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The world is at war, but on the gilded streets of Fifth Avenue, New York, a battle of a different kind is brewing… New York, 1915.Elizabeth Arden has been New York’s golden girl since her beauty salon opened its famous red door five years prior. Against all odds, she’s built an empire. Enter Helena Rubinstein: ruthless, revolutionary – and the rival Elizabeth didn’t bargain for. With both women determined to succeed – no matter the personal cost – a battle of beauty is born. And as the stakes increase, so do the methods: poaching employees, planting spies, copying products, hiring ex-husbands. But as each woman climbs higher, so too does what she stands to lose. Because the greater the height, the harder the fall… In this stunning new novel, internationally bestselling author Gill Paul reveals the unknown history of cosmetic titans Elizabeth Arden and Helena Rubinstein and their infamous rivalry that spanned not only decades, but also broken marriages, personal tragedies, and a world that was changing dramatically for women – perfect for fans of Fiona Davis, Dinah Jefferies and Karen Swan. Readers adore A Beautiful Rival: ‘I knew absolutely nothing about the lives of the women behind the iconic products, or about the fierce competition between them, but, as she always does so wonderfully, Gill Paul has taken the known facts about their lives (her research is as meticulous as ever), added a dash of her extraordinary imagination, and woven a wonderful story – breathing life into her characters and transporting the reader into their fascinating world.’ Reader Review ⭐⭐⭐⭐⭐ ‘A terrific read and a wonderful insight into these two giants of the beauty world. I was transfixed throughout. Highly recommend.’ Reader Review ⭐⭐⭐⭐⭐ ‘This book cemented my thoughts that any book by Gill Paul is an excellent one. I loved how the rivalry between Elizabeth Arden and Helena Rubinstein was portrayed, it had me hooked.’ Reader Review ⭐⭐⭐⭐⭐ ‘The knives out jealousy that forged high end glamour. This is such compulsive reading, shocking and cheekily funny… The spying on practices and aesthetics, the poaching of employees and advisors, the tit for tat copying and meddling in strategies, the upward mobility efforts and petty insecurities … The author blew me away with her blend of historically accurate, imaginatively realised and dramatically portrayed narrative. I can't wait for her next book, she is an auto buy author for me now!’ Reader Review ⭐⭐⭐⭐⭐ ‘The focus on real historical characters, albeit fictionalised, makes this a fascinating story. I like the evocative historical detail, the complex characters and the emotion that runs through this story.’ Reader Review ⭐⭐⭐⭐⭐ ‘This book is rife with rivalry, rage, and rouge. I love how Paul has been sharing tidbits about each woman on her social media channels. Beauty is not for the weak and both women were powerhouses of powder, lipstick, and looking one’s best.’ Reader Review ⭐⭐⭐⭐⭐ ‘The women in the book were strong characters who didn't suffer fools … Everytime I read one of Gill Paul's books I end up being lost down the rabbit hole which is Google looking for more information about the historical characters she has written about. Gill's research is amazing and she must take so much time before she even starts writing the book.’ Reader Review ⭐⭐⭐⭐⭐

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Jared Clement has returned to Trinity, not as a mere ship captain but as a Five Suns Fleet Admiral. With his promotion comes increased responsibility that weighs heavily on his shoulders: 30,000 settlers are leaving the dying planets of the Rim, his home, and resettling next to the natives of the planet Bellus. Clement is responsible for those lives and the lives of the natives, Trinity’s children, and for building a better future for them all. But when his migrant fleet arrives in the Trinity system, they are faced with enemies both old and new. Former Fleet Admiral Elara DeVore has escaped her exile on the planet Alphus and vanished into parts unknown. Soon, however, Clement discovers she has a new fleet and a new ally, the Solar League from Earth. The Solar League has arrived with a massive fleet and plans on taking Trinity for itself, forcing the Five Suns to surrender. With just a small military fleet to accompany the migrants, Clement is faced with the almost impossible task of defending both his people and the natives from becoming slaves of the Solar League. Praise for Trinity’s Children: "As with the first book, the characters here are outstanding and fascinating, and their relationships are dynamic. It's a fun and diverse group, and Clement makes a great lead . . . Fans of series like David Weber's Honor Harrington, Jack Campbell's Lost Fleet, Orson Scott Card's Ender Saga, and Timothy Zahn's many space operas will all want to check this out. It could be their next new series love." —Analog SF&F About Trinity: "Trinity is a knockout read. Imagine if James T. Kirk (Star Trek) and Mal Reynolds (Firefly) were combined and you pretty much have main character Jared Clement... The story moves at a brisk pace with fun and interesting characters, and lots of action. It very much feels like Mal Reynolds on a Star Trek: Original Series away mission, though much more modern in its sensibilities." —Analog SF&F “[A] rousing. . . far-future tale, taking hard-drinking former Rim Confederacy Navy Capt. Jared Clement of the gunship Beauregard into a whopper of a galactic confrontation. . . . [with] Clement’s rebirth as an idealistic military commander, leading to breathless Horatio Hornblower-type ship-to-ship action updated into a Star Trek-like environment. . . [with] plenty of fun, derring-do, and even some tension-relieving fraternization will keep readers invested in Clement and crew. This is an entertaining escape from the here and now.” —Publishers Weekly About Dave Bara: “. . . fun, fast, and proper science fiction, where the stakes are big and things matter.” —Simon R. Green, New York Times best-selling author on Dave Bara’s Lightship Chronicles Series "A true talent in the genre, Bara brings a scope of imagination to his worlds, building them brick by brick in your mind and populating them with stalwart characters, men and women of action rather than words... If far-flung space opera is what you seek, Bara is the author for you." —Rick Partlow, best-selling author of the Drop Troopers series “This energetic mélange of tried-and-true elements—futuristic jargon, military and romantic tactics, and multiple levels of skullduggery—easily grabs the reader’s attention; more impressive is that Bara’s story holds that attention all the way to the end.” —Publishers Weekly on The Lightship Chronicles Series “Bara manages to ramp up the depth and complexity of his world while retaining that sense of excitement, suspense, and adventure.” —Barnes & Noble Sci Fi & Fantasy Blog

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Sam Bitka, a naval reserve officer, is recalled to wartime service and soon earns a reputation for aggressive tactics and insufficient deference to his academy-graduated superiors. His latest run-in with authority earns him a transfer to command of an armed transport, USS Cam Ranh Bay. When a mysterious alien probe materializes from Jump Space and remotely reprograms The Bay's star drive, Sam and his crew begin an involuntary voyage that takes them three thousand light years out of known space, across the galactic rift to the Sagittarius Spiral Arm, and into the heart of an ancient, previously unknown civilization—the first encountered by Humans and the other five races of the Cottohazz—Stellar Commonwealth—in over a century. The genetically altered immortals known as The Guardians, a race so old they do not remember their own origins, soon turn murderously violent. Now Sam and his crew must elude capture by the Guardians, find some means of reprograming their own star drive, and then return to the Cottohazz with the news of a powerful new civilization bent on their destruction. But they may also be carrying the secrets of the origin of their own star drive and of the path to immortality. Praise for Chain of Command: “Chadwick’s heavy hitter succeeds at teeth-gritting action scenes, deep psychological portraits of diverse characters and societies, and abundant puzzles and mysteries. All . . . mixed in seamlessly with the vivid tragedies of war and balanced with dark humor.”—Publishers Weekly, starred review ". . . strong characterization and the briskness of the plot should please. Fans of military sf and of Chadwick, in particular, should give it a look."—Booklist "Chain of Command is very smartly put together . . . Chadwick gets the details right, whether he's talking about the effects of prolonged weightlessness or the intricacies of geo and interstellar politics and economics . . . a solid piece of Mil-SF writing that pulls from many historical sources and manages to convey a lot of what the Surface Navy is like. . . . It isn't the steel hulls that make the navy tough, it's the sailors that crew them."—SFRevue About Come the Revolution: “[A]dventure, family secrets and humor. . . . The plot is as hard as the science Chadwick uses. . . . [E]ngages readers. First-rate science fiction; it moves at a fast pace throughout.”—The Galveston County Daily News "Chadwick offers an exciting military SF story set on the Varoki home planet of Hazz’Akato in his follow up to How Dark the World Becomes . . . Chadwick, a leading designer of military and science-fiction board- and role-playing games, knows his way around a battlefield . . . eccentric cohorts are entertaining, and a few surprises guarantee that readers will be seeing more of this series."—Booklist "This sequel to How Dark the World Becomes is a fast-paced, action-packed sf adventure. Readers new to Chadwick’s series will be able to start here without too much trouble; essential background information is given, and the author leaps straight into an original story set two years after the previous entry.”—Library Journal About How Dark the World Becomes: “How Dark the World Becomes is a crackling debut novel that speaks of great things to come! It's whip-smart, lightning-fast and character-driven—in short it has everything required to be totally satisfying. Highly recommended." —Jonathan Maberry, New York Times best-selling author of Assassin’s Code “. . . [a] far off, hard scrabble intergalactic underworld . . . fast-paced intergalactic adventure full of far-flung alien intrigue.”—Astroguyz " . . . thrilling space adventure . . . I was reminded of Jack McDevitt's Alex Benedict novels and Mark L. Van Name's Jon & Lobo adventures."—SFCrowsnest

