Search results for ""Speak""

‘I cannot help but see the bodies of my near ancestors in the current caravans of desperate souls fleeing from place to place, chased by famine, war and toxins. Ideas honed in slavery – of the otherness, the boorishness, the inferiority of thy neighbour – have continued to travel through American society.’ The story of slavery in America is not over. It lives on in how we speak to one another, in how we treat one another, in how our societies are organised. In Giving a Damn, the legal scholar Patricia Williams finds that when you begin to unpick current debates around immigration, freedom of speech, the culture wars and wall-building, beneath them lies the unexamined history of enslavement in the West. Our ability to dehumanize one another can be traced all the way from the plantation to the US President’s Twitter account. Williams begins in the American South with Gone With the Wind (still the second most popular book in the USA after the Bible), that nostalgic tale full of the myths of the Southern belle, Southern culture, ‘good food and good manners’. The scene is seductive, from a distance. How nice it is to paper over the obliging slavery at the novel’s core, and enjoy the wisteria-covered plantations, now the venue for weddings. But Williams’s maternal great-grandmother was a slave, her great-grandfather a slave-owner, and papering over has left us in a world that has never been more segregated, incarcerated or separated from each other. Williams wants to know which ideas brought the richest and most diverse nation on the planet to the brink of resurgent, violent division and what this means for the rest of the world. And she finds that most of those ideas began in slavery.

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Beloved by the immigrants and working people whose rights he has championed, twelve-term Congressman Luis Gutierrez is, among Latinos and along with Supreme Court Justice Sonia Sotomayor, the most recognized Hispanic public figure in America. Here Gutierrez recounts his life between two worlds: too Puerto Rican in America, where he was born and yet was told to "go back to where you came from"; too American in Puerto Rico, where he was ridiculed as a "gringo" who couldn’t speak Spanish. For much of his early life, he seemed like the last person who would rise to national prominence. Yet his tremendous will and resilience shaped his varied experiences—from picking coffee beans to driving a cab—into one of the most surprising careers in American politics. He campaigned for Chicago’s first black mayor, Harold Washington. Someone threw a Molotov cocktail through the window of his house, and he only grew more committed to reform. Tested in the crucible of the notoriously tough Chicago city council, he earned the nickname "El Gallito": the little fighting rooster. Gutierrez was one of the first Latino public figures to support gay rights; he led the fight to cut Congressional paychecks, hashed out legislation with both Ted Kennedy and John McCain, and fought with Newt Gingrich and George W. Bush. Despite his strong support for Barack Obama in two elections, he was arrested twice while protesting for immigrants in front of the Obama White House. From recollections of his failures as a teenage activist to his crackling observations of the nautical décor in Kennedy’s office and the white-gloved waiters of the Speaker’s dining room, Gutierrez is as endearing to the reader as he is sometimes maddening to his colleagues, inspiring us all to stand up for our rights and for those of others.

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A highly anticipated biography of the enigmatic and popular Swedish painter. The Swedish painter Hilma af Klint (1862-1944) was 44 years old when she broke with the academic tradition in which she had been trained. While her naturalistic landscapes and botanicals were shown during her lifetime, her body of radical, abstract works never received the same attention. Today, it is widely accepted that af Klint produced the earliest abstract paintings by a trained European artist. But this is only part of her story. Not only was she a successful woman artist, but she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian and Malevich declared themselves the inventors of abstraction, af Klint was working in a non-representational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the museum/institution. Despite her enormous popularity, there has not yet been a biography of af Klint-until now. Inspired by her first encounter with the artist's work in 2008, Julia Voss set out to learn Swedish and research af Klint's life-not only who the artist was but what drove and inspired her. The result is a fascinating biography of an artist who is as great as she is enigmatic.

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In a catalogue note for the 1965 exhibition 'Between Poetry and Painting' at the Institute of Contemporary Arts, the poet Edwin Morgan probed the relationship between abstraction and literature: 'Abstract painting can often satisfy, but "abstract poetry" can only exist in inverted commas'. Language may be fragmented, rearranged, or distorted, abstract in so far as it is withdrawn from a particular system of knowledge, but Morgan was of the mind that to be wholly 'disruptive' was to deprive a poem of its 'point' as an 'object of contemplation'. Whilst abstract art may have come to fulfil or or fortify an impression of post-war taste, abstraction in literature continued to be treated with suspicion. But how does this speak to the extent to which Britain's literary culture was responsive to progress compared to its artistic culture? Abstraction in Post-War British Literature 1945-1980 traces a line of literary experimentation in post-war British literature that was prompted by the aesthetic, philosophical and theoretical demands of abstraction. Spanning the period 1945 to 1980, it observes the ways in which certain aesthetic advancements initiated new forms of literary expression to posit a new genealogy of interdisciplinary practice in Britain. At a time in which Britain became conscious of its evolving identity within an increasingly globalised context, this study accounts for the range of Continental and Transatlantic influences in order to more accurately locate the networks at play. Exploring the contributions made by individuals, such as Herbert Read, Ian Hamilton Finlay and Christine Brooke- Rose, as well as by groups of practitioners. It brings a wide range of previously unexplored archival material into the public domain and offers a comprehensive account of the evolving status of abstraction across cultural, institutional, and literary contexts.

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A frank and accessible guide to optimizing women’s health by Lo Bosworth—the CEO and founder of Love Wellness—tracing the interconnectivity of the gut, brain, and vagina, and providing natural solutions to intimate problems.Lo Bosworth didn’t know what to do, when—out of nowhere—she began experiencing strange physical ailments like fatigue, yeast infections, and debilitating brain fog. The CEO and former reality TV star was no stranger to anxiety or depression, but those were easier to trace, and more easily solved; these new, mysterious ailments were chronic. Love Yourself Well is inspired by Lo’s personal journey to health, and the setbacks she encountered along the way. As she would come to find, the issues she was experiencing were common—but sadly invisible in conversations about public health. In detailing her own personal journey to better health and empowerment, Lo passes along the lessons she learned in the pursuit of body harmony. Alongside a panel of medical experts, Lo demystifies the science behind the gut-brain-vagina axis, showing how—with frankness and humor—she has become the go-to expert for millennials on sexual health and overall wellness. Most importantly, Lo provides a space to engage honestly and openly about the intimate issues women face—and need to speak about.The book answers questions like: How does my overall health affect my vaginal health? Is there a way to heal leaky gut and leaky brain? Are there supplements and a diet to encourage body harmony? Is my body normal? What is normal when it comes to sexual wellness? Chock full of recipes, exercises, and implementable strategies to meet your wellness goals, Love Yourself Well offers a comprehensive plan to rejuvenate your health, and help you go from feeling blah to feeling balanced.

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“We are buried beneath mountains of fast-accumulating data. In such circumstances, this book, rather than adding to the data load, aims to offer real understanding.” —James LovelockHuman beings are extraordinary creatures. Intelligent, agile, and curious, we have adapted and invented our way to becoming the most important species on the planet. So great is the extent of our influence, that many speak of a new geological era, the Anthropocene, an age defined by human-induced change to the blue and green globe we call home.Our lofty status comes with responsibility as much as possibility: How should we approach our present and future? What knowledge should we carry with us? Conceived by James Lovelock (1919–2022), inventor of the Gaia theory, this illustrated essay collection brings together an all-star lineup of thinkers and scientists to offer essential understanding about who we are, how we live, and where we might be going.Much as the Gaia theory considers our Earth as an integrated whole of living systems, The Earth and I encourages holistic understanding. Across 12 chapters, we take in both the intricate details and immense structures of our species and our planet, from our ever-expanding universe to our minuscule but mighty cells. We see stellar explosions and the layers of life beneath our feet, delve into the neuroscience of decision-making, get to grips with our climate, and contemplate our increasing intimacy with technology.The book’s world-class contributors include quantum physicist Lisa Randall, Astronomer Royal Martin Rees, Pulitzer Prize–winning biologist Edward O. Wilson, and Nobel Prize–winning neuroscientist Eric Kandel. With lively illustrations from British artist Jack Hudson, the result is an inspiration for curious minds young and old, and a trusted tool kit for an informed and enlightened future.

