Search results for ""Author Lauren"

A publication on the extraordinary vessels and glazes by the Belgian company Amphora. With a reprint of an old Amphora sales catalogue. Large scale photographs allow an in-depth study of the hand-thrown vessels. Rogier Vandeweghe established himself as an independent potter in Sint Andries, near Bruges, after leaving the ceramic workshop Per Ignem, which he had founded with his brother Laurent in 1947. Under the name Amphora, from 1960 on, his quickly expanding workshop produced entirely hand-thrown vessels. His modern forms - with glazes developed in-house and experimental firing techniques - rapidly earned the workshop an international reputation. Participation in major contemporary exhibitions led to numerous awards and acquisitions by leading ceramic museums across Europe. In 1975 all production ceased, and the workshop faded into obscurity. The present publication is a tribute to Rogier Vandeweghe and his wife, Myranna Pyck, for their unwavering commitment and their continuous quest for high-quality modern beauty in their ceramics. Text in English, French and Dutch.

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The second in the Lyonesse trilogy, following Tristan, Isolde, and Mark further into the forbidden as they wrestle with their love for each other and the growing secrets that surround them.He thinks I''ll destroy him. It''s hard to love someone you know is actually a knife pressed against your throat.I should know.Isolde Laurence is an uncommon bride.She''s been raised to do as her father told her, put elegance and duty above all elsebut unbeknownst to him, her loyalty has shifted. Now she''s in service to the Church, one of the elite spies who work for her uncle, a cardinal. Her latest assignment from the Church? Marry Mark Trevena, the owner of a notorious club in DC where the rich and powerful come to play, and seduce him.But what was supposed to be a simple lie has become far more complicated: Isolde has fallen for Mark''s handsome and emotionally wounded bodyguard, Tristan. Even worseshe''s falling for her future husband hi

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A key figure in the international avant-garde, Piet Mondrian (1872–1944) was at once an extraordinary painter and leading art theoretician whose influence resonates to this day. Coining the term “Neo-plasticism”, he pursued a style of painting composed only of primary colors against a grid of black vertical and horizontal lines and a white base background. Mondrian’s vision was that this essential painting would help to achieve a society in which art as such has no place, but rather exists for the total realization of “beauty.” With stints in Amsterdam, Paris, London, and New York, Mondrian drew upon the modern metropolis and modern music, especially jazz, as points of inspiration. In 1917, he cofounded De Stijl, originally a publication, and subsequently a circle of practitioners, committed to a strictly geometrical art of horizontals and verticals. With key works and succinct texts, this introductory book presents Mondrian's distinctive and pioneering oeuvre, an abiding inspiration for fashion, art, architecture, and design, from White Stripes album covers to Yves Saint Laurent dresses. 2016 © US Mondrian/Holtzman Trust

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Nigeria, England, America, Jamaica; are you proud of where you're from? Dark skinned, light skinned, afro, weaves, who are your true brothers and sisters? When two brothers from different continents go down the street to buy a pint of milk, they lift the lid on a disunited nation where everyone wants to be an individual but no one wants to stand out from the crowd. A debut work produced at the Royal Court Theatre in February 2007 as part of its Young Writers Festival, Gone Too Far! is a comic and astute play about identity, history and culture. portraying a world where respect is always demanded but rarely freely given. Set on a London housing estate it depicts the experience of young multicultural Londoners and the issues of identity and culture that both unite and divide the characters. Gone Too Far! premiered at the Royal Court Theatre as part of its Young Writers Festival on 2 February 2007. It was awarded the Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre, 2008.

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In this revisionary study of Ezra Pound's poetics, Scott Hamilton exposes the extent of the modernist poet's debt to the French romantic and symbolist traditions. Whereas previous critics have focused on a single influence, Hamilton explores a broad spectrum of French poets, including Thophile Gautier, Tristan Corbire, Jules Laforgue, Remy de Gourmont, Henri de Rgnier, Jules Romains, Laurent Tailhade, Paul Verlaine, and Stphane Mallarm. This exploration of Pound's canon demonstrates his logic in borrowing from the French tradition as well as a paradoxical circularity to his poetic development. Hamilton begins by explaining how Pound read Gautier's poetry as an example of Parnassianism and of the "satirical realism" of Flaubert and the modern novelistic tradition. He reveals, however, a crucial blind spot in Pound's poetic vision that facilitated his return to precisely those romantic and proto-symbolist elements in Gautier that were celebrated by Baudelaire and Mallarm, and that Pound, as a modern poet, felt obliged to repress. Arguing that Pound's response to symbolism was not specifically modernist, Hamilton shows how his dual attraction to the lyric and prose traditions, to symbolism and realism, and to the visionary and the historical helps us better to understand our own post-modern sensibility. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Poet, travel writer, teacher, film-extra in Laurence Olivier’s Hamlet, quiz-show panellist -Kildare Dobbs has played many parts, been many places, met many people. His life’s journey, marked by frequent detours and diversions, from Asia to old Europe, Africa and the New World, is that of the quintessential post-colonial Western man at large. In Running the Rapids Dobbs becomes voyageur. He takes us from a lamp-lit, big house childhood in 1930s Kilkenny, to college days at Cambridge in thrall to Carl Jung and Wilhelm Reich, to commando training and naval service protecting Allied convoys from U-boat attack during World War II. Then began his time from 1948 to 1952 as district officer in Tanganyika, where he learnt Swahili beneath the ‘immense, unearthly bulk’ of Kilimanjaro and was falsely imprisoned for ivory theft. He then moved to Canada to work at Macmillan publishers, co-founding The Tamarack Review and becoming managing editor of Saturday Night magazine from 1965 to 1967. During the seventies he was both columnist and books editor of the Toronto Star. He recounts his friendships with writers Brian Moore, Richard Wright and Mordecai Richler, and with Ronald Searle, Marshall McLuhan and Wilfred Thesiger, among others. And nothing if not uxorious, this modern-day troubadour enters the lists of time and again throughout the narrative, finding his peace the third time around. Dobbs’s self-portrait vividly evokes the world of a restless man of letters, Rousseauesque in its foibles and candour, Johnsonianly pungent in its observations, Shandean in its sense of the absurd. ‘In memory and imagination’, he writes, ‘there is no time: all is simultaneous.’ This poignant and delightful chronicle sets out to reinforce that perception.

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From the dagger mistress Ezili Je Wouj and the gender-bending mermaid Lasiren to the beautiful femme queen Ezili Freda, the Ezili pantheon of Vodoun spirits represents the divine forces of love, sexuality, prosperity, pleasure, maternity, creativity, and fertility. And just as Ezili appears in different guises and characters, so too does Omise’eke Natasha Tinsley in her voice- and genre-shifting, exploratory book Ezili's Mirrors. Drawing on her background as a literary critic as well as her quest to learn the lessons of her spiritual ancestors, Tinsley theorizes black Atlantic sexuality by tracing how contemporary queer Caribbean and African American writers and performers evoke Ezili. Tinsley shows how Ezili is manifest in the work and personal lives of singers Whitney Houston and Azealia Banks, novelists Nalo Hopkinson and Ana Lara, performers MilDred Gerestant and Sharon Bridgforth, and filmmakers Anne Lescot and Laurence Magloire—none of whom identify as Vodou practitioners. In so doing, Tinsley offers a model of queer black feminist theory that creates new possibilities for decolonizing queer studies.