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One of Publishers Weekly's Most Anticipated Books for Fall 2016 "Cortazar's verse is more traditional than his fiction, but his style and themes are in harmony across genres: eccentric, mystical, full of animals but deeply human. Cortazar is a people's poet, accessible from every angle, and his position as a titan of the Latin American boom is indisputable."--Publishers Weekly, starred review World renowned as one of the masters of modern fiction, Julio Cortazar was also a prolific poet. While living in Paris during the last months of his life, Cortazar assembled his life's work in verse for publication, and Save Twilight selects the best of that volume, making his poems available in English for the very first time. This expanded edition, with nearly one hundred new pages of poems, prose and illustrations, is a book to be savored by both the familiar reader and the newcomer to Cortazar work. Ranging from the intimate to the political, tenderness to anger, heartbreak to awe, in styles both traditionally formal and free, Cortazar the poet and subverter of genres is revealed as a versatile and passionate virtuoso. More than a collection of poems, this book is a playful and revealing self-portrait of a writer in love with language in all its forms. Praise for Save Twilight: "With this expanded edition of Save Twilight, Stephen Kessler continues his project, begun in the 1980s, of translating poetry by Julio Cortazar. Widely known for his fiction, especially Hopscotch, a seminal work of the Latin American Boom, Cortazar was also a compelling poet. Kessler has found just the right turns of phrase in English to capture the Argentine's deeply moving writing and exceptionally emotive language. What a gift this collection is for English-speaking readers."--Edith Grossman, winner of the PEN/Ralph Manheim Medal for Translation "Some people run the world, others are the world. Cortazar's poems are the world; they have a special consideration for the unknown."--Enrique Vila-Matas, author of The Illogic of Kassel "What a pleasure, this walk in a well-orchestrated park with shades as complex, as light & as dark, as multifoliate as the actual world! This book--the 'poetic ecology' Cortazar had envisioned--is an open invitation to make yourselves at home twixt sea and loss, wine & sorrow, birth & riptide, tobacco & talk, laughter & death. Nothing human is foreign to the poet--& he brings it home with great clarity & grace. The writing & the book embody a tradition of hospitality, or as Cortazar puts it: 'Hello little black book for the late hours, cats on the prowl under a paper moon.' The injunction to save twilight stands as title--it is also exactly what the writing accomplishes. Stephen Kessler's elegant, accurate, and sometimes felicitously ose translations do these poems more than justice."--Pierre Joris, author of Barzakh (Poems 2000-2012) "For those who have enjoyed Cortazar's fiction, among the most seminal and compelling of our time, here now are his wonderful poems. And for those who don't know Cortazar from a cat, it's a chance to visit his crepuscular world in all its multiple layers. A tender, experimental, humorous, meditative, jazzy, heart-breaking collection to be relished and savored slowly." --Ariel Dorfman, author of Feeding on Dreams: Confessions of an Unrepentant Exile Julio Cortazar was born in Brussels in 1914 of Argentinian parents, raised in Argentina, and spent his most productive years in Paris, where he died in 1984.

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Arnold Palmer: American Hero is the seventh book in our large coffee table book series on the greats in the game. In addition to our definitive history of the Ryder Cup published in conjunction with the PGA of America, we have also published large lavishly produced coffee table books in this format on - Ben Hogan (2), Bobby Jones, Byron Nelson and Jack Nicklaus.The book features wonderfully crafted essays on different aspects of Arnie's life in the front third of the book with game-day coverage of each of his biggest tournaments in the back two-thirds.As with all our books, our book on Arnie sports a real cloth cover with gold foil stamping and a laminated and embossed dust jacket. To achieve the utmost in quality reproduction, the book has been printed in five colors in Italy on some of the finest printing papers available by one of the world's most renown printers. Even the black-and-white photos are color separated to ensure the utmost in fidelity.Once again, we've assembled an all-star cast of essayists, each writing on different aspects of Arnie's life, but for this book we assembled 21 featured essayists in all, instead of the usual five or six. There were just so many fascinating - and wholly unknown - facets to Arnie's life that just begged coverage. It seems that every time we would investigate one aspect of his life, we'd find two more to delve into. The further we looked, we'd add another essay or two as the book just kept getting bigger and bigger - and we do believe - better and better.Consider a sampling of the featured essayists - Marino Parascenzo (former president of the Golf Writers Association of America), Doc Giffen (Arnold's right-hand man since the mid 1960s), Jaime Diaz (Golf Channel), John Hopkins (The Times of London), Dan Hicks (who covered Arnie's tournament for NBC for over 25 years), Ron Green, Jr. (Global Golf Post), Charlie Mechem (former LPGA Commissioner), Ron Sirak (the Associated Press and Golf Digest), Jay Monahan (PGA TOUR Commissioner), Kelly Tilghman (Golf Channel), Adam Schupak (Golf World), Peter Jacobsen (PGA TOUR and NBC), Nancy Lopez (LPGA and World Golf Hall of Fame) and numerous others. Even Arnie's close friend Gary Player crafted a very personal forward with much new and revelatory information about their relationship - you'll laugh, you'll smile and you may even get a bit teary.It's certainly an All Star cast of contributors.As with our earlier coffee table books on the greats of the game, the back two-thirds of the book features extensive take-outs with numerous large photos - along with the game day stories on every significant event in Arnie's life - all the big wins as well as the many heartbreaking close calls too.Significantly, also included are several multi-page instructional gatefold spreads throughout the book including an analysis of Arnie's full swing by noted golf instructor Jim McLean, an analysis of his putting by putting-guru Brad Faxon and a large gatefold - folding out to almost six feet - featuring Arnie's seven Ryder Cup wins. There's even a gatefold depicting each of Tiger's eight wins at Arnie's own PGA TOUR event at Bay Hill.Without doubt, it certainly is a book of the very highest caliber.

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'Better than Sharpe... Napoleon’s Run deserves to be a runaway success’Ben Kane, Sunday Times bestselling author of Lionheart One man against an armadaLondon, 1798. Late one night, a junior naval officer at the Admiralty intercepts a coded despatch, marked with blood: Napoleon Bonaparte is about to launch the largest invasion fleet in history. Target: unknown.England is vulnerable, bereft of allies, and the Sea Lords fear a direct assault on Britain. Admiralty Intelligence sounds the alarm and prepares to unleash Nelson and the Mediterranean squadron.But before they can, they need vital information. They need a special officer to infiltrate by land or by sea to uncover the destination of Napoleon’s armada – a man who never stops.Marine Lt William John Hazzard.But will he agree to help them?Betrayed by the Admiralty at the African Cape three years earlier, Hazzard has vowed never to trust them again. Bitter memories poisoned his return home, and his devoted fiancée Sarah, unable to bear his pain any longer, disappears in Naples – never to be seen again.But the Admiralty knows just how to get him back.They know where Sarah is, and her life is in danger…From pitched sea-battles to back-street duels in a covert war, this is the epic adventure of the new hero of Napoleonic fiction: Hazzard. Perfect for fans of Seth Hunter, Bernard Cornwell and C. S. Forester.Never give up the boat.Praise for Napoleon's Run ‘This is an outstanding novel, made even more remarkable by its début status. I loved it, from the first page to the end. Better than Sharpe, gripping and intense, Napoleon’s Run deserves to be a runaway success’ Ben Kane, Sunday Times bestselling author of Lionheart'Hornblower meets Mission: Impossible. A thrilling, page-turning debut packed with rousing, rip-roaring action' J. D. Davies, author of the Matthew Quinton Journals'This book has it all. Combines great action with really good history, and an engaging and original character in Marine officer William Hazzard, who adds a satisfying dash of the swashbuckling Bombay Buccaneers to some solid scholarship. In many ways this captures the true – and surprisingly subversive nature – of early British imperialism' Seth Hunter, author of the Nathan Peake novels'Outstanding... Packed to the gunwales with action, this fast-paced story introduces us to William Hazzard, a Marine Lieutenant who takes on not just Napoleon, but also the espionage and machinations of the new French Republic during the reign of terror, Neapolitan high society, and even the British Admiralty itself. Leading a crew of wonderfully-drawn characters, Hazzard is not only a convincing action hero, but also one who offers a timeless insight into loyalty, trust and honesty. A thumping read' Chris Lloyd, author of The Unwanted Dead‘This book has a rich cast of characters who will delight, enthral and keep you turning the pages to the very end. A brilliant, thrilling read, with a new – and very believable – hero. This is my favourite historical novel of the year so far’ Michael Jecks, author of the Last Templar Mysteries'A strong, fast-moving story by an author with a deep knowledge of the period and the narrative skill of a fine story-teller' Andrew Swanston, author of Waterloo'A great read! Well-tempered and well-researched, with well-drawn characters who will, I am sure, be with us for a while' Rob Low, author of The Lion Wakes'Loads of action and plenty of plot twists, meticulously researched with a fine period feel' A.J. MacKenzie, author of The Ballad of John MacLea

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Seven discrete areas of land were excavated by Archaeological Solutions to the north-east of Stowmarket in Mid Suffolk, on the clay hillside above the river Gipping. Four phases of medieval and post-medieval land use were identified; the main period of activity was in the 13th–14th centuries AD. To the north of Cedars Park, where the hillside levels off to a plateau, excavation revealed part of an enclosed farmstead. The remains of two buildings with earth-fast foundations were identified, as well as cobbled yard surfaces, numerous quarry and rubbish pits and a large pond or watering hole. On the lower slopes to the south-west was an area of roadside settlement marked by regular property boundaries/drainage ditches either side of Creeting Road. The direct relationship between the road and the medieval boundary ditches demonstrates that it was in use by the 13th century if not earlier. Because the excavation areas were set back slightly from the road, evidence of dwellings was absent. However, the rear areas of several roadside tofts, containing cobbled yard surfaces and the remains of barns or other agricultural buildings, were revealed. Scattered pits containing quantities of pottery, animal bone and other domestic rubbish attested to occupation close by. Field name evidence indicates that the settlement lay on the edge of a green which had been enclosed by the early post-medieval period. It is likely to have been directly associated with the medieval manor at Thorney Hall, 250m to the west. To the east of the site, close to Sheepcote Hall, was a small double-ditched stock enclosure which is thought to have been used for corralling sheep, with another area of medieval roadside settlement nearby at the junction of Creeting Road and Mill Street. Cedars Park was probably settled under the favourable environmental conditions of the 12th and early 13th centuries, at a time of rising population. The spread of small, dispersed settlement sites across the landscape was also a result of the gradual breakup of the large late Saxon royal estate of Thorney into a multitude of separate manors. The reasons for the abandonment of much of the site around the mid 14th century are unknown but the Black Death and subsequent outbreaks of plague, and the difficulty of farming the local clay soil in the worsening climate of the 14th century, may have played a part. The enclosed farmstead can be tentatively identified with a tenement documented in the records of Thorney Hall manor court, which was owned by one William Le Newman until its abandonment in c.1340. At the end of the 14th century, the green-edge plots were probably held by one Geoffrey Atte Grene. By 1408, Geoffrey’s tenements had passed to Thomas Mysterton, a gentleman, who is unlikely to have occupied them himself. Changing patterns of land ownership therefore contributed to the final abandonment of this part of the site. Subsequent agricultural land use was represented by a series of field boundary ditches which closely matched those recorded on the 1839 Stowupland tithe map. The dispersed medieval settlements at Cedars Park were occupied by people of relatively low status, with little evidence for specialised agricultural or craft production and few signs of wealth. Mixed farming with an important pastoral component produced enough food for their subsistence and a modest surplus with which they were able to purchase pottery and other commodities at local markets; most items found at the site were produced within a thirty-mile radius. Similar small farms and roadside or green-edge settlements were typical of the medieval landscape of the Suffolk, Essex and Norfolk claylands. However, while these types of dispersed settlement are well known from documentary records and field survey, very few have been subject to modern open-area excavation and the recovery of detailed structural, economic and environmental evidence.

