duke of York, to a king who battled the Lords and the disciplinarian Duke of Kent, this is the story of the elder sons of George III. Born over the course of half a decade of upheaval, George, Frederick, William, and Edward defined an era. Their scandals intrigued the nation and their efforts to build lives away from the shadow of their impossibly pious parents led them down diverse paths. Whether devoting their lives to the military or to pleasure, every moment was captured in the full glare of the spotlight. The sons of George III were prepared from infancy to take their place on the world's stage, but as the king's health failed and the country lurched from one drama to the next, they found that duty was easier said than done. With scandalous romances, illegal marriages, rumours of corruption and even the odd kidnapping plot, their lives were as breathless as they were dramatic. In The Elder Sons of George III: Kings, Princes, and a Grand Old Duke, travel from Great Britain to America and on to Hanover in the company of princes who were sometimes scandalous, sometimes sensational, but never, ever dull.

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National treasure Sheridan Smith returns to the role of Lucie Miller in these four new adventures with the Eighth Doctor! 1. The Dalek Trap by Nicholas Briggs. The thing about black holes is, they’re big and they’re black and they’re deadly, and you’d have to be mad to go anywhere near them. Because anything that falls inside a black hole ends up crushed in the singularity. Unfortunately, the Doctor just went mad, or so it seems, and flew his TARDIS beyond a black hole’s event horizon, causing him and his companion Lucie Miller to end up marooned on a planetoid just inside the event horizon. Along with a Dalek saucer… and something else. Because this is no ordinary black hole… This is the Cradle of the Darkness. 2. The Revolution Game by Alice Cavender. It’s Lucie’s birthday, and her birthday treat awaits. But whatever she’s expecting, it’s not what she’s getting on the colony world of Castus Sigma in the year 3025: ringside seats for the interplanetary Retro Roller Derby – sponsored by Heliacorp, “turning sunlight into gold”! It’s more than just a game, though. For the competitors, it’s a matter of life or death – a New Life with Heliacorp, or a living death on Castus Sigma. Or, on this fateful day, a very actual death. Because there are strange creatures living out on the plain, beyond the colony. Creatures with every reason to want to sabotage the games. Creatures with a grudge. 3. The House on the Edge of Chaos by Eddie Robson. The TARDIS brings the Doctor and Lucie to a vast house on the planet known as Horton’s Orb. The only house on Horton’s Orb, in fact. Outside its outsized windows there’s nothing. No land. No sea. No sky. No life. Just an endless expanse of static. Inside the house, there’s an upstairs and a downstairs – servants below, gentlefolk from the finest of the house’s families above. Alas, there are altogether too few eligible ladies on the upper floors these days. Meaning there’s a vacancy for Miss Lucie Miller, single and unattached…Outside the house, the static howls on. Except now, the static wants to get in. 4. Island of the Fendahl by Alan Barnes. The Fendahl is the death of evolution, the horror that lies in wait at the far end of the food chain. The Fendahl is death itself. And the Fendahl is dead. The Doctor destroyed it many years ago, in another incarnation, when he encountered it in a place called Fetchborough. But if the Fendahl is dead… how can it live again, on the remote island of Fandor? CAST: Paul McGann (The Doctor), Sheridan Smith (Lucie Miller), Matt Lloyd Davies (Jik Gelliska), Amanda Hurwitz (Raz Kalisto), Jonathan Keeble (Clegg), Madeline Duggan (Sash), Tom Alexander (George), Alicia Ambrose-Bayly (Tallulah / Alana Kelly), Carla Mendonca (Evangeline Horton), Rupert Vansittart (Darius Horton), Emily Woodward (Frances Horton), Joe Jameson (Berrigan Horton), Carlyss Peer (Diane Howard), Atilla Akinci (Dieter Fendelman), Paul Panting (Freddie), Lauren Cornelius (Maxine Mitchell), Bethan Dixon Bate (Landlady) and Nicholas Briggs (The Daleks). Other parts played by members of the cast.

