Search results for ""author lauren"

Since the construction of the first embedded system in the 1960s, embedded systems have continued to spread. They provide a continually increasing number of services and are part of our daily life. The development of these systems is a difficult problem which does not yet have a global solution. Another difficulty is that systems are plunged into the real world, which is not discrete (as is generally understood in computing), but has a richness of behaviors which sometimes hinders the formulation of simplifying assumptions due to their generally autonomous nature and they must face possibly unforeseen situations (incidents, for example), or even situations that lie outside the initial design assumptions. Embedded Systems presents the state of the art of the development of embedded systems and, in particular, concentrates on the modeling and analysis of these systems by looking at “model-driven engineering”, (MDE2): SysML, UML/MARTE and AADL. A case study (based on a pacemaker) is presented which enables the reader to observe how the different aspects of a system are addressed using the different approaches. All three systems are important in that they provide the reader with a global view of their possibilities and demonstrate the contributions of each approach in the different stages of the software lifecycle. Chapters dedicated to analyzing the specification and code generation are also presented. Contents Foreword, Brian R. Larson.Foreword, Dominique Potier.Introduction, Fabrice Kordon, Jérôme Hugues, Agusti Canals and Alain Dohet.Part 1. General Concepts1. Elements for the Design of Embedded Computer Systems, Fabrice Kordon, Jérôme Hugues, Agusti Canals and Alain Dohet.2. Case Study: Pacemaker, Fabrice Kordon, Jérôme Hugues, Agusti Canals and Alain Dohet.Part 2. SysML3. Presentation of SysML Concepts, Jean-Michel Bruel and Pascal Roques.4. Modeling of the Case Study Using SysML, Loïc Fejoz, Philippe Leblanc and Agusti Canals.5. Requirements Analysis, Ludovic Apvrille and Pierre De Saqui-Sannes.Part 3. MARTE6. An Introduction to MARTE Concepts, Sébastien Gérard and François Terrier.7. Case Study Modeling Using MARTE, Jérôme Delatour and Joël Champeau.8. Model-Based Analysis, Frederic Boniol, Philippe Dhaussy, Luka Le Roux and Jean-Charles Roger.9. Model-Based Deployment and Code Generation, Chokri Mraidha, Ansgar Radermacher and Sébastien Gérard.Part 4. AADL10. Presentation of the AADL Concepts, Jérôme Hugues and Xavier Renault.11. Case Study Modeling Using AADL, Etienne Borde.12. Model-Based Analysis, Thomas Robert and Jérôme Hugues.13. Model-Based Code Generation, Laurent Pautet and Béchir Zalila.

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Lieut.-Col. Laurence Austine Waddell (1854–1938) was a British Army officer with an established reputation mainly due to a work on the 'Buddhism' of Tibet, his explorations of the Himalayas, and a biography which included records of the 1903-4 military expedition to Lhasa (Lhasa and its Mysteries). Waddell was also in the limelight due to his acquisition of Tibetan manuscripts which he donated to the British Museum. His overriding interest was in 'Aryan origins'. After learning Sanskrit and Tibetan, and in between military expeditions and gathering intelligence from the borders of Tibet in the Great Game, Waddell researched Lamaïsm. He extended his activities to Archaeology, Philology and Ethnology, and was credited with discoveries in relation to Buddha. His personal ambition was to locate records of ancient civilisation in Tibetan lamaseries. Waddell is little known as an archaeologist and scholar, in contrast with his fame in the Oriental field, due to the controversial nature of his published works dealing with 'Aryan themes'. Waddell studied Sumerian and presented evidence that an Aryan migration fleeing Sargon II carried Sumerian records to India. He interrupted his comparative studies of Sumerian and Indian king-lists to publish a work on Phoenician origins and decipherment of Indus Valley seals, the inscriptions of which he claimed were similar to Sumerian pictogram signs cited from G. A. Barton's plates, which are reproduced in this volume. Waddell's life is reconstructed from primary sources, such as letters from Marc Aurel Stein at the British Museum and Theophilus G Pinches, held in the Special Collections at the University of Glasgow Library. Special attention is paid to the contemporary reception of his theories, with the objective of re-evaluating his contribution; they are contrasted to past and present academic views, in addition to an overview of relevant discoveries in Archaeology.

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Lieut.-Col. Laurence Austine Waddell (1854–1938) was a British Army officer with an established reputation mainly due to a work on the 'Buddhism' of Tibet, his explorations of the Himalayas, and a biography which included records of the 1903-4 military expedition to Lhasa (Lhasa and its Mysteries). Waddell was also in the limelight due to his acquisition of Tibetan manuscripts which he donated to the British Museum. His overriding interest was in 'Aryan origins'. After learning Sanskrit and Tibetan, and in between military expeditions and gathering intelligence from the borders of Tibet in the Great Game, Waddell researched Lamaïsm. He extended his activities to Archaeology, Philology and Ethnology, and was credited with discoveries in relation to Buddha. His personal ambition was to locate records of ancient civilisation in Tibetan lamaseries. Waddell is little known as an archaeologist and scholar, in contrast with his fame in the Oriental field, due to the controversial nature of his published works dealing with 'Aryan themes'. Waddell studied Sumerian and presented evidence that an Aryan migration fleeing Sargon II carried Sumerian records to India. He interrupted his comparative studies of Sumerian and Indian king-lists to publish a work on Phoenician origins and decipherment of Indus Valley seals, the inscriptions of which he claimed were similar to Sumerian pictogram signs cited from G. A. Barton's plates, which are reproduced in this volume. Waddell's life is reconstructed from primary sources, such as letters from Marc Aurel Stein at the British Museum and Theophilus G Pinches, held in the Special Collections at the University of Glasgow Library. Special attention is paid to the contemporary reception of his theories, with the objective of re-evaluating his contribution; they are contrasted to past and present academic views, in addition to an overview of relevant discoveries in Archaeology.

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The long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera—three-time Tony Award–winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom.She was born Dolores Conchita Figueroa del Rivero—until the entertainment world renamed her. But Dolores—the irreverent side of the sensual, dark and ferocious Chita—was always present center stage, and was influential in creating some of Broadway most iconic and acclaimed roles, including Anita in West Side Story‚ the part that made her a star—Rosie in Bye Bye, Birdie, Velma in Chicago, and Aurora in Kiss of the Spider Woman.Written in gratitude to her longstanding fans and with the hope that new generations may learn from her extraordinary experience, Chita takes us behind the curtain to reveal the highs and lows of one extraordinary showbusiness career—the creative fermentation, the ego clashes, the miraculous discoveries, the exhilaration when it all went right, and the disappointment when it all went wrong. Chita invites us into workrooms and rehearsal studies, on stage and on set as she works with some of the greatest talents of the age, including Leonard Bernstein, Arthur Laurents, Stephen Sondheim, Bob Fosse, Jerome Robbins, Hal Prince, Liza Minnelli, Sammy Davis Jr, Gwen Verdon, Shirley MacLaine, and many others. We also learn deeply moving, revelatory details about her upbringing and her heritage, and how they indelibly shaped her work and career.This colorful and entertaining memoir—as vital and captivating as Chita herself—is the unforgettable and engrossing personal story of a performer who blazed her own trail and inspired countless performers to forge their own unique path to success.