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A boundary-breaking devotional for 7-11 years that aims to help children know who they are in Christ. There are so many distractions in life and it's easy to look for answers in all the wrong places, yet this book is an encouragement to look towards Jesus - no matter what's up! Engaging and fun, easy to read and accessible to all, the hopeful and reassuring words within this book tackle topical issues that young people face. Filled with inspiring Bible verses, purposeful prayers and space to reflect, What's Up facilitates spending time with God and helps to explore our God-given identity. The fun style of the book is eye-catching, and uses a range of engaging, child friendly graphics to bring to life the real-life stories told. This devotional also includes fun facts, challenges and opportunities to reflect and grow. Based on a range of experiences, Joanna has shared 30 encouragements that speak directly to some of the adventures and setbacks that tweens face as they grow and walk along their path in life. Whether it is reassuring those who lack confidence and are feeling left out, those facing challenging and uncertain choices, or young readers who need reminding that they are important, valuable and heard, the very personal voice of Joanna shines through the pages of this book, supporting, guiding and encouraging readers, whilst being open and honest-rather like a big sister. Joining Joanna, in cheering all readers on and offering encouragements from their own unique perspectives, are some of Joanna's friends - Rhys Stephenson (TV presenter), Emma Borquaye (Girlgotfaith), Pete Sheath (Creative media director) and Tracy Wood (Salvation Army Children's worker). What's up is also available as an eBook, and an audiobook with the devotional content read by the author herself, so enabling even the most reluctant of readers to engage with the content.

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At the beginning of 1 & 2 Kings, Solomon's reign brought peace, prosperity, dynamic international trade and a magnificent centre of worship. By contrast, at the end, the people faced complete reversal: they and their king were in exile; Jerusalem and the temple lay in ruins. How can this story of reversal, told by the very people who suffered that defeat, be of value today, and equip us for every good work? In this rich and insightful commentary, John W. Olley guides us through The Message of 1 & 2 Kings. With deft, accessible scholarship, he shows us how the writers of Kings retell the past as preached history, and how that helps us to understand the way they speak to us today. Within the account of paths leading to short-term success but ultimate failure, there are pointers of hope, of God's continuing purposes and promises, and of the peoples’ response in the present. In rich and often surprising ways, the story told in Kings is one that continues to shape the faith and life of Christian believers today. Unpacking its meaning careful precision, Olley helps us understand that everyday life, along with the turmoil of national and global events, is the arena in which God's people are called to worship, trust and obey him. Part of the million-selling Bible Speaks Today series of commentaries, The Message of 1 & 2 Kings offers a cogent, readable exposition of the Biblical text as well as thoughtfully discussion of how it is relevant for Christians today. Used by Bible students and teachers around the world, the Bible Speaks Today commentaries are ideal for students and preachers who are looking to improve their understanding of Scripture. This beautifully redesigned edition has also been sensitively updated to include modern references and use the NIV Bible text.

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Lonely Planet: The world's leading travel guide publisherAnyone can speak another language! It's all about confidence.This book will give you all the practical phrases you need to explore the countryside, visit Golden Prague, and tour castles and mountains worthy of the Brothers Grimm (in fact, the 2005 movie of that name was filmed here). It also contains all the fun phrases you need to connect with local people and get a better understanding of the country and its culture. Never get stuck for words with our 3500-word two-way dictionary Order the right meal with our menu decoder Avoid embarrassing situations with essential tips on culture & manners Coverage includes: Basics, Practical, Social, Safe Travel and FoodLonely Planet gets you to the heart of a place. Our job is to make amazing travel experiences happen. We visit the places we write about each and every edition. We never take freebies for positive coverage, so you can always rely on us to tell it like it is.Authors: Written and researched by Lonely Planet and Richard Nebesky.About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in.'Lonely Planet guides are, quite simply, like no other.' - New York Times'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)

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A magisterial survey of Normandy from its origins in the tenth century to its conquest some two hundred years later. In around 911, the Viking adventurer Rollo was granted the city of Rouen and its surrounding district by the Frankish King Charles the Simple. Two further grants of territory followed in 924 and 933. But while Frankish kings mightgrant this land to Rollo and his son, William Longsword, these two Norman dukes and their successors had to fight and negotiate with rival lords, hostile neighbours, kings, and popes in order to establish and maintain their authority over it. This book explores the geographical and political development of what would become the duchy of Normandy, and the relations between the dukes and these rivals for their lands and their subjects' fidelity. It looks, too, at the administrative machinery the dukes built to support their regime, from their toll-collectors and vicomtes (an official similar to the English sheriff) to the political theatre of their courts and the buildings in which they were staged. At the heart of this exercise are the narratives that purport to tell us about what the dukes did, and the surviving body of the dukes' diplomas. Neither can be taken at face value, and both tell usas much about the concerns and criticisms of the dukes' subjects as they do about the strength of the dukes' authority. The diplomas, in particular, because most of them were not written by scribes attached to the dukes' households but rather by their beneficiaries, can be used to recover something of how the dukes' subjects saw their rulers, as well as something of what they wanted or needed from them. Ducal power was the result of a dialogue, and this volume enables both sides to speak. Mark Hagger is a senior lecturer in medieval history at Bangor University.

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A vital reckoning with how we understand the basic categories of cultural expression in the digital era Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most powerful and pervasive cultural forms in the digital era is assembly.Whether as subtle photographic sequences, satirical Venn diagrams, or networked archives, projects based in assembly do not so much narrate or represent the world as rearrange it. This work of rearranging can take place at any scale, from a simple pairing of images, undertaken by one person, to the entire history of internet memes, undertaken by millions. With examples ranging from GIFs and paintings to museum exhibitions and social movement hashtags, Parry shows how, in the internet age, assembly has come to equal narrative and representation in its reach and influence, particularly as a response to ecological and social violence. He also emphasizes the ambivalence of assembly—the way it can be both emancipatory and antidemocratic.As the world becomes ever hotter, more connected, and more algorithmic, the need to map—and remake—assembly’s powers and perils becomes all the more pressing. Interdisciplinary, engaging, and experimental, A Theory of Assembly serves as a playbook of strategies and critical frameworks for artists, activists, and content creators committed to social and environmental justice, ultimately arguing for a collective reenvisioning of which cultural forms matter.Cover alt text: Letters from the title appear in a jumble, each colored in a blue-orange gradient. Readable title and author sits below the jumble.

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A pioneering call for a new understanding of scale across the humanities How is it possible that you are—simultaneously—cells, atoms, a body, quarks, a component in an ecological network, a moment in the thermodynamic dispersal of the sun, and an element in the gravitational whirl of galaxies? In this way, we routinely transform reality into things already outside of direct human experience, things we hardly comprehend even as we speak of DNA, climate effects, toxic molecules, and viruses. How do we find ourselves with these disorienting layers of scale? Enter Scale Theory, which provides a foundational theory of scale that explains how scale works, the parameters of scalar thinking, and how scale refigures reality—that teaches us how to think in terms of scale, no matter where our interests may lie. Joshua DiCaglio takes us on a fascinating journey through six thought experiments that provide clarifying yet provocative definitions for scale and new ways of thinking about classic concepts ranging from unity to identity. Because our worldviews and philosophies are largely built on nonscalar experience, he then takes us slowly through the ways scale challenges and reconfigures objects, subjects, and relations. Scale Theory is, in a sense, nondisciplinary—weaving together a dizzying array of sciences (from nanoscience to ecology) with discussions from the humanities (from philosophy to rhetoric). In the process, a curious pattern emerges: attempts to face the significance of scale inevitably enter terrain closer to mysticism than science. Rather than dismiss this connection, DiCaglio examines the reasons for it, redefining mysticism in terms of scale and integrating contemplative philosophies into the discussion. The result is a powerful account of the implications and challenges of scale, attuned to the way scale transforms both reality and ourselves.