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Discover why millions rely on the #1 New York Times best-selling Medical Medium for health answers and natural healing protocols they can’t find anywhere else to over 100 symptoms, nervous system diseases, and disorders. The first of two essential books, in full color and over 600 pages, about our most complex organ—the BRAIN—dives deep into why people all over the world are suffering with mental health and brain-related symptoms and conditions, and explains what to do to finally heal. “After years of doctors being unable to diagnose, identify, or pinpoint our child’s gastrointestinal issues, Anthony’s expertise and intuition led us to not only identifying the issue, but more importantly, Anthony’s precise protocols have been the invaluable catalyst in our daughter’s healing, recovery, and her happiness...” — Dwayne “The Rock” Johnson and Lauren HashianWITH ALL THE ADVANCED BRAIN RESEARCH TODAY, WHY IS THERE SUCH A PREVALENCE OF:· Addiction · ADHD · ALS· Alzheimer’s · Anxiety· Autism · Bipolar Disorder · Brain Fog · Burnout · Deficiencies · Dementia· Depression · Eating Disorders · Fatigue· Long-Haul COVID· Mental Health Struggles · Neurological Symptoms· OCD · Panic Attacks· Parkinson’s· PTSD · Seizures · Strokes· Vagus Nerve problems...and beyondAs you search for lasting pain relief, it’s easy to become lost and blame yourself, wondering what you did wrong. Answer: you’re not the problem.Medical Medium Brain Saver is designed to serve you as a lifelong brain health reference book. In it, you’ll discover:· What it means to have a static brain, an alloy brain, a viral brain, an emotional brain, inflamed cranial nerves, an addicted brain, an acid brain, and a burnt out, deficient brain—and what you can do about it· The true causes of over 100 brain- and nervous system–related symptoms, disease, and disorders· In-depth insight into the unknown reasons for the epidemic of mental, emotional, and neurological suffering—from everyday struggles with focus, concentration, and mood to life-altering diagnoses· How to protect your brain against Alzheimer’s, PTSD, strokes, seizures, and more—before it’s too lateBest of all, you’ll get specialized healing techniques and food recommendations. In addition to fresh perspective on how to nourish your brain and reduce your exposure to everyday toxins and contaminants, you’ll find cleanse protocols, heavy metal detox cleanse guidelines, and recipes for all-new Medical Medium Brain Shots Therapy—quick hits of medicinals in liquid form, designed to bring instant relief when the brain is under particular stress. And when you want even more healing options, you can turn to Medical Medium Brain Saver Protocols, Cleanses & Recipes to take the essential information this book provides to a higher level.“We suffer for very real and physical reasons,” Anthony writes, “and we can address those reasons at their core with the information here. When we know how to navigate this world, we have the power to heal.”If you’ve been searching for direction about brain, neurological, or mental health, you’ve finally found the answers. Whether you’re just starting out or your journey has taken you to multiple neurologists, internists, and functional medicine doctors, your time has come to discover the true cause of your suffering, move forward, and heal.With Medical Medium Brain Saver and its companion volume, Medical Medium Brain Saver Protocols, Cleanses & Recipes, Anthony William shares never before heard knowledge about our brain and nervous system. Brain Saver unveils the why behind more than 100 brain- and nervous system–related symptoms, diseases, and disorders; Protocols reveals the truth about how to heal in even more detail. Originally conceived as one life-saving book, Brain Saver had to be divided in two when it became too big to print. Each book now stands alone, so you can start with the one you need most—or read both for a full picture of your brain’s health.

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'An Unputdownable Romance! Wow oh wow one thing is for sure this book NEEDS to be made into a film!... I was totally swept away... Truly is a feel-good, heartfelt, inspiring and heart-warming... Once I started reading I couldn't put it down!' Goodreads 5* Review What if the Lift driver who finds your cheating boyfriend's phone holds the directions to true love? 'Who are you and why do you have my boyfriend's phone?' 'He left it in my car. You must be the blonde in the red dress? I'm the Lift driver who dropped you two off earlier.' And with these words, the life of the brunette and t-shirt wearing Maya Maas is turned upside down. Having planned to surprise her boyfriend, she finds herself single and stranded in an unknown city on her birthday. So when the mystery driver rescues Maya with the suggestion that she cheers herself up at a nearby beach town, she jumps at the chance to get things back on track. She wasn't expecting a personalised itinerary or the easy companionship that comes from opening up to a stranger via text, let alone the possibility it might grow into something more... Come on this 5* journey to love, laughter and back again, perfect for fans of Mhairi McFarlane, Josie Silver and Sally Thorne. Readers love The Meeting Point! 'Fun, feel-good read. I breezed through this in one sitting... The romance had me swooning and I couldn't stop smiling. Need to find my own rideshare now :)' NetGalley 5* Review 'My god, how I love this book!... A must read... Obviously, a big, fat, shiny 5 stars from me!' The Artsy Reader, 5* Review 'YA'LL!!!!! This was one of the most unique written plots I have ever experienced in my life! The Meeting Point had me in all my feels and even made my eyes leak! Ah-Mazing!... This is a book you do NOT want to miss!' @the_kentucky_fried_bibliophile, 5* Review 'Kept me up until 2am even though I worked the next day because I simply couldn't put it down' NetGalley 5* Review 'Truly perfect and totally made my days better... Recommend this book to everyone! :)' Love My Shelf, 5* Review 'Freaking loved this book! It was such a comfort read for me! I could not put it down until I had read every word! It had such 90s-early 2000s rom-com movie energy and I was sold!... I loved it all... I will always have this on my shelf and come back to it time and time again' @kelleyleigh20, 5* Review 'I was hooked from the first page and didn't want it to end! You will love this book! Definitely recommend!' NetGalley 5* Review 'Had a hard time putting it down... I loved the ending!... I can't wait to read more books by this author in the future!' Goodreads 5* Review 'Wow... I don't remember how long it has been since I have been so vested in a book within the first few pages... Absolutely charming... This book is a big win' A Devine Read, 5* Review 'Just glorious... This was like a balm to my soul... Ahhh I honestly loved every second of this book! It's cute and so romantic... I just need like a sequel and then another one please!... Just easily one of my favourite romance books I've read! I think everyone who enjoys a love story needs to read this ?' NetGalley 5* Review 'My new book in which I will compare all other romances against. This was absolutely the cutest story and perfect summer read... I found myself smiling throughout this book, I just loved it' @page_chapter_book, 5* Review

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1941, Nazi-occupied Amsterdam. An unforgettable story of love, hope and betrayal, and a testament to the courage of humanity in history's darkest days. University professor Josef Held has never recovered from the loss of his beloved wife - and has no intention of ever letting anyone new into his quiet, safe world. It is a world where the clock ticks steadily in his mathematics classroom, even as the sinister beat of Nazi soldiers' boots threaten to drown it out.Terrified, Josef tries to keep his eyes on the ground as Jews across the city are forced into ghettos. But then Michael Blum, his most reluctant, infuriating pupil, tells Josef Jews like him will no longer be allowed to study at all. Josef can ignore the situation no longer. And, after the shock of seeing his neighbour killed on his own doorstep, he offers Michael a place to hide in an impulsive act of courage.Michael is everything Josef is not: spontaneous, poetic, and unafraid to love. Even though his passionate relationship with a Dutch girl is strictly forbidden - for he is Jewish, and she is not. Somehow, in the quiet gloom of the attic, Josef doesn't mind things about Michael that annoyed him in the classroom, and a bond begins to grow.Remembering the pain of his own heartbreak, Josef is desperate to give Michael and his girlfriend a chance. He must go on as if nothing has changed: teaching his class, bowing to the Nazis. Beneath the fear, a thrill of defiance begins to bloom. But then Michael becomes perilously ill, and there is no way to get him the help he desperately needs.As the dark days of war continue, with danger and betrayal at every turn, no-one can be trusted. If Michael is to survive and get back to the woman he loves, it will be down to Josef - to find the hero inside himself, and do whatever it takes to keep Michael alive. Even if it means putting his own life on the line.A heartbreakingly beautiful story about love, trust, and courage against the odds, perfect for fans of The Tattooist of Auschwitz, Lilac Girls, and The Nightingale.Readers are loving A View Across the Rooftops:'Oh my goodness... Hauntingly beautiful... Incredibly powerful... I cried, I grieved and I hoped... I was left both heartbroken and satisfied.' Robin Loves Reading, 5 stars'The roller coaster of emotions I went through while reading this book is amazing... For an author to make me literally cry... The story is just incredible.' Goodreads Reviewer, 5 stars'Five beautiful, fantastic, emotional stars! I loved this book!... A beautifully written story.' Goodreads Reviewer, 5 stars'If I could give this book more than 5 stars, I would. From the first moment I started reading the story, I could not stop. I was captured by the story... Made me feel like I was right there... Amidst turmoil, death and fear of the unknown, friendships and love win out.' Goodreads Reviewer, 5 stars'A beautifully written book with love and hope and... heartbreak.' Goodreads Reviewer, 5 stars'Oh my Goodness! What a wonderful book! There is so much love, hope, and fear as well. This is a book I will put back to read again, I enjoyed it so much. It is a book you can't put down.' Goodreads Reviewer, 5 stars'It brought me to tears... impossible for me to put it down. One of my best reads of 2019.' Goodreads Reviewer, 5 stars'Took me on a rollercoaster of emotions - happiness, sadness, anger. This story made me cry and the writing style is amazing.An amazing book.' NetGalley Reviewer, 5 stars'A beautifully written story of love, courage, self-sacrifice and determination... Such an emotional story and so different to others that I have read in this subject... I give it big fat 5 stars from me.' Goodreads reviewer, 5 stars