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Secret Garden: An Inky Treasure Hunt and Colouring Bookby Johanna Basford is one of the world's bestselling adult colouring books with 96 colouring pages waiting to be brought to life with colour.This interactive colouring book takes you on a ramble through a garden created in beautifully detailed pen–and–ink illustrations by Johanna Basford.There are pictures to colour, mazes to solve, patterns to complete and lots of space for you to add your own inky drawings. Use felt tip pens to add a splash of colour or a black pen with a fine nib to create your own doodles and details.Johanna Basford has sold over 21 million books worldwide. Secret Garden: An Inky Treasure Hunt and Colouring Book was her first book. It has been translated into over 44 languages.'Colouring in isn't just for kids. These intricate, magical drawings from Secret Garden by Johanna Basford are just waiting to be brought to life.' The Guardian'Joanna Basford's Secret Garden is an 'inky treasure hunt and colouring book' filled with intricate drawings waiting to be brought to life. It's the colouring–in book you wish you had the hand–eye coordination to do, aged two.' The Independent'Prepare yourself to get lost in a magical world with this interactive activity book that takes you through a secret garden of incredible drawings by Johanna Basford.' Buzzfeed'Coloring books for adults have been around for decades, but Basford's success…has helped to create a massive new industry category.' The New YorkerAlso available by Johanna Basford from Laurence King Publishing:Enchanted Forest: An Inky Quest and Colouring Book (9781780674872)Secret Garden: Journal (9781856699853)Secret Garden:12 Notecards (9781856699471)Enchanted Forest: Artist’s Edition (9781780677842)Enchanted Forest: Journal (9781780679181)Enchanted Forest: 12 Notecards (9781780677835)

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Encuadernación: Rústica.La superestrella de la música, Noelle Laurent, se niega a grabar la música que sus productores han preparado para su nuevo disco. Incluso está dispuesta a romper su contrato, si es necesario, porque lo único que quiere es una oportunidad de cantar sus propias canciones. Desesperados, los productores acuden a la presidenta de la discográfica, la tiburona empresarial Helena Forsythe, famosa por no dejar títere con cabeza. Noelle está convencida de que la presidenta será la bruja que todos esperan, pero no está preparada para que su formidable presencia y carisma la afecten tanto.Para Helena, el dinero es lo único que importa, así que por qué cambiar un estilo que funciona? Sin embargo, cuando Noelle demuestra una fortaleza y coraje inesperados durante las negociaciones, Helena entiende que tiene que cambiar su estilo habitual de apisonadora si pretende convencerla. Echando mano del encanto en lugar de la fuerza bruta, los inesperados sentimientos que le des

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Se reúne aquí los escritos de los viajes de Vernon Lee por Alemania, Italia, Francia y Suiza en busca del espíritu del lugar. Pese a que su infancia estuvo repartida en períodos de seis meses entre esos cuatro países, Vernon Lee cuenta cómo su familia no viajaba, sino que simplemente se trasladaba entre domicilios evitando cualquier actividad turística. La consecuencia fue que su pasión viajera no nació de visitar distintos lugares sino de la fascinación infantil producida por lecturas y conversaciones. La escritora regresa a los lugares habitados o imaginados en su infancia, adentrándose por el Rin hasta el corazón de Alemania, por las carreteras italianas hasta Portofino, en tren por Francia hasta Montreuil, y por los Alpes hasta Berna. La experiencia viajera, casi siempre acompañada de alguna amiga, se enriquece con el acervo estético y cultural de la autora sobre leyendas, lecturas y personajes literarios que llegan hasta el Viaje sentimental de Laurence Sterne. Vernon Lee no prete

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An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher’s work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher’s Calling, Michael D. Torre provides an erudite and helpful introduction to Simon’s life and thought. The volume contains selected key texts from all of Simon’s twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon’s work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon’s last and most important essays: on sensitive knowledge and on the analogous nature of “act.” It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book’s contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.

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A quirky collection of true stories from the weird and wonderful world of Shakespearean theatre, featuring distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole. A fascinating playbill of stories from the weird and wonderful world of Shakespearean theatre through the centuries, including distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole. Discover a wealth of Shakespearean shenanigans over the years, including the terrible behaviour of the groundlings at Shakespeare's Globe, how the 'rude mechanicals' in A Midsummer Night's Dream got recast as a bunch of ladies from the WI, and how Dame Maggie Smith got even with Sir Laurence Olivier. Published to coincide with the 400th anniversary of Shakespeare’s death, this treasury of curious tales is a must-read for all Shakespeare lovers and theatre fans. Word count: 45,000

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Within the pages of Allie Esiri's gorgeous poetry collection, A Poem for Every Autumn Day you will find verse that will transport you to vibrant autumnal scenes, from harvest festival to Remembrance Day.The poems are selected from Allie Esiri’s bestselling poetry anthologies A Poem for Every Day of the Year and A Poem for Every Night of the Year.Perfect for reading aloud and sharing with all the family, this book dazzles with an array of familiar favourites and remarkable new discoveries. These seasonal poems – together with introductory paragraphs – have a link to the date on which they appear.Includes poems by Robert Louis Stevenson, John Betjeman, Amy Lowell, Paul Laurence Dunbar, William Shakespeare and Christina Rossetti who sit alongside Seamus Heaney, John Agard, Simon Armitage, Patience Agbabi and Imtiaz Dharker.This soul-enhancing book will keep you company for every day of Autumn. Enjoy more seasonal poetry collections with A Poem for Every Summer Day and A Poem for Every Winter Day.

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix – starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young and more! What rises . . . must fall.Two brothersOne Good.One Evil.In exchange for power and immortality, they watch over the Endless Woods and rule the School for Good and Evil.Yet all School Masters must face a test.Theirs is loyalty.But what happens when loyalty is corrupted? When the bonds of blood are broken?Who will survive? Who will die? And what will become of the school and its students?The journey that started a hundred years ago throttles towards its end. This final chapter in the duology that began with the RISE OF THE SCHOOL FOR GOOD AND EVIL brings the tale of the twin School Masters to the brink of war and a shocking conclusion that will change the course of the school forever.

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Each card in the infinite maze is its own unique world: find the characters who have got lost from each world and help them journey their way through the maze back home! Climb ladders, avoid obstacles and pick up items on your way as you race to complete the Infinite Maze: there are endless ways to play, but there is only ever one correct solution.INFINITE POSSIBILITIES: The 20 maze cards can be put together in any order, in over two trillion different combinations, but there is only ever one correct solution!MULTIPLE WAYS TO PLAY: use the cards to tell stories, compete against one another or build one long, continuous maze stretching up to 170cm (67in) wide.AWARD-WINNING ILLUSTRATION selected for a Silver Sword at the KTR Awards.DRY-ERASE PEN INCLUDED so you can play time and time again.LAURENCE KING has been capturing imaginations and inspiring creativity in new and unexpected ways for over 30 years, with playful and eye-catching games, gifts and books.