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Winner of the International Dublin Literary Award'Remarkable . . . a novel about people that never loses its sense of humanity.' Sunday Times'Zeniter’s extraordinary achievement is to transform a complicated conflict into a compelling family chronicle' Wall Street JournalNaïma has always known that her family came from Algeria – but up until now, that meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she’s learned from her grandparents’ tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled.On the past, her family is silent. Why was her grandfather Ali forced to leave? Was he a harki – an Algerian who worked for and supported the French during the Algerian War of Independence? Once a wealthy landowner, how did he become an immigrant scratching a living in France?Naïma’s father, Hamid, says he remembers nothing. A child when the family left, in France he re-made himself: education was his ticket out of the family home, the key to acceptance into French society.But now, for the first time since they left, one of Ali’s family is going back. Naïma will see Algeria for herself, will ask the questions about her family’s history that, till now, have had no answers.Spanning three generations across seventy years, Alice Zeniter’s The Art of Losing tells the story of how people carry on in the face of loss: the loss of a country, an identity, a way to speak to your children. It’s a story of colonization and immigration, and how in some ways, we are a product of the things we’ve left behind.Translated from the French by Frank Wynne

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This volume of fourteen interviews covers the prolific and rich career of author Jerome Charyn (b. 1937). Four of the interviews appear in English for the first time, and two interviews appear here in print for the first time as well. As one of his autobiographical volumes claims, Jerome Charyn is a "Bronx Boy," a child born from immigrant parents who went through Ellis Island in the 1920s like so many other travelers without luggage, a "little werewolf" who grew up on his own in the chaos of the Bronx ghetto. "I think I was defined by two things: World War II and the movies." His work remains deeply marked by this childhood largely forgotten by the American Dream. If Charyn has spent much of his life in Paris, he has paradoxically never left the Bronx: "‘El Bronx’ is there inside my head, and I revisit it the way Hemingway would fish the Big Two-Hearted River in his dreams." His whole work is a long attempt at evoking his own history and celebrating his lifelong marveling at the power of language—"our second skin"—as well as his deep, unflinching belief in the promises of fiction. Since 1964, Charyn has published more than fifty books ranging from fiction to nonfiction and including short stories; very popular crime novels; graphic novels cowritten with European artists; essays on American culture and cinema as well as on New York; autobiography; and biography—an ever-changing production that has made it difficult for critics to classify him. And yet in many ways Charyn's writing thrives on constant currents: the words "voice," "song," "undersong," or "rhythm" return frequently in his interviews as he explains what literature is to him and ceaselessly asserts that he is trying "to find a music for a musicless world," a language for "people who cannot speak.

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An essential resource for understanding the complex history of Mexican Americans and racial classification in the United States Manifest Destinies tells the story of the original Mexican Americans—the people living in northern Mexico in 1846 during the onset of the Mexican American War. The war abruptly came to an end two years later, and 115,000 Mexicans became American citizens overnight. Yet their status as full-fledged Americans was tenuous at best. Due to a variety of legal and political maneuvers, Mexican Americans were largely confined to a second class status. How did this categorization occur, and what are the implications for modern Mexican Americans? Manifest Destinies fills a gap in American racial history by linking westward expansion to slavery and the Civil War. In so doing, Laura E Gómez demonstrates how white supremacy structured a racial hierarchy in which Mexican Americans were situated relative to Native Americans and African Americans alike. Steeped in conversations and debates surrounding the social construction of race, this book reveals how certain groups become racialized, and how racial categories can not only change instantly, but also the ways in which they change over time. This new edition is updated to reflect the most recent evidence regarding the ways in which Mexican Americans and other Latinos were racialized in both the twentieth and early twenty-first centuries. The book ultimately concludes that it is problematic to continue to speak in terms Hispanic “ethnicity” rather than consider Latinos qua Latinos alongside the United States’ other major racial groupings. A must read for anyone concerned with racial injustice and classification today. Listen to Laura Gómez's interviews on The Brian Lehrer Show, Wisconsin Public Radio, Texas Public Radio, and KRWG.

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An essential resource for understanding the complex history of Mexican Americans and racial classification in the United States Manifest Destinies tells the story of the original Mexican Americans—the people living in northern Mexico in 1846 during the onset of the Mexican American War. The war abruptly came to an end two years later, and 115,000 Mexicans became American citizens overnight. Yet their status as full-fledged Americans was tenuous at best. Due to a variety of legal and political maneuvers, Mexican Americans were largely confined to a second class status. How did this categorization occur, and what are the implications for modern Mexican Americans? Manifest Destinies fills a gap in American racial history by linking westward expansion to slavery and the Civil War. In so doing, Laura E Gómez demonstrates how white supremacy structured a racial hierarchy in which Mexican Americans were situated relative to Native Americans and African Americans alike. Steeped in conversations and debates surrounding the social construction of race, this book reveals how certain groups become racialized, and how racial categories can not only change instantly, but also the ways in which they change over time. This new edition is updated to reflect the most recent evidence regarding the ways in which Mexican Americans and other Latinos were racialized in both the twentieth and early twenty-first centuries. The book ultimately concludes that it is problematic to continue to speak in terms Hispanic “ethnicity” rather than consider Latinos qua Latinos alongside the United States’ other major racial groupings. A must read for anyone concerned with racial injustice and classification today. Listen to Laura Gómez's interviews on The Brian Lehrer Show, Wisconsin Public Radio, Texas Public Radio, and KRWG.

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How do digital technologies shape the experiences and meanings of migration? As the numbers of people fleeing war, poverty, and environmental disaster reach unprecedented levels worldwide, states also step up their mechanisms of border control. In this, they rely on digital technologies, big data, artificial intelligence, social media platforms, and institutional journalism to manage not only the flow of people at crossing-points, but also the flow of stories and images of human mobility that circulate among their publics. What is the role of digital technologies is shaping migration today? How do digital infrastructures, platforms, and institutions control the flow of people at the border? And how do they also control the public narratives of migration as a “crisis”? Finally, how do migrants themselves use these same platforms to speak back and make themselves heard in the face of hardship and hostility? Taking their case studies from the biggest migration event of the twenty-first century in the West, the 2015 European migration “crisis” and its aftermath up to 2020, Lilie Chouliaraki and Myria Georgiou offer a holistic account of the digital border as an expansive assemblage of technological infrastructures (from surveillance cameras to smartphones) and media imaginaries (stories, images, social media posts) to tell the story of migration as it unfolds in Europe’s outer islands as much as its most vibrant cities. This is a story of exclusion, marginalization, and violence, but also of care, conviviality, and solidarity. Through it, the border emerges neither as strictly digital nor as totally controlling. Rather, the authors argue, the digital border is both digital and pre-digital; datafied and embodied; automated and self-reflexive; undercut by competing emotions, desires, and judgments; and traversed by fluid and fragile social relationships—relationships that entail both the despair of inhumanity and the promise of a better future.

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An important analysis of the difference class makes in reproductive health choices Can you run a marathon, drink coffee, eat fish, or fly on a plane while pregnant? Such questions are just the tip of the iceberg for how most pregnant women’s bodies are managed, surveilled, and scrutinized during pregnancy. The Reproduction of Inequality examines the intense social pressure that expectant and new mothers face when it comes to their health and body-care choices. Drawing on interviews with dozens of pregnant women and new mothers from poor, middle-class, and mixed-class backgrounds, Katherine Mason paints a vivid picture of the immense weight of expectation that comes with the early stages of motherhood. The women in Mason’s study universally sought to give their children a healthy start in life; however, their chosen approaches varied based on their socio-economic class. Whereas middle-class mothers attempted a complete lifestyle change and absolute devotion to the achievement and maintenance of “the healthy pregnant body,” poorer women made strategic choices about which health goals to prioritize on a limited budget, lacking the economic and cultural capital required to speak and perfectly adhere to the language of “good health.” The unfortunate result is that middle-class mothers are more likely to be seen by others and by themselves as “good” parents, whereas the efforts of working-class mothers are often misread as displaying inadequate concern about their health and that of their child. This in turn contributes to longstanding stereotypes about poor families and communities, and limits their children's chances for upward mobility. The Reproduction of Inequality is a compelling analysis of the impact of class on new mothers’ approaches to health and wellness, and a sobering examination of how inequality shapes mothers’ efforts to maximize their own health and that of their children.