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From the dagger mistress Ezili Je Wouj and the gender-bending mermaid Lasiren to the beautiful femme queen Ezili Freda, the Ezili pantheon of Vodoun spirits represents the divine forces of love, sexuality, prosperity, pleasure, maternity, creativity, and fertility. And just as Ezili appears in different guises and characters, so too does Omise’eke Natasha Tinsley in her voice- and genre-shifting, exploratory book Ezili's Mirrors. Drawing on her background as a literary critic as well as her quest to learn the lessons of her spiritual ancestors, Tinsley theorizes black Atlantic sexuality by tracing how contemporary queer Caribbean and African American writers and performers evoke Ezili. Tinsley shows how Ezili is manifest in the work and personal lives of singers Whitney Houston and Azealia Banks, novelists Nalo Hopkinson and Ana Lara, performers MilDred Gerestant and Sharon Bridgforth, and filmmakers Anne Lescot and Laurence Magloire—none of whom identify as Vodou practitioners. In so doing, Tinsley offers a model of queer black feminist theory that creates new possibilities for decolonizing queer studies.

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Se reúne aquí los escritos de los viajes de Vernon Lee por Alemania, Italia, Francia y Suiza en busca del espíritu del lugar. Pese a que su infancia estuvo repartida en períodos de seis meses entre esos cuatro países, Vernon Lee cuenta cómo su familia no viajaba, sino que simplemente se trasladaba entre domicilios evitando cualquier actividad turística. La consecuencia fue que su pasión viajera no nació de visitar distintos lugares sino de la fascinación infantil producida por lecturas y conversaciones. La escritora regresa a los lugares habitados o imaginados en su infancia, adentrándose por el Rin hasta el corazón de Alemania, por las carreteras italianas hasta Portofino, en tren por Francia hasta Montreuil, y por los Alpes hasta Berna. La experiencia viajera, casi siempre acompañada de alguna amiga, se enriquece con el acervo estético y cultural de la autora sobre leyendas, lecturas y personajes literarios que llegan hasta el Viaje sentimental de Laurence Sterne. Vernon Lee no prete

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Lieut.-Col. Laurence Austine Waddell (1854–1938) was a British Army officer with an established reputation mainly due to a work on the 'Buddhism' of Tibet, his explorations of the Himalayas, and a biography which included records of the 1903-4 military expedition to Lhasa (Lhasa and its Mysteries). Waddell was also in the limelight due to his acquisition of Tibetan manuscripts which he donated to the British Museum. His overriding interest was in 'Aryan origins'. After learning Sanskrit and Tibetan, and in between military expeditions and gathering intelligence from the borders of Tibet in the Great Game, Waddell researched Lamaïsm. He extended his activities to Archaeology, Philology and Ethnology, and was credited with discoveries in relation to Buddha. His personal ambition was to locate records of ancient civilisation in Tibetan lamaseries. Waddell is little known as an archaeologist and scholar, in contrast with his fame in the Oriental field, due to the controversial nature of his published works dealing with 'Aryan themes'. Waddell studied Sumerian and presented evidence that an Aryan migration fleeing Sargon II carried Sumerian records to India. He interrupted his comparative studies of Sumerian and Indian king-lists to publish a work on Phoenician origins and decipherment of Indus Valley seals, the inscriptions of which he claimed were similar to Sumerian pictogram signs cited from G. A. Barton's plates, which are reproduced in this volume. Waddell's life is reconstructed from primary sources, such as letters from Marc Aurel Stein at the British Museum and Theophilus G Pinches, held in the Special Collections at the University of Glasgow Library. Special attention is paid to the contemporary reception of his theories, with the objective of re-evaluating his contribution; they are contrasted to past and present academic views, in addition to an overview of relevant discoveries in Archaeology.

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Lieut.-Col. Laurence Austine Waddell (1854–1938) was a British Army officer with an established reputation mainly due to a work on the 'Buddhism' of Tibet, his explorations of the Himalayas, and a biography which included records of the 1903-4 military expedition to Lhasa (Lhasa and its Mysteries). Waddell was also in the limelight due to his acquisition of Tibetan manuscripts which he donated to the British Museum. His overriding interest was in 'Aryan origins'. After learning Sanskrit and Tibetan, and in between military expeditions and gathering intelligence from the borders of Tibet in the Great Game, Waddell researched Lamaïsm. He extended his activities to Archaeology, Philology and Ethnology, and was credited with discoveries in relation to Buddha. His personal ambition was to locate records of ancient civilisation in Tibetan lamaseries. Waddell is little known as an archaeologist and scholar, in contrast with his fame in the Oriental field, due to the controversial nature of his published works dealing with 'Aryan themes'. Waddell studied Sumerian and presented evidence that an Aryan migration fleeing Sargon II carried Sumerian records to India. He interrupted his comparative studies of Sumerian and Indian king-lists to publish a work on Phoenician origins and decipherment of Indus Valley seals, the inscriptions of which he claimed were similar to Sumerian pictogram signs cited from G. A. Barton's plates, which are reproduced in this volume. Waddell's life is reconstructed from primary sources, such as letters from Marc Aurel Stein at the British Museum and Theophilus G Pinches, held in the Special Collections at the University of Glasgow Library. Special attention is paid to the contemporary reception of his theories, with the objective of re-evaluating his contribution; they are contrasted to past and present academic views, in addition to an overview of relevant discoveries in Archaeology.

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The long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera—three-time Tony Award–winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom.She was born Dolores Conchita Figueroa del Rivero—until the entertainment world renamed her. But Dolores—the irreverent side of the sensual, dark and ferocious Chita—was always present center stage, and was influential in creating some of Broadway most iconic and acclaimed roles, including Anita in West Side Story‚ the part that made her a star—Rosie in Bye Bye, Birdie, Velma in Chicago, and Aurora in Kiss of the Spider Woman.Written in gratitude to her longstanding fans and with the hope that new generations may learn from her extraordinary experience, Chita takes us behind the curtain to reveal the highs and lows of one extraordinary showbusiness career—the creative fermentation, the ego clashes, the miraculous discoveries, the exhilaration when it all went right, and the disappointment when it all went wrong. Chita invites us into workrooms and rehearsal studies, on stage and on set as she works with some of the greatest talents of the age, including Leonard Bernstein, Arthur Laurents, Stephen Sondheim, Bob Fosse, Jerome Robbins, Hal Prince, Liza Minnelli, Sammy Davis Jr, Gwen Verdon, Shirley MacLaine, and many others. We also learn deeply moving, revelatory details about her upbringing and her heritage, and how they indelibly shaped her work and career.This colorful and entertaining memoir—as vital and captivating as Chita herself—is the unforgettable and engrossing personal story of a performer who blazed her own trail and inspired countless performers to forge their own unique path to success.