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This beautiful book presents poems for hopefulness and happiness, with bright, uplifting illustrations from rising star Carolyn Gavin. This book of joyous and uplifting verse is a welcome beacon of hope and happiness in difficult and challenging times, collected together with beautiful illustrations and context for each poem. We all have days when we find ourselves in need of some positivity. In difficult times, the words of others can lift us up. Bright, joyful art to inspire hopefulness is combined with carefully curated poems, chosen to lift the spirits through the healing power of words. The book is divided into eight sections on the themes of hope, resilience & courage, joy, nature & escape, love, tranquillity, gratitude and comfort. Featuring a diverse range of writers from Oscar Wilde to Emily Dickinson, Robert Louis Stevenson to Maya Angelou, William Blake to Warsan Shire, the selections are accompanied by explanations and illuminating context that reinforce the positive mental health message. Combining uplifting lines of verse and joyful illustrations, this unique book provides a much-needed dose of hopefulness and happiness in turbulent times, whether as a thoughtful gift for someone in need of solace or a resource that can be turned to whenever we need to. Featuring: Carol Ann Duffy • Percy Bysshe Shelley • Maya Angelou • Emily Dickinson • Kahlil Gibran • Claude McKay • Langston Hughes • William Wordsworth • Emanuel Carnevali • James Weldon Johnson • Anne Sexton • William Ernest Henley • Siegfried Sassoon • David Wright • Ella Wheeler Wilcox • John Greenleaf Whittier • Ada Limón • Denise Levertov • William Blake • Edna St. Vincent Millay • Oscar Wilde • Rachel Field • John Gillespie Magee Jr. • Armand Garnet Ruffo • Robert Louis Stevenson • Ursula Bethell • John Donne • Paul Laurence Dunbar • Warsan Shire • Naomi Replansky • William Butler Yeats • Toru Dutt • William Cullen Bryant • E. Pauline Johnson • Lady Mary Wortley Montagu • Alfred, Lord Tennyson • Raymond Carver • Katherine Mansfield • Issa • W.S. Merwin • John Tobias • Ross Gay • Sara Teasdale • Elizabeth Barrett Browning • William Shakespeare • Tim Bowling • Mary Oliver • Christina Rossetti

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The final story in the delightful HOTEL FLAMINGO series, featuring the adventures of Anna and her array of animal friends!On Animal Boulevard the snow is finally melting after a long, quiet winter and Hotel Flamingo is ready to embrace the new season and new guests. Anna knows she needs to come up with a plan to get the hotel buzzing again! And what does Hotel Flamingo have that no one else has? One of the best chefs in town - Madame Le Pig!In a stroke of inspiration Anna decides that the hotel will put on a Battle of the Chefs. Madame Le Pig will go head to head with prestigious Animal Boulevard chefs Peston Crumbletart and Laurence Toot-Toot in a thrilling live cooking show - and there will be an accompanying feast for all who attend. But as ever Anna has a lot to contend with - not just grumpy, demanding chefs but a host of new guests with ever-changing needs, from Simon Suckerlot the flamboyant octopus to Alfonso Fastbeak the stunt pigeon. And when taking centre stage proves harder than expected for Madame Le Pig, the whole team must pull together to buoy her up and pull off the most Fabulous Feast that Hotel Flamingo has ever seen.If you love Hotel Flamingo, try BIG SKY MOUNTAIN, the newest series of animal adventures from Alex Milway!PRAISE FOR HOTEL FLAMINGO'Crammed full of characterful animal illustrations with accents of zinging pink, this flamboyant early chapter book is a splendid, unpreachy testament to the power of hard work' - The Guardian'Truly heartwarming and uplifting' - Philip Ardagh'Bursting with charm, friendship and fabulous characters!' - Laura Ellen Anderson

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Social capital is fundamentally concerned with resources in social relations. This Handbook brings together leading scholars from around the world to address important questions on the determinants, manifestations and consequences of social capital. Various mechanisms of formal and informal social involvement, its relationship with other forms of social exclusion and its role in civic, instrumental and expressive domains of our socio-economic and community lives are explored. This unique Handbook:* combines cutting-edge theory with appropriate data and methods* explores the mechanisms of formal and informal social involvement including the role of parental class and cultural influence, and the consequences for our personal and community lives* links social capital with other domains of social inequality such as cultural practice and philanthropic behaviour in an in-depth examination of the social stratification processes* conducts a thorough analysis of formal and informal social involvement, and bonding and bridging social ties on trust, tolerance, community cohesion, educational attainment, labour market position, quality of life and ethnic entrepreneurism* analyzes social capital as both an outcome and as a mediating variable at the micro, meso and macro levels.Accessible yet rigorous, this Handbook presents a challenge to both social capital researchers interested in explaining social inequality and to policy-makers with responsibility for designing effective measures for combating social exclusion. It will also be essential reading for students in sociology, political science, developmental economics and management studies.Contributors: N. Allum, R. Andersen, L. Bécares, Y. Bian, F. Buscha, C. Cheng, R.R. Côté, D. Cutts, N. Demireva, F. Devine, J.K. Dhillon, L. Donato, B.H. Erickson, J. Fiel, J. Field, E. Fieldhouse, A. Gamoran, A. García-Macías, D. Griffiths, A. Heath, X. Huang, P.S. Lambert, J. Laurence, Y. Li, M. Lubbers, J.L. Molina, J. Nazroo, J. Pampalona, R. Patulny, J. Rodríguez Menés, M. Savage, M. Shoji, P. Sturgis, E.M. Uslaner, H. Valenzuela-García, P.-P. Verhaeghe, W. Wang, A. Warde, M. Western, L. Zhang, L. Zhang, W. Zhang

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Social capital is fundamentally concerned with resources in social relations. This Handbook brings together leading scholars from around the world to address important questions on the determinants, manifestations and consequences of social capital. Various mechanisms of formal and informal social involvement, its relationship with other forms of social exclusion and its role in civic, instrumental and expressive domains of our socio-economic and community lives are explored. This unique Handbook:* combines cutting-edge theory with appropriate data and methods* explores the mechanisms of formal and informal social involvement including the role of parental class and cultural influence, and the consequences for our personal and community lives* links social capital with other domains of social inequality such as cultural practice and philanthropic behaviour in an in-depth examination of the social stratification processes* conducts a thorough analysis of formal and informal social involvement, and bonding and bridging social ties on trust, tolerance, community cohesion, educational attainment, labour market position, quality of life and ethnic entrepreneurism* analyzes social capital as both an outcome and as a mediating variable at the micro, meso and macro levels.Accessible yet rigorous, this Handbook presents a challenge to both social capital researchers interested in explaining social inequality and to policy-makers with responsibility for designing effective measures for combating social exclusion. It will also be essential reading for students in sociology, political science, developmental economics and management studies.Contributors: N. Allum, R. Andersen, L. Bécares, Y. Bian, F. Buscha, C. Cheng, R.R. Côté, D. Cutts, N. Demireva, F. Devine, J.K. Dhillon, L. Donato, B.H. Erickson, J. Fiel, J. Field, E. Fieldhouse, A. Gamoran, A. García-Macías, D. Griffiths, A. Heath, X. Huang, P.S. Lambert, J. Laurence, Y. Li, M. Lubbers, J.L. Molina, J. Nazroo, J. Pampalona, R. Patulny, J. Rodríguez Menés, M. Savage, M. Shoji, P. Sturgis, E.M. Uslaner, H. Valenzuela-García, P.-P. Verhaeghe, W. Wang, A. Warde, M. Western, L. Zhang, L. Zhang, W. Zhang

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A literary and cultural history of the intimate space of the eighteenth-century closet—and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In The Closet, Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print.Focused on the connections between status-conscious—and often awkward—interpersonal dynamics and an increasingly inclusive social and media landscape, The Closet examines dozens of historical and fictional encounters taking place in the various iterations of this room: courtly closets, bathing closets, prayer closets, privies, and the "moving closet" of the coach, among many others. In the process, the book conjures the intimate lives of well-known figures such as Samuel Pepys and Laurence Sterne, as well as less familiar ones such as Miss Hobart, a maid of honor at the Restoration court, and Lady Anne Acheson, Swift's patroness. Turning finally to queer theory, The Closet discovers uncanny echoes of the eighteenth-century language of the closet in twenty-first-century coming-out narratives.Featuring more than thirty illustrations, The Closet offers a richly detailed and compelling account of an eighteenth-century setting and symbol of intimacy that continues to resonate today.