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'Lovely book to get lost in.' 'This book blew me away!' 'It's a book that you just fall into.' 'My book of the year.' 'Her best book yet.' 'Beautiful...'Lose yourself in this breathtaking love story set on the mysterious, windswept island of Seal, from the bestselling author of Watch Over Me. Perfect for fans of Lulu Taylor, Tracy Rees and Rosanna Ley.** Over 1 million copies sold of Daniela Sacerdoti's novels **Can a tiny Scottish island bring a heart back to life.. and offer a second chance at love?When Anna's partner walks away from their relationship, she is shattered. But it is her little girl Ava who takes it hardest of all, falling silent for three days. When she does finally speak, Ava talks about a new place - a small island of beauty, salt and sea in the Western Scottish Isles. In search of a new start, Anna and Ava embark on a journey to the remote and gorgeous Island of Seal. Falling in love with the locals and the landscape, could Seal offer the second chance they both need? Readers have been raving about Keep Me Safe:'A brilliant read. Love Daniela's books. *****' A reader'My book of the year. Highly recommended' A reader'I've already read Daniela's Glen Avich books and loved them but this one surpassed them' A reader'I could almost hear the sea and the wind. A great book' Lesley Pearse'I couldn't put it down' Daily Mail'Astoundingly good' The Sun'I fell in love with this book' Prima magazine'Heartwarming and mysterious' Katie Fforde'A mysterious journey to Seal, a place I already want to revisit' Dani Atkins'Exciting and emotional. I'm thrilled to find this is the first in a new series' Linda's Book Bag

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With a little bit of country, a whole lot of faith, and a healthy dose of sass, award-winning singer-songwriter Lauren Alaina's debut book, Getting Good at Being You, invites you to take the road less traveled as you step right up to who God calls you to be.After years in the spotlight on American Idol and Dancing with the Stars, country music star Lauren Alaina has learned a thing or two about fighting self-doubt and feeling at home in her own skin. In Getting Good at Being You, Lauren shares stories about everything from lost loves to getting a nose ring to battling an eating disorder to grieving a loved one’s death. Each story leads to practical tips, take-it-on-the-road strategies, and encouragement for your own personal and spiritual growth.In this book, you will be inspired to: speak to yourself with kindness and compassion chase the dreams that light your spirit on fire cultivate rich relationships with family and friends identify self-sabotaging beliefs and behaviors offer forgiveness for yourself and others Throughout the book, you will find: behind-the-scenes photos from Lauren's career in country music. lists, tips, and strategies to boost your self-confidence. prompts to help you dream big and run toward who you are. This beautiful book is a perfect gift for women who celebrate other women birthday celebrations or career promotions high school and college graduations fans who want to know more about country music stardom Each of us deserves head-over-heels, can't-get-enough, shout-it-from-the-mountaintops self-love. By the final page of Getting Good at Being You, that's just the kind of confidence you'll have. As Lauren discovered, maybe life is getting good after all.

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Your all-access guide to all things Access 2016 If you don't know a relational database from an isolationist table—but still need to figure out how to organize and analyze your data—Access 2016 For Dummies is for you. Written in a friendly and accessible manner, it assumes no prior Access or database-building knowledge and walks you through the basics of creating tables to store your data, building forms that ease data entry, writing queries that pull real information from your data, and creating reports that back up your analysis. Add in a dash of humor and fun, and Access 2016 For Dummies is the only resource you'll need to go from data rookie to data pro! This expanded and updated edition of Access For Dummies covers all of the latest information and features to help data newcomers better understand Access' role in the world of data analysis and data science. Inside, you'll get a crash course on how databases work—and how to build one from the ground up. Plus, you'll find step-by-step guidance on how to structure data to make it useful, manipulate, edit, and import data into your database, write and execute queries to gain insight from your data, and report data in elegant ways. Speak the lingo of database builders and create databases that suit your needs Organize your data into tables and build forms that ease data entry Query your data to get answers right Create reports that tell the story of your data findings If you have little to no experience with creating and managing a database of any sort, Access 2016 For Dummies is the perfect starting point for learning the basics of building databases, simplifying data entry and reporting, and improving your overall data skills.

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The comprehensive reference for informative WISC-V assessment Essentials of WISC-V Assessmentprovides step-by-step guidance for administering, scoring, and interpreting the Wechsler Intelligence Scale for Children (WISC-V). Packed with practical tips for more accurate assessment, this informative guide includes numerous case studies that illustrate a range of real-world issues. Special attention is devoted to the assessment of individuals who have significant learning difficulties, such as learning disabilities, and who speak English as a second language. The WISC-V is a valuable assessment tool, but it must be administered and scored appropriately to gain meaning from score interpretation. This book gives you an in-depth understanding of the WISC-V assessment and interpretive process to assist practitioners in: Conducting efficient and informative WISC-V assessments Utilizing WISC-V in cross-battery and neuropsychological assessment Applying WISC-V in the identification of specific learning disabilities Utilizing WISC-V in nondiscriminatory assessment of English language learners Writing theory-based WISC-V reports Linking WISC-V findings to interventions based on individual performance As the world's most widely-used intelligence test for children, the WISC-V is useful in diagnosing intellectual disabilities and specific learning disabilities, as well as in identifying giftedness. In this volume, sample reports demonstrate how WISC-V assessment results may be linked to interventions, accommodations, modifications, and compensatory strategies that facilitate positive outcomes for children. Essentials of WISC-V Assessment is the all-in-one practical resource for both students and practitioners. The book can be used on its own or with companion software (purchased separately) that provides a user-friendly tool for producing psychometrically and theoretically defensible interpretations of WISC-V performance, and may be used to develop interventions based on each child's strengths and weaknesses.

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How might we speak of human life amid violence, deprivation, or disease so intrusive as to put the idea of the human into question? How can scholarship and advocacy address new forms of war or the slow, corrosive violence that belie democracy's promise to mitigate human suffering? To Veena Das, the answers to these question lie not in foundational ideas about human nature but in a close attention to the diverse ways in which the natural and the social mutually absorb each other on a daily basis. Textures of the Ordinary shows how anthropology finds a companionship with philosophy in the exploration of everyday life. Based on two decades of ethnographic work among low-income urban families in India, Das shows how the notion of texture aligns ethnography with the anthropological tone in Wittgenstein and Cavell, as well as in literary texts. Das shows that doing anthropology after Wittgenstein does not consist in taking over a new set of terms such as forms of life, language games, or private language from Wittgenstein’s philosophy. Instead, we must learn to see what eludes us in the everyday precisely because it is before our eyes. The book shows different routes of return to the everyday as it is corroded not only by catastrophic events but also by repetitive and routine violence within everyday life itself. As an alternative to normative ethics, this book develops ordinary ethics as attentiveness to the other and as the ability of small acts of care to stand up to horrific violence. Textures of the Ordinary offers a model of thinking in which concepts and experience are shown to be mutually vulnerable. With questions returned to repeatedly throughout the text and over a lifetime, this book is an intellectually intimate invitation into the ordinary, that which is most simple yet most difficult to perceive in our lives.