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In The Allure of Blackness among Mixed-Race Americans, 1862–1916, Ingrid Dineen-Wimberly examines generations of mixed-race African Americans after the Civil War and into the Progressive Era, skillfully tracking the rise of a leadership class in Black America made up largely of individuals who had complex racial ancestries, many of whom therefore enjoyed racial options to identity as either Black or White. Although these people might have chosen to pass as White to avoid the racial violence and exclusion associated with the dominant racial ideology of the time, they instead chose to identify as Black Americans, a decision that provided upward mobility in social, political, and economic terms. Dineen-Wimberly highlights African American economic and political leaders and educators such as P. B. S. Pinchback, Theophile T. Allain, Booker T. Washington, and Frederick Douglass as well as women such as Josephine B. Willson Bruce and E. Azalia Hackley who were prominent clubwomen, lecturers, educators, and settlement house founders. In their quest for leadership within the African American community, these leaders drew on the concept of Blackness as a source of opportunities and power to transform their communities in the long struggle for Black equality.The Allure of Blackness among Mixed-Race Americans, 1862–1916 confounds much of the conventional wisdom about racially complicated people and details the manner in which they chose their racial identity and ultimately overturns the “passing” trope that has dominated so much Americanist scholarship and social thought about the relationship between race and social and political transformation in the nineteenth and twentieth centuries.

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"The first edition of this Handbook is built on surveys by well-known figures from around the world and around the intellectual world, reflecting several different theoretical predilections, balancing coverage of enduring questions and important recent work. Those strengths are now enhanced by adding new chapters and thoroughly revising almost all other chapters, partly to reflect ways in which the field has changed in the intervening twenty years, in some places radically. The result is a magnificent volume that can be used for many purposes." David W. Lightfoot, Georgetown University "The Handbook of Linguistics, Second Edition is a stupendous achievement. Aronoff and Rees-Miller have provided overviews of 29 subfields of linguistics, each written by one of the leading researchers in that subfield and each impressively crafted in both style and content. I know of no finer resource for anyone who would wish to be better informed on recent developments in linguistics." Frederick J. Newmeyer, University of Washington, University of British Columbia and Simon Fraser University "Linguists, their students, colleagues, family, and friends: anyone interested in the latest findings from a wide array of linguistic subfields will welcome this second updated and expanded edition of The Handbook of Linguistics. Leading scholars provide highly accessible yet substantive introductions to their fields: it's an even more valuable resource than its predecessor." Sally McConnell-Ginet, Cornell University "No handbook or text offers a more comprehensive, contemporary overview of the field of linguistics in the twenty-first century. New and thoroughly updated chapters by prominent scholars on each topic and subfield make this a unique, landmark publication."Walt Wolfram, North Carolina State University This second edition of The Handbook of Linguistics provides an updated and timely overview of the field of linguistics. The editor's broad definition of the field ensures that the book may be read by those seeking a comprehensive introduction to the subject, but with little or no prior knowledge of the area. Building on the popular first edition, The Handbook of Linguistics, Second Edition features new and revised content reflecting advances within the discipline. New chapters expand the already broad coverage of the Handbook to address and take account of key changes within the field in the intervening years. It explores: psycholinguistics, linguistic anthropology and ethnolinguistics, sociolinguistic theory, language variation and second language pedagogy. With contributions from a global team of leading linguists, this comprehensive and accessible volume is the ideal resource for those engaged in study and work within the dynamic field of linguistics.

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Published to celebrate the 200th anniversary of the birth of G.F. Watts, this book provides a lively and engaging introduction to one of the most charismatic figures in the history of British art. Covering all aspects of Watts’s career, it places him back at the centre of the visual culture of the 19th century. George Frederic Watts (1817–1904) was one of the great artists of the 19th century. As a young man Watts exhibited alongside Turner, and by the end of his long career he was influential upon Picasso. Sculptor, portraitist and creator of classic Symbolist imagery, Watts was seen also as more than an artist – a philanthropic visionary whose art charted the progress of humanity in the modern world. After four years in Italy in the 1840s, Watts was recognized as a Renaissance master reborn in the Victorian age. Nicknamed ‘Signor’, and working in isolation from the mainstream commercial art-world, he became a cult figure, obsessively returning to a series of subjects describing the fundamental themes of existence – love, life, death, hope. Engaging in turn with Romanticism, the Pre-Raphaelites, the Aesthetic Movement and Symbolism, Watts remained true to his own personal vision of the evolution of humanity. As a portraitist, Watts set out to capture the essence of the great characters of 19th-century Britain, donating his finest portraits to the National Portrait Gallery in London. Watts’s portraits of figures such as William Morris, John Stuart Mill and the poets Tennyson and Swinburne have become the classic images of these cultural celebrities, while more intimate portraits such as Choosing, showing the artist’s first wife, the actress Ellen Terry, are among the most popular of all British portraits. During the 1880s Watts emerged from his cult status to be embraced by the public. Feted as the great modern master, even as “England’s Michelangelo”, he was given large retrospective exhibitions in London and at the Metropolitan Museum in New York. His reputation grew also in Europe, where the Symbolists revered him as one of their great exemplars. Watts’s most celebrated works, such as Love and Life, Hope, and the epic sculpture Physical Energy, were reproduced globally and their fame was unsurpassed within contemporary art in the years around 1900. By this time, Watts had acquired a country home in Surrey – Limnerslease – around which he and his second wife, the designer Mary Watts, built a type of utopian settlement, which has recently been restored and opened to the public as Watts Gallery – Artists’ Village. By the end of his life Watts was a national figure, an inspirational artist who had found a meaningful role for art as a catalyst for social change and community integration.