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An in-depth look at the influence of the Grateful Dead and hippie culture on contemporary fashion and street style by GQ’s style-in-the-wild correspondent and fashion expert Since the formation of Dead & Company, a new breed of Deadhead has emerged: someone who appreciates stylish streetwear as much as tie-dye. Dead Style is a book that shows the influence of the Grateful Dead and hippie culture on the current world of fashion. Tie-dyed pieces from designer labels like Louis Vuitton, Off-White, Saint Laurent, Balenciaga, Missoni, and Burberry have dominated runway looks. Vintage Grateful Dead shirts are fetching hundreds of dollars online (on fashion auction sites and via Instagram sellers alike) and in stores. This book, visually driven and heavily captioned, is a look book for current Deadhead culture. Dead Style is a surprising, provocative, engaging, and fun work, a Grateful Dead book for a new generation.

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As 1954 Vietnam roils from its conflict with the French interlopers, American photographer Coty Fine leaves Hanoi in a rush on the flatbed of a truck. Also on the truck is a French priest, Laurent Sabatier—a man who will forever change the course of Coty’s life.Six decades later, Coty struggles to repair the frayed bond between Jette, her often-absent, widowed daughter, and Evelyn, her only grandchild. Evelyn, at the behest of her grandmother, travels to Vietnam to locate a nun, Sister Lan, whom Coty has never met yet has been haunted by for many years. Evelyn persuades Sister Lan to return with her to San Francisco to meet Coty, even as Coty invites Matheo Aubert, a visiting priest from Gabon, to move into her home as a guest during his reluctant sabbatical. The two clerics are central—albeit unwitting—players in Coty’s scheme to heal the rift in her family, and her own wounds from the past. But if she is going to succeed in her quest, she must secure Jette’s long-withheld permission to share a revelatory photograph—one that promises to change everything—with Evelyn. And Coty’s daughter, like she, is one stubborn woman.

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“I treat the boy down at the post office like the president of Russia, and the president of Russia like the boy down at the post office.” (David Bailey) Eye presents a selection of Bailey’s photographs spanning from 1962 to 2008. Mostly black-and-white, some in color, they feature influential directors, artists, fashion designers and musicians, including Andy Warhol, Henri Cartier-Bresson, Yves Saint Laurent, John Huston and Ellsworth Kelly. Despite the broad cross-section of subjects and the different creative spheres they inhabit, Bailey approaches them all with the same, egalitarian attitude – each is as important, or unimportant, as the next. This approach, often expressed by Bailey’s lack of props and minimal lighting, enables the photographer to tease from his subjects traits which often absent from more formal portraits – the warm benevolence of I.M. Pei for example, the exuberance of John Galliano, or the brooding look of Jean-Michel Basquiat. Crowned with cover art by Damien Hirst, Bailey’s Eye reveals unexpected facets of the creative minds who have defined and in many cases continue to shape the culture in which we live.

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Handkerchief, pochette, fazelleto, pañuelo, mouchoir de poche, tenugui, hankachi or hank. They all mean one thing. A small innocent square of fabric. Place one in a jacket pocket however, and it transforms into a pocket square. A gentleman’s boldest accessory, it adds the final flourish and character to any wardrobe and is a stylish alternative to the tie when a gentleman needs to look sharp. When, where and how should a gentleman wear the perfect pocket square? The guide features 22 pocket square folds, for linen, cotton and silk, from the simple and elegant ‘Presidential’ to the complex and flamboyant ‘Bouquet’ fold. As well as brief written descriptions and advice on when to wear each style, each fold is also accompanied by easy-to-follow diagrams and bold colour illustrations of how to wear one’s pocket square with style. Names synonymous with elegant and distinctive style from every decade – Cary Grant, Oscar Wilde, the Duke of Windsor, Fred Astaire, JFK and Yves Saint Laurent – provide style inspiration. The Pocket Square is the essential gift for the fashion-conscious gentleman wishing to experiment with the endless possibilties of this precious piece of fabric and turn it into the ultimate signature of their style.

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Celebrating one of the world’s greatest couture houses, this gorgeous book combines Christian Dior’s classics with the newest creations. Christian Dior achieved immortality with his first collection in 1947. His ‘New Look’ amazed the world as it emerged after wartime austerity, and reset the boundaries of modern elegance. Dior’s search for the perfect line and the ideal silhouette has been celebrated by couturiers of the first rank: Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri have all made their distinctive contribution. This book honours Dior’s influence by celebrating the elements of style for every generation since 1947, through inspired pairings of classic and contemporary photographs. Six thematic chapters express outstanding Dior characteristics, including the silhouette, the evening gown and the eternal muse - in short, the aspects of the House that lend it unique distinction both then and now. The most beautiful fashion plates from Dior’s own time sit beside examples of the house’s creations through the decades. The resonance between classic archive photographs and the latest most up-to-date frames is clear and compelling.

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'Heir to Christie' Daily Mail'Clever, classy and captivating' CHRIS WHITAKER_______________________________One happy couple.Two divided families.A wedding party to die for.On the private island of Castello Fiore - surrounded by the glittering waters of Lake Garda - the illustrious Heywood family gathers for their son Laurence's wedding to Italian influencer Eva Bianchi.But as the ceremony begins, a blood-curdling scream brings the proceedings to a devastating halt.With the wedding guests trapped as they await the police, old secrets come to light and family rivalries threaten to bubble over.Everyone is desperate to know . . .Who is the killer? And can they be found before they strike again?________________________________________PRAISE FOR TOM HINDLE'A new heir to Agatha Christie . . . classic crime for the 21st century' Ragnar Jónasson'This is riveting stuff, breathing new life into the traditional locked-room mystery. Hindle puts a 21st century spin on a Golden Age tale that's both captivating and cunning' Sun'Tricksy, expertly plotted and kept me guessing till the end' Adam Simcox'Twist after gut-punching twist' M. W. Craven'Dazzling' Crime MonthlyMurder on Lake Garda was a no. 8 Sunday Times bestseller 04/02/24

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Now a major Netflix film starring Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young, and many more! The first in the New York Times bestselling School for Good and Evil series. A dark and enchanting fantasy adventure perfect for those who prefer their fairy tales with a twist. Two best friends have been chosen to be students at the fabled School for Good and Evil, where ordinary boys and girls are trained to be fairy-tale heroes and villains. One will train for Good, one will become Evil’s new hope. Each thinks they know where they belong, but when they are swept into the Endless Woods, they’re switched into the opposite schools. Together they’ll discover who they really are and what they are capable of. . . because the only way out of a fairy tale is to live through it. Features cover artwork from Netflix’s The School for Good and Evil film and includes Soman Chainani’s exclusive on-set movie diary!