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Contents: 1) New perspectives on Minaean expiatory texts (Alessio Agostini); 2) Investigating an early Islamic landscape on Kuwait Bay: the archaeology of historical Kadhima (Andrew Blair, Derek Kennet & Sultan al-Duwīsh); 3) The early settlement of HD-5 at Ras al-Дadd, Sultanate of Oman (fourth–third millennium BCE) (Federico Borgi, Elena Maini, Maurizio Cattani & Maurizio Tosi); 4) Known and unknown archaeological monuments in the Dūmat al-Jandal oasis in Saudi Arabia: a review (Guillaume Charloux); 5) Prehistory and palaeo-geography of the coastal fringes of the Wahiba Sands and Bar al-Hikman, Sultanate of Oman (Vincent Charpentier, Jean-François Berger, Rémy Crassard, Marc Lacaze & Gourguen Davtian); 6) Unlocking the Early Bronze Age: attempting to extract Umm an-Nar tombs from a remotely sensed Hafit dataset (poster) (William Deadman); 7) Iron Age impact on a Bronze Age archaeological landscape: results from the Italian Mission to Oman excavations at Salūt, Sultanate of Oman (Michele Degli Esposti & Carl Phillips); 8) Late Palaeolithic core-reduction strategies in Dhofar, Oman (Yamandú Hilbert, Jeffrey Rose & Richard Roberts); 9) Réflexions sur les formes de l’écrit à l’aube de l’Islam (Frédéric Imbert); 10) Getting to the bottom of Zabid: the Canadian Archaeological Mission in Yemen, 1982–2011 (Edward J. Keall); 11) New perspectives on regional and interregional obsidian circulation in prehistoric and early historic Arabia (Lamya Khalidi, Krista Lewis & Bernard Gratuze); 12) The Saudi-Italian-French Archaeological Mission at Dūmat al-Jandal (ancient Adumatu). A first relative chronological sequence for Dūmat al-Jandal. Architecture and pottery (Romolo Loreto); 13) Excavation at the ‘Tree of Life’ site (Mohammed Redha Ebrahim Hasan Mearaj); 14) The origin of the third-millennium BC fine grey wares found in eastern Arabia (S. Méry, R. Besenval, M.J. Blackman & A. Didier); 15) Building H at Mleiha: new evidence of the late pre-Islamic period D phase (PIR.D) in the Oman peninsula (second to mid-third century AD) (M. Mouton, M. Tengberg, V. Bernard, S. Le Maguer, A. Reddy, D. Soulié, M. Le Grand & J. Goy); 16) An overview of archaeology and heritage in Qatar (Sultan Muhesen, Faisal al-Naimi & Ingolf Thuesen); 17) The construction of Medina’s earliest city walls: defence and symbol (Harry Munt); 18) Landscape signatures and seabed characterization in the marine environment of north-west Qatar (poster) (Faisal al-Naimi, Richard Cuttler, Ibrahim Ismail Alhaidous, Lucie Dingwall, Garry Momber, Sadd al-Naimi, Paul Breeze & Ahmed Ali al-Kawari); 19) Towards an annotated corpus of Soqotri oral literature: the 2010 fieldwork season (Vitaly Naumkin, Leonid Kogan & Dmitry Cherkashin (Moscow); AΉmad Īsā al-Darhī & Īsa Gumān al-Darhī (Soqotra, Yemen); 20) Palace, mosque, and tomb at al-RuwayΡah, Qatar (Andrew Petersen & Tony Grey); 21) The origin and development of the oasis landscape of al-ΚAin (UAE) (Timothy Power & Peter Sheehan); 22) Evidence from a new inscription regarding the goddess ΚΕ(t)rm and some remarks on the gender of deities in South Arabia (Alessia Prioletta); 23) Archaeological excavations at the settlement of al-FurayΉah (Freiha), north-west Qatar (Gareth Rees, Faysal al-Naimi, Tobias Richter, Agnieszka Bystron & Alan Walmsley); 24) The 2010–2011 excavation season at al-Zubārah, north-west Qatar (poster) (Tobias Richter, Faisal Abdulla al-Naimi, Lisa Yeomans, Michael House, Tom Collie, Pernille Bangsgaard Jensen, Sandra Rosendahl, Paul Wordsworth & Alan Walmsley); 25) The Great Mosque of Qalhāt rediscovered. Main results of the 2008–2010 excavations at Qalhāt, Oman (Axelle Rougeulle, Thomas Creissen & Vincent Bernard); 26) A new stone tool assemblage revisited: reconsidering the ‘Aterian’ in Arabia (Eleanor M.L. Scerri); 27) Egyptian cultural impact on north-west Arabia in the second and first millennia BC (Gunnar Sperveslage & Ricardo Eichmann); 28) The Neolithic site FAY-NE15 in the central region of the Emirate of Sharjah (UAE) (Margarethe Uerpmann, Roland de Beauclair, Marc Händel, Adelina Kutterer, Elisabeth Noack & Hans-Peter Uerpmann); 29) KāΞimah remembered: historical traditions of an early Islamic settlement by Kuwait Bay (Brian Ulrich); 30) Yemeni opposition to Ottoman rule: an overview (Abdol Rauh Yaccob).

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It is 1968, the Cold War is raging, and the United States is bogged down fighting the “Communists” in Vietnam. The Berlin Wall is the symbol of a world cut in half, a punitive wall, isolating the Soviet republics that then formed the USSR. In the spring of 1968, the Czechoslovakian Communist Party experimented with "socialism with a human face"—known then as the “Prague Spring.” Suddenly there was freedom of the Press; an end to arbitrary wiretaps; and citizens regained the right to travel without prior authorizations and visas. The borders opened to the West, consumer goods appeared in the stores---and the winds of freedom blew over the country. That summer, Alexander and Anna boarded their Skoda Felicia, a brand-new convertible, to join their daughter Petra in Bratislava, where she had just completed her brilliant medical studies. Tereza, the daughter of a railway worker who survived the concentration camps and a Pravda editor who had long taken in Hungarian refugees from 1956, stayed in a kibbutz in Israel to reconnect with her Jewish culture. Józef, a pastor defrocked for refusing to denounce parishioners to the Party, delivered his first uncensored sermons on the radio. Then, suddenly, on the nights of August 20-21, Soviet tanks invaded Prague to put an end to this brief liberalization experiment. For a few hours, the border with Austria would remain open. Vienna was an hour's train away. Everyone now must make a choice: leave or stay? Fleeing violence or resisting the oppressor? Faced with the invasion of our country by an overmatched foreign power, what would we do? Viliam Klimacek’s historical novel looks back at these major events in Czechoslovakian history. Celebrating the identity of a people, its folklore, its beauty, and its vitality, he makes this novel personal and real by focusing on the story of ten people enmeshed in this difficult moment in history. By telling the human stories of the Czech diaspora, Klimacek reveals the impact of these rapidly moving events on his characters and the lives of their families (based on real people whose names have been changed). Through Tereza, Petra, Józef, Sena (Alexander), Anna and Erika, he tells us about the lives of these (extra)ordinary people—their lives in Czechoslovakia, Their decisions to leave, their flight, their families torn apart and separated, the abandonment of all that they possessed for unknown elsewhere, their perilous journeys, their arrival in a new country, their reception and integration in a new country. The novel describes the vicissitudes and hopes of newcomers, mainly in Canada, the United States, Austria, England, and Israel, who face obstacles—learning a new language, encountering red tape with registration, validating their diplomas and finding a job and housing. They quickly realize—depending on their own situation that many will never see or visit the families they left behind in Czechoslovakia. The experiences that Klimacek’s characters face, endure and overcome we all know will be repeated for untold millions again and again as people around the world flee intolerance, war, calamities in weather and other disaster in our contemporary age. Constructing his stories on very real testimonies, Klimacek’s novel is simultaneously a hymn to tolerance, to acceptance of others, and to the need to support and help the weakest or the poorest. It leads us all to ask ourselves questions, to reflect and perhaps, with a little goodwill, to see certain things differently. While the story is at time dark, it is also full of hope. You may know someone in your own community whose experiences are mirrored in this novel and through your reading you may now appreciate their unbending spirit and desire for freedom and well being for themselves and their families.