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Reified Life addresses the most pressing political question of the 21st century: what forms of life are free and what forms are perceived legally and economically as surplus or expendable, human and otherwise. The 2008 economic crisis solidified the dominion of neoliberal and financial capital to organize human societies much to the detriment of the world’s populations. Reified Life theorizes the dangerous social implications of a posthuman future, whereby human agency is secondary to algorithmic processes, digital protocols, speculative financial instruments, and nonhuman market and technological forces. Employing new readings of Deleuze, Guattari, Foucault, Marx, Vico, Gramsci, Berardi, and Gilbert Simondon, Narkunas contends that it is premature to speak of a posthuman or inhuman future, or employ an ‘ism, given how dynamic and contingent human practices and their material figurations can be. Over several chapters he diagnoses the rise of “market humans,” the instrumentalization of culture to decide the life worth living along utilitarian categories, and the varied ways human rights and humanitarianism actually throw members of the species like refugees outside the human order. To combat this, Reified Life argues against Reified Life calls to abandon the human and humanism, and instead proposes the ahuman to think alongside the human, what philosopher Gilbert Simondon calls the transindividuation of ontogentic processes rather than subjectivity. To aid the “figurating animal,” Reified Life elaborates speculative fictions as critical mechanisms for envisioning alternative futures and freedoms from the domineering forces of speculative capital, whose fictions have become our realities. Narkunas offers, to that end, a novel interpretation of the post-anthropocentric turn in the humanities by linking the diminished centrality of humanism to the waning dominion of nation-states over their populations and the intensification of financial capitalism, which reconfigures politics along economic categories of risk management.

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Black theology has lost its direction. To reclaim its original power and to advance racial justice struggles today black theology must fully embrace blackness and theology. But multiculturalism and religious pluralism have boxed in black theology, forcing it to speak in terms dictated by a power structure founded on white supremacy. In Religion of the Field Negro, Vincent W. Lloyd advances and develops black theology immodestly, privileging the perspective of African Americans and employing a distinctively theological analysis. As Lloyd argues, secularism is entangled with the disciplining impulses of modernity, with neoliberal economics, and with Western imperialism – but it also contaminates and castrates black theology. Inspired by critics of secularism in other fields, Religion of the Field Negro probes the subtle ways in which religion is excluded and managed in black culture. Using Barack Obama, Huey Newton, and Steve Biko as case studies, it shows how the criticism of secularism is the prerequisite of all criticism, and it shows how criticism and grassroots organizing must go hand in hand. But scholars of secularism too often ignore race, and scholars of race too often ignore secularism. Scholars of black theology too often ignore the theoretical insights of secular black studies scholars, and race theorists too often ignore the critical insights of religious thinkers. Religion of the Field Negro brings together vibrant scholarly conversations that have remained at a distance from each other until now. Weaving theological sources, critical theory, and cultural analysis, this book offers new answers to pressing questions about race and justice, love and hope, theorizing and organizing, and the role of whites in black struggle. The insights of James Cone are developed together with those of James Baldwin, Sylvia Wynter, and Achille Mbembe, all in the service of developing a political-theological vision that motivates us to challenge the racist paradigms of white supremacy.

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What could it mean to speak of philosophy as “the education of grownups”? This book takes Stanley Cavell’s much-quoted, yet enigmatic phrase as the provocation for a series of explorations into themes of education that run throughout his work – through his response to Wittgenstein, Austin and ordinary language philosophy, through his readings of Thoreau and of the moral perfectionism he identifies with Emerson, through his discussions of literature and film. Hilary Putnam has described Cavell not only as one of the most creative thinkers of today but as amongst the few contemporary philosophers to explore the territory of philosophy as education. Yet in mainstream philosophy his work is apt to be referred to rather than engaged with, and the full import of his writings for education is still to be appreciated. Cavell engages in a sustained exploration of the nature of philosophy, and this is not separable from his preoccupation with what it is to teach and to learn, with the kinds of transformation these might imply, and with the significance of these things for our language and politics, for our lives as a whole. In recent years Cavell’s work has been the subject of a number of books of essays, but this is the first to address directly the importance of education in his work. Such matters cannot fail to be of significance not only for the disciplinary fields of philosophy and education, but in politics, literature, and film studies – and in the humanities as a whole. A substantial introduction provides an overview of the philosophical purchase of questions of education in his work, while the essays are framed by two new pieces by Cavell himself. The book shows what it means to read Cavell, and simultaneously what it means to read philosophically, in itself a part of our education as grownups.

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The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Movies seemed to speak directly to the masses, via a form of crowd psychology that bypassed individual personality. Many political commentators believed that movies were inherently aligned with the new forms of collectivist mass politics—indeed, government control of the movie industry became a cornerstone of Communist and Fascist regimes, new political movements that embraced the crowd as the basis of social order. Michael Tratner examines the representations of masses—the crowd scenes—in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions. In Hollywood films, this is depicted as molding private loves, while collectivist movies present it as turning into organized mass movements. Crowd scenes do more than provide backgrounds for stories, that is: they also function as models for the crowd in the theater. The book concludes with an examination of the films of Fritz Lang, who first in pre-Nazi Germany, then in Hollywood, created movies that can be seen as meditations on both these ways of using the crowd.

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This is a study of the African veterans of a European war. It is a story of men from the Cote d‘Ivoire, many of whom had seldom traveled more than a few miles from their villages, who served France as tirailleurs (riflemen) during World War II. Thousands of them took part in the doomed attempt to hold back the armies of the Third Relch in 1940; many were to spend the rest of the war as prisoners in Germany or Occupied France. Others more fortunate came under the authority of Vichy France, and were deployed in the Defense of the “Motherland” and its overseas possessions against the threat posed by the Allies. By 1943, the tirailleur regiments had passed into the service of de Gaulle’s free French and under Allied command, played a significant role in the liberation of Europe. In describing these complex events, Dr. Lawler draws upon archives in both France and the Cote d’Ivoire. She also carried out an extensive series of interviews with Ivoirien veterans principally, but not exclusively, from the Korhogo region. The vividness of their testimony gives this study a special character. They talk freely not only of their wartime exploits, but also of their experiences after repatriation. Lawler allows them to speak for themselves. They express their hatred of forced labor and military conscription, which were features of the colonial system, yet at the same time reveal a pride in having come to the defense of France. They describe their role in the nationalist struggle, as foot soldiers of Felix Houphouet-Boigny, but also convey their sense of having become a lost generation. They recognize that their experiences as French soldiers had become sadly irrelevant in a new nation in quest of its history.

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In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a "paper monster," not fashioned but "begotten" into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators' deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception. In seeking to understand these "paper monsters" as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."

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In the thirty-five years before the Civil War, it became increasingly difficult for Americans outside the world of politics to have frank and open discussions about the institution of slavery, as divisive sectionalism and heated ideological rhetoric circumscribed public debate. To talk about slavery was to explore—or deny—its obvious shortcomings, its inhumanity, its contradictions. To celebrate it required explaining away the nation's proclaimed belief in equality and its public promise of rights for all, while to condemn it was to insult people who might be related by ties of blood, friendship, or business, and perhaps even to threaten the very economy and political stability of the nation. For this reason, Paul D. Naish argues, Americans displaced their most provocative criticisms and darkest fears about the institution onto Latin America. Naish bolsters this seemingly counterintuitive argument with a compelling focus on realms of public expression that have drawn sparse attention in previous scholarship on this era. In novels, diaries, correspondence, and scientific writings, he contends, the heat and bluster of the political arena was muted, and discussions of slavery staged in these venues often turned their attention south of the Rio Grande. At once familiar and foreign, Cuba, Brazil, Haiti, and the independent republics of Spanish America provided rhetorical landscapes about which everyday citizens could speak, through both outright comparisons or implicit metaphors, what might otherwise be unsayable when talking about slavery at home. At a time of ominous sectional fracture, Americans of many persuasions—Northerners and Southerners, Whigs and Democrats, scholars secure in their libraries and settlers vulnerable on the Mexican frontier—found unity in their disparagement of Latin America. This displacement of anxiety helped create a superficial feeling of nationalism as the country careened toward disunity of the most violent, politically charged, and consequential sort.