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Secret Garden: An Inky Treasure Hunt and Colouring Bookby Johanna Basford is one of the world's bestselling adult colouring books with 96 colouring pages waiting to be brought to life with colour.This interactive colouring book takes you on a ramble through a garden created in beautifully detailed pen–and–ink illustrations by Johanna Basford.There are pictures to colour, mazes to solve, patterns to complete and lots of space for you to add your own inky drawings. Use felt tip pens to add a splash of colour or a black pen with a fine nib to create your own doodles and details.Johanna Basford has sold over 21 million books worldwide. Secret Garden: An Inky Treasure Hunt and Colouring Book was her first book. It has been translated into over 44 languages.'Colouring in isn't just for kids. These intricate, magical drawings from Secret Garden by Johanna Basford are just waiting to be brought to life.' The Guardian'Joanna Basford's Secret Garden is an 'inky treasure hunt and colouring book' filled with intricate drawings waiting to be brought to life. It's the colouring–in book you wish you had the hand–eye coordination to do, aged two.' The Independent'Prepare yourself to get lost in a magical world with this interactive activity book that takes you through a secret garden of incredible drawings by Johanna Basford.' Buzzfeed'Coloring books for adults have been around for decades, but Basford's success…has helped to create a massive new industry category.' The New YorkerAlso available by Johanna Basford from Laurence King Publishing:Enchanted Forest: An Inky Quest and Colouring Book (9781780674872)Secret Garden: Journal (9781856699853)Secret Garden:12 Notecards (9781856699471)Enchanted Forest: Artist’s Edition (9781780677842)Enchanted Forest: Journal (9781780679181)Enchanted Forest: 12 Notecards (9781780677835)

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The best wine and food pairings create harmony among unexpected flavors. Chardonnay, Riesling, and Merlot are classic pairing choices, but less conventional grape varieties like Albarino, Grenache, Gruner Veltliner, Malbec, and Tempranillo are becoming increasingly popular, coveted by those with curious palates and a taste for good value. In "Daring Pairings", the adventurous companion to the acclaimed "Perfect Pairings", Master Sommelier Evan Goldstein shows how anyone can bring these emerging, exciting varieties to the table. He ventures into wine's new frontiers, exploring the flavors and pairing potential of thirty-six distinctive grapes from around the world, including Argentina, Spain, Italy, Greece, and France. In his entertaining and approachable style, Goldstein offers advice on crafting unforgettable wine and food pairings, suggests wines for everyday and special occasions, and recommends producers and importers. Thirty-six star chefs present recipes specially tailored to Goldstein's wine selections, and full-color photographs display these dishes in delectable splendor. This authoritative, down-to-earth guide reveals that pairing food and wine is no great mystery - anyone willing to explore or experiment can create bold and memorable combinations. It comes with recipes and commentary from: Nate Appleman, Dan Barber, Ben Barker, Paul Bartolotta, Michelle Bernstein, Floyd Cardoz, Robert Del Grande, Tom Douglas, Suzanne Goin, Joyce Goldstein, Christopher Gross, Fergus Henderson, Gerald Hirigoyen, Philippe Jeanty, Douglas Keane, Hubert Keller, Loretta Keller, David Kinch, Evan Kleiman, Mourad Lahlou, Michael Leviton, Emily Luchetti, Laurent Manrique, Lachlan M. Patterson, Cindy Pawlcyn, Anne S. Quatrano, Michael Romano, Susan Spicer, Frank Stitt, Craig Stoll, Ethan Stowell, Charlie Trotter, Larry Tse, Richard Vellante, Vikram Vij, and, Kate Zuckerman.

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In London in 1770 Georg Christoph Lichtenberg (1742–1799) remarked, ‘What a work could be written on Shakespeare, Hogarth and Garrick! There is something similar in the genius of all three.’ Two-and-a-half centuries on, Robin Simon’s highly original and illuminating book takes up the challenge.William Hogarth (1697–1764) and David Garrick (1717–1779) closely associated themselves with Shakespeare, embodying a relationship between plays, painting and performance that had been understood since Antiquity and which shaped the rules for history painting drawn up by the Académie royale in Paris in the seventeenth century.History painting was considered the highest form of art: a picture illustrating a moment drawn from just a few lines in a revered text. Hogarth’s David Garrick as Richard III (1745) transformed those ideas because, although it looked like a history painting, it was also a portrait of an actor in performance. With it, Hogarth established the genre of theatrical portraiture, a new and distinctively British kind ofhistory painting.This book offers a fresh examination of theatrical portraits through close analysis of the pictures and of the texts used in performance. It also examines the central role of the theatre in British culture, while highlighting the significance of Shakespeare, Hogarth and Garrick in the European Enlightenment and the rise of Romanticism. In this context another trio of genius features prominently: Lichtenberg, GottholdEphraim Lessing and Denis Diderot.Familiar paintings and performances are seen in an entirely new light, while unfamiliar pictures are also introduced, including major paintings and drawings that have never been published.The final chapter shows that the inter-relationship between plays, painting and performance survived into the age of cinema, revealing the pictorial sources of Laurence Olivier’s legendary film Richard III.

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A quirky collection of true stories from the weird and wonderful world of Shakespearean theatre, featuring distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole. A fascinating playbill of stories from the weird and wonderful world of Shakespearean theatre through the centuries, including distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole. Discover a wealth of Shakespearean shenanigans over the years, including the terrible behaviour of the groundlings at Shakespeare's Globe, how the 'rude mechanicals' in A Midsummer Night's Dream got recast as a bunch of ladies from the WI, and how Dame Maggie Smith got even with Sir Laurence Olivier. Published to coincide with the 400th anniversary of Shakespeare’s death, this treasury of curious tales is a must-read for all Shakespeare lovers and theatre fans. Word count: 45,000

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Within the pages of Allie Esiri's gorgeous poetry collection, A Poem for Every Autumn Day you will find verse that will transport you to vibrant autumnal scenes, from harvest festival to Remembrance Day.The poems are selected from Allie Esiri’s bestselling poetry anthologies A Poem for Every Day of the Year and A Poem for Every Night of the Year.Perfect for reading aloud and sharing with all the family, this book dazzles with an array of familiar favourites and remarkable new discoveries. These seasonal poems – together with introductory paragraphs – have a link to the date on which they appear.Includes poems by Robert Louis Stevenson, John Betjeman, Amy Lowell, Paul Laurence Dunbar, William Shakespeare and Christina Rossetti who sit alongside Seamus Heaney, John Agard, Simon Armitage, Patience Agbabi and Imtiaz Dharker.This soul-enhancing book will keep you company for every day of Autumn. Enjoy more seasonal poetry collections with A Poem for Every Summer Day and A Poem for Every Winter Day.