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Depuis 2001, des recherches archéologiques sont menées dans l’archipel de Molène. Ce secteur s’avère particulièrement riche en vestiges du Néolithique et de l’Age du Bronze. Une concentration exceptionnelle de monuments mégalithiques y a été mise en évidence.Plusieurs habitats sont attestés par la présence de dépotoirs domestiques. A la pointe de Beg ar Loued (île Molène), l’un de ses amas coquilliers fit l’objet d’un premier sondage en 2003 marquant le début d’une série de campagnes de fouilles. Dès la deuxième année, celle-ci prit un tournant décisif avec la reconnaissance des premiers murs en pierres sèches, correspondant à un bâtiment conservé sous la dune. Pendant près d’une décennie, ce site fit l’objet de fouilles par une équipe interdisciplinaire. Les données obtenues par l’étude de l’habitat renseignent sur la chronologie des différentes occupations du site et permettent de documenter la transition IIIe-IIe millénaire avant notre ère, fourchette chronologique encore très mal connue dans la moitié nord de la France.Outre l’apport d’une chronologie relative, l’approche architecturale donne une meilleure compréhension des choix ayant présidé aux différentes phases de construction du bâtiment occupé pendant plus de trois siècles. Les éléments de la culture matérielle (céramique, lithique, métallurgie) viennent aussi soulever le voile sur une période essentiellement connue en Bretagne à travers les monuments funéraires.Pour la première fois dans cette région, grâce à la conservation des vestiges organiques, il est permis d’esquisser l’économie (élevage, agriculture pêche, collecte des coquillages, etc.) des hommes ayant occupé les rivages de la mer d’Iroise. Leur mode de vie suggère une communauté sédentaire à économie vivrière, exploitant l’ensemble des ressources insulaires sans pour autant être coupée du continent (style céramique, métallurgie).Afin de mieux comprendre l’évolution globale de cet environnement insulaire, de nouvelles recherches ont été menées sur les variations du niveau marin corrélées à l’étude du paysage végétal, de la géomorphologie, de la géologie et de la faune.English abstractSince 2001, archaeological research has been conducted in the Molène Archipelago, an area that is particularly rich in remains from the Neolithic and the Bronze Age, with an exceptional concentration of megalithic monuments. Several settlements are attested by the presence of domestic refuse dumps. At the point of Beg ar Loued (Molène Island), one of those shell middens was the object of an initial sondage in 2003, and that marked the beginning of a long series of excavations. Fieldwork took a decisive turn during the second year with the recognition of the first dry stone walls, belonging to a building preserved within the sand dunes. For nearly a decade, this site has been excavated by an interdisciplinary team. The data that have been obtained from this fieldwork provide information on the chronology of the various periods of occupation of the site and help to document the 3rd–2nd millennium BC transition, a period still largely unknown in the northern half of France. In addition to providing a relative chronology, the architectural approach gives us a better understanding of the choices that governed the different construction phases of the building, which was occupied for over three centuries. The elements of material culture (pottery, lithics, metalwork) also shed light on a period essentially known in Brittany through its funerary monuments. For the first time in this region, thanks to the preservation of organic remains, it is possible to sketch the lifestyle (livestock management, agriculture, fishing, shell gathering, etc.) of the people who occupied the shores of the Iroise Sea. In order to understand better the overall trends in this insular environment, new researches have been carried out on sea level changes in tandem with the study of the palaeoenvironment, geomorphology, geology and wildlife.

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The mystery began simply enough with her identity. Who was she? As a young woman, she took the name, “Place,” from the maiden name of the mother of her lover, Harry Longabaugh (the Sundance Kid), and combined it with several first names, including "Mrs. Ethel Place.” The Pinkertons knew her as "Ethel,” "Ethal,” "Eva," and "Rita" before finally settling on "Etta" for their wanted posters. After Sundance introduced her to Robert Parker (Butch Cassidy), the three joined the rest of their Wild Bunch gang and set off on a spree of bank, stagecoach, and train robberies. With the law hot on their heels, they rode up to Robber’s Roost in southwestern Utah where they laid low until word reached local authorities of their whereabouts. On the run again, Place accompanied Longabaugh to New York City where they purchased a lapel watch and stickpin at Tiffany’s before pausing to pose for the famed DeYoung portrait at a Union Square photo studio on Broadway. On February 20, 1901, she sailed with Butch and Sundance, posing as Etta’s fictional brother "James Ryan," aboard the British ship, Herminius, for Buenos Aires. Settling there with the two outlaws on a ranch they purchased jointly near Cholila in the Chubut Province of west-central Argentina, they were granted 15,000 acres of adjacent land to develop, 2,500 of which belonged to Place, who had the distinction of being the first woman in Argentina to own real estate there. On March 3, 1902, she and Longabaugh returned to New York City on the SS Soldier Prince to visit her family and friends. On April 2, they registered at a New York City rooming house before touring Coney Island and visiting his family. They traveled to Dr. Pierce's Invalid Hotel in Buffalo where she underwent an unspecified medical treatment. They sought additional treatment in Denver before returning to Buenos Aires from New York on July 10, 1902, aboard the steamer, Honorius, where they posed as stewards. On August 9, she registered herself and Sundance at the Hotel Europa in Buenos Aires and six days later sailed with him aboard the steamer SS Chubut to return to their Cholila ranch. She made another visit to the states with Longabaugh in the summer of 1904 where the Pinkertons traced them to Fort Worth, Texas, and to the St. Louis World Fair but failed to arrest them before they returned to Argentina. In early 1905, the trio sold their Cholila ranch as the law closed in on them. The Pinkertons had known their whereabouts for several months, but the rainy season had prevented their agents from traveling there to make an arrest. Governor Julio Lezana issued a warrant, but before it could be executed, Sheriff Edward Humphreys, a Welsh Argentine who was friends with Parker and enamored of Place, tipped them off. The trio fled north to San Carlos de Bariloche where they embarked on the steamer Condor across Lake Nahuel Huapi into Chile. By the end of that year, they were back in Argentina. On December 19, 1904, Place, Longabaugh, Parker, and an unknown male robbed the Banco de la Nacion in Villa Mercedes, four hundred miles west of Buenos Aires. Pursued by armed federales, they crossed the Pampas and the Andes and returned to Chile. But Place had grown tired of life on the run and deeply lamented the loss of their ranch and the promise of stability it had held for her. In June 1906, Longabaugh accompanied her from Valparaiso, Chile, to San Francisco, where she sought medical aid and kissed him goodbye for the last time before he returned to South America and infamy. As for Etta Place, her mystery had only begun. And it would continue for another forty-six years before finally being resolved.

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Neruda's long-overlooked third book of poetry, critical in his poetic evolution, now translated into English for the very first time! Over twenty books by Pablo Neruda, the legendary Chilean poet and Nobel Laureate, have been translated into English, a testament to his enormous appeal. Yet, the work Neruda pointed to as "one of the most important books of my poetry," has been woefully neglected and remains virtually unknown. venture of the infinite man was Neruda's third book, published in 1926, two years after his widely celebrated and still much beloved Twenty Love Poems. In a stark stylistic departure from the love poems, Neruda discarded rhyme, meter, punctuation and capitalization in an attempt to better capture the voice of the subconscious. In an epic poem comprised of fifteen cantos spread over 44 un-numbered pages, the Infinite Man sets forth on a virtual sleepwalk through time and space, on a quest to atone for his past and to rediscover himself. Neruda's readers were not prepared for this experiment, and venture did not garner the reception Neruda had hoped for. Indeed, decades after its publication, he lamented that it remained "the least read and least studied of all my work." venture is a strikingly clear example of a poet's creative and intellectual development, bridging the aching, plain lyricism of Love Poems, and the unique hermeticism of Neruda's next book, the landmark Residence on Earth. Neruda considered venture essential to his evolution: "Within its smallness and minimal expression, more than most of my works, it claimed, it secured, the path that I had to follow." Its long-overdue translation into English is cause for celebration! "Experimental, obscure, timeless, essential, venture of the infinite man, published two years after his famous Twenty Love Poems and a Song of Despair, set Pablo Neruda on his course toward becoming the greatest poet in the history of the Spanish language. Its publication in English is a historic event, above all today, above all in this moment, above all, now."—Raúl Zurita "In his early twenties and after the enormous success of Twenty Love Poems and a Song of Despair, Neruda surprised everyone by changing aesthetic gears in this book that was at once innovative and emblematic. The effort was part of what would ultimately become his ceaseless embrace of change as the sine qua non of style. Jessica Powell does wonders rendering these cantos for the first time into English, filling in a gap his legion of admirers will be thankful for. This isn't only an unseen Neruda but an unforeseen one too."—Ilan Stavans, editor of The Poetry of Pablo Neruda "What an act of generosity this book is. Eisner's introduction contextualizes and informs precisely as needed, and Jessica Powell’s translation achieves astonishing beauty and refreshing truth. She has listened deeply to Neruda’s text."—Katherine Silver "Jessica Powell is the 'distant light that illuminates the fruit' of venture of the infinite man, the twenty-two year old Pablo Neruda’s untranslated third book. One part quest and one part inner map, in Powell’s hands the delicious and strange language of the original dances effortlessly in English. Readers can now experience the moment Neruda evolved from being only a brilliant singer of love poems into a maker of rich, stunning worlds. This book is a treasure."—Tomás Q. Morín, author of Patient Zero "This book has the fascination of being Neruda becoming Neruda. It's the brilliant young poet who made himself famous at nineteen and twenty with Twenty Love Poems, beginning to absorb the lessons of the new surrealism and making his way to the world poet he would become in Residence on Earth. So it is a leap into the imagination of one of the crucial poets of the twentieth century as he is feeling his way."—Robert Hass