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'Heir to Christie' Daily Mail'Clever, classy and captivating' CHRIS WHITAKER_______________________________One happy couple.Two divided families.A wedding party to die for.On the private island of Castello Fiore - surrounded by the glittering waters of Lake Garda - the illustrious Heywood family gathers for their son Laurence's wedding to Italian influencer Eva Bianchi.But as the ceremony begins, a blood-curdling scream brings the proceedings to a devastating halt.With the wedding guests trapped as they await the police, old secrets come to light and family rivalries threaten to bubble over.Everyone is desperate to know . . .Who is the killer? And can they be found before they strike again?________________________________________PRAISE FOR TOM HINDLE'A new heir to Agatha Christie . . . classic crime for the 21st century' Ragnar Jónasson'This is riveting stuff, breathing new life into the traditional locked-room mystery. Hindle puts a 21st century spin on a Golden Age tale that's both captivating and cunning' Sun'Tricksy, expertly plotted and kept me guessing till the end' Adam Simcox'Twist after gut-punching twist' M. W. Craven'Dazzling' Crime MonthlyMurder on Lake Garda was a no. 8 Sunday Times bestseller 04/02/24

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Great Plains Literature is an exploration of influential literature of the Plains region in both the United States and Canada. It reflects the destruction of the culture of the first people who lived there, the attempts of settlers to conquer the land, and the tragic losses and successes of settlement that are still shaping our modern world of environmental threat, ethnic and racial hostilities, declining rural communities, and growing urban populations. In addition to featuring writers such as Ole Edvart Rölvaag, Willa Cather, and John Neihardt, who address the epic stories of the past, Great Plains Literature also includes contemporary writers such as Louis Erdrich, Kent Haruf, Ted Kooser, Rilla Askew, N. Scott Momaday, and Margaret Laurence. This literature encompasses a history of courage and violence, aggrandizement and aggression, triumph and terror. It can help readers understand better how today’s threats to the environment, clashes with Native people, struggling small towns, and rural migration to the cities reflect the same forces that were important in the past.

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In 1933, Virginia Woolf wrote a biography of the poet Elisabeth Barret Browning, told in the first person by her cocker spaniel, Flush. In 1936, to write her memoirs, All the dogs of my life, Elisabeth von Arnim chose to tell the story of the 14 dogs that had accompanied her throughout her life. In 1957, the dachshund Lump arrived at the home of Pablo Picasso, whose life he shared until 1973. This book charts Picasso''s intimate family life, with Jacqueline, Claude and Paloma, and with the animals that populate the villa La Californie, as well as his artistic life. Inspired by these references, this collection (whose title is a nod to Picasso and Lump) takes a look at the lives and works of the great artists and art lovers of the 20th and 21st centuries from the perspective of their relationship with the dogs of their lives. These lighthearted, erudite books offer a unique approach to the life and work of Pablo Picasso, Andy Warhol, Peggy Guggenheim and Yves Saint Laurent..

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While young children's rights have received considerable attention and have accordingly advanced over the past two decades, the rights of adolescents have been neglected. This manifests itself in pervasive gender-based violence, widespread youth disaffection and unemployment, concerning levels of self-abuse, violence and antisocial engagement, and serious mental and physical health deficits. The cost of inaction on these issues is likely to be dramatic in terms of human suffering, lost social and economic opportunities, and threats to global peace and security. Across the range of disciplines that make up contemporary human rights, from law and social advocacy to global health, history, economics, sociology, politics, and psychology, it is time, the contributors of this volume contend, for adolescent rights to occupy a coherent place of their own. Human Rights and Adolescence presents a multifaceted inquiry into the global circumstances of adolescents, focusing on the human rights challenges and socioeconomic obstacles young adults face. Contributors use new research to advance feasible solutions and timely recommendations for a wide range of issues spanning all continents, from relevant international legal norms to neuropsychological adolescent brain development, gender discrimination in Indian education to Colombian child soldier recruitment, stigmatization of Roma youth in Europe to economic disempowerment of Middle Eastern and South African adolescents. Taken together, the research emphasizes the importance of dedicated attention to adolescence as a distinctive and critical phase of development between childhood and adulthood and outlines the task of building on the potential of adolescents while providing support for the challenges they experience. Contributors: Theresa S. Betancourt, Jacqueline Bhabha, Krishna Bose, Neera Burra, Malcolm Bush, Jocelyn DeJong, Elizabeth Gibbons, Katrina Hann, Mary Kawar, Orla Kelly, David Mark, Margareta Matache, Clea McNeely, Glaudine Mtshali, Katie Naeve, Elizabeth A. Newnham, Victor Pineda, Irene Rizzini, Elena Rozzi, Christian Salazar Volkmann, Shantha Sinha, Laurence Steinberg, Kerry Thompson, Jean Zermatten, Moses Zombo.

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A literary and cultural history of the intimate space of the eighteenth-century closet—and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In The Closet, Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print.Focused on the connections between status-conscious—and often awkward—interpersonal dynamics and an increasingly inclusive social and media landscape, The Closet examines dozens of historical and fictional encounters taking place in the various iterations of this room: courtly closets, bathing closets, prayer closets, privies, and the "moving closet" of the coach, among many others. In the process, the book conjures the intimate lives of well-known figures such as Samuel Pepys and Laurence Sterne, as well as less familiar ones such as Miss Hobart, a maid of honor at the Restoration court, and Lady Anne Acheson, Swift's patroness. Turning finally to queer theory, The Closet discovers uncanny echoes of the eighteenth-century language of the closet in twenty-first-century coming-out narratives.Featuring more than thirty illustrations, The Closet offers a richly detailed and compelling account of an eighteenth-century setting and symbol of intimacy that continues to resonate today.

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Original catalogue to the Paris exhibition and a core part of the blockbuster retrospective at the V&A. It was in 1947 that Christian Dior presented his first collection and heralded the birth of a new fashion silhouette for women. After the austerity of the war years, the cinched waistlines, full skirts and soft shoulders of the New Look came to embody a revival of Parisian luxury. Paris regained its place as the global capital of fashion and the name of Dior became a synonym for haute couture. For this book, published to mark the 70th anniversary of the House of Dior, seventy of the most memorable looks created Christian Dior and his successors – Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri – have been specially selected and photographed in fascinating detail. These wonderful designs are also featured in sketches, runway shots and fashion shoots by the world’s greatest fashion photographers, including Irving Penn, Richard Avedon, Cecil Beaton, William Klein, Helmut Newton, Patrick Demarchelier, Paolo Roversi, Peter Lindbergh, Mario Testino and Nick Knight. The seventy 'looks' are prefaced by essays from Olivier Gabet, Jérôme Gautier, Patrick Mauriès and Florence Müller. Recurring themes from the history of Dior are discussed in depth: the concept of line and architecture in fashion; the influence of history and art (the Palace of Versailles, the Empire style, Impressionism, the Belle Époque, the Ballets Russes, Picasso, Dalí, Pollock); the use of colour; the influence of gardens and landscapes as sources of inspiration; and, of course, the brand’s muses and famous clients: the Duchess of Windsor, Marlene Dietrich, Princess Grace of Monaco, Marilyn Monroe, Elizabeth Taylor, Isabelle Adjani, Princess Diana, Marion Cotillard, Charlize Theron, Natalie Portman, Jennifer Lawrence and more.