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THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix – starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young and more! What rises . . . must fall.Two brothersOne Good.One Evil.In exchange for power and immortality, they watch over the Endless Woods and rule the School for Good and Evil.Yet all School Masters must face a test.Theirs is loyalty.But what happens when loyalty is corrupted? When the bonds of blood are broken?Who will survive? Who will die? And what will become of the school and its students?The journey that started a hundred years ago throttles towards its end. This final chapter in the duology that began with the RISE OF THE SCHOOL FOR GOOD AND EVIL brings the tale of the twin School Masters to the brink of war and a shocking conclusion that will change the course of the school forever.

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An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher’s work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher’s Calling, Michael D. Torre provides an erudite and helpful introduction to Simon’s life and thought. The volume contains selected key texts from all of Simon’s twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon’s work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon’s last and most important essays: on sensitive knowledge and on the analogous nature of “act.” It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book’s contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.

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This intoxicating and visually rich volume with texts by experts from India, Europe, and North America is published to accompany a major exhibition that celebrates the long historical contributions that Indian dress, textiles, and embroidery have had on Western fashion. From the introduction of chintz dressmaking fabrics in the eighteenth century to the early nineteenth-century vogue for light Indian fabrics, paisleys, and chikan embroideries to larger realities of empire and cultural appropriation, this volume features paintings, fashion magazine editorials, and portraits of influential people who championed Indian style throughout history. Traditional hues of brilliant royal blue, marigold, and fuchsia; intricate ikat and calico patterns; and sumptuous textiles enliven every page. Archival and contemporary fashion stories include kaleidoscopic images by photographers such as Henry Clarke in Udaipur in 1967, Arthur Elgort in Jaipur in 1999, and Mikael Jansson in Goa with Indian actress Lakshmi Menon in 2011. Traditional Indian embroidery techniques; design motifs; and dress forms such as saris, jodhpurs, and turbans are reimagined by renowned designers Paul Poiret, Elsa Schiaparelli, Pierre Balmain, Zandra Rhodes, Halston, Yves Saint Laurent, Oscar de la Renta, Gianni Versace, Jean Paul Gaultier, and Alexander McQueen, in addition to a wealth of contemporary Indian designers.

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An in-depth look at the influence of the Grateful Dead and hippie culture on contemporary fashion and street style by GQ’s style-in-the-wild correspondent and fashion expert Since the formation of Dead & Company, a new breed of Deadhead has emerged: someone who appreciates stylish streetwear as much as tie-dye. Dead Style is a book that shows the influence of the Grateful Dead and hippie culture on the current world of fashion. Tie-dyed pieces from designer labels like Louis Vuitton, Off-White, Saint Laurent, Balenciaga, Missoni, and Burberry have dominated runway looks. Vintage Grateful Dead shirts are fetching hundreds of dollars online (on fashion auction sites and via Instagram sellers alike) and in stores. This book, visually driven and heavily captioned, is a look book for current Deadhead culture. Dead Style is a surprising, provocative, engaging, and fun work, a Grateful Dead book for a new generation.

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As 1954 Vietnam roils from its conflict with the French interlopers, American photographer Coty Fine leaves Hanoi in a rush on the flatbed of a truck. Also on the truck is a French priest, Laurent Sabatier—a man who will forever change the course of Coty’s life.Six decades later, Coty struggles to repair the frayed bond between Jette, her often-absent, widowed daughter, and Evelyn, her only grandchild. Evelyn, at the behest of her grandmother, travels to Vietnam to locate a nun, Sister Lan, whom Coty has never met yet has been haunted by for many years. Evelyn persuades Sister Lan to return with her to San Francisco to meet Coty, even as Coty invites Matheo Aubert, a visiting priest from Gabon, to move into her home as a guest during his reluctant sabbatical. The two clerics are central—albeit unwitting—players in Coty’s scheme to heal the rift in her family, and her own wounds from the past. But if she is going to succeed in her quest, she must secure Jette’s long-withheld permission to share a revelatory photograph—one that promises to change everything—with Evelyn. And Coty’s daughter, like she, is one stubborn woman.

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“I treat the boy down at the post office like the president of Russia, and the president of Russia like the boy down at the post office.” (David Bailey) Eye presents a selection of Bailey’s photographs spanning from 1962 to 2008. Mostly black-and-white, some in color, they feature influential directors, artists, fashion designers and musicians, including Andy Warhol, Henri Cartier-Bresson, Yves Saint Laurent, John Huston and Ellsworth Kelly. Despite the broad cross-section of subjects and the different creative spheres they inhabit, Bailey approaches them all with the same, egalitarian attitude – each is as important, or unimportant, as the next. This approach, often expressed by Bailey’s lack of props and minimal lighting, enables the photographer to tease from his subjects traits which often absent from more formal portraits – the warm benevolence of I.M. Pei for example, the exuberance of John Galliano, or the brooding look of Jean-Michel Basquiat. Crowned with cover art by Damien Hirst, Bailey’s Eye reveals unexpected facets of the creative minds who have defined and in many cases continue to shape the culture in which we live.

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Handkerchief, pochette, fazelleto, pañuelo, mouchoir de poche, tenugui, hankachi or hank. They all mean one thing. A small innocent square of fabric. Place one in a jacket pocket however, and it transforms into a pocket square. A gentleman’s boldest accessory, it adds the final flourish and character to any wardrobe and is a stylish alternative to the tie when a gentleman needs to look sharp. When, where and how should a gentleman wear the perfect pocket square? The guide features 22 pocket square folds, for linen, cotton and silk, from the simple and elegant ‘Presidential’ to the complex and flamboyant ‘Bouquet’ fold. As well as brief written descriptions and advice on when to wear each style, each fold is also accompanied by easy-to-follow diagrams and bold colour illustrations of how to wear one’s pocket square with style. Names synonymous with elegant and distinctive style from every decade – Cary Grant, Oscar Wilde, the Duke of Windsor, Fred Astaire, JFK and Yves Saint Laurent – provide style inspiration. The Pocket Square is the essential gift for the fashion-conscious gentleman wishing to experiment with the endless possibilties of this precious piece of fabric and turn it into the ultimate signature of their style.

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Celebrating one of the world’s greatest couture houses, this gorgeous book combines Christian Dior’s classics with the newest creations. Christian Dior achieved immortality with his first collection in 1947. His ‘New Look’ amazed the world as it emerged after wartime austerity, and reset the boundaries of modern elegance. Dior’s search for the perfect line and the ideal silhouette has been celebrated by couturiers of the first rank: Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri have all made their distinctive contribution. This book honours Dior’s influence by celebrating the elements of style for every generation since 1947, through inspired pairings of classic and contemporary photographs. Six thematic chapters express outstanding Dior characteristics, including the silhouette, the evening gown and the eternal muse - in short, the aspects of the House that lend it unique distinction both then and now. The most beautiful fashion plates from Dior’s own time sit beside examples of the house’s creations through the decades. The resonance between classic archive photographs and the latest most up-to-date frames is clear and compelling.