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James Ivory in Conversation is an exclusive series of interviews with a director known for the international scope of his filmmaking on several continents. Three-time Academy Award nominee for best director, responsible for such film classics as A Room with a View and The Remains of the Day, Ivory speaks with remarkable candor and wit about his more than forty years as an independent filmmaker. In this deeply engaging book, he comments on the many aspects of his world-traveling career: his growing up in Oregon (he is not an Englishman, as most Europeans and many Americans think), his early involvement with documentary films that first brought attention to him, his discovery of India, his friendships with celebrated figures here and abroad, his skirmishes with the Picasso family and Thomas Jefferson scholars, his usually candid yet at times explosive relations with actors. Supported by seventy illuminating photographs selected by Ivory himself, the book offers a wealth of previously unavailable information about the director's life and the art of making movies. James Ivory on: On the Merchant Ivory Jhabvala partnership: "I've always said that Merchant Ivory is a bit like the U. S. Govenment; I'm the President, Ismail is the Congress, and Ruth is the Supreme Court. Though Ismail and I disagree sometimes, Ruth acts as a referee, or she and I may gang up on him, or vice versa. The main thing is, no one ever truly interferes in the area of work of the other." On Shooting Mr. and Mrs. Bridge: "Who told you we had long 18 hour days? We had a regular schedule, not at all rushed, worked regular hours and had regular two-day weekends, during which the crew shopped in the excellent malls of Kansas City, Paul Newman raced cars somewhere, unknown to us and the insurance company, and I lay on a couch reading The Remains of the Day." On Jessica Tandy as Miss Birdseye in The Bostonians: "Jessica Tandy was seventy-two or something, and she felt she had to 'play' being an old woman, to 'act' an old woman. Unfortunately, I'couldn't say to her, 'You don't have to 'act' this, just 'be,' that will be sufficient.' You can't tell the former Blanche Du Bois that she's an old woman now." On Adapting E. M. Forster's novels "His was a very pleasing voice, and it was easy to follow. Why turn his books into films unless you want to do that? But I suppose my voice was there, too; it was a kind of duet, you could say, and he provided the melody." On India: "If you see my Indian movies then you get some idea of what it was that attracted me about India and Indians...any explanation would sound lamer than the thing warrants. The mood was so great and overwhelming that any explanation of it would seem physically thin...I put all my feeling about India into several Indian films, and if you know those films and like them, you see from these films what it was that attracted me to India." On whether he was influenced by Renoir in filming A Room with a View "I was certainly not influenced by Renoir in that film. But if you put some good looking women in long white dresses in a field dotted with red poppies, andthey're holding parasols, then people will say, 'Renoir.'" On the Critics: "I came to believe that to have a powerful enemy like Pauline Kael only made me stronger. You know, like a kind of voodoo. I wonder if it worked that way in those days for any of her other victims--Woody Allen, for instance, or Stanley Kubrick." On Andy Warhol as a dinner guest: "I met him many times over the last twenty years of his life, but I can't say I knew him, which is what most people say, even those who were his intimates. Once he came to dinner with a group of his Factory friends at my apartment. I remember that he or someone else left a dirty plate, with chicken bones and knife and fork, in my bathroom wash basin. It seemed to be a symbolic gesture, to be a matter of style, and not just bad manners."

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From the Preface When I first went to Africa in the 1960s, I was bowled over by African art. What really got under my skin were the bangles, principally the bronze bangles from West and Central Africa. They were tactile, weighty and full of design and form. Later, when I lived in Ghana and Togo, I built up my own collection of bangles. In recent years this collection was seen by past and present curators of the British Museum and I was encouraged to work up the expertise to comment on and possibly help classify the Museum’s collection of African bangles. They recognised that they have thousands of these bangles lying mostly untouched and unloved because they could not be given a story, a context, a meaning. They were so enthusiastic and helpful that I secured introductions to many major museums around the world, to study their substantial and interesting collections. Museums in Europe and on the East and West Coasts of the United States gave me access to the rich material they had accumulated. I had the rare privilege of spending days in their storerooms in the course of which I could see and compare many thousands of bangles. The curators who accompanied me in the inspection of their bangles were aware that these beautiful artefacts had lain undisturbed because they could not be explained or set in a wider context. The bangles were attractive but seldom came with a meaningful provenance. To their great credit, these highly-qualified specialists would listen enthusiastically as my wife and I noted bangles which we had encountered elsewhere. Seeing all these bangles and thus, over time, gradually building up a picture of their types, uses and probable areas of origin, I began to realise that I was looking at a decorative culture which was self-generated, wholly unlike the decorative cultures of the rest of the world. It was unique. Astonishingly, it was to be found in almost every inhabited part of the vast semi-continental area of sub-Saharan Africa. Gold and silver were of little consequence. Copper was their “precious metal”. The style – instantly recognisable – was chunky, solid, weighty. Rarity was not a concern; the Eurasians’ “precious stones” were unknown. Rings had no great meaning. It was bangles that were the standard means of conveying status, attraction and readiness for marriage. Most importantly, as I read the stories of explorers and the later accounts of African life in the 19th and 20th centuries while I worked through the museums’ storerooms, it became clear to me, that for centuries, the bangle had been the one and only defining material culture shared by all Africans south of the Sahara. At last, an overall picture was emerging and there was now a chance of describing it before it was too late. The bangle culture that had unified Africans, through which and in which they had lived much of their lives, was fading fast. In their heartland of West and Central Africa the tactile bronze bangles that everyone wore in the 19th century – and which I saw occasionally in northern Ghana in the 1980s – were now encountered more in museums than on the bodies of inhabitants of those regions. This book will follow the art-historical practice of using “bronze” to describe all forms of copper alloys, including brass, when the composition is not directly relevant and retain “copper” for occasions when the pure metal is being discussed. “Bangle” will be used as the generic term for all forms of jewellery applied to the human body. This bangle culture is still an unselfconscious part of daily life in a few isolated African tribes and used quite naturally to send messages. But, in a few decades, this bangle culture will survive only in less traditional forms and only in limited areas in East and Southern Africa. At its height, it was an admirable system of great importance to social intercourse, replete with significance, great beauty and craftsmanship. It deserves to be recorded and I will try to do this in this book. I will set out why this bangle culture was so different from anything else in the world; the skill with which the bangles were made; and how the bangle culture spread throughout all Africa south of the Sahara; I will have to admit that the industrial world and its products have led to the Eurasian hierarchy of gold and silver overtaking bronze in Africa and, indeed, eliminating it as a “precious metal”. But I will end on a note of hope, that there are indications that the sense of solidity of form and the respect for copper that was evident in classical African bangles may still live on among African Americans.

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Since boyhood, Druadaen expected he’d ascend to the command of an elite legion and become the leader his father predicted he would be. However, fate had something different in store. Assigned instead to a small group of outriders tasked with watching nearby kingdoms, Druadaen discovers that the world beyond his homeland is riddled with impossibilities. How do humanoid raiders, known as the Bent, suffer staggering losses and yet return as a vast horde every decade? How do multi-ton dragons fly? How have fossils formed in a world that sacrists insist has existed for only ten millennia? Determined to solve these mysteries, Druadaen journeys into the dank warrens of the Bent, seeks out a dragon’s lair, and ventures into long-buried ruins in search of ancient scrolls. But, whereas legends tell of heroes who encounter their greatest perils during just such forays into the unknown, Druadaen’s most lethal enemies might lurk in even more unusual places: The temples and council chambers of his own homeland. About This Broken World: "Charles Gannon puts the skills he has honed writing science fiction and fantasy to good use crafting a story that will keep the reader fairly entertained."—Manhattan Book Review About Charles E. Gannon: “Chuck Gannon is one of those marvelous finds—someone as comfortable with characters as he is with technology, and equally adept at providing those characters with problems to solve. Imaginative, fun, and not afraid to step on the occasional toe or gore the occasional sacred cow, his stories do not disappoint.”—David Weber “If we meet strong aliens out there, will we suffer the fate of the Aztecs and Incas, or find the agility to survive? Gannon fizzes with ideas about the dangerous politics of first contact.”—David Brin “Chuck Gannon writes the kind of science fiction we all grew up on: rousing, mind-expanding, pulse-pounding sagas of spaceships and aliens. He's a terrific writer, and we're lucky to have him.” —Robert J. Sawyer “[A] strong [writer of] . . . military SF . . . [much] action going on in his work, with a lot of physics behind it. There is a real sense of the urgency of war and the sacrifices it demands.” —Locus About the work of Charles E. Gannon: Caine's Mutiny: “This is military Science Fiction the way it’s supposed to be written. . . . All in all, a highly satisfying tale of the Terran Republic that moves the story forward and sets us up for the next chapter, which promises to be interesting at worst and explosive at best.”—SFcrowsnest Raising Caine: “Raising Caine unveils a lot of thought-provoking ideas but ultimately this is a space opera adventure. There are space battles, daring emergency landings, desperate quests, hand-to-hand combat, and double-and-triple crosses. It’s an engrossing read. You owe it to yourself to read the two previous books in order. Then enjoy Raising Caine. It’s an intergalactic thrill-ride.”—Fantasy and Science Fiction Book and Audiobook Reviews “This is science-fiction adventure on a grand scale.”—Kirkus “Gannon’s harrowing . . . military space opera (following Trial by Fire) builds well on his established setting . . . Gannon’s signature attention to developing realistic alien worlds makes this installment satisfying.”—Publishers Weekly “[A]n incredibly active book . . . as our protagonists are confronted by the beautiful, terrible, and sometimes lethal variety of the universe and its inhabitants. . . . [A] whole mess of fun . . . that manages to be scientifically accurate while refraining from excessive wonkiness. Those who value meticulous world-building . . . will certainly have their needs met.”—BN Sci-Fi and Fantasy Blog Nebula-nominated Trial by Fire: “I seriously enjoyed Trial by Fire. This one’s a tidal wave—can’t put it down. An excellent book.” —Jack McDevitt “Gannon's whiz-bang second Tales of the Terran Republic interstellar adventure delivers on the promise of the first (Fire with Fire). . . . The charm of Caine's harrowing adventure lies in Gannon's attention to detail, which keeps the layers of political intrigue and military action from getting too dense. The dozens of key characters, multiple theaters of operations, and various alien cultures all receive the appropriate amount of attention. The satisfying resolution is enhanced by the promise of more excitement to come in this fascinating far-future universe.”—Publishers Weekly Starred Review “[D]efinitely one to appeal to the adventure fans. Riordan is a smart hero, up against enormous obstacles and surrounded by enemies. Author Gannon does a good job of managing action and tension to keep the story moving, and the details of the worlds Riordan visits are interesting in their own right.”—Analog “[O]ffers the type of hard science-fiction those familiar with the John Campbell era of Analog Science Fiction will remember. Gannon throws his readers into an action-packed adventure. A sequel to Fire With Fire, it is a nonstop tale filled with military science-fiction action.”—The Galveston County Daily News Compton Crook Award winner for best first novel, Fire with Fire: “The plot is intriguing and then some. Well-developed and self-consistent; intelligent readers are going to like it.”—Jerry Pournelle “[T]he intersecting plot threads, action and well-conceived science kept those pages turning.”—SFcrowsnest Starfire series hit Extremis, coauthored by Charles E. Gannon: “Vivid . . . Battle sequences mingle with thought-provoking exegesis . . .”—Publishers Weekly “It’s a grand, fun series of battles and campaigns, worthy of anything Dale Brown or Larry Bond ever wrote.” —Analog