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Ms. Mentor, that uniquely brilliant and irascible intellectual, is your all-knowing guide through the jungle that is academia today. In the last decade Ms. Mentor's mailbox has been filled to overflowing with thousands of plaintive epistles, rants, and gossipy screeds. A mere fraction has appeared in her celebrated monthly online and print Q&A columns for the Chronicle of Higher Education; her readers' colorful and rebellious ripostes have gone unpublished—until now. Hearing the call for a follow-up to the wildly successful Ms. Mentor's Impeccable Advice for Women in Academia, Ms. Mentor now broadens her counsel to include academics of the male variety. Ms. Mentor knows all about foraging for jobs, about graduate school stars and serfs, and about mentors and underminers, backbiters and whiners. She answers burning questions: Am I too old, too working class, too perfect, too blonde? When should I reproduce? When do I speak up, laugh, and spill the secrets I've gathered? Do I really have to erase my own blackboard? Does academic sex have to be reptilian? From the ivory tower that affords her an unparalleled view of the academic landscape, Ms. Mentor dispenses her perfect wisdom to the huddled masses of professorial newbies, hardbitten oldies, and anxious midcareerists. She gives etiquette lessons to academic couples and the tough-talking low-down on adjunct positions. She tells you what to wear, how to make yourself popular, and how to decode academic language. She introduces you to characters you must know: Professor Pelvic, Dr. Iron Fist, Mr. Upstart Whelp, Dean Titan, Professor McShameless. In this volume Ms. Mentor once again shares her wide-ranging unexpurgated wisdom, giving tips on bizarre writing rituals, tenure diaries, and time management (Exploding Head Syndrome). She decodes department meetings and teaches you the tricks for getting stellar teaching evaluations. Raw, shocking, precise, clever, absurd—Ms. Mentor has it all.

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Our democracy is in crisis. Both political trust and a shared standard of truth are broken. In this book, Walter Parker shows why and how a civic education can help. Offering a centrist approach suitable for a polarized society, Parker focuses on two linked curriculum objectives: disciplinary knowledge and voice. He illustrates how classroom discussion, alongside concept formation and deep reading, expand students' minds while developing their ability to speak with others and form opinions. When children come to school, they emerge from the private chrysalis of babyhood and kin to interact with a diverse student body along with teachers, curriculum, instruction, and the school's unique mission: education. Parker argues that these assets make school the ideal place to teach young people the liberal arts of studying and discussing public issues and academic controversies, both in and beyond school. The chapters in this collection, spanning 20 years and coming from one of civic education's most influential scholars, show that voice can be taught right alongside disciplinary knowledge. Drawing students into dialogue with one another on the curriculum's central questions is a teacher's most ambitious goal and, when it happens, teaching's greatest accomplishment.Book Features: Argues that the proper aim of civic education in schools is to shore up liberal democracy. Shows how discussion can be a main course, and not a side dish, of classroom instruction. Demonstrates how to use discussion to develop voice, defined as the freedom to make and express uncoerced decisions, and disciplinary knowledge, defined as the knowledge that results from a public process of error-seeking, contestation, and validation. Explains why students need to learn both disciplinary knowledge and voice if they are to take their place on the public stage and hold the "office of citizen" in a democracy. Treats subject-centered and student-centered instruction as partners, not opponents.

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Let Heaven Touch Your Everyday Life Nancy Ravenhill was just five years old, hiding in her bedroom after being beaten by her father, when she first saw Jesus. He was wearing white; His eyes were filled with love. In Nancy's earliest traumatic moment, Jesus showed up. Literally. It was the first of a lifetime of encounters that have shaped Nancy's life and faith. Here, Nancy shares the remarkable stories of her experiences with the living Christ. Her stories will leave you astounded--and inspired--by the God who still reaches out to comfort His children today. If you've ever wondered if Jesus is really there--or if He cares about you and knows what you're going through--this book is for you. The living Lord who has appeared and spoken to Nancy again and again is alive and well. He wants to speak to you, too. "What a delight to hold in your hands a book from a woman of God who loves and lives the Word of God. Want to be touched by heaven? Then read this book!"--James W. Goll, president, Encounters Network; international director, Prayer Storm; bestselling author "This is a truly remarkable book. God will become more alive and real to you as you follow Nancy on her fascinating, enlightening journey."--Joy Dawson, international Bible teacher and bestselling author "I highly recommend Touched by Heaven because, no matter where you are in life, there is always hope that God and all He has created are there to help you."--John Paul Jackson, Streams Ministries International "Touched by Heaven was captivating and kept my attention from the moment I began to read it. This book will bring life and raise a renewed expectation in the Lord and His providential plans for each of us."--Doug Stringer, founder and president, Turning Point Ministries International, Somebody Cares International

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Longlisted for the Wales Book of the Year 2007 Writing in 1903, W. E. B. Du Bois suggested that the goal for the African-American was 'to be a co-worker in the kingdom of culture'. He was evoking 'culture' as a solution to the divisions within society, thereby adopting, in a very different context, an idea that had been influentially expressed by Matthew Arnold in the 1860s. Du Bois questioned the assumed universality of this concept by asking who, ultimately, is allowed into the 'kingdom of culture'? How does one come to speak from a position of cultural authority? This book adopts a transatlantic approach to explore these questions. It centres on four Victorian 'men of letters' -- Matthew Arnold, William Dean Howells, W. B. Yeats and W. E. B. Du Bois -- who drew on notions of ethnicity as a basis from which to assert their cultural authority. In comparative close readings of these figures Daniel Williams addresses several key areas of contemporary literary and cultural debate. The book questions the notion of 'the West' as it appears and re-appears in the formulations of postcolonial theory, challenges the widespread tendency to divide nationalism into 'civic' and 'ethnic' forms, and forces its readers to reconsider what they mean when they talk about 'culture', 'identity' and 'national literature'. Key Features *Offers a substantial, innovative intervention in transatlantic debates over race and ethnicity *Uses 4 intriguing authors to explore issues of national identity, racial purity and the use of literature as a marker of 'cultural capital' *A unique focus on Celtic identity in a transatlantic context *Sets up a dialogue between writers who believe in national identity and those who believe in cultural distinctiveness

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"Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A vivid history of life in Princeton, New Jersey, told through the voices of its African American residents I Hear My People Singing shines a light on a small but historic black neighborhood at the heart of one of the most elite and world-renowned Ivy-League towns--Princeton, New Jersey. The vivid first-person accounts of more than fifty black residents detail aspects of their lives throughout the twentieth century. Their stories show that the roots of Princeton's African American community are as deeply intertwined with the town and university as they are with the history of the United States, the legacies of slavery, and the nation's current conversations on race. Drawn from an oral history collaboration with residents of the Witherspoon-Jackson neighborhood, Princeton undergraduates, and their professor, Kathryn Watterson, neighbors speak candidly about Jim Crow segregation, the consequences of school integration, World Wars I and II, and the struggles for equal opportunities and civil rights. Despite three centuries of legal and economic obstacles, African American residents have created a flourishing, ethical, and humane neighborhood in which to raise their children, care for the sick and elderly, worship, stand their ground, and celebrate life. Abundantly filled with photographs, I Hear My People Singing personalizes the injustices faced by generations of black Princetonians--including the famed Paul Robeson--and highlights the community's remarkable achievements. The introductions to each chapter provide historical context, as does the book's foreword by noted scholar, theologian, and activist Cornel West. An intimate testament of the black community's resilience and ingenuity, I Hear My People Singing adds a never-before-compiled account of poignant black experience to an American narrative that needs to be heard now more than ever.

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In "Return of the Heroes," Walt Whitman refers to the casualties of the American Civil War: "the dead to me mar not. . . . / they fit very well in the landscape under the trees and grass. . . ." In her new poetry collection, Jude Nutter challenges Whitman's statement by exploring her own responses to war and conflict and, in a voice by turns rueful, dolorous, and imagistic, reveals why she cannot agree. Nutter, who was born in England and grew up in Germany, has a visceral sense of history as a constant, violent companion. Drawing on a range of locales and historical moments—among them Rwanda, Sarajevo, Nagasaki, and both world wars—she replays the confrontation of personal history colliding with history as a social, political, and cultural force. In many of the poems, this confrontation is understood through the shift from childhood innocence and magical thinking to adult awareness and guilt. Nutter responds to Whitman from another perspective as well. It was Whitman who wrote that he could live with animals because, among other things, they are placid, self-contained, and guiltless. As counterpoint, Nutter weaves a series of animal poems—a kind of personal bestiary—throughout the collection that reveals the tragedy and violence also inherent in the lives of animals. Here, as in much of Nutter's previous work, the boundaries between the animal and human worlds are permeable; the urgent voice of the poet insists we recognize that "Even from a distance, suffering / is suffering." Here is both acknowledgment and challenge: distance may be measured in terms of time, culture, or place, or it may be caused by the gap between animals and humans, but it is our responsibility to speak against atrocity and bloodshed, however voiceless we may feel.