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'Heir to Christie' Daily Mail'Clever, classy and captivating' CHRIS WHITAKER_______________________________One happy couple.Two divided families.A wedding party to die for.On the private island of Castello Fiore - surrounded by the glittering waters of Lake Garda - the illustrious Heywood family gathers for their son Laurence's wedding to Italian influencer Eva Bianchi.But as the ceremony begins, a blood-curdling scream brings the proceedings to a devastating halt.With the wedding guests trapped as they await the police, old secrets come to light and family rivalries threaten to bubble over.Everyone is desperate to know . . .Who is the killer? And can they be found before they strike again?________________________________________PRAISE FOR TOM HINDLE'A new heir to Agatha Christie . . . classic crime for the 21st century' Ragnar Jónasson'This is riveting stuff, breathing new life into the traditional locked-room mystery. Hindle puts a 21st century spin on a Golden Age tale that's both captivating and cunning' Sun'Tricksy, expertly plotted and kept me guessing till the end' Adam Simcox'Twist after gut-punching twist' M. W. Craven'Dazzling' Crime MonthlyMurder on Lake Garda was a no. 8 Sunday Times bestseller 04/02/24

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Now a major Netflix film starring Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young, and many more! The first in the New York Times bestselling School for Good and Evil series. A dark and enchanting fantasy adventure perfect for those who prefer their fairy tales with a twist. Two best friends have been chosen to be students at the fabled School for Good and Evil, where ordinary boys and girls are trained to be fairy-tale heroes and villains. One will train for Good, one will become Evil’s new hope. Each thinks they know where they belong, but when they are swept into the Endless Woods, they’re switched into the opposite schools. Together they’ll discover who they really are and what they are capable of. . . because the only way out of a fairy tale is to live through it. Features cover artwork from Netflix’s The School for Good and Evil film and includes Soman Chainani’s exclusive on-set movie diary!

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Great Plains Literature is an exploration of influential literature of the Plains region in both the United States and Canada. It reflects the destruction of the culture of the first people who lived there, the attempts of settlers to conquer the land, and the tragic losses and successes of settlement that are still shaping our modern world of environmental threat, ethnic and racial hostilities, declining rural communities, and growing urban populations. In addition to featuring writers such as Ole Edvart Rölvaag, Willa Cather, and John Neihardt, who address the epic stories of the past, Great Plains Literature also includes contemporary writers such as Louis Erdrich, Kent Haruf, Ted Kooser, Rilla Askew, N. Scott Momaday, and Margaret Laurence. This literature encompasses a history of courage and violence, aggrandizement and aggression, triumph and terror. It can help readers understand better how today’s threats to the environment, clashes with Native people, struggling small towns, and rural migration to the cities reflect the same forces that were important in the past.

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In 1933, Virginia Woolf wrote a biography of the poet Elisabeth Barret Browning, told in the first person by her cocker spaniel, Flush. In 1936, to write her memoirs, All the dogs of my life, Elisabeth von Arnim chose to tell the story of the 14 dogs that had accompanied her throughout her life. In 1957, the dachshund Lump arrived at the home of Pablo Picasso, whose life he shared until 1973. This book charts Picasso''s intimate family life, with Jacqueline, Claude and Paloma, and with the animals that populate the villa La Californie, as well as his artistic life. Inspired by these references, this collection (whose title is a nod to Picasso and Lump) takes a look at the lives and works of the great artists and art lovers of the 20th and 21st centuries from the perspective of their relationship with the dogs of their lives. These lighthearted, erudite books offer a unique approach to the life and work of Pablo Picasso, Andy Warhol, Peggy Guggenheim and Yves Saint Laurent..

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While young children's rights have received considerable attention and have accordingly advanced over the past two decades, the rights of adolescents have been neglected. This manifests itself in pervasive gender-based violence, widespread youth disaffection and unemployment, concerning levels of self-abuse, violence and antisocial engagement, and serious mental and physical health deficits. The cost of inaction on these issues is likely to be dramatic in terms of human suffering, lost social and economic opportunities, and threats to global peace and security. Across the range of disciplines that make up contemporary human rights, from law and social advocacy to global health, history, economics, sociology, politics, and psychology, it is time, the contributors of this volume contend, for adolescent rights to occupy a coherent place of their own. Human Rights and Adolescence presents a multifaceted inquiry into the global circumstances of adolescents, focusing on the human rights challenges and socioeconomic obstacles young adults face. Contributors use new research to advance feasible solutions and timely recommendations for a wide range of issues spanning all continents, from relevant international legal norms to neuropsychological adolescent brain development, gender discrimination in Indian education to Colombian child soldier recruitment, stigmatization of Roma youth in Europe to economic disempowerment of Middle Eastern and South African adolescents. Taken together, the research emphasizes the importance of dedicated attention to adolescence as a distinctive and critical phase of development between childhood and adulthood and outlines the task of building on the potential of adolescents while providing support for the challenges they experience. Contributors: Theresa S. Betancourt, Jacqueline Bhabha, Krishna Bose, Neera Burra, Malcolm Bush, Jocelyn DeJong, Elizabeth Gibbons, Katrina Hann, Mary Kawar, Orla Kelly, David Mark, Margareta Matache, Clea McNeely, Glaudine Mtshali, Katie Naeve, Elizabeth A. Newnham, Victor Pineda, Irene Rizzini, Elena Rozzi, Christian Salazar Volkmann, Shantha Sinha, Laurence Steinberg, Kerry Thompson, Jean Zermatten, Moses Zombo.

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A literary and cultural history of the intimate space of the eighteenth-century closet—and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In The Closet, Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print.Focused on the connections between status-conscious—and often awkward—interpersonal dynamics and an increasingly inclusive social and media landscape, The Closet examines dozens of historical and fictional encounters taking place in the various iterations of this room: courtly closets, bathing closets, prayer closets, privies, and the "moving closet" of the coach, among many others. In the process, the book conjures the intimate lives of well-known figures such as Samuel Pepys and Laurence Sterne, as well as less familiar ones such as Miss Hobart, a maid of honor at the Restoration court, and Lady Anne Acheson, Swift's patroness. Turning finally to queer theory, The Closet discovers uncanny echoes of the eighteenth-century language of the closet in twenty-first-century coming-out narratives.Featuring more than thirty illustrations, The Closet offers a richly detailed and compelling account of an eighteenth-century setting and symbol of intimacy that continues to resonate today.

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Original catalogue to the Paris exhibition and a core part of the blockbuster retrospective at the V&A. It was in 1947 that Christian Dior presented his first collection and heralded the birth of a new fashion silhouette for women. After the austerity of the war years, the cinched waistlines, full skirts and soft shoulders of the New Look came to embody a revival of Parisian luxury. Paris regained its place as the global capital of fashion and the name of Dior became a synonym for haute couture. For this book, published to mark the 70th anniversary of the House of Dior, seventy of the most memorable looks created Christian Dior and his successors – Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri – have been specially selected and photographed in fascinating detail. These wonderful designs are also featured in sketches, runway shots and fashion shoots by the world’s greatest fashion photographers, including Irving Penn, Richard Avedon, Cecil Beaton, William Klein, Helmut Newton, Patrick Demarchelier, Paolo Roversi, Peter Lindbergh, Mario Testino and Nick Knight. The seventy 'looks' are prefaced by essays from Olivier Gabet, Jérôme Gautier, Patrick Mauriès and Florence Müller. Recurring themes from the history of Dior are discussed in depth: the concept of line and architecture in fashion; the influence of history and art (the Palace of Versailles, the Empire style, Impressionism, the Belle Époque, the Ballets Russes, Picasso, Dalí, Pollock); the use of colour; the influence of gardens and landscapes as sources of inspiration; and, of course, the brand’s muses and famous clients: the Duchess of Windsor, Marlene Dietrich, Princess Grace of Monaco, Marilyn Monroe, Elizabeth Taylor, Isabelle Adjani, Princess Diana, Marion Cotillard, Charlize Theron, Natalie Portman, Jennifer Lawrence and more.