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Hours after the collapse of the Twin Towers, the idea that the September 11 attacks had “changed everything” permeated American popular and political discussion. In the period since then, the events of September 11 have been used to justify profound changes in U.S. public policy and foreign relations. Bringing together leading scholars of history, law, literature, and Islam, September 11 in History asks whether the attacks and their aftermath truly marked a transition in U.S. and world history or whether they are best understood in the context of pre-existing historical trajectories. From a variety of perspectives, the contributors to this collection scrutinize claims about September 11, in terms of both their historical validity and their consequences. Essays range from an analysis of terms like “ground zero,” “homeland,” and “the axis of evil” to an argument that the U.S. naval base at Guantánamo Bay has become a site for acting out a repressed imperial history. Examining the effect of the attacks on Islamic self-identity, one contributor argues that Osama bin Laden enacted an interpretation of Islam on September 11 and asserts that progressive Muslims must respond to it. Other essays focus on the deployment of Orientalist tropes in categorizations of those who “look Middle Eastern,” the blurring of domestic and international law evident in a number of legal developments including the use of military tribunals to prosecute suspected terrorists, and the justifications for and consequences of American unilateralism. This collection ultimately reveals that everything did not change on September 11, 2001, but that some foundations of democratic legitimacy have been significantly eroded by claims that it did.ContributorsKhaled Abou el FadlMary L. DudziakChristopher L. EisgruberLaurence R. HelferSherman A. JacksonAmy B. KaplanElaine Tyler MayLawrence G. SagerRuti G. TeitelLeti VolppMarilyn B. Young

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From the dagger mistress Ezili Je Wouj and the gender-bending mermaid Lasiren to the beautiful femme queen Ezili Freda, the Ezili pantheon of Vodoun spirits represents the divine forces of love, sexuality, prosperity, pleasure, maternity, creativity, and fertility. And just as Ezili appears in different guises and characters, so too does Omise’eke Natasha Tinsley in her voice- and genre-shifting, exploratory book Ezili's Mirrors. Drawing on her background as a literary critic as well as her quest to learn the lessons of her spiritual ancestors, Tinsley theorizes black Atlantic sexuality by tracing how contemporary queer Caribbean and African American writers and performers evoke Ezili. Tinsley shows how Ezili is manifest in the work and personal lives of singers Whitney Houston and Azealia Banks, novelists Nalo Hopkinson and Ana Lara, performers MilDred Gerestant and Sharon Bridgforth, and filmmakers Anne Lescot and Laurence Magloire—none of whom identify as Vodou practitioners. In so doing, Tinsley offers a model of queer black feminist theory that creates new possibilities for decolonizing queer studies.

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From the dagger mistress Ezili Je Wouj and the gender-bending mermaid Lasiren to the beautiful femme queen Ezili Freda, the Ezili pantheon of Vodoun spirits represents the divine forces of love, sexuality, prosperity, pleasure, maternity, creativity, and fertility. And just as Ezili appears in different guises and characters, so too does Omise’eke Natasha Tinsley in her voice- and genre-shifting, exploratory book Ezili's Mirrors. Drawing on her background as a literary critic as well as her quest to learn the lessons of her spiritual ancestors, Tinsley theorizes black Atlantic sexuality by tracing how contemporary queer Caribbean and African American writers and performers evoke Ezili. Tinsley shows how Ezili is manifest in the work and personal lives of singers Whitney Houston and Azealia Banks, novelists Nalo Hopkinson and Ana Lara, performers MilDred Gerestant and Sharon Bridgforth, and filmmakers Anne Lescot and Laurence Magloire—none of whom identify as Vodou practitioners. In so doing, Tinsley offers a model of queer black feminist theory that creates new possibilities for decolonizing queer studies.

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In this revisionary study of Ezra Pound's poetics, Scott Hamilton exposes the extent of the modernist poet's debt to the French romantic and symbolist traditions. Whereas previous critics have focused on a single influence, Hamilton explores a broad spectrum of French poets, including Thophile Gautier, Tristan Corbire, Jules Laforgue, Remy de Gourmont, Henri de Rgnier, Jules Romains, Laurent Tailhade, Paul Verlaine, and Stphane Mallarm. This exploration of Pound's canon demonstrates his logic in borrowing from the French tradition as well as a paradoxical circularity to his poetic development. Hamilton begins by explaining how Pound read Gautier's poetry as an example of Parnassianism and of the "satirical realism" of Flaubert and the modern novelistic tradition. He reveals, however, a crucial blind spot in Pound's poetic vision that facilitated his return to precisely those romantic and proto-symbolist elements in Gautier that were celebrated by Baudelaire and Mallarm, and that Pound, as a modern poet, felt obliged to repress. Arguing that Pound's response to symbolism was not specifically modernist, Hamilton shows how his dual attraction to the lyric and prose traditions, to symbolism and realism, and to the visionary and the historical helps us better to understand our own post-modern sensibility. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Poet, travel writer, teacher, film-extra in Laurence Olivier’s Hamlet, quiz-show panellist -Kildare Dobbs has played many parts, been many places, met many people. His life’s journey, marked by frequent detours and diversions, from Asia to old Europe, Africa and the New World, is that of the quintessential post-colonial Western man at large. In Running the Rapids Dobbs becomes voyageur. He takes us from a lamp-lit, big house childhood in 1930s Kilkenny, to college days at Cambridge in thrall to Carl Jung and Wilhelm Reich, to commando training and naval service protecting Allied convoys from U-boat attack during World War II. Then began his time from 1948 to 1952 as district officer in Tanganyika, where he learnt Swahili beneath the ‘immense, unearthly bulk’ of Kilimanjaro and was falsely imprisoned for ivory theft. He then moved to Canada to work at Macmillan publishers, co-founding The Tamarack Review and becoming managing editor of Saturday Night magazine from 1965 to 1967. During the seventies he was both columnist and books editor of the Toronto Star. He recounts his friendships with writers Brian Moore, Richard Wright and Mordecai Richler, and with Ronald Searle, Marshall McLuhan and Wilfred Thesiger, among others. And nothing if not uxorious, this modern-day troubadour enters the lists of time and again throughout the narrative, finding his peace the third time around. Dobbs’s self-portrait vividly evokes the world of a restless man of letters, Rousseauesque in its foibles and candour, Johnsonianly pungent in its observations, Shandean in its sense of the absurd. ‘In memory and imagination’, he writes, ‘there is no time: all is simultaneous.’ This poignant and delightful chronicle sets out to reinforce that perception.

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Diana Vreeland has been called the fashion editor of the twentieth century. An epic self-mythologizer, she had an incredible aura of glamour, a great eye, and a genius for life. Diana Vreeland reveals the growth of her professional prowess and gives an account of her personal history, at the same time as it brings to life Mrs. Vreeland's pizzazz, humour, and flamboyant personality. A dynamic cast of characters accompanies Diana Vreeland's story. There are more than 300 illustrations, photographs, and drawings, many by the best fashion photographers of her time such as Louise Dahl Wolfe, Irving Penn, Cecil Beaton, and Brassai. Through her work Diana knew Coco Chanel, Elsa Schiaparelli, Yves Saint Laurent, Hubert de Givenchy and Oscar de la Renta. In the seventies a new wave of young talent came into her life - Andy Warhol, Fred Hughes, Mick and Bianca Jagger. She was friendly with Truman Capote, taught Jacqueline Kennedy Onassis how to dress for her role as First Lady, and was interviewed for her autobiography by George Plimpton. The fashion editor of Harper's Bazaar from 1937 to 1962, Diana Vreeland first shook things up with her Why Don't You column. Later, as the editor in chief of Vogue from 1962 to 1971, Diana Vreeland became famous for her startling style - sheathing women in jungle print underwear, wrapping their heads with leopard scarves. She operated out of her red lacquered office with a leopard-print rug, smoked continually, and lunched on peanut butter and jelly and a shot of scotch. At the height of her power, she was fired from Vogue, and replaced by an editor who had worked under her. In 1972, Diana returned to center stage for the final act of her life at the Metropolitan Museum of Art's Costume Institute as its Special Consultant, a job she invented. She masterminded costume extravaganzas and contributed to the new age of blockbuster exhibitions in which museum attendance soared and people poured into the galleries as never before.