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Ever since the founders drafted "We the People," "we" have been at pains to work out the contradictions in their formulation, to fix in words precisely what it means to be American. Constituting Americans rethinks the way that certain writers of the mid-nineteenth and early twentieth century contributed to this project; in doing so, it revises the traditional narrative of U.S. literary history, restoring an essential chapter to the story of an emerging American cultural identity. In diverse ways, very different writers—including Frederick Douglass, Herman Melville, Harriet Wilson, W. E. B. Du Bois, and Gertrude Stein—participated in the construction and dissemination of an American identity, but none was entirely at ease in the culture they all helped to define. Evident in their work is a haunting sense of their telling someone else’s story, a discomfort that Priscilla Wald reads in the context of legal and political debates about citizenship and personhood that marked the emergence of the United States as a nation and a world power.From early-nineteenth-century Supreme Court cases to turn-of-the-century Jim Crow and immigration legislation, from the political speeches of Abraham Lincoln to the historical work of Woodrow Wilson, nation-builders addressed the legal, political, and historical paradoxes of American identity. Against the backdrop of their efforts, Wald shows how works such as Douglass’s autobiographical narratives, Melville’s Pierre, Wilson’s Our Nig, Du Bois’s The Souls of Black Folks, and Stein’s The Making of Americans responded, through formal innovations, to the aggressive demands for literary participation in the building of that nation. The conversation that emerges among these literary works challenges the definitions and genres that largely determine not only what works are read, but also how they are read in classrooms in the United States today.Offering insight into the relationship of storytelling to national identity, Constituting Americans will compel the attention of those with an interest in American literature, American studies, and cultural studies.

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Constance Lindsay Skinner made a living as a writer at a time when few men, and fewer women, managed the feat. Born in 1877 on the British Columbia frontier, she worked as a journalist in Vancouver, Los Angeles, and Chicago, before moving to New York City in 1912, where she supported herself by her pen until her death in 1939. Despite a prolific output - poetry, plays, short stories, histories, reviews, adult and children's novels - and in contrast to her reputation in the United States, she remains virtually unknown in the country of her birth. Reconstructing Constance Lindsay Skinner's writing life from her papers in the New York Public Library and from her publications, Jean Barman argues for three bases to her success. As well as a capacity to respond to market forces by moving between genres, she possessed an aura of authenticity by virtue of her Canadian frontier heritage. As a literary device, the frontier gave a freedom to tackle contentious issues of Aboriginal and hybrid identities, gender and sexuality, that might otherwise have been far more difficult to get into print. Third, and very important, was her willingness to subordinate a private self to the life of the imagination. Barman ponders Constance Lindsay Skinner's absence from the Canadian literary canon. She mixed with such twentieth-century personalities as Jack London, Harriet Monroe, Frederick Jackson Turner, Vilhjalmur Stefansson, Cornelia Meigs, Long Lance, and Margaret Mitchell, yet was unrecognized in her own country. Her sex mattered, just as it did for fellow Canadian women writers. So did her facility at multiple genres, a talent that, even as it made possible a writing life, prevented her from achieving a major breakthrough in any one of them. Perhaps most responsible was her identification with the frontier of a nation whose centre long shaped literary matters in its own image. Constance Lindsay Skinner makes a significant contribution to Canadian and American history and to literary and gender studies.

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