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Social capital is fundamentally concerned with resources in social relations. This Handbook brings together leading scholars from around the world to address important questions on the determinants, manifestations and consequences of social capital. Various mechanisms of formal and informal social involvement, its relationship with other forms of social exclusion and its role in civic, instrumental and expressive domains of our socio-economic and community lives are explored. This unique Handbook:* combines cutting-edge theory with appropriate data and methods* explores the mechanisms of formal and informal social involvement including the role of parental class and cultural influence, and the consequences for our personal and community lives* links social capital with other domains of social inequality such as cultural practice and philanthropic behaviour in an in-depth examination of the social stratification processes* conducts a thorough analysis of formal and informal social involvement, and bonding and bridging social ties on trust, tolerance, community cohesion, educational attainment, labour market position, quality of life and ethnic entrepreneurism* analyzes social capital as both an outcome and as a mediating variable at the micro, meso and macro levels.Accessible yet rigorous, this Handbook presents a challenge to both social capital researchers interested in explaining social inequality and to policy-makers with responsibility for designing effective measures for combating social exclusion. It will also be essential reading for students in sociology, political science, developmental economics and management studies.Contributors: N. Allum, R. Andersen, L. Bécares, Y. Bian, F. Buscha, C. Cheng, R.R. Côté, D. Cutts, N. Demireva, F. Devine, J.K. Dhillon, L. Donato, B.H. Erickson, J. Fiel, J. Field, E. Fieldhouse, A. Gamoran, A. García-Macías, D. Griffiths, A. Heath, X. Huang, P.S. Lambert, J. Laurence, Y. Li, M. Lubbers, J.L. Molina, J. Nazroo, J. Pampalona, R. Patulny, J. Rodríguez Menés, M. Savage, M. Shoji, P. Sturgis, E.M. Uslaner, H. Valenzuela-García, P.-P. Verhaeghe, W. Wang, A. Warde, M. Western, L. Zhang, L. Zhang, W. Zhang

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Social capital is fundamentally concerned with resources in social relations. This Handbook brings together leading scholars from around the world to address important questions on the determinants, manifestations and consequences of social capital. Various mechanisms of formal and informal social involvement, its relationship with other forms of social exclusion and its role in civic, instrumental and expressive domains of our socio-economic and community lives are explored. This unique Handbook:* combines cutting-edge theory with appropriate data and methods* explores the mechanisms of formal and informal social involvement including the role of parental class and cultural influence, and the consequences for our personal and community lives* links social capital with other domains of social inequality such as cultural practice and philanthropic behaviour in an in-depth examination of the social stratification processes* conducts a thorough analysis of formal and informal social involvement, and bonding and bridging social ties on trust, tolerance, community cohesion, educational attainment, labour market position, quality of life and ethnic entrepreneurism* analyzes social capital as both an outcome and as a mediating variable at the micro, meso and macro levels.Accessible yet rigorous, this Handbook presents a challenge to both social capital researchers interested in explaining social inequality and to policy-makers with responsibility for designing effective measures for combating social exclusion. It will also be essential reading for students in sociology, political science, developmental economics and management studies.Contributors: N. Allum, R. Andersen, L. Bécares, Y. Bian, F. Buscha, C. Cheng, R.R. Côté, D. Cutts, N. Demireva, F. Devine, J.K. Dhillon, L. Donato, B.H. Erickson, J. Fiel, J. Field, E. Fieldhouse, A. Gamoran, A. García-Macías, D. Griffiths, A. Heath, X. Huang, P.S. Lambert, J. Laurence, Y. Li, M. Lubbers, J.L. Molina, J. Nazroo, J. Pampalona, R. Patulny, J. Rodríguez Menés, M. Savage, M. Shoji, P. Sturgis, E.M. Uslaner, H. Valenzuela-García, P.-P. Verhaeghe, W. Wang, A. Warde, M. Western, L. Zhang, L. Zhang, W. Zhang

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A literary and cultural history of the intimate space of the eighteenth-century closet—and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In The Closet, Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print.Focused on the connections between status-conscious—and often awkward—interpersonal dynamics and an increasingly inclusive social and media landscape, The Closet examines dozens of historical and fictional encounters taking place in the various iterations of this room: courtly closets, bathing closets, prayer closets, privies, and the "moving closet" of the coach, among many others. In the process, the book conjures the intimate lives of well-known figures such as Samuel Pepys and Laurence Sterne, as well as less familiar ones such as Miss Hobart, a maid of honor at the Restoration court, and Lady Anne Acheson, Swift's patroness. Turning finally to queer theory, The Closet discovers uncanny echoes of the eighteenth-century language of the closet in twenty-first-century coming-out narratives.Featuring more than thirty illustrations, The Closet offers a richly detailed and compelling account of an eighteenth-century setting and symbol of intimacy that continues to resonate today.

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Hours after the collapse of the Twin Towers, the idea that the September 11 attacks had “changed everything” permeated American popular and political discussion. In the period since then, the events of September 11 have been used to justify profound changes in U.S. public policy and foreign relations. Bringing together leading scholars of history, law, literature, and Islam, September 11 in History asks whether the attacks and their aftermath truly marked a transition in U.S. and world history or whether they are best understood in the context of pre-existing historical trajectories. From a variety of perspectives, the contributors to this collection scrutinize claims about September 11, in terms of both their historical validity and their consequences. Essays range from an analysis of terms like “ground zero,” “homeland,” and “the axis of evil” to an argument that the U.S. naval base at Guantánamo Bay has become a site for acting out a repressed imperial history. Examining the effect of the attacks on Islamic self-identity, one contributor argues that Osama bin Laden enacted an interpretation of Islam on September 11 and asserts that progressive Muslims must respond to it. Other essays focus on the deployment of Orientalist tropes in categorizations of those who “look Middle Eastern,” the blurring of domestic and international law evident in a number of legal developments including the use of military tribunals to prosecute suspected terrorists, and the justifications for and consequences of American unilateralism. This collection ultimately reveals that everything did not change on September 11, 2001, but that some foundations of democratic legitimacy have been significantly eroded by claims that it did.ContributorsKhaled Abou el FadlMary L. DudziakChristopher L. EisgruberLaurence R. HelferSherman A. JacksonAmy B. KaplanElaine Tyler MayLawrence G. SagerRuti G. TeitelLeti VolppMarilyn B. Young