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The outcome of a brutal war, which took place 1,885 years ago, continues to reverberate in the Near East today. It is a tale largely unknown outside Israel, and yet it helps explain why the region continues to be engulfed by strife. "As a historian I learned about the Bar Kokhba War, but the explanations for why and how it happened seemed confused," said historian and author Lindsay Powell. "As with King Arthur, fact and myth have become muddled. To establish the truth, I travelled across three continents. BAR KOKHBA: The Jew Who Defied Hadrian and Challenged the Might of Rome is the result." This amazing and consequential story involves an epic struggle between the two strong-willed leaders over who would rule a nation. One protagonist was Hadrian, the cosmopolitan ruler of the vast Roman Empire, then at its zenith, who some regarded as divine. He is best known today for the famous wall he built in northern Britain. The other was Shim'on, a Jewish military leader in a district of a minor province; some believed him to be the 'King Messiah' after sage Rabbi Akiba allegedly saw him fulfilling biblical prophecy and named him 'Bar Kokhba' ('Son of a Star'). It is also the tale of the clash of two ancient cultures. One was the conqueror, seeking to maintain control of its hard-won dominion they called Judaea; the other was the conquered, seeking to break free and establish a new nation. Shim'on called his new country Israel. Several causes for the war have been suggested, such as bans on circumcision or studying Torah which Powell evaluates in his book. Most likely it was the decision by Hadrian to rebuild then ruined Jerusalem as a pagan city for retired Roman soldiers. He called it Aelia Capitolina after his own family and the triad of Roman gods whose shrine may have been erected over the remains of the Second Temple. It may or may not have been Hadrian's intention, but the Jews took it as a direct insult. During the ensuing conflict - called the 'Second Jewish War' (AD 132-136) - the highly motivated Jewish militia sorely tested the highly trained - and normally invincible - professional Roman army. Powell said: "Amazingly, the Jewish rebels withstood the Roman onslaught for three-and-a-half years. They established an independent nation with its own administration led by Shim'on as its president (nasi). They minted their own coins by overstriking Roman coins with Jewish iconography, cheerfully obliterating the image of the emperor and pagan gods with every strike of the hammer." Found in caves in the Judaean Desert in the 1950s and 1960s, letters from Shim'on to his lieutenants survive revealing how deeply involved he was in day-to-day actions, and his increasing frustration with their laziness. For reasons Powell explains in his book, the Jews ultimately lost. In retribution, Hadrian expelled the Jews from Judea and barred them from entering Aelia Capitolina and its holy sites. He even changed the name of the Roman province to Syria Palaestina - the origin of Palestine. "The outcome of that David and Goliath contest was of great consequence, both for the people of Judaea and for Judaism itself," said Powell. "Centuries of bloodshed followed." In death, Bar Kokhba became a legend. Over the ages, this flawed rebel with a cause become a hero for the increasingly persecuted Jews in the Diaspora longing to found a new Jewish homeland. Across Europe in the early twentieth century, there were athletic teams competing in sports events under the moniker 'Bar Kochba' as part of a movement to create the image of the 'Muscular Jew'. The last games were held in Berlin in 1936, just two years before Kristallnacht. Eric H. Cline, Professor of Classical and Ancient Near Eastern Studies and Anthropology, George Washington University, writes in the foreword of the book: "There are a very limited number of people whose life, and death, still impact other centuries after they have shuffled off this mortal coil. There are fewer still who inspire entire movements, and migrations, such as the return to what is now modern Israel by the Zionists, after that same length of time." In the interwar years in Palestine, armed Jewish resistance groups championed Bar Kokhba as a figure of inspiration in their own struggle against the British and Palestinian Arabs to establish a new State of Israel; it finally came into being in 1948. Today modern Israelis still celebrate Bar Kokhba with bonfires and songs on the annual Lag B'Omer holiday. In researching his book, Powell went on a journey stretching from Hollywood to London, Jerusalem to Tel Aviv and Caesarea, and Herodium to Ein Gedi. He drew upon archaeology, art, coins, inscriptions, militaria, as well as secular and religious documents, to produce a compelling and complete account of the people and events at a crucial time in world history. Commenting on the new book, Cline said: "Let it be said that Powell's researches have resulted in an enthralling journey through history. It is a marvelous search for the man behind the myth, which is well worth reading. I hope that you enjoy it as much as I did."

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The Bundu Bunch orphans, a community headman, a peer of the realm, a national leader. Some are more dumb than others. Some are not dumb at all. After losing their parents to the AIDS pandemic in southern Africa, Sipho and his fellow orphans cannot start school. Without an education, their prospects of escaping poverty are slim. Enter Aiyasha, the fifteen-year-old head of the orphan household. Aiyash uses her special talent to ensure her orphan charges receive the education they crave. But Aiyasha has a wider agenda: to promote social justice in her country where orphans will no longer have the “dumb” label attached to them. Features of Oliver Twist, Robin Hood and Dick Whittington and His Cat play out in a contemporary African setting in this heartwarming and inspirational story. “A charming and educational children’s book that inspires everyone to never give up, despite the odds.” Reedsy Discovery Team “This is a story that has stayed with me since I devoured the book's pages. This book is written for young audiences, but I truly loved it as a 42-year-old. I recommend that all audiences read this story and let the words and simplistic illustrations inspire and teach them. The storytelling is so well done.” Amanda Renz. “I did cry reading this book, a few times, tears of sadness at character deaths or misfortune and tears of joy for the moments of success and those heart-warming moments of bonding.” Romeo Aiyabei. “An inspiring, emotional, heart-warming book that provides awareness and can hook you with suspense. I loved the comedic relief. It never failed to liven up the book and make me smile. I highly recommend it for pre-teens and teenagers, but it would be a great read for anyone.” Candra Contreras. Synopsis “Dumb” Orphans: The Bundu Bunch Trilogy is a novel based on the real lives of victims of the deadliest global pandemic of our time. A group of left behind and left alone AIDS orphans are called “dumb” by others in their southern African community. They struggle to overcome this label and unfair treatment by their community headman. In the first book, Sipho takes readers on a journey through the lives and interests of his six fellow orphans, all aged 5-7 and known collectively as the Bundu Bunch. The group faces discrimination from both the headman of their community and other children, who belittle them for being unable to spell their own names. Although they yearn for an education, the headman does not allow them to attend school because of their inability to pay the fees. Instead, the headman forces the children to work for him. This bleak reality leads Sipho to worry that he’ll never achieve the same success as other children in his community. But the Bundu Bunch refuse to be held back by their circumstances. With the guidance of Aiyasha, the 15-year-old orphan who heads their household, they band together to devise a plan to improve their lives. The group’s perseverance and talent ultimately lead to a surprising outcome with some help from an unexpected source. Through their achievements, Sipho’s concerns are allayed, and he feels optimistic about his future. In the second book, Elah takes over as the narrator. Sipho and his sister Jabu found Elah as a baby abandoned by the river. Elah is in awe of the older orphans, the Bundu Bunch, and wonders if Aiyasha will ever be as proud of her as she is of them. Aiyasha’s success with her orphans offends the community headman. When she faces an attempt on her life two new friends from England help her and Elah to flee their country. Elah sees their situation as a grand adventure and relishes exploring unknown places. Their journey across Africa is a mixture of scary moments and enlightening experiences. As an illegal immigrant and asylum seeker in England, Aiyasha discovers that prejudice exists in cultures other than her own. However, she also learns that friendship and a shared purpose can overcome it. She also realises that international aid promises are not always reliable. With the help of her new friends, Aiyasha uses her special talent to counteract the consequences of government cuts in foreign aid budgets. In the last book, Elah takes the narration to its conclusion. Aiyasha increasingly relies on Elah for her support and empathy as she manipulates her way to a powerful position in her own country of Initawse. Aiyasha implements pro-poor policies which are opposed by the privileged, who mount protests and demand that she is removed. Then tragedy strikes and Aiyasha disappears, presumed murdered by her political enemies. Sipho joins with one of the English girls to investigate, but they hit a dead end. Meanwhile, the talents of the rest of the Bundu Bunch shine ever more brightly in their own country and internationally. Elah watches on in dismay as she realises how much in their shadow she remains. Finally, Aiyasha reveals her secret whereabouts to her orphan family. She explains how, in reaching her ultimate goal, she has relied in equal measure on the various strengths of all her orphan charges, including Elah.