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Born in 1916, after learning to fly as a civilian, Ian Richard Gleed was granted a RAF commission in 1936. He completed training on Christmas Day that year, being posted to 46 Squadron which was equipped with the Gloster Gauntlet. Through much of his RAF service the diminutive Gleed was known as Widge', short for Wizard Midget' on account of his excessive use of the word wizard' to describe something topper', and his short stature. Rising from Flight to Squadron Commander in short order, and later taking over the Ibsley Spitfire Wing in 1941, Gleed was enormously popular with his peers. Indeed, Wing Commander Bunny' Currant once described Gleed as a pocket-sized man with care for others and courage beyond compare'. Having been decorated with the coveted double' of both DSO and DFC, Wing Commander Gleed went out to lead a wing in Tunisia. It was there that he was shot down and killed on 16 April 1943. By this time, he had achieved the status of being a fighter Ace, having been credited with the destruction of thirteen enemy aircraft. The previous year, Gleed's wartime memoir, Arise to Conquer, was published by Victor Gollancz. Eloquently written and detailed, this book is a superb first-hand account of one man's life and times as a fighter pilot - mainly flying the Hawker Hurricane - during the Fall of France, the Battle of Britain and beyond into the night Blitz. Reprinted here in its entirety, and extensively introduced by the renowned aviation historian Dilip Sarkar MBE, FRHistS, this edition of Arise to Conquer is supported by a remarkable set of wartime images. Among Gleed's Hurricane pilots on 87 Squadron during the Battle of Britain and beyond was Sergeant Laurence Rubber' Thorogood, a keen photographer who is often mentioned in this book. Along with his Commanding Officer's words, Rubber's unique personal photograph album, containing as it does a number of images of Gleed, provides a rare glimpse of a fighter squadron at war during our Darkest - yet Finest - Hour.

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In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

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'Levy portrays a tech company where no one is taking responsibility for what it has unleashed' Financial Times'This fascinating book reveals the imperial ambitions of Facebook's founder' James Marriott, Sunday Times'The inside story of how Facebook went from idealism to scandal' Laurence Dodds, TelegraphToday, Facebook is nearly unrecognizable from the simple website Zuckerberg's first built from his dorm room in his Sophomore year. It has grown into a tech giant, the largest social media platform and one of the biggest companies in the world, with a valuation of more than $576 billion and almost 3 billion users. There is no denying the power and omnipresence of Facebook in daily life. And in light of recent controversies surrounding election-influencing fake news accounts, the handling of its users' personal data and growing discontent with the actions of its founder and CEO, never has the company been more central to the national conversation. Based on years of exclusive reporting and interviews with Facebook's key executives and employees, including Mark Zuckerberg and Sheryl Sandberg, Steven Levy's sweeping narrative digs deep into the whole story of the company that has changed the world and reaped the consequences.

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This intoxicating and visually rich volume with texts by experts from India, Europe, and North America is published to accompany a major exhibition that celebrates the long historical contributions that Indian dress, textiles, and embroidery have had on Western fashion. From the introduction of chintz dressmaking fabrics in the eighteenth century to the early nineteenth-century vogue for light Indian fabrics, paisleys, and chikan embroideries to larger realities of empire and cultural appropriation, this volume features paintings, fashion magazine editorials, and portraits of influential people who championed Indian style throughout history. Traditional hues of brilliant royal blue, marigold, and fuchsia; intricate ikat and calico patterns; and sumptuous textiles enliven every page. Archival and contemporary fashion stories include kaleidoscopic images by photographers such as Henry Clarke in Udaipur in 1967, Arthur Elgort in Jaipur in 1999, and Mikael Jansson in Goa with Indian actress Lakshmi Menon in 2011. Traditional Indian embroidery techniques; design motifs; and dress forms such as saris, jodhpurs, and turbans are reimagined by renowned designers Paul Poiret, Elsa Schiaparelli, Pierre Balmain, Zandra Rhodes, Halston, Yves Saint Laurent, Oscar de la Renta, Gianni Versace, Jean Paul Gaultier, and Alexander McQueen, in addition to a wealth of contemporary Indian designers.

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"Providing an unparalleled overview of Sephardi and Middle Eastern Jewish communities in world history, this authoritative, stimulating work, superbly edited and clearly written, also suggests new approaches to assessing their cultural practices and relation to the wider societies of which they formed, and in many cases continue to form, a part." —Dale F. Eickelman, Dartmouth CollegeHistorians, anthropologists, and linguists from Israel, the United Kingdom, France, and the United States provide a comprehensive picture of Sephardi and Middle Eastern Jewries in modern times. The volume touches on such themes as the impact of modernization upon Sephardi communities in North Africa, the Balkans, and other areas of the Ottoman Empire; responses to cultural change in Sephardi communities of Iraq and North Africa; issues relating to contemporary Jewish languages and literatures; and conceptions of ethnicity and gender in Sephardi communities.Contributors include Joelle Bahloul, Jacob Barnai, Esther Benbassa, Yoram Bilu, David M. Bunis, Joseph Chetrit, Harvey E. Goldberg, Isaac Guershon, André Levy, Laurence D. Loeb, Susan Gilson Miller, Amnon Netzer, Aron Rodrigue, Esther Schely-Newman, Daniel J. Schroeter, Norman A. Stillman, Yosef Tobi, Yaron Tsur, Zvi Yehuda, and Zvi Zohar.

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This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new ‘space of the cinematic subject’. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies.Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)

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'A must-read for managing your career' Laurence Moor, Guardian Jobs 'If you want to be in charge of your own career-you must have this book' Daily Telegraph 'It's like having your own career coach with you every step of the way' Monster Bored with your job? Frustrated at work? Need a career change but don’t know what? Perhaps you’ve watched as colleagues have successfully fast-tracked or reinvented their careers and wished you could do the same. If you’re feeling dissatisfied or stuck career-wise, you need the help of a career coach – and that’s what you’ll find in this book. Career Coach will give you the tools to match your experience and skills to your new career - and help you take the practical steps to make your career aspirations a reality. Career Coach shows you how to take back control over your career. Using the latest career management techniques, you’ll develop your own personal step-by-step action plan to achieving your career goals. This practical workbook takes you through a full career analysis in the same way as working with a real life specialist career coach. Follow the programme and complete the insightful quizzes and questionnaires to help you pinpoint your personal strengths and skills. It will show you how to explore your options, make smart decisions and then successfully implement your career plan. Inside this fully up to date second edition you’ll find an inspiring new chapter on real-life career success stories as well as expanded sections on practicalities of a successful job search campaign and starting your own business. You'll also find new advice sections for career changers, post-grads, women returning to work, pre- and post-retirement jobs and an exploration of other challenges like health issues, internal promotions and the threat of redundancy. Written by the UK’s leading career management expert, Corinne Mills, you can be sure you’re getting the best advice from someone who knows the job market inside out.