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Le francais n'echappe pas a la caracteristique generale des langues qu'est leur variabilite. En l'absence d'observatoire direct du langage, la variabilite constitue la principale voie d'acces aux parametres stables qui le rendent possible. La question de savoir ce qui est contingent et ce qui est necessaire dans les associations d'informations qui forment les signes a travers les varietes de francais reunit les contributions a cet ouvrage. Ces travaux developpent les rapports du sens aux interpretations - la polysemie de bien (Dostie et Bouchaddakh), celle des verbes axiologiques (Larrivee), des temps surcomposes (Burgi), du connecteur Pourtant (Marengo) -, des interpretations aux contraintes syntaxiques - les traits generaux de la predication seconde (Riegel) et de la subordination par comme (Pierrard), les constructions particulieres de la preposition suivie d'un adjectif (Melis), de gallicismes quantifiants (Gaatone), d'emplois idiosyncrasiques de si dans l'ancienne langue (Soutet) -, des categories referentielles a leurs marqueurs - sur la distinction massif/comptable (Kleiber), les categories predicatives de SN (Gross), l'aspect (Laurendeau) -, des marqueurs aux categories textuelles - le role enonciatif du pronom moi (Chevalier), la structure du discours dictionnairique (Mercier et Thiffault), les metaphores dans l'argumentation politique (Forget). La variation inherente a la pratique de la langue ecrite par des peu lettres (Martnibeau) et l'acquisition de la langue seconde (Hadermann) sont egalement envisagees. Ces contributions designent les causes de la variabilite, qui tient a un rapport de compatibilite entre des representations intervenant a differents niveaux, et non a des correspondances mecaniques entre des couches successives. Les propositions faites dans ce volume refletent l'ampleur et la precision du travail de Jean-Marcel Leard, a qui il est presente.

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Grasp the unique history of Quebec? Easy. Packing in equal parts fun and facts, History of Quebec For Dummies is an engaging and entertaining guide to the history of Canada's second-largest province, covering the conflicts, cultures, ideas, politics, and social changes that have shaped Quebec as we know it today. "My country isn't a country, it is winter!" sings the poet Gilles Vigneault . . . Indeed, Quebec is winter, snow, cold, and freezing winds. It is also the majestic river Saint-Laurent and its numerous confluences across America. It is vast, dense forests, countless lakes, magnificent landscapes of Saguenay, Charlevoix, Côte-Nord, or Gaspésie. Quebec is also the "old capital" perched on the Cape Diamond facing the sea. It is Montreal, the first French city of North America, the creative and innovative metropolis, junction for different cultures and heart of a nation yearning to belong to the world's history. History of Quebec For Dummies tells Quebec's fascinating story from the early fifteen hundreds to the present, highlighting the culture, language, and traditions of Canada's second-largest province. Serves as the ideal starting place to learn about Quebec Covers the latest, up-to-the-minute findings in historical research Explores the conflicts, cultures, ideas, politics, and social changes in Quebec Lifelong learners and history buffs looking for a fun-yet-factual introduction to the grand scope of Quebec history will find everything they need in History of Quebec For Dummies.

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A captivating look at Parisian fashions of the 1960s and how the ready-to-wear revolution influenced haute couture The 1960s was one of the most exciting periods in fashion history, as shifting cultural paradigms were embraced by a generation of designers that challenged conventions and reinvented the fashion industry. This compelling volume focuses on the important but too often dismissed fashions that were created in Paris during this time. From the early couture designs of Yves Saint Laurent that initiated a trend toward a more relaxed and youthful style, to the popularity of ready-to-wear fashions by Emmanuelle Khanh – part of a new group known as the stylists – this book traces the development of Parisian fashion during the 1960s and its continuing legacy. Colleen Hill features eye-catching images from Elle and Vogue, as well as stunning examples of fashion from The Museum at FIT’s world-class collection. She provides an in-depth look at the combined influences of French haute couture, ready-to-wear, and popular culture during this era. In doing so, she describes how the dominance of haute couture was challenged by the ready-to-wear movement, resulting in the rise of a vibrant, youthful, and modern aesthetic in Parisian fashion. Published in association with The Fashion Institute of Technology, New YorkExhibition Schedule:The Museum at the Fashion Institute of Technology, New York (February–April 2017)

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This volume explores nonhuman animals’ involvement with human maritime activities in the age of sail—as well as the myriad multispecies connections formed across different geographical locations knitted together by the long history of global ship movement. Far from treating the ship as a confined space defined by the sea, Maritime Animals considers the ship’s connections to broader contexts and networks and covers a variety of locations, from the Canadian Arctic to the Pacific Islands. Each chapter focuses on the oceanic experiences of a particular species, from ship vermin, animals transported onboard as food, and animal specimens for scientific study to livestock, companion and working animals, deep-sea animals that find refuge in shipwrecks, and terrestrial animals that hunker down on flotsam and jetsam. Drawing on recent scholarship in animal studies, maritime studies, environmental humanities, and a wide range of other perspectives and storytelling approaches, Maritime Animals challenges an anthropocentric understanding of maritime history. Instead, this volume highlights the ways in which species, through their interaction with the oceans, tell stories and make histories in significant and often surprising ways.In addition to the editor, the contributors to this volume include Anna Boswell, Nancy Cushing, Lea Edgar, David Haworth, Donna Landry, Derek Lee Nelson, Jimmy Packham, Laurence Publicover, Killian Quigley, Lynette Russell, Adam Sundberg, and Thom van Dooren.

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Following the success of the bestselling colouring book Secret Garden by Johanna Basford, this set of 20 detachable postcards contain stunningly intricate and inspirational drawings of flowers, plants, insects, birds and small animals for you to colour in and either keep for yourself or send to friends.The 20 postcards are presented in a beautifully decorative package and the intricately realised world of the secret garden will appeal to all ages.'Colouring in isn’t just for kids. These intricate, magical drawings from Secret Garden by Johanna Basford are just waiting to be brought to life.’ The Guardian'Joanna Basford's Secret Garden is an 'inky treasure hunt and colouring book' filled with intricate drawings waiting to be brought to life. It's the colouring-in book you wish you had the hand-eye coordination to do, aged two.' The Independent'Prepare yourself to get lost in a magical world with this interactive activity book that takes you through a secret garden of incredible drawings by Johanna Basford.' Buzzfeed'Coloring books for adults have been around for decades, but Basford's success…has helped to create a massive new industry category.' The New YorkerAlso available by Johanna Basford from Laurence King Publishing:Secret Garden: An Inky Treasure Hunt and Colouring Book (9781780671062)Enchanted Forest: An Inky Quest and Colouring Book (9781780674872)Secret Garden: Journal (9781856699853)Enchanted Forest: Artist's Edition (9781780677842)Enchanted Forest: Journal (9781780679181)Enchanted Forest: 12 Notecards (9781780677835)

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From TikTok sensation Sierra Simone comes the first in the Lyonesse series, a spin-off of her bestselling New Camelot books.Tristan Thomas is lost. After leaving the army, the young former soldier is in limbo. Until, that is, he's hired by Mark Trevena, the owner of Lyonesse-DC's ultra-secret club-to be Mark's new bodyguard. He's drawn into Mark's dark, seductive world of power and desire, and slowly drawn to Mark himself, even though Mark is everything Tristan knows he shouldn't want: cruel and wicked and shamelessly amoral.But protecting Mark isn't Tristan's only duty: soon, Mark asks him to guard his soon-to-be bride as she travels home from Ireland on Mark's yacht. Tristan is jealous-and hurt to learn that the object of his obsession is engaged-but the former soldier in him is made to obey orders, and he goes to fetch Mark's bride for him.Isolde Laurence is nothing like Tristan expected, however. Young, quiet, and sharp, she's being pushed into this marriage by her family, and as the two travel back to America, Tristan finds himself fascinated with Isolde and the glimpses he gets of the lonely but determined woman behind her reserve. And the fascination is mutual: one night, while sailing under the cold stars, they share a searing kiss. From there, it's a fast fall into the forbidden for all three of them.