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Since boyhood, Druadaen expected he’d ascend to the command of an elite legion and become the leader his father predicted he would be. However, fate had something different in store. Assigned instead to a small group of outriders tasked with watching nearby kingdoms, Druadaen discovers that the world beyond his homeland is riddled with impossibilities. How do humanoid raiders, known as the Bent, suffer staggering losses and yet return as a vast horde every decade? How do multi-ton dragons fly? How have fossils formed in a world which sacrists insist has existed for only ten millennia? Determined to solve these mysteries, Druadaen journeys into the dank warrens of the Bent, seeks out a dragon’s lair, and ventures into long-buried ruins in search of ancient scrolls. But, whereas legends tell of heroes who encounter their greatest perils during just such forays into the unknown, Druadaen’s most lethal enemies might lurk in even more unusual places: The temples and council chambers of his own homeland. About Charles E. Gannon: “Chuck Gannon is one of those marvelous finds—someone as comfortable with characters as he is with technology, and equally adept at providing those characters with problems to solve. Imaginative, fun, and not afraid to step on the occasional toe or gore the occasional sacred cow, his stories do not disappoint.”—David Weber “If we meet strong aliens out there, will we suffer the fate of the Aztecs and Incas, or find the agility to survive? Gannon fizzes with ideas about the dangerous politics of first contact.”—David Brin “Chuck Gannon writes the kind of science fiction we all grew up on: rousing, mind-expanding, pulse-pounding sagas of spaceships and aliens. He's a terrific writer, and we're lucky to have him.” —Robert J. Sawyer “[A] strong [writer of] . . . military SF . . . [much] action going on in his work, with a lot of physics behind it. There is a real sense of the urgency of war and the sacrifices it demands.” —Locus About the work of Charles E. Gannon: Caine's Mutiny: “This is military Science Fiction the way it’s supposed to be written. . . . All in all, a highly satisfying tale of the Terran Republic that moves the story forward and sets us up for the next chapter, which promises to be interesting at worst and explosive at best.”—SFcrowsnest Raising Caine: “Raising Caine unveils a lot of thought-provoking ideas but ultimately this is a space opera adventure. There are space battles, daring emergency landings, desperate quests, hand-to-hand combat, and double-and-triple crosses. It’s an engrossing read. You owe it to yourself to read the two previous books in order. Then enjoy Raising Caine. It’s an intergalactic thrill-ride.”—Fantasy and Science Fiction Book and Audiobook Reviews “This is science-fiction adventure on a grand scale.”—Kirkus “Gannon’s harrowing . . . military space opera (following Trial by Fire) builds well on his established setting . . . Gannon’s signature attention to developing realistic alien worlds makes this installment satisfying.”—Publishers Weekly “[A]n incredibly active book . . . as our protagonists are confronted by the beautiful, terrible, and sometimes lethal variety of the universe and its inhabitants. . . . [A] whole mess of fun . . . that manages to be scientifically accurate while refraining from excessive wonkiness. Those who value meticulous world-building . . . will certainly have their needs met.”—BN Sci-Fi and Fantasy Blog Nebula-nominated Trial by Fire: “I seriously enjoyed Trial by Fire. This one’s a tidal wave—can’t put it down. An excellent book.” —Jack McDevitt “Gannon's whiz-bang second Tales of the Terran Republic interstellar adventure delivers on the promise of the first (Fire with Fire). . . . The charm of Caine's harrowing adventure lies in Gannon's attention to detail, which keeps the layers of political intrigue and military action from getting too dense. The dozens of key characters, multiple theaters of operations, and various alien cultures all receive the appropriate amount of attention. The satisfying resolution is enhanced by the promise of more excitement to come in this fascinating far-future universe.”—Publishers Weekly Starred Review “[D]efinitely one to appeal to the adventure fans. Riordan is a smart hero, up against enormous obstacles and surrounded by enemies. Author Gannon does a good job of managing action and tension to keep the story moving, and the details of the worlds Riordan visits are interesting in their own right.”—Analog “[O]ffers the type of hard science-fiction those familiar with the John Campbell era of Analog Science Fiction will remember. Gannon throws his readers into an action-packed adventure. A sequel to Fire With Fire, it is a nonstop tale filled with military science-fiction action.”—The Galveston County Daily News Compton Crook Award winner for best first novel, Fire with Fire: “The plot is intriguing and then some. Well-developed and self-consistent; intelligent readers are going to like it.”—Jerry Pournelle “[T]he intersecting plot threads, action and well-conceived science kept those pages turning.”—SFcrowsnest Starfire series hit Extremis, coauthored by Charles E. Gannon: “Vivid . . . Battle sequences mingle with thought-provoking exegesis . . .”—Publishers Weekly “It’s a grand, fun series of battles and campaigns, worthy of anything Dale Brown or Larry Bond ever wrote.” —Analog

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This textbook evolves from the intersection between ‘Research’, ‘Educational Information Technologies’ and recent ‘Best Practices’. It offers diplomacy and erudite rhetoric in order to harvest from innovation projects and see how new professional needs for teachers are emerging day by day. The volume launches the compact background for the 21st century education that every teacher faces after being in charge for 3 or 6 years after pre-service training. ‘Sources for a better education’ refers to the deep understanding and to the incentives for encouraging teachers to leave the comfort zone and experiment the next steps into a further sophisticated professionalism, without the threat of feeling in a ‘Dilemma’.The first candidate for extending one’s teaching effectiveness is to tailor one’s teaching to the test to be expected. ‘Teaching to the Test’ is an understandable tactic, however it endangers the students’ full understanding of underlying concepts and analogies. The second candidate for professionalism is the deeper layer of knowledge on how curricular domains are related. In simpler terms: better teachers know how to ‘bridge’ topics and subjects so that students develop a deeper understanding on the patterns and structure in knowledge. The 21st century education prioritizes higher degrees of flexible-, divergent and abstract thinking, so that creative problem solving comes into reach. ICT tools for making prior knowledge explicit is a major example on how learners harvest upon prior knowledge, thinking and intuition. The third source for a better education is the courage to envisage one’s meta knowledge in order to see patterns in learning and understanding. The more conscious prior knowledge gets decompiled into genetic metaphors; the better future learning can be anticipated. The fourth asset for meta-cognitive skills is the wide spectrum of tools that the web offers for building knowledge infra-structures so that knowledge becomes transformed into problem solving skills; the availability of knowledge is no longer sufficient for finding creative and authentic solutions in future situations. This is the case for both students and teachers. By tradition, the bottom-up strategy from reproductive factual learning up to the levels of problem solving and creative thinking has been favoured. The ‘one-click away’ access to information on the web asks a more strategic attitude from learners and practitioners to cope with the periphery between known and unknown, so that a more effective meta-cognition develops. The fifth stimulus for more effective learning is the expanding impact of social media. Social media tend to intimidate learners with incomplete understanding to jump on biases as delivered through political and conspiracy agendas. This books aims at the challenge to build upon learners’ existential needs and developing interest for a longer-term learning perspective.“Renaissance man and philosopher Piet Kommers presents us with an interesting question: What makes education exciting? His book covers a range of lessons learnt through research and practice, covering philosophies and paradoxes, ranging from learning to learn to machine learning for learning. In 35 chapters he takes us on an exciting, comprehensive journey of just about every conceivable aspect of technology and education. This is a must-have for every 21st Century bookshelf!” By: Johannes Cronjé, professor of Digital Teaching and Learning in the Department of Information Technology at the Cape Peninsula University of Technology, South Africa.“Piet Kommers has in 400 pages provided an overview of teaching based on practical experience. It is not a summary of pedagogic models, but a guide to important factors in how to motivate students and thus improve their learning. New technologies changes teaching, and we need to understand how application of such technologies can improve the learning. This book provides such knowledge and I wish I had it when I started teaching at university many years ago.” By: Jan Frick, Professor Business School, University of Stavanger, Norway."Piet Kommers delivers a very thorough book with a holistic perspective on Learning Technologies. This book is a result of many years of experience that the author has in Higher Education. It comprises lessons learned from the author´s professional career, including inputs from European Union research projects, as well as diversified interactions with a wide range of Peoples and Cultures. The result is a unique perspective that is a must-read for anyone interested in Learning Technologies, past, present, and future!" By: Pedro Isaias, associate professor at the Information Systems & Technology Management School of The University of New South Wales (UNSW – Sydney), Australia. “Distinguished Professor and Thinker Dr. Piet Kommers presents the academic community with a new horizon on education that reflects the current and future technology trends in the e-Learning and Fast Internet ubiquity. The Book discusses the current and most recent advances in research and application of most effective learning methods in conjunction with the future directions in machine learning in support of learning. The Book's 35 chapters present cutting-edge technologies and state-of-the-art learning methods in support of best educational practices and the student's best learning experience. The Book is most valuable asset to educator's community pursuing the mission of excellence in the Third Millennium!” By: Eduard Babulak, Professor, Computational Sciences, Liberty University, Lynchburg, USA."Well-known scientist, (e-)learning expert and philosopher Piet Kommers presents us with an interesting question: What makes education exciting? His book covers a range of lessons learnt through research and practice, covering philosophies and paradoxes, ranging from ‘learning to learn’ to ‘machine learning for learning’. In 35 chapters he takes us on an exciting, comprehensive journey of just about every conceivable aspect of technology and education. This is an interesting and useful publication for all educators as well as learners and must-have for every 21st Century bookshelf!" By: Eugenia Smyrnova-Trybulska, Dr. hab., associate professor, Institute of Pedagogy, Faculty of Art and Sciences of Education, University of Silesia in Katowice, Poland.“The book presents a mosaic of assets reflecting the vast international experience in research and realization of learning technologies of the author, honourable professor of the UNESCO Chair in New information technologies in education for all, Piet Kommers. Describing various aspects of learning strategies, approaches, techniques and technologies in a concise way, he engages the readers into the mental construction of a "big picture" and makes them reconsider routine processes of teaching and learning. Exciting and thought-provoking reading for educators, researchers, and devoted learners.” By: professor Volodymyr Gritsenko, Director of the International Research and Training Centre for Information Technologies and Systems, National Academy of Sciences and Ministry of Education and Science of Ukraine, Head of the UNESCO Chair.

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