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"An indispensable sourcebook . . . Emphasis falls on the variegated, often joyful, culture of the Polish Jews, on what existed before the garden was ruined." —Geoffrey Hartmann, The New Republic"From these marvelous selections, one can see an entire culture unfolding." —Curt Leviant, New York Times Book Review"This newly revised version of the classic study . . . is a pleasure for the eye and the soul! One of the seminal studies of the impact of the Shoah on European Jewry, it is even more moving in its new incarnation than in its original version. More than a collection of studies of books of remembrance and mourning, this volume asks how one can mourn for a world lost and still live in the present and the future." —Sander L. Gilman"Kugelmass and Boyarin have done a splendid job of combing the vast memorial book literature to select the most revealing accounts of Jewish life in interbellum Poland. Ordinary people speak in this volume with an immediacy and poignancy that cannot help but touch the reader. In the time since it first appeared, From a Ruined Garden has become a classic. Its reappearance in an updated and expanded form is most welcome." —Barbara Kirshenblatt-Gimblett"In this magnificent collection, the editors combine a profound 'feel' for the vanished world of Polish Jewry, the anthologist's skill at selecting the telling example, and the anthropologist's sophisticated understanding of how these testimonies should be read. A marvelous introduction to this rich literature." —Peter NovickPolish Jewish survivors of the Holocaust compiled memorial books to preserve the memory of their destroyed communities. They describe daily life in the shtetl as well as everyday life during the Holocaust and the experiences of returning survivors. These memories paint a haunting picture of a way of life lost forever.

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The desert has long been a theme in Mark C. Taylor’s work, from his inquiries into the religious significance of Las Vegas to his writings on earthworks artist Michael Heizer. At once haunted by absence and loss, the desert, for Taylor, is a place of exile and wandering, of temptation and tribulation. Bones, in turn, speak to his abiding interest in remnants, ruins, ritual, and immanence. Taylor combines his fascination in the detritus of the desert and its philosophical significance with his work in photography in Mystic Bones. A collection of remarkably elegant close-up images of weathered bones—remains of cattle, elk, and deer skeletons gathered from the desert of the American West—Mystic Bones pairs each photograph with a philosophical aphorism. These images are buttressed by a major essay, “Rubbings of Reality,” in which Taylor explores the use of bones in the religious rituals of native inhabitants of the Western desert and, more broadly, the appearance of bones in myth and religious reality. Meditating on the way in which bones paradoxically embody both the personal and the impersonal—at one time they are our very substance, but eventually they become our last remnants, anonymous, memorializing oblivion—Taylor here suggests ways in which natural processes can be thought of as art, and bones as art objects. Bones, Taylor writes, “draw us elsewhere.” To follow their traces beyond the edge of the human is to wander into ageless times and open spaces where everything familiar becomes strange. By revealing beauty hidden in the most unexpected places, these haunting images refigure death in a way that allows life to be seen anew. A bold new work from a respected philosopher of religion, Mystic Bones is Taylor’s his most personal statement of after-God theology.

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When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments, the reverse is just as true environments are media. Peters defines media expansively as elements that compose the human world. Drawing from ideas implicit in media philosophy, Peters argues that media are more than carriers of messages: they are the very infrastructures combining nature and culture that allow human life to thrive. Through an encyclopedic array of examples from the oceans to the skies, The Marvelous Clouds reveals the long prehistory of so-called new media. Digital media, Peters argues, are an extension of early practices tied to the establishment of civilization such as mastering fire, building calendars, reading the stars, creating language, and establishing religions. New media do not take us into uncharted waters, but rather confront us with the deepest and oldest questions of society and ecology: how to manage the relations people have with themselves, others, and the natural world. A wide-ranging meditation on the many means we have employed to cope with the struggles of existence from navigation to farming, meteorology to Google The Marvelous Clouds shows how media lie at the very heart of our interactions with the world around us. Peters's book will not only change how we think about media but provide a new appreciation for the day-to-day foundations of life on earth that we so often take for granted.

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INSTANT #1 NEW YORK TIMES BESTSELLER! From FOX News anchor and author Harris Faulkner comes a collection of powerful, true-life stories of resilience, healing, rescue, and protection.We need reminders of God’s power now more than ever.We often think about prayer as a wish list, with God as Santa Claus. The reality is that the power of prayer reminds us not only how small we are, but also how big God is. Prayer is hope put into action. And prayer works.From the aftermath of the devastating earthquake in Haiti to the theater shooting in Aurora, Colorado, believers testify to how God inspired hope even when all seemed lost.Two teenagers who were saved from treacherous seas by a vessel named Amen now give thanks for the rescue that changed their lives. A woman’s near-death experience with COVID-19 turned out to be the crisis freeing her from despair. Others speak to how prayer helped them navigate family trauma, overcome abuse, and cope with mental illness and depression. Historical accounts of miracles testify to God’s power throughout time, and Faulkner recounts the role of faith and prayer in her own life and the life of her father.Along with these stories of God’s presence, the book includes an exclusive packet of newly written prayers. Created to reflect the current times, this prayer booklet will provide a road map for putting the lessons of these stories into action.Faith Still Moves Mountains reminds us that God’s light always shines through the darkness. Through these testimonies, we learn prayer isn’t just a ritual, it’s a vital spiritual strategy in a world that wants us to give up the fight.

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‘Impressive … Fascinating’ Sunday Times ‘An authoritative history’ Financial Times ‘Gripping and richly researched’ Rana Mitter A superb new history of the rise of China and the fall of Hong Kong to authoritarian rule. The rise of China and the fall of Hong Kong to authoritarian rule are told with unique insight in this new history by Michael Sheridan, drawing on eyewitness reporting over three decades, interviews with key figures and documents from archives in China and the West. The story sweeps the reader from the earliest days of trade through the Opium Wars of the 19th century to the age of globalisation and the handover of Hong Kong from Britain to China. It ends with the battle for democracy on the city’s streets and the ultimate victory of the Chinese Communist Party. How did it come to this? We learn from private papers that Margaret Thatcher anguished over the fate of Hong Kong, sought secret American briefings on how to handle China and put her trust in an adviser who was torn between duty and pride. The deal they made with Beijing did not last. The Chinese side of this history, so often unheard, emerges from memoirs and documents, many new to the foreign reader, revealing how the party’s iron will and negotiating tactics crushed its opponents. Yet the voices of Hong Kong people – eloquent, smart and bold – speak out here for ideals that refuse to die. Sheridan’s book tells how Hong Kong opened the way for the People’s Republic as it reformed its economy and changed the world, emerging to challenge the West with a new order that raises fundamental questions about progress, identity and freedom. It is critical reading for all who study, trade or deal with China.

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The Collins Cambridge Lower Secondary English series offers a skills-building approach to the Lower Secondary English curriculum framework (0861) from 2020. The Stage 7 Student’s Book supports students to develop their skills in reading, writing and speaking and listening, showing all students how to progress. This series is endorsed by Cambridge Assessment International Education to support the new curriculum framework 0861 from 2020. Focused on improving skills – the book provides full coverage of the Stage 7 Cambridge Lower Secondary English curriculum framework, with clear outcomes in each chapter. Organised by text purpose – each chapter shows students how to speak, write and comment on texts created for one key purpose or pair of purposes. A clear learning sequence builds from students exploring texts, through scaffolded writing and speaking and listening activities, towards a series of meaningful final tasks. Stage 7 introduces describing, informing, persuading and advising, narrating, reviewing and discussing, and exploring and commenting. The final chapter of the book allows students to test their understanding and apply the skills they have learned across Stage 7, by responding to reading and writing questions on two longer texts. Supports progression – clear models and examples are included throughout to show students how to improve, while self-assessment tasks at the end of each chapter help students to reflect on their progress. Rich, varied and engaging text extracts – fresh international fiction, poetry, drama and non-fiction texts represent the different forms and purposes required at each stage of the curriculum. Extracts of increasing length and challenge have been chosen to build students’ reading stamina across the stage. The clear lesson-by-lesson approach allows teachers to easily use the resources in the classroom and build them into their own schemes of work. Prepares students for a seamless transition to Stage 8.