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The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view.Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood

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'England? It seemed to be raining the whole time . . . Or maybe it was me'MARILYN MONROEIn July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier. When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn't quite turn out that way.The 'cottage' was actually a mansion, which belonged to Lord Drogheda, the managing director of the Financial Times. Raised in tiny hotel rooms and apartments, Marilyn felt herself being watched. She was, by Lord Drogheda's servants, who were selling stories to the papers. When filming began, it was a disaster. Director Joshua Logan had written to Olivier, offering advice on how to handle Marilyn as an actress, but Olivier ignored him. Instead, he condescended to her in his introduction to the cast, pooh-poohed her views on acting, and dismissed her stage-fright as an inconvenience. Marilyn grew to hate Olivier with a passion; the feeling was mutual.Marilyn found herself torn between settling into married life, being a curiosity for the frequently hostile British press, and her work on The Prince and the Showgirl. She took solace in small acts of kindness from members of the public, and a new fascination with Queen Elizabeth.Marilyn made a point of adopting some of the Queen's favourite brands, buying gloves from Cornelia James, perfume from Floris, and switching from Chanel No. 5 to Yardley's Lavender. Marilyn made a point of asking the film's PR manager to add a royal meeting to her schedule, but each day Olivier would delete the request. Michelle Morgan describes Marilyn's trip to late-1950s' Britain in evocative detail, exploring the making of the film alongside the film star's troubled private life and her quest to meet the Queen.

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In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

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'Levy portrays a tech company where no one is taking responsibility for what it has unleashed' Financial Times'This fascinating book reveals the imperial ambitions of Facebook's founder' James Marriott, Sunday Times'The inside story of how Facebook went from idealism to scandal' Laurence Dodds, TelegraphToday, Facebook is nearly unrecognizable from the simple website Zuckerberg's first built from his dorm room in his Sophomore year. It has grown into a tech giant, the largest social media platform and one of the biggest companies in the world, with a valuation of more than $576 billion and almost 3 billion users. There is no denying the power and omnipresence of Facebook in daily life. And in light of recent controversies surrounding election-influencing fake news accounts, the handling of its users' personal data and growing discontent with the actions of its founder and CEO, never has the company been more central to the national conversation. Based on years of exclusive reporting and interviews with Facebook's key executives and employees, including Mark Zuckerberg and Sheryl Sandberg, Steven Levy's sweeping narrative digs deep into the whole story of the company that has changed the world and reaped the consequences.

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Diana Vreeland has been called the fashion editor of the twentieth century. An epic self-mythologizer, she had an incredible aura of glamour, a great eye, and a genius for life. Diana Vreeland reveals the growth of her professional prowess and gives an account of her personal history, at the same time as it brings to life Mrs. Vreeland's pizzazz, humour, and flamboyant personality. A dynamic cast of characters accompanies Diana Vreeland's story. There are more than 300 illustrations, photographs, and drawings, many by the best fashion photographers of her time such as Louise Dahl Wolfe, Irving Penn, Cecil Beaton, and Brassai. Through her work Diana knew Coco Chanel, Elsa Schiaparelli, Yves Saint Laurent, Hubert de Givenchy and Oscar de la Renta. In the seventies a new wave of young talent came into her life - Andy Warhol, Fred Hughes, Mick and Bianca Jagger. She was friendly with Truman Capote, taught Jacqueline Kennedy Onassis how to dress for her role as First Lady, and was interviewed for her autobiography by George Plimpton. The fashion editor of Harper's Bazaar from 1937 to 1962, Diana Vreeland first shook things up with her Why Don't You column. Later, as the editor in chief of Vogue from 1962 to 1971, Diana Vreeland became famous for her startling style - sheathing women in jungle print underwear, wrapping their heads with leopard scarves. She operated out of her red lacquered office with a leopard-print rug, smoked continually, and lunched on peanut butter and jelly and a shot of scotch. At the height of her power, she was fired from Vogue, and replaced by an editor who had worked under her. In 1972, Diana returned to center stage for the final act of her life at the Metropolitan Museum of Art's Costume Institute as its Special Consultant, a job she invented. She masterminded costume extravaganzas and contributed to the new age of blockbuster exhibitions in which museum attendance soared and people poured into the galleries as never before.

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Born in 1916, after learning to fly as a civilian, Ian Richard Gleed was granted a RAF commission in 1936. He completed training on Christmas Day that year, being posted to 46 Squadron which was equipped with the Gloster Gauntlet. Through much of his RAF service the diminutive Gleed was known as Widge', short for Wizard Midget' on account of his excessive use of the word wizard' to describe something topper', and his short stature. Rising from Flight to Squadron Commander in short order, and later taking over the Ibsley Spitfire Wing in 1941, Gleed was enormously popular with his peers. Indeed, Wing Commander Bunny' Currant once described Gleed as a pocket-sized man with care for others and courage beyond compare'. Having been decorated with the coveted double' of both DSO and DFC, Wing Commander Gleed went out to lead a wing in Tunisia. It was there that he was shot down and killed on 16 April 1943. By this time, he had achieved the status of being a fighter Ace, having been credited with the destruction of thirteen enemy aircraft. The previous year, Gleed's wartime memoir, Arise to Conquer, was published by Victor Gollancz. Eloquently written and detailed, this book is a superb first-hand account of one man's life and times as a fighter pilot - mainly flying the Hawker Hurricane - during the Fall of France, the Battle of Britain and beyond into the night Blitz. Reprinted here in its entirety, and extensively introduced by the renowned aviation historian Dilip Sarkar MBE, FRHistS, this edition of Arise to Conquer is supported by a remarkable set of wartime images. Among Gleed's Hurricane pilots on 87 Squadron during the Battle of Britain and beyond was Sergeant Laurence Rubber' Thorogood, a keen photographer who is often mentioned in this book. Along with his Commanding Officer's words, Rubber's unique personal photograph album, containing as it does a number of images of Gleed, provides a rare glimpse of a fighter squadron at war during our Darkest - yet Finest - Hour.

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