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From Shakespeare to The Beatles, the battle of Agincourt has dominated the cultural landscape as one of the most famous battles in British history. Anne Curry seeks to find out how and why the legacy of Agincourt has captured the popular imagination. Agincourt (1415) is an exceptionally famous battle, one that has generated a huge and enduring cultural legacy in the six hundred years since it was fought. Everybody thinks they know what the battle was about. Even John Lennon, aged 12, wrote a poem and drew a picture headed 'Agincourt'. But why and how has Agincourt come to mean so much, to so many? Why do so many people claim their ancestors served at the battle? Is the Agincourt of popular image the real Agincourt, or is our idea of the battle simply taken from Shakespeare's famous depiction of it? Written by the world's leading expert on the battle, this book shows just why it has occupied such a key place in English identity and history in the six centuries since it was fought, exploring a cultural legacy that stretches from bowmen to Beatles, via Shakespeare, Dickens, and the First World War. Anne Curry first sets the scene, illuminating how and why the battle was fought, as well as its significance in the wider history of the Hundred Years War. She then takes the Agincourt story through the centuries from 1415 to now, from the immediate, and sometimes surprising, responses to it on both sides of the Channel, through its reinvention by Shakespeare in King Henry V (1599), and the enduring influence of both the play and the film versions of it, especially the patriotic Laurence Olivier version of 1944, at the time of the D-Day landings in Normandy. But the legacy of Agincourt does not begin and end with Shakespeare's play: from the eighteenth century onwards, on both sides of the Channel and in both the English and French speaking worlds the battle was used as an explanation of national identity, giving rise to jingoistic works in print and music. It was at this time that it became fashionable for the gentry to identify themselves with the victory, and in the Victorian period the Agincourt archer came to be emphasized as the epitome of 'English freedom'. Indeed, even today, historians continue to 'refight' the battle.

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Here is the story, told firsthand through electric, deeply engaged writing, of America’s living theater, high and low, mainstream and experimental. Drawing on history, criticism, memoir, fiction, poetry, and parody, editor Laurence Senelick presents writers with the special knack “to distill both the immediate experience and the recollected impression, to draw the reader into the charmed circle and conjure up what has already vanished.” Through the words of playwrights and critics, actors and directors, and others behind the footlights, the entertainments and high artistic strivings of successive eras come vividly, sometimes tumultuously, to life.Observers from Washington Irving and Fanny Trollope to Walt Whitman and Mark Twain evoke the world of the nineteenth-century playhouse in all its raucous vitality. Henry James confesses his early enthusiasm for playgoing; Willa Cather reviews provincial productions of Uncle Tom’s Cabin and Antony and Cleopatra. The increasing diversity and ambition of the American theater is reflected in Hutchins Hapgood’s account of New York’s Yiddish theaters at the turn of the century, Carl Van Vechten’s review of the Sicilian actress Mimi Aguglia, Alain Locke’s comments on the emerging African-American theater in the 1920s, and Ezra Pound’s response to James Joyce’s play Exiles and theatrical modernism. Enthusiasts for the New Stagecraft, such as Lee Simonson and Djuna Barnes, are matched by champions of pop culture such as Gilbert Seldes and Fred Allen. S. J. Perelman lampoons Clifford Odets; Edmund Wilson acclaims Minsky’s Burlesque; Harold Clurman explains Stanislavski’s Method; Gore Vidal dissects the compromises of commercial playwriting. A host of playwrights—among them Thornton Wilder, Arthur Miller, Tennessee Williams, Lorraine Hansberry, Edward Albee, Wendy Wasserstein, David Mamet, and Tony Kushner—are joined by such renowned critics as Stark Young, George Jean Nathan, Brooks Atkinson, and Eric Bentley.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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“Confessions of a Puppetmaster is a fast, funny, wild ride through some wild times. Plus, Charlie compares me to Harrison Ford, so I’m all in!” —Bill MaherRenowned producer, director, and “B movie” showman Charles Band takes readers on a wild romp through Hollywood’s decidedly un-Oscar-worthy underbelly, where mayhem and zombies reign supreme, and cheap thrills and entertainment are king"This book is a blast. It made me want to stay up all night and watch terrible movies." —Peter Sagal"One of the most entertaining film bios ever." —Larry Karaszewski"Reads like a Tarantino film written by Hunter S. Thompson." —BooklistZombies, aliens, a little skin, lots of gore—and even more laughs—the cinematic universe of Charles Band is legendary. From the toilet-invading creatures of Ghoulies to the time-travelling bounty hunter in Trancers to the pandemic-crashed Corona Zombies, Band has spent four decades giving B-movie lovers exactly what they love. In Confessions of a Puppetmaster, this congenial master of Grindhouse cinema tells his own story, uncut.Born into a family of artists, Band spent much of his childhood in Rome where his father worked in the film industry. Early visits to movie sets sealed young Charlie’s fate. By his twenties he had plunged into moviemaking himself and found his calling in exploitation movies—quick, low-budget efforts that exploit the zeitgeist and feed people’s desire for clever, low-brow entertainment. His films crossed genres, from vampire flicks to sci fi to erotic musical adaptations of fairy tales. As he came into his own as a director, he was the first to give starring roles to household names like Demi Moore, Helen Hunt, and Bill Maher.Off set, Band’s life has been equally epic. Returning to his beloved Italy, he bought both Dino De Laurentiis’s movie studio and a medieval castle. After Romania’s oppressive communist regime fell, he circumvented the U.S. State Department to shoot films in Dracula’s homeland. He made—and then lost—a moviemaking fortune. A visionary, Band was also at the vanguard of the transition to home video and streaming, making and distributing direct-to-video movies long before the major studios caught on.In this revealing tell-all, Band details the dizzying heights and catastrophic depths of his four decades in showbiz. A candid and engaging glimpse at Hollywood’s wild side, Confessions of a Puppetmaster is as entertaining as the movies that made this consummate schlockmeister famous.

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Originally published in 1995. In The Beautiful, Novel, and Strange, Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty—worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.

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‘This ad is gender neutral’, proclaimed a 2016 poster for the fashion brand Diesel; ‘I resist definitions’, announced a Calvin Klein ad in the same year, while a Louis Vuitton shoot featured Jaden Smith, son of actor Will Smith, wearing a skirt like a natural. Fashion magazines have printed countless features on the blurring of gender barriers, while brands including Yves Saint-Laurent, Gucci, Burberry, Givenchy and Dolce & Gabbana have all interpreted the concept ‘girls will be boys and boys will be girls’ in their own individual style. The previous turn of the century was as obsessed with androgyny as this one, as seen in the art of Edward Burne-Jones and Gustave Moreau, and the writings of Oscar Wilde and the mystic Joséphin Péladan. From the late 19th to the early 21st century, the genders have blended: from Berlin in the 1920s to Hollywood of the 1930s with Garbo to Dietrich; from the 1940s Bright Young Things to the androgynous pop stars of the 1970s, and beyond. What do these variations on a theme have in common? What has caused the dizzying rise of androgyny? Why has this concept, a staple of ancient myth that was first discussed in Plato’s Symposium, been revived today? Accompanied by a striking selection of contemporary photographs, Patrick Mauriès presents a condensed cultural history of androgyny, drawing on the worlds of art and literature to give us a deeper understanding of the strange but timeless human drive to escape from defined categories.

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