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Who has the right to speak about trauma? As cultural products, narratives of social suffering paradoxically release us from responsibility while demanding that we examine our own connectedness to the circumstances that produce suffering. As a result, the text's act of "speaking havoc" rebounds in unsettling ways. Speaking Havoc investigates how literary and cinematic fictions intervene in the politics and reception of social suffering. Amitav Ghosh's modernist novel The Shadow Lines (1988), A Fine Balance (1995) by Rohinton Mistry, the short stories of Saadat Hasan Manto, Salman Rushdie's postmodernist novel Shame (1983), and the "spectacular" films of Maniratnam: each bears witness to social violence in South Asia. These works confront squarely a number of ethical dilemmas in representations of social suffering--the catastrophes and innumerable minor tragedies that arise from clashes among religious and ethnic communities. Focusing on central events such as the Partition of 1947, the assassination of Indira Gandhi in 1984, and more recent religious conflicts between India and Pakistan, Nagappan demonstrates the differing ways that narratives engage--often in ambiguous and problematic ways--the political violence that has marked the last fifty years of South Asian history. Is it possible to tell fully the stories of those who have died and those who have survived? Can writing really act as a counter to silence? In his compassionate engagement with these concerns, Nagappan demonstrates the relevance of literature and literary studies to fundamental sociological, anthropological, and political issues. With its interdisciplinary scope, historical perspective, and lucid style, Speaking Havoc is destined to become a foundational text for scholars of South Asian studies and postcolonial and cultural studies, and for readers interested in trauma and social suffering as well as in the literature, films, and histories that take this field as their topic.

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This book helps support developmentally sensitive nursing and allied health practice by integrating the therapeutic powers of play into child and adolescent health care service provision. It is designed to link play, child development, neuroscience, biopsychosocial and attachment theories with the biomedical model of health. Nurses and allied health professionals work with children aged between 0-18 years and with diverse childhood illnesses, injuries, diseases, disorders, and conditions, and are therefore in a prime position to understand and support children through potentially painful and traumatic health care experiences. Understanding of the role of play and the application of the therapeutic powers of play in communicating with children and families has the potential to significantly optimise paediatric care. The theory and play based strategies, tools and techniques presented in this book assist nurses and health care professionals to engage with children in an age-appropriate manner and ‘speak’ with children through their natural language of play, to enhance comprehension, coping, resiliency, and healing. Play is recognised as a sequentially developing ability and can be aligned with the child’s age and stage of life. Play based approaches can be placed on a continuum from fully child led or non-directive play to adult facilitated educative play. Medical information can be tailored according to the various points along this continuum to inform clinical reasoning and to help children prepare for procedures, recover from medical interventions and / or make sense of their diagnosis. Whilst this book is directed at nurses and allied health professionals who work with children and their families, it may also be a valuable resource for medical and other professionals in community or educational settings to work systemically as a team. The book takes the reader on a journey to illustrate various professional and therapeutic roles in how to playfully engage children through a range of case vignettes.

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Louisa Ermelino's stories follow women living dangerously at home and abroad, whether in Italian-American neighborhoods or in the countries—India, Turkey, Afghanistan—where they seek escape. At home, they break ancient Italian taboos and fall victim to mobsters. Overseas, they smoke opium-laced hashish and sleep with strange men. Ermelino's voice is boisterous and endearingly blunt.“There is lyricism in the language of Ms. Ermelino’s splendid collection that lulls us, line after seductive line, from the mundane to the menacing. Malafemmena is the work of a bold and original writer.”—Gay Talese "Written with generosity, curiosity, and a great deal of sharp wit.... Will speak to anyone who's found themselves gloriously stranded in a foreign land...or bemused by the strange rituals of their own tribe."—Hanya Yanagihara“What Louisa Ermelino knows about the heart could fill a book and has. The unadorned authenticity of her prose is so powerful, it gave me whiplash. I read Malafemmena in one sitting and wanted more, more, more. The writer's a genius, or an alchemist, or maybe both.”—Patricia Volk, author of Stuffed and Shocked“Louisa Ermelino is a gorgeous writer and master storyteller. Imagine a cross between Maugham and The Sopranos. She captures the madness, comedy, violence, and superstition of domestic life in NYC’s Little Italy, but also takes us all over the world—Jakarta, India, Turkey—where her characters stumble in and out of heartbreak and trouble. This book is irresistible. I loved it.”—Delia Ephron Louisa Ermelino is the author of three previous novels: Joey Dee Gets Wise (Kensington, 2004), The Black Madonna (Simon & Schuster, reprint, 2013), and The Sisters Mallone (Simon & Schuster, reprint, 2013). She is Vice President and Reviews Director at Publishers Weekly in New York City.

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Renowned composer Alison Connaught is grieving. Her high-profile, Hollywood-based daughter, Ria, has died of an overdose of the OxyContin that Alison had no idea she was taking. Despite the fact that Ria was 27, living thousands of miles away in the US, with a successful acting career, Alison blames herself. What kind of mother doesn’t even know her child is taking opiates? Alison finds that her grief has muted her. She can no longer play or enjoy her music. She has lost her daughter, and now it seems her career as an award-winning composer for some of the biggest names in the industry is over. On top of this her marriage to Ria’s stepfather, Harvey, is suffering. By travelling to the States, meeting Ria’s friends and colleagues, and gaining an insight into the gruelling challenges of Hollywood she begins to form a bridge to both her daughter and her musical muse. She learns that a docu-soap about Ria is in the making. One of Ria’s rivals will be both a producer of the programme and the star. Gradually Alison begins to make music again but this time she is insistent the music will be hers. Her album is released and advertised in the docu-soap’s commercial breaks and the accompanying publicity gives Alison the opportunity to tell her side of the story to the world. There is still one person she needs to speak to and she confronts Joshua - Ria’s inconstant boyfriend – and Alison can finally reconcile her place in Ria’s story. This is a visceral and deeply moving tale of grief and regret. Michelle Shine’s skill as a storyteller brings Alison’s thoughts and actions to life in this stunning novel.

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The three Lebanese writers discussed in this volume -- Kahlil Gibran, Ameen Rihani and Mikhail Naimy -- all emigrated to the USA early in life. There, in the first decades of the twentieth century, together with other Syrian and Lebanese émigrés, they were spurred into writing and setting up all Arabic-language press. The result was what became known as the Syro-American School, a fusion of Eastern sentiment with Western forms and, beyond this, a cultural cross-fertilisation in both directions. All three authors wrote in English as -,yell as Arabic, while Mikhail Naimy also wrote in Russian. Many of their works were directed at specifically Arab affairs, and they also wrote much that was of deliberately universal appeal, including a re-interpretation of traditional Arab spirituality. The best-known example of this was Kahlil Gibran's best-seller "The Prophet". A century on, their words on the need for East and West to come to one another's aid are as salutary as ever. This important book by Professor Aida Imangulieva, an Azeri specialist on Arabic literature, was originally published in Russian during the final years of the Soviet Union. It examines the influences of foreign literary movements, such as Romanticism and Realism, upon the three authors: Gibran and Rihani in the light of English poets like Wordsworth, Byron and Shelley and American writers such as Emerson and Whitman; Naimy through the lens of the Russian Realist tradition, drawing parallels specifically with the work of Belinsky, Tolstoy, Turgenev and the Chekhovian tradition. The book provides an unusual window onto the Arab world's cultural interaction with Europe, America and Russia in the early twentieth century. It also reaches beyond its academic scope and reveals, from the pages of the three authors, universal elements that speak to all people and go beyond cultural frameworks altogether.

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